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ASHLY AUDIO’S NETWORK MATRIX PROCESSOR AND AMP SIMPLIFY USER CONTROL DURING STRESSFUL TIMES AT MICHIGAN FUNERAL HOMES

ROYAL OAKS, MICHIGAN: A.J. Desmond & Sons Funeral Directors have been serving families in suburban Detroit, Michigan for nearly a century. The family-owned business has maintained a commitment to serving the bereaved and the community as a whole through counseling, grief recovery groups, and other educational programs, earning A.J. Desmond & Sons Funeral Directors multiple Pursuit of Excellence awards from the National Funeral Directors Association and induction into the association’s Hall of Excellence. This is not a firm that operates by half measures, and so the small frustrations that accumulated from their sound system at the Royal Oaks location motivated them to hire Abel Electronics of St. Clair Shores, Michigan to build a state-of-the-art sound reinforcement system with intuitive operator controls. Now, an Ashly Audio ne24.24M matrix processor, a ne4250.70 multi-channel amplifier, and (critically) three WR-5 programmable remote controls give the funeral home robust, easy-to-use sound reinforcement.

“They used to have to go into the equipment closet to select input sources or change the gain for music or microphone inputs,” explained Mark Monarch, owner of Abel Electronics. “Different people would be in there, and none of them were necessarily technically inclined. It was easy for the gain structure to get messed up.” With an improper gain structure, of course, the sound quality wasn’t commensurate with the caliber of service that Desmond is known for. In addition, the sound system was old and ready for replacement. With Ashly’s modern user control solutions, Abel Electronics could robustly and inexpensively supply each of the home’s three visitation rooms with its own customized control.

At its heart, the new system consists of an Ashly ne24.24M processor outfitted with eight inputs and four outputs paired with a four-channel Ashly ne4250.70 amplifier. The amplifier delivers 250W per channel to new 70-volt SoundTube in-ceiling loudspeakers. In addition, a Marantz USB recorder allows loved ones to record a funeral service. Four new AudioTechnica wireless microphones (two handheld and two lavalier) join two existing CD players and two auxiliary inputs (suitable for iPods and the like) on the input side. Perhaps the most important improvement from the user’s perspective is the addition of three Ashly WR-5 programmable remote controls – one for each sub-dividable space. Monarch programmed them to allow appropriate selection of inputs, input volumes, and output volumes. In addition, they allow simple room combining functionality.

“We love working with Ashly equipment,” said Monarch. “It’s easy to use, easy to program, and we have zero problems with it. We have no customer call backs on account of Ashly gear. Once it’s set, it’s set, and the sound quality is excellent. Desmond loves the new user control because no one has to go into the equipment closet anymore. The closet is now under lock and key! They understand the WR-5 and are happy to have all of the relevant controls so accessible.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

Symetrix Zone Mix 761 and ARC-WEB Add Functionality, Sound Quality and Smartphone Control to Hampton’s Upscale Dockers Waterside

LONG ISLAND, NEW YORK: Although it is one of the premier dining and entertainment establishments in the upscale resort villages of the Hamptons, Dockers Waterside went without a fully-integrated professional sound system until only recently. The attractions that draw vacationers, weekenders, and residents to Dockers Waterside include regular live music, two outdoor “living rooms,” three bars, scores of tables that overlook the bay, and, of course, five-star cuisine. Taylor Sound of Holtsville, New York dramatically improved the sound system with a cost-effective and comprehensive Symetrix Zone Mix 761 fixed-architecture processor and the owner and management are enjoying convenient control from their smartphones via Symetrix ARC-WEB.

“Dockers Waterside previously had some amplifiers and music-store-grade analog and digital processors,” explained Bill Taylor, owner of Taylor Sound. “Some of the components had gone bad, but the real motivation for upgrading the system was the owner’s inability to manage the inconsistent levels coming out of his music players. His solution was to try to compress the signal so as to achieve uniform output, but the compression sucked the life out of the music and killed the low end. It just didn’t sound good.” The automatic gain control (AGC) in the Symetrix Zone Mix 761, together with the rest of its processing power, produced vastly better results.

