A virtual press conference from Sound & Video Contractor

Archive of the CEDIA Newslink Category

NEW DANLEY DIRECT FREE MODELING SOFTWARE DELIVERS SPEED, CROSS-PLATFORM PERFORMANCE, SOLID MATH, AND THIRD-PARTY MEASURED DATA

GAINESVILLE, GEORGIA – JULY 2014: Danley Sound Labs, maker of innovative loudspeakers and subwoofers that cleverly sidestep the trade-offs and constraints inherent in conventional designs, has applied that same “outside of the box” thinking to its latest loudspeaker and subwoofer installation design software. Named Danley Direct and available for free from danleysoundlabs.com, the new platform models the direct sound path from user-defined designs involving Danley products in three-dimensional spaces (which can be conveniently imported or modeled via SketchUp). Co-designed by renowned acoustician Doug Jones and Sebastian Rivas Godoy, Danley Direct is notable for its transparent cross-platform performance (Mac or PC), multiple-window flexibility, and tremendous speed. Like everything Danley Sound Labs puts its name on, Danley Direct is built on solid math and third-party measured loudspeaker and subwoofer data.

Danley Direct is heir to the capabilities of Danley’s DDT modeling software, which was one of the only loudspeaker modeling software programs to include subwoofer (i.e. < 100Hz) output. "When we were asked by Mike Hedden, Danley president, to update DDT, Sebastian and I realized that it had fully matured," said Jones. "It would become unwieldy if we tried to build more capability on top of its existing structure. So we decided to start from scratch. We recognized that our new software had to be fast, and it had to let the user create his or her own work environment. It needed a powerful graphics engine that could keep pace with a quick-thinking designer."

Jones and Godoy succeeded. Not only will Danley Direct operate on a Mac or PC with interchangeable files, it will do so with a fluidity that encourages exploration and creativity. The software supports multiple-window operation, and rendered objects can be rotated and otherwise manipulated without requiring re-rendering. "No other loudspeaker modeling software can do that," stated Hedden. Jones added, "With that kind of speed and transparency, Danley Direct is not going to waste anybody's time." Because it uses the ubiquitous SketchUp as its drawing environment, it's easy to create spaces either from scratch or by importing the numerous file types that SketchUp accepts (e.g. .dxf, AutoCAD). Of course, Danley Direct can import Danley DDT files, and, like DDT, Direct training will count toward CTS continuing education credits.

Although not nearly as flashy as its smooth graphics engine or its transparent workflow, Danley Direct's underlying mathematics and the Danley product data that feed into it are honest and correct. That, of course, is of the utmost importance. "Danley has always supported third-party independent measurements," said Jones. "The model you build in Danley Direct will be as close to the reality of the subsequent installation as any reasonable person could expect. This software is not designed to sell Danley products; it is designed to properly model them so that our users will have successful projects. And that is what will sell Danley products."

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Triad Speakers, Inc. Adds InRoom and OnWall Bronze SlimSubs to Lineup

Built upon the critically-acclaimed InWall Bronze 4/SlimSub with integrated long-throw 10-inch aluminum driver and powered by the RackAmp 350 DSP, each Bronze SlimSub delivers the same exceptional power and deep bass from its remarkably compact enclosure. The net result is a series of subwoofers that fit virtually any application, room or location.

Portland, OR – July 7, 2014 – Custom, made-in-the-USA loudspeaker manufacturer Triad Speakers, Inc. today announced the addition of both an InRoom and OnWall Bronze SlimSub. Built upon the performance merits of the popular InWall Bronze/4 SlimSub, the new models create a Bronze SlimSub Series that consists of 3 models in total. Each Bronze SlimSub is paired with Triad’s 350-watt outboard amplifier (RackAmp 350 DSP) at an MSRP of $1,500 per package.

InRoom Bronze SlimSub
“Taking up little to no floor space, the InRoom Bronze SlimSub is really 2 subs in one!” exclaims Triad Speakers Marketing Director Paul Teixeira. “Standing upright, this compact powerhouse looks smart, and at just 4.3-inches deep, it takes up almost no floor space. When laid down (requiring just 5.1-inches of height clearance) it becomes a down-firing subwoofer that can be hidden under furniture. Visible or hidden, you get the same great bass.”

