A virtual press conference from Sound & Video Contractor

Archive of the InfoComm Newslink Category

Revolabs at InfoComm 2014:

Revolabs
InfoComm 2014
Booth N1955

Revolabs Executive Elite(TM) Four- and Eight-Channel Wireless Microphone System
At InfoComm 2014, Revolabs will showcase its new Executive Elite, the first and only wireless microphone system to offer customers a cloud server option. Originally announced at last year’s show, the Executive Elite has since been equipped with a combination of local and remote cloud-based capabilities that offer incredible flexibility in setup, management, and monitoring, allowing integrators and end users to provide managed services easily for all Elite systems across an enterprise. Administrators can access information related to microphone status, audio and radio signal strength, and system performance via a Web-based interface. One of the many benefits of this convenience is that administrators can manage all Revolabs Executive Elite(TM) customer-specific installations within a single screen.

The Executive Elite’s remote antenna receiver and base units connect via a standard Cat 6 cable with Power over Ethernet (PoE) support to facilitate installations. The system’s redesigned microphones feature an elegant Fortune 500 look and feel, superior audio pickup, improved signal-to-noise ratio, easy operation, and enhanced digital signal communication over wireless links. The new gooseneck microphones fill out the growing family of microphones, providing customers an expanded choice to customize their installations.

Image Link: www.ingearpr.com/Revolabs/Revolabs-Executive_Elite.jpg
Image Caption: Revolabs Executive Elite(TM)

Revolabs FLX(TM) UC 500 USB Conference Phone
Setting a new standard for audio quality in PC communication applications during meetings and online collaboration, the Revolabs FLX(TM) UC 500 USB conference phone provides powerful, high-fidelity audio capabilities using tweeter and mid-woofer elements — effectively putting the speaker back into the audio equation. Equipped with four microphones, a wider frequency response, and higher power than typical USB audio devices, the FLX UC 500 brings professional-grade sound to unified communication applications such as video and audio conferencing services, softphone calls, or webinars at an entirely new price/performance ratio. Designed specifically for huddle rooms, small offices, and home offices, the device furthers its high-level audio clarity using straight-from-the-box echo cancellation without any additional processing required while offering full duplex support for simultaneous audio capture and playback. Users can listen to external audio or link the system to a laptop, PC, or tablet for use with Skype(TM), Microsoft(R) Lync(R), Cisco Jabber, IBM(R) Sametime(R), WebEx(R), and many other applications.

Image Link: www.ingearpr.com/Revolabs/Revolabs-FLX_UC_500.jpg
Image Caption: Revolabs FLX(TM) UC 500

Revolabs FLX(TM) UC 1000 IP Conference Phone With SIP and USB Audio Support
Revolabs’ FLX(TM) UC 1000 IP conference phone with SIP and USB audio support is a breakthrough for both audio quality and unified communication (UC) collaboration. Featuring first-class sound components and multiple communication channel integration, the unit is a simple, stylish, and powerful solution for desktop and conference room applications in a single device. The FLX UC 1000 features audio capture and delivery via premium tweeter and mid-woofer elements, four microphones, an ultra-wide frequency response, and integrated echo cancellation. The FLX UC 1000 supports the SIP standard and works in all major VoIP environments with all market-leading IP PBX systems, whether on premises or in the cloud. For IP calling, the FLX UC 1000 features a separate dialer with a color display while USB support allows users to connect the speakerphone to any laptop, PC, or tablet. The sleek device also functions as a bridge for joining IP telephone calls with USB audio applications.

Image Link: www.ingearpr.com/Revolabs/Revolabs_FLX_UC_1000.jpg
Image Caption: Revolabs FLX(TM) UC 1000

Revolabs Speaking at InfoComm 2014
On Thursday, June 19 from 2:30 to 4:30 p.m., Revolabs Senior Product Manager Dr. Holger Stoltze will be presenting “Wireless Versus Wired Microphones — Successful Conferencing for Every Setting”. In the seminar, Stoltze will discuss the different wired and wireless microphone technologies available for boardrooms and conference rooms. In addition, he will explore the fundamentals of microphone acoustics and their importance in any installation.

