A virtual press conference from Sound & Video Contractor

Archive of the CEDIA Newslink Category

DANLEY LOUDSPEAKERS COMPLETE THE FINAL PHASE OF GREEEN BAY PACKERS’ LAMBEAU FIELD EXPANSION

GREEN BAY, WISCONSIN: The Green Bay Packers have yet again expanded the seating capacity of legendary Lambeau Field, which raises it to the third-largest NFL stadium in the league with a total of 80,750 seats. The additional seats number 7,000 and fill in the south end zone, which had been the last remaining gap in Lambeau Field’s bowl architecture. With the bowl complete, designer Anthony James Partners and installer Pro Media Ultrasound were able to remove the longer-throw loudspeakers that had previously covered the south end zone seating and replace them with distributed Danley Sound Labs Synergy Horn loudspeakers that are mounted unobtrusively to the new structure. This final phase completes Lambeau Field’s all-Danley sound reinforcement system, which has been widely praised for its impact and fidelity.

“We knew going into the original system overhaul that the structural completion of the south end zone would give us the fully-symmetrical system we wanted,” explained Larry Lucas, director of audio engineering for Anthony James Partners (Richmond, Virginia). Lucas designed both phases of the Danley system overhaul at Lambeau Field. He continued, “Not only did it allow us to cover the original south end zone seating, it also allowed us to cover the 7,000 new seats as well.”

Over one hundred new Danley Synergy Horn loudspeakers comprise the addition. They include 26 Danley SM-100s, 31 Danley SM-96s, 42 Danley SH-MINIs, six Danley SH-46s, 21 Danley SH-21s, and, for good measure, two of Danley’s flagship SH-50s. Crown amplifiers power the system, with processing and control from BSS London. The existing Danley system is made up of twelve loudspeaker towers, each of which contains a Danley Genesis Horn GH-60 for primary coverage, a Danley SH-100 for fill, and a Danley TH-118 subwoofer for impactful bass.

Danley’s Mike Hedden commented, “Part of the commissioning process included STIPA measurements performed by the local authorities in charge of emergency and mass communication. They measured every seat not once but twice as they had never seen such high STIPA readings. Intelligibility is a huge hurdle in large venues and to have the third largest NFL stadium with stunning fidelity as well as intelligibility speaks to our superior technologies.”

“Danley’s small-format loudspeakers gave us the opportunity to tuck them under the soffits and under the new deck,” said Lucas. “Importantly, we did not have to place any loudspeakers on the front of the new deck, which is prime advertising real estate. The team has received a lot of comments from season ticket holders in the south end zone. They’re very pleased with the sound of the new system. As a system designer, it was especially gratifying to see the whole stadium come together. It was exciting to commission and verify that, as planned, all of Lambeau Field is now seamless.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

IC Realtime Launches Entirely New Brand (ClearView CCTV) of Cost-Effective IP and Analog Cameras, Recorders and Accessories for Mid-Level Residential and Light Commercial Markets

Pompano Beach, FL – February 6, 2014 – IC Realtime, a global leader in the design and manufacture of advanced visual surveillance solutions for the residential, commercial, military and government sectors is delivering a new brand of budget-friendly video surveillance solutions specifically for residential and light commercial applications.

ClearView CCTV X-Super BL-700 Camera is Ready to Defend

Line Overview
Called ClearView CCTV, the line consists of a wide assortment of internet (IP) cameras, recorders and accessories that are both professional-grade and cost-effective. Products include indoor and outdoor internet Pan/Tilt/Zoom (PTZ), Dome, Bullet and Covert cameras; varying levels of Digital Video Recorders (DVRs), Network Video Recorders (NVRs) and touch-screen DVR combos; complete pre-packaged IP network camera kits, and accessories.

Control and remote-viewing is available through mobile apps and via any land-based computer connected to the internet. The line also natively integrates with Control4, RTI and URC.

Where to Buy
ClearView CCTV is available from the Catalyst AV Distribution Network as well as a limited group of key distribution partners across the country. Dealers can locate a distributor near them at: http://www.clearviewcctv.com/where-to-buy/

“ClearView CCTV offers integrators a complete line of IP and analog surveillance products at a value price, with all the features and quality they expect from much more expensive products,” says Wally Whinna, Catalyst AV Distribution Group board member and principal of Allnet Distributing. “The products are of the highest-quality, easily integrate with the most popular control systems and have iOS and Android apps for surveillance on-the-go. Catalyst AV’s partnership with ClearView CCTV will surely offer dealers new profitable opportunities in the category.”

