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Arsenio Audio Staff (Fist) Pumped About Yamaha CL Digital Consoles

BUENA PARK, Calif.—The Arsenio Hall Show premiered in September 2013 and features a mix of comedy, music and celebrity guests, adding a new perspective to the late-night scene. Hosted by comedian and actor Arsenio Hall, the daily, one-hour nationally syndicated late-night talk show is anchored by the Tribune Broadcasting Station Group and produced by CBS Television Distribution.

Peter Baird is the sound system designer as well as the music mixer for The Arsenio Hall Show and together with the production mixer, house and monitor engineers, chose five Yamaha CL Digital Audio Consoles and six Rio3224-D input/output boxes to kick off the season. Two CL5s and one CL3 are used at front of house with two CL5s at the monitor mix position.

“When production mixer Ish Garcia asked me to come in as the show’s music mixer, we spent some time together strategizing about what an ideal system would look like, states Baird. We knew the show would be very music-heavy and wanted the system requirements to check four main boxes: 1) 160 inputs available to split between the house band, guest artists, and production, 2) tight integration and future-proofing, 3) stability and reasonable immunity from buzzes, hums, and grounding issues, and 4) incontestably great sound.”

Baird said he did a lot of research and was surprised to find that most major professional audio manufacturers still think in terms of single consoles with local input/output resources rather than integrated, networked systems. “It’s true that some manufacturers have implemented various modes of moving audio around including MADI and EtherSound, but only Yamaha had really perfected the relationship between separate console operators using shared resources. And, the more I read about Dante, the more I thought a large Dante network might be the best answer for us.”

Garcia and Baird have been through the audio selection process before, having been the mixing team on Lopez Tonight and, explains Baird, “in a project like The Arsenio Hall Show, the audio team needs to be able to move inputs and outputs around quickly and flexibly to deal with whatever the production team might throw at us. For example, we need to be able to quickly integrate any number of players suddenly showing up to sit in with the house band, while at the same time keeping the whole system as simple and understandable as possible for the operators. Yamaha’s incremental approach to console operations and CentraLogic™ meant that our FOH and Monitor Mixers, James Young and Greg Keslake, were already largely familiar with the console surface conventions from the very first day.”

Baird added that the economics of networked audio are not insignificant. “Traditionally a show like The Arsenio Hall Show would have at least three 56 pair of three-way transformer splitters with all of the associated interconnect copper between them, and in some cases, hundreds and hundreds of feet. Those 504 outputs (3 x 56 x 3) would feed separate consoles, with each output requiring a separate head amp. As mixers, we know that the best-sounding consoles are the ones with the best head amps, and a console with 64 top-drawer head amps costs more money than one with 64 mediocre head amps. But a networked system only needs one really great head amp per channel no matter how many consoles it’s connected to! With the CL series having only 8 head amps on board, Yamaha was able to spend time and money making the console as ergonomically correct as possible rather than trying to re-engineer head amp design to fit a small footprint. Also, in the case of Dante, local interconnects are on Cat 6 cable, with point-to-point connections on fiber, a monumental savings over the same capabilities in copper. And to clarify, the head amps in the Rio3224-D input/output box are spectacular! They are clear and detailed, yet with great body, warmth, and musicality; a great foundation for a system in a critical installation like The Arsenio Hall Show.”

Monitor Engineer, Greg Keslake says he’s a big fan of Yamaha digital consoles having been introduced to digital over 15 years ago with the Yamaha 01V, and since that time, has extensively used all of the larger format consoles. “We are using Dante exclusively for FOH, Monitors and Music Production, and I am even using a Dante MY16 Card in my house monitor console for high level returns from production.”

Keslake said for monitors he’s using one CL5 dedicated to the house band and one dedicated to the guest bands. “The house band is using the new Aviom 360′s, and I am sending the band each a mixture of direct outs, mixes and matrices. This has given them the comfort of being able to adjust the instruments of their choice very quickly but hasn’t limited my ability to supplement their mixes as needed. The Yamaha CL has also made it extremely easy to swap around what channels I send the house band based on weekly sit-in artists via Dante patching.”

