A virtual press conference from Sound & Video Contractor

Archive of the CEDIA Newslink Category

Screen Innovations—The World Needs the Best Bigger

Austin, TX—May 22, 2014—Because we believe that everyone deserves the best, Screen Innovations (SI) has enlarged the Black Diamond™, the world’s most popular ambient-light-rejecting screen. The largest Black Diamond™ screens to date feature 1.4 gain in new sizes: 16:9 120” and 2.35:1 150”, in Fixed and Zero Edge formats. The larger Black Diamond screens, as well as other recently designed additions to the SI family, continue to make SI the fastest growing screen company in the world.

Black Diamond, the world’s only vertical and horizontal ambient-light-rejecting screen, has a multi layer optic that reflects only the light generated by the projector resulting in a 900% boost in contrast. Additionally, Black Diamond is the only screen that greatly benefits dark environments by reducing light scatter by over 75%. The result is the richest, sharpest image, with the best blacks now available from a screen.

Ryan Gustafson, President of Screen Innovations, boldly announced, “At SI, we believe innovation means that a design is never complete, just more perfect with each iteration. He continued, “We are excited to announce that plans are underway to invest in and expand our production capability to better support today’s large display needs. Our customers asked, and we delivered.”

All Black Diamond screens feature active 3D capabilities and are future-proofed and 4K ready. Screen sizes start at 80” fixed, curved, motorized, and popular Zero Edge formats.

Screen Innovations will exhibit at InfoComm June 18-20, 2014, in Booth #419 in the North Hall. Stop by to see the next generation of video projection screens demonstrated with projectors from our partners, DPI, Epson, and Vivitek.

Manufacturers Suggested Retail Pricing: Starts at USD $2,199.00
Availability: May 1, 2014

Screen Innovations makes it easy to choose the right screen for each application, based on lighting, room size, seating distance, and more. Visit www.screeninnovations.com to check out the Screen Calculator, Screen Wizard, and Projector Wizard online tools.

About Screen Innovations
Based in Austin, Texas, Screen Innovations is a leading manufacturer of projection screens and associated technologies for residential and commercial applications. Best known for Black Diamond™, the world’s first and only multi-directional ambient-light-rejection projection screen technology, SI has effectively revolutionized the two-piece projection category by pioneering and producing screens that deliver an unparalleled video image in light or dark environments. Sold at affordable price points and designed to blend flawlessly with surrounding décor, SI projection screens deliver stunning images and a fully immersive entertainment experience that rivals or surpasses traditional displays. Operating under the principle of “No matter the budget, Screen Innovations has the best available screen solution to suit your needs.” SI produces a comprehensive assortment of screens and accessories for nearly any budget or application.

Visit www.screeninnovations.com or call 512-832-6939. Follow us on Facebook @screeninnovations and on Twitter @SIScreens.

LATEST ALBUM FROM JAMES HOUSE RECORDED WITH API’s THE BOX

NASHVILLE, TENNESSEE – MAY 2014: With a resurgence of his country music hits from the 1990s, singer/songwriter/producer James House is keeping busy with a new album which was just released, and a sold-out sixteen-show tour throughout the UK. While recording tracks for Broken Glass/Twisted Steel, James wanted to achieve the classic “API sound” from the comfort of his home studio in Nashville – Dream On Studios. To attain the specific sound he had in mind, James rented API’s THE BOX from Blackbird Rentals for the summing of the album’s final mixes.

The project began at Ben’s Studio in Nashville, where each of the tracks was recorded on two-inch tape through a classic API 3232 console. The tape was then sent to James’ home studio, where he recorded the vocals, guitar overdubs, and mixing. While he was at Ben’s Studio, James heard tracks that were cut for an early demonstration of THE BOX. “It sounded like classic, warm API,” recalls James. “I’m a big fan of API in the first place, which is one of the reasons why we cut at Ben’s Studio.”

Noting the design and layout of THE BOX, James appreciates how the small-format console is portable, yet creates a classic API sound. “Without it, I would have had to rent a studio with an API console to sum the record. With THE BOX, I was able to rent it for two or three days and take my time summing and getting all the versions of the mixes. The size and design fills a gap between tracking in a commercial studio and in a smaller home studio.”

