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Media Group International Helps Sharjah TV Prepare For An HD Future

Leading systems integrator Media Group International has completed a major infrastructure project for Sharjah TV by upgrading the broadcaster’s Avid storage system and redesigning its network infrastructure to enhance day to day operations.

Based in the United Arab Emirates, Sharjah TV celebrates its 25th anniversary this year and has marked this milestone with a switch to High Definition broadcasting. Over coming months the broadcaster will be enhancing its audiences’ viewing experience by offering HD coverage of a wide range of cultural events, all of which tie in with Sharjah’s current status as Islamic Cultural Capital of the Arab region for 2014.

At the heart of Sharjah TV’s HD switch was the Avid upgrade, which was needed to provide additional storage for current production work and to ensure that Sharjah TV was ready for the new format.

His Excellency Dr. Khalid Al Medfa, Director General of Sharjah Media Corporation, commented: “Sharjah TV is committed to technological developments and professionalism. This commitment enhances performance and maintains an approach that is consistent with the ambition of Sharjah in its quest to achieve leadership in various fields. There is no doubt that the transition to High Definition TV broadcast is an important step for Sharjah TV in providing modern and cutting edge coverage. The move sheds light on our unlimited support that will lead to advancements in the media sector and highlights our leadership in this field.”

MGI’s expertise with Avid systems and its ability to provide Avid-trained in-house engineers was a key reason why Sharjah TV chose the company for this task.

Aisha Alzareef, Head of Broadcast IT at Sharjah Media Corporation, says: “MGI worked closely with us to ensure that this complex series of upgrades happened in a smooth and cohesive manner. We had to implement these changes in a very tight timeframe and were impressed that MGI managed the whole process so effortlessly, without any interruptions to our broadcast schedule. We were also grateful to MGI for ensuring that third party software from companies like Vizrt, FlipFactory and DivaArchive was upgraded in line with these changes.”

Commenting on this project, Mohamad Othman, Business Development Manager of MGI, says: “There were a number of challenges to overcome, not least the need to keep Sharjah TV on air throughout. The task was tackled in two phases to ensure that there was no downtime and that we stayed within the specified timeframe and budget.”

The project, which began at the start of 2014, involved upgrading Sharjah TV’s Avid Interplay Central® system and increasing the broadcaster’s storage capacity from 48TB to 768TB. MGI and Avid also redefined and engineered the broadcast workflow to ensure a smooth transition to HD and to provide Sharjah TV with a fully tapeless operation.

Founded by His Highness Dr Shaikh Sultan Bin Mohammad Al Qasimi, Member of the Supreme Council and Ruler of Sharjah, Sharjah TV comes under the umbrella of the Sharjah Media Corporation (SMC), which also includes the Sharjah Sports Channel, the youth and cultural channel Sharjah TV 2, Sharjah Radio Station and the Sharjah Media Training Centre. Renowned for its ground-breaking approach to technology, it was among the first broadcasters in the region to move from terrestrial to satellite transmission in 1996, and was credited with the title of the Arab Cultural Channel the year after.

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Notes to the editor:

About Ghanim bin Saad Al Saad & Sons Group Holdings

Ghanim bin Saad Al Saad & Sons Group Holdings (GSSG) was founded by Ghanim bin Saad Al Saad in 1993 and incorporated in 2007. Today it is one of Qatar’s most successful private sector business groups, making a major contribution to the country’s economic growth.

GSSG has enjoyed steady growth and success in many fields and industries locally and internationally. GSSG’s diverse portfolio gives it strength and enables its companies within the group to maximise global business opportunities wherever and whenever they arise.

The founder, Mr. Ghanim bin Saad al Saad, has enabled the group to grow to over 40 companies around the world. As an inspirational business leader, he has steered the group to achieve its success in industries that include aviation, maritime, automobiles, oil & gas, real estate, manufacturing, contracting and trading, finance & asset management, engineering, education, fitness, hotels, hospitality and fashion, information technology and telecommunications.

In addition to its corporate headquarters in Doha, GSSG also has five international offices located in London, Zurich, Cairo, Singapore and Dubai.

www.gssg.com

Media Group International

Media Group International (MGI) is an award-winning media broadcast and communications systems integrator, serving the media, telecommunications, security, education, hospitality and advertising industries in the Gulf region for more than 35 years. Formerly known as Salam Media Cast (SMC), the company joined GSSG Holdings in 2010, with offices in Qatar, UAE, Oman, Bahrain, Saudi Arabia and the UK.