Executive Management
Strategic management of the ClearView CCTV brand is overseen by IC Realtime CEO Matt Sailor. Day-to-day operations are led by ClearView CCTV President Sam Pascucci and ClearView CCTV VP of Business Development Ray Peraino. Both Pascucci and Peraino are veterans of the security and surveillance industries.

”The backbone of the ClearView CCTV line is IC Realtime’s advanced technology,” says Pascucci. “Given this and the economies of scale that we’re able to achieve, ClearView CCTV is the hottest video surveillance line ever to reach this segment of the marketplace. We are quite proud of the results.”

”This is a well thought out line that is going to upset a lot of manufacturers and manufacturer-distributor types that have been serving these segments,” adds IC Realtime CEO Matt Sailor.

Dedicated Top-Tier Technical Support including Weekends
Technical support leadership is provided by ClearView CCTV Director of Integration, Christoffer Callaway. For years Callaway has led IC Realtime’s technical support. Most recently Callaway directed development of Control4, RTI and URC capabilities to many of the ClearView CCTV DVRs and NVRs.

The ClearView CCTV technical customer service department is open Monday thru Friday from 9AM – PM EST, with technicians on-call Saturday and Sunday. Dealers can reach ClearView CCTV customer service by calling 855.248.7888.

Marketing Support
The ClearView CCTV website www.clearviewcctv.com provides robust sales, marketing and installation tools including driver downloads. Shortly the brand will be announcing its schedule for free dealer webinars. On-demand training by topic is available by request.

Dealers interested in more information on ClearView CCTV should visit the website or contact the company at 855.248.7888.

About IC Realtime: IC Realtime is a global leader in the design and manufacture of advanced visual surveillance solutions. The company is founded by experts with a combined 35 years of experience in the development, marketing, sales, installation and support of security and alarm equipment. The company offers a wide variety of analog and IP cameras, DVRs, NVRs, software Apps and accessories. www.icrealtime.com.

SIM2 launches next-generation line of 3-chip, DLP-based projectors

Sunrise, FL—February 5, 2014: SIM2 USA, the sister company of SIM2 Multimedia, the Italian manufacturer known worldwide for innovation and video performance, announces the next generation of 3-chip, DLP-based projectors for home cinema.

Designed to provide a professional Hollywood moviemaker experience, the new Grand Cinema projectors incorporate the latest in high-performance projection technology and SIM2’s expertise, making them the widest, most aggressive model line in luxury home cinema.

The six new models that make up the Grand Cinema series are the LUMIS UNO E, LUMIS 3D-PF, SUPERLUMIS, SUPERLUMIS Pro, SUPERLUMIS DUO, and the ultra-exclusive, limited-edition FUORISERIE. Prices range from $26,000 for the entry-level LUMIS UNO E, to $120,000 for the SUPERLUMIS DUO.

The new Grand Cinema models use SIM2’s proprietary design, three-chip DLP architecture and are filled with technological advances, including (depending on the model) new connectivity, selected components, remote monitoring and control, and much, much more.

Intended specifically for people who appreciate perfect hi-tech craftsmanship and state-of-the-art image quality, the Grand Cinema projectors rely on a combination of proprietary electronics, processing, and high-power lamps to deliver stunningly bright images (up to 10,000 ANSI lumens) without compromising colorimetry or contrast ratio.

“SIM2’s unparalleled success in home cinema now continues with the new Grand Cinema series,” says Maurizio Cini, President. “These new models also renew our commitment to our dealer partners to provide competitively priced, innovative and powerful projectors that produce exceptional Hollywood picture quality.”

Commercially available from the end of February, SIM2’s new Grand Cinema series will be showcased on March 4, 2014 at the Luxury Technology Show, at the Metropolitan Pavilion, 125 W. 18th Street, in New York City.

Since 1999, SIM2 USA, a wholly owned subsidiary of the Italian Projector Manufacturer SIM2 Multimedia, has dedicated its efforts and resources to generating opportunities and added value to its exclusively selected U.S. partners, by marketing, servicing, and supporting the best products the Professional and CI Projection Market has to offer.

