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Archive of the CEDIA Newslink Category

Triad Speakers Appoints Independent Sales Rep Firms in Michigan and Upstate New York

Portland, OR – November 18, 2013 – Custom loudspeaker manufacturer Triad Speakers, Inc. today announced the appointment of On The Road AV to represent the company in Michigan and Pro Audio Associates for upstate New York.

“Jeff Fuerstenberg of On The Road AV is a successful and hard working sales representative and we are pleased to add him to our team,” says Triad Speakers Director of North American Sales Bruce Franklin.

Triad's Director of North American Sales, Bruce Franklin

Triad has expanded the region of its New England Rep Firm, Pro Audio Associates, Inc. to include upstate New York. “John Eibye, who will be primarily responsible for this region, has strong relationships with the dealers there,” says Franklin.

About Triad Speakers
Established in 1982 by President Larry Pexton (a founding member and Vice Chairman of CEDIA), Triad Speakers, Inc. is a steadily growing provider of complete loudspeaker solutions for multi-room residential and home theater system applications. A top choice by many custom integrators nationwide, Triad has made significant advancements in the arena of front-channel speakers, surrounds, subwoofers, distributed audio speakers via enclosed in-wall, in-ceiling, on-wall and freestanding designs. Over 80% of Triad’s products are manufactured daily in Portland Oregon, in a pure build to order operation with no work in progress and no finished goods inventory of the US built products. In the 2006 – 2010 Inside Track Supplier Loyalty Tests, Triad ranked #1 in the category of Custom Installation Company. www.triadspeakers.com and www.facebook.com/triadspeakersfans

SYMETRIX SYMNET RADIUS 12×8 DSP REVAMPS NORWEGIAN SKI JUMP

TRONDHEIM, NORWAY – NOVEMBER 2013: The Granåsen Ski-Jumping Stadium in Trondheim ranks among the highest and best-attended ski-jumping stadiums in Norway. Granåsen hosts events throughout the winter months, including the World Cup and the Continental Cup, on its two side-by-side hills, one a K-90 and the other a K-124. Seating on both sides of the jumps give spectators an intimate view. Recently, A/V integration firm ATEA gutted Granåsen’s aging and bloated analog sound reinforcement system and replaced it with a slim, easy-to-use digital system centered on the SymNet Radius 12×8 audio signal processor and two Symetrix ARC-K1e wall panel remotes.

“The old system used two giant racks of analog processers,” said Andre [Dominic] Schorr, senior A/V consultant with ATEA. “They were even using analog delay! Nothing was labeled, and although it worked, no one could understand the line structure to make changes. Moreover, graphic equalizers and the like were just sitting there, and staff could make changes.” Of course, those changes would usually be for the worse, however well intentioned they might be. Granåsen officials requested the new system to stabilize and streamline performance for the weekly events that required it. ATEA installed the system in the dead of winter, and the deep snow and frozen earth made things challenging. Some cable runs were left in a temporary state until the summertime thaw.

Depending on the event, the system may be operated from either of two redundant positions, one nearer to the jumps and one within the spectator seating. Each position possesses a Soundcraft EMP6 mixer. Three Sennheiser wireless microphone systems provide the most-commonly used inputs to the system. Stereo outputs from both mixers, as well as a direct line from the primary microphone and an auxiliary input, feed the Symetrix SymNet Radius 12×8, leaving six of its twelve inputs available for future expansion. Seven of the Radius 12×8’s outputs feed four RCF HPS2500 amplifiers, then go to 100V transformers before feeding thirty-four 100V RCF weatherproof P2110 outdoor loudspeakers distributed across seven zones. The eighth output supplies signal to a hearing loop.

“Programming the SymNet Radius 12×8 using the SymNet Composer software was intuitive and quick,” said Schorr, whose background includes audio engineering. “It is very logical. Whenever I have a question, Symetrix’ online and live support are excellent. We were able to give the ski jump everything requested, including effective ducking of program material whenever the main microphone is used.” Although the SymNet Radius 12×8’s Dante networking capability is currently unused, it will make future expansion easy and cost-effective.