Company Quote:
“Each year at InfoComm, visitors come to the Revolabs booth to see truly innovative audio solutions tailored to the specific needs of a variety of environments from the desktop to the auditorium, while meeting today’s demand for more unified and collaborative communications. 2014 certainly isn’t going to be an exception. On display will be our latest and greatest, including the FLX UC 500 USB conference phone, FLX UC 1000 conference phone with support for both SIP and USB audio, and our flagship Executive Elite — the first and only wireless microphone system to feature a cloud server option. It’s going to be another amazing InfoComm for Revolabs as we announce and debut new products at the show. We look forward to seeing everyone there.” — JP Carney, CEO at Revolabs

Company Overview:
Revolabs Inc. is the premier provider of audio solutions for unified communications, enterprise collaboration, and professional audio applications across a wide range of markets. Offering unmatched audio quality that allows users to “hear every word,” the company’s teleconferencing and microphone systems are utilized across the globe for a variety of applications, from webcasts and video conferencing to podcasts and broadcasting. Combining the ultimate in flexibility with sleek, stylish form factors, Revolabs solutions cut the cord, facilitating natural mobility by allowing participants to move about a workspace and still be heard, without being held back by wires. Leading the way in innovation, the company continues to add to its portfolio of value-added audio and telephony systems with superior products. Revolabs systems are secure (encrypted), rechargeable (environmentally friendly), and GSM-impervious. The company is headquartered in Sudbury, Mass., and can be reached at +1-800-326-1088 or www.revolabs.com.

PR Link: www.ingearpr.com/Revolabs/140423Revolabs.doc

METRIC HALO ULN-8’s FRONT IMMERSIVE IDEAL – A RECORDING SESSION ON DISPLAY AT D.C. AREA MUSEUM

ARLINGTON, VIRGINIA – APRIL 2014: Beauty Pill is the musical brainchild of veteran producer and engineer Chad Clark, who founded the band in 2001 shortly after the dissolution of Smart Went Crazy. Both bands have received heaps of critical praise from outlets local to Washington D.C. and from the national press. Solid songwriting has turned Beauty Pill’s on-again/off-again status into something that promotes, rather than detracts, from its cult following. Beauty Pill recently teamed up with the Arlington, Virginia-based Artisphere museum to take on a unique artistic, musical, and sociological experiment. The band set up in a large room inside the museum with a windowed overlook and spent two weeks on display recording an album. Although they went in with racks of borrowed A-list studio gear, their initial recordings fell flat. It was only after Clark stripped everything down to just his Metric Halo ULN-8 interfaces that the recordings came alive, a testament to the ULN-8’s fantastic sound.

“Artisphere initially approached me to ask if I could do something ‘musical’ in the museum’s beautiful space,” explained Clark. “I was touring around, trying to come up with some ideas, when they showed me a large room with a window that overlooked it. It reminded me of Abbey Road Studio 2, where the Beatles made a lot of famous recordings. That put the idea in my head to do a recording there. It would be live in the sense that people would be watching us, but my plan was to record exactly as we would in a normal studio… including all of the discussions, overdubs, and the like. I thought it would interesting for the public to see that process – I have some non-musician friends who seem to think an album is made in almost the time it takes to listen to it!”

A musician first, Clark happily fell into engineering and production when other bands in the D.C.-area approached him because they liked the sound of Smart Went Crazy. He quit his day job in 1998 and spent nearly a decade between now and then as a mastering engineer at Silver Sonya. These days, he works mainly as a mix engineer, where he finds his passion for music is best nurtured. “It was working with Beauty Pill that first got me interested in the Metric Halo ULN-8,” Clark said. “It seemed to fit what I needed and what the band needed. Although I have nothing against low-fi recordings, I have no romance for them. I like sound that is vivid and the descriptions of the ULN-8 conveyed that idea. It’s turned out to be completely true – the ULN-8 is a miracle device! It’s incredibly flexible, and everything I record with it sounds amazing.”