OnWall Bronze SlimSub
The OnWall Bronze SlimSub is Triad’s first on-wall subwoofer solution. Measuring merely 4.4-inches from the wall and available in custom colors, the OnWall Bronze SlimSub is a perfect solution for many ultra-flat TVs using soundbars. “And, by way of Triad’s EZ Mount Brackets, the subwoofer is quick-and-easy to mount on any wall,” adds Teixeira.

Triad's Bronze SlimSub Family: In-room, on-wall and in-wall designs to meet any application.

Each of the Triad SlimSubs utilizes a proprietary long-throw 10-inch aluminum driver. All provide deep bass at high volumes – achieving a maximum output of 108 dB from 40-80 Hz with a bass extension of -3dB at 28 Hz. “When ordered in multiples, the SlimSub makes it easy to achieve deep, powerful and accurate bass over large listening areas,” adds Teixeira.

Each SlimSub enclosure carries a 10-year limited warranty. The new SlimSubs are shipping now. For more information visit www.triadspeakers.com or call Triad Speakers toll-free at 1.800.666.6316.

For all Triad press inquiries please email paul@mutocomm.com or call 631.849.4301.

About Triad Speakers
Established in 1982 by President Larry Pexton (a founding member and Chairman of CEDIA), Triad Speakers, Inc. is a steadily growing provider of complete loudspeaker solutions for multi-room residential and home theater system applications. A top choice by many custom integrators nationwide, Triad has made significant advancements in the arena of front-channel speakers, surrounds, subwoofers, distributed audio speakers via enclosed in-wall, in-ceiling, on-wall and freestanding designs. Over 80% of Triad’s products are manufactured daily in Portland Oregon, in a pure build to order operation with no work in progress and no finished goods inventory of the US built products. In the 2006 – 2010 Inside Track Supplier Loyalty Tests, Triad ranked #1 in the category of Custom Installation Company. Visit us on the web at: www.triadspeakers.com and www.facebook.com/triadspeakersfans

SCOTT PETITO PRODUCTIONS ADDS A 1608 CONSOLE “THE BEST PIECE OF GEAR FROM API”

WOODSTOCK, NEW YORK – JULY 2014: Musician, audio engineer, and studio owner Scott Petito has roots in the jazz and acoustic genres that go back to the early 1980s. His studio, Scott Petito Productions, has worked with major acts including James Taylor, Keith Richards, Pete Seeger, Bela Fleck, and Brian Setzer. In an effort to return to his roots in analog recording, Scott consulted Alto Music in Middletown, New York, who directed him toward an API 1608.

“It’s the best piece of gear I have ever used from API,” said Scott. “I have mixed on the Vision and Legacy consoles, as well as several vintage consoles. This has that same sound, but in a compact, simple and reasonable affordable design. It’s new, reliable, and has a great warranty.” The console has 24 channel inputs and 32 slots, providing over 48 reruns from Pro Tools. “It quickly became clear that it’s the only choice for uncompromising analog sound, and a familiar character and layout.”

With a degree from Berklee College of Music and countless hours in the studio, the sound generated by the 1608 is held to a high standard by Scott. “I already can feel and hear the added depth and dimensionality. It makes it easier to get what I want, I use fewer plug-ins, and being a smaller footprint the short signal path is always pristine and clear. It also has great headroom.”

Also among his favorite features and functions, Scott appreciates the Channel Strip and lunchbox implementation. “It lets me keep a lot of flavors on hand. The routing is wonderful. We have everything coming up on the patchbay.”

Scott and his crew wasted no time in getting to know the capabilities of the 1608. “The first session even before everything was wired to the patchbay or furniture was installed, we recorded a new album with Tony Levin, the bassist for Peter Gabriel and King Crimson among others. It’s turning out great! We are now mixing it.”

Next, the new 1608 will be used to mix the new album from Mercury Rev, whose fourth studio album Deserters Song was voted as one of the top twenty most influential albums of the last twenty years by Mojo Magazine. Scott will also use the new console to mix a new album of his own.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

SWEDEN’S UNIVERSITY OF ÖREBRO INSTALLS AN API 1608

ÖREBRO, SWEDEN: With 17,000 students, the University of Örebro is one of the fastest growing universities in Sweden. Its school of music, theatre and art provides the growing student body with an array of course subjects, including recording music technology. In its quest to prepare students for moving on to a modern recording studio, the university has commissioned an API 1608 console.