SIM2 Multimedia is a worldwide leading manufacturer of Top Class/High End custom digital video projection systems and a primary supplier of high-performance large-screen systems used in control rooms and simulation environments. Over the years, SIM2, with its Italian-developed and -made display devices, has gained a reputation for meeting and often exceeding the industry’s demand for new, emerging technologies and business models, offering unparalleled performance, customer support, and passion. Made in Italy by SIM2 is not just branding, but also a prestigious mark of excellence! SIM2 Multimedia’s marketing support and programs are global, with a direct presence in Italy (headquarters), the USA, the UK and China (sister companies), and in over 60 countries worldwide through partnerships with qualified distributors.

For more information visit www.sim2usa.com

MUSEO DEL DUOMO IN MILAN’S CATHEDRAL OPENS WITH ASHLY PROCESSING

MILAN, ITALY – JANUARY 2014: Although ground broke for the construction of Milan Cathedral in Milan, Italy in 1386, it was only in the last decade that its construction was declared complete. The massive architectural project took over six-hundred years – twenty-four generations – and links Europe’s Middle Ages, through the Renaissance, to Post-modernity. Milan attracts two million visitors a year, and almost all of them visit the famous cathedral. To convey the epic story of its construction and to raise additional funds for Milan Cathedral’s costly upkeep, the Cathedral Museum opened in 1953. In keeping with the long timescale of the cathedral’s construction, the museum closed for five years and only recently re-opened, completely refurbished and ready to accommodate contemporary revenue streams. Among its new offerings, the museum added a conference room that can be rented for meetings and dinners. To keep costs low, but functionality and fidelity high, the conference A/V system uses an Ashly Pema 4125.10 100V output, combination four-channel 125W amplifier with a built-in 8×8 Protea™ DSP Matrix Processor.

Daniele Santini of Etabeta Electronics designed the museum’s new conference system, and Marco Oberto of Oberto & Allerino oversaw its installation. “We were called in after a different system failed to meet the needs of the client,” explained Santini. “That system seemed overly complicated and difficult to control remotely. The client wanted a system that would be virtually invisible and that would still yield highly intelligible audio. Moreover, they wanted a system that could be remotely controlled, even by lay users with no technical background. We went with the Ashly Pema 4125.10 for three reasons. First, it gives a very favourable performance-for-price ratio. Second, it only occupies two rack spaces and yet provides eight inputs, auto-mixer functionality, full DSP capabilities, and four powerful 250Watt amplifier channels. Third, it connects easily to Ashly’s line of intuitive user control units.”

Inputs to the system include two wired gooseneck microphones on the conference table, two Mipro ACT wireless microphones, and four line inputs located at strategic points around the room. The Ashly 4125.10 powers one On Point Audio OPA-Line loudspeaker system, plus six individual column loudspeakers. The whole room acts as one zone with several of the loudspeakers delayed slightly to optimize intelligibility at the table.

Users of the system are primarily the people who rent the room for various functions and Santini programmed and deployed the system so that they would be able to use it intuitively. An Ashly WR-5 programmable push-button remote allows users to select from various preset configurations, such as “dinner party,” “speech,” or “background music.” In addition, an Ashly FR-8 eight-channel Network Remote Fader console provides individual volume control for all eight input sources. “The Ashly remotes are very easy to configure, and we can insert them anywhere in an establishment’s local area network (LAN) for immediate and direct control of the inputs and outputs,” said Santini. “The museum is very pleased with the new system. They like the intelligibility and are amazed at how easy it is to control using the Ashly WR-5 and FR-8.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

WASHINGTON STATE UNIVERSITY THUNDERS WITH DANLEY JERICHO HORNS

PULLMAN, WASHINGTON – JANUARY 2014: The Cougars football team of Washington State University plays all of their home games in 33,500-seat Martin Stadium. Although on the smaller side among its Pac-12 peers, the stadium has more than enough seats for every resident of Pullman, Washington (the university’s home), and loyal alumni and visiting fans easily make up the difference, filling the stands to near capacity on game day. Recent additions to the stadium necessitated relocating the scoreboard to the opposite end zone, and that in turn inspired a full upgrade to Martin Stadium’s sound reinforcement system. Three Danley Sound Labs J3-64 Jericho Horns, two J4-31 Jericho Horns, and four TH-812 “Rock Monster” subwoofers now fill Martin Stadium with glorious, high-fidelity sound.

Washington State University called in Anthony James Partners of Richmond, Virginia to design the sound system. “It was a pretty straightforward situation,” said Lee Vaught, senior audio engineer at AJP. “Martin Stadium is a bowl with almost no overhang. A distributed system wasn’t an option. We had to go with an end-fired system, and the new scoreboard was the obvious place to put it. The only question was exactly what boxes to use. This is my first full Danley installation, and the their design provided the necessary coverage with vastly fewer boxes than I would have used with conventional technology.”