Inputs to the 12-input Zone Mix 761 include an iPod, a Sonos music player system, output from the live music system, and a wireless microphone for parties and other events. Taylor used all six of its outputs to feed six separate zones in Dockers Waterside via three new Crown XLS 1000 amplifiers and the existing loudspeakers. Additional improvements include a collection of AudioTechnica paddle antennas that provide coverage for the wireless microphone throughout the establishment. The owner and management select zone inputs and adjust volumes via Symetrix ARC-WEB, which they access from their smartphones. Staff can also make necessary changes using a hardwired Symetrix ARC-2e wall-mounted, menu-driven remote located near the main bar.

“We got the system up and dialed in very quickly,” said Taylor. “We were able to give Dockers so much more functionality than it had previously. Symetrix’ AGC algorithm is great, and the owner is very pleased with the quality and consistency of the sound now. Being able to hand him ARC-WEB put the installation over the edge. He loves having that kind of convenient, cutting-edge control!”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

DANLEY SOUND LABS SH-50s AT THE COUNTRY’S LARGEST CHURCH – LIFECHURCH.TV

JENKS, OKLAHOMA: With weekly attendance topping 46,000, LifeChurch.tv is, by many counts, the largest church in the country. It has eighteen physical campuses stretching from New York to Florida and back to its headquarters in Oklahoma. As one might guess from its embrace of the “.tv” suffix, LifeChurch.tv also has a vibrant online presence, including a weekly online service and a virtual church in the online virtual world – Second Life. Its Jenks, Oklahoma location recently opened its doors and welcomed new members (or in LifeChurch.tv’s parlance, “partners”) to a progressive church experience anchored by a dynamic live band. As in many of the more recent LifeChurch.tv locations, stereo clusters of Danley Sound Labs SH-50 full-range loudspeakers deliver the full impact of the band and convey spoken word and video playback with crystalline intelligibility.

Summit Integrated Systems of Lafayette, Colorado began working with LifeChurch.tv six years ago and has designed and installed the A/V systems at most of the campus locations. “The fact that LifeChurch.tv continues to build new campuses has given us the opportunity to critique and grow with each design/build project,” explained Shane Beeson, church relationship manager and director of sales and Marketing at Summit Integrated Systems. “After every project, we meet with the LifeChurch.tv technical staff to evaluate the systems and discuss what we can improve upon. Danley Sound Lab products have been a part of Summit’s product line since Danley launched in 2005, and Danley became a part of the LifeChurch.tv conversation five years ago. We were exploring ways to improve the audio quality of their multi-site campuses while still being mindful of budget and to meet their request for a stereo system using point-source boxes.”

Although LifeChurch.tv requests stereo coverage of the worship auditorium at most sites, it also typically compromises on the architecture such that the ceiling height is lower than would be optimal. “Like every church, LifeChurch.tv operates within a budget,” said Beeson. “The ceiling height makes it challenging to get the right coverage and impact. Moreover, acoustic treatment is usually the minimum needed to get the space up and running. That was the case at Jenks, so we designed two 3-box clusters of Danley SH-50s. The supreme pattern control and smooth phase response of the Danley SH-50 gave us the control we needed for excellent coverage of the seats and minimal coverage of the walls. Danley’s innovative solution allowed us to increase performance and offset budget challenges by using a loudspeaker product with maximum pattern control to keep the sound in the seating areas without overexciting the room reflections.” In addition, Beeson noted that because the Danley SH-50 is passive, it required a minimum number of processor and amplifier channels, which helped the project stay on budget.

The Jenks system begins with a Yamaha CL5 paired with RIO stage boxes, which act as a digital snake and patch bay to collect inputs from the stage. The output from the CL5 feeds a Biamp Audia Flex, which handles loudspeaker management and processing. Lab.gruppen C-Series amplifiers power the system. Mounted at the seventeen-foot ceiling, three close-packed Danley SH-50s per side provide the main stereo coverage for the room with forty feet between them. Four subs provide low-frequency extension from below the stage. Six Danley SH-Mini loudspeakers complete the system by providing side-fill at the edge of each cluster and front-fill from the edge of a portable stage when needed.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

Symetrix SymNet Radius 12×8 Dante Networked Audio DSP Keeps Indiana Town Dancin’ in the Streets

