A virtual press conference from Sound & Video Contractor

Archive of the CEDIA Newslink Category

OUR LADY OF LOURDES ACADEMY ENJOYS A NEW MULTIPURPOSE GYMNASIUM WITH ASHLY POWER AND PROCESSING

OurLadyofLourdes_GymMIAMI, FLORIDA: In addition to being the alma mater of pop icon Gloria Estefan, Our Lady of Lourdes Academy (OLLA) is a paragon of Catholic academic excellence and has been since it was founded in 1963. To continue to effectively fulfill its mission in the twenty-first century, however, the school embarked on a four-phase, $15 million improvement project, which included construction of a state-of-the-art gymnasium. Revelation Sound, Inc. (RSI), a state licensed A/V specialty electrical and integration firm that has niche markets to houses of worship and their associated academic institutions since 1984, was awarded the contract for the audio, video and intercom portion of the project.

The acoustic consulting and analysis for the project was done in partnership with Robert Bernecker of SEFI Consulting in Dallas, Texas. RSI has partnered with SEFI on numerous projects, with the collaboration resulting in excellent A/V designs.

“The gymnasium is brand new construction and is intended to accommodate a huge range of functions, including masses, classroom assemblies, presentations, alumnae events, performances, and, of course, gym class and sporting events,” said Michael Melcher, president of Revelation Sound. “The A/V system had to be as easy to operate as a toaster! Thus, the A/V portion of the project features reliable, cost-effective Ashly Audio KLR-series amplifiers and an 8 x 8 Ashly ne8800 networked audio processor.”

RSI cited the value of Ashly’s superlative technical support and customer service as a key aspect of OLLA’s new system: “What we bring to the table is dependent on how our manufacturers support us,” Melcher said. “We have to be more than just a number on a sales sheet. Working with Ashly gives us that support. When we call, we always speak to a knowledgeable technician immediately – someone we know and have a relationship with. We sell that support as part of our bid. It is critical. Because Ashly provides such excellent support, we’ll stick with Ashly. We’re very conservative and very loyal.”

Inputs to OLLA’s new systems include a well-chosen collection of wireless, standard wired and podium microphones, as well as a Tascam combination CD/iPod/MP3 player and four Mystery Electronics brass court floor boxes. A roll-around rack holds a small Allen & Heath mixer, which provides one level of user control. All of the inputs wend their way to the Ashly ne8800 8-In x 8-Out Protea DSP Processor, which provides gain-sharing auto-mixing for turnkey operation. The processor in turn feeds six Ashly KLR-3200 1600W two-channel amplifiers.

“The Ashly KLR Series packs an unbelievable amount of power and reliability into a two-rack space at a price-point that is fiercely competitive,” Melcher said. “The value to our customers is great, and the fact that the KLR-3200 can power low-impedance boxes or up to 800W into a 70-volt constant voltage system is a huge plus.”

The KLR-3200 amps power three clusters of three Renkus-Heinz CFX-151 loudspeakers each, plus two Renkus-Heinz CFX-18s subwoofers flown above center court.

Members of OLLA’s staff harness the new system’s flexibility using three Ashly neWR-5 Network Programmable Wall Remotes. As the school completes its iPad integration, that control will also be available via the Ashly Remote App for the Apple® iPad and iPad Mini. Like the future iPad control, the three neWR-5s provide preset configuration, input selection, and overall volume control. Because different uses require different configurations, the presets automatically turn different collections of loudspeakers and/or subwoofers on or off along with other subtleties, such as enhanced bass output for games.

To round out the project, Revelation Sound installed a large EIKI Hi-Def projector mounted on an SVS lift and paired it with a retractable Da-Lite screen.

The result: An excellent user-friendly, high-tech A/V system that meets the needs of one “constantly evolving” learning environment that aims at assisting the school to effectively fulfill its mission.

ABOUT ASHLY AUDIOAshly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

AUSTRALIA’S STUDIO ONE FLIGHT UP ACHIEVES “FANTASTIC” SOUND WITH AN API 1608

Studio_One_Flight_UpSYDNEY, AUSTRALIA – OCTOBER 2014: A self-proclaimed ‘analog-minded person,’ Nick Irving, owner of Studio One Flight Up in Sydney, works with independent singers, songwriters and musicians who are driven to create great records. While the studio is home to several vintage analog outboard gear pieces, Irving wanted a brand-new, reliable analog console to bring together the sound he works to achieve. Deb Sloss of Studio Connections Australia advised him towards a 32-channel API 1608 console, fitted with twenty-four classic API 550A EQs, and eight 560 EQs.

