A virtual press conference from Sound & Video Contractor

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ASHLY PROCESSING, AMPLIFICATION, AND CONTROL AT ROCHESTER, NEW YORK’S HISTORIC SIBLEY BUILDING

ROCHESTER, NEW YORK – JANUARY 2014: The “new” Sibley Building in downtown Rochester, New York rose out of the ashes of the original Sibley Building, which served as the city’s first department store and burned down in 1906. It has remained an architectural fixture ever since and was admitted to National Register of Historic Places in 1984. The lower levels serve as retail space and help to anchor Rochester’s current downtown revitalization. Its public areas recently benefited from a sound system overhaul that centered on processing, amplification, and control provided by commercial audio manufacturer Ashly Audio of nearby Webster, New York.

“Although it had been fine when it went in, the old sound system was twenty years old,” said Alan Clayton, sales representative with the local integration firm, The Presentation Source, that designed and installed the new system. “The owners wanted to add some outdoor loudspeakers to the entrances, and they wanted to be able to play different music sources at different entrances. The old system had zero multi-zone support.” The different music sources will be used to affect some innocuous crowd control: some exciting music at the sidewalk entrances to draw in passers by and some not-so-exciting music near a different entrance to discourage loitering.

A new Ashly ne24.24M modular matrix processor outfitted with four inputs and twelve outputs forms the heart of the new system, and an Ashly neWR-5 networked remote control provides relevant user controls. “The neWR-5 is a great way to give the client just the right amount of control,” said Clayton. “It’s a fine line. I want to allow them to do everything they want to do, but not allow them to get into trouble. The neWR-5 lets me hone in on just the right amount.” To power the existing indoor loudspeakers as well as the new One Systems outdoor loudspeakers, Clayton installed an eight-channel, two-rack space Ashly ne8250.70 amplifier.

“A lot of things go into choosing this kind of equipment, not the least of which is the inclusion of local manufacturers when possible,” said Clayton. “That’s especially significant given the historic nature of the Sibley Building. Just as important is our previous experience with Ashly equipment and Ashly support. Both are excellent. The equipment sounds great, holds up reliably, and the people at Ashly are very easy to work with.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

Symetrix SymNet Edge Deployed at Atlanta’s Stone Mountain Park

ATLANTA, GEORGIA – JANUARY 2014: On a clear day, you can see downtown Atlanta from Georgia’s Stone Mountain Park, and crowds flock there from the city and the surrounding states to enjoy the park’s awe-inspiring geology and nature. In addition to a massive laser, fireworks, pyrotechnics, and projection show that has operated on summer evenings since 1983 and is almost synonymous with Stone Mountain Park, the park’s attractions include the mountain itself, camping, a cable car to the summit, a collection of historic plantation buildings, Geyser Towers playground, the Sky Hike family ropes adventure course, a children’s activity area, and Crossroads Base Camp, a town with restaurants, retail stores, a movie theater, mini-golf, and craft stores. With so much going on, the owners hired Atlanta-based Full Spectrum to begin deploying a Symetrix SymNet Edge Dante networked audio DSP system that will grow and eventually expand to cover all of the park’s attractions via an inexpensive CAT5 network.

“The owners built Crossroads about a decade ago, and the original sound system did a passable job of supplying background music,” explained Paul Creasy, partner at Full Spectrum. “But as the development grew and several of the establishments set their sights on more and different events, the constraints of the original system became apparent. The upshot was that they needed something that was completely flexible. Moreover, the owners wanted to expand system coverage to several of the other attractions, but they didn’t want to have to start from scratch every time they expanded. The Symetrix SymNet Edge DSP system offered the perfect solution. Each Edge frame has modular I/O, and its open architecture programming allows us to customize system features and performance. The fact that the Edge DSP system networks via Dante will allow us to easily expand across the park.” Currently, eight SymNet Edge frames populate Crossroads, each in a different building.

“We do niche A/V,” said Creasy. “You can’t call up a preset for a place like Stone Mountain Park. I appreciate the flexibility and intuitive layout of SymNet Composer open architecture software. It’s easy to work with, even with a complex system like this one. Moreover, any time I have a question, Symetrix’ tech support is available and ready with an answer.” Within the next year, Full Spectrum plans to expand the sound reinforcement system via Dante and additional remote Edge DSP units to incorporate the Plantation, the Sky Ride cable car complex, and, perhaps most exciting, Stone Mountain’s famous laser show!