Media Group International is diversifying its business into new technologies. As well as equipping professional television stations and studios, master control rooms, newsrooms, concert stages and theatres providing light and sound technology, the company also equips whole multivendor and multisensory environments. MGI provides solutions from safeguarding national security, such as in government operations, to creating the best educational venues in museums and classrooms, enhancing sports environments and revolutionising health facilities and satellite telecommunications.

Media Group International won the Digital Studio award for ‘System Integrator of the Year’ in March 2014. The company also holds ISO 9001:2008 certification, the world’s most recognised quality management standard. It is the first company of its kind to receive the prestigious accolade within the Middle East region, guaranteeing customers world-class quality assured products.

www.mgi.tv

Fairlight Demonstrates Ongoing Innovation at IBC 2014

Fairlight’s international reputation for pushing the boundaries of technology will be reinforced at IBC 2014 (7.H17) when the company shows a range of innovative products.

Leading the parade is Fairlight’s Live console family, which includes the Award-winning EVO.Live digital audio mixing system – a dual function console that allows engineers to switch between live and post modes at the touch of a button. Designed for the most demanding on-air and live productions, Fairlight’s versatile Live family covers a wide range of consoles, processing and I/O solutions, giving users highly scalable audio processing capabilities. In addition, Fairlight is showing its expanded range of live production tools, which includes the highly acclaimed iCan customisation software.

At IBC 2014, Fairlight will also be reinforcing the industry’s drive towards the ultimate in cinematic and immersive sound delivery by launching a new platform for Object Oriented 3D Sound Production.

This new platform supports traditional standard and custom bussing in simultaneous 2D and 3D, along with NHK’s 22.2, Dolby Atmos (via RMU) and DTS MDA. It also supports third party client applications such as Avid Pro Tools 10.x and Nuendo 6.0.

IBC 2014 will give new and existing Fairlight users their first opportunity to see the company’s fifth major software release, based on the brand new second generation CC-2 FPGA audio engine. The CC-2 audio engine with V5 software is perfectly suited to the demanding delivery requirements of today’s broadcast industry. By providing over 1,000 playback channels, 100 live inputs and 100+ output buses, the system is the most powerful audio engine ever made.

Fairlight will complete its IBC 2014 unveiling by showing how to deliver complex multi-sourced workflows by combining its open platform Media GateWay with its unique iCan workflow automation tools. These Gateways offer a glimpse into the future of broadcast post production by embracing collaborative editing environments such as Quantel’s Qtube, with internet based video source reference, original source audio and faster-than-realtime layback.

To learn more about Fairlight, please visit IBC 2014 Booth 7.H17, or www.fairlight.com.au for English information and www.fairlighteu.com for German information.

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About Fairlight:
Fairlight has been designing, engineering and manufacturing cutting edge, professional digital audio technology for more than 30 years. Its dedication to innovation, quality and customer service has made Fairlight one of the most respected companies in professional audio. With their integrated control surfaces and intuitive user interfaces, Fairlight’s award-winning media creation tools are renowned for their speed, flexibility and exceptional sonic quality. The company’s products offer full compatibility with virtually all open audio, video and sync standards, making them ideally suited to a wide range of audio post and live broadcast applications.
www.fairlightau.com

DPA Helps The Voice Australia Deliver a Great Live Experience

Thanks to DPA’s d:facto™ Vocal Microphone, vocal deliveries for the live broadcast of Australia’s The Voice were significantly improved, ensuring an even more enjoyable experience for TV viewers.

As with many TV singing/talent shows, the culmination of The Voice Australia relied on wireless microphone technology to ensure that the contestants could move freely about the stage. DPA’s award winning d:facto Vocal Microphone fitted the bill perfectly thanks to its state of the art adapter system that allows the high quality condenser capsule to be seamlessly integrated with many professional wireless systems or used in conjunction with DPA’s wired handle.

The decision to try DPA’s d:facto Vocal Microphone on the show was taken by Australian rental company, JPJ Audio.

John Simpson, Senior Audio Director of The Voice, says: “JPJ’s Brad Adamson told me he had DPA’s d:facto’s and we were keen to try them on a couple of TV shows we were working on. DPA has a great reputation for high quality mics and this interested me because I hadn’t been happy with any capsules on the RF systems we were using.”

