A virtual press conference from Sound & Video Contractor

Archive of the AES Newslink Category

ADVERTISING AND POST STUDIO, MICAH KOVACS AUDIO, WINS AWARDS USING A METRIC HALO ULN-2 INTERFACE

BRONXVILLE, NEW YORK: Although the path to Micah Kovacs’ relatively new and successful freelance venture, Micah Kovacs Audio, was not clear to him at the outset, his dedication, professionalism, and knack for making audio work transparently with images guided him down it, nonetheless. Already, his ten-plus years in the advertising and film post industry have earned him Addy, Promax, and Mercury awards, and several awards at juried film festivals. His clients include the Sundance Channel, VH1, L’Oreal, Verizon, NBC, and many other high-profile brands. Whether working out of his home studio for smaller projects or temporarily relocating to a client’s facility for more involved projects, Kovacs relies on the superlative audio quality and reliability of his Metric Halo ULN-2 mic-preamp/converter to maintain a pristine signal path at all times. Moreover, Metric Halo’s commitment to future-proofing the ULN-2 with software and, when necessary, firmware upgrades – together with Metric Halo’s commitment to making the ULN-2 work robustly with any and every piece of audio software in the Mac universe – guarantees that Kovacs’ investment will continue to work for him indefinitely.

Like so many in the audio industry, Kovacs stumbled across recording technology while in a high school band. “I was fascinated by the process of recording very early on,” he said. “In college, I joined some other bands and we recorded ourselves with 4-tracks or with digital workstations when they were available. It wasn’t anything close to what I do these days; we weren’t using Pro Tools, for example. But the craft of recording and mixing captivated me.” An art major, Kovacs gravitated toward video in his coursework and secured an internship at a video post-production house after graduating. He worked his way up from production assistant to assistant video editor. “The whole time, I was the go-to guy for any audio work that needed to be done,” he recalled. “I really enjoyed the mix process and learned, through my work there, that there were companies dedicated solely to audio for video.”

From there, Kovacs took a job at NYC’s Pink Noise, where he worked his way up from glorified runner to head engineer in a span of eight years. Then he took a position at NYC’s Verbatim Sound as head engineer and music producer, and a while later – sated with industry contacts and know-how – he shifted to full-time freelance under the Micah Kovacs Audio flag. “Going freelance, I knew I had to upgrade my audio hardware,” Kovacs said. “Most of the audio interfaces on the market, including the one I owned at the time, had a nasty reputation for quickly becoming obsolete as computers and audio software progressed. I needed something that would be portable and more accepting of software upgrades. Moreover, I work with a number of audio programs, including Pro Tools and Nuendo, and I wanted something that would work seamlessly with all of them, now and in the future.”

He continued, “The Metric Halo ULN-2 was the natural choice. Metric Halo is famous for supporting its products [original versions of the company's first interface, the 2882, are still supported for all the latest Mac hardware and software]. In addition, its sound quality and reliability are consistently praised as among the best on the market.” With countless hours logged at his earlier jobs, Kovacs learned what gear was indispensible and what was not. He outfitted his personal studio with a lean, but powerful collection of gear that could travel when necessary. A small rack of outboard gear serves a variety of functions and interacts with a MacBook Pro and iMac via the ULN-2. The ULN-2 also sends signal from the computers to the gear and to a pair of KRK monitors and a pair of Yamaha NS-10s. On the far front end, Kovaks maintains a collection of studio-grade musical instruments for use in original recordings. When necessary, Kovacs can move his studio to a client’s space to complete long-term or quick turnaround jobs.

Understandably, Metric Halo’s free audio routing software, MIO Console, plays a large role in Kovacs’ setup. “I love MIO Console,” he said. “With it, I can switch between my monitors internally, and I can route signals in elaborate ways between internal software programs and my external hardware. I also like the processing the ULN-2 ships with; I’ve been experimenting a lot with the ‘Character’ signal path modeling plug-in. Finally, I was pleased with the service I received from Metric Halo. There’s a ton to learn, especially with MIO Console, and the tech support zeroed in on my particular setup to get me up and running quickly. I had clients wanting service right away, so I didn’t have time to experiment. Metric Halo understood that.”