James recalls that the sixteen summing channels were a key factor that drew him to the console, as well as the overall quality and clarity it helped him achieve. “I just A/B’d the record with one of my earlier records, and it has a punch and presence that I love.” The first single off the album, titled “Every Time It Rains,” has already earned airtime on top country stations, and the song’s presence is growing with the release of its music video.

“I knew THE BOX was a smart idea,” said James. “The mixes gelled exactly like we hoped they would.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.
www.apiaudio.com

New D-Tools website provides an enhanced, new Data Library that delivers in-depth analytical detail which benefits both users and manufacturers

CONCORD, CA, USA  – MAY 20, 2014 D-Tools, Inc., the worldwide leader in system integration software, announced today it has completed a comprehensive data update and has launched a new Data Library website, which together provide highly valuable integrated analytics and communication systems for manufacturers and the D-Tools user community from within the software environment, enabling more timely manufacturer pricing updates, special offers, and other relevant information.

The new Data Library is designed to create branding opportunities for D-Tools Manufacturer Vantage Point (MVP) Program partners, making their information more visible through the DTConnect feature. Not only does this attract authorized SIX users to MVP brands, it also facilitates additional sales and outreach opportunities for manufacturers participating in the MVP program. With these additions, the D-Tools software platform is more than just a workflow-enhancing tool for users; it is also a profit-generating program for MVPs that now provides greater visibility and analytical depth.

“We designed the new Data Library to include a cleaner visual style, better showcase MVP program manufacturer logos, and deliver more detailed product descriptions that now link to each MVP’s complete data catalog (as opposed to only linking to the company name),” says Adam Stone, President and Founder of D-Tools. “This makes navigating the MVP partner data simpler, more refined, and will include the most current promotions and information available.”

Delivering tangible benefits that users will immediately experience and benefit from, D-Tools now features the most up-to-the-minute product information available. “By linking to the MVP’s complete product catalog, D-Tools has essentially taken the guesswork out of the system design and documentation process for the user, while giving the MVP the added benefit of increased visibility,” says Stone. “These are exciting enhancements that we’re excited to provide to our partners worldwide.”

About D-Tools, Inc.
D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software platforms. The company’s flagship product, System Integrator™ (SI), is a robust solution that utilizes Autodesk® AutoCAD and Microsoft® Visio to facilitate comprehensive system design, documentation and project management. D-Tools enables residential and commercial integrators to streamline business processes and increase revenues while reducing the time and cost associated with the installation and integration of low-voltage electronic systems. More than 4,500 leading companies currently use the award-winning D-Tools platform to reduce time, costs and to streamline the system integration process. Product updates and related information can be obtained by following D-Tools on Twitter and on Facebook.
 
Learn more about the D-Tools MVP Program, D-Tools System Integrator, or the undeniable benefits of using a streamlined system design, proposal, and estimation software platform at www.d-tools.com, (866) 386-6571, ext. 1, or e-mail info@d-tools.com or mvp@d-tools.com.

Media Contacts
Tim Bigoness, D-Tools, Inc., +1 (925) 270-4102, timb@d-tools.com, www.d-tools.com
Katye (McGregor) Bennett, KMB Communications, +1 (425) 328-8640, katye@kmbcomm.com

MVP Contact
Josh Carlson, D-Tools, Inc., +1 (925) 270-4105, joshc@d-tools.com

Accompanying Images
D-Tools Logos
D-Tools Data Library Screen Shots

# # #ENDS

New Comprehensive Company Catalog from ICE Cable Systems Aims to Help Dealers Make More-Informed Structured Wiring Buying Decisions

Available in webzine and PDF formats at www.icecable.com, the 34-page catalog provides a detailed overview of the company’s products and strong adherence to safety and performance standards including UL, ETL, RoHS and HDBaseT. The design layout is much like a high-end car brochure, making for a compelling and easy-to-digest “read”

Los Angeles, CA – May 20, 2014 – Established in 2004, ICE Cable Systems is a leading manufacturer of premium low-voltage wire and cable products that serves the Audio Video, Alarm and Security, Commercial, Electrical Contracting and Data Center channels. The company has created a full-color 34-page catalog that is available for viewing in webzine and PDF formats at www.icecable.com – with printed versions mailing to all its dealers and distributors now.