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

IC Realtime Embraces UL’s 2802 Performance Testing Standard for Camera Image Quality

IC Realtime CEO Matt Sailor is enthusiastic about UL's new testing standard

IC Realtime CEO Matt Sailor believes a standard is crucial to keeping manufacturer’s spec claims honest

Pompano Beach, FL – January 17, 2014 – IC Realtime, a global leader in the design and manufacture of advanced visual surveillance solutions for the residential, commercial, military and government sectors, embraces UL’s 2802 Performance Testing Standard for Camera Image Quality.

In the works for more than two years — and released last September — the new standard defines a method to assess video image quality through a series of performance based tests that are conducted on production digital cameras.

Cameras are rated (on a scale of 0 thru 100) on the following parameters: image resolution; distortion; relative illumination; dynamic range; maximum frame rate; gray level; sensitivity; bad pixel count and veiling glare.

”A standard for testing camera performance is crucial in keeping everyone’s claims honest,” says
IC Realtime CEO Matt Sailor, adding “For years IC Realtime’s test labs have been evaluating competitor’s cameras and the amount of deception that we’ve witnessed would blow your mind! I mean cameras that come no where even close to what manufacturer’s state as specifications. It’s truly unfair to the end-user and in the end the integrator’s reputation is put in jeopardy.”

Sailor cautions manufacturers “If you want to compete in my marketplace you’d better follow through and have UL certify your camera’s performance.”

To help create the UL 2802 standard, IC Realtime worked closely with UL, including submitting its B-2000 2-MegaPixel IP Bullet camera to use as part of the testing development process. According to UL, the camera achieved high scores on many of the performance tests, with a certification and the results expected to be published shortly.

For more information on IC Realtime’s products, please contact IC Realtime at 954.772.5327.

For all IC Realtime media inquiries, contact Paul Muto at paul@mutocomm.com or phone 631.849.4301.

About IC Realtime
IC Realtime is a global leader in the design and manufacture of advanced visual surveillance solutions. The company is founded by experts with a combined 35 years of experience in the development, marketing, sales, installation and support of security and alarm equipment. The company offers a wide variety of analog and IP cameras, DVRs, NVRs, software Apps and accessories. www.icrealtime.com.

LSU ROARS WITH DANLEY!

BATON ROUGE, LOUISIANA – JANUARY 2014: The Louisiana State University Tigers football team plays all of its home games at Tiger Stadium on the school’s Baton Rouge campus. Nicknamed “Death Valley,” the stadium’s deafening roar of 92,500 Tigers fans is notorious for scrambling the communications and sapping the confidence of the Tigers’ unlucky opponents. Indeed, the NCAA ranked Tiger Stadium as the loudest stadium in college football, noting as an example that fans’ euphoric response to a last-minute LSU touchdown in 1988 measured as a minor earthquake on the campus seismograph! Despite this, Tiger Stadium persisted until recently with an underpowered sound reinforcement system that one list-serve commenter likened unfavorably to a car radio. No more. With a beefy Danley Sound Labs sound reinforcement system that includes eighteen Jericho Horns and six “Rock Monster” subwoofers, Tiger Stadium’s music playback system is now positioned to whip LSU fans to even greater fervor.

“The old system was expressly designed for public address, not music playback,” explained Larry Lucas, director of audio engineering for Anthony James Partners (Richmond, Virginia) and the person responsible for designing LSU’s new sound reinforcement system. “Given the game-day experience demanded from fans these days, a serious upgrade was a necessity. The point-source system that we designed flanks the LED screen on the north end of the stadium and throws eight-hundred feet across to the south end zone seating. With the Danley Jericho Horns, we were able to throw 8kHz that full distance with program material that measured 105dBA. That’s an unprecedented technical leap!” Baker Audio of Norcross, Georgia installed the system.

