A virtual press conference from Sound & Video Contractor

Archive of the CEDIA Newslink Category

Display Development Moving On Up

Batavia, NY—March 2013—Display Development, innovator of the Residential Architectural Video System category, is thrilled to announce the expansion of their facility in Batavia, New York. The additional 4,000 square feet will accommodate manufacturing, light assembly, engineering, and distribution.

“We were very fortunate that the space adjacent to our current location became available,” said Jim Burns, president of Display Development. “Our business is exploding, and we needed to accommodate the demands of this growth. While it’s tempting in this real estate market to purchase space, we didn’t want to invest in something we may outgrow—it’s an exciting time for our company.”

Display Development recently introduced their IW7 and IW8 in-wall display systems, which offer extreme flexibility for an unprecedented value. The IW systems create a display solution far superior to a flat panel in terms of image size and fidelity, and overall experience, with no impact on a room’s décor—when not in use, the system can be completely concealed.

Display Development is located at 56 Harvester Ave, Batavia, New York, 14020. You can also find Display Development at Twitter (@DisplayDev) and on Facebook.

Display Development in Batavia, New York

PURESOUND ENLISTS RF SPOTLIGHT ANTENNA TO FIGHT INTERFERENCE

HOUSTON, TEXAS – MARCH 2013: On any given Sunday, the only thing packed tighter than a Houston megachurch’s pews is the radio frequency spectrum surrounding them. Today’s worship services are high-tech and high stakes – with pastors, musicians, and support staff relying on an increasing number of wireless audio devices to ensure each service goes smoothly for thousands of the faithful – and a potential nightmare for sound professionals responsible for delivering crystal-clear wireless audio.

No one knows this better than Wes Matthew, owner of Houston’s Puresound, a large provider of church audio/visual installations, rentals and sales. “Churches are going wireless with everything now,” said Wes. “Wireless nursery pagers, walkies, in-ears, instruments, hearing assistance, parking lot aids, security, and, of course, microphones.”

Even thirty miles outside the city, Wes discovered his RF scans at the church were consistently full. “I could never find an open frequency,” he remembered. “So I ended up just picking the least crowded channel and hoped for the best.”

For his installation, each room had seven lavaliers and a handheld wireless microphone fed to Sennheiser ew 100 G3 receivers with basic whip antennas. “After extensive troubleshooting, no matter what we did, we were still getting signal dropouts and hit with interference,” Wes said. “We dropped the RF Spotlight on the stage, and the mics have been solid. I haven’t gotten a call in the six months since the installation.” Chris Regan of RF Venue commented, “More and more devices are competing for less and less spectrum, so we designed the RF Spotlight to deliver spectrum efficiency to any brand of wireless system. We’re happy to be working with Wes and his clients to enable reliable performance under the toughest RF conditions.”

The RF Spotlight is designed to be placed on the floor or under a stage to optimize reception for nearby wireless microphones or IEMs, but minimize reception of unwanted devices outside of its local field. In churches, hotels and convention centers where multiple wireless systems operate simultaneously, the RF Spotlight enables wireless operators to increase the number of open frequencies available, lower transmitter power for longer battery life, and dramatically improve signal-to-noise ratio at the receiver.

ABOUT RF VENUE RF Venue manufactures wireless audio equipment including remote antennas, RF distribution equipment, and cable assemblies. The company’s primary antenna products include the interference mitigating RF Spotlight, the lightweight foldable helical antenna CP Beam, and the polarization diversity antenna dubbed Diversity Fin. For more information visit: www.RFvenue.com

ABOUT PURESOUND Puresound provides high-quality audio/visual installation, rentals, and sales to the Houston, Texas area and beyond. The company provides turnkey services for an extensive list of worship, theater, and commercial clients. The company specializes in digital audio system design, video projection and distribution, as well as stage theatrical lighting and control trussing. For more information about Puresound, visit: www.puresoundusa.com

SYMETRIX JUPITER 8 APP BASED TURN-KEY DSP JOINS THE JACKSONVILLE JAGUARS

JACKSONVILLE, FLORIDA – MARCH 2013: When the new owner of the National Football League’s Jacksonville Jaguars sought to boost team morale and solidify team camaraderie, he focused on renovating the locker room – the place where the team members gear up, hang out, and let off steam. It’s a sign of the times that perhaps the most critical and appreciated improvement came in the form of a brand new, high-impact audio-visual system. Under the direction of Neil Cooper, senior project manager for Florida Sound Engineering, they designed and installed the Jaguar’s new A/V system, which relies on a dependable and cost effective Symetrix Jupiter 8 app based turn-key DSP for critical signal conditioning and routing.