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

Red TX Joins The Remote Recording Network

Broadcast audio specialist Red TX has joined Europe’s leading live recording initiative Remote Recording Network. Whilst contributing to managing and engineering music and broadcast assignments on a global and cost-effective basis, RRN offers bespoke solutions that cater for all kinds of transmission, recording, mixing, mastering, duplication and publishing.

Remote Recording Network GmbH had last year joined forces with Dutch mobile recording company Eurosound bv and had integrated the German ‘RemoteTaxi’ enterprise to establish the initial ‘Network’.

Peter Brandt, head of Remote Recording Network and a man with over 30 years’ experience of recording and mixing international rock, pop, jazz, and classical artists, says: “Bringing Red TX into RRN will benefit our European customers by giving them access to a fully digital truck based in Europe that can handle high-end surround sound projects, particularly for broadcast.”

Tim Summerhayes, CEO of Red TX, adds: “I have known Peter Brandt for many years and we have worked together on numerous projects in the past. I am very excited by this collaboration because it allows us to utilize our combined technical resources in a very effective way. There is a huge requirement for mobile digital recording facilities in Europe and by joining forces with the Remote Recording Network we can now provide the necessary human and technical resources to meet this demand.”

Red TX has two state of the art recording units, RED 1 and RED 2. Both are equipped with Studer Vista 8 Digital Mixers, PMC 5.1 surround sound monitoring and Pyramix, Pro Tools and Reaper recording systems. They also have extensive racks of outboard equipment and digital effects, and are internally designed to very high acoustic specifications. RED 2, which is the larger of the two units, will be located as required, between the RRN HQ in Germany and Eurosound bv’s base in The Netherlands, while RED 1 will remain at Red TX’s premises in the UK.

“Our model of using international partners to combine resources and equipment is very valid, especially in a world where businesses need to reduce their carbon footprint as much as they can,” Peter Brandt adds: “By tapping into facilities that are already stationed on different continents, we don’t need to transport huge trucks around the globe. Instead we can ‘travel lite’, frequently only needing to transport an engineer, which minimizes travel costs and keeps our carbon footprint to a healthy low. It also means that we can keep our rates very competitive, too.”

Red TX’s RED 2 unit will make its Remote Recording Network debut in June at the Tuckerville Festival in Enschede, The Netherlands. From there it has a busy summer ahead, working at live events and festivals in various countries.

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About Red TX:
Red TX provides a comprehensive concert recording and broadcast service to the music and television industries. The company has state-of-the-art mobile recording facilities and can handle projects of any size or complexity. As well as recording audio for broadcast, the company also records live music events for subsequent release on CD or DVD www.remoterecording.net
www.red-tx.com

About Remote Recording Network:
Remote Recording Network is a new initiative that brings together the market-leading live recording companies Peter Brandt Remote Recording and Eurosound GmbH. Years of experience, knowledge and network are now combined to supply an unrivaled, world-class, world-wide recording service.
www.remoterecording.net
For more information, please contact Tony Andrews – tony@awandrews.com

Mastering Engineer Eric Boulanger Extolls the Benefits of SADiE’s New Mastering Toolkit

The new mastering features that SADiE has incorporated into its popular SADiE 6 editing and production software have been hailed as a major improvement by internationally acclaimed mastering engineer Eric Boulanger – not least because they are saving him an enormous amount of time.

Eric Boulanger is based at the world famous The Mastering Lab (TML), which was America’s first independent mastering facility when it was opened in 1967 by Doug Sax. Originally in Hollywood but now based on Ojai, California, TML remains a revolutionary state-of-the-art company that uses unique concepts of signal flow and electronics pioneered by Doug’s brother, Sherwood Sax. All of its custom electronics and console are all purpose designed and handcrafted, and this attention to detail has earned TML more Grammy nominations for engineering than any other mastering facility.

As well as being an eminent mastering engineer, Boulanger is also responsible for ensuring TML’s custom analogue equipment stays in tip-top shape. In keeping with TML’s pioneering spirit, Boulanger was the first Mastering Engineer to produce a ‘Mastered for iTunes’ release (in 2011) – a format that is now the mainstay for all major record label releases on iTunes thanks to the popularity of digital downloads.