”The goal of the catalog is to provide a comprehensive yet easy-to-read piece that will help dealers develop a stronger understanding of the many types of structured wiring, connectors and accessories that we offer – and why our adherence to safety and performance standards such as UL, ETL, RoHS and HDBaseT is so crucial for their businesses. This should help them make better decisions when specifying for the diverse and complex jobs they encounter,” says ICE Cable Systems President Brian Rizzo.

”We wanted to create a catalog that would capture the essence of ICE Cable Systems — the passion that we have for wire & cable — while providing technical information as deep as the reader wants to take it,” describes Rizzo. “To achieve this we are utilizing a layout reminiscent to what you might find in a BMW or Mercedes brochure where the first pages are emotional with cars in action, sensation, speed (all very broad), followed by an exploded view of the engine, and as you get further in it breaks things down to the nitty gritty. Similarly our catalog starts with broad strokes — company philosophy, exploded product pictures and features/benefits — and then gets into the line and specs further in.”

”This catalog should also serve to reinforce ICE Cable System’s position in the marketplace as a premium brand. This is important for us as the view of the structured wiring category is so often that of commodity and shopped on price alone. What dealers need to understand is that bargain-brand pricing often leads to performance problems either out-of-the-gate or down the line,” added Rizzo. “And that’s costly.”

The catalog features sections on:
· Product highlights of the company’s most innovative products
· Product listings (descriptions, colors, compatibilities)
· An in-depth look at cable standards and performance
· Competitors cross reference chart
· How ICE makes premium cable

For more information on the catalog please contact ICE Cable Systems at 310.444.1950.

For all ICE Cable Systems media inquiries please contact Paul Muto at 631.849.4301 or paul@mutocomm.com.

About ICE Cable Systems
Founded in 2004 by President Brian Rizzo, ICE Cable Systems is a leading manufacturer of premium low-voltage wire and cable products serving the Audio Video, Alarm and Security, Commercial, Electrical Contracting and Data Center channels. The company’s products are available to integrators both directly and through more than 50 distributors in North America and internationally. ICE Cable’s success is driven by ingenuity and its desire to make superior products that offer more value to installers. www.icecable.com

APG Electric Builds State-of-the-Art Conference Room for New Engineering Division Using a Symetrix SymNet Radius AEC Processor

CLEARWATER, FLORIDA – MAY 2014: Based in Clearwater, Florida and founded in 1984, APG Electric has grown from its humble beginnings into one of the Sunshine State’s leading contractors, with 250+ employees and annual sales in excess of $40 million. As the industry has advanced, APG has added in-house expertise that it formerly subcontracted, including an Audio/Visual division that joined the firm two years ago. As part of that process, APG Electric recently added a new engineering department and a new 22-room extension to house it. Included within the new office space is a state-of-the-art conference room, which will serve as a showcase for clients who are considering their conference room options and as a means to discuss and approve changes between the office-based and the field-based staff. To ensure that audio performance and voice intelligibility is excellent, APG Electric put a Symetrix SymNet Radius AEC Dante networked audio processor at the heart of the new conference room.

“Our goal was to build in the latest and greatest technology,” said James Wagoner, technology programmer at APG Electric. “We wanted to include all of the features that our clients might like to include so that they can make intelligent choices about what they want. I’ve installed literally hundreds of Symetrix SymNet audio DSP, and they’ve always been reliable and easy to configure. The very few times where I ever had an issue, Symetrix was right on top of it. Based on that experience and relationship, I specified the SymNet Radius AEC on faith. I’m very pleased with its performance and it makes our teleconferencing audio transparent and effortlessly intelligible.”

“The conference room really has two purposes,” said Larry Stephen, technology account manager at APG Electric. “First, we want to make our clients aware of the technology solutions that are available to support their communication needs. Including high-quality Symetrix audio processing is part of that. Second, we want to close the loop between on-site decisions and the approval they require from office-based staff. Formerly, this required driving back to the office, holding a meeting, marking up documents, getting approvals, and then driving back to the client and/or the site. With the conferencing system, those decisions, mark-ups, and approvals can all be made in real-time, with the client present. We can transfer files, print in the field, and have everybody sign off on a decision as it’s made. The conferencing features of this room save hours and days. It simplifies logistics.”