On the guest band console, Keslake has dedicated mixes 1-16 as stereo in-ears, 17-24 as wedges, matrix’s 1-7 are effects sends, and matrix 8 is a drum sub mix. “The dedicated mixes have allowed me to have a very good starting point for almost any guest band with very little information. I have found the ability to map my own channels to custom fader banks immensely valuable specifically on the CL5 guest band console. I am using the C5 and C6 banks to map my daily used mixes enabling me to bounce around very quickly between them. I was also extremely impressed with the addition of the Premium Rack in the CL Series.”

With an audience of 201, James Young, front of house engineer is using a CL3 for the house band with six stems to the CL5 production console: left, right, sub, two vocal stems, lead and BGV, and a ‘guest’ stem for when someone sits in with the house band. Guest bands land in a separate CL5 with a similar 6 stem set up. “The Dante network has been very stable, and the Yamaha CL consoles are very easy to set up and use with classic Yamaha reliability. I also appreciate the extra DCA’s, effects rack, and custom fader banks.”

For more information on The Arsenio Hall Show, visit www.arseniohall.com.

For more information on Yamaha CL Digital Audio Consoles, visit www.yamahaca.com.

-END-

PHOTO ID: Left to right: Greg Keslake, Peter Baird, James Young

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

LSU ROARS WITH DANLEY!

BATON ROUGE, LOUISIANA – JANUARY 2014: The Louisiana State University Tigers football team plays all of its home games at Tiger Stadium on the school’s Baton Rouge campus. Nicknamed “Death Valley,” the stadium’s deafening roar of 92,500 Tigers fans is notorious for scrambling the communications and sapping the confidence of the Tigers’ unlucky opponents. Indeed, the NCAA ranked Tiger Stadium as the loudest stadium in college football, noting as an example that fans’ euphoric response to a last-minute LSU touchdown in 1988 measured as a minor earthquake on the campus seismograph! Despite this, Tiger Stadium persisted until recently with an underpowered sound reinforcement system that one list-serve commenter likened unfavorably to a car radio. No more. With a beefy Danley Sound Labs sound reinforcement system that includes eighteen Jericho Horns and six “Rock Monster” subwoofers, Tiger Stadium’s music playback system is now positioned to whip LSU fans to even greater fervor.

“The old system was expressly designed for public address, not music playback,” explained Larry Lucas, director of audio engineering for Anthony James Partners (Richmond, Virginia) and the person responsible for designing LSU’s new sound reinforcement system. “Given the game-day experience demanded from fans these days, a serious upgrade was a necessity. The point-source system that we designed flanks the LED screen on the north end of the stadium and throws eight-hundred feet across to the south end zone seating. With the Danley Jericho Horns, we were able to throw 8kHz that full distance with program material that measured 105dBA. That’s an unprecedented technical leap!” Baker Audio of Norcross, Georgia installed the system.

Fourteen Danley J3-64 full-range Jericho Horns comprise the bulk of the new system, while four Danley J4-31 high-frequency Jericho Horns contribute to the system’s amazing high-end throw. Six Danley TH-812 “Rock Monster” subwoofers fill out the bottom of the system with thunderous low end. Four Danley SH-96s, four Danley SH-64s, four Danley SM-80s, and twenty Danley SH-MINIs provide fill for areas not directly covered by the Jericho Horns. A 32-channel Yamaha LS9 provides a familiar front end, while a QSC Q-Sys processing system feeds twenty-four Lab.gruppen PLM 10000Q and 20000Q amplifiers behind the scenes.

Mike Hedden, co-founder and president of Danley Sound Labs commented. “We measured the frequency response of the completed system at hundreds of positions around the stadium and the system is remarkably consistent with solid bass down into the mid 20Hz region and top end extending into the 10kHz range even at seats eight-hundred feet away. This is unprecedented performance in a venue this size and could only be achieved within the limitations of the scoreboard using Danley’s unique technologies.”

The north end scoreboard sits over eighty feet from ground level, and each loudspeaker and subwoofer had to be lifted individually by crane to that height. Then the Baker Audio rigging crew set up a beam trolley system with rigging motors to lift each set into position, to secure final rigging hardware, and to lock in the angles and aiming points. Because Tiger Stadium is in a hurricane zone, everything had to be slightly over-engineered to make sure that the rigging tolerances would hold up to hurricane force winds.

