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DANLEY SPEAKERS DELIVER 7.1 A/V FOR FLORIDA STATE SENATE CHAMBER

TALLAHASSEE FLORIDA – NOVEMBER 2012: The Florida Senate Chamber is a large, circular room, with desks for the forty senators and lecterns for the Senate President, the Senate Secretary, and invited speakers on the main floor. Visitor galleries surround the chamber. Tallahassee-based A/V integration firm and instrument retailer Music Masters recently renovated the chamber’s thirty-plus year old sound reinforcement system. A new 7.1 surround sound system comprised of Danley Sound Labs loudspeakers and subwoofers rings the floor from above and delivers natural and highly-intelligible sound reinforcement for A/V playback, live performances, and senate business.

Music Masters renovated the Florida House of Representatives Chamber last year, replacing everything except the loudspeakers, which were of a newer vintage. “We installed a 144×16 Media Matrix DSP and tuned everything up so that the system sounds great,” explained Les Stephenson, owner of Music Masters. “However, the Senate’s system needed a complete overhaul.”

“In the Senate, you have forty important people discussing vitally important business,” said Stephenson. “Intelligibility and pattern control were therefore key, and that immediately led me to consider Danley Sound Labs. The center speaker would sit up above the President of the Senate’s desk, but twenty-six feet was the very lowest it could be mounted. Danley’s excellent pattern control could fire from that height and cover the floor without energizing the glass and rotunda above. Moreover, Danley’s transparent sound would naturally allow the Senate to have intelligible conversations. I wouldn’t have to fight with the processing for a week to make it sound good.”

Music Masters mounted a Danley SH-46 sideways for the center channel, which delivers a 60-degree horizontal by 40-degree vertical pattern. A pair of Danley SM-60s provides left and right channel coverage. Four Danley SM-100s serve as side and rear channels. A Danley TH-118 subwoofer fills out the low end from inside the projection room. Stephenson ordered all but the SM-100s with self-power, and the fact that none of the units require bi- or tri-amplification added an element of simplicity to a system that was otherwise not very simple. Therefore, each speaker is a fully independent sound system unto itself, allowing very complex sound field imaging.

Music Masters installed a new Shure Beta 87 microphone at each of the senators’ desks, Shure MX418 on the podiums, and AKG CK47s on the President’s rostrum. Those microphones, together with new A/V inputs (suitable for musical accompaniment!), feed a 56-input/Peavey Media Matrix NION processing system. At some point in the 1990s, each desk was wired for its own DSP channel, and Stephenson recognized how valuable that would be in a fully time-aligned system. Thus, the DSP contains 64 outputs, enough for every individual desk, where new five-inch OAP loudspeakers reside, as well as for the Danley 7.1 system. Biamp amplifiers power all of the small loudspeakers and QSC powers the Danley SM-100s.

Stephenson used the power of the Media Matrix NION system, together with the fact that the Senate conducts business in an orderly fashion, to time-align all of the system’s many loudspeakers. “When a senator is recognized,” he explained, “he or she is given the opportunity to speak. When that mic is switched on, the Media Matrix automatically calculates appropriate delays at every loudspeaker, like ripples from a pebble dropped in calm water. Even the output from the Danley loudspeakers shifts so that listeners spatially locate the origin of the person speaking to his or her actual location in the chamber. It makes a tremendous difference in the transparency and impact of the system.”

Everyone who has heard the system agrees, “It’s an excellent sounding system,” Stephenson concluded. “Which will enhance the Florida Senate Chambers for many years to come. It is a system befitting so august a body.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

MASTRO’S PENTHOUSE FAVORS ASHLY

BEVERLY HILLS, CALIFORNIA: Mastro’s stands among the nation’s premier steak and seafood houses, and its Beverly Hills location is one of its most celebrated. In fact, business was so brisk that the management decided to expand upward, literally. After renovating the third floor of its North Canon Drive location, Mastro’s Penthouse recently opened to offer drinks, sushi, and deck lounge dining. In addition, a private dining room with its own private balcony is sure to be well used by the restaurant’s upscale clientele. Mastro’s hired Clean Media – the same A/V integration company that helped create the ambiance in the first two floors – to design and install a video and audio system that would be consistent with Mastro’s exclusive aesthetic. Clean Media obliged, relying on Ashly Audio amplifiers with integrated Protea(tm) DSP to guarantee reliable performance with audio that is grilled – or rather, tuned – to perfection.

