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XTA Launches New APA Series at InfoComm 2014

The first model, the APA-4E8, set to be unveiled on Group One Ltd. stand C11336

LAS VEGAS – June 2014 – Group One Ltd. stand C11336 — XTA is proud to be debuting the APA series – short for Adaptive Processing Amplification – at this year’s InfoComm show. APA’s new power and DSP platforms have been designed to interact intelligently and adapt to prevailing conditions, protecting drivers and significantly enhancing performance from all speaker systems.

By including studio-quality analog-to-digital converters at the outputs as well as the inputs, real-time audio currents and voltages presented at the speaker terminals can be fed back into the DSP in addition to processing the incoming audio, allowing the amplifier to adapt and correct its performance continuously. The tight coupling of the power supply’s behavior through real-time monitoring of the mains supply, as well as over ten temperature sense points, means that the amplifier can adjust its power consumption and output drive to ensure that maximum permissible power is always available.

“We have included the same A-to-D converters that we use in the DS8000D [XTA's Audio Distribution System], which allows us to monitor the outgoing audio voltages and currents to the same degree of accuracy as we do when digitizing incoming analog audio prior to processing,” notes XTA Technical Director John Austin. “These outgoing signals can then be fed back into the DSP [responsible for all the user adjustable EQ and protection] so that it can make adjustments to ensure that any connected speaker driver is being utilized to the best of its abilities, without undue stress to the driver, or the amp for that matter.”

The Class D amplifier design, combined with a highly efficient power supply and generous energy storage reservoirs result in an amplifier that not only is better at converting input mains power into output speaker power with less wasted heat (system efficiency is 80%), but is also able to offer better sustained peak power at low frequencies – where you need it most. A quick start mode, and an ultra low power stand-by mode (with a power consumption of under 0.75W) mean reduced running costs in all circumstances.

According to XTA Technical Brand Manager Waring Hayes, “It’s not so difficult to add a DSP module to an existing amplifier design in the form of a plug-in card, but to provide the level of monitoring and feedback within the amplifier that we wanted – that took a little longer!”

The first model – the APA-4E8 – features four channels of power totaling 20kW peak output into four ohms, and continuous power available of 3400W per channel into four ohms. Four audio inputs allow all four amplifier channels to be individually utilized if required with a full suite of XTA’s world-renowned DSP, including dynamic EQ, FIR (and phase linearization) and classic IIR filtering, mix matrix and the manufacturer’s famously transparent limiters and soft knee compressors.

“What with all the feedback from the PSU and mains monitoring and all the temperature sensors everywhere, the DSP really is at the center of things in the amplifier, and far from being bolted on to the front end – it’s more an engine management system than a speaker management system,” Hayes points out.

The APA-4E8 can route audio from analog, AES or network sources with automatic fallback. USB and internal SD cards offer additional audio choices for playback of emergency evacuation messages, and quick upload of presets or download of performance logging data. The APA series also includes extensive GPIO and remote control covered by Ethernet, USB and RS485.

Housed in a 2U chassis and weighing 28.2 pounds (12.8 kg), the APA-4E8 sports an elegant front panel interface with a large color LCD, which, in combination with innovative user selectable metrics and tricolor multimode panel metering, offers reassuring feedback of the amplifier status from any distance.

New remote software written to run natively on both the Windows and Mac platforms is available and operable via an Ethernet or USB connection.

Hayes sums up by adding, “Ultimately, what counts can be distilled down to sound quality, power delivery, reliability, usability, flexibility and blue front-panel-ability!”

About Group One Ltd.
Group One Ltd. is a U.S. importer and distributor for a number of professional audio and lighting manufacturers. The company’s audio division currently distributes Blue Sky powered nearfield monitors, DiGiCo digital mixing consoles, MC2 high quality innovative amplifiers, and XTA digital signal processing equipment. The lighting division currently distributes Avolites lighting control consoles, ElektraLite controllers and intelligent lighting, and Pulsar LED lighting.