“There are always questions about how a system’s real life performance will compare to the acoustical models we work with in the design process,” commented Chris Moore, senior project manager with Baker Audio. “Given the throw distances at Tiger Stadium, a few degrees in coverage pattern or small variables in the overall acoustic performance could have been very time consuming to correct in the field. No one wants to do a redesign in the field, especially given the rigging elements that we had to use on this job. Thankfully, the Danley speakers performed exactly as the design models predicted they would, so we did not have to change any rigging angles or aiming points once we had the speakers hanging in the air. That made the installation process fast and efficient. It’s always a good day when everything performs as planned.”

“The Danley J3-64 Jericho Horns, together with the additional Danley fill speakers, combined to provide uniform coverage throughout the stadium, including the far upper end zone seating,” said Doug Stancil, senior engineer with Baker Audio. “The coverage was complicated by Tiger Stadium’s extended sideline seating, which reaches up to 175 feet at its highest point. The Danley system covers all of those seats very well. I was also impressed by the performance of the Danley TH-812 subs in the far field. Although I have been in stadiums where the low end starts to fall off at the fifty-yard line, this is definitely not the case at Louisiana State University. Fans will feel the full impact of the ‘Tiger Roar’ wherever they sit!”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

GREG SUCHOMEL JOINS SYMETRIX TEAM AS TECHNICAL SALES ENGINEER

SEATTLE, WASHINGTON – JANUARY 2014: Symetrix – a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories – announces experienced A/V engineer Greg Suchomel has joined the team as a Field Technical Sales Engineer. Based in New Jersey, Suchomel will promote Symetrix products in the East and Northeast regions in North America by delivering technical certification and specialization training to Symetrix partners and supporting Symetrix partner eco-system with both remote and on-site design and installation help.

“We are excited to welcome Greg to our growing Symetrix sales and support team,” said Craig Richardson, vice president of global sales. “He has over twenty years of real-world A/V experience and a broad background in conferencing and audio system design and installation. His expertise will be a key component in our strategy to increase focus and technical coverage for our partners in the East and Northeast.”

“Symetrix has a great history in the industry with current and future forward-thinking products and solutions and is focused on making life sound better, a philosophy that very much appeals to me,” said Suchomel. “Audio is a critical piece of the puzzle and I’m looking forward to helping Symetrix build the best solutions possible.”

Symetrix designs and sells DSP equipment for managing audio in a broad range of commercial applications used by large and small businesses, retail establishments, houses of worship, hotels, restaurants, sport venues, schools, and more. Symetrix DSP expertise and software design tools are the preferred solution for thousands of unique applications in venues worldwide. As an acknowledged provider of best in class DSP management products, Symetrix is dedicated to making life sound better.

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

HOSA TECHNOLOGY ANNOUNCES NEW EDGE SERIES MICROPHONE, GUITAR, AND SPEAKER CABLES

**** Photo: Hosa Technology’s new Edge Series Cables ****

Buena Park, CA – NAMM Booth# 5590 (Hall B)… Hosa Technology, the leading innovator of analog and digital connectivity solutions for the modern musician, is pleased to introduce the Edge Series cable products. Featuring genuine Neutrik connectors, Oxygen-Free Copper (OFC) conductors, and world-class workmanship, Hosa Edge cables—the company’s flagship cable line—provide musicians and audio professionals with the finest signal transport means available. And because Hosa Edge consists of microphone, guitar, and speaker cables, it can be used along the entire signal chain, ensuring one’s music will retain all the clarity and punch of the original sound. more

WyreStorm Joins the D-Tools Manufacturer Vantage Point (MVP) Program

WyreStorm’s HD audio and video distribution and control solutions’ product information to be made available to users of D-Tools’ System Integrator software to aid the estimation, design and implementation of low voltage electronic systems for residential and commercial applications

CONCORD, CA – January 14, 2014 — D-Tools Inc., the worldwide leader in system integration software, today announced that WyreStorm, a global manufacturer of innovative HD audio and video distribution products, has joined the D-Tools Manufacturer Vantage Point (MVP) program, making it easier for users of D-Tools’ award-winning System Integrator software to specify WyreStorm products for their client engagements.