Simpson knew that, being DPA, their pedigree would shine through the moment he brought up the faders.

“I realised we wouldn’t be needing that old EQ curve anymore,” he says. “The sound was natural, present and uncoloured, like having a top notch studio condenser available as RF. We don’t have to process anywhere near as much as we used to and everything sounds better; vocalists and presenters, male or female. The d:facto’s make it much easier to sit voices in a mix.”

Simpson adds that the Vocal Coach for the programme was also a fan. “He thinks they are a significant step up from anything he has heard and is very impressed, as are the operators at Monitors, FOH and Broadcast.”

“Just keep making them,” implores Simpson. “The capsules are the best thing we’ve heard for RF mics in a long time and have been an asset for us.”

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

The Music Producers Guild Declares Nominations Open For Its 2015 Awards

The Music Producers Guild has announced that the nominations process for its 2015 Awards ceremony will officially open on September 1st 2014.

This prestigious event recognises the achievements of the UK’s top producers, engineers, remixers and mastering engineers and has rapidly established itself as a must attend event on the music industry calendar. Following a highly successful move to its new venue, the 2015 Awards will once again take place at the Park Park Plaza Riverbank Hotel in Vauxhall, London. The date has been set for Thursday February 12th, 2015.

“The enormous success of this year’s event has certainly set the bar high,” says MPG Chairman Steve Levine. “An exclusive performance by Trevor Horn’s band The Producers, which included a guest appearance from Seal, was really well received and we have every intention of repeating that success in 2015 with yet another exclusive performance from a ‘surprise’ band.

“But star performances aside, what really make the MPG Awards special are the people we celebrate. These are recording professionals who make a massive contribution to the success of the UK music industry but don’t always get their names in lights. On February 12th 2015 they will be firmly in the spotlight and we hope the industry will once again get behind these Awards and give our winners the recognition they deserve.”

Now in its seventh year, the MPG Awards count the likes of Alan Moulder & Flood, Paul Epworth, Brian Eno, Trevor Horn and Sir George Martin CBE amongst previous winners. There are 15 different award categories including UK Producer of the Year, the winner of which automatically wins a BRIT Award for Best Producer. Other categories include International Producer of the Year, Breakthrough Producer of the Year and Outstanding Contribution to UK Music.

The online nominations process runs until September 30th 2014 and is very straightforward. Anyone can nominate record professionals in 12 of the Award categories, while the remaining three are in the gift of the MPG. Nominations can be made via www.mpgawards.com with producers and engineers being actively encouraged to nominate themselves.

The MPG 2015 Awards categories open for public nomination are:

UK Producer of the Year
International Producer of the Year
Breakthrough Producer of the Year
Recording Engineer of the Year
Breakthrough Engineer of the Year
Mix Engineer of the Year
Mastering Engineer of the Year
Re-mixer of the Year
UK Album of the Year
UK Single Song Release of the Year
Studio of the Year
The A&R Award

The MPG 2015 Awards categories in the gift of the MPG are:

The MPG Innovation Award
The MPG Inspiration Award
Outstanding Contribution to UK Music

Tickets for the MPG Awards 2015 are now available to order through the website, including a limited number of ‘early bird’ discounted tickets. For full details of prices and offers please visit www.mpgawards.com/tickets.

Sponsorship opportunities are also available for the MPG Awards 2015 and any company that would like to be part of this exciting event should contact Joe Edwards at FM First Monday. Telephone: +44 (0) 7701 030 513 / Email: joe@fmfirstmonday.com.

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About Music Producers Guild (UK):
The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.
The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk

Westlake Pro Hosts Mixing Master Class with Andrew Scheps

First videos in series now available on YouTube

Los Angeles, CA – Westlake Pro, a leading retailer of professional audio, video, broadcast equipment, recording, and live sound equipment, technical services and musical instruments, recently hosted a Mixing Master Class with legendary audio engineer Andrew Scheps. The seminar, which took place at The Village Studios in Los Angeles, was filmed and edited into a video series, with the first of 13 now available for viewing on Westlake Pro’s YouTube channel.

Known for his distinctive mixing style and ability to bring the emotion out of songs, Scheps has engineered and mixed for some of the biggest rock bands in music: Metallica, Red Hot Chili Peppers, Weezer, Audioslave, Linkin Park, Green Day and U2. He’s also worked with icons such as Johnny Cash, Neil Diamond and Iggy Pop, as well as many independent artists.