# # #

Contact:
XTA / Group One Ltd.
70 Sea Lane, Farmingdale, NY 11735
Tel: 516.249.1399 / Fax: 516.249.8870
Email: sales@g1limited.com
Web: www.g1limited.com / www.xta.co.uk

PRG Calls K2 Into Active Duty for National Memorial Day Concert

PRG's initial deployment for K2 was at the 25th annual National Memorial Day Concert on the West Lawn of the U.S. Capitol (photo credits: Alan Henig)

Two complete L-ACOUSTICS rigs purchased, one immediately deployed at 25th annual event on the U.S. Capitol’s West Lawn

WASHINGTON, D.C. — Leading entertainment and event production services provider Production Resource Group (PRG) has officially begun upgrading to L-ACOUSTICS’ new K2 platform with the purchase of two complete line source array systems. Delivered in mid-May, the sale comprised a total of 48 K2 enclosures and 24 LA8 amplified controllers.

PRG’s inaugural K2 deployment came almost immediately – two dozen enclosures were put into active duty for the 25th annual National Memorial Day Concert, attended by countless spectators on the West Lawn of the U.S. Capitol in Washington, D.C. on May 26. This year’s event, hosted by actors Joe Mantegna and Gary Sinise, featured an all-star lineup of performers, including the National Symphony Orchestra, Jennifer Nettles, Megan Hilty, the U.S. Army Chorus and Air Force Singing Sergeants.

One of the L-ACOUSTICS K2 arrays

Having supported this annual holiday event for over two decades now, PRG’s new K2 rig replaces the call for V-DOSC used in years past. “PRG has been anxiously waiting for the arrival of the L-ACOUSTICS K2 system and it went right to work at the Capitol for Memorial Day,” says Randy Hutson, GM of PRG Chicago and vice president of PRG Audio. “We’ve been looking for a speaker system that is versatile yet meets the needs of our most demanding clients and L-ACOUSTICS has delivered with the K2. It is a high-powered, full-range speaker that weighs less, has a small footprint, offers excellent audience coverage with superb audio qualities and can easily support multiple markets, from music concerts to corporate events.”

“The K2 gives us more reach into large-scale venues, such as arenas and stadiums, but does so at significantly reduced weight without sacrificing power,” says Mark Boettcher, project manager at the Memorial Day event and a senior engineer at PRG. “At the same time, its lighter weight means it can go into venues like ballrooms and expo centers that have a lower-load rigging capacity.

“Also, the K2 enclosures have the same width as the L-ACOUSTICS K1, so it has complete rigging compatibility with K1 and K1-SB enclosures. That allows us to use K2 for downfill on K1 arrays. And all of that has significant economic implications, making the K2 extremely cost-effective. There’s just so much in the way of flexibility with the system.”

At the National Memorial Day Concert on the U.S. Capitol’s massive West Lawn, the K2 rig was configured in left and right hangs of 12 enclosures each. These were flown from towers, also used for fixed and moving lighting fixtures, positioned 105 feet downstage of the stage deck. Eight SB28 subs deployed in an end-fire array configuration provided the low-end reinforcement, while 16 coaxial 12XT wedges served as stage monitors. Thirteen LA-RAK touring racks, each loaded with three LA8 amplified controllers, furnished power and processing for the entire system.

In addition to the K2s, the project also used a total of 24 ARCS II systems – two hangs of five each for the invited-guest main stage, two more hangs of five for the reverse satellite stage, and two hangs of two each flanking the K2 arrays for wide horizontal coverage. Twenty-four dV-DOSC speakers, in four stacks of six enclosures each coupled with a single SB28 sub, provided delay while two more stacks of four dV-DOSC were used as guest area fills positioned on a tower on either side of the stage, also used for lighting fixtures and video screens.

With K2′s new PANFLEX variable horizontal coverage technology, the familiar challenge of surface reflections was easily overcome. “The stage was playing directly into the face of the Capitol building, which is flanked by stairs on either side, but centered on a large, ornate glass window – beautiful, certainly, but nothing we wanted to purposefully fire acoustic energy against,” notes Chris “Sully” Sullivan, L-ACOUSTICS’ east coast application engineer. “To solve the problem, we viewed the obstacle in SOUNDVISION, predicted which elements in the K2 array were going to hit it, then simply shifted the K2′s pattern asymmetrically for just those loudspeakers in the middle of the array. We reduced the reflected energy in excess of 6dB, and that was just the direct reflected energy! Combine that benefit with the reduction or elimination of the myriad of tangential off-time tertiary reflections and that becomes a massive win for the whole audience.”