Clean Media is based in Scottsdale, Arizona and enthusiastically endorsed by well-known All-Pro football player, Minnesota Vikings defensive end Jared Allen. He loved the home theater that Clean Media built for him so much that he’s been helping to promote the company ever since. Not that Clean Media is really hurting for business; it is the go-to company for many of the country’s high-end chains, including Eddie V’s Restaurants (owned by Darden Restaurants), Oreganos Pizza Bistro, Twin Peaks Restaurant, and, of course, Mastro’s Restaurants.

“A little over a year ago, Ashly Audio sent some engineers to give our company a presentation,” recalled Dylan Vicha, the owner of Clean Media. “We shared all of the problems and issues that we had run into with other manufacturers, and they clearly articulated how an Ashly-based system would circumvent them. We tried out Ashly at the Red Revolver Lounge in Scottsdale, a club that I also co-own, and everyone agreed that Ashly delivered tremendous processing power, great user control integration, reliability, and ready technical support – and all at a very fair price point. Having now used Ashly for almost every project initiated in the last year, we’re confident that Ashly gear will meet and exceed our clients’ needs and will uphold the reputation that we have earned for building easy-to-use, great-sounding, and bullet-proof A/V systems.”

Inputs to the new system include a PC, Blu-ray, two channels of DirecTV, a DJ/band jack, a live music feed from the second floor, an MP3 input from the second floor, and DirecTV from the second floor. A Crestron audio matrix switcher selects and routes the inputs appropriately, with a Crestron HDMI video matrix switcher doing the same for the associated video inputs. A Crestron Series 3 control processor with wall-mounted touchscreens and an iPad interface give the Penthouse staff intuitive control over relevant system parameters. One eight-channel Ashly ne8250.70pe and one four-channel Ashly ne4250.70pe, both with built-in Protea DSP matrix mixer & processor, handle signal amplification and signal processing duties simultaneously. JBL in-ceiling loudspeakers cover five output zones: the bar, the restrooms, the dining area, the hallway, and the private dining area. Atlas weather-resistant loudspeakers cover the patios.

“The Ashly amplification and processing has been extremely reliable in all our commercial 70-volt applications, and the clients always comment on how easy our systems are to use,” said John White, project manager with Clean Media. “We have used Ashly both as a standalone audio control system and as an amplifier/processor integrated with Crestron & RTI control systems. The Protea DSP control is easy to set up, and we’re always able to dial in great sound in each zone, no matter what the acoustic obstacles are. We will be using Ashly Audio products in all our future projects.” In the coming months, completed Ashly projects will include Federal Pizza (Owners of the Postino Wine Café chain), Hopdoddy Burger Bar (former owners of Eddie V’s Restaurants), and the additional Oreganos, Eddie V’s, and Twin Peaks locations.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ASHLY NE8250.PE AMPLIFIER SAVES THE DAY AT CHURCH OF THE SAVIOR

LEXINGTON, KENTUCKY: Church of the Savior is a growing mid-size church nestled amid the bluegrass of Lexington, Kentucky. In order to support increased programming, the church raised funds to build an annex comprised of three high-tech classrooms anchored by an equally-high-tech foyer area. Kentucky-based Pro Sound & Lights designed a forward-thinking A/V system for the new space, but requests from the church’s knowledgeable liaison threw a wrench into the plans at the eleventh hour. Additional processing and amplifier channels would be needed, and Pro Sound & Lights’ systems engineer Chris Naughton accommodated the requested additions without going over budget by calling on an eight-channel Ashly ne8250.pe amplifier with optional onboard Protea(tm) DSP processing.