Having successfully mixed with computers and software, or “in the box”, and on large format analog consoles, Scheps brings a unique perspective to mixing workflow, which he demonstrates by deconstructing some of his current work using Avid Pro Tools and S6 Control Surface.

The Mixing Master Class video series is divided into 13 videos of five to eight minutes in length and cover a wide variety of mixing topics as well as a Q&A session with the audience of around 150 people, most of which are working audio professionals. New videos in the series will be posted on Westlake Pro’s YouTube channel over the next several weeks. Please visit https://www.youtube.com/user/WestlakePro1.

About Westlake Pro
Based I Los Angeles, Westlake Pro specializes in business-to-business and retail sales of professional audio and video equipment, broadcast equipment, video editing software, recording software, computers, musical instruments and live sound application products. The company also provides technical services from complete studio design to live sound system design. Westlake Pro serves the Post Production, Broadcast, Music Production, Educational, House of Worship and Government markets.
For more information, visit www.westlakepro.com.

Prism Sound Shows New Audio Products at IBC 2014

Prism Sound will be attending this year’s IBC convention (8.E34) with a range of new audio products aimed at post production and broadcaster engineers.

The company’s family of audio interfaces has been extended to include Titan and Atlas, both of which will be on show for the first time in Europe.

Titan and Atlas are multi-channel audio interfaces offering recording professionals ultimate quality analogue and digital I/O for Mac or Windows PC at sample rates up to 192kHz via a simple USB interface. In addition to a USB host interface, both units feature the new MDIO interface expansion slot, which can be used to expand its connectivity, for example by adding a direct connection to Pro Tools|HDX systems.

Titan has four microphone inputs, while Atlas has eight and is aimed at multitrack recording applications. Both are designed with Prism Sound’s latest and award-winning CleverClox clocking technology.

At IBC 2014, Prism Sound will also be showing the latest upgrade to its acclaimed SADiE 6 software, the audio recorder and editor of choice by countless national broadcasters. This new version delivers even greater benefits to the mastering community thanks to the inclusion of a brand new toolset for today’s ‘digital download’ age.

New features include WAV Master, which allows users to create WAV files for an entire album using PQ marks to define the start and end of the WAV file for each album track. Track Titles, Artist Name and other information is automatically incorporated into these files. Prism Sound has also introduced a new high quality Sample Rate conversion algorithm and ensured that resolution changes can be applied during the bounce process used to create WAV files.

The new version of SADiE 6 now caters for engineers who want to work with Broadcast WAV (BWF) files, which incorporate ISRC data. An ISRC in BWF feature is included in SADiE’s WAV Master option and is in the SADIE version 6.1 update as part of the ‘Mastering Suite’ and ‘Sound Suite’ packs.

Finally, SADiE has enhanced video support for BlackMagic Design Decklink cards, as well as timecode support on SADiE Native systems where the ASIO audio hardware used supports timecode functionality.

Finally, Prism Sound is showing its full range of Test & Measurement solutions, including the versatile dScope Series III Audio Analyzer. This award-winning unit features a freely-available test suite that can be used to evaluate the performance and compliance of any loudness meter on the market and ensure that a chosen product can deliver both ATSC and ITU BS.1770 compliance.


To find out more about the Prism Sound/SADiE range and to demo the new Titan and Atlas interfaces, please visit stand 8.E34.

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the award-winning dScope Series III audio analyser system.

For more information: www.prismsound.com

API’s BOX FILLS IN THE “MISSING PIECE” AT THE CASINO IN NASHVILLE

NASHVILLE, TENNESSEE – AUGUST 2014: The BOX has settled into a new home in a Nashville studio – The Casino. Owned and operated by Eric Masse, The Casino records LPs and EPs for signed artists and bands within the city. Masse consulted Chad Evans at Vintage King while he upgraded his studio, and now admits that the “feels like the missing piece” to his former setup.

“I had been craving the next step up for my sixteen I/O studio for a while,” said Masse. “When I heard about the BOX last year, I started gearing up for it.” The Casino, which also houses two lunchboxes®, six 512c mic pres, a 5500 dual equalizer, and a 2500 stereo compressor, stayed in the API family when looking to gain control over pans and add inserts.