Three Danley J3-64 Jericho Horns provide the majority of the full-range coverage at Martin Stadium. They split the stadium down the middle, with the odd J3-64 covering the additional asymmetrical seating below the press and suite box. Two Danley J4-31 Jericho Horns deliver high-frequency content to the far seats, where otherwise the high end would be diminished having traveled through so much air. A single Danley OS-80 weatherproof Synergy Horn loudspeaker fills in for the seats right below the scoreboard. Four Danley TH-812 “Rock Monster” subwoofers – two to a side – complement the fidelity of the full-frequency components with robust low end. A handful of JBL Control 28 loudspeakers provide coverage of the small shaded area underneath the press and suite box. A rack of Crown i-Tech HD-Series amplifiers powers the system, with processing from a BSS London backbone.

Danley Sound Labs, President Mike Hedden commented, “This was a short turnaround project and was one of the first using our SketchUp plugin module in DDT3D. This is a very powerful 3D coverage program we developed that enables accurate predictions of all frequencies from 20Hz and up. We’ve worked with virtually all the major modeling programs and DDT is simply the easiest yet powerful program out there. This enabled us to turn the entire design around in basically one day.”

“The coverage is great,” said Vaught. “The long throw across the field is impressive, and the high end from the J4s together with the low end from the 812s provides a full-frequency experience that stadiums with conventional systems would have a hard time replicating. Surprisingly, we actually received a request to turn the system down after the first few home games. That never happens! If anything, systems aren’t loud enough. But at Martin Stadium, we pulled it back a bit. There’s plenty of headroom, and it sounds clean and undistorted. Cougars fans will enjoy this sound system for a long time to come!”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.
www.danleysoundlabs.com

Triad Speakers, Inc. Ships its Thinnest Soundbar Yet, the Nano OnWall LCR 3.0

Fully-damped and braced extruded aluminum enclosure measures 1.6-inches deep by 3.25 inches high and is available in custom widths and paint finishes. Add to the mix premium components and passionate sound engineering and the Nano OnWall LCR 3.0 is the best performer in its class today

Portland, OR – January 28, 2014 – Triad Speakers, Inc. is now shipping its Nano OnWall LCR 3.0, a
3-channels-in-1 passive loudspeaker system (soundbar) for today’s ultra-slim TVs. The company’s thinnest soundbar to date, Nano measures 1.6-inches deep (including grille) by 3.25 inches high and is available in both custom widths and paint finishes. MSRP begins at $1,200. Standard accessories include Triad’s EZ Mount Bracket and brackets to mount directly to the TV.

Triad has been in business for more than 30 years and is well-established as a leading international brand of loudspeaker solutions in the custom residential channel. The brand offers dealers a robust line of in-room, on-wall, in-wall and in-ceiling solutions, the majority of which is custom-manufactured in the USA.

Triad’s soundbar line consists of 10 models at varying levels of performance and sizes to complement most every TV available today. According to Triad Speakers Marketing Manager Paul Teixeira, it was the lackluster sound of today’s ultra-slim TVs that prompted the company to engineer a speaker that could maintain the sleek look of the TVs, yet provide robust performance.

Teixeira notes, “While there are other manufacturers that market thin soundbars, their sound has typically taken a backseat to size. The Nano LCR 3.0 incorporates 6 specially-designed Scan-Speak drivers and 3 soft dome SB tweeters in a fully-damped and braced aluminum enclosure, all of which was a major challenge from such a compact enclosure. We’re very proud of how it sounds and looks, and believe it’s the best performer in its class today.”

The Nano LCR 3.0 represents the first of a new series of ultra-compact soundbars from Triad that utilizes this new design process using extruded aluminum. The speaker is manufactured to order in Triad’s modern factory in Portland, Oregon. In addition to custom paint-matching, the company offer optional (at extra cost) custom-sizing in widths to match the length of the video display

Specifications
Dimensions (inches): 44 (w) x 3-1/4 (h) x 1.6 (d)
Frequency Range: 190Hz – 20kHz (+/-3dB)
Recommended Amp Power: 75 – 125 watts
Nominal impedance: 6 Ohms
Sensitivity: 84dB (2.83v, 1m)
Drivers: Six all-new 2-inch Scan-Speak drivers; three proprietary 1-inch cloth SB dome tweeters