Fourteen Danley J3-64 full-range Jericho Horns comprise the bulk of the new system, while four Danley J4-31 high-frequency Jericho Horns contribute to the system’s amazing high-end throw. Six Danley TH-812 “Rock Monster” subwoofers fill out the bottom of the system with thunderous low end. Four Danley SH-96s, four Danley SH-64s, four Danley SM-80s, and twenty Danley SH-MINIs provide fill for areas not directly covered by the Jericho Horns. A 32-channel Yamaha LS9 provides a familiar front end, while a QSC Q-Sys processing system feeds twenty-four Lab.gruppen PLM 10000Q and 20000Q amplifiers behind the scenes.

Mike Hedden, co-founder and president of Danley Sound Labs commented. “We measured the frequency response of the completed system at hundreds of positions around the stadium and the system is remarkably consistent with solid bass down into the mid 20Hz region and top end extending into the 10kHz range even at seats eight-hundred feet away. This is unprecedented performance in a venue this size and could only be achieved within the limitations of the scoreboard using Danley’s unique technologies.”

The north end scoreboard sits over eighty feet from ground level, and each loudspeaker and subwoofer had to be lifted individually by crane to that height. Then the Baker Audio rigging crew set up a beam trolley system with rigging motors to lift each set into position, to secure final rigging hardware, and to lock in the angles and aiming points. Because Tiger Stadium is in a hurricane zone, everything had to be slightly over-engineered to make sure that the rigging tolerances would hold up to hurricane force winds.

“There are always questions about how a system’s real life performance will compare to the acoustical models we work with in the design process,” commented Chris Moore, senior project manager with Baker Audio. “Given the throw distances at Tiger Stadium, a few degrees in coverage pattern or small variables in the overall acoustic performance could have been very time consuming to correct in the field. No one wants to do a redesign in the field, especially given the rigging elements that we had to use on this job. Thankfully, the Danley speakers performed exactly as the design models predicted they would, so we did not have to change any rigging angles or aiming points once we had the speakers hanging in the air. That made the installation process fast and efficient. It’s always a good day when everything performs as planned.”

“The Danley J3-64 Jericho Horns, together with the additional Danley fill speakers, combined to provide uniform coverage throughout the stadium, including the far upper end zone seating,” said Doug Stancil, senior engineer with Baker Audio. “The coverage was complicated by Tiger Stadium’s extended sideline seating, which reaches up to 175 feet at its highest point. The Danley system covers all of those seats very well. I was also impressed by the performance of the Danley TH-812 subs in the far field. Although I have been in stadiums where the low end starts to fall off at the fifty-yard line, this is definitely not the case at Louisiana State University. Fans will feel the full impact of the ‘Tiger Roar’ wherever they sit!”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

GREG SUCHOMEL JOINS SYMETRIX TEAM AS TECHNICAL SALES ENGINEER

SEATTLE, WASHINGTON – JANUARY 2014: Symetrix – a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories – announces experienced A/V engineer Greg Suchomel has joined the team as a Field Technical Sales Engineer. Based in New Jersey, Suchomel will promote Symetrix products in the East and Northeast regions in North America by delivering technical certification and specialization training to Symetrix partners and supporting Symetrix partner eco-system with both remote and on-site design and installation help.

“We are excited to welcome Greg to our growing Symetrix sales and support team,” said Craig Richardson, vice president of global sales. “He has over twenty years of real-world A/V experience and a broad background in conferencing and audio system design and installation. His expertise will be a key component in our strategy to increase focus and technical coverage for our partners in the East and Northeast.”

“Symetrix has a great history in the industry with current and future forward-thinking products and solutions and is focused on making life sound better, a philosophy that very much appeals to me,” said Suchomel. “Audio is a critical piece of the puzzle and I’m looking forward to helping Symetrix build the best solutions possible.”

Symetrix designs and sells DSP equipment for managing audio in a broad range of commercial applications used by large and small businesses, retail establishments, houses of worship, hotels, restaurants, sport venues, schools, and more. Symetrix DSP expertise and software design tools are the preferred solution for thousands of unique applications in venues worldwide. As an acknowledged provider of best in class DSP management products, Symetrix is dedicated to making life sound better.