“We look forward to working with D-Tools to make our product specifications available to an outstanding group of systems integrators,” said Derek Hulbert, WyreStorm CEO. “We believe that our participation in the MVP Program solidifies our commitment to helping our existing dealers become more successful by making it easier to spec our products and to do business with WyreStorm, as well helping us to further expand our reach within the greater integrator community.”

The D-Tools Manufacturer Vantage Point (MVP) program provides systems designers, specifiers, integrators and installers the most up-to-date and detailed product information available, in a format that can be utilized in a cross-functional capacity for maximum workflow efficiency. In fact, MVP members help companies streamline the design process by making it easier for them to provide accurate, professional proposals to their clients by using the D-Tools System Integrator platform.

“We are pleased to name WyreStorm as our newest MVP partner,” said Adam Stone, President and CEO of D-Tools. “The a/v distribution market is experiencing explosive growth and providing our users with access to WyreStorm’s library of HDMI and HDBaseT solutions gives them high quality, versatile options for both residential and commercial projects.”

Those interested in learning more about the D-Tools MVP Program, D-Tools Systems Integrator, or the many benefits that can be derived from utilizing a streamlined system design, proposal and estimation software platform are encouraged to visit www.d-tools.com, email mvp@d-tools.com, or call 1-866-386-6571 ext. 1 for more information.

About WyreStorm Technologies, LLC
WyreStorm is a worldwide manufacturer of digital high-definition distribution technology. WyreStorm specializes in the design and development of innovative technology solutions for residential and commercial applications, proudly offering customers around the globe the highest quality and reliability in its wide range of products. WyreStorm award-winning products include HDMI & HDBT extenders, the first HDBaseT audio amplifier, configurable matrix switchers, splitters, converters and basic control. WyreStorm products are manufactured to ISO9001 standards. For more information on WyreStorm visit www.wyrestorm.com.

About D-Tools, Inc.
D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software. The company’s flagship product, System Integrator™ (SI), is a total design solution that utilizes Autodesk® AutoCAD and Microsoft® Visio for comprehensive system design, documentation and project management. D-Tools SI allows residential and commercial integrators to streamline their business processes to increase overall revenues while reducing the time and costs associated with the installation and integration of low-voltage systems. In fact, over 4,400 leading companies use D-Tools software to reduce time, costs and to streamline the system integration process. D-Tools is a three-time recipient of the Consumer Electronics Association Mark of Excellence Award, Commercial Integrator BEST Award (2011, 2013), multiple recipient of Custom Retailer/Technology Integrator Excite Award (2007, 2008, 2009, 2010, 2011, 2012, 2013), National Systems Contractors Association Multi-Room Audio Video Awards for Best Installation Aid, Sound and Video Contractor Innovations in Technology for Business Productivity Award, CE Pro High Impact Award for Design Software, and CE Pro BEST Award for Software Applications (2013).

More information can be obtained by calling (866) 386-6571, e-mailing info@d-tools.com, or visiting D-Tools online at www.d-tools.com. Follow D-Tools on Twitter at www.twitter.com/DTools and on Facebook at www.facebook.com/beatool.

Press Contacts:
Tim Bigoness, D-Tools, Inc., (925) 270-4102, timb@d-tools.com
Katye (McGregor) Bennett, KMB Communications, (425) 328-8640, katye@kmbcomm.com
Katie Sylvia, WyreStorm Technologies, (857) 753-3329, katie@wyrestorm.com

# # # ENDS

GRUND AUDIO DESIGN ANNOUNCES NEW GP SERIES LOUDSPEAKERS

**** Photo: Grund Audio Design GP loudspeakers ****

Council Bluffs, IA – NAMM Booth# 6337 (Hall A)… Grund Audio Design, a pioneering manufacturer of loudspeaker and signal processing products for the audio professional, is pleased to introduce the new GP Series loudspeakers. Featuring lightweight injection molded enclosures designed to provide years of trouble-free operation and easy transport, these self-powered general purpose sound reinforcement loudspeakers are ideal for a wide range of applications, including clubs, mobile DJs, performing musicians, corporate AV, houses of worship, and education. more