GREENFIELD, INDIANA: Although the city of Greenfield, Indiana is now a suburb of Indianapolis, its history runs deep into the 1800s, when it was a railway stop and the birthplace of famed poet James Whitcomb Riley. The city celebrates that tradition for a long weekend every October with Riley Days, which ranks among the Hoosier State’s best-attended festivals. Because Greenfield also puts on a Christmas festival and numerous other smaller citywide events throughout the year, it recently decided to invest in a citywide sound reinforcement system. Local A/V integration firm Force Technologies designed and installed the system for future expansion and convenient control using the Symetrix SymNet Radius 12×8 Dante networked audio signal processor and ARC-WEB user control for mobile devices.

“Riley Days is a big deal,” said A.J. Fager, owner of Force Technology Solutions. “Greenfield closes down its main streets, and vendors from all around set up tents. The city officials wanted a permanent sound reinforcement system that would serve Riley Days, as well as the other events that the city hosts. The Symetrix SymNet Radius 12×8 was the perfect processor because it is powerful, cost-effective, and easily scalable via Dante. Moreover, we could give them customized control via SymVue real-time user control panel application running on any Windows compatible PC and simultaneously give them simple, intuitive control for technicians’ smartphones via Symetrix’ ARC-WEB technology.”

In its initial deployment, the system is comprised of eight zones, each of which are independently tuned and delayed to minimize echo effects. Weatherproof Community R.5HP 8 Ohm and R.5HPt 70-Volt loudspeakers mounted to poles and powered by Crown CDi-Series amplifiers now dot downtown Greenfield. “Those loudspeakers and amplifiers are capable of delivering high sound pressure, and the design became a case of ‘less is more,’” said Fager. “When we modeled the system, it was apparent that more loudspeakers would have complicated the delay scheme and ultimately resulted in more harm than good.” Inputs to the system include two music sources and two wireless microphone systems.

The Greenfield IT department manages the citywide sound reinforcement system. Fager designed a custom Windows-compatible, PC-based control interface using Symetrix SymVue software. The interface consists of a map of the city broken down by zone. Within each zone, technicians can control volume and other aspects of system performance. Because such adjustments are sometimes better made from the zone itself, Fager also gave them a Symetrix ARC-WEB interface. Technicians access the password protected ARC-WEB interface from their smartphones and can thus make adjustments from anywhere.

Already, the city officials are excited to expand the system with four more zones. Fager anticipated this, and that was part of the reason why he went with the Dante networked SymNet Radius 12×8. Because its full processing power is far from tapped, Fager can simply add a Symetrix SymNet xOut 12 and, via the magic of Dante, the system will have the required additional outputs at little expense.

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

PRODUCER/ENGINEER NOAH SHAIN RECORDS BREAKOUT ARTIST DEAD SARA ON AN API 1608

MALIBU, CALIFORNIA: Producer Noah Shain recently purchased an analog API 1608 small-format console to record breakout artist Dead Sara in a Malibu mansion for a forthcoming release on Epic Records. The tracks will form the follow-up to the band’s 2012 eponymous self-release. Shain, who is best known for his work with Sonny Moore (Skrillex) and Atreyu, purchased the API 1608 because it was, in his words, “the only console available with a small enough footprint and a big enough sound.”

After recording their previous album with Shain at Sonic Ranch in Texas, the band members had their heart set on taking the laid back experience they had there to the next level. “They didn’t want to work in a studio at all,” Shain said. “They just wanted to work in a house. I said, ‘OK, but if we’re going to work in a house, we’re going to do it right. I’m not bringing my laptop over to your buddy’s apartment.’ In the end, we rented an 8,000 square-foot Malibu mansion for two months. All told, we paid about as much going that route as we would have paid going to any of the world-class L.A. studios that I tried to talk them into originally.”

As a self-described API-fan who had been considering a 1608 to complement his hybrid, bus-intensive mix style, Shain recognized the sonic and logistic advantages of having a 1608 for the two-month remote date with Dead Sara. “I like discrete transistor electronics,” he said. “That’s saying something, because Shain’s workflow is unique. Like Michael Brauer, Shain separately processes stems according to their role in the music. He uses eight passive busses and saturates signal on the other end with boutique gain make-up amps. “The 1608 is the perfect heart for that kind of system,” he said. “It’s small enough to make it easy, and I can still focus a lot on the computer for a truly hybrid workflow.”