PRG employees with a few of their new K2 enclosures

In terms of overall performance, the K2s were troupers. “What I can tell you is that the K2 system went up very quickly thanks to its lighter weight – much faster than the comparable V-DOSC system it was replacing – and the same goes for taking it down,” says Boettcher, who worked on the event with Alan Henig, co-systems engineer. “And the rig sounded extremely transparent. There tends to be a natural fall off of the high frequencies by the time the sound hits the Capitol steps, but the K2 had extended frequency response past 10 kHz that far out, so the sound was exquisite.”

This year’s Memorial Day concert also saw another first. Previously, the show’s FOH had been mixed using a total of three consoles – a Yamaha PM5D, PM1D and an LS9/32, all connected with multiple copper-cable snakes. This year, PRG ran the entire show on just a pair of DiGiCo SD7 consoles, with six DiGiCo SD-I/O racks and an SD-Mini I/O rack, connected by two fiber-optic cables, with the FOH mix handled by Patrick Baltzell. “This really unified operations at the site and, combined with the much lighter K2 system, gave us the same amount of punch in a smaller and more efficient footprint.”

The same system will be deployed for the July 4th concert event in the same location. “The K2 will set the benchmark going forward as its predecessor V-DOSC did when it was released years ago,” Hutson declares. “Along with K1, this gives L-ACOUSTICS the leading edge in line arrays and we at PRG are very excited to add K2 to our extensive inventory of L-ACOUSTICS products. They listened to our needs and have delivered an innovative product that will perform for years to come.”

For more details on the 2014 National Memorial Day Concert, which was broadcast live via the Public Broadcasting Service (PBS) and American Forces Network, visit www.pbs.org/national-memorial-day-concert.

About Production Resource Group
Production Resource Group (PRG) is the world’s leading provider of entertainment and event technology and production services to a wide range of markets, including corporate events, concerts, special events, theatre, television, film and installations, such as theme parks, museums, retail stores and performing arts centers. PRG provides integrated services and equipment, including audio, video, lighting, rigging, staging, and scenery and automation systems, for these markets from more than 40 offices in North and South America, Europe, Asia and Australia. For more info on PRG, visit www.prg.com.

About L-ACOUSTICS
L-ACOUSTICS is a leading innovator and manufacturer of high-performance loudspeakers, amplifiers and signal processing devices for touring and installed sound markets. Known around the globe for pioneering and championing the modern line array loudspeaker concept with V-DOSC, the company has received numerous accolades for its K1, K2, KUDO, KARA, KIVA, ARCS, XT coaxial loudspeaker systems and SB line of subwoofer enclosures, all powered and processed with the LA4 and LA8 amplified controllers in fulfillment of a “total system approach.” Product distribution and customer service for the USA is handled by L-ACOUSTICS’ subsidiary in Oxnard, CA.

# # #

Contact:
L-ACOUSTICS US
2201 Celsius Avenue, Unit E, Oxnard, CA 93030
Tel: 805.604.0577 / Fax: 805.604.0858
Email: info@l-acoustics-us.com / Web: www.l-acoustics.com

ASHLY AMPLIFIERS AND SIGNAL PROCESSORS NOW SHIPPING WITH DANTE™

WEBSTER, NEW YORK: Ashly Audio, maker of powerful, high-performance, cost-effective power amplifiers and signal processors, is now shipping Dante digital media networking solution with all their nXe, nXp, Pema and NE Series networkable amplifiers. NE Series rack-mount system processors (4400, 4800, 8800) are also available for purchase with Dante. With low latency, robust synchronization, I/O scalability, and simplicity of installation via standard IT technology, Dante will significantly enhance the power and value of Ashly’s networkable amplifiers line and select signal processors.