About Triad Speakers
Established in 1982 by President Larry Pexton (a founding member and Chairman of CEDIA), Triad Speakers, Inc. is a steadily growing provider of complete loudspeaker solutions for multi-room residential and home theater system applications. A top choice by many custom integrators nationwide, Triad has made significant advancements in the arena of front-channel speakers, surrounds, subwoofers, distributed audio speakers via enclosed in-wall, in-ceiling, on-wall and freestanding designs. Over 80% of Triad’s products are manufactured daily in Portland Oregon, in a pure build to order operation with no work in progress and no finished goods inventory of the US built products. In the 2006 – 2010 Inside Track Supplier Loyalty Tests, Triad ranked #1 in the category of Custom Installation Company. Visit us on the web at: www.triadspeakers.com and www.facebook.com/triadspeakersfans

NEW AT NAMM! SONODYNE LAUNCHES NEW SRP SERIES OF HIGHLY-ARTICULATE COMPETITIVELY-PRICED STUDIO MONITORS

LAS VEGAS, NEVADA – JANUARY 2014: Based in India, Sonodyne is well known for designing and manufacturing studio monitors that deliver big-ticket performance without the big ticket. Company founder Ashoke Mukherjee and his research team have yet again smashed the performance/price barrier with the SRP series of bi-amplified, die-cast aluminum studio reference monitors, and TransAudio Group, Sonodyne’s U.S. distributor, will be showcasing them at Booth #6945 at NAMM 2014. Five models span the series to meet different needs and budgets, from the small SRP 350, through the SRP 400, 500, and 600, to the large SRP 800. A sensible collection of back panel controls adapt the SRP series loudspeakers to a wide range of room conditions, and tapped inserts at the bottom and rear allow for a variety of mounting options. Clean self-power ranging from 20+20W in the SRP 350 to 175+100W in the SRP 800 is perfectly matched to the acoustics of the drivers and enclosures.

“We’re pleased to demo Ashoke’s latest creation at NAMM,” said Brad Lunde, president of TransAudio Group. “The Sonodyne SRP series studio reference monitors deliver the sort of clear, honest reproduction that is normally available only from manufacturers that charge many times the price. The range of sizes available in the SRP series will suit a variety of needs, from small-driver references, to surround channels, to primary near-fields.” The aesthetically-pleasing Sonodyne SRP series studio monitors are available in rich black, charcoal grey, and snow white.

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm. www.transaudiogroup.com

STOP BY AND SEE US AT NAMM 2014, BOOTH #6945

Symetrix SymNet Edge Processor Defines Video Conferencing at the Fred W. Smith National Library for the Study of George Washington

MOUNT VERNON, VIRGINIA – JANUARY 2014: The Fred W. Smith National Library for the Study of George Washington opened recently just outside the gates of Washington’s Mount Vernon estate, roughly fifteen miles south of Washington DC. Not only is the $45 million building the leading scholarly research facility for America’s first President, it is also filled with state-of-the-art technology that allows scholars-in-residence to videoconference with colleagues around the world. A SymNet Edge Dante networked audio DSP system with comprehensive conferencing features, including Acoustic Echo Canceling (AEC), delivers robust, high-quality audio for the library’s six video conferencing systems, as well as background audio and paging services. A dedicated SymNet Radius 12×8 DSP together with a custom Crestron computer control interface serve as the heart and brains of the library’s recording studio.

Richard Derbyshire of Shen, Milsom & Wilke’s Washington, D.C. office designed the sound reinforcement system, and IES Communications of Roanoke, Virginia installed it. Jim Hogan, A/V project manager with IES Communications, explained, “This is a high-profile, high-visibility installation, and the expectation is perfection. We’ve done a number of Symetrix installations, and they always go smoothly. The technical support from Symetrix is excellent, and the sound quality and stability of the units are great. The modular SymNet Edge system gives us tremendous flexibility with regard to inputs and outputs as well as customized processing.”

The sound reinforcement system and conferencing systems are located primarily in the conference wing of the library, where two larger conference rooms and two smaller conference rooms join the library’s signature lecture and conferencing space, The David M. Rubenstein Leadership Hall. A massive eighteen-foot by eight-foot micro-tile screen forms the focal point of Rubenstein Hall and allows the library’s scholars-in-residence to connect with individuals and groups across the country and around the world. Four SymNet Edge frames are outfitted with eleven AEC cards, two 2-Line analog telephone interface cards, three analog input cards, and two analog output cards, all working in conjunction with two SymNet xIn12 and two SymNet xOut12 I/O expanders. The units are integrated using the DanteTM network audio protocol. All of the conferencing systems benefit from Symetrix’ advanced AEC hardware and DSP algorithms.