“Enter stage right – the BOX,” jokes Masse, who is amazed by the capabilities The Casino is now able to fulfill. “I can hardly contain my head from exploding from all the options. It’s the center of my studio. I can route things in the mix like never before, and parallel compress things all analog. I can add outboard effects post-conversion to individual tracks, and I don’t have to use my converters to feed the hear-back headphone hub. I can instead build a mix with the sends, and use the inserts for direct ‘more me’s’ and use all sixteen converters for audio. I’m digging it.”

Apart from the functions, the customizable 500 Series inputs allow The Casino to create its own unique sound. “I like that I can utilize the 500 Series slots on the program bus, while still using the input channels. So far, to be honest, I like everything about it.”

Since installing the BOX, Masse has put the final touches on singer/songwriter Rayland Baxter’s second album, and is currently mixing alternative artist Mikky Ekko’s record. He is also ready to record the second country music album Charlie Worsham. The versatility of the BOX helps meet the needs for each unique artist, and allows Masse to utilize the space he needs to record and grow. “I like that it’s a console, and not a console.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and the BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

DPA Microphones Capture The Kyteman Orchestra

Front of House engineer Sjoerd Terpstra used a selection of DPA microphones to capture the unique sound of the Kyteman Orchestra when they played six concerts at the Utrecht Tivoli in Holland recently.

The concerts, which took the form of elaborate jam sessions, were all multitrack recorded for subsequent mixing and broadcast on the internet.

“Our aim was to create a library of completely original Kyteman material,” Sjoerd Terpstra says. “None of the songs were written in advance – they were all improvised on the spot.”

Founded by Colin Benders (aka Kyteman), the Kyteman Orchestra plays a mixture of hip-hop, opera and jazz laced with melodies and raw beats. Its first album, The Hermit Sessions, was released in 2009 and was a great success in the Netherlands where it reached the top five of the Dutch Album Charts and sold over 75,000 copies.

Sjoerd Terpstra, who has been working with Kyteman for the last five years, says he chose DPA microphones for this project because he knew they were capable of delivering studio quality from the live stage. The microphones were supplied by Amptec, DPA’s distributor in the Netherlands.

“There are approximately 18 musicians in the orchestra,” Terpstra explains. “We used a lot of DPA d:vote 4099™ Instrument Microphones on strings and horns, a d:dicate 2011A on the drums and percussion and a set of d:screet 4061 Miniature Microphones on the upright piano because they sound amazing, especially at low noise levels. One of the snare drums initially gave me a lot of trouble because it was so low pitched and I just couldn’t get it to sound right, but eventually I used another d:vote 4099 and then it sounded great. The d:vote could handle the low pitch well and gave me enough ‘snap’ to make it cut in the mix.”

Terpstra adds that the d:vote 4099 Instrument Microphones were especially useful because they were able to deliver very isolated sound.

“We were recording on an exceptionally cramped stage so this was an important feature,” he says. “The isolation they achieved gave me tons of possibilities in both the FOH and studio mixes.”

With the latest Kyteman Orchestra project now completed, Sjoerd Terpstra is now working with a number of bands from the Middle East.

“I am hoping to use DPA microphones for some of those projects, too,” he says. “I am always happy with the results I get from DPA so have no hesitation in recommending them to all the bands I work with.”

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

LIPA Graduate James Mellor Receives The 2014 MPG Prize

This year’s Music Producers Guild Prize has been awarded to James Mellor, confirming him as the most promising student to graduate from The Liverpool Institute for Performing Arts (LIPA) Sound Technology degree programme.

Launched in 2010, the MPG Prize gives winning students from LIPA an opportunity to work alongside some of the UK’s top recording professionals. Prominent MPG Awards winners continue to be very supportive of the initiative, which also brings sponsorship opportunities from companies such as Avid and a bursary to help with expenses from PPL.

MPG Chairman Steve Levine and MPG Education Representative Tony Platt presented James Mellor with his prize during LIPA’s annual graduation ceremony, which took place on July 31st, 2014. Also present was LIPA lead patron Sir Paul McCartney.

The aim of the Music Producers Guild Prize is to recognise the student who, in the opinion of his or her tutors, has shown the most exceptional talent, initiative, commitment and consideration to the art of music recording and production.

Jon Thornton, who heads LIPA’s three year BA (Hons) Sound Technology programme, says: “Throughout his time studying with us, but most especially during his final year, James has proven to have that ‘special sauce’ of attributes – technical skill, creative thinking, attention to detail, and an interest in pushing the boundaries of what is achievable. I’m sure that he will make the very most of the opportunities that this award will open up for him.”