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

WyreStorm Joins the D-Tools Manufacturer Vantage Point (MVP) Program

WyreStorm’s HD audio and video distribution and control solutions’ product information to be made available to users of D-Tools’ System Integrator software to aid the estimation, design and implementation of low voltage electronic systems for residential and commercial applications

CONCORD, CA – January 14, 2014 — D-Tools Inc., the worldwide leader in system integration software, today announced that WyreStorm, a global manufacturer of innovative HD audio and video distribution products, has joined the D-Tools Manufacturer Vantage Point (MVP) program, making it easier for users of D-Tools’ award-winning System Integrator software to specify WyreStorm products for their client engagements.

“We look forward to working with D-Tools to make our product specifications available to an outstanding group of systems integrators,” said Derek Hulbert, WyreStorm CEO. “We believe that our participation in the MVP Program solidifies our commitment to helping our existing dealers become more successful by making it easier to spec our products and to do business with WyreStorm, as well helping us to further expand our reach within the greater integrator community.”

The D-Tools Manufacturer Vantage Point (MVP) program provides systems designers, specifiers, integrators and installers the most up-to-date and detailed product information available, in a format that can be utilized in a cross-functional capacity for maximum workflow efficiency. In fact, MVP members help companies streamline the design process by making it easier for them to provide accurate, professional proposals to their clients by using the D-Tools System Integrator platform.

“We are pleased to name WyreStorm as our newest MVP partner,” said Adam Stone, President and CEO of D-Tools. “The a/v distribution market is experiencing explosive growth and providing our users with access to WyreStorm’s library of HDMI and HDBaseT solutions gives them high quality, versatile options for both residential and commercial projects.”

Those interested in learning more about the D-Tools MVP Program, D-Tools Systems Integrator, or the many benefits that can be derived from utilizing a streamlined system design, proposal and estimation software platform are encouraged to visit www.d-tools.com, email mvp@d-tools.com, or call 1-866-386-6571 ext. 1 for more information.

About WyreStorm Technologies, LLC
WyreStorm is a worldwide manufacturer of digital high-definition distribution technology. WyreStorm specializes in the design and development of innovative technology solutions for residential and commercial applications, proudly offering customers around the globe the highest quality and reliability in its wide range of products. WyreStorm award-winning products include HDMI & HDBT extenders, the first HDBaseT audio amplifier, configurable matrix switchers, splitters, converters and basic control. WyreStorm products are manufactured to ISO9001 standards. For more information on WyreStorm visit www.wyrestorm.com.

About D-Tools, Inc.
D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software. The company’s flagship product, System Integrator™ (SI), is a total design solution that utilizes Autodesk® AutoCAD and Microsoft® Visio for comprehensive system design, documentation and project management. D-Tools SI allows residential and commercial integrators to streamline their business processes to increase overall revenues while reducing the time and costs associated with the installation and integration of low-voltage systems. In fact, over 4,400 leading companies use D-Tools software to reduce time, costs and to streamline the system integration process. D-Tools is a three-time recipient of the Consumer Electronics Association Mark of Excellence Award, Commercial Integrator BEST Award (2011, 2013), multiple recipient of Custom Retailer/Technology Integrator Excite Award (2007, 2008, 2009, 2010, 2011, 2012, 2013), National Systems Contractors Association Multi-Room Audio Video Awards for Best Installation Aid, Sound and Video Contractor Innovations in Technology for Business Productivity Award, CE Pro High Impact Award for Design Software, and CE Pro BEST Award for Software Applications (2013).

More information can be obtained by calling (866) 386-6571, e-mailing info@d-tools.com, or visiting D-Tools online at www.d-tools.com. Follow D-Tools on Twitter at www.twitter.com/DTools and on Facebook at www.facebook.com/beatool.

Press Contacts:
Tim Bigoness, D-Tools, Inc., (925) 270-4102, timb@d-tools.com
Katye (McGregor) Bennett, KMB Communications, (425) 328-8640, katye@kmbcomm.com
Katie Sylvia, WyreStorm Technologies, (857) 753-3329, katie@wyrestorm.com