When Boulanger isn’t working, he lets his creativity loose in the studio as a professional violinist. He is also on the Steering Committee of NARAS, the GRAMMYs Producers & Engineers Wing.

Boulanger has been a SADiE user since 2007 when he started working at TML.

“We have five operational systems that range from the early Artemis to our current SADiE 6.1 systems,” he says. “These are our workhorses, but when we are working with DSD, we use an older SADiE 5 DSD8, which is still the finest DSD editor I’ve encountered.”

TML’s decision to upgrade its SADiE 6 software to the latest version, which includes the new mastering tools, came as a result of changes within the music business. Boulanger explains: “These days, artists and labels are mainly releasing Hi-res files (for example HDTracks); MFiTs, 16Bit digital downloads, and (maybe) CDs. Thanks to the new mastering features in SADiE 6, I can generate all of these files with just a few clicks of the mouse. The new software will also generate WAV file masters that are cut gapless and therefore maintain any track spacing, or fancy crossfades between tracks (like Pink Floyd’s Dark Side of the Moon, for example, or a live concert with applause segues). Now all the different products will match track length, etc.”

The main benefit the new version of SADiE 6 has brought to Boulanger’s workflow is time saving.

“It is literally saving me hours and hours of production time because I no longer have to recreate separate EDLs and jump through hoops to create WAV bounces that match other sample rate or CD products,” he says. “I also don’t have to bounce grouped clips with extra space tagged on to maintain correct gapless track spacing.”

Boulanger adds that, thanks to the efforts of the European Broadcasting Union and the UK Music Producers Guild, SADiE 6 also supports Broadcast WAV, an extended WAV format that allows ISRC codes to be embedded into the XML Metadata of WAV files.

“This is a solid step forward in making WAV file masters a professional format,” Boulanger says. “Prior to getting this new software I had to manually rename files – and, of course, there was no possibility of including ISRC codes in the metadata.”

Since installing the latest version of SADie 6, Boulanger has been working on various albums, all of which have benefitted from the speed at which he can now turn project around.

“The day I received the new features, I was working on a popular Christian group’s live album,” he says. “They had attended the session and were in a rush to make a flight, so I gave the new features a whirl since there were many edits and crossfades to create the live album experience. To my delight, everything worked perfectly right off the bat, and the band made their flight, masters in hand.”

Boulanger, who has worked with artists such as Eric Burdon, Colbie Caillat, OneRepublic, The Plain White T’s, Serena Ryder, Chris Botti, Sarah Jarosz, and Jackson Browne, has most recently finished an album with multiple formats for singer Anais Mitchell. Produced and mixed by Gary Paczosa, it will be released on Wilderland Records later this year.

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The range now includes SADiE digital audio workstations and location recorders. Prism Sound also manufactures audio test and measurement products such as the DSA-1 and the dScope Series III audio analyzer.

For more information please visit www.sadie.com or www.prismsound.com

Hollywood Sound Hosts Yamaha NUAGE, Steinberg Nuendo Demos

BUENA PARK, Calif.— David Lees and Marcel Mauceri from Yamaha Commercial Audio Systems, Inc. will be on hand to demonstrate the new Yamaha NUAGE production system along with a Nuendo masterclass presented by Steinberg’s Greg Ondo on Tuesday, July 1st between 7:00 – 9:00 pm. Hosted by Hollywood Sound, the presentations will take place at their location 1541 North Wilcox Ave., Hollywood, CA 90028.

NUAGE is a highly refined, scalable hardware/software production environment for recording, video post-production, ADR, music production and mixing. NUAGE features many unique and exciting features such as an integrated ADR system, efficient content management, advanced media access system, and much more.

A joint collaboration between Yamaha and Steinberg, NUAGE is a hardware and software system that adds the power of Dante audio networking, and is a complete, flexible system that allows engineers to choose and combine components to perfectly match individual application and workflow requirements.

These sessions are free and open to all members of the audio production community. Please RSVP to 323.466.2416. For more details, visit
www.hollywoodsound.com.