Nevertheless, when someone goes to do a big studio recording – especially one that will be on display – there are certain preamps with legacies deep in the recordings of the late 1960s that engineers naturally assume will be the best choice for a rock record. With the help of friends at local studios, Clark amassed a rack of the choicest analog preamps and processors available. “We mic’d everything up with the best mics for each application and ran them to the textbook pro preamps that engineers have been using for decades,” he said. “The initial recordings were okay, but they weren’t fantastic. We all agreed that they fell kind of flat. So we simplified the mic’ing and pulled out all those great preamps, relying entirely on the Metric Halo ULN-8s for preamps and conversion to 24-bit/88.2kHz.”

He continued, “It was a revelation. The sound came alive. It was vivid and tactile. The ULN-8 preamps are just stellar. That was a convincing test, and now I never wonder about using anything but the ULN-8s now. I think it’s worth pointing out that although Metric Halo’s use of the term ‘archival quality’ is totally appropriate, it shouldn’t give anyone the idea that the ULN-8 is only for purists or documentary recording styles. Beauty Pill’s Artisphere recording is far from documentary. We use all kinds of overdubs and textures and found sounds. The quality of the ULN-8 simply makes that mode of recording more vivid and involving.”

Some of the band’s friends advised them against the experiment, citing YouTube’s “comment culture” as an example of how mean people can be when a band is vulnerable. “I suspect that if we had streamed the installation or posted video, things might have gotten ugly,” said Clark. “But the people who came to the exhibit were completely supportive. Sure, there were some uncomfortable moments when we were arguing amongst ourselves, but I mainly felt empathy from the window. They were wishing us well. It was an encouraging experiment!”

Ultimately, Immersive Ideal ran as an interactive multimedia photography and music exhibit with pictures from the recording sessions paired with a surround-sound mix of the final versions. Beauty Pill anticipates releasing it as a conventional stereo recording in the fall.

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

Yamaha Commercial Audio Systems to Sponsor POD 2014 In Quebec

BUENA PARK, Calif.—Le Diplomate Audiovisual is hosting its first two-day Open Door (French Porte Ouverte le Diplomate or POD) event bringing together over 25 audio-visual exhibitors, guest presenters, product demonstrations, conferences, animation, and networking opportunities for industry professionals. The 2014 POD event is designed to create a meaningful and valuable experience and includes clinics with AV specialists, hands-on demonstrations, and an exhibition of new products.

Yamaha Commercial Audio Systems, Inc. (YCAS) is the main sponsor of this new event to be held at Le Diplomate Audio Visual, 5588 Blvd Rossignols, in Laval, Quebec. YCAS products to be exhibited during the two-day event include the new Yamaha QL digital console line, CL console, NEXO PS speakers and Commercial Installation Solutions (CIS) products. On a mobile stage, a NEXO STM line array will be used for live events, and on ‘the Patio’ CIS products will be used in real world setting. Classes on QL and Dante network will also be offered.

Exhibition dates and times are Tuesday, May 13, 2014 – 10:00 am – 5:00 pm and Wednesday, May 14, 2014 – 10:00 am to 3:00 pm.

For more information on POD 2014 visit, http:www.//diplomate.com/pod2014/en.html.

The event is free but registration is necessary. To register,
visit https://www.qvc.qc.ca/Inscript/Publique/QVC2101A.aspx?m=2&a=.

-END-

Trivium, The ME, And New Yamaha QL: A “Three-Way Logical” Combination

BUENA PARK, Calif.—“Trivium” is an American heavy metal band from Orlando, Florida that formed in 2000, and since signing with Roadrunner Records in 2004, has released six studio albums and eighteen singles. Selling over one million albums worldwide and following the release of their sixth album, the band is out on tour in support of Vengeance Falls.

After speaking with Clair Bros. (Littiz, PA) who is responsible for audio production for the tour about different console options, Trivium’s monitor engineer, Mike Babcock, chose the new Yamaha QL5 Digital Audio Console for monitor mixing. Clair is also providing a FOH control package, a full stage patch package, and snake system for Trivium. The band owns JH-Audio IEMs and Sennheiser transmitters. Clair is also providing a full monitor system and control package for “Volbeat” who headlines the tour.