James Mellor’s early interest in music led to him experimenting with many different instruments before he finally settled for the guitar and started playing in bands with friends. Studio experiences with these bands gave him a taste for technology and a desire to know how to operate the equipment he found there. He applied to study at LIPA and has since worked with many local bands including Go Fiasco, with whom he has engineered and produced an entire album, Meet My Mystery. This project took eight months to complete and involved recording, producing and mixing 10 tracks in both stereo and 5.1 surround sound.

Mellor has also been helping out at Liverpool-based studio The Motor Museum and was recently appointed house assistant/engineer.

“Over the next few months I hope to develop my skill set further and am honoured to have the opportunity do so by learning directly from industry professionals whom I greatly admire,” he says. “I am extremely grateful to both MPG and LIPA for everything they’ve done to help me grow as a professional and look forward to the next year with great anticipation.”

Commenting on the Prize, Tony Platt says: “Supporting, nurturing and encouraging young engineers and producers is a vital part of what MPG does and very important alongside the work we do under the auspices of JAMES. Gaining qualifications is only a small step on their journey and our aim is to enable standout students to be able to put their accomplishments to work as soon as possible so they can fully engage with the significant contribution that the UK makes to the global music industry.”

Winning the MPG Prize will give James Mellor the chance to develop and explore the recording techniques he has learned at LIPA and make valuable contacts within the professional sound industry. In addition to a one year associate membership to the MPG, Mellor will also have the opportunity to shadow this year’s MPG Producer of the Year winners Alan Moulder & Flood at Assault & Battery Studios. Mellor will also attend an orchestral recording session with Award-winning engineer Haydn Bendall and a mastering session with John Dent, winner of the MPG Mastering Engineer Award 2014. Added to this will be opportunities to shadow Guy Massey, MPG Engineer of the Year 2014, and Dan Cox, MPG Breakthrough Engineer of the Year 2014. Studio experience will be provided by RAK Studios, winner of the MPG Best Studio Award 2014, while Mellor’s technical expertise will be enhanced by a day at Avid’s UK headquarters where he will receive in-depth tuition on Avid’s flagship controller, the ProTools S6.

PPL has offered to contribute towards the cost of Mellor’s travel and accommodation expenses while he is taking up these opportunities, and throughout the year he will be mentored by various MPG members including Steve Levine, Nicky Graham, Tony Platt and Mick Glossop.

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About Music Producers Guild (UK)

The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk

About LIPA

LIPA is located in Sir Paul McCartney’s old school, the Liverpool Institute for Boys, which underwent a multi-million-pound renovation to turn it into a state-of-the-art performing arts higher education institution. It was founded by Sir Paul and Mark Featherstone-Witty and opened in 1995 with the aim of providing the best teaching and learning for people who want to pursue a lasting career in the arts and entertainment industry, whether as performers or those who make performance possible. www.lipa.ac.uk

The Music Producers Guild Backs Fair Digital Deals

The Music Producers Guild has expressed its support for the Fair Digital Deals Declaration – a new initiative supported by over 700 indie record labels that want to see fair and transparent accounting of digital revenues for artists.

This massive show of support for artists to be treated and compensated fairly in the digital age has equal significance recording professionals, many of whom rely on royalties for a large proportion of their incomes.

“The music industry has a long history of unfairly exploiting the work of artists without whose creativity the industry would simply not exist,” says producer and MPG executive board member Mick Glossop. “The Fair Digital Deals Declaration is a welcome initiative, which seeks to address those injustices by promoting transparency and accountability.”

The initiative, coordinated by Worldwide Independent Network, states five primary guidelines that signees must adhere to. These include:

1. Ensure that artists’ share of download and streaming revenues is clearly explained in recording agreements and royalty statements in reasonable summary form.
2. Account to artists a good-faith pro-rata share of any revenues and other compensation from digital services that stem from the monetization of recording but are not attributed to specific recordings or performances.
3. Encourage better standards of information from digital services on the usage and monetization of music.
4. Support artists who choose to oppose, including publicly, unauthorized uses of their music.
5. Support the collective position of the global independent record company sector.

For more information about the Declaration and the MPG’s support for this important initiative, please visit www.mpg.org.uk

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About Music Producers Guild (UK):

The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers.

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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