User control is achieved via the mixing consoles and via a pair of redundant Symetrix ARC-K1e wall panel remotes, one at each mix position. Users select from a list of presets and control various aspects of system performance using the ARC-K1e. For example, users can independently control the main microphone volume and the mixer output volume. A ‘mute all’ also answers a request from the Granåsen staff. “The Symetrix ARC panels are so user-friendly and so flexible, I can configure the interface to do whatever will make things easy and intuitive for the user,” said Schorr. “Even staff members with no technical ability can operate the system.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

NEW ASHLY NXP3.04 PROGRAMMABLE OUTPUT POWER AMPLIFIER WITH PROCESSING SERVES NEW ATHLETIC FIELD AT FDR HIGH SCHOOL

HYDE PARK, NEW YORK – NOVEMBER 2013: Franklin Delano Roosevelt High School was built as part of a Depression-era pubic works program in 1941 and owns the rare distinction of being named for a sitting President. Today, the school serves 1,550 students in Hyde Park, New York, FDR’s hometown. Although the original high school building is in the National Register of Historic Places, growth prompted the construction of a larger building long ago, and the school continues to maintain up-to-date facilities. When its athletic field aged beyond useful repair, the school board ordered it razed. Built on the same land, FDR’s new athletic stadium boasts a cutting-edge sound reinforcement system, with power and digital signal processing both provided by the high-efficiency, cost-effective Ashly nXp3.04 high-output power amplifier with on-board Protea™ processor.

Dominick Campana, owner at Pro Sound Associates (Guilderland, New York), led the system’s design and installation, and Live Sound, Inc. (Troy, New York) served as the sound system vendor. “There were several challenges associated with FDR’s new athletic stadium,” explained Campana. “First, we had to provide ample power to four zones over 300-feet of speaker wire – from the head end to the scoreboard. Second, we had to provide flexible and accurate DSP for fine- tuning, system protection, and multiple I/O routing. Third, we only had a short window between system installation and the first football game when we could commission the system. Finally – and this made all the other challenges that much harder – we only had a limited rack space beneath a stairway in the press box and single 20-amp circuit for the entire system. Based on my positive experience with Ashly amplifiers and processors, I suspected that their new nXp3.04 four-channel 3000-watt amplifier with internal DSP would help us overcome all of those challenges.”

Inputs to the system include four Shure ULX-series wireless microphones, three hardwired microphone jacks, and a Tascam CD-200i combination, aux in, iPod, and CD player. They feed a Shure SCM810 9×1 automixer, which in turn feeds the Ashly nXp3.04. The Ashly nXp3.04 is a lightweight, energy-efficient Class D switching amplifier with four 3000-watt channels and an integrated 4×4 Protea DSP. Three of its amplifier channels power three Community R2 loudspeakers at the scoreboard. The final amplifier channel powers a pair of Community DS5 surface-mount loudspeakers in the press box. Additional aux outputs from the nXp3.04’s DSP section feed a Listen Technologies assistive listening system.

“As with all Ashly networkable devices, connecting to and accessing the nXp3.04’s DSP was instantaneous,” said Campana. “Because I have considerable experience with the Ashly ne-Series of DSPs, the layout and workflow of the nXp DSP was pleasingly familiar. The Community R2′s like to see a lot of power, and I knew the nXp3.04 would be able to deliver with a maximum output of 3,000 watts at 2 ohms per channel. Not only was there power to spare, 2000 watts per channel @ 4 ohms, but the nXp3.04 performed at full throttle with only a minimal amperage draw. With all of its brains and brawn, I’ll definitely utilize the Ashly nXp-Series for future jobs – especially at its more-than-fair price point.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

170 Integrators Attend New England’s Emerging Technologies & Home Awareness Expo

Burlington, MA – Last month, Easy Access Distribution – the New England chapter of Catalyst AV distribution network — hosted their 14th annual Emerging Technologies & Home Awareness Expo at the Billerica Courtyard by Marriott Hotel. In total, 170 local integrators attended the 2-day event.

Brands that exhibited their latest products and hosted training sessions included home awareness & energy management brand enerG, Atlonta, Bitwise, EnGenius, TiO, Luxul, TiVo, Clearview, RTI, Vanco, Vivitek, and more.