“All three rooms can be combined into one larger room, with all of the technology routed appropriately,” explained Naughton. “It’s functionally similar to a small conference center. Moreover, the foyer area – which will have a little coffeehouse and plenty of comfy places to hang out – can be used as a fourth classroom, so we included all of the A/V infrastructure there as well.” Naughton already had a processor and amplifier ordered when he received a call from Dave Grosz, Media engineer, for the media communications department at Asbury University and a member of Church of the Savior. “Dave knows his stuff. He’s behind one of the leading telecommunications programs in the country,” said Naughton. “He felt the new classrooms would be better served with JBL Control-series full-range loudspeakers paired with JBL Control-series subwoofers.”

At first, Naughton imagined that the easy fix would be to order a second four-channel amp to power the subwoofers, one per zone. But while he was revising the layout he realized that the processor on order had only six outputs. He needed eight outputs to do the crossovers. “That’s when I began to panic,” he laughed. “Contracts were signed, we were good to go, and now this! Money was very tight, and so I needed to find a solution that would not only work, but would work for not a lot more money than we had already committed to.”

Naughton did some research and realized that the Ashly ne8250.pe was the cost-effective solution that the project now cried out for. Within its two-rack unit frame, it offers eight 250-watt amplifier channels plus an on-board Protea digital matrix mixer & processor. He could keep the original processor, which was inextricably linked to the Extron control system to which the church had already agreed. Only four of its outputs, one per zone, would feed the Ashly ne8250.pe, which would supply the necessary crossover processing, along with modest delay and equalization. “No other manufacturer has a quality solution that is as affordable as the Ashly ne8250.pe,” said Naughton. “Despite the inclusion of the processing power, the ne8250.pe was still less expensive than two of the original four-channel amplifiers, which had no processing at all. In addition, Ashly’s shipping time was phenomenal. I received the unit two or three days after I ordered it. That gave me enough time to have the two original amplifiers rerouted back to the manufacturer!”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ARIZONA STATE UNIVERSITY’S WELLS FARGO ARENA GOES FOR DANLEY!

TEMPE, ARIZONA: The Wells Fargo Arena is the home of Arizona State University’s basketball, volleyball, gymnastics, and wrestling teams. At six stories high and with over 10,000 seats, it also hosts concerts, graduation ceremonies, and other events. Over its nearly forty years of service, the Wells Fargo Arena has had several sound reinforcement systems, all of which lacked power and were unintelligible to one degree or another. But that changed recently, when the school raised funds for a whirlwind renovation project that resulted in a new system centered on Danley Sound Labs full-range loudspeakers and subwoofers. The new system conveys impressive bass and highly-intelligible speech.

“From conception to commissioning, this job spanned a mere three weeks,” said Ron Klaus, design engineer with Phoenix-based Audio Video Resources (AVR). AVR had worked with Arizona State University on a number of projects in the past, and so the school trusted the firm to guide the project to a successful completion – even on such a compressed timeline. Anthony James Partners (AJP) served as the project consultant, and AVR partnered with the Arizona contingent of Clearwing Productions on the installation. Under the guidance of Project Manager Jared Bigelow, AVR managed the project and procured the equipment, whereas Clearwing Productions provided all of the speaker rigging, rack building, and cabling. Engineers at Danley Sound Labs designed the system in consultation with Anthony James Partners, Director of Audio Engineering, Larry Lucas.

The new system is comprised of a primary ring, together with a delay ring, for the upper tier. Twelve two-box hangs form the primary ring. On each, a Danley SH-69 delivers 60- by 90-degree coverage for the closest seats, whereas a narrower Danley SH-60 delivers 60- by 60-degree coverage for the mid-level seats. Twelve Danley SH-100s form the delay ring that covers the “nose bleed” section. Four Danley TH-118 subwoofers, one in each corner situated above a two-box hang, supplement the main boxes with generous low end. “The Danley engineers took the wire frame of the arena and optimized loudspeaker choice and placement in EASE,” explained Klaus. “The experts at Clearwing Productions turned those plans into reality, a process that was expedited by their familiarity with the rigging at the Wells Fargo Arena. Clearwing Productions is frequently contracted to do the staging for events at the Wells Fargo Arena.”

Everyone involved in the project, including Lucas and engineers from Danley Sound Labs, was present for the system commissioning. “The guys from Danley were very thorough,” said Klaus. “For example, they went into the processor and custom tuned the attack, release, and thresholds on the limiter for each box. It was well done.” Only two days after the booms were removed, the school was already sanding the floor to paint on new stripes for the rapidly approaching fall season.