“It’s a dream console, really,” said Irving. “Computers make great multi-track recorders, but for the actual work of recording and mixing sessions, I need to be ‘hands-on”.” The moveable size of the 1608 played a role in Irving’s decision, allowing the studio to eventually grow into a new building. It also comes in 16-channel sections, allowing the actual console to expand, or even be retrofitted. “It’s chock full of API’s sensational EQs and mic preamps, silky-smooth faders, nice, bright, clear LED lights in all the buttons, and full metering with the brightly-lit VU meters.”

Studio One Flight Up uses the 1608 for both recording and mixing needs. “My sounds just get better and better now that I have an API console. Switching the metering between input and direct out is fantastic and very useful. Having buttons to engage the insert points is also a great and useful feature.” With the 1608, Irving and his crew do not need extra DI boxes, as each channel of the console has an instrument input. “It’s also great that the power supplies are quiet enough that they don’t have to be housed in a separate machine room,” Irving added.

Now that the studio renovations are complete, Irving is recording and collaborating on an album with Grammy award-winner Myles Heskett (ex-Wolfmother). “It is proving to be lots of fun. We’re really enjoying working on the API console. Everything I’ve done on it sounds fantastic – solid, crisp, clear.” Irving proclaimed, “I’ll never need another console in my lifetime!”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and the BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

WIDE HIVE STUDIOS REOPENS WITH EXPANDED 48-CHANNEL API 1608

Howe_VeilleuxALBANY, CALIFORNIA: Wide Hive Studios in San Francisco’s Bay Area re-opened its doors earlier this year after a number of recent renovations and updates. A decade ago, veteran producer, engineer, and musician Gregory Howe folded his costly studio in San Francisco for a cozy, less expensive space in nearby Albany, California. He centered his Albany studio around a 16-channel API 1608, which he later expanded to 32 channels through a 16-channel expander. Now, with his most recent round of upgrades, Howe has added another 16-channel expander to create a 48-channel API 1608.

“I’ve been working with API gear for a long, long time,” Howe said. “I love the API sound. To me, it walks the perfect line between cleanliness, straight-up rock, and audiophile fidelity.” The recently-expanded 48-channel 1608 unifies the studio’s sound, streamlines its workflow, and also allows clients to tap into Howe’s massive collection of world-class outboard gear with ease. “The new sixteen channels primarily serve as returns from the equipment racks. We now have the flexibility and sound to do whatever we want.”

Wide Hive books jazz, funk, hip-hop, and soul artists exclusively. Since the console’s expansion, Howe has used it to record several tracks, which are receiving airplay, brisk sales, and profuse blessings from critics. Of note, swing jazz guitarist Calvin Keys cut Electric Keys with the help of the 1608 and the Wide Hive Players, an in-house collective group of jazz musicians.

Howe’s commitment to recording is not lost on his listeners. Reviews of Wide Hive releases never fail to comment on their excellent sound quality. “I’m a huge believer in analog summing,” he shares. “Digital summing involves a massive calculation that necessitates sacrifices. I can hear those sacrifices in the music. I’m looking forward to the cohesion we’ll have when the whole console is API.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and the BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

(PHOTO CAPTION: Owner of Wide Hive, Greg Howe (left) pictured with Steve Veilleux owner of SVT Audio.)

TRANSAUDIO GROUP ANNOUNCES DRAMATIC PRICE REDUCTION ON DAKING PRO AUDIO SIGNAL PROCESSORS

Daking_FET_3LAS VEGAS, NEVADA – OCTOBER 2014: Daking Audio has changed the way it brings its American-made equipment to market in order to increase value to the end user. Purchasers of Daking Audio signal processors will benefit from the resulting dramatic price reduction, which applies to all of its products. These include the Daking Mic Pre 1, Mic Pre EQ, Mic Pre 4, FET II compressor, and FET III stereo compressor, plus all of the Daking 500 Series equalizers, compressors, and preamps.

“Daking has ended its traditional export distributor program and enacted a major price reduction to end users, without changing its designs or its U.S. manufacturing quality,” explained Brad Lunde, president of TransAudio Group, Daking’s U.S. distributor. “We at TransAudio Group think Daking’s value is exceptional at these new price points and will represent a major change to how Daking is perceived in the marketplace.”