In addition, the library staff has use of a small audio and video recording studio with which to create educational and other materials in-house. Hogan centered the studio workflow on a SymNet Radius 12×8 processor. He used its open architecture to design custom recording and playback functionality that users control via an intuitively laid out Crestron interface, thereby enhancing their productivity by providing them with efficient, easy to use tools.

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

API ANNOUNCES THE WEST COAST DEBUT OF “THE BOX” AT NAMM – PLUS THREE NEW 500 SERIES MODULES

JESSUP, MARYLAND – JANUARY 2014: API’s professional project studio console, THE BOX, was the hit of AES in New York City, and now API showcases it at NAMM 2014 in Anaheim, California to the west coast recordists. THE BOX is the ideal analog console for small studios that are centered on DAWs, providing four input channels with preamps and processing; sixteen channels of classic analog summing (twenty at mixdown); cue sends with talkback; and monitor control. Most importantly, THE BOX uses the classic discrete analog circuitry that is found in all of its products, including the 1608 small format console and the Legacy Plus and Vision large-format consoles.

API also debuts three new 500 Series products at NAMM: the new eight-slot 500-8 lunchbox®; the 505 DI direct input, which like the module-based API 205, accepts a guitar, bass or keyboard direct input while minimizing any loading effect on Hi-Z instrument pickups; and the 565 Filter Bank module with circuits that are true to the musical filters of the famed 215 module found in large format API consoles.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment. www.apiaudio.com

STOP BY AND SEE US AT NAMM 2014 BOOTH #6204

InfoComm International, SCHOMS start joint membership and training initiative

InfoComm International, the leading trade association serving the professional audiovisual communications industry worldwide, has agreed to extend membership and free and discounted training to members of the Standing Conference for Heads of Media Services (SCHOMS).

InfoComm and SCHOMS share a joint vision to promote professionalism amongst the senior level higher education technology manager community in the United Kingdom. To accomplish their common goals, all SCHOMS U.K. Institutions will become members of InfoComm International, and will receive select free online training, including CTS Prep, along with access to discounted advanced training.

David Labuskes, CTS, RCDD, Executive Director and CEO, InfoComm International

“InfoComm is delighted to enter into our first official agreement with SCHOMS,” said David Labuskes, CTS, RCDD, Executive Director and CEO, InfoComm International. “We have worked together over the years to advance the AV profession at universities and provide networking for senior managers at higher education institutions throughout the U.K., and hope this effort will lead to more joint initiatives in the future.”

“With technology rapidly changing the way that Learning, Teaching and Assessment practice is created and delivered, all members of SCHOMS are increasing being expected to meet the challenges of innovating with and supporting a range of Audio Visual and Learning Technologies. The agreement with InfoComm delivers a consistent and recognised approach to developing and professionalising our staff to meet the needs of our learners and exceed their growing expectations”, said Simon Birkett, SCHOMS Chair.

The groups estimate that InfoComm International will gain 75 new members as this relationship gets underway.

About InfoComm International
Now in our 75th year, InfoComm International® is the international trade association representing the professional audiovisual and information communications industries. InfoComm has more than 5,000 members, including manufacturers, systems integrators, dealers and distributors, independent consultants, programmers, rental and staging companies, end-users and multimedia professionals from more than 80 countries. InfoComm International is the leading resource for AV standards, market research and news. Its training, certification and education programs set a standard of excellence for AV professionals. InfoComm International is the founder of InfoComm, the largest annual conference and exhibition for AV buyers and sellers worldwide. InfoComm also produces trade shows in Asia, Europe, Latin America and the Middle East. Additional information is available at infocomm.org.

About SCHOMS

The Standing Conference for Heads of Media Services (SCHOMS) is the professional body for Senior Managers working within UK Higher Education. SCHOMS members lead and manage a diverse set of educational, technology, media and institutional support services. They give strategic direction to support and promote excellence in teaching and learning practice through the deployment of classroom technology, AV equipment and innovation in the design of learning spaces. The group promotes continuing professional development amongst its membership, offering leadership and management development, with opportunities for accredited technical training for a range of roles and grades. Additional information is available at www.schoms.ac.uk

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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