“It’s an impressive system,” summarized Klaus. “Even when the arena is empty and its reverb time is hovering around five seconds, the direct sound coming from above is full and highly intelligible. Then you look up and realize that that big sound is coming from a couple of relatively small boxes. Moreover, the low-frequency extension is impressive, despite the fact that the system only possesses four subwoofers.” The Wells Fargo Arena marks the second largest Danley installation in the Grand Canyon State; further south, the University of Arizona’s football stadium employs four of Danley’s massive Jericho Horns to efficiently and effectively cover 52,000 seats.

Noted Mike Hedden, Danley Sound Labs’ president, “Using the current design trend, many design engineers would have chosen the line array approach. In comparison, the Danley Synergy Horn/Tapped Horn subwoofer solutions yield vastly better pattern control and frequency response in a fraction of the cabinets for substantially less money. Plus, from the time Danley Sound Labs received the order to the product being on the job sight was less than three weeks. Cutting edge technologies, delivered in extremely short time frames, at a very competitive price, these are some of the reasons Danley is enjoying such incredible growth.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.
www.danleysoundlabs.com

ASHLY AUDIO APPOINTS INDUSTRY VETERAN ANTHONY ERRIGO TO NEWLY CREATED DIRECTOR OF MARKETING POSITION

WEBSTER, NEW YORK – OCTOBER 2012: In response to steady growth in domestic and international sales of its uniquely cost-effective, powerful, and reliable signal processors and amplifiers, Ashly Audio has created a new position, Director of Marketing Communications, and appointed industry veteran Anthony Errigo to fill it. Errigo will support the sales team and will oversee all communications, ranging from advertising and social media to web development and creative applications for mobile marketing. In addition, he will serve as Ashly’s brand custodian and will assist with product development.

“Anthony has an established career in advertising, graphic design, and marketing,” said Ashly President, Mark Wentling. “His experience is broad and includes time spent outside the pro audio industry with Verizon Wireless, and, most recently, Harris RF Communications. Anthony and I met years ago when we both worked at Yorkville Sound. To Ashly, he’ll bring his skills and perspectives in modern advertising and promotion of technical products, including web and sales presentations, as well as literature design, and trade shows.”

In his most recent position with Harris RF Communications, Errigo was a senior designer working on marketing campaigns focusing on International Systems business. He was heavily involved with creative development, designing graphics for trade show spaces, and supporting managers with product launches. Projects ranged from strategy and executive presentations to branding and traditional print design. Recently he won design awards with the RAF (Rochester Advertising Federation) and AIGA (a professional association for design) for collateral pieces he designed for Harris.

“As a musician, I’m happy to be returning to the pro audio industry,” said Errigo. “It feels like home because I’m passionate about music and audio. Ashly is one of the few companies that have persevered over 35 years by not forgetting its roots. Ashly is a quality American brand backed by a dedicated group of extremely talented professionals who care about quality and service. I want to help Ashly grow and continue to prosper. It’s probably also worth mentioning that my first real bass amp was an Ashly BP-41 preamp paired with a MOS FET 1000 power amp! So I’ve always been a fan.”

Errigo’s short-term goals are to define market strategies, fine-tune all messaging, develop the new website and digital collateral. His long-term goals are to grow the business and gain significant market share in the commercial signal processing and power amp categories in the next five years.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ZAK DEWEY APPOINTED ENGINEERING MANAGER AT SYMETRIX

SEATTLE, WASHINGTON – OCTOBER 2012: Symetrix announces the promotion of Zak Dewey from Project Coordinator & Test Engineer to Engineering Manager. In his new position, Dewey will report to Symetrix CEO Paul Roberts. He will coordinate company efforts to ensure that the engineering team has all of the resources it needs to research and develop innovative new products while maintaining the high quality and value for which Symetrix is known. It will be Dewey’s responsibility to sustain the rapid pace at which Symetrix introduces market-changing product lines, such as Jupiter app based turnkey digital signal processors, Dante network audio SymNet Edge and Radius digital signal processors, and ARC-WEB smartphone-based user control.