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DANLEY JERICHO HORNS THROW 600 FEET AT BOISE STATE UNIVERSITY

BOISE, IDAHO – JANUARY 2014: Boise State University is justifiably proud of its Broncos football team, which has only lost four games at home since 1999. In ninety-one other contests, the visitors left Bronco Stadium’s famously blue field in defeat. As the program gained regional and national notoriety, Bronco Stadium grew from 14,500 seats to its current 36,000, but the stadium’s original sound reinforcement system failed to grow with it. When a local beef producer promised money to update the stadium’s similarly outdated scoreboard, the university scrambled to match money so that it could leap forward with a cutting-edge video board and sound reinforcement system. Although the timing was far from ideal, local A/V integration firm Production Services International complemented the scoreboard expertise of Daktronics (Brookings, South Dakota) by designing, installing, and commissioning the new sound reinforcement system in just six short weeks. Danley Sound Labs delivered its high-SPL, high-fidelity, USA-built Jericho Horn loudspeakers, BC subwoofers, and OS-80 weatherproof loudspeakers to meet that tight deadline, and the results are, by all accounts, fantastic.

“The original system was designed for a much smaller stadium, and it was pretty much designed for speech only,” explained Brian Kohagen, the sales and audio engineer with PSI who designed the new sound reinforcement system and oversaw its installation and commissioning. “The Boise State University marketing department was forever asking for a high-energy, full-range sound system that could really pump up the crowd.” Kohagen drew up his original value-engineered design with a different loudspeaker manufacturer, but the 120-day timeline placed some serious challenges in the way. “It all came together so fast, it was hard to find any manufacturer that could deliver,” he said. “I had heard a Danley system at Brigham Young University, so I knew that Danley’s growing reputation for high-SPL, high-fidelity stadium sound systems was well-founded. I spoke with [Danley President] Mike [Hedden], and he assured me that their US-based manufacturing plant could deliver.” And they did.

He continued, “The real challenge at Bronco Stadium is throwing sound from the scoreboard clear across the field and past the other end zone to the opposite seating two-hundred yards away. There is no place for a real distributed system to exist, as there is no roof system at Bronco Stadium. It has to be an end fired single source.” Four Danley J3-64 Jericho Horns, two on each side of the new Daktronics scoreboard, provide the lion’s share of the coverage. Their exceptional pattern control keeps the sonic energy on the fans and prevents it from spilling outside of the stadium – an important achievement given neighbors’ frequent complaints about the old system’s pattern-free leakage. Four Danley OS-80 weatherproof Synergy Horn loudspeakers provide fill for the seating area directly below and in front of the new scoreboard where the Jericho Horns overshoot. “We easily met all of our coverage and SPL requirements,” said Kohagen. “All of the Danley full-range boxes have tremendous clarity, and we were fortunate not to have to rig any fly system. The catwalk in front of the scoreboard gave us perfect aim. All we had to do was make some adjustments left and right and then lock them in place.”

For low end, Hedden recommended a pair of Danley’s new BC-415 subwoofers, which are designed to provide exceptional bass response and exceptional directivity, especially when two units are coupled. Kohagen used them that way, placing both subwoofers just above a pair of the J3-64s. “Wow, does that bottom end throw!” exclaimed Kohagen. “It’s amazing! I can sit two-hundred yards away on the stands behind the opposite end zone, and the bass still shakes the structure. It’s completely full range and sounds fantastic. Everybody that we’ve talked to has been extremely happy with it.”

Kohagen was pleased with his first-time experience working with the people at Danley Sound Labs. “Mike [Hedden] helped me out with the preliminary design,” he said. “In the weeks running up to the installation, I was completely in the loop regarding the manufacturing and shipping schedules. When it came time to commission the system, [Danley Application Engineer] Chad [Edwardson] flew out to help me voice the system. He was extremely knowledgeable and we finished the job in just one day. There were a few challenges as well, and Danley was right on top of them. One of the subwoofer drivers had glue that had not set properly, which I discovered during testing at the shop. I was on the phone with [Danley Chief Engineer] Ivan [Beaver] Sunday before the first game, and we had the replacement on Tuesday.

The most memorable moment was during the system commissioning, when we powered up the subwoofers to see what they could do. “The video board installers had been working all day and prevented a full system test up to this point, so we hadn’t heard the system at full volume,” relates Kohagen, “At 4pm we got the all clear that they were off the structure, and we lit up the low end. About sixty seconds later my phone was ringing, the head football coach was asking how long this was going to take. It turns out, his office is directly below the scoreboard, and the low end coming off the BC 415s was shaking the wall and items on his shelf. One picture actually fell off the wall.” At that point, I knew we had a kickin’ system in place, and the response from the football fans have been nothing but positive.