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Las Vegas Production Company High Jumps with Yamaha NUAGE System

BUENA PARK, Calif.—Dog & Pony Studios in Las Vegas has been in business for 11 years with its primary focus on audio post, sound design, composition, and audio for games. Clients include MGM Resorts, Caesars Entertainment, Skechers, and Aristocrat Technologies, to name a few. Recently, the company raised the bar by installing one of the first Yamaha Steinberg NUAGE DAW systems in the U.S. RSPE Audio Solutions in Toluca Lake, California installed the system.

No stranger to Steinberg’s Nuendo, having used the software since Version N3.x as well as Yamaha products, all three Dog & Pony production studios run Steinberg Nuendo 6.07 and house a Yamaha MSP7 5.1 speaker monitor setup. “I first learned about the NUAGE system on social media, and that followed with a demo by RSPE, states owner John McClain. It took just the three or four hours of the demo to know that NUAGE was a great fit for our facility. The first thing that strikes me about NUAGE is the ability to forgo use of the mouse and keyboard which, to me, is a huge advantage and the “holy grail” of how a controller should work. The build quality of the system is quite obviously very good.”

McClain said that his number one feature on NUAGE is its ergonomic layout.
“From editing and sound design to mixing and post, almost any function needed is available from the work surface. My favorite feature about Nuendo has always been the number of ways you can solve a problem and the ability to design your own workflow, key commands, etc. to fit your own needs. With NUAGE, the Yamaha and Steinberg design engineers continued that openness with many ways to set up NUAGE to fit your own workflow. The support from the Company has been fantastic; they are very focused on the end user and open to suggestions for future product enhancements.”

For more information on Dog & Pony Studios, visit www.dogandponystudios.net.

For more information on NUAGE, visit www.yamahaca.com.

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Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

The Music Producers Guild Holds Its Second Scottish Speakeasy

Following on from the success of its regular Speakeasy networking evenings in London and the East Midlands, the Music Producers Guild is now extending the initiative to Scotland where a Caledonian MPG Speakeasy was held to tie in with goNorth.

MPG Executive Directors and producers Mick Glossop and Andrew Hunt hosted the event, which was held at McPhabb’s bar in Charing Cross, Glasgow, and was organised by Caroline Cooper and Stewart Henderson of the Scottish Music Industry Association (SMIA).

“Andrew and I were in Scotland, having once again taken part in the annual goNorth conference and festival in Inverness,” Mick Glossop says. “We held a Speakeasy after last year’s goNorth and it was such a success that we decided to hold another this year. It was the perfect way to end our trip and we welcomed the opportunity to reconnect with producers we had met in the past and forge stronger links with other recording professionals north of the border. We hope that there will be many more opportunities in the future.”

This year’s goNorth attracted over 100 leading industry players from the fields of music, screen, broadcast and gaming. The conference included daytime panels and workshops, and provided showcasing opportunities for artists and bands from all over Europe.

Mick Glossop and Andrew Hunt were there to promote the value of music production to artists, musicians, producers, recording engineers, record company executives, publishers and managers. They took part in a lively discussion panel entitled Meet The Producers, which was moderated by Mick Glossop and featured contributions from producers Tony Doogan, Simon Gogerly, Gilles Perring and Scottish recording artist, Roddy Hart.

“There is a strong, vibrant and incredibly enthusiastic music industry in Scotland, supported by several organisations, including the SMIA, Creative Scotland and Highlands and Islands Enterprises, with which the MPG now has strong links,” says Andrew Hunt. “The sense of community in Scottish music is markedly apparent – something that you don’t often witness in London, which is a real shame.”

Glossop adds: “MPG will continue to develop the links we have established in Scotland, and make every attempt to create further opportunities to promote the MPG and the value of music production, north of the border.”

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About Music Producers Guild (UK):

The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk

The Music Producers Guild Criticizes YouTube

London, UK: The Music Producers Guild is lending its support to Independent record labels as they battle YouTube for a better deal for continued access to YouTube’s online video platform.

In a statement issued today, the MPG board says:

“With regards to the recent dispute between YouTube and independent labels and the unfavourable terms which YouTube seeks, without negotiation, to impose upon independent record labels, the Music Producers Guild is deeply concerned about Google’s apparent abuse of its monopoly and associated market power and the adverse effect this will have on the wider industry and funds available for innovative and creative content production in the future.