THE NEW MAP PRICES ARE AS FOLLOWS:
Mic Pre 500: Was $649 – Now $499
Comp 500: Was $699 – Now $499
EQ 500: Was $949 – Now $699
500 RS: Was $5,019 – Now $3,844
Mic Pre One: Was $845 – Now $599
Mic Pre EQ: Was $1,549 – Now $1,099
Mic Pre 4: Was $2,599 – Now $1,799
FET 2 Compressor: Was $1,549 – Now $1,099
FET 3 Compressor: Was $2,150 – Now $1,549

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

STOP BY AND SEE US AT AES 2014 BOOTH #1110

TRANSAUDIO GROUP HIRES ZACH WINTERFELD AS SOUTHERN CALIFORNIA REPRESENTATIVE

Zach_WinterfeldLAS VEGAS, NEVADA: TransAudio Group, U.S. distributor of the world’s best high-end studio recording equipment, has hired engineer, educator, and salesperson Zach Winterfeld to serve as its Southern California Rep. In that capacity, Winterfeld will represent all of TransAudio Group’s professional lines, including ATC monitors, Bettermaker, Bock, Drawmer, and Tube-Tech, as well as ATC’s hi-fi loudspeakers. Winterfeld’s diverse industry experience includes freelance engineering and positions with Mercenary Audio, Boston University, and Berklee College of Music.

“TransAudio Group President, Brad Lunde has assembled an amazing line of products and manufacturers,” said Winterfeld. “It is important to remember that we work in an unique industry. Our products serve to help people capture their artistic vision. Exposing dealers and, ultimately, end-users to products that will help them with their artistic vision is incredibly rewarding. I will continue the wonderful support TransAudio Group has given its dealers and will expand this in the L.A. and Southern California market.”

“Zach has extensive studio experience,” said Lunde. “He worked at Cello Studios (now East West Studios) and The Mix Room, and thus knows what great equipment can do for a project. As ‘Head of All Things Digital’ at Mercenary Audio, Zach got a premier dealer’s-eye-view of the industry that will serve him well at TransAudio Group.”

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

STOP BY AND SEE US AT AES 2014 BOOTH #1110

PURE GROOVE SYSTEMS TAKES DANLEY TO THE DANCE!

Pure_Groove_DanleyLOS ANGELES, CALIFORNIA: In less than a decade, Danley Sound Labs has revolutionized the fidelity and efficiency of sound reinforcement in houses of worship and, more recently, arenas and sports venues. The key to that revolution is the innovative loudspeaker and subwoofer designs of Tom Danley, who spent his early years inventing electro-acoustic solutions for NASA and holds seventeen patents, only a fraction of which are for music reproduction devices. He is a broad and deep thinker, and the patented Synergy Horn and Tapped Horn technologies, upon which Danley Sound Labs products are based, cleverly sidestep the compromises that are inherent to conventional loudspeaker and subwoofer designs. Simply put, Danley devices sound glorious at any volume, with rich, honest bass and pleasant midrange. Moreover, the efficiency of Danley devices allows that better fidelity to happen with vastly fewer boxes (and thus with vastly fewer amps and processing). With the help of Pure Groove Systems, Danley Sound Labs plans to expand its revolution to the world of dance music.

“I know the current dance music industry standard, and Danley smashes it,” said Damian Murphy, founder of Pure Groove Systems and president of Liquified, the dance music and festival production veteran. “I thought I had heard ‘great’ systems before, but now that I’ve heard Danley, I realized that audiences were settling for something that isn’t that great.’ I feel that it’s my duty to get promoters, artists, and fans the true sound they deserve,” said Murphy. Pure Groove Systems distributes, rents and demos Danley products globally.

Danley Sound Labs made its first inroad in the house of worship market in part because that’s where the heart of company president Mike Hedden resides, and the company’s current expansion into the arena market comes with considerable insider knowledge. They lacked that connection to the dance music industry, however. “Danley approached me and suggested a demo for a show we were doing in the Atlanta area,” said Murphy. “They sent Ivan [Beaver] and Chad [Edwardson] with a system to cover 1,500 people. It was just four boxes – two tops and two subs. I admittedly, was dubious, but they assured me it would be more than enough.”

Murphy continued, “They were right. It was plenty loud. But more importantly, it sounded rich, clean, and powerful. It was immersive and no matter what was playing, I felt like I was inside the track; and I wasn’t getting my head ripped off, either, despite the volume. The advantages didn’t end there. The consistency of sound was also unparalleled. No matter where I went on the dance floor or on any of the venue’s three balconies, I heard the same enveloping sound. It was unlike anything I had heard in my 25 years in the industry. It was very special.” Murphy reports that all of the numerous Danley systems he has since been a part of share those qualities.