“The Yamaha QL Console Series could not have been released at a more opportune time, states Clair Account Manager, Justin Weaver. We were in the middle of talking to tour manager Joey Brueckmann and Mike Babcock about their upcoming tour package, and the QL5 was the perfect fit for the tour. Trivium is jumping around between headline, support, and festival shows, so having a reliable, compact console in monitor world was a must since real estate on stage is at a premium.”

After speaking with Doug Staab at Yamaha Commercial Audio Systems, he assured Clair Bros. that Yamaha could have the QL5 QC’d and shipped to them before their shop load-out date. “Not only did they deliver on time, but our console department also had time to play with the console and was quite impressed with the design and feel of the QL, says Weaver. We look forward to deploying this desk on many more tours in the future that require a dependable, small-footprint mixing console.”

Initially, Trivium chose a Yamaha CL1 for the tour mainly because Brueckmann was finding that all of their fly dates had Yamaha PM5Ds for monitors, and we wanted to stay within the Yamaha family for consistency yet keep a small footprint for ease of everything,” states Babcock. The fact that the new QL5 was available was a huge bonus, mainly for the onboard preamps and not needing an additional Rio rack. I’ve never been one to shy away from new gear, especially from Yamaha.”

Babcock said since the main goal for a monitor console was a small footprint and Trivium is the main support act on the Volbeat tour, a quick load out was important. “Having a file system that is compatible with all Yamaha consoles is a big plus. The file conversion utility worked great with our first fly date festival using a Yamaha PM5D.” Babcock said that on that fly date with a converted QL5 show file for PM5D externally clocked at 96 there was no noticeable audio quality difference after gain structure was reset. “I would consider the QL5 to be PM5D quality (or better) in an Yamaha LS9 size. Great for club tours, support tours, and anywhere a small footprint is needed. Keeping client demands for high quality audio is the main goal, and the addition of the Premium Rack plug-ins is greatly appreciated and adds that little special sauce we all love. There are times where I really need dynamic EQ, and that option is great as well.”

“It all adds up to be the best monitor mixes anyone in the band has ever had mainly due to having the QL5 tools required to offset various venue conditions at the tip of my fingers.”

For more information on Trivium, visit www.trivium.org.

For more information Clair Bros., visit www.clairglobal.com.

For more information on the Yamaha QL Digital Console, visit www.yamahaca.com.

-END-

PHOTO ID: L to R: ME Mike Babcock with TM Joey Brueckmann

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

CAST BlackTrax Shortlisted for Two Studio LIVE Design Awards

48HRS BEFORE VOTING CLOSES!



Live Design’s Seventh Annual Excellence Awards voting is now open.

Vote for CAST BlackTrax in the following categories:

Category 3. Live for Broadcast: Eurovision
Category 7. Venues (Theatre or Performance): Trinity Fellowship Church

Vote Here: http://livedesignonline.com/news/excellence-awards-voting-open

Winners of each category will be featured in the June issue of Live Design, as well as honored at the Broadway Master Classes.

CLICK HERE TO WATCH THE VIDEO

www.blacktrax.ca

Matrox at InfoComm 2014 — Product Preview

Video wall controller boards, H.264 encoders/decoders, fiber-optic KVM extenders, video streaming and recording appliance and quad HD capture card to be showcased

Matrox® Graphics Inc. and Matrox Video will be sharing booth N2247 at InfoComm 2014 (Las Vegas, June 18-20). Matrox Graphics Inc. will demonstrate the field-proven Mura™ MPX video wall controller boards, Maevex™ Full HD over IP H.264 encoders/decoders and zero-latency Avio™ fiber-optic KVM extenders. Matrox Video will showcase the award-winning Monarch HD™ video streaming and recording appliance and the VS4™ quad HD capture card for multi-camera recording and streaming.

Video Wall Controller Boards
Matrox Mura MPX Series capture and display boards feature flexible inputs and high-quality outputs allowing AV integrators, system builders and equipment manufacturers to easily and cost-effectively build high-density video wall controller systems supporting custom video walls of almost any size. Exceptional-quality scaling, switching, and compositing of source content including HDCP feeds are easily managed through intuitive software control options including Matrox MuraControl™, third-party software and simple integration with existing AV control systems. The recently released Matrox MuraControl 3.0 for Windows video wall management software will be demonstrated for the first time at InfoComm 2014. Mura capabilities will also be showcased through rich transitions and eye-catching effects applied to both recorded and live content using the latest Mura Network API — a platform that software developers have used to build their own powerful video wall control solutions for Mura-based video walls.