Each day Jeff Boccaccio presented on HDMI Rev. 2.0, addressing new features, how they benefit customers, uncovering the details of the new standard, how it will function and what changes exist in the transmission line. For each session, Boccaccio presented to a packed room of integrators that were extremely engaged, making for both enjoyable and informative sessions.

Jeff Boccaccio

According to Steve Presti, principal of Easy Access Distribution and board member of Catalyst AV, the Catalyst group puts strong emphasis on educating integrators on emerging and complex technologies such as energy management, networking, media distribution and home control. “The Catalyst AV group has more events like this planned throughout the US in 2014,” says Presti.

Steve Presti at the enerG booth

TiVo Senior Sales Mgr .John Reynolds shows-off the new Roamio Set-Top-Box

SYMETRIX SYMNET RADIUS REVITALIZES THE AUDIO AT THE HISTORIC SUFFOLK THEATER

RIVERHEAD, NEW YORK – NOVEMBER 2013: The Suffolk Theater in historic downtown Riverhead, New York opened its doors for the first time in 1933, and the public faithfully filled its resplendent art-deco interior night after night. Movies put the theater in the black for decades, but proliferating strip malls, the rise of the multiplex, and America’s seedy love affair with the living room couch decimated the Suffolk’s crowds and led to its final performance in 1987. The story is hardly unique to The Suffolk, and twenty years passed before area residents realized what they lost in the bargain. In the past decade, the tides turned, and, under new ownership, The Suffolk Theater responded with the sound of renovation. It recently reopened to tremendous fanfare, and beneath its carefully-restored Depression-era art-deco façade breathes a 21st Century audio/video/lighting system that includes a 36-input/20-output Symetrix SymNet Radius 12×8 Dante networked DSP system.

Award-winning theatre and A/V designer Stuart Allyn of A.D.R. Studios (Irvington, New York) designed and commissioned the new theatrical/audio/video systems at The Suffolk Theater, and Theatrical Services and Supplies (Hauppauge, New York) installed it. “Of course, a lot of thought goes into every aspect of a system like this,” said Allyn. “I went with the SymNet Radius 12×8 because it’s a cost-effective processor that is totally flexible, both in terms of its processing power and its input/output count.” The Suffolk Theater needed a large number of inputs and outputs because the entire system throughout the building is fed from the central FOH position. A wide number of areas (bars, offices, restrooms, backstage, etc.) are all capable of receiving the main show audio (and video in some cases) plus each area, at the touch of a button, can optionally receive a local source such as cable TV or a Blu-ray player. Each area when viewing the stage feed must be time aligned to the stage, and when viewing local sources that timing needs to be synced to the video. Each “zone” required speaker processing for each mode of operation. By having all the system processing centralized and separate, sound mixers using the digital mixing system are free to use whatever systems, EQs etc. they desire to use in the console, while the main speaker and system processing remains in place. The Symetrix system handled all that very easily. To the twelve inputs and eight outputs of the system’s single Radius 12×8, Allyn added two Symetrix SymNet xIn 12 expansion boxes and one Symetrix SymNet xOut 12. Like all products in the Symetrix SymNet Radius and Edge family, the expansion boxes connect to the processor via the robust, low-latency Dante network protocol.

“We’ve used a lot of Symetrix products in the past, and we’ve never had issues,” said Allyn. “Symetrix equipment sounds good and works well at commissioning and over the long haul. In addition, I like using SymNet Composer to build customized processing. I can see the entire system on one screen, and that overview is important to me. Then I can drill down as needed.” The system includes comprehensive Crestron control, but that didn’t stop Allyn from making cost-effective use of Symetrix’ inexpensive ARC-2e wall panel remotes. Eight ARC-2e’s placed at strategic locations in ancillary rooms and spaces allow users to select from presets and to change input sources and volumes. Indeed, several of the Symetrix ARC-2e’s send command strings to the SymNet Radius 12×8 system and to the system’s Crestron video switcher!

Although the super low latency Dante network plays no larger role in the system, the scalability of the Symetrix SymNet system via Dante was a critical factor in its selection. “We designed the system with foresight of possible future expansion in mind,” said Allyn. “There’s a lot of extra wiring in place that will allow them to expand the stage and the dressing room areas. If needed, we can simply add another Symetrix SymNet Radius 12×8 to the system via Dante to accommodate even more inputs, outputs, and processing. It is a beautiful venue that should provide great entertainment to Long Island for many years to come.”