The second characteristic of Danley’s designs – efficiency – is also a huge advantage in the dance music industry. “We put up a twenty-box Danley system at a 12,000 person stage at the Lightning In a Bottle Festival,” said Murphy. “An adjacent stage used over 170 conventional boxes to cover a comparable crowd, and their sound was no where near as good as ours. Danley’s efficiency scales, too. Fewer boxes means less time and/or people rigging, fewer amps, less processing, less electricity, smaller trucks, less fuel, and so on. And the fact that the efficiency comes with a dramatic improvement in sound quality… well, you can see why I’m excited to move the industry toward Danley.”

Since its establishment in January 2014, Pure Groove Systems has provided Danley systems for several festivals. At Miami Music Week, forty of the world’s top DJs played to 15,000-plus people, over five days, using two Danley J1 Jericho Horns and two Danley BC-415 subwoofers. The previously mentioned “Lighting In a Bottle” Fest used four Danley J1 Jericho Horns, two Danley SH-96HOs, eight Danley BC-415 subwoofers, and six Danley TH-118 subwoofers. The system performed flawlessly fourteen hours a day through the extreme heat and dust of the California desert. Despite rain at Amsterdam’s “Lost In a Moment” outdoor event, DJs kept more than 4,000 people packed on the dance floor using two Danley J1 Jericho Horns, two Danley SH-96HOs, two Danley TH-812 subwoofers, and two Danley BC-415 subwoofers.

“Working with the Danley team has been inspiring,” said Murphy. “They’re justifiably confident in their products, but they welcome feedback and are constantly looking to improve. The products sound amazing with any type of musical genre, electronic, rock, pop, classical, etc. I’m devoting myself to traveling the world with these systems to make an impact in my industry. We sell and rent Danley systems or demo them to potential customers in the right situation. I’m willing to do that because I’m confident that once people hear a Danley system, they’re going to want to buy it. There simply is nothing comparable to the clarity and power of these speakers. The difference is obvious.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

FOR MORE INFORMATION ON PURE GROOVE SYSTEMS, VISIT: Web: PureGrooveSystems.com • Twitter: @PureGrooveLabs • Facebook: PureGrooveSystems

Two Symetrix Jupiter 8 Turn-Key DSPs and ARC-WEB Control Technology Power Corner Entertainment

1919HOUSTON, TEXAS: Corner Entertainment is a recently-opened entertainment constellation located in Houston, Texas. It features a restaurant (Corner Table) a bar/nightclub (The Oak Bar), and a second wine and mixed drinks bar (1919). Though distinctly named, the three concepts flow together, both physically and in the vibe that unites them. That vibe is perhaps best described as high-class, but relaxed. Though the aesthetic and the quality of the libations and cuisine might justify it, Corner Entertainment is decidedly not stuffy. Houston-based integration firm LoGo Audio Video Music designed and installed Corner Entertainment’s high-performance, cost-effective audio system using two Symetrix Jupiter 8 fixed architecture standalone DSPs with smartphone control for the managers provided by Symetrix ARC-WEB.

“For small- to mid-sized installations, the Symetrix Jupiter is the only processor I’ll use,” explained Jay Gonzalez, LoGo AV’s founder and chief designer. “I’ve used a wide range of processors from different manufacturers, and I’ve experienced a surprising number of failures. When I have issues like that with a processor, I can’t use it again. It’s just too stressful! In contrast, the Symetrix Jupiter is always rock-solid and incredibly easy to work with. My programmer has had zero issues and loves that connecting with the Jupiter is as simple as plugging it in. And of course, Symetrix’ studio-grade sound quality is amazing and gives my clients a sound system to be proud of.”

Corner Entertainment’s audio system is divided into two completely separate halves: one that runs the restaurant and a second that runs the bar. Inputs to the restaurant system include a wireless microphone for events, a tie-in from a small mixer on a patio where bands set up, an iPod dock, and a Pandora music service stream. With eight inputs, one Symetrix Jupiter 8 accepts those sources and provides all of the necessary equalization, dynamics, and routing control. Crown CTS-Series 70-volt amplifiers power SoundTube SM500 loudspeakers. The Jupiter 8’s eight outputs feed eight separate zones, selected to give Gonzalez and his team maximum flexibility to tailor output levels and processing for a perfectly tuned system.