AV-over-IP H.264 Encoders/Decoders
Matrox Maevex H.264 encoders and decoders deliver exceptional quality AV streaming at low bandwidth over standard IP networks for display or for storage anywhere on the LAN. Maevex encoders, priced at only $999 US (MSRP), can be combined with Maevex decoders or a third-party software decoder to stream up to Full HD digital signage, education and training materials, camera footage, desktop screen capture and other AV content to one or more displays and to collaborative video walls. New at InfoComm this year, Matrox will demonstrate how Maevex encoders can record live AV content to network-attached storage (NAS) or network-shared drives at resolutions up to 1080p60. The zero-latency pass through allows realtime monitoring or connection of another device to stream at the same time as recording. Maevex units come bundled with Matrox PowerStream™ software, allowing for easy remote device management, stream switching and streaming/recording parameter adjustment, including user-definable bitrates between 100Kbps and 25Mbps. An API is also available for software developers who want to add Maevex device control to third-party applications.

Fiber-optic KVM Extender
Matrox Avio F125 fiber-optic KVM extenders separate dual HD or single 4K Ultra HD video, keyboard, mouse, stereo analog audio and USB 2.0 devices from a computer, providing real-time control of high-performance workstations located up to 6 miles away. The transmitter/receiver pair extends two single-link DVI (2x1920x1200) or one dual-link DVI (2560×1600 or 4096×2160) video, and multiple high-speed USB 2.0 compliant devices from the host computer by up to 1312 ft (400 m) over multimode cable and 6.2 mi (10 km) over single-mode cable. Avio F125 stands out for its ability to transmit all signals with zero compression and zero latency on a single duplex LC-LC fiber-optic cable.

Video Streaming and Recording Appliance
Matrox Monarch HD is a small, easy-to-use H.264 encoder designed for professional video producers who need to simultaneously stream a live event and record a mastering-quality version for post-event editing. Priced at just $995 US, it provides these two independent modes in an integrated unit. From any HDMI input source such as a camera or switcher, Matrox Monarch HD generates an H.264-encoded stream compliant with RTSP or RTMP protocol. While encoding the video at bitrates suitable for live streaming, Matrox Monarch HD simultaneously records a high-quality MP4 or MOV file to an SD card, a USB drive, or a network-mapped drive. Matrox Monarch HD is remotely controlled using any computer or mobile device with a web browser. The new Monarch SDK, an HTTP-based API, includes documentation and sample code that let AV and broadcast equipment developers write applications to configure and control Monarch HD streaming capabilities, giving them a very straightforward way to include a high-quality webcasting service as part of their overall product offerings.

Quad HD Capture Card for Multi-Camera Recording and Streaming
Matrox VS4 is a quad HD capture card that comes bundled with VS4Recorder™,a multi-camera recording app that gives live event producers complete synchronized control over capture of the four inputs connected to the VS4 to create high-quality MOV, MP4, or AVI files for use with popular editing apps, for immediate upload to the internet or for archiving. VS4 is also ideal for multi-camera live production streaming with Telestream Wirecast for Windows or StudioCoast vMix software. It not only sends video feeds for streaming, it also facilitates ISO recording to disk of all the original video and audio feeds for post event editing via a Matrox plug-in for Wirecast or Matrox Video for Windows (VfW) codecs for vMix MultiCoder software..

About Matrox
Matrox is a world leader in graphics, imaging, and video technology providing an extensive array of real-world relevant OEM and end-user solutions to businesses and individuals across a diverse range of professional markets, including media and entertainment, finance, digital signage, medical imaging, manufacturing, factory automation, security, government, and enterprise computing. For more information, visit www.matrox.com.