Trade IN, Trade UP Program Announced by Yamaha

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. has announced a Trade IN, Trade UP program that will take place January 8 – March 31, 2014. This program is available to all customers who own a Yamaha M7CL-48 (this configuration only) Digital Mixing Console. The trade-in console must be in acceptable* condition. Upon proof of condition and return, the customer will receive a $15,000 credit toward the purchase of a new Yamaha CL5 Digital Mixing Console. This promotion is on a first-come, first serve basis, while supplies last.

“This limited time program will provide end users with the opportunity to own a new Yamaha CL5 console that they may not have had the budget to purchase,” states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. “The trade UP to a CL5 will fulfill many of the features and benefits engineers have been asking for in an affordable package.”

End users should contact their preferred Authorized Yamaha Commercial Audio Systems, Inc. (YCAS) Dealer for more details. A complete listing of YCAS Dealers, Terms and Conditions as well as all other pertinent information can be found by visiting www.yamahaca.com/cltradeup.

*Yamaha has the sole right to determine if your M7CL-48 console is in an acceptable condition to participate in the program. If it is determined to be unacceptable, they will contact you to arrange its return to you.

-END-

OAKMONT BAPTIST SELECTS NEW LOUDSPEAKER SYSTEM FROM WORXAUDIO TECHNOLOGIES

**** Photo: Oakmont Baptist Church sanctuary ****

Greenville, NC – January 2014… Founded in 1964, Oakmont Baptist Church has a rich history of serving the local community with services that are both traditional and contemporary. Music plays a vital role in Oakmont Baptist Church’s worship services and, to ensure the best possible audio quality throughout the sanctuary, the church recently upgraded its sound reinforcement system with components drawn from the catalog of Greensboro, NC-based WorxAudio Technologies. more

Soundsphere® acquired by MSE Audio®

Overland Park, Kansas – MSE Audio, parent company of SoundTube Entertainment, has acquired Soundsphere, a Connecticut-based manufacturer of omnidirectional speakers and speaker systems.

Founded in 1976, Soundsphere is best known for its ceiling-mounted, globe-shaped omnidirectional speakers. These speakers produce a wide, diffuse sound field and are installed in a broad variety of applications including offices, government facilities, warehouses and shopping centers. A wide range of on-ceiling speakers are available along with flush-mount speakers, in-ceiling speakers and speaker systems. All Soundsphere products are made in the USA.

“This acquisition broadens MSE’s commercial speaker solutions, and provides a nice complement to the products offered by SoundTube and MSE’s other lines,” said Duke Ducoff, MSE Audio VP of Sales. “We plan to capitalize on the synergies with these other lines to increase visibility, sales and profitability for Soundsphere.”

The acquisition is effective immediately; former Soundsphere owner Peter Hamilton will remain on-board as a consultant.
###

About MSE Audio
MSE Audio companies represent the pinnacle of loudspeaker technology in the premium home theater, audiophile, distributed audio and commercial sound markets. Brands include Induction Dynamics®, SolidDrive®, Phase Technology®, SoundTube Entertainment®, Soundsphere® and Rockustics®; MSE Audio offices are located in Overland Park, Kansas; Park City, Utah; Jacksonville, Florida; Denver, Colorado and Stratford, Connecticut. www.mseaudio.com

DANLEY JERICHO HORNS THROW 600 FEET AT BOISE STATE UNIVERSITY

BOISE, IDAHO – JANUARY 2014: Boise State University is justifiably proud of its Broncos football team, which has only lost four games at home since 1999. In ninety-one other contests, the visitors left Bronco Stadium’s famously blue field in defeat. As the program gained regional and national notoriety, Bronco Stadium grew from 14,500 seats to its current 36,000, but the stadium’s original sound reinforcement system failed to grow with it. When a local beef producer promised money to update the stadium’s similarly outdated scoreboard, the university scrambled to match money so that it could leap forward with a cutting-edge video board and sound reinforcement system. Although the timing was far from ideal, local A/V integration firm Production Services International complemented the scoreboard expertise of Daktronics (Brookings, South Dakota) by designing, installing, and commissioning the new sound reinforcement system in just six short weeks. Danley Sound Labs delivered its high-SPL, high-fidelity, USA-built Jericho Horn loudspeakers, BC subwoofers, and OS-80 weatherproof loudspeakers to meet that tight deadline, and the results are, by all accounts, fantastic.