ABOUT SYMETRIX
Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

API APPOINTS STUDIO CONNECTIONS AS AUSTRALIAN DISTRIBUTOR

NUNAWADING, AUSTRALIA: API proudly announces the appointment of its new Australian distributor, Studio Connections for both API modules and 1608 console sales. Studio Connections has been a dominant player in the Australian pro audio market for over twenty years, and has recently completed relocation to its new facility in the Melbourne suburb of Nunawading. The new location is designed with the professional in mind, and prominently features a 1608 demonstration room, offering pros hands-on experience with the console and other API gear.

“Our new facility is fabulous and funky,” said Studio Connection’s Managing Director, Deb Sloss. “We intend to be a relaxed and welcoming space where customers can drop in for a coffee, a chat, and be able to experience all the great gear from API, including our own fully-operational 1608 console.”

Studio Connection’s longstanding association with the finest audio manufacturers highlights their commitment to the Australian pro audio market. Working closely with their network of dealers, the staff at Studio Connections pride themselves on customer service and are eager to expand the API presence in Australia. “We have witnessed an unprecedented level of interest in API products from our dealers and end users alike,” said Sloss. “API carries a rich heritage of extremely high-quality audio products and consoles. It’s been extremely gratifying to receive such wonderful support and endorsement from this appointment.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

SYMETRIX SYMNET RADIUS 12X8 DANTE NETWORKED AUDIO DSP DELIVERS PRESENT AND FUTURE AUDIO EXPANSION FOR WISCONSIN HIGH SCHOOL

JACKSON, WISCONSIN: Kettle Moraine Lutheran High School serves over four hundred students from in and around Jackson, Wisconsin, a town 45-minutes northwest of Milwaukee. In the last decade, the school has expanded its facilities, and the crowning jewel of that expansion is the 750-seat Performing Arts Center. The center includes facilities for the school’s choirs, bands, and theatrical productions, as well as a state-of-the-art venue for Kettle Moraine Lutheran High School and other area schools and artistic organizations. Because funds were limited, the school asked Professional Audio Designs of Wauwatosa, Wisconsin to build a cost-effective sound reinforcement system that could start with simple coverage for Sunday services and have the ability to scale up to handle full theatrical productions as the funds became available. To accommodate that challenging request, Professional Audio Designs built the system around the Symetrix SymNet Radius 12×8 Dante Network Audio DSP.

“At the outset, the money allocated to the sound reinforcement system was generous, but the building itself ran way over budget,” explained Kim Leonard, president of Professional Audio Designs. “They came back to us and asked us to pare down the sound reinforcement system initially, while at the same time laying the foundation for the more expansive system that they will eventually have. That future vision includes a full-sized mixing console, dozens of mics and inputs, and a full stage monitoring system. But for now, they have a modest four microphones and a line-level input. We’re using the SymNet Radius 12×8 to auto-mix them.”

With the core system now in place, Fulcrum Acoustics loudspeakers powered by QSC amplifiers provide high-impact, high-fidelity coverage of the auditorium’s seating area. Three Symetrix Radius 12x8s provide the modest processing needed for basic sound reinforcement and will go on to provide the more advanced processing necessary. A Symetrix ARC-2e wall panel remote control gives users simple and intuitive control of volume for all four microphones, volume control for the line level input, and an overall master volume control.

When they get the funds, the school can simply plug in the digital mixer, the assisted listening system (ALS is installed now), the online streaming system, and a back stage monitoring system. Additional Symetrix ARC-2e units in the control room, in the house, and on a future portable backstage paging rack complete the system. Importantly, the simple quick-mix system that is already in place is selectable from the main ARC-2e so that the school and church can hold simple events and services without requiring an audio technician on hand.