GRUND AUDIO DESIGN ANNOUNCES UPDATES TO GA-2021 LINE ARRAY SYSTEM

**** Photo: Grund Audio Design GA-2021 ****

Council Bluffs, IA – April 2014… Grund Audio Design, a pioneering manufacturer of loudspeaker and signal processing products for the audio professional, is pleased to announce that new Gala Series GA-2021 line array elements are being updated with revised flyware and that a new transport case is available. While the new flyware provides greater versatility, the new enclosures remain fully compatible with existing GA-2021 systems and can be used together should customers wish to expand their current systems. more

Renkus-Heinz Adds Color to New York’s Grey Bar

New York, NY – April 2014… The area around midtown Manhattan is about as busy and bustling as one might expect in the heart of the City that Never Sleeps. Packed into these few square miles is a staggering array of museums, shops, casual and upscale eateries and watering holes.

Since opening its doors last year, Grey Bar has quickly become a popular neighborhood spot for the midtown crowd. The restaurant’s kitchen has been receiving stellar reviews, and the dining room has been perpetually full.

The Grey Bar’s sound system, installed by Rego Park, NY-based Starview Satellite and designed by Rich Trombitas of Cardone, Solomon, and Associates, is designed to keep pace with the club’s ambience, whether it’s the midday lunch crowd or the more upbeat dinner hours. The system comprises a dozen Renkus-Heinz TRX81 two-way complex conic loudspeakers, with four cabinets across the bar and and eight more covering the dining areas.

As Starview’s John Paturno explains, the TRX Series was ideally suited for this application, with a tight pattern control that enabled the sound to be focused away from many of the room’s abundance of mirrors, glass, and other reflective surfaces.

“We were impressed with the flexibility of the TRX81 as well,” says Paturno. “Initially, we had planned on mounting all the cabinets horizontally, but due to some last-minute architectural changes, it became necessary to reorient a few of them vertically. We were impressed with how easily we were able to rotate the horn to achieve the coverage we needed.” Powersoft amplification drives the system, with Symetrix DSP also providing Web-based access to the system. “The owners can adjust the source and volume, even from off-site,” adds Paturno.

The Grey Bar has become an instant hit with the busy urban set, praised both for its menu and its ambience. As Paturno points out, the TRX Series has been a big part of that ambience. “The uniformity and flexibility of the TRX81s provide the perfect non-intrusive backdrop for the lunch and dinner crowds, with the capacity for a more high energy sound for the later night Manhattan crowd.”

###

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Opticomm-EMCORE to demonstrate Video Wall driven by Eclipse HD at InfoComm

Alhambra, CA – Opticomm-EMCORE, a leading provider of high-definition video, audio and data transport solutions for Fiber, IP, CATx and Coax networks, will be using the InfoComm 2014 show in Las Vegas on June 18-20 as a platform to demonstrate the quality of the new Eclipse HD as it extends and switches 1080p or 1920×1200 multimedia feeds across a dedicated IP network, sent to a four-panel video wall as example of its capabilities. In addition, other high-quality products for pre- and post-production, live-feed, and Professional A/V will be on display at the booth stand, C7716.

Opticomm-EMCORE will construct a cost-efficient video/audio/data distribution system over an IP network to show design consultants, system integrators and home theater aficionados the painless switching and routing of the new Eclipse HD. This encoder/decoder system provides visually lossless transmission and processing of HDMI 1.3, 5.1 channel audio, RS-232 data and USB HID keyboard/mouse (KVM), over a dedicated Gigabit Ethernet network. A media player, Blu-ray or DVD player, laptop, camera or other HDMI source can send HD signals to the Eclipse HD encoder, which can then be sent to a Layer 2/3 Unmanaged Gigabit Ethernet Switch with IGMP 2.0 (if desired), which lastly can be received by one or more decoders to be connected to single or multiple displays. There are virtually limitless ways to configure a HD matrix by stacking IP switches.

In addition to the Eclipse HD, we will be showing the NV series as a part of the IP network exhibit, which utilizes JPEG 2000 encoding and decoding for lossless DVI, HDMI, and 3G HD-SDI distribution. Also we will also be highlighting, in our booth, the c-linx series, Optiva and GBOX fiber products. The c-linx series are small, stand-alone box units utilizing HDBaseT technology to extend signals for extension up to 100 meters, over CATx. The company will also display the Optiva OTP-1DVI2A1UKM, which has been upgraded with a larger bit-rate of 10GB optics and now supports up to 4K resolution and KVM over a secure, lossless multimode fiber up to 10 km and singlemode fiber up to 25 km. The first in the GBOX Series, GBX-HDMI-VGA, provides for the transmission of either HDMI 1.4b with HDCP and HEAC support, or VGA / Component for legacy stereo analog sources, in a point-to-point configuration. It also supports stereo analog and S/PDIF digital audio, 10/100/1000 Ethernet, bidirectional RS-232 and IR support.