Dewey comes to the new position with over fifteen years of professional audio experience that spans live sound (for both club- and arena-sized shows), sound recording, installed sound, and electronic engineering & servicing. He served as Pro Audio Retail Sales Associate, Installation Specialist, System Technician, Live Sound Engineer, and Speaker Recone Manager at Morgan Sound (Lynnwood, WA). He served as Recording Engineer at Sage Recording Arts (Arlington, WA) and as Electronics Technician at Sunfire Corporation (Snohomish). In addition, he has spent a decade at the helm of his own recording studio and commercial audio installation firm, ZDPro.

“I have a long-standing loyalty to Symetrix as a company and to Symetrix products in the field,” Dewey said. “I have known Dane [Butcher] for a long time, and I am excited to contribute my unique perspective and diversity of talents to the company.” Observed Paul Roberts, “Zak has an obvious passion for audio. With his command of the industry, his breadth of experience, and his natural people skills, I am confident that Zak will help us maintain the momentum we are currently enjoying and spur us to even greater heights.”

ABOUT SYMETRIX Sound professionals rely upon the performance, value and reliability of audio mixing, routing and processing products from Symetrix. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

OSD Audio Introduces A Revolutionary Line of IR Repeater Products

Brea, Calif., OSD Audio, a Southern California-based manufacturer of whole-house audio products, has added an innovative line of IR Repeater Systems that revolutionizes conventional IR technology. A first for the industry and a true technological breakthrough, the IRP Repeater Kits allow users to add IR control of A/V equipment, CATV, IPTV, CCTV, DVR Set Top Boxes and more without the need of a hub or connection block.

In addition to the IRP Repeater Kits, the line includes high quality emitters, blasters, extension cables, and adapters to connect virtually any type of consumer electronics product. “Our new IR line is a game-changer,” notes Tim Leahy, product manager for OSD Audio. “IR repeater systems have been using the same connection technology for decades. Our line gives consumers and installers a plug and play solution that’s easier, more reliable, and more affordable than traditional systems.”

According to Leahy, the line vastly simplifies the installation process and is ideal for A/V, security and home automaton installers who spend hours hiding and installing connection blocks for IR systems. “Existing systems are bulky and sometimes double the price,” says Leahy. “Without a connection block, install time is literally cut in half.”

Elimination of the connection hub is just one of many features OSD Audio is promoting. The unique color and shape of the eye shells allow the IR signal to pass through easier and help deflect sunlight, as well as interference from plasma TVs, that can disrupt operation. In addition, all cables in the line have a durable but flexible outer jacket and are CL-rated for in-wall installation. IRP kits are available with single, dual, and triple emitters that can be easily expanded to control multiple electronics, and emitter extension cables can be added for longer runs without any degradation in the signal. The plug and play IRP Kits and accessories are available now at outdoorspeakerdepot.com.

QSC Q-Sys Offers Acoustic Echo Cancellation as a Standard Feature

Q-Sys CoreCosta Mesa, CA –(October 19, 2012) QSC Audio Products, LLC is pleased to announce that Acoustic Echo Cancellation (AEC) is now available as a standard component of their acclaimed Q-Sys integrated system platform, which has quickly become the preferred choice worldwide for audio system control and signal transport.

Ideally suited for Q-Sys clients that utilize AV conferencing systems in such places as corporate boardrooms, meeting and convention spaces, hospitality installs, and government and legislative venues, the powerful QSC AEC process is easily deployed in Q-Sys Designer software as a simple, draggable component. And unlike AEC offerings from competing manufacturers which must be purchased as costly add-on input cards, the Q-Sys solution is 100% integrated into the Q-Sys Core without any additional cost to the user.

“Because of the powerful Q-Sys DSP processing engines, we have been able to offer Acoustic Echo Cancellation as an integrated feature to serve our customers,” says Joe Peavey, QSC Product Manager, Software. “The tight integration between the Q-Sys processor, DSP, hardware and control software, gives Q-Sys the ability to do AEC on audio signals coming from any number of sources such as mics, remotes, I/O frames and even over IP streams.”