“The whole system is networked via Dante,” said Leonard. “We built a primary network and a secondary network for backup. We’re glad Symetrix is leading the charge with fully-integrated Dante technology. It’s extremely cost-effective and robust and the fidelity is excellent. In addition, we always use Symetrix with Fulcrum loudspeakers because the FIR filters required by Fulcrum are fully supported within the SymNet software.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

SYMETRIX SYMNET EDGE AND RADIUS DSPs HANDLE PERFORMING ARTS CENTERS IN HOUSTON’S KATY SCHOOL DISTRICT

HOUSTON, TEXAS: The rapidly growing Katy Independent School District serves over 65,000 students in the greater Houston area. To meet their growing audio and visual media demands, school officials recently earmarked funds to update the performing arts center A/V systems in four of its seven high schools. Broadcast Works of Tyler, Texas was contracted to do the installation and used SymNet Edge and Radius AEC open architecture Dante network audio DSPs.

“The old A/V systems were 1990s vintage and entirely analog,” explained Aaron Comer, project manager with Broadcast Works. “The system designer, Erich Friend of Teqniqal Systems assessed their existing systems and determined that they could transform the performing arts centers from outdated to cutting-edge by revamping only the front end and control systems. The existing QSC amplifiers and Renkus-Heinz loudspeakers were basically in excellent shape.”

Although the original design called for another DSP manufacturer, Comer and his team lobbied hard for SymNet Edge and Radius DSP. “We had worked with this other manufacturer’s products in the past, and it was always a challenge,” he said. “In contrast, we’ve done a lot of Symetrix jobs, and they always go well. Ryan Curtright, Symetrix’ senior technical sales engineer, worked with us to put a nice package together centered on SymNet solutions. Based on our past experience, we knew it would work well and reliably… and would save the district some money.” The new systems make use of the Dante network’s stability and flexibility to send signal long distances without copper and provide digital patch bays that allow users (including first-year students) to select among each stage’s 70+ inputs for allocation to a 48-channel Avid SC48 console.

Stage inputs include a multitude of wired input plates together with a portable rack feeding a SymNet Edge and SymNet xIn12 expander. Rather than home running all of the stage inputs back to the sound booth, as in the old design, the new system uses a stage-located SymNet Radius AEC to collect them for transfer to the sound booth via Dante. That same Radius AEC, together with a SymNet xOut12 expander, receives the final house mix from the sound booth (again via Dante) for output to the stage-located amp rack. The portable SymNet Edge rack pairs up with a sixteen-count wireless microphone system or an additional twelve-count hardwired microphone collection and can connect to the system via any one of four Dante ports located around the stage.

Each sound booth contains three SymNet Radius AEC units with additional input cards, three SymNet xIn12s, and three SymNet xOut12s. Broadcast Works designed a custom computer interface using Symetrix’ SymVue software that allows users to connect any input source to any channel on the Avid SC48 console. In turn, the console outputs thirty-two channels that feed back into the SymNet system for transfer to the amp rack via Dante. “The students love it,” said Comer. “We trained a group of freshmen who had zero experience with a system like this. Within a couple of hours, they were completely comfortable and playing with the whole thing. Despite its complexity from our perspective, SymVue makes it simple from their perspective. They get it.”

For less elaborate events, Broadcast Works gave each school an iPad outfitted with Crestron control that would allow them to turn the system on with a minimal number of commonly-used microphones and input sources. The iPad gives them control over which commonly-used inputs are active, their individual volumes, and the overall volume.

The new systems’ easy learning curve made it possible for the theater and music departments in all four schools to start production on fall programs without delay. A few of the highlights include The Wizard of Oz, a Masquerade Serenade concert, and a play called The Cherry Orchard.

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

DANLEY SOUND LABS LOUDSPEAKERS AND SUBS CONTRIBUTE TO TRUE STEREO IMAGING AT FIRST FREE CHURCH

ROCKFORD, ILLINOIS: First Free Church has been a cornerstone of spiritual life in Rockford, Illinois since 1884. Over the decades, First Free has occupied several buildings of ever-growing size and, since the advent of A/V technology, ever-growing technical sophistication. Its current sanctuary seats close to 1,800 congregants in an arc spanning nearly 180 degrees, with a balcony and under-balcony area that stretches from wall to wall. Tired of poor coverage from a faux-LCR system of mid-1990s vintage, First Free hired SVL Productions of nearby Cherry Valley, Illinois to build a new system that would provide nearly every seat with crisp stereo imaging. Of course, this would be no small feat to achieve. SVL Productions turned to Chicago-based Johnson AV Engineering to help design and commission the new system, which relies on the tight pattern control of Danley Sound Labs loudspeakers to meet – and then greatly exceed – the church’s expectations.