With the remote recording date with Dead Sara finished, Shain has moved the new 1608 into his three-room studio located inside Bedrock, a 120-room rehearsal space in the hip Echo Park neighborhood of L.A. “Bedrock is a great place with a great community of musicians,” he said. “A lot of notable bands rehearse there. My door is open and a lot of people are going to see the new API 1608.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

ASHLY PEMA 8250 PROCESSOR/AMPLIFIERS GET SAUCY AT 4 RIVERS SMOKEHOUSE

WEBSTER, NEW YORK – DECEMBER 2013: Now with five locations in Florida that regularly generate lines out the door, 4 Rivers Smokehouse is one of the fastest growing restaurants in the Southeast. The young chain and everything it stands for, from perfected BBQ to generous philanthropy, is driven by the passion of successful businessman John Rivers. Indeed, it is rumored that Rivers worked for fifteen years, taking careful notes on copious spreadsheets to perfect the 4 Rivers Smokehouse sauces before launching the restaurant and its associated line of bottled products. Rivers is also passionate about music, and with the help of Sound Stage of Winter Park, Florida, his restaurants pulse with inspired tunes tweaked to perfection (much like his sauces) by an eight-channel Ashly Pema 8250 Protea™-Equipped Media Amplifier.

“An important thing to know about the owner, Mr. Rivers, is that he loves music,” explained Joe Forbes, systems consultant at Sound Stage. “Before we became involved with the restaurant, he opened a few locations in which the music playback system hadn’t been given a lot of consideration. Mr. Rivers wanted something that would give full-fidelity, full-impact music the role he felt it deserved at 4 Rivers Smokehouse. We knew we could help.” Sound Stage designed and installed the music playback system at the next 4 Rivers Smokehouse location using the Ashly Pema 8250 together with JBL Control Contractor-Series loudspeakers, and its success earned Sound Stage the same role at every subsequent new location.

Each system begins with a simple music source that feeds an Ashly Pema 8250. An ambient noise-sensing microphone on an input to the Pema 8250 engages Ashly’s Ambient Noise Compensation feature, which automatically adjusts the overall volume level based on how busy the restaurant gets. That feature is important because 4 Rivers Smokehouse can go from empty at opening to packed so quickly that managers and staff are justifiably focused on matters other than the music volume. Depending on the situation at a particular location, the eight 250-watt amp channels of the Ashly Pema 8250 feed some composition of JBL Control 25AV, Control 19, or Control 24 loudspeakers and some number of JBL Control SB210 subwoofers. “These systems are full-range and have plenty of power… they rock!” said Forbes.

He continued, “Our experience with Ashly began with its NE-Series amplifiers, which are great. But in a situation like this, the Pema range carries that same great sound and power, and a small footprint, but adds all of the front-end processing that we need. Working with Ashly has always been easy, and the tech support is fantastic.” Forbes cited Ashly’s collection of straightforward, inexpensive user controls as another factor working in Ashly’s favor. In the case of 4 Rivers Smokehouse, he uses a handful of Ashly WR-1 dual potentiometer remotes, which provide volume control for two adjacent zones using just one wire.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

DANLEY HORNS ELEVATE THE SOUND QUALITY AT RALPH WILSON STADIUM HOME OF THE BUFFALO BILLS

BUFFALO, NEW YORK – DECEMBER 2013: Fervent football fans know that the Buffalo Bill’s Ralph Wilson Stadium is one of the most difficult places for kickers, owning to its exposure to Lake Erie’s gusty winds, but few footballs recognize the tremendous challenge those winds create for the stadium’s sound reinforcement system. Moreover, Buffalo’s notoriously snowy winters regularly incapacitated the loudspeakers and subwoofers that were exposed to it, and unintelligible announcements and underpowered music were a constant frustration. However, with a new Danley Sound Labs distributed loudspeaker and subwoofer system in place, that lackluster performance is history, and Ralph Wilson Stadium now stands as one of the league’s best venues for a soul-shaking game-day experience that few living room hi-fi system can rival.