“The team came to us with a simple request,” Cooper explained. “They wanted a rockin’ sound system with plenty of screens to go with it. They really wanted to give the players a place to associate with… a place to retreat to and enjoy. Because we pride ourselves on building long-lasting systems, I place a premium on reliability and quality. When I looked at my options for processing, the Symetrix Jupiter 8 DSP was an obvious choice. It’s powerful and easy to set up, and nothing else comes close to matching its feature set for the price. And since I’ve already used a number of Jupiters on other jobs, I know they’re reliably solid. I never have to go back.”

In addition to the literal locker room, the new system covers all of the more extensive facilities that go with it, including the showers, the drying area, the restaurant, the cool- and hot-tanks, the therapy room, the equipment room, the manager’s area, and more. All thirty-three of the inputs, only two of which are audio-only, are fully matrixed such that any input can be selected in any zone. Apart from the locker room itself, which uses a DBX Drive Rack processor, the rest of the system relies on the Symetrix Jupiter 8 DSP, which takes its inputs from a Crestron control and matrixing system. Its eight outputs feed separate zones. QSC amplifiers, loudspeakers, and subwoofers fill the audio portion of the new system.

“Despite the complexity of the Jaguar’s new A/V system, programming the Symetrix Jupiter 8 DSP was super easy,” said Cooper. “I used the Sound Reinforcement #6 App, which gave me great sounding equalization and dynamics. I know that there are other manufacturers who make 8 x 8 processors of good quality, but the price isn’t there. The Symetrix Jupiter DSP delivers the quality, flexibility, reliability, and affordability that makes my clients smile.”

The Jaguar’s new video system is comprised of two 80-inch, five 52-inch, four 46-inch, and seven 42-inch full-HD Sharp flat screens. Inputs include ten Comcast TV sources, a Blu-ray player, Apple TV, and two wall plate inputs. The Crestron DM system scales everything appropriately such that the full screen is filled for any input/output combination. A 15-inch Crestron interface in the equipment manager’s area provides total system control, and a smaller nine-inch Crestron interface in the locker room allows selection of presets, such as “pre-game,” “half-time,” and “post-game.”

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

ORMOND BEACH PERFORMING ARTS CENTER GETS NEW DANLEY SOUND SYSTEM

ORMOND BEACH, FLORIDA – MARCH 2013: Over twenty years ago, the city of Ormond Beach, Florida purchased an old church building and had it retrofitted. In 1991, the gorgeous space opened as the Ormond Beach Performing Arts Center, with capacity for 600 in a fan-shaped auditorium. Today, it hosts national, regional, and local musicians, theatrical troupes, dancers, and other performing artists, as well as school groups, seminars, and other events. Since veteran pro audio designer and engineer Marc Schwartz became the center’s director several years ago, he longed to elevate the room’s sound reinforcement capabilities to equal its stellar acoustics. Recently, that wish came true as local integration firm and new Danley dealer Protechs installed a system comprised of Danley Sound Labs loudspeakers and subwoofers. Schwartz designed the system with input from Danley’s application engineers.

Schwartz owned his own sound production company for decades before settling down to direct the Performing Arts Center. “I was a regular on Pro Sound Web, and that’s where I first heard about Danley Sound Labs,” he explained. “Of course, I knew about Tom Danley through his ServoDrive subwoofer technology, which was a very advanced idea. I was impressed by that sort of innovative engineering. Then I heard that he and Mike Hedden got together to form Danley Sound Labs and would be introducing a range of new designs. I was intrigued, but I didn’t have the opportunity to hear Danley loudspeakers or subwoofers for a while.”