“The original system was designed for a much smaller stadium, and it was pretty much designed for speech only,” explained Brian Kohagen, the sales and audio engineer with PSI who designed the new sound reinforcement system and oversaw its installation and commissioning. “The Boise State University marketing department was forever asking for a high-energy, full-range sound system that could really pump up the crowd.” Kohagen drew up his original value-engineered design with a different loudspeaker manufacturer, but the 120-day timeline placed some serious challenges in the way. “It all came together so fast, it was hard to find any manufacturer that could deliver,” he said. “I had heard a Danley system at Brigham Young University, so I knew that Danley’s growing reputation for high-SPL, high-fidelity stadium sound systems was well-founded. I spoke with [Danley President] Mike [Hedden], and he assured me that their US-based manufacturing plant could deliver.” And they did.

He continued, “The real challenge at Bronco Stadium is throwing sound from the scoreboard clear across the field and past the other end zone to the opposite seating two-hundred yards away. There is no place for a real distributed system to exist, as there is no roof system at Bronco Stadium. It has to be an end fired single source.” Four Danley J3-64 Jericho Horns, two on each side of the new Daktronics scoreboard, provide the lion’s share of the coverage. Their exceptional pattern control keeps the sonic energy on the fans and prevents it from spilling outside of the stadium – an important achievement given neighbors’ frequent complaints about the old system’s pattern-free leakage. Four Danley OS-80 weatherproof Synergy Horn loudspeakers provide fill for the seating area directly below and in front of the new scoreboard where the Jericho Horns overshoot. “We easily met all of our coverage and SPL requirements,” said Kohagen. “All of the Danley full-range boxes have tremendous clarity, and we were fortunate not to have to rig any fly system. The catwalk in front of the scoreboard gave us perfect aim. All we had to do was make some adjustments left and right and then lock them in place.”

For low end, Hedden recommended a pair of Danley’s new BC-415 subwoofers, which are designed to provide exceptional bass response and exceptional directivity, especially when two units are coupled. Kohagen used them that way, placing both subwoofers just above a pair of the J3-64s. “Wow, does that bottom end throw!” exclaimed Kohagen. “It’s amazing! I can sit two-hundred yards away on the stands behind the opposite end zone, and the bass still shakes the structure. It’s completely full range and sounds fantastic. Everybody that we’ve talked to has been extremely happy with it.”

Kohagen was pleased with his first-time experience working with the people at Danley Sound Labs. “Mike [Hedden] helped me out with the preliminary design,” he said. “In the weeks running up to the installation, I was completely in the loop regarding the manufacturing and shipping schedules. When it came time to commission the system, [Danley Application Engineer] Chad [Edwardson] flew out to help me voice the system. He was extremely knowledgeable and we finished the job in just one day. There were a few challenges as well, and Danley was right on top of them. One of the subwoofer drivers had glue that had not set properly, which I discovered during testing at the shop. I was on the phone with [Danley Chief Engineer] Ivan [Beaver] Sunday before the first game, and we had the replacement on Tuesday.

The most memorable moment was during the system commissioning, when we powered up the subwoofers to see what they could do. “The video board installers had been working all day and prevented a full system test up to this point, so we hadn’t heard the system at full volume,” relates Kohagen, “At 4pm we got the all clear that they were off the structure, and we lit up the low end. About sixty seconds later my phone was ringing, the head football coach was asking how long this was going to take. It turns out, his office is directly below the scoreboard, and the low end coming off the BC 415s was shaking the wall and items on his shelf. One picture actually fell off the wall.” At that point, I knew we had a kickin’ system in place, and the response from the football fans have been nothing but positive.

ABOUT DANLEY SOUND LABS
Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

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