“The NFL is striving to improve the game-day experience,” explained Steve Asposto, senior director of broadcast operations with the Buffalo Bills. “We want to keep people coming to the stadium, but with so much HD technology available in fans’ living rooms, there is a huge temptation for them to stay home. Our goal is to give them an experience at the stadium that cannot be replicated on the couch, and music is a huge part of that. The league has softened many of the rules that used to restrict music playback, and so now we’re able to build music into a greater part of the experience.”

The trouble was that Ralph Wilson Stadium wasn’t ready to make effective use of those new rules. Even when it was brand new, the old sound system fired from only one side, which generated an intelligibility-killing clot of late arrivals. Worse, over a decade of Buffalo’s ceaseless wind and superabundant snowfall had destroyed approximately half of the stadium’s loudspeakers and subwoofers. “We used to get regular complaints that the announcements and referee calls were completely muddled,” said Asposto. “The clarity simply wasn’t there.” The Bills called on Anthony James Partners (Richmond, Virginia) to design a new system that would stand up to Buffalo’s inclement weather and that would deliver clear, high-fidelity audio even on the windiest days. Ronco Specialized (Tonawanda, New York) installed the new system.

“The idea was to place a loudspeaker and subwoofer cluster on each of four towers that encircle the stadium,” said Larry Lucas, director of audio engineering for Anthony James Partners. “As always, price was a big consideration, but we also needed exceptional pattern control to avoid the late arrivals that had plagued the old system. Danley Sound Labs delivered on both counts, and Danley’s Shaded Amplitude technology in its GH-60 Genesis Horns would provide even coverage across the seats.” Each of the four clusters consists of three Danley GH-60 Genesis Horns, a Danley SH-95 for center fill, four Danley SH-MINIs for fill right below the cluster, and two Danley TH-118 subwoofers. In addition, four Danley SH-64s (two at each end zone) provide additional coverage, and 35 Danley SH-Micros provide under-balcony coverage. An existing Yamaha LS-7 digital console and four Peavey Neon processors (two of which are new) form the front end, and sixteen Lab.gruppen PLM-20000 amplifiers power the Danley boxes. A new computer system operates the system with multiple screens (including one dedicated to the NIO software and a touchscreen dedicated to the Lake software). The amplifiers receive signal via CobraNet or Dante and contain DSP resources to handle all of the loudspeaker conditioning.

Unfortunately, some of the electrical requirements necessitated a shift in the original design that then compromised the coverage of the Danley GH-60 Genesis Horns. “It turned out that even with the Shaded Amplitude design, the SPL was too hot on the top,” said Dean Churpita, who led the installation for Ronco Specialized. “Danley worked with us and twice sent technicians to physically modify the boxes to give us the coverage we needed. The sound quality itself is exceptional. I barely had to equalize the Danley boxes at all!” Al Colucci, account manager at Ronco Specialized, added, “Danley really came through for us. They’ve been tremendously responsive and are obviously invested in making this installation right for us and for the client.”

With the Danley-led modifications now in effect, the coverage is smooth, and the sound quality at Ralph Wilson Stadium has leapfrogged its NFL peers to become one of the best. “We’re very happy with the new system and with Danley’s commitment to making it perfect,” said Asposto. “It’s not an easy trick to deliver consistent audio to all 75,000 seats in an open stadium in Buffalo’s climate. We’re similar to Lambeau Field, except that Lambeau has the benefit of an uninterrupted ring of stands. In contrast, we have a lot of ‘holes’ for the wind to play with. Despite that, Danley’s coverage is keeping direct sound on the seats and minimizing the sort of extraneous echoes that we used to contend with.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

WEATHERPROOF DANLEY OS-80 LOUDSPEAKERS COVER ONTARIO HOCKEY ARENA

ONTARIO, CANADA – DECEMBER 2013: The J.D. McArthur Arena seats 3,500 for ice hockey games and 3,000 for lacrosse games and resides within the Harry Lumley Bayshore Community Centre in Owen Sound, Ontario, Canada. The Owen Sound Attack of the Ontario Hockey League and the Owen Sound Woodsmen of the Ontario Lacrosse Association both call it home. Although thoroughly modern in most respects (including private boxes and a restaurant), the arena suffered from a sound reinforcement system with poor intelligibility and impact. A recent renovation, led by Straight Street Event Services of Cambridge, Ontario, took the sound system from terrible to fantastic with the replacement of the existing loudspeakers to the fully-weatherized Danley Sound Labs OS80s.