CornerTable_PatioSource selection and volume control are provided by Symetrix ARC-WEB technology. “They were excited by ARC-WEB,” said Gonzalez. “It’s cool technology that’s also very practical and, like all the Symetrix products I’ve worked with, rock-solid.” The owners and managers are set up to use ARC-WEB, but in the event that they aren’t available, LoGo Audio Video Music installed a hard-wired backup. A Symetrix ARC-2e wall panel remote located at the equipment rack provides redundant control.

The area that Corner Entertainment beautifully renovated to form its bar areas was constructed in 1919 (hence the name) as a sawmill to process local oak trees (hence the name) for upscale residences in Houston. Its inputs include a wireless microphone, an iPod dock, a Blu-ray player, an HDMI audio de-embedder, and a DJ tie-in from the wine bar area. Again, a Symetrix Jupiter 8 DSP handles all of the system processing, and Symetrix ARC-WEB and ARC-2e control technology allows source selection and volume control. With sixteen QSC AD-S82Hs and two QSC GPW subwoofers powered by beefy QSC PLX-3602 amplifiers, “it can get dance club crazy” in the bar areas, in Gonzalez’ enthusiastic words. A separate VIP area, dubbed “Lexington’s,” has its own Symetrix ARC-2e wall panel remote for separate input selection and volume control, as well as a dedicated flat-screen for presentations or screenings.

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

DRAWMER INTRODUCES THE 1973 A THREE-BAND FET STEREO COMPRESSOR AT AN UNREASONABLY LOW PRICE

Drawmer_1973LAS VEGAS, NEVADA: Ivor Drawmer, maker of classic analog, and now digital, pro audio signal processing equipment, drew on his thirty-plus years behind the soldering iron to create the Drawmer 1973, a three-band FET stereo compressor. Drawmer’s longtime distributor, TransAudio Group, will distribute the 1973 in the USA. Three features set apart the Drawmer 1973 from other multichannel dynamics processing solutions. First, the all-analog 1973 sounds noticeably better than the wide variety of multiband plug-ins popular with mixers. Second, the 1973′s controls are sensibly selected and intuitively laid out to get quick, effective results for an impressively wide range of dynamics problems. Third, Drawmer has priced the 1973 aggressively, matching the price of its best-selling full-band tube stereo compressor, the 1968.

The Drawmer 1973′s features include three independent compressor sections with two variable-frequency 6dB/octave crossovers to separate them into low, middle, and high frequency compression sections. Each section contains familiar threshold, gain, attack, and release controls, along with gain-reduction metering. Moreover, each section can be independently muted or bypassed for confusion-free setup and monitoring. The low section possesses a “Big” switch for enhanced low-end, whereas the high section possesses an “Air” switch for enhanced high-end. The three sections are recombined to form the “wet” signal, which can be mixed to variable degree with the dry signal for easy parallel compression. Illuminated VU meters make monitoring compression and output intuitive and, yes, fun.

“Certainly, the Drawmer 1973 owes some of its sound and functionality to Ivor’s experience designing the classic Drawmer 1960 and 1968 compressors, as well as to the Drawmer S3 signature series multiband tube compressor,” said Brad Lunde, president of TransAudio Group. “But it also has a sound and operation all its own. It is capable of solving problems single-band compressors simply cannot, such as compressing only the low end, raising its average level relative to everything else, and giving your mix a bit more bass without changing the overall level. It has a sound quality that cannot be matched by other analog processors, never mind plug-ins. It will be popular among mixers and EDM mixers alike. The 1973′s layout is impressive. Unlike most other multiband compressors, the 1973′s controls are easy to understand at a glance and work to inspire creative use. The real news here may be the 1973′s affordable price. Those in need of stereo multiband compression with Drawmer’s quality can have it for the cost of Drawmer’s famous single-band stereo tube compressor, the 1968.”

ABOUT TRANSAUDIO GROUP
TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

MSRP: $1,825.00
The Drawmer 1973 is now shipping.

STOP BY AND SEE US AT AES 2014 BOOTH #1110

IsoAcoustics Introduces Arista Isolation Stands for Studio Monitors and Speakers

Arista Sep18 2014

Los Angeles, CA (Sept 23, 2014) —At this year’s AES Show in Los Angeles, IsoAcoustics (booth #1651) is pleased to introduce Arista, a stylish and sleek new aluminum acoustic isolation stand for medium-sized professional studio monitors and bookshelf speakers for Home Entertainment and hi-fi applications.