Situated in the heart of Sweden, the university’s proximity to Stockholm, Gothenburg and Oslo offer students a wide range of cities to seek employment after graduation. It is a young, modern and rapidly growing university with an ambitious agenda for the future. The university also offers courses in English and a foreign exchange program, attracting students from across the globe.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

FIREHOUSE 12 UPGRADES TO AN API LEGACY PLUS CONSOLE

NEW HAVEN, CONNECTICUT: Firehouse 12, a recording studio, live music venue, and record label, located in New Haven, Connecticut, recently commissioned a 32-channel Legacy Plus console. The 24-bus, 12 aux, dual-input console replaces the API Legacy that had previously been installed.

In April, a team of API engineers and service technicians accompanied the console to Connecticut, and the team remained on hand for several days to ensure a smooth transition as the console was integrated into the newly-renovated control room.

“Prior to the Legacy Plus, I had an API Legacy installed at Firehouse 12,” shares studio owner Nick Lloyd, who has a Master’s Degree in Music Theory from neighboring Yale University. “I fell in love with the sound of that console, but realized that the flow and layout of the control room would benefit from a smaller footprint board. The 32-input Legacy Plus provides that smaller size, along with significant workflow enhancements over the Legacy.”

Located in the Ninth Square District of New Haven, Firehouse 12 is an integral part of the southern New England music scene. Nick and his crew record music in a variety of styles, but tend to work on improvised music and jazz. The commissioning of the new console is part of a larger renovation and upgrade to accommodate longer-term residential bookings at Firehouse 12. The acoustics in the main recording space remain pristine, and can accommodate anything from a rock band to the most delicate acoustic music. Equipped with its own bar, the venue also hosts live shows with up to seventy-five audience members.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

ASHLY AUDIO PROCESSING AND USER CONTROL STREAMLINES NEW MICHIGAN FUNERAL HOME

HOMER, MICHIGAN: Long established in Michigan, the Craig K. Kempf Funeral Home recently expanded to Homer, Michigan, where it purchased a small funeral home. Kempf immediately brought in contractors to revitalize the existing structure, which itself had originally been a residential house, and ordered an expansion to provide a modestly larger chapel than the existing 30’ x 15’ room. Local A/V firm Crookston Audio designed and installed a new sound reinforcement system for the new chapel and for the remodeled rooms. Based on its simplicity of installation, competitive pricing, and intuitive user interfaces, company president John Crookston specified an Ashly Pema 4125.70 integrated processor & four-channel amplifier together with Ashly RD-8C and WR-2 user controls.

“They originally asked for two zones, one for the new chapel and one for the existing chapel, the lobby, and the fellowship hall combined,” explained Crookston. “They wanted the ability to reinforce a small keyboard, a soloist, audio from DVD or CD, plus, of course, the spoken word from the person officiating the funeral or delivering a eulogy. Those inputs would be reinforced within the new chapel, and they would also be sent to the old chapel and the fellowship hall, which could serve as cry rooms or overflow. We explained that using four zones, one for each room, would give them greater flexibility, with the promise that using the system would be so intuitive that staff would be able to confidently negotiate source selection and volume control with little or no training.”

A two-rack space, four-channel Ashly Pema 4125.70 resides at the heart of the system and delivers 125 watts to each of the four 70-volt systems. The new chapel, which is still a modest 25’ x 35’, has four mic-level inputs, enough for soloists, vocalists, and spoken word. The audio system also takes input from the room’s CD and video sources. A single Community V2-28 two-way loudspeaker provides coverage in the new chapel, whereas Community D5 ceiling speakers provide coverage in the old chapel, the lobby, and the fellowship hall.

User control consists of two complementary controls. First, an Ashly RD-8C remote desktop fader bank allows anyone to sit within the new chapel and mix the input sources in real time. A single cable ties the RD-8C to the Pema 4125.70, which allows the operator to sit anywhere in the new chapel and discretely mix. Second, an Ashly WR-2 resides near the equipment rack and allows staff to send audio from the new chapel to any (or none) of the other rooms.