“We’re now ready to supply our market with this incredible audio networking technology in our nXe and nXp amplifiers” says Anthony Errigo, director of communications at Ashly. “Dante currently brings the best in flexible, yet robust, digital audio transport and we’re poised to build on its success by delivering this connectivity in our most premier amplifiers and processors. Our customers will benefit greatly by this advancement.”

Audinate revolutionizes the way that A/V systems are connected by transporting high-quality media over standard IT networks. Dante is a robust proven solution which is widely deployed in hotels, transportation centers, shopping centers, public address systems, live sound reinforcement, theaters, concert halls, stadiums, athletic venues, corporate boardrooms, universities, broadcast facilities, recording facilities, houses of worship, government facilities, and courtrooms.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ABOUT AUDINATE Audinate’s patented Dante media networking solution has been adopted by eighty OEM manufacturers in the professional audio/visual industry and is a Promoter Member of the AVnu Alliance™. Audinate offices are located in US, United Kingdom and Australia. Visit www.audinate.com for the latest news and information on the company. Dante is Digital Media Networking Perfected.

Dante is a trademark of Audinate Pty Ltd. Audinate is a registered trademark of Audinate Pty Ltd.

STOP BY AND SEE ASHLY AT INFOCOMM BOOTH #C11308

ASHLY AUDIO CELEBRATES 40 YEARS OF BUILDING GREAT-SOUNDING, COST-EFFECTIVE, AND RELIABLE PRO AUDIO SOLUTIONS

WEBSTER, NEW YORK: Founded by Billy Thompson in 1974 on the wings of a successful live sound company, Ashly Audio has been pioneering innovative products for the pro audio industry for forty years. Although much has changed, such as Ashly’s steady pivot from analog solutions for live sound to digital solutions for installed sound, much has also not changed, and it is this constancy that underlies Ashly success and longevity. Ashly has always delivered great-sounding gear that is highly reliable, easy-to-use, and fairly priced, which is a combination that never goes out of style. Moreover, Ashly has always resolutely stood behind its products and offered its full support to its customers. Ashly continues in this tradition as it builds the next generation of networkable amplifiers, DSPs, and user interfaces.

“Ashly has always had a relatively slow but steady growth trajectory,” explained Mark Wentling, president of Ashly Audio. “Many similar companies started out around the same time as Ashly Audio but have since closed their doors or been absorbed into other companies to become just another ‘brand.’ People have moved on and factories have been shuttered or moved overseas. Our approach has always been to remain steady, dependable, and maybe a little conservative, and that contributed to the forty strong years that we’re now celebrating. Indeed, the Ashly philosophy reflects back on our employees… many of the people still on the payroll in engineering, administration, and manufacturing were there when the company was just starting up!”

Those were the days when Billy Thompson was still playing the role of mad scientist at a lab bench overrun with oscilloscopes, custom-made real-time analyzers, and voltmeters. The smell of solder hung thick in the air. Among many other gems, Thompson used that charismatic setup to design Ashly’s 1970s-era SC-Series of rack-mounted processors, which included classic compressors, equalizers, crossovers, line mixers, mic preamps, and all of the other goodies that today reside inside Ashly’s Protea™ Digital Signal Processing platform. The live sound industry flocked to these and other Ashly products because, for a fair price, they effectively solved real problems and were well-known to reliably endure the stresses of life on the road.

In the 1980s, Thompson pioneered Ashly’s now-legendary MOS-FET amplifiers, which revolutionized the amplifier market by dramatically increasing amplifier power and reliability while minimizing size and cost. Ashly’s MOS-FET amplifiers were among the first to be certified for meeting Lucas-films’ stringent THX movie theater sound systems. Today, Ashly continues in that tradition by delivering high-power, high-fidelity amplifiers in small-footprint, multi-channel configurations that maintain Ashly’s hallmark reliability and value.