It was a few years later that Schwartz attended InfoComm with his supervisor from the city’s parks and recreation department. “Danley had a demo room that we checked out,” he said. “Of course it was a convention room, which was terrible, acoustically-speaking. Nevertheless, when they fired up, my supervisor turned to me and said, ‘we need some of these for the Performing Arts Center.’ I couldn’t have agreed more. What was really impressive was the pattern control – I felt like I was listening only to the loudspeakers; the room was out of the equation.”

In anticipation of the old sound reinforcement system’s eventual replacement, Schwartz had the room modeled in EASE five years ago. That proved useful because it allowed him to pick the ideal coverage patterns from Danley’s now-extensive catalog, patterns that would allow him to provide uniform coverage over the seating area without energizing the walls. Danley’s application engineers assisted, directing him to the right models and helping to keep the project on budget.

Most of the seating is covered by a stereo pair of Danley SH-60s, which are 60-degree versions of Danley’s flagship SH-50. Flanking them are two single-fifteen Danley TH-115 subwoofers, which Schwartz asserts deliver as much bass as most other manufacturer’s double-eighteens, but with far less distortion. Finally, two Danley SH-100s occupy the outside positions to provide front- and side-fill. An existing 40-channel Soundcraft console provides input to the system, and new QSC and Crown amplifiers power it.

A basic DBX unit handles straightforward processing. “We only really needed the processor to filter out subharmonic content for the subs,” explained Joseph Carpenter, principal at Protechs. “It’s a great sounding room by itself, and the Danley’s are naturally well-balanced. Of course, we’re still tweaking things here and there, but it doesn’t take much.”

Given the Ormond Beach Performing Arts Center’s busy schedule, Carpenter took advantage of the MLK holiday weekend to quickly pull the old system out and put the new system in. “I’m accustomed to having happy clients,” he said, “but this one’s special. Marc is a true audiophile, and he was certain that Danley was the way go. Indeed, the system sounds fantastic!” As a bonus, Carpenter gets to use the new system from time to time when the center hires him as a guest engineer.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

BROOKLYN HISTORICAL SOCIETY LEAPS FORWARD WITH ASHLY AMPS

BROOKLYN, NEW YORK – MARCH 2013: The Brooklyn Historical Society is dedicated to illuminating how the past has affected the present and how it will contribute to the course New Yorkers will chart in the future. To that end, it is part library, part museum, and part venue for lectures, meetings, and other events. Designed by architect George B. Post and completed in 1881, the Brooklyn Historical Society’s four-story building is in the U.S. National Register of Historic Places and is an example of living history in its own right. The society renovated the building a decade ago, and it continues to make improvements to ensure and enlarge its mission. Recently, it expanded the building’s event space to two hundred seats and overhauled its A/V system and that of an adjoining classroom and gallery space. A pair of eight-channel Ashly ne8250 amplifiers forms the electrified heart of the new system and – by dint of power, fidelity, and reliability – prepare the Brooklyn Historical Society for a bright future at the center of the borough’s cultural scene.

“The Brooklyn Historical Society wanted a high-performing A/V system with a lot of flexibility and simple, foolproof operation,” said Peter Starr, owner and chief designer at the Starr Entertainment Group, the firm contracted to design and install the new system. “That’s the trend these days. Not only will the society use the space for its own artists, lecturers, and musicians, but it plans to rent the space for any conceivable event type. It’s therefore competing with hotels and other venues with event spaces.” To succeed, the Brooklyn Historical Society must present its event space as a jack-of-all-trades – and a master at each.

“Because the building itself is so historic and architecturally stunning, we had to be very careful in our design so as not to damage or spoil the gorgeous columns, wood, and soffits,” said Starr. “That constrained us to placing the loudspeakers twenty-two feet in the air. Nevertheless, the society wanted the ability to provide small concert-volume sound reinforcement when needed. Their list of request was extensive, and we had to be ready for everything from a simple background music system for a gallery opening to a full-on rock show! In previous installations, the Ashly ne8250 amplifier has proven itself to be tremendously reliable and powerful. At 250Watts per channel, they have a lot of ‘oomph’ and stand up to scrutiny in demanding listening situations.” The Starr Entertainment Group worked very closely with architect Thomas Ryan of Christoff:Finio Architecture and the Brooklyn Historical Society’s Associate Director, Janice Monger.

Inputs to the system include a Blu-Ray player, a DVD player, iPod docks, and XM Satellite Radio together with a bevy of sound reinforcement and wireless microphones. A sixteen-channel Soundcraft FX16 mixer on a rolling rack helps with live music events and the performing arts. A Peavey Media Matrix NION N3 system handles all of the processing and routing. At the heart of the video system is a Crestron Digital Media DM-MD8x8 video matrix processor, two video projectors, and various flat screens. Crestron DM input panels provide auto switching between HDMI and VGA/PC. Video signal transport is accomplished digitally via CAT6 cable. A Listen Technologies assisted listening system exceeds ADA requirements. The stage floor monitor system featuring four JBL wedge floor monitors, dbx EQs and a QSC RMX2400 amplifier provides crisp, clear sound to stage performers. A second roll around rack with automated and manual mixers, and other facilities for tabletop conference style usage, allows setup of conference and lecture mics anywhere. The two eight-channel Ashly ne8250 amplifiers power fourteen JBL AC 1895 two-way loudspeakers and a pair of EAW UB82s. Four QSC RMX 2400 amplifiers power the four EAW SB180 subwoofers.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

ASHLY GETS THE MESSAGE AND MUSIC TO STUDENTS IN THE ROCHESTER HIGH SCHOOL CAFETERIA

ROCHESTER, NEW YORK – MARCH 2013: The principal at John Marshall High School in Rochester, New York had a simple request. He just wanted to be able to speak over the commotion of excited students that always seemed to overwhelm the school’s cafeteria at lunchtime. A sound reinforcement system with a simple microphone was the solution. But since a sound reinforcement system would also be capable of playing music – and perhaps because music might soothe the raw spirit of rambunctious youth – he also wanted the ability to play music over the system. Rochester’s AAA Sound stepped in to install a cost-effective, high-performance system centered on an Ashly Pema 4125 integrated processor/amplifier combo and an Ashly RD-8C remote fader user interface.

“The principle told our technician that the kids were simply too loud at lunchtime,” said Rich Petty, AAA Sound president. “It was a really straightforward request for a really straightforward sound reinforcement system. The ability to play music at lunchtime was a bonus.”

Inputs to the system include a pair of Mipro handheld wireless microphones, a wired microphone, a tuner, and a Tascam combination CD player and iPod dock. The inputs feed the Ashly Pema 4125, which has eight DSP inputs and outputs with full processing and matrixing capabilities, as well as four integrated amplifier channels rated at 125W each. Each amplifier channel drives a single Community MVP-12 loudspeaker, and the four loudspeakers are distributed around the room. An Ashly RD-8C provides nine software-assignable faders, one of which is separated in the style of a master fader. The system at John Marshall High School uses the simplest possible configuration: each of the eight faders controls an input volume and the master fader controls the output volume.

“The Ashly Pema is a cost-effective solution for a situation like this,” said Petty. “The pricing is very favorable and very competitive. Our company specs jobs with a number of different processors, and the feedback that I get from my techs is that Ashly processing is the easiest to work with. It doesn’t take a lot of training to become familiar with the operation… literally five minutes in the shop with a tech that’s not familiar with Ashly is all it takes for him to feel comfortable enough to go out and install it. Every now and then they run up against something that takes a minute; they either figure it out or a quick call to Ashly’s service department clears up the matter.”