“Music is a vital component of First Free’s services,” said Aaron Johnson, president and principle engineer at Johnson AV Engineering. “The old system had three clusters to cover different wedges of the room’s wide arc, but despite the fact that they were set up as a Left-Center-Right system, none of the seats had any true imaging to speak of. The church wanted true imaging, where each instrument seems to emanate from the empty space between the loudspeakers, but that’s very hard to achieve in such a wide arc. You can’t simply place a couple of clusters on either side of the stage and expect even coverage and convincing imaging. The relative volume and time delay of each loudspeaker at the listener’s location have to be nearly equal to make the stereo effect work.”

The solution was to divide the room into three 60-degree wedges, each of which would receive its own stereo image. Although that’s easy to conceptualize, it’s very difficult to actually implement because almost all loudspeakers spill energy “off-axis.” That spillover would cross the dividing line between one wedge and the next and destroy the stereo imaging effect. “Danley’s tight pattern control made it the obvious choice for this application,” said Johnson. “No other loudspeaker manufacturer comes close to Danley’s razor-sharp pattern control, which extends even to lower frequencies.”

Because of their specific coverage patterns and the geometry of the room, Johnson specified a Danley SH-60 on top of a Danley SM-96 at each loudspeaker location for coverage of the main seating area. A total of six such clusters comprise the main system: three sets of left and right. Four monophonic Danley SH-Micros provide front fill for seats very near the stage. Partitions separate six under-balcony areas, four of which seat thirty to forty each and two of which seat only eight. For the larger partitions, a stereo pair of Danley SH-Micros deliver convincing stereo imaging, whereas a single Danley SH-Micro in each of the smaller partitions deliver a monophonic summed signal.

“I don’t know of another loudspeaker that can achieve the kind of pattern control that Danley has managed,” said Brent Hayes, president of SVL Productions. “Aaron and I walked the room during commissioning, and it was truly astounding to step just past the edge of one loudspeaker’s pattern. It fell off immediately. One more step and we were clearly into the pattern of the next loudspeaker. I remember seeing it on paper, but it’s a whole other thing to experience it.” Johnson agreed: “I love that Danley products always model exactly like they work, and they work exactly as you expect them to.”

But the miracles of great pattern control don’t stop with the loudspeakers at First Free Church. Johnson designed a directional subwoofer cluster comprised of three Danley TH-118s flown near the ceiling, just in front of the stage. By paying careful attention to each unit’s phase and signal delay, the bass volume on stage is a full 18 dB lower than it is in the seats, which is an obvious and significant difference. The dividing line is, in Johnson’s words, “like a curtain,” and even the first row of seats is fully immersed in bass. By keeping so much low-frequency energy off the stage, the sound quality captured on stage by open microphones is much better and far less likely to growl or feed back.

Processing support for the new system is extensive, as proper alignment required a separate processing channel for almost every individual loudspeaker and subwoofer. BiAmp Audia provides that fine-scale level of control. Because the Danley loudspeakers and subwoofers require only a single amplifier channel, the total number of amplifiers was kept to a minimum, but the sheer number of loudspeakers and subwoofers involved still amounted to an impressive 26 channels. Powersoft K-Series and Ottocanali-Series amplifiers provide that power. “The new system requires more power to the loudspeakers and subs than the old system did, but the efficiency of the Powersoft units allow us to draw less AC power!” said Hayes. “As a result, we didn’t have to call in an electrician. Moreover, their physical compactness left an entire rack from the previous installation wide open. In summary, we had more processing channels, more amplifier channels, and more loudspeaker power, but less current draw and less space consumed.”