ABOUT DANLEY SOUND LABS
Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

ASHLY AUDIO’S NETWORK MATRIX PROCESSOR AND AMP SIMPLIFY USER CONTROL DURING STRESSFUL TIMES AT MICHIGAN FUNERAL HOMES

ROYAL OAKS, MICHIGAN: A.J. Desmond & Sons Funeral Directors have been serving families in suburban Detroit, Michigan for nearly a century. The family-owned business has maintained a commitment to serving the bereaved and the community as a whole through counseling, grief recovery groups, and other educational programs, earning A.J. Desmond & Sons Funeral Directors multiple Pursuit of Excellence awards from the National Funeral Directors Association and induction into the association’s Hall of Excellence. This is not a firm that operates by half measures, and so the small frustrations that accumulated from their sound system at the Royal Oaks location motivated them to hire Abel Electronics of St. Clair Shores, Michigan to build a state-of-the-art sound reinforcement system with intuitive operator controls. Now, an Ashly Audio ne24.24M matrix processor, a ne4250.70 multi-channel amplifier, and (critically) three WR-5 programmable remote controls give the funeral home robust, easy-to-use sound reinforcement.

“They used to have to go into the equipment closet to select input sources or change the gain for music or microphone inputs,” explained Mark Monarch, owner of Abel Electronics. “Different people would be in there, and none of them were necessarily technically inclined. It was easy for the gain structure to get messed up.” With an improper gain structure, of course, the sound quality wasn’t commensurate with the caliber of service that Desmond is known for. In addition, the sound system was old and ready for replacement. With Ashly’s modern user control solutions, Abel Electronics could robustly and inexpensively supply each of the home’s three visitation rooms with its own customized control.

At its heart, the new system consists of an Ashly ne24.24M processor outfitted with eight inputs and four outputs paired with a four-channel Ashly ne4250.70 amplifier. The amplifier delivers 250W per channel to new 70-volt SoundTube in-ceiling loudspeakers. In addition, a Marantz USB recorder allows loved ones to record a funeral service. Four new AudioTechnica wireless microphones (two handheld and two lavalier) join two existing CD players and two auxiliary inputs (suitable for iPods and the like) on the input side. Perhaps the most important improvement from the user’s perspective is the addition of three Ashly WR-5 programmable remote controls – one for each sub-dividable space. Monarch programmed them to allow appropriate selection of inputs, input volumes, and output volumes. In addition, they allow simple room combining functionality.

“We love working with Ashly equipment,” said Monarch. “It’s easy to use, easy to program, and we have zero problems with it. We have no customer call backs on account of Ashly gear. Once it’s set, it’s set, and the sound quality is excellent. Desmond loves the new user control because no one has to go into the equipment closet anymore. The closet is now under lock and key! They understand the WR-5 and are happy to have all of the relevant controls so accessible.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

Symetrix Zone Mix 761 and ARC-WEB Add Functionality, Sound Quality and Smartphone Control to Hampton’s Upscale Dockers Waterside

LONG ISLAND, NEW YORK: Although it is one of the premier dining and entertainment establishments in the upscale resort villages of the Hamptons, Dockers Waterside went without a fully-integrated professional sound system until only recently. The attractions that draw vacationers, weekenders, and residents to Dockers Waterside include regular live music, two outdoor “living rooms,” three bars, scores of tables that overlook the bay, and, of course, five-star cuisine. Taylor Sound of Holtsville, New York dramatically improved the sound system with a cost-effective and comprehensive Symetrix Zone Mix 761 fixed-architecture processor and the owner and management are enjoying convenient control from their smartphones via Symetrix ARC-WEB.

“Dockers Waterside previously had some amplifiers and music-store-grade analog and digital processors,” explained Bill Taylor, owner of Taylor Sound. “Some of the components had gone bad, but the real motivation for upgrading the system was the owner’s inability to manage the inconsistent levels coming out of his music players. His solution was to try to compress the signal so as to achieve uniform output, but the compression sucked the life out of the music and killed the low end. It just didn’t sound good.” The automatic gain control (AGC) in the Symetrix Zone Mix 761, together with the rest of its processing power, produced vastly better results.

Inputs to the 12-input Zone Mix 761 include an iPod, a Sonos music player system, output from the live music system, and a wireless microphone for parties and other events. Taylor used all six of its outputs to feed six separate zones in Dockers Waterside via three new Crown XLS 1000 amplifiers and the existing loudspeakers. Additional improvements include a collection of AudioTechnica paddle antennas that provide coverage for the wireless microphone throughout the establishment. The owner and management select zone inputs and adjust volumes via Symetrix ARC-WEB, which they access from their smartphones. Staff can also make necessary changes using a hardwired Symetrix ARC-2e wall-mounted, menu-driven remote located near the main bar.

“We got the system up and dialed in very quickly,” said Taylor. “We were able to give Dockers so much more functionality than it had previously. Symetrix’ AGC algorithm is great, and the owner is very pleased with the quality and consistency of the sound now. Being able to hand him ARC-WEB put the installation over the edge. He loves having that kind of convenient, cutting-edge control!”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

DANLEY SOUND LABS SH-50s AT THE COUNTRY’S LARGEST CHURCH – LIFECHURCH.TV

JENKS, OKLAHOMA: With weekly attendance topping 46,000, LifeChurch.tv is, by many counts, the largest church in the country. It has eighteen physical campuses stretching from New York to Florida and back to its headquarters in Oklahoma. As one might guess from its embrace of the “.tv” suffix, LifeChurch.tv also has a vibrant online presence, including a weekly online service and a virtual church in the online virtual world – Second Life. Its Jenks, Oklahoma location recently opened its doors and welcomed new members (or in LifeChurch.tv’s parlance, “partners”) to a progressive church experience anchored by a dynamic live band. As in many of the more recent LifeChurch.tv locations, stereo clusters of Danley Sound Labs SH-50 full-range loudspeakers deliver the full impact of the band and convey spoken word and video playback with crystalline intelligibility.

Summit Integrated Systems of Lafayette, Colorado began working with LifeChurch.tv six years ago and has designed and installed the A/V systems at most of the campus locations. “The fact that LifeChurch.tv continues to build new campuses has given us the opportunity to critique and grow with each design/build project,” explained Shane Beeson, church relationship manager and director of sales and Marketing at Summit Integrated Systems. “After every project, we meet with the LifeChurch.tv technical staff to evaluate the systems and discuss what we can improve upon. Danley Sound Lab products have been a part of Summit’s product line since Danley launched in 2005, and Danley became a part of the LifeChurch.tv conversation five years ago. We were exploring ways to improve the audio quality of their multi-site campuses while still being mindful of budget and to meet their request for a stereo system using point-source boxes.”

Although LifeChurch.tv requests stereo coverage of the worship auditorium at most sites, it also typically compromises on the architecture such that the ceiling height is lower than would be optimal. “Like every church, LifeChurch.tv operates within a budget,” said Beeson. “The ceiling height makes it challenging to get the right coverage and impact. Moreover, acoustic treatment is usually the minimum needed to get the space up and running. That was the case at Jenks, so we designed two 3-box clusters of Danley SH-50s. The supreme pattern control and smooth phase response of the Danley SH-50 gave us the control we needed for excellent coverage of the seats and minimal coverage of the walls. Danley’s innovative solution allowed us to increase performance and offset budget challenges by using a loudspeaker product with maximum pattern control to keep the sound in the seating areas without overexciting the room reflections.” In addition, Beeson noted that because the Danley SH-50 is passive, it required a minimum number of processor and amplifier channels, which helped the project stay on budget.

The Jenks system begins with a Yamaha CL5 paired with RIO stage boxes, which act as a digital snake and patch bay to collect inputs from the stage. The output from the CL5 feeds a Biamp Audia Flex, which handles loudspeaker management and processing. Lab.gruppen C-Series amplifiers power the system. Mounted at the seventeen-foot ceiling, three close-packed Danley SH-50s per side provide the main stereo coverage for the room with forty feet between them. Four subs provide low-frequency extension from below the stage. Six Danley SH-Mini loudspeakers complete the system by providing side-fill at the edge of each cluster and front-fill from the edge of a portable stage when needed.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

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