“The owners of the hockey team wanted a better experience for their ticket holders,” explained Keith Broughton, an independent contractor who led the design and installation on behalf of Straight Street. “The existing system did not provide clear announcements, and the quality and SPL of music playback did not cover all seating areas sufficiently. Many people complained that they couldn’t understand the announcer, and, this being a fairly small town, those complaints reached the right ears… many times!” Keith Kissner, the owner of Straight Street Event Services, who has a trusted relationship with the owners, hired Broughton to help evaluate the owners’ requirements, evaluate the existing system, recommend a solution, oversee its implementation, and test and tune the system after installation. In addition, he added, “and I would take the heat if the new system didn’t live up to expectations!”

Kissner and Broughton have been using a Danley TH-115 subwoofer in a rental application and were impressed by its performance. Based on that experience, together with the realization that it was precisely the “conventional” aspects of conventional loudspeakers that had so failed the McArthur Arena, Broughton scheduled a two-day trip to visit Danley headquarters in Georgia. “The folks at the ‘lab’ treated me very well,” he said. “They made me feel welcomed and answered all of my questions. They’re clearly interested in building relationships with the people who use their products. Southern hospitality is alive and well!”

Broughton’s requirements for the new loudspeakers were exceptional vocal clarity, high directivity, good visual appeal, and even coverage across the spectrum. A lightweight, easy-to-rig design was also important, as was a weather-resistant enclosure since the arena becomes very humid during the transition from lacrosse to hockey. “I originally spoke with Ivan Beaver, Danley’s chief engineer, about the Danley SM-80, which met my requirements,” said Broughton. “He turned me on to the new Danley OS-80, which has the SM-80’s characteristics plus a truly weatherproof enclosure and less overall weight. My visit to Danley headquarters gave me a chance to listen to the product and to talk with Ivan about its technical points. I left confident that the OS-80 was the right product.”

The new system covers the seating area only and was “piggy-backed” onto the existing control system. The Straight Street installation team removed the old loudspeakers and amplifiers and left the rest of the house system as it was. Broughton added a new Xilica processor, which conditions the system and feeds three Crest Pro9200 amplifiers. The amplifiers power five sets of four Danley OS-80s each (twenty OS-80s total), and the remaining channel powers a new Danley TH-118 subwoofer mounted over center-ice. Broughton and the Straight Street crew mounted the OS-80s directly on the roof trussing with the included yokes using beam clamps. “Director of Danley University, Doug Jones was also very generous with his time, and walked me through the use of the speaker prediction software,” he said. “That further convinced me that the OS-80 was the right tool for the job. Its 80-degree pattern is perfect for covering the front to rear seats and proved to be just as the Danley speaker prediction software had indicated.”

He continued, “The J.D. McArthur Arena may not be a big ticket install compared to what Danley usually does, but to this client, this is THE big ticket item. As you can imagine, my reputation, the reputation of this sound company, and the satisfaction of the client were riding on this products ability to deliver. The OS-80 and the support from Danley both exceeded my expectations. Danley included high-grade wire with the weather resistant coupler, they pre-lubricated the hardware, and they coated the grill with weather resistant film. Those details were not lost on me or the installation team! Both the arena technical staff and the hockey team’s director of marketing met the initial audio demonstration with a big ‘WOW, we have never heard sound like that in here!’ In fact, the members of the arena tech crew were so impressed that they want to add more Danley OS-80s to cover the ice area.” We are very happy with the OS80 and hope to use more Danley Sound Lab products in the future.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

Symetrix Announces Rep Award Winners: The Farm • CS&A • Native Media

SEATTLE, WASHINGTON – DECEMBER 2013: Closing another record year, Symetrix, DSP solution specialists, announces its annual U.S. regional sales representative award winners. Based in Roseville, California and having represented Symetrix for 25 years, The Farm AV earned Rep of the Year, while on the opposite coast venerable Cardone, Solomon, & Associates (CSA) earned Highest Sales Growth. The recently launched, Texas-based Native Media successfully leveraged owner Michael Austin’s decades of industry experience to earn the Symetrix Outstanding Sales Achievement Award.