“Our relatively small size allows us to be quite nimble and responsive to our customers, whom we deeply value,” said Wentling. “Ashly Audio still operates a full factory in Webster, New York, just outside of Rochester, where we design and manufacture all of our networkable products, including high-power Class-D amplifiers, DSP Matrix processors, and some legacy handmade analog mixers, like the MX-508. In addition, we have responded to market forces by opening Asia-based manufacturing for our KLR-Series amplifiers and some legacy analog products. However, this is just a component of our U.S.-based operations. Indeed, we expanded our U.S. manufacturing plant last year and grew the R&D team. We continue to add to our product line-up in the area of high-performance Class-D amplification, as well as DSP matrix & system processors.”

A development Thompson couldn’t have anticipated without Steve Jobs-like prescience is how quickly the pro audio industry has adopted network technology from the IT industry. Ashly’s nimble in-house engineering team has ensured that the company stays at the leading edge of this development, giving A/V integrators cost-effective options for building Ashly systems and tying them elegantly into the larger lighting and video infrastructures. Ashly’s network-ready amplifiers and processors play nicely on a TCP/IP network right out of the box, and integrators can network digital audio via CobraNet or Dante® (“and AVB when the time is right,” promises Wentling). In addition to networkable hardware user controllers, Ashly offers a popular Ashly Remote iPad app for custom control of its products and will look towards the eventual release of iPhone and Android variants as well. Beyond simply offering these technologies, Ashly’s dedication to customer support ensures that Ashly users are a phone call away from answers and solutions to the myriad questions and challenges that can crop up in complicated networked systems.

“There is an incredible history here,” says Anthony Errigo, director of marketing communications. “People at Ashly are dedicated and have great stories to share. Our employees are proud of this company and brand that they have built together.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

And to take an historical look at Ashly, visit: www.ashly.com/40

BE SURE TO STOP BY AND SEE US AT INFOCOMM BOOTH #C11308

PHOTO CAPTION: Billy’s bench, circa 1979, with his RTA (Real-Time Analyzer).

ESP/SurgeX Adds IP Module for Digital Signage, Imaging and IT Power Products

The new IP module can be added to new or existing ESP/SurgeX energy management systems to capture important data and cycle power in real time.

Las Vegas, NV – InfoComm 2014 – June 18-20 – Booth C8725 – ESP/SurgeX, the leader in energy intelligence, is proud to announce the Remote Portal, a new module that brings IP connectivity to SurgeX Defender Series Surge+Diagnostic and MultiPak smart energy management systems as well as the ESP Envision Power Conditioning System (PCS). Integrators can now better understand and react to power problems through an IP connection.

ESP/SurgeX already has the industry’s best surge protection technology. Adding remote IP connectivity to its diagnostic software allows ESP/SurgeX integrators to instantly view the history of power quality events, monitor live data, download/upload reports, manage voltage thresholds, and diagnose power disturbances remotely. And because recorded and live power incidents are time stamped, integrators can isolate power quality issues chronologically to identify trends which may be causing disruptions or downtime.

Benchmarking has become a major focus area for facility managers seeking to justify the ROI of technology investments. To help with this process, the Remote Portal compiles and compares power disruption and usage data over a wide range of equipment locations and facilities to provide a cumulative or real-time view of power quality and energy consumption. For benchmarking purposes, the detailed logs and reports clearly demonstrate the improvement in power quality that results from integrating ESP/SurgeX products

“In the quest to maximize uptime and performance, remote troubleshooting and monitoring of power quality and energy usage is a priority,” said ESP/SurgeX president, Shannon Townley. “The Remote Console adds Internet connectivity to our industry leading surge protection and energy diagnostics equipment so integrators can quickly understand power issues, and correct them, without being onsite.”

SurgeX’s Remote Portal can be easily integrated with existing systems or implemented as part of a new installation. Both the MultiPak and Defender Series Surge + Diagnostic models provide professional-grade, Multi-Stage surge protection, EMI/RFI noise filtration, over/under voltage shutdown, first-of-its-kind Cat6 network protection, telephone line and wiring fault protection. The Surge + Diagnostic solution features customizable power protection settings and advanced data intelligence that helps integrators diagnose service calls proactively and keep short and long-term records of power quality. The MultiPak was made specifically for installation behind flat-panels displays and will fit naturally within common mounting mechanisms to protect valuable digital signage and video solutions.