Opticomm-EMCORE’s booth will display the newest and key products that we believe, will cater to consultants and integrators who build and design complex signal network systems and have need of high-quality signal management.

“We are excited to showcase our newest addition to the video-over-IP distribution category, Eclipse HD,” concludes Henok Tafese, Senior Director of Business Development.

Opticomm-EMCORE’s complete breadth of video-over-IP, fiber and CATx/HDBaseT products will be on display at InfoComm 2014, June 18-20, booth C7716 of the Las Vegas Convention Center. For more information, please visit www.opticomm.com, download the EVE/EVD-HD datasheet here, or call 626-293-3400.

FELLOWSHIP BIBLE CHURCH UPGRADES TO DANLEY SOUND LABS

TACOMA, WASHINGTON – APRIL 2014: Fellowship Bible Church in Tacoma, Washington started as a gathering of friends in a living room on July 7, 1977 (7-7-77) and grew over the decades that followed to become a beacon in the community. The church moved into its current 750-seat sanctuary in 1996 and developed an engaging contemporary worship style complete with a small band. However, the church members were long dissatisfied by the sound quality in the sanctuary. So when they recently raised the funds, they sought high and low for the very best sound reinforcement system to replace it. That search took them to Audio Video Electronics, a Twin Cities-based A/V integration firm with extensive experience designing and installing systems based on Danley Sound Labs components. Now, Danley synergy horn loudspeakers and DBH subwoofers provide beautifully articulate, musical reinforcement with even coverage.

“Their old system was in a pretty sorry state when we first arrived to meet and understand their needs,” said Stefan Svard, president of Audio Video Electronics. “They were most interested in getting a new system that would be consistent; Consistent not only in its day-to-day performance, but consistent in its coverage of the seating area. One of the things I really like about Danley is the phase coherency of its designs. It makes for consistent patterns and, perhaps more importantly, remarkably consistent sound quality within that beam. I’ve been a Danley supporter for a long time now, and I’ve really come to believe in [President] Mike [Hedden] and the rest of the company.”

The new system is much simpler than the old system. Three Danley SH-50s comprise a center cluster with a pair of Danley SM-60s providing side fill. A pair of Danley DBH-218 subwoofers generates ample deep bass. Svard used Danley’s modeling software to optimize the positioning and component selection. Three Powersoft Duecanali 3904 amplifiers with integrated DSP power all of the full-range boxes, with a channel to spare for an additional down fill that the church will have funds for in the future. A single Powersoft K20 with integrated DSP powers both subwoofers. A Midas PRO2 console serves as a flexible, easy-to-use front end. “The whole system is much simpler now,” said Svard. “They have a nice console with a digital snake and a clean rack. Although it’s not complicated, it gives Fellowship Bible Church a lot of punch and room for growth.” In addition to the sound reinforcement system, Audio Video Electronics also gave the church a new Vivitek d6010 6000 lumen projector and a 16×10’ pearlescent Da-Lite snap-screen.

“I love that when I cluster the Danley boxes, they act like one large speaker,” said Svard. “Other manufacturers generate comb filtering and lobing, which can cause some nasty feedback when the cluster is above the pulpit. Danley doesn’t do that. Danley gives me excellent pattern control with uniform sound. The clarity of a Danley box is unmatched, in my opinion. The low-end at Fellowship Bible Church is tremendous. We had a few of their new DBH-218s at a much larger, 5,000-seat church in Tulsa, Oklahoma, and they were great. We arranged Fellowship’s two DBH-218s to give some directivity to the low end, which gives them nice on-stage volume and ample bass in the seats. In all, we gave them a premium system all the way across, from the console… to the amps… to the loudspeakers and subs. They’re very happy with it.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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