“All of our representatives have done very well for us and our new products this year, and we thank each of them for their hard work on behalf of Symetrix,” said Dane Butcher, Symetrix Chairman. “The Farm, CS&A, and Native Media stood out in a very crowded field and earned this special recognition. With the introduction of Radius AEC to round out our advanced SymNet Edge and Radius 12×8 open architecture Dante scalable DSP solutions, we enjoyed significant growth this past year and look forward to continued growth in 2014. We couldn’t do it without our nationwide group of experienced independent sales reps.”

“Symetrix has created a real cultural connection with the customer. And by the ‘customer’ I mean the integrator,” explained John Hood, principal of The Farm. “Our firm’s loyalty to Symetrix begins with [Symetrix founder] Dane Butcher and his ongoing commitment to keeping Symetrix at the leading edge of the industry. Symetrix has been our rock. The management at Symetrix understands the independent rep model, and it shows in Symetrix’ continuing success.”

“All of us at Cardone, Solomon, & Associates are proud to be recognized by Symetrix for our achievement,” said John Cardone, co-owner of the firm. “We have been very happy with the way Symetrix has been bringing new products to market. They understand and listen to our customer’s needs, and that is what ultimately drives sales.” Michael Austin agreed, adding: “‘Flattered’ would be the only word to describe the feelings here at Native Media, LLC on winning the Symetrix Outstanding Sales Achievement award! Symetrix has evolved over the years into one of the leaders in the DSP world by producing the most complete line of forward-thinking products available. Native Media strives to be a ‘new style’ rep firm; one that works to provide the best in support and service. Symetrix really steps up and gives us the tools to meet those goals.”

Concluded Craig Richardson, Symetrix VP of Global Sales, “Our independent reps are an integral part of the Symetrix success story and I’m very pleased to recognize these three groups for their outstanding sales achievements.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

(pictured above) John Hood, principal of The Farm – recipient of Symetrix’ Rep of the Year Award.

ASHLY EXPANDS nX AMPLIFIER LINE

WEBSTER, NEW YORK – DECEMBER 2013: Ashly’s nX family of two- and four-channel power amplifiers has been expanded with the addition of twelve new 800 Watt and 400 Watt models. These medium output amplifiers are the perfect complement to the high-output 3,000W and 1,500W nX models.

All nX Series amplifiers feature Ashly’s programmable outputs on each individual channel using rear panel DIP switches to select Low-Z (down to 2 Ohms), or High-Z, (70V or 100V) constant-voltage outputs.

The nX8004 has four channels rated at 800 watts per channel across all programmable outputs. The nX8002 is the two-channel version. The nX4004 offers four channels at 400 watts per channel, while the nX4002 is the two-channel model.

Ashly offers three nX amplifier feature sets. The nX Series is the base level amplifier with Ashly’s Energy Management System (Ashly EMS™), a defeatable sleep mode that draws <1 Watt of current when engaged. The nX Series also has an optional security lockout feature for the front panel controls. The nXe Series Net-Work-Able amplifiers feature an Ethernet connection providing the integrator with remote control and diagnostics, a programmable sleep or stand-by mode, AUX outputs and an internal Real-Time Clock with Event Scheduler. The nXp Series adds the Protea™ DSP Processor with 32-bit SHARC processors and full Protea DSP that includes Precision Impedance Monitoring on each channel output.

“Expanding the nX Amplifier line with two and four-channel options at medium power outputs allows audio system designers to deliver an Ashly-centric sound system to their clients that features high-quality American-made amps,” offers John Sexton, Ashly’s vice president of sales.

Network audio options include factory installed Dante® and CobraNet® cards. Ashly also offers optional AES3 inputs with pass-through.

NX Power Amplifiers are built in the company’s Webster, New York factory and covered by Ashly’s industry-leading Five-Year Warranty. The new nX 800 Watt and 400 Watt models will begin shipping to U.S. Dealers this month.

Download data sheets on the nX, nXe and nXp models at www.ashly.com/nX

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

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