New video projectors and screens, together with a new high-end Chauvet lekos and LED lights completed the installation.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Nationwide Distribution Network Catalyst AV to Distribute TiVo in Custom Channel; Brings All-New Line of Roamio Set-Top-Boxes and Accessories to Network of 15,000+ Integrators

Burlington, MA – October 28, 2013 – Catalyst AV, a specialty AV products distribution network that serves over 15,000 integrators from 18-locations in the US, announced that its 12-member companies have entered into an agreement with TiVo to distribute the brand’s new TiVo Roamio™ series of DVRs, the TiVo Stream and the TiVo Mini.

The TiVo Roamio DVR series — which replaces TiVo’s Premiere series — consists of 3 multi-room, multi-source DVRs that enable consumers to access their content from anywhere in the home, or the world, via their smartphone or tablet. Roamio offers more recording options, higher storage capabilities, new whole-home and mobile networking options and an updated, more elegant user interface.

(Depicted in the image is TiVo’s Senior Sales Manager John A. Reynolds displaying Roamio at last week’s Emerging Technologies & Home Awareness Expo, hosted by Catalyst AV member Easy Access Distribution.)

The TiVo products available through the Catalyst AV distribution network are:
• TiVo Roamio 4-tuner DVR (75 hours HD or 750 hours SD recording) $199 MSRP
• TiVo Roamio Plus 6-tuner DVR (150 hrs HD or 1,000 hrs SD; adds MoCA + Wi-Fi) $399 MSRP
• TiVo Roamio Pro 6-tuner DVR (450 hrs HD or 3,000 hrs SD) $599 MSRP
• TiVo Stream (stream entertainment anywhere in house or world) $129 MSRP
• TiVo Mini (access entertainment from main TiVo DVR anywhere in home) $99 MSRP

”TiVo’s smart suite of entertainment products meet with the lifestyles of most everyone in the home,” says Steve Presti, Catalyst AV board member and principal of Easy Access Distributing in New England. “The fact that their apps integrate into leading custom control and automation systems is hugely beneficial. This all adds up to fantastic opportunities for the integrator to earn margin on jobs that have cable TV.”

”TiVo’s new Roamio Plus and Roamio Pro were developed with today’s integrator in mind,” said Doug Bieter, Vice President of Consumer Business Sales & Marketing at TiVo. “The Catalyst AV group has a strong understanding of video content management and distribution and we’re delighted to have them as a conduit to the custom channel.”

The 12 Catalyst AV member companies are:
• Allnet Distributing (www.allnetdistributing.com) (Midwest)
• Audio Video Warehouse (www.av-warehouse.com) (Nevada, Arizona)
• Custom Partners (www.custompartners.com) (Metro-NY)
• Custom Plus Distributing (www.customplusdistributing.com) (Pacific NW / Alaska)
• Easy Access Distribution (www.easyaccessdistribution.com) (Northeast)
• Electronic Lane Distributors (www.electroniclane.com) (Southwest)
• Electronics Source (www.electronics-source.com) (Florida and Southeast)
• Electronic Stockroom (www.electronicstockroom.com) (California)
• HCA Distributing (www.hcadist.com) (Rocky Mountains)
• Pioneer Music Company (www.pioneermusicinc.com) (Plains States)
• SPD (www.spmreps.com/sound-product-distributing) (Upstate NY)
• Tech Source Distributors (www.techsourcedist.com) (Mid-Atlantic)

Please direct all Catalyst AV media inquiries to Paul Muto at paul@mutocomm.com; 631.849.4301.

Out-of-home streaming requires an Apple iPhone, iPad or iPod Touch device running iOS 5.1 or higher, and only supports streaming to one of your mobile devices at a time. Due to the copy protection assigned by the content provider, not all content can be downloaded to your mobile device for offline viewing, and not all content can be streamed when you are away from your local network. Visit tivo.com for additional terms and restrictions that apply.

About Catalyst AV
Founded in 2012, Catalyst AV is a network of 11 independent consumer electronics distributors serving the residential and professional AV channels in the U.S. Catalyst AV grants manufacturers a consistent and cohesive nationwide distribution model to more than 10,000 professional integration specialists. Catalyst AV benefits integrators by delivering all the products and support necessary to execute the demands of job specifications with confidence. The Catalyst AV Board of Directors consists of Mike Hench (Electronics Source); Steve Presti (Easy Access Distribution) and Wally Whinna (Allnet Distributing). www.catalystav.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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