“Independent record producers everywhere, in common with recording artists, rely upon the income from sales and streaming of music files, the production of which they have been responsible, often with little or no credit (itself ironic in this digital age). Attempts by international media conglomerates to throttle negotiation and impose unfavourable and unjust terms upon independent record companies, whom they perceive to be “small fry” and thus “fair game”, should be opposed at every opportunity.”

For more information on this subject and the MPG’s response to it, please visit
www.mpg.org.uk

About Music Producers Guild (UK):

The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers.

PreSonus Delivers No-Hassle Dante Networking for StudioLive AI Loudspeakers

 Baton Rouge, Louisiana, June 2014… With the new SL-Dante-SPK upgrade option,StudioLive™ AI-series Active Integration™ loudspeakers become the first Dante-enabled active loudspeakers on the market. The SL-Dante-SPK card houses one Ethercon connection for Dante™ audio networking and remote control via the free SL Room Control application for StudioLive AI-series loudspeakers.

Dante-enabled StudioLive AI-series 3-way active loudspeakers allow users to create a complete, networked audio system with any Dante-enabled mixer using a standard 1 GB Ethernet switch and Audinate’s Dante digital-media networking technology, which offers no-hassle, self-configuring, true plug-and-play digital audio networking.

Users can also connect non-Dante mixers, such as a first-generation StudioLive, to the analog inputs of a Dante-equipped AI loudspeaker and then broadcast the signal over the Dante network using CAT5 cables. This makes Dante-enabled StudioLive AI an ideal solution for large FOH systems.

The Dante upgrade works with StudioLive 312AI, 315AI, and 328AI loudspeakers and the StudioLive 18sAI subwoofer. It will be available from PreSonus dealers in August 2014 with an expected MAP/street price of $199.

For more information about Audinate and Dante, please visit www.audinate.com. For more about PreSonus StudioLive AI Active Integration loudspeakers, visit www.presonus.com/products/live-sound-reinforcement.

###

About PreSonus Audio Electronics, Inc. – Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

 

 

LEMON JELLY MAKE MUSIC WITH METRIC HALO PLUG-INS

SAFETY HARBOR, FLORIDA: Nick Franglen is best known as founding member of the British electronica duo Lemon Jelly, releasing three albums on XL Recordings that sold half a million albums worldwide and earned Franglen and band mate Fred Deakin nominations for the Mercury Music Prize and the Brit Awards. “Lemon Jelly’s style is electronic music that doesn’t sound particularly electronic,” explained Franglen. “We’d pull together sounds from a wide range of genres to see what would happen when we mixed them up. They could be sampled or played – it really didn’t matter where they came from – the more diverse the better.” Although Lemon Jelly are currently on a happy hiatus, Franglen maintains an outrageously busy schedule – as he always has – that feeds his creative need to keep things fresh and interesting. “Creativity is all I’m interested in. I hate repeating myself (I get bored very quickly) so I’m constantly challenging myself into innovation. I like being out on a limb – that’s where the exciting things happen.”

Franglen’s talent, prolificacy, and affable nature have earned him a lot of friends and work in the music industry. He’s provided keyboard and beats programming for Björk, Hole, Primal Scream, Pulp, and Blur. In addition to all the Lemon Jelly records, he has produced albums for John Cale and Badly Drawn Boy and remixed Mark Mothersbaugh (Devo), the Pet Shop Boys, and Coldcut. He has written and produced tracks with artists as diverse as William Shatner and John Paul Jones (Led Zeppelin) and regularly plays live with John Cale. As musical director of the Nico tribute show, he has worked with Mark Linkous, Mark Lanegan, Kim Gordon, Mercury Rev, Yeasayer, and many others. Reflecting his unquenchable thirst for the novel and creative, Franglen has performed and recorded electronic gigs down mines, on submarines, and in abandoned government test facilities. As a composer, he has worked on films with Ralph Fiennes, written the music for BBC-TV series, and composed commercials for BMW, Cadillac, Ford, Coca-Cola, Caesar’s Palace, Nordstrom, and many others. “I like to keep busy,” he summarized simply.