Current Q-Sys customers can enjoy the AEC feature at no charge by upgrading to Q-Sys Designer Release 3.0 or newer. More information on the upgrade, as well as a new Q-Sys AEC whitepaper can be found at: www.qscmarketing.com/aec.

“We are excited to be able to offer AEC to our customers with Q-Sys,” adds Peavey. “And we continually have plans in the QSC pipeline to add more advanced and powerful features to Q-Sys which will benefit our customers. “

Q-Sys, the complete integrated system platform that encompasses everything from the audio input to loudspeakers, provides all the audio routing, processing, control and monitoring necessary for any facility while maintaining the audio quality and reliability QSC has come to be known for. Designed for the rigorous requirements of both small and large-scale venues, the power of Q-Sys has been demonstrated worldwide in a variety of applications, including stadiums and arenas, theme parks, performing arts venues, transportation hubs, corporate boardrooms, convention halls, government facilities, hotels and casinos and houses of worship.

About QSC Audio
QSC Audio Products, LLC is a leading manufacturer of power amplifiers, loudspeakers, digital signal processors, digital sound transport, and network audio for professional audio systems worldwide. qsc.com

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QSC AcousticDesign Loudspeakers Reinforce the Ambience at Atlantic City’s New $2.4 Billion Revel Casino-Resort

Revel CasinoNearly 570 QSC Loudspeakers Deliver Consistent Coverage and High-Quality Audio to Gaming Floor

Atlantic City, NJ (Oct 18, 2012) — Montreal-based Scéno Plus, renowned for its theatre design work in Las Vegas, Canada, and around the world, recently completed a major, multi-venue project at Revel, the new $2.4 billion casino-resort at the north end of Atlantic City’s famed boardwalk. Scéno Plus was the lead designer for all of the entertainment spaces at the Revel, including the Revelry casino floor, where the company designed, specified and optimized nearly 570 QSC Audio Products AcousticDesign Series ceiling- and surface-mount loudspeakers.

Scéno Plus was responsible for the design of two large, multipurpose, transformable venues, several bars and various interconnecting spaces at Revel. The resort, which fronts onto the beach, covers 20 acres and, at 47 stories, is the tallest building in Atlantic City.
In a break with traditional casino design, Revelry’s 130,000-sq.-ft. gaming floor includes windows offering panoramic views of the Atlantic Ocean. As daylight fades, audiovisual, lighting and interior design elements dynamically change the ambiance of what are referred to as “neighborhoods” on the floor as the night’s entertainment begins. “The client wanted to have a high-end theatrical experience on the gaming floor,” explains Simon Léonard, AV Designer, Scéno Plus.
The constant-voltage distributed audio system on the Revelry casino floor includes 274 QSC AcousticDesign AD-CI52ST ceiling speakers, which employ 5.25-inch LF transducer, a 1-inch titanium dome tweeter and a ported enclosure for greater low frequency extension; 170 QSC AcousticDesign AD-S52T two-way surface mount speakers, also incorporating a 5.25-inch woofer and 1-inch neodymium tweeter; and 125 QSC AcousticDesign AD-C81Tw ceiling-mount 8-inch subwoofers, providing additional low-frequency extension.
“The AcousticDesign line was a great choice, because the client really wanted to have fullness and richness of both the high-end and the low-end,” says Léonard. “So we needed a product that could suit that large, broad spectrum, and would also be really comfortable to listen to.”
Despite the significant differences in ceiling height and of finish materials between one neighborhood and the next, the QSC AcousticDesign products were remarkably easy to dial in, according to Léonard. “The voicing of the whole line is very nice. You go from a low ceiling area to an open part of the casino, where AVI/SPL & CALVI worked hard to maintain a certain level of consistency in the trim heights, but the voicing is really similar. You could also get more of the same response between the ceiling and the surface mount versions, which is very nice. We were really astonished at how we could easily, without eq’ing for hours, get the same response everywhere.” He continues, “We were surprised to hear how the AD speakers sounded right out of the box, off-, as well as, on-axis. You can really get something that is consistent throughout the whole coverage area.”
The speaker system on the casino floor also needed to be of high quality, capable of acting as an extension of the sound systems in several of the featured spaces. These include The Social, a two-story, high-energy show-bar in the center of the gaming floor that hosts a variety of events, including musical guests; the Digipit, an area with a raised runway, two raised stages and space for acrobatic and aerial performances; and the Immersive Dome, an overhead, 360-degree digital video projection installation. “There are a couple of features like that on the Revelry floor that the system can take its source from,” says Léonard. “So we put a lot of attention into how we were going to zone the system, just to make sure that we would be able to maintain something that makes sense with the architecture.”
The changing environments and various show elements are preprogrammed and played out through show control automation. “So the floor manager at any time can override the timeline and select something at the catwalk, or later if there’s something happening in the bar and they want to extend the experience onto the floor, they are always able to do so. That’s why we had to provide a sound reinforcement system that would reflect or extend the quality of a live event. It’s more or less an extension of a concert system,” he elaborates.
Scéno Plus collaborated on the Revel project with Claude Ricard and Marc St-Jacques of SF Marketing, the QSC distributor for Canada. “We had the opportunity to do a mock up in their facility, so we could really compare what EASE Address was saying to compare it with the real life installation, or as close as we could get it. Those guys were really a big help,” says Léonard. We were really happy about how it turned out.” More importantly, he comments, “The client is really pleased with the results.”