The new Arista stands provide an aesthetically pleasing and cost-effective means to markedly enhance the sound clarity of speakers, using the patented “floating design” that this award-winning company has become known for.

The new IsoAcoustics Arista stands feature a unique integrated tilt adjustment that enables the user to dial-in the optimum tilt angle. With an overall size of 6”(w) x 7.5”(d), the Arista stands are designed for medium size studio monitors and speakers weighing up to 35 lbs.

“IsoAcoustics is very pleased to introduce the Arista stand, which offers a handsome and cost-effective isolation solution for the pro studio and hi-fi market,” says Dave Morrison, CEO of IsoAcoustics.
The Arista stand will be available in black and aluminum in December 2014.

See the new Arista and IsoAcoustics entire line of award-winning acoustic isolation stands at booth 1651 the AES Show at the Los Angeles Convention Center, October 10-12, 2014.

About IsoAcoustics Inc.
IsoAcoustics stands provide superior acoustic isolation and enhance the sound clarity of virtually all speakers and amplification systems, including monitors for the professional studio and sound reinforcement, home theatre systems, musical instrument amplifiers, subwoofers and large monitors. AlI IsoAcoustics stands are built with a unique, patented isolation technology that allows speakers to float in free space, resulting in authentic, clear uncolored sound.

For more information, visit www.isoacoustics.com.

Wisconsin Realtors Association Upgrades to Transparent Teleconferencing via a Symetrix SymNet Radius AEC Dante Network Audio DSP

Wisconsin_Realtors_AssociationMADISON, WISCONSIN – SEPTEMBER 2014: Headquartered in Madison, the Wisconsin REALTORS® Association (WRA) is 13,000 members strong and one of the largest trade organizations in the Badger State. Among the many services that it offers its members, continuing education is perhaps the most prominent. Throughout most of its hundred-plus year history, members traveled to the WRA headquarters to keep current with seminars, workshops, and conferences, and its building contains flexible training and conference rooms to deliver those services. With the advent of modern telecommuting technologies, the WRA has sought to bring its continuing education to its members. However, the staff’s early experimentation with free web-based software and homespun A/V technology proved frustrating on both ends due to poor audio and video quality. WRA hired Peak Systems Group of Reedsburg, Wisconsin to update their rooms with modern remote conferencing technology, and the A/V integrator obliged with a new system centered on the uniquely functional Symetrix SymNet Radius AEC Dante network audio DSP.

“They were trying to adapt their existing technology for use with free web-based remote conferencing software,” said Jason Keagy, president of Peak Systems Group. “They set up a camera on a tripod and brought in a portable audio mixer, but making that all work correctly was not easy for someone without an A/V background. They had a lot of failures and poor audio quality led to a lot of frustration. Folks were struggling to understand the presentations, and they weren’t free to participate. On the video end, the staff tried to zoom the camera in on the screen, with predictable results.”

In addition to the entire pedigreed collection of audio processing modules that Symetrix has perfected, the SymNet Radius AEC includes connectivity and specialized processing to make remote conferencing transparent and pleasurable. The 1U rack unit contains eight mic/line wideband echo cancellers, eight line outputs, and four auxiliary line inputs. Each individual channel has AEC processed and direct outputs plus dedicated reference and auxiliary inputs, allowing any source connected over Dante to take advantage of the onboard processing. “They needed better audio for web feeds, as well as phone-in technology,” said Keagy. “The Radius AEC was the perfect choice. We used its expansion slot for a Symetrix 2 Line Analog Telephone Interface Card. The Radius AEC’s native Dante networking capability assured us that future system expansion, if needed, would be easy and cost-effective. But perhaps most importantly, our past experiences with Symetrix have always been predictable and trouble-free. Symetrix equipment just works – and it works well.”

Most of the system components are used in the training room, but the Radius AEC has enough inputs, outputs, processing power, and flexibility that it’s handling audio for the conference room as well. A Crestron digital media system delivers transparent A/V system control via a Crestron touch screen and coordinates video I/O and routing with the audio I/O and routing of the Radius AEC. For fine-scale control of audio processing, Peak Systems Group gave the WRA staff Symetrix ARC-WEB internet-based control, which they can access via their smartphones or via the training or conference room computers.

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

November 2014
M T W T F S S
« Oct    
 12
3456789
10111213141516
17181920212223
24252627282930

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication