A virtual press conference from Sound & Video Contractor

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ROBUST, AFFORDABLE ASHLY PROCESSORS, AMPLIFIERS, AND NETWORK FADER REMOTE CONTROL REJUVENATE ST. CLEMENT CHURCH

DES PERES, MISSOURI: St. Clement of Rome Catholic Church has served as the spiritual bedrock of Des Peres, Missouri for over half a century. Today, over 5,000 parishioners call St. Clement home, and over 500 students attend its schools. Like most mid-sized churches, the impact of its services relies on a well-functioning sound reinforcement system to deliver transparent, intelligible spoken word and emotionally compelling music. When St. Clement’s old sound system started failing, it called on local A/V integrator Tech Electronics to install a new system that would provide trouble-free service for years to come. Tech Electronics met that goal with a new headend comprised of an Ashly ne24.24M modular processor, three Ashly KLR 3200 amplifiers, and an Ashly FR-16 network fader remote control.

“The church had last updated its equipment over a dozen years ago,” explained Tony Badamo, systems specialist at Tech Electronics. “They don’t modify their setup very often, so when they do, they want to choose an integrator and equipment that will provide a stable system to carry them far into the future. The auto-mixers in the old system were starting to fail, as were some of the amplifiers.” Badamo wanted to try a complete Ashly system, based on its reputation for reliability and its competitive price point. “The power you get per dollar with Ashly amplifiers is very efficient,” he added. “If you compare it with the other leading amplifier manufacturers out there, you’ll see it’s a big difference.”

All of the loudspeakers – which are arranged as a center cluster with a left-right complement – were in good shape, and Badamo left them in place. Only the rack equipment needed to be replaced. To accommodate the church’s CD player input and its many microphone inputs, he outfitted the modular Ashly ne24.24M processor with twelve analog inputs. Eight outputs handle all of the existing loudspeakers, including a 70-volt system for hallways and other areas outside the sanctuary, as well as a listening assistance system. Badamo easily configured one of the Ashly KLR 3200 amplifier channels to power the 70-volt system. The remaining channels power the house system.

Badamo was careful to give St. Clement Church enough control to meet its needs, but not so much control that curious fingers could wreck the setup. The Ashly FR-16 is a bank of sixteen faders plus a master that communicates with any Ashly processor via a simple network connection. Each fader’s effect is fully customizable, and Badamo gave the church simple volume control of each input, along with master volume control. Because the church was hoping for a “set it and forget it” setup, the Ashly FR-16 resides in the rack. Everything else is off limits. “I love that the volume knobs on the Ashly KLR amplifiers can be locked out,” Badamo said. “Especially in systems like this with multiple outputs, giving the user access to the volume knobs is a recipe for blown-up speakers!”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

SYMETRIX JUPITER 8 APP BASED TURN-KEY DSP PROVIDES WYOMING SCHOOL AUDITORIUM PERFORMANCE AND CONTROL

PINDALE, WYOMING: Nestled amid the soaring, snow-capped peaks of the Rocky Mountains, Sublette County School District #1 serves the students of Pinedale, Wyoming and its neighboring communities. Total enrollment across all grades falls just over 1,000 students. With an auditorium available for school performances and community events, the Pinedale High School operates as one of the cultural cornerstones of the small community, and the responsibility of maintaining and operating it’s A/V system falls to Patrick Rookus, the district’s auditorium manager and tech director. When the room’s aging sound reinforcement system approached its thirtieth birthday, Rookus made the call to renovate it, both as a way to prevent imminent equipment failure and, perhaps more importantly, as a way to keep up with the needs of the auditorium’s diverse users. A Symetrix Jupiter 8 app based, turn-key DSP resides at the heart of the new system and delivers transparent audio quality, system flexibility, and intuitive user control.

“We wanted the new system to be versatile enough to satisfy the needs of the varied types of performances and presentations that take place, while also anticipating the sound system requirements for many years to come,” said Rookus. He contacted Performance Audio of nearby Salt Lake City, Utah, where system design & installation expert Jake Peery worked out an affordable and effective solution. “By using a Symetrix Jupiter, I knew we could create a system that would be simple, flexible, and – together with a Symetrix ARC-2e wall panel remote – easy to operate,” said Peery. “The Jupiter possesses all of the necessary processing power, including delays, limiting, and equalization, at a very affordable price point.”