About QSC Audio
QSC Audio Products, LLC is a leading manufacturer of power amplifiers, loudspeakers, digital signal processors, digital sound transport, and network audio for professional audio systems worldwide. qsc.com

Michael MacDonald Joins ATK Audiotek as President

Michael MacDonald, New President of ATK Audiotek

Valencia, California (September 25, 2012) – Leading audio production company, ATK Audiotek, is proud to welcome Michael MacDonald to take over the duties as President and leadership of the company’s business development, sales and marketing programs, coincident with the retirement of outgoing President Michael Stahl.

MacDonald joins ATK Audiotek with over three decades of experience in the professional audio industry, most recently having served for five years as Vice President of Sales and Marketing at HARMAN Professional. Prior to HARMAN, Michael operated a successful consulting business at Pilot Business Strategies, where he worked with over 30 professional audio clients and trade organizations on product and program development, business planning and marketing and sales, where he built strong relationships with a diverse array of industry stakeholders. MacDonald has held senior roles at other professional audio manufacturers, including as President of JBL Professional and 10-years in various executive positions with Yamaha International.

Michael MacDonald began his career in the audio business in the production industry working as lead audio engineer on a host of major tours and projects including Olympics Opening and Closing Ceremonies, the GRAMMY® Awards and Presidential debates.

“Having Michael MacDonald join the company is a natural extension of the relationships we have enjoyed for over 30 years,” commented Mikael Stewart, Partner and Vice President of Special Events, ATK Audiotek. “We’re very pleased to welcome him onboard and look forward to his ideas and his energy just as we are appreciative of Mike Stahl’s massive contribution to ATK since its foundation!”

Scott Harmala, Partner, CTO and Vice President of Engineering, ATK Audiotek, concurs “Michael not only brings decades of experience and industry contacts but a proven, high energy, creative approach to building new business. We share a considerable history together but also a strong vision for the future potential of the production industry and of ATK Audiotek!”

Michael MacDonald noted, “I am really excited to be moving to ATK Audiotek for the next phase of my career,” add Michael MacDonald on his new role. “ATK Audiotek is a great company that has been a pioneer in the live event industry and has built a solid business by focusing on superb customer service. I am really flattered that Mikael and Scott have given me the chance to join the team as an ATK partner and I also appreciate the support Michael Stahl has provided to make this possible.”

About ATK Audiotek
Founded in 1983, ATK Audiotek is the foremost sound reinforcement provider in the professional audio industry. ATK Audiotek provides unparalleled quality and reliable service to all of its clients. ATK Audiotek’s client roster includes hundreds of television productions, special events, industrial conventions, permanent installations and concert tours. ATK Audiotek has received many awards including four nominations and two wins of the prestigious TEC Award for outstanding technical achievement. For more information please visit http://www.atkcorp.com/about.html

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