“As a contractor, I not only have to deliver a great final product, I also have to make money doing it,” Crookston laughed. “Ashly is a great help with that! Ashly equipment is totally reliable. We’ve been using it for years and never had a problem. Moreover, Ashly’s Protea™ signal processing software is common to the entire Ashly line. So my staff can learn Protea, which is quite intuitive, and then install any Ashly product in any size system. There’s no learning curve. As a result, all of our installations are predictable and as easy as they can be, which is the way I like it.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

EDEN HIGH SCHOOL PUMPS UP HOME GAMES WITH ASHLY GEAR

EDEN, NEW YORK – JUNE 2014: Eden High School graduated its first class in 1899, when the small town of Eden was not a suburb of Buffalo, New York, eighteen miles to the north. Since then, the high school has been consistently recognized for its academic achievement and for the tenacity of the Eden Raiders sports teams. Indeed, the girls’ volleyball team is vying for its fifth straight state championship! In addition to volleyball, the school’s 1,300+ seat gymnasium hosts home basketball games and wrestling tournaments, but until recently, its sound reinforcement system was underpowered and frequently unintelligible. Harvey Electric and Sound of nearby Hamburg, New York designed and installed an abundantly powered and highly-intelligible sound reinforcement system using an Ashly nX-Series amplifier and a ne-Series processor.

“The previous system wasn’t particularly old, it just didn’t meet the needs of the space,” explained Greg Harvey, owner of Harvey Electric and Sound. “The Eden All Sports Boosters raised the funds for a replacement because it was so obvious to everyone that a vast improvement was needed. The system couldn’t overcome a cheering crowd, and even when everyone was quiet, it was still difficult to understand what was being said.”

The inputs to the system are simple and a mere update from the previous system: a new Shure wireless microphone, a new Shure announcer microphone, and an auxiliary input. It’s what happens after that point that makes all the difference. The inputs feed an Ashly ne4400 4-in x 4-out Protea™ DSP System Processor. “The old system was a simple mixer-amp, and the Ashly ne4400 is a vast improvement,” said Harvey. “It gave us the ability to shape the sound with compression, limiting, equalization, and filtering. We also gave them feedback suppression modules on the microphone inputs.”

Outputs from the ne4400 feed a four-channel Ashly nX 1.54 amplifier, which packs four channels of 1500W output into just two rack spaces. “This is our first experience with Ashly’s nX-Series amplifiers, and we chose the nX 1.54 for its tremendous output capacity,” said Harvey. “It sounds great and delivers as promised.” Right now, only two of the amplifier channels are in use. They power two EAW VFR159i loudspeakers, which will be doubled for the other side of the room once the funds become available. The remaining two channels on the Ashly nX 1.54 will power them.

An Ashly WR-5 wall-mounted remote control gives users simple control over input gains and overall volume. Once the system expands to four cabinets, Harvey will reprogram the WR-5 to allow preset selection for different types of events as well. “We went with Ashly for a couple of reasons,” he said. “Ashly’s rep firm in the area, Eaton Sales, does a great job. We’ve worked with them for twenty years. Ashly’s pricing is very competitive, but they don’t make a cheap product. The processors and amplifiers sound great and are very functional and rugged. This is the second installation of Ashly Audio products at Eden High School and we are confident that they will have great sound systems for a long, long time.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

Symetrix Radius 12×8 Dante™ Network DSPs Help Revitalize St. Peter Catholic Church

OMAHA, NEBRASKA – JUNE 2014: The Diocese of Omaha erected St. Peter Catholic Church in Omaha, Nebraska in 1926, and the church enjoyed many decades at the heart of Omaha’s Catholic community. However, times changed, demographics shifted, and the church didn’t have the funds to keep up with needed maintenance. It fell into disrepair. However, a recent resurgence in attendance inspired by the leadership of Fr. Damien Cook motivated the diocese to fund a major external and internal renovation at St. Peter Catholic Church. Now complete, the renovation, designed and coordinated by Conrad Schmitt Studios of Milwaukee, Wisconsin has won awards and features a new sound reinforcement system anchored by a Symetrix Radius 12×8 Dante network audio DSP system with Symetrix ARC wall panel remote.

“It was a complete overhaul, from the roof to the floors, from the walls to the ceiling, everything is renovated and revitalized,” said Tim Burkhart, senior systems designer with Omaha-based Midwest Sound & Lighting, the firm that installed St. Peter’s new sound reinforcement system. “It’s really stunning. In the process, they knew they would radically alter the room’s acoustics. They wanted to ensure that the new sound system would give them musical impact and intelligibility.”