The system is composed of eight new Sennheiser ew 114 G3 wireless microphones, along with a range of other existing wired and wireless microphones that feed an existing console. The outputs of the console feed two of the eight analog inputs of the Symetrix Jupiter 8. An additional microphone runs directly into the Jupiter 8 to allow speech reinforcement for simple applications. The additional inputs of the Jupiter 8 accommodate other “guest” consoles that can be utilized without having to un-patch the main console. On the back end, a new stereo Electro-Voice EVA line array with three top cabinets and two subwoofers per side provides impactful coverage, and four Electro-Voice XI-1082 loudspeakers provide front fill. Electro-Voice amplifiers power the system.

The Jupiter 8 runs the “Sound Reinforcement #6” app, which provides a high-pass filter, a low-pass filter, a 15-band EQ, a split compressor, and a feedback fighter on each input. On each of the outputs there is a speaker manager module, which contains eight bands of parametric EQ, a high-pass filter, a low-pass filter, and up to 243ms of speaker delay. A flexible matrix creates eight submixes, where any input can be routed to any output with full input level control. Peery installed a Symetrix ARC-2e wall panel remote at the rack, which allows Rookus to easily select between the Jupiter 8 inputs. Moreover, the ARC-2e allows for selecting different operating modes, such that the guest consoles can patch in and be processed as left/right only, as left/right and separate fills, or as left/right, fills, and subwoofers.

“It’s an efficient system that does everything required of it,” summarized Peery. “Moreover, it has sufficient flexibility to meet the school’s future needs.”

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

FULL SAIL UNIVERSITY TO OUTFIT STUDIO B WITH A 64-CHANNEL API VISION ANALOG SURROUND SOUND CONSOLE

WINTER PARK, FLORIDA: With 17,000 students and over 44,000 alumni filling the ranks of the entertainment industry, Full Sail University is among the best-known and highly-respected institutions for audio, film, design, show production, game development, computer animation, and entertainment business education. Its flagship recording arts program dates back to the school’s founding over thirty years ago and is currently supported by a massive studio complex. After a comprehensive search and thorough vetting, Full Sail has announced it will replace the existing console in Studio B with a 64-channel API Vision analog surround sound console.

“It was important that we provide our students the invaluable experience of working with high-end analog audio,” explained Dana Roun, director of audio arts at Full Sail University. “Today, most of our incoming students have been working with digital audio their entire lives. And yet the sound that defines our industry, the sound of the classic albums, the benchmark in professional audio, is the sound of finely crafted analog equipment. API embodies that real analog sound.”

Of course, Full Sail University does not make a decision on one of its large-format consoles in one of its signature control rooms lightly. Some of the school’s audio educators and technicians met to whittle down a long list of possible replacements. “We considered everything,” said Roun. “But we were aiming for that boutique, sought-after, no-questions-asked, flat-out great analog sound.” Once a short-list existed, Roun and a small party of faculty traveled to Nashville, where they could test-drive each console in close proximity. “We left Nashville sure in our decision that API had the sound we were after,” he continued. “When we heard it, it felt unmistakably right.”

“API is pleased not only to be chosen to build and supply a custom API Vision console for Full Sail, but also to show this 64-channel console on the floor of the recent AES Show,” said Gordon Smart, managing director of API. “This special desk, scheduled for commissioning at Full Sail on January 2, 2013, was unveiled at this past AES convention in San Francisco. It’s exciting to welcome one of the most prestigious secondary schools on the planet into the API family!”

Because the API Vision can mix in stereo and surround sound simultaneously, Full Sail will be able to merge it with audio-for-video courses and projects. Its flexibility provides room for growth and will allow the school to realize the full value of its investment for many years to come, independent of the often-unpredictable shifts in digital audio technology.

ABOUT API (AUTOMATED PROCESSES, INC.)
Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

NEW API 1608 ANALOG CONSOLE INSTALLED IN THE PEABODY CONSERVATORY AT JOHNS HOPKINS UNIVERSITY

BALTIMORE, MARYLAND: When the highly-respected Recording Arts and Sciences Program at the Peabody Conservatory/Johns Hopkins University needed to replace an aging console the clear choice was with a new sixteen-channel API Audio 1608 console, largely because of its authentic sound quality and flexibility. The University program, which awards a double-major Bachelor’s degree and a Master’s of Arts in Audio Sciences is the American equivalent of the European Tonmeister training program, and its students benefit from being in close alliance with the JHU’s G.W.C. Whiting School of Engineering, a dedicated faculty of experts and a comprehensive recording studio facility to anchor the program.

Students from the Peabody Conservatory engage in over one thousand performances a year in five venues of varying size, and the Recording Arts and Sciences Program’s studio facilities tie into those venues. Recording arts students record each and every performance under the guidance of faculty members. Beginning students handle simpler stereo recording sessions and assist on more complex sessions, whereas advanced students conduct multi-mic recording sessions for the orchestras, operas and jazz ensembles. Studio D is connected to three of those performance venues, and the new API 1608 console will play a large role in those recording sessions.

The API 1608 is paired with a Pro Tools HD system, which Scott Metcalfe, director of the program, asserts is an excellent hybrid analog/digital combination. “With the API 1608, students can experiment with the full range of possibilities, from in-the-box mixes, to analog summing, to DAW fader control, to full-analog mixing and processing,” he said. “It’s a very flexible design, and we will use it in a lot of different ways.”

Metcalfe and colleagues also look forward to putting the API 1608’s modular design to equally practical use. Each channel features a slot for an API 500-series format module, with eight spare slots that can be patched in. Although API is famous for having pioneered the format and makes many popular 500-series processors, a huge number of established and boutique manufacturers have adopted the 500-series format for their processors as well. Thus, the API 1608 readily accepts third-party processors of tremendous scope and variety.

API is already present in the facility’s other studios. A four-channel API 3124 preamp and a ten-space 500V rack loaded with API equalizers and dynamics processors lend the warm analog “API sound” to Studio A. “In addition to the sonics of API and the flexibility of the 1608, I was also happy to be working with our neighbors,” said Metcalfe, acknowledging the fact that API’s headquarters are a mere twenty-five minutes from the Recording Arts and Sciences Program at the Peabody Conservatory/Johns Hopkins University.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

DANLEY SPEAKERS GIVE NATIONWIDE ARENA THE HOME ADVANTAGE

COLUMBUS, OHIO: Nationwide Arena is home to the Columbus Blue Jackets of the National Hockey League and is host to most of the popular musical acts that travel through Ohio’s capital city. Depending on its configuration, Nationwide Arena can accommodate between 17,000 and 21,000 people, and its recent turn-of-the-millennium design and construction have been widely praised by sports fans and critics. ESPN The Magazine wrote that Nationwide Arena is “the No. 2 stadium experience in professional sports” and the “Ultimate Sports Road Trip” deemed it the greatest arena in the NHL. However, poor sound system coverage had been Nationwide Arena’s dirty little secret since it opened its doors in 2000, and the owners were wisely unwilling to rest on their laurels. Recently, as part of a project that included a massive video upgrade, acoustical consultant Anthony James Partners joined A/V integration firm Daktronics to bring sound reinforcement in line with the rest of the arena’s amenities using efficient, point-source Danley Sound Labs loudspeakers and subwoofers.

“Achieving even coverage with conventional loudspeaker technologies is challenging because low-frequency pattern control is seldom very good,” explained Larry Lucas, director of audio engineering with Anthony James Partners. “As a result, system components interfere with each other and create uneven coverage that cannot be rectified with all the processing in the world. Danley Sound Labs’ unconventional designs array seamlessly and deliver excellent pattern control. Moreover, they are inexpensive relative to their output, which provides exceptional return on investment for the client.”

The design called for eight primary clusters distributed equally around the arena. Each cluster contains two Danley SH-96 full-range loudspeakers hard-packed side-by-side and a Danley TH-118 subwoofer. Eight wide-dispersion Danley SM-100 loudspeakers populate a delay ring that provides coverage for Nationwide Arena’s highest tier. Two additional SH-96s cover the ice. Daktronics installed all of the clusters on chain motors for easy servicing and, in the case of those clusters whose positions would interfere with musical acts, easy hoisting.

The rest of the sound reinforcement system benefitted from the retrofit as well. A new Allen & Heath iLive console provides 32 inputs and 16 outputs at the main mix position and 16 inputs and 8 outputs at a remote position. A QSC Q-Sys processor with a 500i core provides input conditioning, routing logic, and modest loudspeaker conditioning. Lab.gruppen PLM-series amplifiers deliver clean power to the Danley loudspeakers and subwoofers. Because both the Q-Sys processing system and the PLM-series amplifiers are network-ready, Daktronics was able to provide the owners with comprehensive monitoring facilities in the A/V control room.

Nationwide Arena’s new high-definition sound reinforcement system complements a new high-definition video system. Its showpiece is a new 43,000 lb. scoreboard that uses nearly sixteen million LEDs to display high-definition video on four 25-foot by 15.5-foot screens. The brilliant scoreboard hangs over center ice. In addition, two “party towers” now use LED technology to project 25-foot by 14-foot video images in the west corners of the arena. Various smaller screens project in upgraded high-definition, and the resolution of the ribbon video board that circles most of the arena is doubled.

“With the Danley system installed, the coverage is close to perfect,” said David Sturzenbecher, audio project engineer with Daktronics. “The design specification called for +/- 4dB throughout, and the system measures closer to +/- 2dB throughout. Because the Danley products deliver so much output, we needed vastly fewer boxes to provide full coverage than we would have used with conventional loudspeakers or line arrays. That let us give them a very high-performance system at a much lower price tag. And not only is the coverage excellent, but so too is the fidelity and low-frequency extension.” Jeff Baumgartner, Nationwide’s in-house A/V engineer stated, “Daktronics design engineers created a virtual arena and accurately predicted the performance throughout the arena. Overall, I am extremely pleased with the system. Coverage is darn near perfect.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

QSC Introduces the New AcousticPerformance™ Line of Loudspeakers


Costa Mesa, CA (December 5, 2012) – QSC Audio Products is proud to announce the launch of the AcousticPerformance™ line of professional, two-way, full-range loudspeakers, ideal for a variety of installed sound reinforcement applications which require higher SPL and a stylish enclosure. All models feature a 3-inch voice coil, high power-capacity compression driver combined with high-output woofers to deliver exceptional full bandwidth reproduction.

“In keeping with QSC’s loudspeaker design philosophy, all AcousticPerformance loudspeakers feature Directivity Matched Transition™ (DMT) which matches the compression driver to the natural coverage angle of the woofer in the cross-over region”, states Phil Sanchez, QSC Loudspeaker Product Manager. “When combined with their axisymmetric waveguides, AcousticPerformance loudspeakers deliver a flat power response with smooth and accurate sonic reproduction and remarkably consistent coverage both on and off-axis.”

AcousticPerformance models may be used in passive (full-range) mode to minimize amplifier channel count or bi-amp mode for greater control and performance. To further enhance performance, bi-amp and full-range tunings using QSC Intrinsic Correction techniques are available for Q-Sys™ and future QSC products.

All models feature M10 mounting points for deployment via eye-bolts as well as mount points for an optional yoke bracket. The AP-5122m multi-purpose enclosure features a 40-degree angle, making it ideal for floor monitor use, and a pole cup for deployment on a loudspeaker stand. The enclosure and terminal input cup on the AP-5122m have been designed to facilitate the cable runs for a clean appearance on stage.

Presenting a clean, unobtrusive look, AcousticPerformance grilles are unadorned, eliminating the need to cover-up logo treatments, which can be difficult to hide or remove. The grille is also lined with acoustically transparent backing, adding to the enclosure’s professional appearance.

AP-5102/5122/5152 models are available in black (RAL 9011) and white (RAL 9010) finishes. AP-5122m is available in black only. To minimize impact and disposal fees at the job site, all AcousticPerformance loudspeakers are packaged in environmentally friendly, recyclable cartons.

Key Features of the AcousticPerformance Line:

•DMT™ (Directivity Matched Transition) ensures smooth, coherent power response across the listening plane
•3” diaphragm compression delivers a clean and powerful high frequency response
•M10 fittings and yoke mount fittings offer flexible deployment options for a variety of applications
•Clean industrial design with unadorned grilles complement most decors and settings
•NL4 Speakon™ connector and covered barrier strip terminals*
•Bi-Amp / Passive Switchable
•Constructed from 15-ply Baltic birch plywood
•16-Gauge powder coated steel grilles
•Available in black (RAL 9011) and white (RAL 9010)*
•Complete EASE, CAD & BIM information available online
* Except for 5122m

For more information, visit the AcousticPerformance product page at http://qsc.com/products/speakers/ap/

About QSC Audio
QSC Audio Products, LLC is a leading manufacturer of power amplifiers, loudspeakers, digital signal processors, digital sound transport, and network audio for professional audio systems worldwide. qsc.com

SYMETRIX SOLUS 16 SUPPORTS 7.1 SURROUND SOUND COMPUTER LAB

RENO, NEVADA: The Red House Project is an initiative at Reno High School in Nevada that prepares students for future work with computers, software development, Internet content, CAD, and other computer-based college majors and career paths. It is one of the Washoe County School District’s “Signature Academies,” each of which focuses on a specific in-depth curriculum. Reno students who opt for “Track 1” courses receive training in graphic design, animation, video production, and digital game development using a state-of-the-art computer lab featuring the latest software, 7.1 surround sound technology, and high-definition video projection and capture. Reno-based Innovative Communication Systems (ICS) designed and installed the room’s A/V system with a Symetrix SymNet Solus 16 audio processor to provide affordable signal routing and processing.

As far as the students are concerned, the system begins with banks of fully-loaded Apple Mac Pro computers. In order to effectively wrestle all of their video outputs together with input jacks of every flavor, ICS owner Jeff Bowers and his staff installed an FSR DV-MFSW-94 presentation matrix switcher, which accepts them all and scales every signal to HDMI. From there, signal travels to a pair of school-furnished high-definition video projectors, one for a 16-foot screen on each side of the room. In addition, the room features a massive 25-foot green screen that will allow creative students to perform all manner of video trickery. A blue screen is slated for future installation.

On the audio end of things, output from the computers first hits and Extron SSP 7.1, which effectively pre-processes for 7.1 surround sound. Its output, together with two AudioTechnica wireless microphones, a microphone jack, and stereo output from the FSR switcher, feeds a Symetrix SymNet Solus 16. The SymNet Solus 16 features sixteen mic- or line-level inputs, powerful open-architecture signal processing, eight outputs, and myriad control options. The unit handles all of the system’s customized audio routing, as well as input leveling, loudspeaker management, and volume control. Self-powered QSC K10 loudspeakers handle all seven full-range channels. A Crestron AV2/PRO2 paired with a nine-inch touchscreen provides intuitive, customized user control of both the audio and video signals.

Because audio signal also needed to run to an Atlas amplifier for distribution in adjoining rooms, Bowers had to implement one small work-around. “Instead of using the eighth output for the subwoofer, we used it for the distributed system,” he said. “For the self-powered QSC KW181 subwoofer, we sent signal directly from the Extron unit. It’s one of those situations where you do a cost/benefit analysis. Is it better to buy a larger processor at greater expense or to go for the work-around at less expense? In this case the answer was clear because the subwoofer didn’t need any processing.”

He continued, “The capabilities of the SymNet Solus are fantastic, and the everyone at the company loves its price point. Symetrix’ open-architecture programming is intuitive and comprehensive. We can do all those weird little things that seem to always come up. In addition, we’ve been installing Symetrix processors for a long time, and they’re always dependable.”

ABOUT SYMETRIX Sound professionals rely upon the performance, value and reliability of audio mixing, routing and processing products from Symetrix. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

SYMETRIX EXTENDS FACTORY WARRANTY TO THREE YEARS

SEATTLE, WASHINGTON: Symetrix, manufacturer of high-end professional audio solutions specializing in DSP hardware and software, announces that all products purchased on or after October 1, 2012 are covered by a three-year limited factory warranty. The new warranty period covers all Symetrix Edge, Radius, Solus, Jupiter, Integrator Series, AirTools, analog hardware, and user interfaces.

“We at Symetrix are proud of our reputation for building dependable equipment,” said Brooke Macomber, director of marketing. “The newly extended factory warranty period reflects the confidence we have in our product quality. Our equipment stands up to the stresses and strains of the working world with tremendous resilience. Consultants and contractors will find our warranty is clear-cut and devoid of loopholes. Even more importantly, Symetrix products are reliable, and are designed and manufactured to outperform industry product life expectations.”

ABOUT SYMETRIX Sound professionals rely upon the performance, value and reliability of audio mixing, routing and processing products from Symetrix. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

EUREKA! ASHLY PROCESSING AND AMPLIFICATION, PROVE TO BE RELIABLE AND FLEXIBLE FOR VOLUNTEER FIRE AND AMBULANCE COMPANY

STEWARTSTOWN, PENNSYLVANIA – NOVEMBER 2012: The Eureka Volunteer Fire and Ambulance Company serves the greater Stewartstown, Pennsylvania area, and although most of its glory and commitment is deservedly focused on helping neighbors in need, it also boasts a fine social hall that it rents for meetings, wedding receptions, and other events. At over 4,000 square-feet, the social hall can comfortably accommodate up to three hundred people. Until recently, however, its sound reinforcement system delivered poor coverage with marginal fidelity. The company hired Stage Masters, a local AV integration firm, to renovate the room’s A/V system. Stage Masters called on Ashly Audio processing, amplification, and user control to deliver a new system that is perfectly tuned, reliable, and easy to use.

The new system is configured to flexibly meet the needs of all potential users and renters. Shure wireless microphones provide users with a ready and convenient means of amplify voice and are joined by a stereo iPod input, a handful of mic- and line-level input jacks, and the outputs from the video playback system. Shawn Fife, owner of Stage Masters, selected the Ashly ne24.24M processor based on its flexibility. For example, its I/O count is modular, and he initially outfitted the social hall’s ne24.24M with twelve inputs and four outputs. “With the Ashly ne24.24M, I can scale the processing to the needs of a particular job,” said Fife. “Moreover, the unit is network ready, right out of the box, which makes it easy to help clients remotely.”

The Ashly ne24.24M’s modularity was especially useful in this instance, because the officials requested additional output channels after the system was already installed. “I gave them Shure headset microphones for use on bingo nights, among other things,” said Fife. “After they used the system a few times, they changed their minds and wanted to give the caller a monitor channel to listen for bingo calls. Since we were already using all four of the installed output channels, they would have been out of luck were it not for the ne24.24M’s modularity. We were able to meet their request at little expense simply by adding another output card together with a small powered monitor at the caller’s position.”

The original four outputs from the Ashly ne24.24M feed four zones: the entrance hall, the kitchen, main hall left, and main hall right. Because the room is always oriented the same way for video presentations, it was possible to enhance the experience with stereo. A new BenQ SH910 projector gives the room’s users crisp video presentations. Powered by an Ashly ne4250.70 amplifier, Pure Resonance SD4 Lay-In 2×2 drop ceiling speakers give the system impressive punch and clarity with no hot spots. “For the power that they deliver, the Ashly amplifiers are extremely cost-effective,” said Fife. Although he hasn’t yet hooked into them as he has the ne24.24M, the Ashly ne4250.70 is also network-ready right out of the box.

User control of the system is simple and intuitive. An Ashly WR-5 push-button wall remote placed at the front of the room provides volume control of an adjacent microphone jack and computer input, as well as volume control of the system’s four wireless microphones. A second Ashly WR-5 located in the kitchen provides volume control of two adjacent microphone jacks, as well as an adjacent iPod jack.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ASHLY AUDIO REVAMPS WEBSITE, BEEFS UP ORGANIZATION AND CONTENT

WEBSTER, NEW YORK: Ashly Audio, one of leading manufacturers of power amplification and signal processing, now treats its existing and prospective customers to a newly-redesigned website (www.ashly.com) replete with well-organized product, installation and application content. With a modern look and feel, the site is easy to navigate. John Sexton, Ashly’s vice president of sales, conceived the organization and aesthetic, and graphic designer Michael Sukhenko executed it.

“Technical specifiers told us to make data sheets, manuals and drawing files no more than two mouse clicks away”, explains Sexton. “Our Products page has a spreadsheet of information in a single location. It’s two clicks for integrators to download data sheets for submittals. It’s two clicks for system designers to access A&E DOC files that can be cut and pasted right into their specification packages. Two clicks and you’re done.”

Metrics show that the Ashly website has increasing traffic from dealer’s clients and end-users, which underscores the importance of presenting Ashly products to non-technical visitors. The new website features a graphic guide on the home page – Ashly In Your World – that directs these visitors to a page that explains how Ashly products work in worship facilities, restaurants, schools, hotels and other facilities. Each market segment page features information from Ashly’s extensive collection of installation profiles and application notes.

The Technical Support & Educational menu has been enhanced by the addition of Ashly TV, a series of three to five minute videos that address specific technical topics. The page has a built-in video player. The FAQ Section was developed by the technical services staff to answer the most popular questions that arise from new dealers who are using Ashly products for the first time.

Retained in the new design is a comprehensive – and appropriately humorous – look at Ashly’s 38-year history as a pro audio innovator.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

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