“For a school cafeteria,” proclaimed Petty, “John Marshall High School has a really nice sound system.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

TANGLES TAMED AT OKLAHOMA CHURCH WITH SYMETRIX JUPITER 12 AND JUPITER 8 APP BASED TURN-KEY DSP

OKLAHOMA CITY, OKLAHOMA – MARCH 2013: Since its founding during the hard dustbowl years, Oklahoma City’s Southwest Church of Christ has grown steadily in membership. A series of buildings and sanctuaries of ever-growing capacity trace a path from the church’s first meeting, which took place in a member’s living room, to its modern 700-plus-seat sanctuary. Although only a decade old, Southwest Church of Christ’s latest building quickly amassed an ad hoc collection of sound reinforcement equipment that strained the capacity of the technician’s booth and often flummoxed the volunteer technicians who attempted to use it. Hoping to maintain its functionality while greatly simplifying the user interface, the church contacted Robert Rogers, senior design consultant with Audio Video Designs (AVD) of nearby Moore, Oklahoma. AVD used a cost-effective Symetrix Jupiter 12 app based turn-key DSP to replace all of the analog clutter. The church was so pleased with the improvement that they asked AVD to integrate their three fellowship halls, and AVD obliged using a Symetrix Jupiter 8 running the Sound Reinforcement #6 app configured to do room combining.

“The audio booth was cluttered with consoles, switches, and dials, with a few computers and screens thrown in for good measure,” explained Jeff Brocaw, design consultant with AVD. “They just kept adding on as new needs presented themselves. Not only was the sanctuary system controlled from the booth, so too were the more modest systems in the three fellowship halls.” Because the input sources and loudspeakers were all still in fine shape, AVD was able to leave them in place. However, new Crown and ElectroVoice four-channel amplifiers now power the system.

“Of course, money was a huge factor, and the Symetrix Jupiter 12 DSP was the logical choice,” said Brocaw. “We could eliminate all that clutter with the processing power in that single rack space unit, and they wouldn’t have to spend $20K on a digital console.” The twelve inputs of the Jupiter 12 collect outputs from all of the stage microphones, as well as from video playback devices and a pair of ambient microphones for use in recording. The Jupiter 12’s four outputs send signal to the main sanctuary system, the three fellowship halls, and a computer-based recorder, as well as hallways and other areas of the building. One of the outputs is currently unused and awaits future expansion.

Partly because there are a lot of open microphones on stage, Brocaw used the “Gating Automixer” app with the Jupiter 12. The gates effectively eliminate feedback problems that the church was having with the old system. For Sunday service, the system operator makes adjustments from a computer running the Symetrix Jupiter software. “Now it takes very little effort to run a service,” said Fred Lowery, with the church. “When needed, we mix from within the app. For the simpler Wednesday service, the pastor can make any necessary adjustments from a Symetrix ARC-2e wall panel remote. He doesn’t even have to turn on the computer! The church fell in love with the simplicity of the new Jupiter-based system.”

In fact, they were so pleased that they requested a similar transformation of the ad hoc room combining system that they had constructed. With eight inputs, eight outputs, and an app easily-made to perform room-combining (Sound Reinforcement #6) the Symetrix Jupiter 8 was the obvious cost-effective solution. “As with the Jupiter 12, the Jupiter 8’s interface is sufficiently simple that church staff and volunteers can use it reliably,” said Brocaw. “That simplicity, together with processing power and affordability, made the Jupiter 8 the right choice.”

The Symetrix Jupiter 8 takes its inputs from each of the fellowship halls, and sends outputs back to each of the fellowship halls. Additionally, three hard disc recorders stand ready to capture events that take place in the fellowship halls. Users execute room combining by opening the matrix from within the Jupiter software application. Any input can be sent to any output, and by incorporating input from and outputs to the main sanctuary system, all four rooms can be combined in any desired configuration.

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

Control4 Drivers Now Available for IC Realtime Dual Core Video Recorders

Pure ethernet drivers deliver picture previewing and streaming video in Control4 environment,
thus eliminating the need for costly 3rd party video encoders, granting a lower bottom line for a higher level of integration. Drag-and-drop setup makes for fast-and-easy configuration.

Pompano Beach, FL – March 12, 2013 – IC Realtime, a global leader in the design and manufacture of advanced visual surveillance solutions for residential and commercial applications, now has Control4™ drivers for its Dual Core series of NVRs, DVRs and HD DVRs.

The drivers, developed by Extra Vegetables, bring enhanced functionality to the recorders in the Control4 environment – namely picture previewing and streaming video. Installers can also take advantage of technical support from IC Realtime should they need assistance loading the driver into Control4′s Composer design software.

According to IC Realtime Integrated Technologies Manager Christoffer Callaway, the driver is designed to be extremely easy to load. “Drag-and-drop the driver into your project, point to the IP address and you’re done. It’s that simple,” says Callaway.

”The increased functionality also benefits end-users in that they can take advantage of a centralized interface that manages total home control as well as surveillance,” adds Callaway.
”In other words, users don’t have to leave the Control4 environment to access the IC Realtime system. That’s a really nice convenience.”

IC Realtime Dual Core series recorders shipping effective March 2013 are equipped with the new Control4 compatible firmware. Installers can easily update firmware of recorders in the field by contacting the IC Realtime technical support department at 954.736.4211.

Control4 drivers are made available for download directly from Extra Vegetables at http://extravegetables.com/products/ic-realtime-nvr.

About IC Realtime
IC Realtime is a global leader in the design and manufacture of advanced visual surveillance solutions – founded by experts with a combined 35 years of experience in the development, marketing, sales, installation and support of security and alarm equipment. The company offers a wide variety of analog and IP cameras, DVRs, NVRs, software Apps and accessories. www.icrealtime.com.

About Control4
Control4 is a leading provider of automation systems for homes and businesses that provides personalized control of lighting, music, video, energy and security through more than 2,200 custom integrators, retail outlets, and distributors in over 72 countries. By delivering insightfully simple, personalized control solutions that enhance the lives of individuals and families, Control4 is the automation platform of choice for customers, major customer electronics companies, hotels and businesses around the world. For more information visit www.control4.com.

ASHLY PROCESSORS AND AMPS EARN AN ENCORE

COLUMBUS, OHIO: Encore is a new, high-spirited nightclub located in the Crosswoods neighborhood of Columbus, Ohio. Its strategy for success is to show patrons such a fantastic time that they quickly return to enjoy an encore. Tasteful bar food, a wide range of drinks, and elegant décor and lighting provide the perfect frame for Encore’s daily upscale party. But the heart of the party resides in an articulate, high-SPL, bass-rich sound system designed and installed by local A/V integrator Demmer Audio Video Solutions. Two Ashly 3.6SP Protea digital speaker processors and six Ashly KLR Series amplifiers drive the sound system – and thus Encore’s enthusiastic patrons – nightly.

The new club occupies approximately 2,500 square-feet on a single floor, with a large main room and dance floor complemented by a handful of smaller rooms that are available for private functions. “The owners were looking for a very reliable sound system with solid fidelity and bass,” said Ken Demmer, owner of Demmer Audio Video Solutions. “Moreover, they wanted to be able to come in, turn it on, and know that it would work as expected. They didn’t want to worry about adjusting this or that, and they wanted the minimal access necessary to simply plug in a DJ, select a source, and adjust the volume. That’s it.”

Inputs to the system include a DISH Satellite interface, a cable interface, an iPod dock, a computer media player, and, of course, a DJ input. Because the owners requested it based on their familiarity with systems at their other establishments, Demmer installed a DBX ZonePRO processor for input selection and volume control. However, the meat of the processing at Encore resides within two Ashly 3.6SP Protea digital speaker processors.

“The Ashly Protea processors have excellent sonic quality,” Demmer said. “They’re very clean, the equalization is smooth, and the conversion is nice. The programming software is easy to use, and I can save the configuration program on my laptop, load it via a straightforward USB connection, and lock out the front panel of the unit so that no one fiddles with the settings. That’s a big selling point for my clients – it protects their investment.”

Six Ashly KLR-2000, two Ashly KLR-4000, and three Ashly KLR-5000 amplifiers power the system. Six Community S-3294 three-way twelve-inch speakers, four Community VLF212 dual twelve-inch subwoofers, and six Community VLF118 single eighteen-inch subwoofers comprise the new sound reinforcement system for the dance floor. Existing distributed ceiling-mounted loudspeakers contribute to even coverage throughout the establishment.