Milwaukee-based DSH Audio Visions designed the sound system and partnered with Scott Riedel Associates of Milwaukee for acoustic design. David Hosbach, DSH president and principal design consultant concurred with Burkhart, and added, “Father Cook and Music Director Zachary Turner understand that while the music portion of Mass is really important, if worshipers can’t hear the Word clearly the rest of it – the majestic music, the ornate worship space – really doesn’t matter. I take my hat off to them and the St. Peter congregation for allowing the sound design, the room acoustics and the architectural beauty to work together in harmony, so to speak.”

Two Symetrix Radius 12×8 DSPs form the heart of the system. One unit is located at the front of the room, the second unit is located at the back of the room, and they connect via the Dante network. That way, each unit is near to a collection of inputs and appropriate outputs, and because the system integrates completely via Dante, any of those inputs can be sent to any of those outputs. Redundant Dante connections provide a failsafe in case one of the networks goes down – the other network will pick up seamlessly. The Radius units provide sophisticated processing for Crown amplifiers and a Tannoy QFlex 64 steerable line array.

The Radius units are located in a wall rack at the back of the loft and at the main equipment rack in the sacristy at the front of the room. Two remote sets provide user control, with one mounted in the main rack, and the other in the loft in a custom portable box at the organ console. All told, two Symetrix ARC-K1e, five Symetrix ARC-EX4e, and three Symetrix ARC-SW4e wall panel remote control units provide comprehensive, yet intuitive, control of the system. They primarily select active inputs and allow volume adjustment and configuration preset changes. “We use a lot of Symetrix equipment, and we love the hardware, the software, and its bullet-proof reliability,” said Burkhart. “The sound quality is always top-notch, and the Symetrix open-architecture processing is capable of anything we ask of it. Considering how frequently we use Symetrix products, the failure rate is remarkably low. And if something does go wrong, Symetrix makes it right immediately.”

Hosbach commented, “I like the Symetrix SymNet DSPs for the same reasons as Tim. And I’ll add that they are really easy to program, the site files are fast and convenient to move around in and modify on the fly during setup, and the tuning filters are extremely accurate.”

Burkhart concluded, “St. Peter Catholic Church is very happy with the new sound reinforcement system. They are delighted with its sound quality and with its ease of operation.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

BE SURE TO STOP BY AND SEE US AT INFOCOMM BOOTH #C9416

ASHLY AMPLIFIERS AND SIGNAL PROCESSORS NOW SHIPPING WITH DANTE™

WEBSTER, NEW YORK: Ashly Audio, maker of powerful, high-performance, cost-effective power amplifiers and signal processors, is now shipping Dante digital media networking solution with all their nXe, nXp, Pema and NE Series networkable amplifiers. NE Series rack-mount system processors (4400, 4800, 8800) are also available for purchase with Dante. With low latency, robust synchronization, I/O scalability, and simplicity of installation via standard IT technology, Dante will significantly enhance the power and value of Ashly’s networkable amplifiers line and select signal processors.

“We’re now ready to supply our market with this incredible audio networking technology in our nXe and nXp amplifiers” says Anthony Errigo, director of communications at Ashly. “Dante currently brings the best in flexible, yet robust, digital audio transport and we’re poised to build on its success by delivering this connectivity in our most premier amplifiers and processors. Our customers will benefit greatly by this advancement.”

Audinate revolutionizes the way that A/V systems are connected by transporting high-quality media over standard IT networks. Dante is a robust proven solution which is widely deployed in hotels, transportation centers, shopping centers, public address systems, live sound reinforcement, theaters, concert halls, stadiums, athletic venues, corporate boardrooms, universities, broadcast facilities, recording facilities, houses of worship, government facilities, and courtrooms.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ABOUT AUDINATE Audinate’s patented Dante media networking solution has been adopted by eighty OEM manufacturers in the professional audio/visual industry and is a Promoter Member of the AVnu Alliance™. Audinate offices are located in US, United Kingdom and Australia. Visit www.audinate.com for the latest news and information on the company. Dante is Digital Media Networking Perfected.

Dante is a trademark of Audinate Pty Ltd. Audinate is a registered trademark of Audinate Pty Ltd.