The ESP/SurgeX Remote Portal will be available in Summer 2014, more information is available at www.SurgeX.com. You can also find ESP/SurgeX on Twitter and Facebook.
ESP/SurgeX Remote Portal
ABOUT ESP/SurgeX
ESP/SurgeX is the leader in energy intelligence and power protection products. Our comprehensive product portfolio offers a complete line of AC power solutions for surge protection, power conditioning, diagnostic analysis, and control of sensitive electrical and electronic equipment. Backed with 37 patents/patents pending, ESP/SurgeX products are engineered to safeguard against power anomalies that can “confuse” the circuitry in digital equipment and cause both equipment degradation and downtime. Independent research proves that ESP/SurgeX technology can improve equipment performance, profitability, and ROI. For over 25 years, business leaders worldwide have trusted ESP/SurgeX to protect and improve their electronic systems. For more information visit http://www.espei.com.

Aurora Multimedia Introduces New 7” HD Control Panel

— Aurora Multimedia introduces its new QXT-700 quad-core HD touch panel with integrated control system.

MORGANVILLE, NJ (InfoComm Booth #C5430) — Aurora Multimedia, a leader in IP control systems and HD video distribution, introduces the all-new QXT-700 HD platform-agnostic touch panel. This stunning new fully autonomous touch panel with integrated control system boasts a 1280 x 800 resolution HD screen and a 2D/3D graphic accelerator assuring stunning graphics and naturally responsive GUI performance. more

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Aurora Multimedia Introduces New QX Control Platform

— Aurora Multimedia introduces their new QX series Quad Core Control System.

MORGANVILLE, NJ, (InfoComm Booth #C5430) — Aurora Multimedia, a leader in IP control systems and HD video distribution, introduces the QX Series IP control line. Featuring a Quad-Core processor the QXP-2 combines an HD presentation system with a complete IP control engine into a small 2-gang housing.

With its PoE LAN, USB2.0, Bidirectional RS232 ports, IR, Relays I/O Ports, HDMI and Audio, the QXP-2 can manage any size Conference Room, Classroom or Digital Signage application. What makes the QXP unique is it is also capable of decoding 1080P 60Hz H.264 media and includes 8GB of storage capacity for storing/playing media files making it one of the industry’s first HD Video-Presentation/Control-System products on the market. more

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AURORA MULTIMEDIA INTRODUCES NEW HDBaseT WALL PLATES

— Aurora Multimedia introduces their new DXW-1 series single-gang HDMI Transmitter Wall plate to the One Room – One CableTM product platform.

MORGANVILLE, NJ, (InfoComm Booth #C5430) — Aurora Multimedia, a leader in IP control systems and HD video distribution, introduces its latest HDBaseT CAT Wall Plate. The new DXW-1-TX is a single-gang HDMI Input Transmitter allowing HDBaseT CAT extension up to 230ft (70m). more

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AURORA MULTIMEDIA INTRODUCES NEW HDBaseT RECEIVER

— Aurora Multimedia’s new DXE-CAT-RX3C-A adds embedded Room Control to HDBaseT One Room – One CableTM product platform.

MORGANVILLE, NJ, (InfoComm Booth #C5430) — Aurora Multimedia, a leader in IP control systems and HD video distribution, introduces its latest HDBaseT CAT Receiver: DXE-CAT-RX3C-A. The new HDBaseT receiver adds dual-relays, line-level audio inputs (with mixing controls), de-embedding audio output and internal digital amplifier. Most importantly this version adds an embedded Web-Control Engine for full system automation allowing any web-browsing device to control the entire room or 3rd party control system to automate the entire room. more

Avid to Showcase Industry-Leading Live Sound Systems at InfoComm 2014

Avid will hold daily S3L training sessions and demonstrate its new VENUE 4.5 software that adds groundbreaking capabilities to the powerful system

WHAT: Live sound engineers can get hands-on with Avid’s S3L, Profile, and SC48 Remote systems at InfoComm 2014. Avid recently announced new VENUE 4.5 software that adds significant capabilities to an already powerful system—many of which break new ground to enable workflows never before offered by a live sound system. Avid will demonstrate how these new capabilities enable users to: more

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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