In addition to myriad other side projects and jobs, Franglen’s current passion is a solo album that will be released under his own name. “I’ve been developing this material over the past couple of years,” he said. “It’s quite complicated stuff, both conceptually and sonically, and I’m enjoying the challenge.” Like everything else he’s touched (sonically) in the last decade, Franglen has made regular use of Metric Halo’s classic ChannelStrip plug-in in the development of the new material. “I was with ChannelStrip from the very beginning – I had the original version,” he said. “It was the EQ that first got me. It could do things that no other EQ could do, and that remains the case today.”

He continued with an example: “For a while I was really interested in mixing very different samples from very different sources, it could be jazz with punk with something orchestral, whatever. I had to capture the essence of a source and still preserve audio clarity when it was mixed with something else, and Metric Halo ChannelStrip let me do that without having the composition turn to mush. Basically, ChannelStrip’s Q is precise and perfect. I can nail a filter or EQ band to within a few Hertz, enhance the fundamentals and then cut out everything that doesn’t matter while preserving the sample’s character and life. That’s a critical part of what I do and it’s my secret for maintaining audio clarity even when I have a lot of different sources all playing at once. And shortly thereafter I learned the value of ChannelStrip’s dynamics section. It’s so versatile. I use it all the time in combination with the ChannelStrip gate to bring looped drums to life.”

For work on his solo album, Franglen is using Metric Halo’s Production Bundle of plug-ins, which includes all of Metric Halo’s plug-ins: ChannelStrip 3, Character, HaloVerb, Multiband Dynamics, Precision DeEsser, Transient Control, and Multiband Expander. “I’ve found that with Character and Transient Control, I can breathe life and soul into my studio recordings,” he said. “The effect is subtle, but undeniable. The reverb is also fabulous. It has a huge range of sounds, and the smoothness of the tail is beautiful and transparent. It just disappears into the background. When I apply it to individual instruments, it gives them their own space and surrounds them with warmth without ever overpowering them.”

To say that Franglen uses Metric Halo plug-ins would be an understatement. Just as ChannelStrip has been a critical component of his sound over the last decade, the broader Production Bundle palette is fast becoming indispensible. A peek inside one of his new sessions reveals Metric Halo plug-ins on nearly every channel, with many of those channels bursting with multiple Metric Halo plug-ins!

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

FOR MORE INFORMATION ON NICK FRANGLEN:
Website: www.franglen.net
Facebook: www.facebook.com/nickfranglen
Soundcloud: www.soundcloud.com/nickfranglen
Twitter: www.twitter.com/nickfranglen

ASHLY AMPLIFIERS AND SIGNAL PROCESSORS NOW SHIPPING WITH DANTE™

WEBSTER, NEW YORK: Ashly Audio, maker of powerful, high-performance, cost-effective power amplifiers and signal processors, is now shipping Dante digital media networking solution with all their nXe, nXp, Pema and NE Series networkable amplifiers. NE Series rack-mount system processors (4400, 4800, 8800) are also available for purchase with Dante. With low latency, robust synchronization, I/O scalability, and simplicity of installation via standard IT technology, Dante will significantly enhance the power and value of Ashly’s networkable amplifiers line and select signal processors.

“We’re now ready to supply our market with this incredible audio networking technology in our nXe and nXp amplifiers” says Anthony Errigo, director of communications at Ashly. “Dante currently brings the best in flexible, yet robust, digital audio transport and we’re poised to build on its success by delivering this connectivity in our most premier amplifiers and processors. Our customers will benefit greatly by this advancement.”

Audinate revolutionizes the way that A/V systems are connected by transporting high-quality media over standard IT networks. Dante is a robust proven solution which is widely deployed in hotels, transportation centers, shopping centers, public address systems, live sound reinforcement, theaters, concert halls, stadiums, athletic venues, corporate boardrooms, universities, broadcast facilities, recording facilities, houses of worship, government facilities, and courtrooms.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ABOUT AUDINATE Audinate’s patented Dante media networking solution has been adopted by eighty OEM manufacturers in the professional audio/visual industry and is a Promoter Member of the AVnu Alliance™. Audinate offices are located in US, United Kingdom and Australia. Visit www.audinate.com for the latest news and information on the company. Dante is Digital Media Networking Perfected.

Dante is a trademark of Audinate Pty Ltd. Audinate is a registered trademark of Audinate Pty Ltd.

STOP BY AND SEE ASHLY AT INFOCOMM BOOTH #C11308

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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