“When I first heard of the Ashly KLR Series, the price seemed too good to be true,” Demmer said. “But I still see classic Ashly amps still running day-in and day-out in the field. They build things to last. So I bought a pair of KLR-5000s to power some subwoofers, and they were beat to death. But they held their own, and now I’m happy to install them to deliver high-performance systems on a budget. In addition, they are lightweight and energy-efficient, which are both great selling points.”

Demmer once had a service issue with an Ashly amplifier. “I understand that even well-made things break every so often,” he said. “What impressed me was how great and speedy Ashly’s service was. They turned it around immediately and got it back to me in a matter of a few days.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

SYMETRIX ARC-WEB USER CONTROL INTERFACE AND JUPITER APP-BASED TURN-KEY DSP CLINCHES THE TITLE FOR SAM’S SPORTS GRILL

NASHVILLE, TENNESSEE: Sam’s Sports Grill opened in 2000, and Nashvillians have voted it the Best Sports Bar in the city for ten years in a row. Clearly, Sam Sanchez and his team know how to deliver a great sports bar experience. Food created from scratch (with gluten-free options!), dozens of beers on tap, and a whopping 70-inch flat screen TV with all the major sports packages, make Sam’s Sports Grill a winner. However, like any establishment, Sam’s Sports Grill had room for improvement. Recently, Sam chose Darrin Fabish, account manager at Nashville’s Audio Electronics, Inc. (AEI), to overhaul the existing sound system at the Hillsboro Village location. The overhaul resulted in replacing all the speakers and adding a Symetrix Jupiter 8 App Based Turn-Key DSP. The Symetrix Jupiter 8 DSP delivers multi-zone content with user control achieved through Symetrix’ forward-thinking ARC-WEB interface for smartphones and other Internet-connected devices.

Sam’s Sports Grill’s Hillsboro Village location (there are three others in Hendersonville and Murfreesboro, TN and Florence, AL) is just a short walk from the AEI offices. “I meet some friends there for lunch regularly,” said Darrin. “As sometimes happens, I was talking to them about upgrading another client’s sound system when Sam overheard me. Although the bar has a great visual setup with plenty of high-definition screens, the audio system lacked zoned audio. Although they could have different games on at the bar and on the patio, the whole place had to listen to one or the other – or music.”

After determining that AEI could give Sam’s Sports Grill a fresh start, Darrin suggested replacing components of the old system. “Eight-ohm speakers were wired for 70-volt and vice versa,” he said. “Residential and commercial components were mixed. This system really needed attention.” Darrin retained the original inputs to the system, two DirecTV receivers, a jukebox, and a music source, and added a microphone input for use on bar trivia night. In addition, a pair of TOA amplifiers and the existing equipment rack were repurposed in the new system.

With eight mic- or line-level inputs and eight outputs, a Symetrix Jupiter 8 DSP forms the core of the new system and leaves a few inputs and outputs for the bar to grow into. “The Jupiter 8 has all of the necessary processing facilities, including easy zone management,” said Darrin. “And given everything that it can do, it’s very competitively priced.” Three zones now comprise the system so that the patio, bar, and seating areas can all have different input sources and volumes. When music is selected, the background music source plays unless a customer plays the jukebox, in which case the background music is muted until the jukebox song is finished. A Bose FreeSpace 3 combined subwoofer/full-range system provides output for each of the zones, and Bose DS-100 surface mounted speakers in the patio lure customers from the sidewalk outside.

“Symetrix’ ARC-WEB technology was a huge selling point at Sam’s,” said Darrin. “Both the owner and the manager are running ARC-WEB from their phones. There’s really something to the fact that these guys can just walk over to a zone and adjust the input and volume right then and there. No more adjusting the volume and then walking over to see if it’s loud enough (or too loud). They seem to really like it. I’m starting to pitch this Symetrix-based solution at other locations. A lot of the owners are young and hip, and they love the ARC-WEB technology.” For those rare occasions when the owner or manager isn’t around, staff can still make necessary adjustments from a hardwired Symetrix ARC-2e wall panel remote.

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

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