The Symetrix SymNet Radius AEC includes eight AEC (acoustic echo cancellation) inputs, four auxiliary inputs, eight outputs, and an expansion slot for any SymNet I/O card. Critically, it includes sophisticated AEC and related processing algorithms that deliver crystal clear audio to both sides of a remote conversation. The SymNet Radius AEC is easily expandable and networkable using the Dante Network protocol over Ethernet. An AMX DVX system controls all of the conferencing room’s functionality, including calls, video, audio, and lighting. Two Teamboard 90-inch interactive whiteboard also serve as projection screens for Panasonic short-throw projectors. Video is handled by a LifeSize ICON system using its UVC platform. The conference table includes pop-up boxes for connectivity and a collection of Shure boundary microphones for clear capture of discussions in the room. ElectroVoice Evid in-ceiling speakers provide output.

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

BE SURE TO STOP BY AND SEE US AT INFOCOMM BOOTH #C9416

RELIABLE, SPACE-SAVING ASHLY AMPLIFIERS DELIVER AT LIBERTY HIGH SCHOOL

O’FALLON, MISSOURI – MAY 2014: Located forty miles west of St. Louis, St. Charles County is the fastest growing county in Missouri and ranks among the fastest growing counties in the nation. The Wentzville School District is responsible for public education in the area, and with space in its two high schools reaching maximum capacity, the district drafted plans to build a third high school. Now finished, Liberty High School has reliable technology in the classroom, sports facilities, and for extracurricular activities, including a comprehensive sound system that uses space-saving and dependable multi-channel Ashly amplifiers.

St. Louis-based McClure Engineering designed Liberty High School’s sound and A/V systems, and local A/V integrator TSI Global installed it. The system includes a paging service for the common areas of the school, along with more muscular systems for music playback in the gym and on the football field. Modest Biamp DSP and Crestron control systems provide minimal processing and intuitive user control. The real challenge at Liberty High School was ensuring that the system would operate uninterrupted, day-in and day-out. Because space was at a premium, Dave Bick, McClure’s acoustical and systems engineer specified Ashly ne-Series multi-channel amplifiers to power Renkus-Heinz loudspeakers.

In just twelve total rack spaces, the Liberty High School sound system fits thirty amplifier channels: three 8-channel Ashly ne8250s and three 2-channel Ashly ne2400s. “Ashly is always my go-to amp,” said Bick. “Ashly amps are quiet and dependable. Out-of-box failures are extremely limited. The power delivery and options are also very flexible, with 8-ohm and 70-volt variants available in a range of channel counts and power outputs. Despite that, they’re very cost competitive, and the service I get from Ashly is excellent. Due to the fast pace at which products can change or be updated in the A/V industry, I often like to verify things before I commit to them in a design, for which I need a quick, company confirmation. Unlike a lot of other manufacturers, it’s easy to get a knowledgeable human on the line at Ashly in just moments.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

BE SURE TO STOP BY AND SEE US AT INFOCOMM BOOTH #C11308

Triad Speakers, Inc. adds Cost-Effective Models to Invisible DesignerSeries Line

DesignerSeries is a comprehensive line of high-performing, vibrating-panel sound systems that mount behind-the-wall, making them invisible to the eye. The company has added 3 new entry-level models that range from $500 to $700 MSRP each.

Portland, OR – May 13, 2014 – Triad Speakers, Inc. has added 3 new entry-level models to its DesignerSeries line of behind-the-wall loudspeakers: the DSi-1 ($500 MSRP each), the DSi-2dc dual-channel stereo version ($700 MSRP each) and the higher-performing DSi-3 ($700 MSRP each). The addition of the new models brings the DesignerSeries to 11 models in total. Prior to the DSi-1, MSRP for entry-level was $650.

The DesignerSeries are passive speaker panels comprised of a powder-coated aluminum frame, a rigid aluminum honeycomb core (with paper skin covering) and transducers. All the components — along with the use of a required high-pass cross-over filter (sold separately) — work in concert to create a vibrating element that produces sound waves. The result is a full, warm sound.

All DesignerSeries panels easily mount in between walls studs in typical home construction. The panel’s paper skin provides a high-bond surface for adhesion to plaster, drywall compound, mud skims and veneer. Once covered and painted the panels are invisible to the eye.

According to Triad Speakers’ Marketing Director Paul Teixeira, the 3 new DSi models boast a small footprint (measure 15.75-inches H x 11.8-inches W x 1.6-inches D), thus allowing for even greater installation flexibility.

“Our ability to hit lower price-points on such sophisticated technology gives the Triad dealer more options to place music throughout the house,” says Teixeira.

The DSi-1, DSi-2dc and DSi-3 speakers all carry a 10-year limited warranty. The speakers are shipping now. For more information visit www.triadspeakers.com or call Triad Speakers toll-free at 1.800.666.6316.

For all Triad press inquiries please email paul@mutocomm.com or call 631.849.4301.

About Triad Speakers
Established in 1982 by President Larry Pexton (a founding member and Chairman of CEDIA), Triad Speakers, Inc. is a steadily growing provider of complete loudspeaker solutions for multi-room residential and home theater system applications. A top choice by many custom integrators nationwide, Triad has made significant advancements in the arena of front-channel speakers, surrounds, subwoofers, distributed audio speakers via enclosed in-wall, in-ceiling, on-wall and freestanding designs. Over 80% of Triad’s products are manufactured daily in Portland Oregon, in a pure build to order operation with no work in progress and no finished goods inventory of the US built products. In the 2006 – 2010 Inside Track Supplier Loyalty Tests, Triad ranked #1 in the category of Custom Installation Company. Visit us on the web at: www.triadspeakers.com and www.facebook.com/triadspeakersfans

THE BOX MIXES IN NORWEGIAN HOME STUDIOS THROUGH KAN LYD

SKIEN, NORWAY: Operating out of the home of sound engineer Kjetil Arvesen Nesheim, Kan Lyd is a growing professional project studio for mixing and overdubs. While recording and mixing full productions, Kjetil often travels with his studio gear to record throughout multiple locations. To create the sounds of a big studio through smaller recording spaces, Kan Lyd has commissioned API’s THE BOX console to accommodate the needs of recording artist clients with worldwide audiences.

Kjetil had dreamed of owning a high-end console for years, and was inspired to make an API purchase after listening to vintage American vinyl recordings. He specifically cited Fleetwood Mac’s album Rumors, which was recorded through an API console in 1977. Kjetil contacted API’s Norwegian distributor Prolyd to find a system that would integrate seamlessly with the rest of his gear, and fit the needs of Kan Lyd.

“As soon as I saw the ad for THE BOX, I knew it was the right console for me,” recalls Kjetil. “After I started using it, my mixing became faster and easier, and made my mixes sound more three-dimensional. All instruments blend together perfectly. It sounds bigger, wider, and clearer all at the same time.” Kjetil also appreciates the versatility of THE BOX, and it’s optimization for the digital era. “The idea of having twenty channels of summing in mix-down, built-in preamps, EQs and compressors was very intriguing.”

For mixing purposes, Kjetil had two additional 550B EQs installed. “The first four channels of THE BOX are dedicated to drums: a 550A for kick and snare, and a 550B for toms. I’ve got the compressor strapped to the mix bus at all times. Doing it this way gives me the best of two worlds. It sounds more expensive now.”

On top of working on a voiceover project for a digital guide, the latest album for Christian rock musician Arvid Pettersen is being mixed at Kan Lyd. Kjetil comments that THE BOX has improved his work flow in comparison to his past recording projects. “This is my first experience with API gear, and I love it.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

ASHLY GEAR SCORES AT FINLAND HOCKEY ARENA

HEINOLA, FINLAND: Although the hockey arena in Heinola, Finland seats 1,600, attendance commonly swells to nearly 3,000 as hockey fans crowd through its doors. Until recently, however, fans strained to hear announcements and cringed at the sound of anemic music coming from the arena’s aged ceiling speakers. That all changed when Finnish A/V integration firm Noretron Communication Ltd. replaced the system with full-fidelity FBT loudspeakers and Ashly Audio processing, amplification, and user control. Shortly after the overhaul, Heinola hosted the Women’s Hockey World Championship to rave reviews.

“The previous system was very old and functioning poorly,” said Timo Kunnas, owner of Noretron Communication Ltd. “Using an Ashly back-end and FBT Shadow loudspeakers, we composed a plan that would give them the control and performance they desperately needed. Part of the challenge was meeting their budget and yet still providing excellent coverage in an acoustically-poor environment.” Noretron, a distributor for both Ashly and FBT in Finland, designed the system, installed the rack, and performed the system tuning at commissioning. Local electrical installation firm Electrowise Ltd. handled all of the cabling and the loudspeaker installation.

“Ashly builds reliable and great-sounding gear and sells it at a price that is very competitive,” said Kunnas. “The Ashly ne24.24M modular processor, Ashly KLR-Series amplifiers, and RD-8C remote fader control would give the arena everything they needed. And for us, it’s all very easy to set up and program.”

Because it has a modular I/O count, Kunnas was able to order an Ashly ne24.24M with twelve inputs and eight outputs to accommodate four microphones, two stereo RCA input jacks, a radio output, and a CD player output. The eight outputs feed four dual-channel Ashly KLR-3200 amplifiers, which in turn power nine FBT Shadow loudspeakers, four for the central cluster and five for delays. User control consists of three redundant Ashly RD-8C remote fader panels that provide individual volume control of each input, plus overall volume control. The three redundant locations allow user control from anywhere that staff may need to make adjustments.

“The client is very happy with the sound quality, speech intelligibility, and ease of use, all thanks to Ashly,” concluded Kunnas.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

JOHNSON AUDIO WORKS SUCCESS IS BASED ON QUALITY: DANLEY SOUND LABS SPEAKERS AND SUBS HELP MAKE IT HAPPEN

COMER, GEORGIA: Bill Johnson knows live sound. Before assuming the roles of full-time technical director and chief audio engineer for the massive touring Kenneth Copeland Ministries, where he served for fourteen years, Johnson cut his teeth mixing for acts such as Concrete Blonde, the Dave Matthews Band, Ice T, and Widespread Panic. In 2000, Johnson started his own company, Johnson Audio Works, to marshal that extensive experience for the benefit of clients with small- to mid-sized live events. Recently, Johnson upgraded his rig to Danley Sound Labs, his newfound favorite loudspeakers and subwoofers. Now, Johnson graces clients with improved fidelity and impact delivered by a pair of lightweight but hugely efficient Danley SM-80 full-range loudspeakers and a pair of powerful Danley TH-118 subwoofers.

Most of Johnson’s clients are ministries, government, and community organizations, with a few upscale weddings thrown in for good measure; and three-quarters of the content he is responsible for is spoken word. His audience sizes typically range between 300 and 700 people. After recently relocating from Texas to Georgia, Johnson has developed a closer relationship with the engineers at Georgia-based Danley Sound Labs. “Of course, I was aware of Danley Sound Labs and its reputation – the pro audio industry isn’t so big,” he said. “But the first time I actually heard Danley products, I was hooked.” Part of Johnson’s success is his commitment not just to sound quality, but to the system’s overall appearance and its fine scale details. “I aim for installation quality for temporary events,” he said.

The Northside Jam is an annual event put on by Rick Nunez Ministries in Fort Worth, Texas and serves as an excellent example of the power of Johnson’s new portable Danley system. Last year, Howard Scott, former band leader of the 1970s act, War, headlined and drew 1,500 people to Marine Park. “The guy I hired to run FOH couldn’t believe I was seriously going to cover the event with just two Danley SM-80s for full-range,” Johnson said. “He could understand the two Danley BC-415 subwoofers, which I had on loan from Ivan [Beaver, Danley’s chief engineer]. But I walked in with the two SM-80s, one on each arm. They just don’t look capable of delivering the necessary SPLs. He expressed his concern but totally changed his tune after sound check. Not only were the SM-80s plenty loud enough, the sound quality was outstanding. He said it felt like mixing on studio monitors! That was at 110 feet from the stage, outdoors! I walked back 350 feet and the sound was still natural and balanced. Danley’s high-end output is notable and makes the SM-80 pleasant and effective for both near- and far-field applications.”

He continued, “In my world, it’s hard to find a one-box-fits-all solution, but the SM-80 is it. Not only is the sound quality excellent, the size greatly simplifies my set up time. That’s critical, because the margin on live events is small. I’m able to charge the competition’s rates, but where they have a four or five hour bump in, I’m able to get the job done in just two. Moreover, the Danley system tunes up with almost no adjustment, so I’m able to quickly move on to making things look nice and tending to the client’s requests. I think part of Danley’s success is the fact that everyone in the company has lived and breathed in the live and installed sound industries before. It’s more than just the sound.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

(PHOTO CAPTION: IFCM Branson Service in 2013.)

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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