STOP BY AND SEE ASHLY AT INFOCOMM BOOTH #C11308

ASHLY AUDIO CELEBRATES 40 YEARS OF BUILDING GREAT-SOUNDING, COST-EFFECTIVE, AND RELIABLE PRO AUDIO SOLUTIONS

WEBSTER, NEW YORK: Founded by Billy Thompson in 1974 on the wings of a successful live sound company, Ashly Audio has been pioneering innovative products for the pro audio industry for forty years. Although much has changed, such as Ashly’s steady pivot from analog solutions for live sound to digital solutions for installed sound, much has also not changed, and it is this constancy that underlies Ashly success and longevity. Ashly has always delivered great-sounding gear that is highly reliable, easy-to-use, and fairly priced, which is a combination that never goes out of style. Moreover, Ashly has always resolutely stood behind its products and offered its full support to its customers. Ashly continues in this tradition as it builds the next generation of networkable amplifiers, DSPs, and user interfaces.

“Ashly has always had a relatively slow but steady growth trajectory,” explained Mark Wentling, president of Ashly Audio. “Many similar companies started out around the same time as Ashly Audio but have since closed their doors or been absorbed into other companies to become just another ‘brand.’ People have moved on and factories have been shuttered or moved overseas. Our approach has always been to remain steady, dependable, and maybe a little conservative, and that contributed to the forty strong years that we’re now celebrating. Indeed, the Ashly philosophy reflects back on our employees… many of the people still on the payroll in engineering, administration, and manufacturing were there when the company was just starting up!”

Those were the days when Billy Thompson was still playing the role of mad scientist at a lab bench overrun with oscilloscopes, custom-made real-time analyzers, and voltmeters. The smell of solder hung thick in the air. Among many other gems, Thompson used that charismatic setup to design Ashly’s 1970s-era SC-Series of rack-mounted processors, which included classic compressors, equalizers, crossovers, line mixers, mic preamps, and all of the other goodies that today reside inside Ashly’s Protea™ Digital Signal Processing platform. The live sound industry flocked to these and other Ashly products because, for a fair price, they effectively solved real problems and were well-known to reliably endure the stresses of life on the road.

In the 1980s, Thompson pioneered Ashly’s now-legendary MOS-FET amplifiers, which revolutionized the amplifier market by dramatically increasing amplifier power and reliability while minimizing size and cost. Ashly’s MOS-FET amplifiers were among the first to be certified for meeting Lucas-films’ stringent THX movie theater sound systems. Today, Ashly continues in that tradition by delivering high-power, high-fidelity amplifiers in small-footprint, multi-channel configurations that maintain Ashly’s hallmark reliability and value.

“Our relatively small size allows us to be quite nimble and responsive to our customers, whom we deeply value,” said Wentling. “Ashly Audio still operates a full factory in Webster, New York, just outside of Rochester, where we design and manufacture all of our networkable products, including high-power Class-D amplifiers, DSP Matrix processors, and some legacy handmade analog mixers, like the MX-508. In addition, we have responded to market forces by opening Asia-based manufacturing for our KLR-Series amplifiers and some legacy analog products. However, this is just a component of our U.S.-based operations. Indeed, we expanded our U.S. manufacturing plant last year and grew the R&D team. We continue to add to our product line-up in the area of high-performance Class-D amplification, as well as DSP matrix & system processors.”

A development Thompson couldn’t have anticipated without Steve Jobs-like prescience is how quickly the pro audio industry has adopted network technology from the IT industry. Ashly’s nimble in-house engineering team has ensured that the company stays at the leading edge of this development, giving A/V integrators cost-effective options for building Ashly systems and tying them elegantly into the larger lighting and video infrastructures. Ashly’s network-ready amplifiers and processors play nicely on a TCP/IP network right out of the box, and integrators can network digital audio via CobraNet or Dante® (“and AVB when the time is right,” promises Wentling). In addition to networkable hardware user controllers, Ashly offers a popular Ashly Remote iPad app for custom control of its products and will look towards the eventual release of iPhone and Android variants as well. Beyond simply offering these technologies, Ashly’s dedication to customer support ensures that Ashly users are a phone call away from answers and solutions to the myriad questions and challenges that can crop up in complicated networked systems.

“There is an incredible history here,” says Anthony Errigo, director of marketing communications. “People at Ashly are dedicated and have great stories to share. Our employees are proud of this company and brand that they have built together.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

And to take an historical look at Ashly, visit: www.ashly.com/40

BE SURE TO STOP BY AND SEE US AT INFOCOMM BOOTH #C11308

PHOTO CAPTION: Billy’s bench, circa 1979, with his RTA (Real-Time Analyzer).

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

November 2014
M T W T F S S
« Oct    
 12
3456789
10111213141516
17181920212223
24252627282930

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication