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Archive of the GV Expo Newslink Category

Shotoku Broadcast Systems Announces New SmartTrack System at IBC 2014

Latest Solution Anchors New and Enhanced Studio and Field Camera Support Gear

Amsterdam • IBC2014 — Shotoku Broadcast Systems, the well-established leader in manual and robotic camera support, and virtual reality tracking, is anchoring this year’s IBC Stand with a new ‘smart’ rail camera system that targets the rigorous demands of daily TV studio use. The SmartTrack system is being shown alongside Shotoku’s advanced and high-performing control solutions, pan & tilt heads, robotic and manual pedestals, and virtual reality products for OB, studio, field production and legislative applications.

“As always, we are totally committed to IBC, which is a major event in our calendar. It allows us to showcase our systems to the European broadcast market as well as to professionals from so many other parts of the world. It’s a fantastic opportunity to meet new clients and catch-up with old friends with whom we’ve worked for many years,“ said James Eddershaw, sales director, Shotoku. “This year, we are showing a combination of systems from across our entire range of camera supports, including for the first time outside the USA the new SmartTrack rail-based camera system for floor or ceiling use.”

ROBOTIC HIGHLIGHTS
NEW SmartTrack

For the first time at IBC, Shotoku is demonstrating the new SmartTrack system, a fully integrated product based on the core track-based technology of MAT, Germany. In combination with Shotoku pan & tilt heads and control systems the MAT system is turned into the perfect solution TV studio use, day after day. It is highly adaptable, supporting floor or ceiling operation and a range of height column configurations, in both upright and inverted modes. The high quality engineering of the MAT and Shotoku systems ensure that the system is robust and stable, designed for long-term use in demanding applications such as 24/7 news or TV Shopping environments.

ENHANCED TR-XT Control Systems
Shotoku’s leading advanced control system is on display once again, incorporating the recent enhancements and expansions in terms of camera capacity and dynamic configuration. The systems on show are controlling multiple cameras and sharing camera operation across several controller-types.

ENHANCED Fully Robotic Pedestal
Shotoku is demonstrating the latest developments in fully robotic studio pedestals, providing complete X-Y-H camera positioning with free-roaming capability, where track systems would not be appropriate. Several enhanced features including Virtual Reality tracking and simple referencing make the pedestal ideal for many TV studio applications.

SEE IT LIVE Orchestra CMS Parliamentary Systems
Fully automated and with live video touch-screen operation, Shotoku’s world-leading parliamentary TV system is also being shown in action. The TG-27 pan and tilt head, becoming a standard among high-end parliaments and legislatures all over the world, is being demonstrated under the control of the TR-S panel.

MANUAL HIGHLIGHTS
NEW TTH1502C Carbon Fibre Tripod

Shotoku’s new 2-stage TTH1502C carbon fibre tripod incorporates the latest technology to give operators a lightweight, yet sturdy tripod system that is perfect for EFP or documentary production. Built to last with carbon fibre legs, the tripod weighs a mere 5.9kg (13 lbs.), features a 150mm bowl base, and stands over 1615mm (5’) tall at its maximum height. Available with a ground spreader or a mid-level spreader, the tripod is ideally paired with Shotoku’s SX300 pan & tilt head for optimal performance.

TRIED & TRUE SX300 Pan & Tilt Head
One of Shotoku’s latest mid-weight EFP pan & tilt fluid heads, the SX300 features outstanding balance, a robust build and ergonomic design. With a high capacity 38kg (83 lbs) payload and wide-balance capability, the SX300 supports an array of cameras, lenses and accessories, making it perfectly suited for field production, OB and studio use. The 300 head accommodates flat base or 150mm ball. Operators can not only expect top-class performance and reliability from the SX300’s VISCAM technology for smooth and adjustable pan & tilt drag with reinforced torque, but a continuously adjustable balance system.

FLEXIBLE SG900 Pan & Tilt Head
Shotoku’s SG900 manual pan & tilt head offers vibration-free speed in an ergonomically designed sturdy package. Ideal for OB and studio production with Teleprompters or box type lenses, the SG900 supports 90 kg (198 lbs), and features single knob balance adjustment. The unit incorporates the VISCAM ultimate fluid drag system to control smooth pan & tilt movement and REULAUX perfect balance system for maintaining the camera’s centre of gravity. The SG900 fits various pedestals including Shotoku’s TP200 lightweight, 2-stage pneumatic pedestal and both the TP-80 and TP-90 studio models.

BACKED BY EXPERIENCE Virtual Tracking Systems
Based on decades of extensive VR experience, Shotoku VR tracking systems offer outstanding design features, robust and reliable platforms for a wide range of camera and lens configurations. High-accuracy, real-time data output with absolutely no loss in manual performance is common to all Shotoku systems as is compatibility with all leading VR graphics systems. Shotoku’s VR range includes the simplest PT head and tripod right up through studio pedestals and high payload heads to state of the art cranes and jibs with total freedom of movement within VR studios small or large. Shotoku has samples of these systems on show at IBC.

About Shotoku Broadcast Systems
Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.co.uk
# # #

Shotoku contact: James Eddershaw
+44 (0) 1784 224650 / mailto:info@shotoku.co.uk

Press contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / mailto:Harriet@DesertMoon.tv

FSR Expands Infrastructure Line of Wall Box Solutions with Introduction of PWB-353

Open face design facilitates quick access to cables

Woodland Park, NJ – FSR, leading manufacturer of a wide variety of products for the audio/video, education, hospitality, government, and religious markets, continues to expand its infrastructure line of Wall Box solutions with the introduction of the PWB-353 Wall Box unit. Featuring an open face design with a white interior and white extended trim ring, rather than a closed cover, this model facilitates quick access to cables and connectors without cover removal.

The PWB-353 features multiple knockouts for power and openings for up to six single IPS connector plates. At 3-inches deep, it is designed for use in 3-inch or 4-inch stud walls. The extended trim ring provides a clean appearance while covering rough cuts in the drywall created during installation.
“We are always pleased to be able to offer industry professionals working in the audio/video markets cost-effective solutions that help make their jobs easier,” said Jan Sandri, FSR president. “With our new PWB-353 Wall Box unit, we are confident that we are doing just that. The PWB-353 offers, among many other things, an open face design that lends itself well to quick and easy access to cables and connectors. Users can even add LITE-it to easily provide lighting.” FSR’s new award-winning LITE-IT securely fastens to any ferrous metal surface and easily provides lighting in floor, wall and ceiling boxes, or anywhere a work light is needed.

Key features of the PWB-353 Wall Box include: A rugged 16 gauge steel back box, simple installation
features, quick access to cables and connectors, multiple knockouts in a variety of sizes and included hardware.
The PWB-353 is shipping now. As always, all FSR products are made of durable materials in the USA.

About FSR
FSR, established in 1981, manufactures a wide variety of signal management and infrastructure solutions for the audio / video, datacom, education, hospitality, government, and religious markets, including floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and HDBaseT & CAT-X signal delivery solutions.

The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: www.fsrinc.com.

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Public Relations & Advertising
Harriet Diener
845-512-8283 • mailto:harriet@desertmoon.tv

Shotoku Broadcast Systems Announces “SMART” IBC Exhibition Plans

IBC Stand # 11.F40

New SmartTrack System Anchors New and Enhanced Studio and Field Camera Support Gear

Staines, UK — Shotoku Broadcast Systems, the well-established leader in manual and robotic camera support, and virtual reality tracking, will anchor its IBC Stand with a new ‘smart’ rail camera system targeting the rigorous demands of daily TV studio use. The SmartTrack system will be at show alongside Shotoku’s advanced and high-performing control solutions, pan & tilt heads, robotic and manual pedestals, and virtual reality products for OB, studio, field production and legislative applications.

“As always, we are totally committed to IBC, which is a major event in our calendar. It allows us to showcase our systems to visitors from Europe and so many other parts of the world. It’s a fantastic opportunity to meet new clients and catch-up with old friends with whom we’ve worked for many years,“ said James Eddershaw, sales director, Shotoku. “This year, as usual, we will be showing a combination of systems from across our entire range of camera supports, including for the first time outside the USA the new SmartTrack rail-based camera system for floor or ceiling use.”

ROBOTIC HIGHLIGHTS

    NEW SmartTrack
    For the first time at IBC, Shotoku will demonstrate the new SmartTrack system, a fully integrated product based on the core track-based technology of MAT, Germany. In combination with Shotoku pan & tilt heads and control systems the MAT system is turned into the perfect solution TV studio use, day after day. It is highly adaptable, supporting floor or ceiling operation and a range of height column configurations, in both upright and inverted modes. The high quality engineering of the MAT and Shotoku systems ensure that the system is robust and stable, designed for long-term use in demanding applications such as 24/7 news or TV Shopping environments.

    ENHANCED TR-XT Control Systems
    Shotoku’s leading advanced control system will be shown once again, incorporating the recent enhancements and expansions in terms of camera capacity and dynamic configuration. The systems on show will be controlling multiple cameras and sharing camera operation across several controller-types.

    ENHANCED Fully Robotic Pedestal
    Shotoku will also be showing the latest developments in fully robotic studio pedestals, providing complete X-Y-H camera positioning with free-roaming capability, where track systems would not be appropriate. Several enhanced features including Virtual Reality tracking and simple referencing make the pedestal ideal for many TV studio applications.

    SEE IT LIVE Orchestra CMS Parliamentary Systems
    Fully automated and with live video touch-screen operation, Shotoku’s world-leading parliamentary TV system will be shown in action. The TG-27 pan and tilt head, becoming a standard among high-end parliaments and legislatures all over the world, will be shown under the control of the TR-S panel.

    MANUAL HIGHLIGHTS
    NEW TTH1502C Carbon Fibre Tripod

    Shotoku’s new 2-stage TTH1502C carbon fibre tripod incorporates the latest technology to give operators a lightweight, yet sturdy tripod system that is perfect for EFP or documentary production. Built to last with carbon fibre legs, the tripod weighs a mere 5.9kg (13 lbs.), features a 150mm bowl base, and stands over 1615mm (5’) tall at its maximum height. Available with a ground spreader or a mid-level spreader, the tripod is ideally paired with Shotoku’s SX300 pan & tilt head for optimal performance.

    TRIED & TRUE SX300 Pan & Tilt Head
    One of Shotoku’s latest mid-weight EFP pan & tilt fluid heads, the SX300 features outstanding balance, a robust build and ergonomic design. With a high capacity 38kg (83 lbs) payload and wide-balance capability, the SX300 supports an array of cameras, lenses and accessories, making it perfectly suited for field production, OB and studio use. The 300 head accommodates flat base or 150mm ball. Operators can not only expect top-class performance and reliability from the SX300’s VISCAM technology for smooth and adjustable pan & tilt drag with reinforced torque, but a continuously adjustable balance system.

    FLEXIBLE SG900 Pan & Tilt Head
    Shotoku’s SG900 manual pan & tilt head offers vibration-free speed in an ergonomically designed sturdy package. Ideal for OB and studio production with Teleprompters or box type lenses, the SG900 supports 90 kg (198 lbs), and features single knob balance adjustment. The unit incorporates the VISCAM ultimate fluid drag system to control smooth pan & tilt movement and REULAUX perfect balance system for maintaining the camera’s centre of gravity. The SG900 fits various pedestals including Shotoku’s TP200 lightweight, 2-stage pneumatic pedestal and both the TP-80 and TP-90 studio models.

    BACKED BY EXPERIENCE Virtual Tracking Systems
    Based on decades of extensive VR experience, Shotoku VR tracking systems offer outstanding design features, robust and reliable platforms for a wide range of camera and lens configurations. High-accuracy, real-time data output with absolutely no loss in manual performance is common to all Shotoku systems as is compatibility with all leading VR graphics systems. Shotoku’s VR range includes the simplest PT head and tripod right up through studio pedestals and high payload heads to state of the art cranes and jibs with total freedom of movement within VR studios small or large. Shotoku will have a sample of these systems on show at IBC.

    About Shotoku Broadcast Systems
    Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.co.uk

    Shotoku contact: James Eddershaw
    +44 (0) 1784 224650 / mailto:info@shotoku.co.uk

    Press contact: Desert Moon Communications / Harriet Diener
    +1-845-512-8283 / mailto:Harriet@DesertMoon.tv

Shotoku Makes Gains With El Financiero ׀ Bloomberg TV

UNIQUE VR TRACKING SYSTEM DELIVERS AUGMENTED REALITY SOLUTION FOR FINANCIAL NEWS BROADCASTER IN MEXICO CITY

Mexico City – Shotoku Broadcast Systems, a leading international manufacturer of advanced camera support products, has announced the recent installation of its highly regarded Shotoku TK-53LVR Dolly Crane System for a Virtual Studio at El Financiero|Bloomberg TV, a station based in Mexico City that broadcasts, through an alliance with Bloomberg NY, both worldwide and local financial-based programming to Mexico and Central America. The sale was facilitated through long-time Shotoku dealer Comtelsat, based in Mexico City with offices in US, Brazil and Central America, to help the station deliver stunning graphics and visuals to viewers.

According to Ricardo Granada, IT & TV support manager, El Financiero|Bloomberg TV, the station is using the TK-53LVR system, alongside a Vizrt Virtual Studio solution, Grass Valley LDX camera dedicated to the Shotoku system, and a Kayak production switcher, as an augmented reality system, for the graphics and statistics, as well as logos of the station’s sponsors in some sections. It is used for augmented reality and virtual elements matched to the real studio.

“They don’t use a traditional lower third or a bumper to show some sponsored section of the news show,” explains Angélica Elizalde, sales executive and specialist in graphic solutions for Comtelsat. “Instead, they use the logo of the sponsor in augmented reality during the whole section — which is way more spectacular, since the anchor is interacting with the virtual element. Also, the anchors can present statistics and schemes that come out right from the floor of the studio — which is a simpler and more creative way to present the information to the audiences. And those graphics can get sponsored, too.”

“We knew the brand from other installations and knew it was a reliable and very stable system,” says Granada. “We were quite impressed because of the length of the crane and the possibilities it has for live production; and also by the fact that no other vendor has a product with the same quality, accuracy and level of service we are used to receive from Shotoku.”

The Shotoku TK-53LVR Dolly Crane System for Virtual Studio offers a unique set of VR features coupled with a sturdy twin arm structure that provides vibration-free, high performance with a single operator. The VR Dolly Crane System allows any studio to be easily transformed into a virtual environment without the need for targets on the ceiling, floors, or walls, or infrared sensors. Reliable, accurate and immediate VR data, including pan/tilt, zoom, focus and X/Y camera date is sent to the graphic computer via an RS422 cable. A Pan Bar control unit maximizes optimal pan & tilt operation. The TK-53LVR also features Shotoku’s unique SPi-Touch 2 point calibration system for quick set-up.

“We’ve been dealers for Shotoku for a number of years, and we have always preferred the system because of its reliability and accuracy in the mechanical tracking data –it’s just the best,” adds Elizalde. “They can have a 360-degree tracking of virtual elements; the arm of the crane is totally vibration free (no matter the length of it, which is quite large). They can make a very large range of movements without worrying about undesired bumping; plus they just need one operator to manage the whole system (nevertheless, they often use two people just to make sure, but most of the time is just one). Also, unlike some other systems, Shotoku guarantees that there won’t be any delay or loss on the receiving of the mechanical tracking data.”

Granada adds, “I have been a user for a few years, but I never worked with a crane system, so this was a challenge. Nevertheless, the system has proved to be as reliable as all other Shotoku products I know. Once you get to know it, it is fairly simple and straightforward to use. Overall, it’s easy to manage, it’s accurate and the final result is always impressive.”

About Shotoku Broadcast Systems
Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.co.uk

Shotoku contact: James Eddershaw
+44 (0) 1784 224650 / mailto:info@shotoku.co.uk

Press contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / mailto:harriet@desertmoon.tv

Screen Innovations Creates New In-wall Screen Category

Austin, TX—June 2014—Screen Innovations (SI), the fastest growing technology-based screen manufacturer in the USA—and the undisputed world leader in ambient-light-rejection screen technology—has developed an exciting new in-wall installation option for its FlexGlass™ rear projection screen material.

FlexGlass™ In-wall is a revolutionary new option that integrates a screen into a wall for a flush fit and finish.

FlexGlass™ is the world’s first rollable glass projection screen with curve and custom capabilities ideal for commercial and retail installations. With FlexGlass™ In-wall, the screen is material inserted into a rigid frame at the job site, then mounted in a pre-cut opening. SI provides integrators with a template and step-by-step instructions to cut a precise opening in the wall.

FlexGlass™ Rear-Pro projection screen material is the most innovative breakthrough in rear projection screens in decades. For the first time, a screen has broken the physical barriers that limit all other rear projection screens. It does so by delivering unmatched edge-blend capability, zero hotspotting, almost infinitely variable viewing angle, and dark contrast because of its ability to reject ambient light.

FlexGlass™ is made from the same material as bulletproof glass, and is available in screens up to 9’ high and 99’ wide, allowing the best in flexibility, strength, and performance. It offers the benefits of the best rigid optical glass and panels, and, because it’s semi-rigid, FlexGlass™ can be used in curved configurations ideal for retail, in-window displays, exhibits, houses of worship, board rooms, corporate lobbies, and more. It can also be rolled in long, seamless sheets on 24” diameter cores, eliminating the logistical problems associated with moving rigid glass or Plexiglas sheets into and through buildings, elevators, and small doorways.

Manufacturers Suggested Retail Pricing: starting at $6,278.00 USD
Availability: June 1, 2014

Screen Innovations makes it easy to choose the right screen for each application, based on lighting, room size, seating distance, and more. Visit www.screeninnovations.com to check out the Screen Calculator, Screen Wizard, and Projector Wizard online tools.

About Screen Innovations
Based in Austin, Texas, Screen Innovations is a leading manufacturer of projection screens and associated technologies for residential and commercial applications. Best known for Black Diamond™, the world’s first and only multi-directional, ambient-light-rejection projection screen technology, SI has effectively revolutionized the two-piece projection category by pioneering and producing screens that deliver an unparalleled video image in light or dark environments. Sold at affordable price points and designed to blend flawlessly with surrounding décor, SI projection screens deliver stunning images and a fully immersive entertainment experience that rivals or surpasses traditional displays. Operating under the principle of “No matter the budget,” Screen Innovations has the best available screen solution to suit your needs.” SI produces a comprehensive assortment of screens and accessories for nearly any budget or application.

Visit www.screeninnovations.com or call 512-832-6939. Follow us on Facebook @screeninnovations and on Twitter @SIScreens.

ASHLY AMPLIFIERS AND SIGNAL PROCESSORS NOW SHIPPING WITH DANTE™

WEBSTER, NEW YORK: Ashly Audio, maker of powerful, high-performance, cost-effective power amplifiers and signal processors, is now shipping Dante digital media networking solution with all their nXe, nXp, Pema and NE Series networkable amplifiers. NE Series rack-mount system processors (4400, 4800, 8800) are also available for purchase with Dante. With low latency, robust synchronization, I/O scalability, and simplicity of installation via standard IT technology, Dante will significantly enhance the power and value of Ashly’s networkable amplifiers line and select signal processors.

“We’re now ready to supply our market with this incredible audio networking technology in our nXe and nXp amplifiers” says Anthony Errigo, director of communications at Ashly. “Dante currently brings the best in flexible, yet robust, digital audio transport and we’re poised to build on its success by delivering this connectivity in our most premier amplifiers and processors. Our customers will benefit greatly by this advancement.”

Audinate revolutionizes the way that A/V systems are connected by transporting high-quality media over standard IT networks. Dante is a robust proven solution which is widely deployed in hotels, transportation centers, shopping centers, public address systems, live sound reinforcement, theaters, concert halls, stadiums, athletic venues, corporate boardrooms, universities, broadcast facilities, recording facilities, houses of worship, government facilities, and courtrooms.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ABOUT AUDINATE Audinate’s patented Dante media networking solution has been adopted by eighty OEM manufacturers in the professional audio/visual industry and is a Promoter Member of the AVnu Alliance™. Audinate offices are located in US, United Kingdom and Australia. Visit www.audinate.com for the latest news and information on the company. Dante is Digital Media Networking Perfected.

Dante is a trademark of Audinate Pty Ltd. Audinate is a registered trademark of Audinate Pty Ltd.

STOP BY AND SEE ASHLY AT INFOCOMM BOOTH #C11308

ASHLY AUDIO CELEBRATES 40 YEARS OF BUILDING GREAT-SOUNDING, COST-EFFECTIVE, AND RELIABLE PRO AUDIO SOLUTIONS

WEBSTER, NEW YORK: Founded by Billy Thompson in 1974 on the wings of a successful live sound company, Ashly Audio has been pioneering innovative products for the pro audio industry for forty years. Although much has changed, such as Ashly’s steady pivot from analog solutions for live sound to digital solutions for installed sound, much has also not changed, and it is this constancy that underlies Ashly success and longevity. Ashly has always delivered great-sounding gear that is highly reliable, easy-to-use, and fairly priced, which is a combination that never goes out of style. Moreover, Ashly has always resolutely stood behind its products and offered its full support to its customers. Ashly continues in this tradition as it builds the next generation of networkable amplifiers, DSPs, and user interfaces.

“Ashly has always had a relatively slow but steady growth trajectory,” explained Mark Wentling, president of Ashly Audio. “Many similar companies started out around the same time as Ashly Audio but have since closed their doors or been absorbed into other companies to become just another ‘brand.’ People have moved on and factories have been shuttered or moved overseas. Our approach has always been to remain steady, dependable, and maybe a little conservative, and that contributed to the forty strong years that we’re now celebrating. Indeed, the Ashly philosophy reflects back on our employees… many of the people still on the payroll in engineering, administration, and manufacturing were there when the company was just starting up!”

Those were the days when Billy Thompson was still playing the role of mad scientist at a lab bench overrun with oscilloscopes, custom-made real-time analyzers, and voltmeters. The smell of solder hung thick in the air. Among many other gems, Thompson used that charismatic setup to design Ashly’s 1970s-era SC-Series of rack-mounted processors, which included classic compressors, equalizers, crossovers, line mixers, mic preamps, and all of the other goodies that today reside inside Ashly’s Protea™ Digital Signal Processing platform. The live sound industry flocked to these and other Ashly products because, for a fair price, they effectively solved real problems and were well-known to reliably endure the stresses of life on the road.

In the 1980s, Thompson pioneered Ashly’s now-legendary MOS-FET amplifiers, which revolutionized the amplifier market by dramatically increasing amplifier power and reliability while minimizing size and cost. Ashly’s MOS-FET amplifiers were among the first to be certified for meeting Lucas-films’ stringent THX movie theater sound systems. Today, Ashly continues in that tradition by delivering high-power, high-fidelity amplifiers in small-footprint, multi-channel configurations that maintain Ashly’s hallmark reliability and value.

“Our relatively small size allows us to be quite nimble and responsive to our customers, whom we deeply value,” said Wentling. “Ashly Audio still operates a full factory in Webster, New York, just outside of Rochester, where we design and manufacture all of our networkable products, including high-power Class-D amplifiers, DSP Matrix processors, and some legacy handmade analog mixers, like the MX-508. In addition, we have responded to market forces by opening Asia-based manufacturing for our KLR-Series amplifiers and some legacy analog products. However, this is just a component of our U.S.-based operations. Indeed, we expanded our U.S. manufacturing plant last year and grew the R&D team. We continue to add to our product line-up in the area of high-performance Class-D amplification, as well as DSP matrix & system processors.”

A development Thompson couldn’t have anticipated without Steve Jobs-like prescience is how quickly the pro audio industry has adopted network technology from the IT industry. Ashly’s nimble in-house engineering team has ensured that the company stays at the leading edge of this development, giving A/V integrators cost-effective options for building Ashly systems and tying them elegantly into the larger lighting and video infrastructures. Ashly’s network-ready amplifiers and processors play nicely on a TCP/IP network right out of the box, and integrators can network digital audio via CobraNet or Dante® (“and AVB when the time is right,” promises Wentling). In addition to networkable hardware user controllers, Ashly offers a popular Ashly Remote iPad app for custom control of its products and will look towards the eventual release of iPhone and Android variants as well. Beyond simply offering these technologies, Ashly’s dedication to customer support ensures that Ashly users are a phone call away from answers and solutions to the myriad questions and challenges that can crop up in complicated networked systems.

“There is an incredible history here,” says Anthony Errigo, director of marketing communications. “People at Ashly are dedicated and have great stories to share. Our employees are proud of this company and brand that they have built together.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

And to take an historical look at Ashly, visit: www.ashly.com/40

BE SURE TO STOP BY AND SEE US AT INFOCOMM BOOTH #C11308

PHOTO CAPTION: Billy’s bench, circa 1979, with his RTA (Real-Time Analyzer).

New Jersey Township Chooses Yamaha CIS System

BUENA PARK, Calif.—The Township of Evesham, New Jersey courthouse is a typical municipal courtroom. It doubles as a non-jury courtroom, as well as a council meeting room and a township meeting room. Between the court and various town meetings, there can be up to 16 microphones on at any given time. The microphones need to be fed to the live speakers and for multi-track recording purposes.

ACIR Professional of Mays Landing, New Jersey was chosen to replace the live portion of the Township’s audio system in the hope of obtaining a cleaner, clearer sound. “In addition to obtaining a better quality sound, the customer still wanted to be able to send audio via multi-track to record,” states Vice President of Sales, Bobby Harper. “Having just demoed the new Yamaha CIS (Commercial Installation Solutions) Series products, the design became obvious.”

ACIR Pro chose a Yamaha MTX5-D processor with the EiX8-8 channel extender in order to accommodate the 16 inputs required. The processor also handles the routing of multi-track and a 4-zone (mix minus) to the Yamaha XMV4280-D Dante-enabled 4-channel amplifier. Yamaha VXC8W speakers were chosen for their clarity and ease of installation. The speakers are zoned for maximum gain before feedback. With assistance from a Dugan MY-16 Auto Mixer card installed in the MTX5-D and the extensive parametric EQ capabilities on each zone output.

Harper said the volume and clarity before feedback was staggering for both courtroom and meeting pre-sets. The presets were stored in the Yamaha MTX5-D library. Recall is available from an in-wall mounted Yamaha DCP1V4S-US controller that the clerk has at his/her fingertips. “Overall Yamaha was selected because of its new all-in-one CIS solution.”

ACIR also installed a Yamaha HS Studio Monitor along with 16 Shure MX418 D/C microphones.

For more information on ACIR Professional, visit www.acirpro.com.

For more information on Yamaha CIS products, visit www.yamahaca.com.

-END-

PHOTO CREDIT: Digital Warmth

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Screen Innovations—The World Needs the Best Bigger

Austin, TX—May 22, 2014—Screen Innovations (SI) has enlarged Black Diamond™, the world’s most popular ambient-light-rejecting screen and the ideal choice for commercial integrators who need Black Diamond™ quality in a larger format. The largest Black Diamond™ screens to date feature 1.4 gain in new sizes: 16:9 120” and 2.35:1 150”, in Fixed and Zero Edge formats. The larger Black Diamond screens, as well as other recently designed additions to the SI family, continue to make SI the fastest growing screen company in the world.

Black Diamond, the world’s only vertical and horizontal ambient-light-rejecting screen, has a multi layer optic that reflects only the light generated by the projector resulting in a 900% boost in contrast. Additionally, Black Diamond is the only screen that greatly benefits dark environments by reducing light scatter by over 75%. The result is the richest, sharpest image, with the best blacks now available from a screen.

Ryan Gustafson, President of Screen Innovations, boldly announced, “At SI, we believe innovation means that a design is never complete, just more perfect with each iteration. He continued, “We are excited to announce that plans are underway to invest in and expand our production capability to better support today’s large display needs. Our customers asked, and we delivered.”

All Black Diamond screens feature active 3D capabilities and are future-proofed and 4K ready. Screen sizes start at 80” fixed, curved, motorized, and popular Zero Edge formats.

Screen Innovations will exhibit at InfoComm June 18-20, 2014, in Booth #419 in the North Hall. Stop by to see the next generation of video projection screens demonstrated with projectors from our partners, DPI, Epson, and Vivitek.

Manufacturers Suggested Retail Pricing: Starts at USD $2,199.00
Availability: May 2014

Screen Innovations makes it easy to choose the right screen for each application, based on lighting, room size, seating distance, and more. Visit www.screeninnovations.com to check out the Screen Calculator, Screen Wizard, and Projector Wizard online tools.

About Screen Innovations
Based in Austin, Texas, Screen Innovations is a leading manufacturer of projection screens and associated technologies for residential and commercial applications. Best known for Black Diamond™, the world’s first and only multi-directional ambient-light-rejection projection screen technology, SI has effectively revolutionized the two-piece projection category by pioneering and producing screens that deliver an unparalleled video image in light or dark environments. Sold at affordable price points and designed to blend flawlessly with surrounding décor, SI projection screens deliver stunning images and a fully immersive entertainment experience that rivals or surpasses traditional displays. Operating under the principle of “No matter the budget, Screen Innovations has the best available screen solution to suit your needs.” SI produces a comprehensive assortment of screens and accessories for nearly any budget or application.

Visit www.screeninnovations.com or call 512-832-6939. Follow us on Facebook @screeninnovations and on Twitter @SIScreens.

RF VENUE INTRODUCES RF OPTIX™

ASHLAND, MASSACHUSETTS – MARCH 2014: Wireless audio manufacturer RF Venue has released the RF Optix™ RF to fiber optic conversion system, a powerful new tool for mainstream wireless microphone users that expands the possibilities of antenna distribution and wireless audio design.

“RF Optix brings technology from the world of broadcast and IT into the reach of church, school, and theater wireless users,” says CEO Chris Regan. “Integrators, tour managers, and church technicians are now able to do things with fiber that would have been way out of budget, or downright impossible, with coaxial cable.”

The RF Optix system leverages the low cost, lossless characteristics of fiber optic cable over the expensive, fragile, lossy characteristics of coaxial cables. Fiber cable runs thousands of feet long are possible with negligible in-line attenuation, so antennas can be remoted in venues far away from racks or equipment rooms located elsewhere in the facility.

“One of the main constraints for distributed antenna systems for wireless audio is the cost and signal loss challenges of coax cables,” says Regan. “This is especially true for plenum installs, where plenum rated coax can exceed the cost of the entire audio system. With inexpensive plenum rated fiber cables, system designers can now rethink their equipment layouts without sacrificing the huge performance benefit of using a remote antenna system for their wireless system.”

The RF Optix system is offered as a single channel for connecting to one antenna or in a dual channel package for diversity antenna systems. The Install Package includes wall or rack mountable flanges and the Live Package includes a hard-shell carrying case. Both options include 10’ BNC to SMA adapter cables for connecting to antennas and wireless rack equipment; 9V screw-on power supplies are also provided. Available accessories include 100m single mode plenum fiber cables and 100m indoor/outdoor reinforced fiber cables. Custom fiber cable lengths are available.

ABOUT RF VENUE RF Venue is a new wireless audio company specializing in remote antennas, RF distribution equipment and RF signal management and monitoring systems for audio/video installations and live sound events.

http://www.rfvenue.com

Contact RF Venue at 800-795-0817 or email orders@RFvenue.com for further details.

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