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World Renowned Cathedral Gets World Class Sound with Iconyx

St. Louis, MO – November 2013… Completed in 1914, the Cathedral Basilica of Saint Louis is renowned for its breathtaking mosaic works — one of the largest in the world. Comprising more than 41.5 million pieces, and covering 83,000 square feet, the mosaics display took more than 75 years to complete, and draws visitors from throughout the world.

The 2000-seat cathedral’s architecture is as exquisite as it is acoustically challenging, capped with a massive dome that soars to 150 feet high at its center. “It’s an exceptionally challenging environment,” explains Gary Haselhorst, President of Valley Park, MO-based Cignal Systems. “There are so many concave surfaces, with 360 degrees of windows, and the dome just exacerbates everything. There’s not a soft surface in there — marble floors, hard pews — and there are transepts on either side that create even more reflections.”

Not surprisingly, the Cathedral has struggled to find a sound system that could cope with such a challenging space. “The old system was simply ineffective,” says Haselhorst. “They had about twenty 12-inch two-way cabinets around the perimeter, hung at about 30 feet in the air. There was a very fine line between enough volume and too much volume. If we brought up the direct feed too high the room would go into feedback.”

The solution presented itself in the form of Iconyx digitally steerable column arrays from Renkus-Heinz. A pair of Iconyx IC32-R-II columns are installed left and right of the altar platform. As Haselhorst explains, the Iconyx was a clear and obvious solution.

“As proof of concept, we took a single Iconyx 32 into the Cathedral, put it stage right of the altar sanctuary area, and steered the beam away from the reflective surfaces. Even with one speaker, we were miles beyond the existing sound system.”

Haselhorst adds that the 32-element column was exactly what was needed in this reflective space. “We didn’t need the SPL, but we needed the low frequency control. Below 250 Hz, the RT in that room is unmanageable.”

A second set of Iconyx IC16-R-II columns are mounted midway back in the room as delays. “We could have easily hit the back of the room with the mains, but the transepts created another issue. If we aimed the beam high enough to hit the back of the room, we were hitting the transepts too. Using the IC16 columns as a delay kept us from having to push the front elements too hard and hitting the transept walls.” Time alignment is handled within the Iconyx software. A pair of Symetrix Radius units provides additional signal processing.

The Iconyx also offered a low-profile, streamlined design that blended well with the decor. “We custom painted them to match the walls,” says Haselhorst.

The new system has made an immense difference, says Haselhorst.  “We took down twenty loudspeakers that were aimed all over the place, and replaced them with four sources that are aimed with precision. You can hear someone now as if you were talking to them ten feet away.”

Haselhorst says the best compliment was from the archbishop himself. “He said that now he can pull up his old sermons and reuse them, and this time people will be able to hear them.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Symetrix Maintaining Its Edge in DSP at ISE 2014

Mary Marshall, CEO of Symetrix

Leading digital signal processing developer will exhibit products including SymNet Radius AEC and Jupiter, and announce details of a new industry partnership.

SEATTLE, US: Symetrix, the leading developer of innovative DSP solutions, has announced that it will return to Integrated Systems Europe (4-6 February 2014, Amsterdam RAI) for the seventh consecutive year, co-exhibiting on the stand of Dutch distributor Iemke Roos with a selection of its most popular solutions for installed applications.

Visitors to stand 3-C90 will have the opportunity to find out more about a host of open architecture Symetrix products that utilise Audinate’s industry-leading Dante™ media networking technology, including Symetrix SymNet Edge, Radius 12×8 and the conferencing-oriented SymNet Radius AEC. Symetrix will also showcase open architecture standalone DSP SymNet Solus 16, as well as two fixed architecture solutions, Jupiter and Zone Mix 761.

Underlining its commitment to its extensive integrator customer base, Symetrix will host a pre-show sales and technical training meeting at Holiday Inn Amsterdam on 3 February for distribution partners. The same hotel will also be the venue for the Audinate-hosted AV Networking Congress on 4 February, in which Symetrix will be an active participant.

“We’re delighted to be exhibiting at ISE alongside our local partners, Iemke Roos,” commented Mary Marshall, CEO of Symetrix. “Along with the chance to see our latest solutions, there will be numerous opportunities for interested parties to sit down with a team member and discuss how Symetrix products can form the backbone of their next installation. We also look forward to participating in the AV Networking Congress and sharing our insights into the next phase of the fast-emerging networked AV world.”

ISE 2014 will also see Symetrix highlight the latest SymNet Composer software release and a major new industry partnership. More details of both developments will be revealed in the coming weeks.

www.symetrix.co

FSR Expands Market Reach to ITS/Datacom

BOB FABER JOINS AS DIRECTOR OF SALES, ITS/DATACOM

Woodland Park, NJ – FSR, an industry-leading manufacturer of products for the Pro AV market, is pleased to announce the appointment of Bob Faber in the newly created position of director of sales, Information Technology Systems (ITS)/Datacom. Jan Sandri today announced details from Company headquarters in Woodland Park, NJ, noting that Faber’s appointment is a defining moment for the 32 year-old Company as it significantly broadens its market reach.

“FSR enjoys considerable success in all segments of the traditional AV industry, and has for decades,” explained Sandri. “As technology shifts, however, it’s time to expand our reach and tap new markets, such as ITS/Datacom, that can benefit from our already widely-embraced product ranges. We couldn’t be more pleased to welcome Bob to the staff, and we’re confident that he will make us as successful in these new areas as we continue to be in AV.”

In his new position, Faber will be responsible for introducing the FSR brand, with special emphasis on table, floor, wall and ceiling boxes; plates; mounts; and installation accessories to potential customers in the ITS/Datacom marketplace, including cabling systems designers and installers, wholesale distributors, architects, engineers, electrical and communications contractors, and all areas of voice and data networking. Faber will also establish a targeted channel network to mirror the Company’s current model of exceptional service and support.

“I’m thrilled to be aligned with a company that is so well-known in the traditional Pro AV market, and whose name resonates with customers,” said Faber. “That recognition and support is invaluable as I help bring the existing product line into new markets.”

Faber brings 31 years of ITS experience to his new position. Prior to joining FSR, he served as business development manager for Snake Tray, a cable management and power distribution supplier based in Bay Shore, NY, where he developed sales channels and managed a manufacturer’s sales representative network. He previously held technical services, training and sales positions at Siemon, a manufacturer of ITS/Datacom network cabling solutions headquartered in Watertown, CT.

Faber’s industry involvement extends to membership in several professional organizations including BICSI, NECA, NEMA and SCTE. In addition to being a member, he has served as chair, vice-chair, secretary and editor of several BICSI committees, and has participated as a technical expert, author and contributor to industry standards groups and associated publications.

Faber can be reached at BFaber@fsrinc.com or 203-598-5071.

About FSR
FSR, established in 1981, manufactures a wide variety of products for the audio / video, education, hospitality, government, and religious markets, including AV floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and CAT-5 solutions.

All FSR products are designed and manufactured in its Woodland Park, NJ facility. The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: www.fsrinc.com.

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Communications
Harriet Diener
845-512-8283 • harriet@desertmoon.tv

Mama Mia! Yamaha CL5 Fits the Bill for ABBA MANIA

BUENA PARK, Calif.—ABBA MANIA, formed in 1999 as the world’s number one touring ABBA tribute production, is promoted by Handshake Group of Manchester, England. The U.S. leg of the tour that began in Elkhart, Indiana and ends in Sedona, Arizona has Clearwing Productions (Milwaukee, Wisconsin) to thank for handling audio production. The company provided a Yamaha CL5 Digital Audio Console with two Rio 3224-D input/output boxes for front of house mixing duties by Trevor Powers of Clearwing.

“The advantage of having the Yamaha CL5 in conjunction with two Rio i/o racks is the ultimate flexibility when interfacing with house PA’s, states Powers. Do you need AES? No problem. Do you need four outputs for your subs? No problem. The list can go on and on.” Powers said that by splitting up the Rio racks, he has eliminated the use of ANY sub-snakes on stage, which makes for a very clean looking stage. “Also, by not having long runs of mic cables before the mic pre’s, I have virtually eliminated any buzzes or hum.”

With regard to the CL’s Premium Rack, Powers is using the Rupert Neve Portico 5043 as a bass compressor and the U76 to compress/level the female leads. “I have been quite impressed with the sound quality of the CL as well as the flexibility the console offers.”

For more information on ABBA MANIA, visit www.abbamania.com.

For more information on Clearwing Productions, visit www.clearwing.com.

For more information on the Yamaha CL Digital Audio Console, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Middle Atlantic Brings Under Table Rackmounting to Meeting Spaces

Fairfield, NJ –– In a movement to simplify and speed the installation of equipment in meeting spaces, Middle Atlantic Products is unveiling the TechPed™ Series Technology Pedestal. Designed to provide localized and discrete equipment mounting in huddle rooms, conference rooms and other collaboration spaces, the TechPed is a simple to integrate, easy to service conference table support system that houses equipment and cables.

The TechPed incorporates the company’s Frame to Furniture™ design, an installer-friendly approach that eliminates long waits, speeds up integration and reduces the effects of transit damage. The inner steel rack frame ships directly from stock, allowing integrators to begin the integration of the system immediately. The outer surfaces are shipped separately to the installation site or shop and can be quickly and easily attached to the core structure to cover the metal and complete the installation.

Quick and simplified system maintenance is made possible by the TechPed’s removable side panels and the inclusion of the patent-pending Lever Lock™ tool-free internal management system, which maximizes rack space and cable management options within the side channel of the pedestal.

Available in 3 sizes and a wide range of standard color choices, a custom millwork kit option is also available that provides detailed shop drawings for a woodworker to create a customized look for the TechPed and mounting hardware to attach it to the frame.

For more information about the TechPed and Frame to Furniture™ solutions from Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

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Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

SYMETRIX SYMNET RADIUS 12×8 DSP REVAMPS NORWEGIAN SKI JUMP

TRONDHEIM, NORWAY – NOVEMBER 2013: The Granåsen Ski-Jumping Stadium in Trondheim ranks among the highest and best-attended ski-jumping stadiums in Norway. Granåsen hosts events throughout the winter months, including the World Cup and the Continental Cup, on its two side-by-side hills, one a K-90 and the other a K-124. Seating on both sides of the jumps give spectators an intimate view. Recently, A/V integration firm ATEA gutted Granåsen’s aging and bloated analog sound reinforcement system and replaced it with a slim, easy-to-use digital system centered on the SymNet Radius 12×8 audio signal processor and two Symetrix ARC-K1e wall panel remotes.

“The old system used two giant racks of analog processers,” said Andre [Dominic] Schorr, senior A/V consultant with ATEA. “They were even using analog delay! Nothing was labeled, and although it worked, no one could understand the line structure to make changes. Moreover, graphic equalizers and the like were just sitting there, and staff could make changes.” Of course, those changes would usually be for the worse, however well intentioned they might be. Granåsen officials requested the new system to stabilize and streamline performance for the weekly events that required it. ATEA installed the system in the dead of winter, and the deep snow and frozen earth made things challenging. Some cable runs were left in a temporary state until the summertime thaw.

Depending on the event, the system may be operated from either of two redundant positions, one nearer to the jumps and one within the spectator seating. Each position possesses a Soundcraft EMP6 mixer. Three Sennheiser wireless microphone systems provide the most-commonly used inputs to the system. Stereo outputs from both mixers, as well as a direct line from the primary microphone and an auxiliary input, feed the Symetrix SymNet Radius 12×8, leaving six of its twelve inputs available for future expansion. Seven of the Radius 12×8’s outputs feed four RCF HPS2500 amplifiers, then go to 100V transformers before feeding thirty-four 100V RCF weatherproof P2110 outdoor loudspeakers distributed across seven zones. The eighth output supplies signal to a hearing loop.

“Programming the SymNet Radius 12×8 using the SymNet Composer software was intuitive and quick,” said Schorr, whose background includes audio engineering. “It is very logical. Whenever I have a question, Symetrix’ online and live support are excellent. We were able to give the ski jump everything requested, including effective ducking of program material whenever the main microphone is used.” Although the SymNet Radius 12×8’s Dante networking capability is currently unused, it will make future expansion easy and cost-effective.

User control is achieved via the mixing consoles and via a pair of redundant Symetrix ARC-K1e wall panel remotes, one at each mix position. Users select from a list of presets and control various aspects of system performance using the ARC-K1e. For example, users can independently control the main microphone volume and the mixer output volume. A ‘mute all’ also answers a request from the Granåsen staff. “The Symetrix ARC panels are so user-friendly and so flexible, I can configure the interface to do whatever will make things easy and intuitive for the user,” said Schorr. “Even staff members with no technical ability can operate the system.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

NEW ASHLY NXP3.04 PROGRAMMABLE OUTPUT POWER AMPLIFIER WITH PROCESSING SERVES NEW ATHLETIC FIELD AT FDR HIGH SCHOOL

HYDE PARK, NEW YORK – NOVEMBER 2013: Franklin Delano Roosevelt High School was built as part of a Depression-era pubic works program in 1941 and owns the rare distinction of being named for a sitting President. Today, the school serves 1,550 students in Hyde Park, New York, FDR’s hometown. Although the original high school building is in the National Register of Historic Places, growth prompted the construction of a larger building long ago, and the school continues to maintain up-to-date facilities. When its athletic field aged beyond useful repair, the school board ordered it razed. Built on the same land, FDR’s new athletic stadium boasts a cutting-edge sound reinforcement system, with power and digital signal processing both provided by the high-efficiency, cost-effective Ashly nXp3.04 high-output power amplifier with on-board Protea™ processor.

Dominick Campana, owner at Pro Sound Associates (Guilderland, New York), led the system’s design and installation, and Live Sound, Inc. (Troy, New York) served as the sound system vendor. “There were several challenges associated with FDR’s new athletic stadium,” explained Campana. “First, we had to provide ample power to four zones over 300-feet of speaker wire – from the head end to the scoreboard. Second, we had to provide flexible and accurate DSP for fine- tuning, system protection, and multiple I/O routing. Third, we only had a short window between system installation and the first football game when we could commission the system. Finally – and this made all the other challenges that much harder – we only had a limited rack space beneath a stairway in the press box and single 20-amp circuit for the entire system. Based on my positive experience with Ashly amplifiers and processors, I suspected that their new nXp3.04 four-channel 3000-watt amplifier with internal DSP would help us overcome all of those challenges.”

Inputs to the system include four Shure ULX-series wireless microphones, three hardwired microphone jacks, and a Tascam CD-200i combination, aux in, iPod, and CD player. They feed a Shure SCM810 9×1 automixer, which in turn feeds the Ashly nXp3.04. The Ashly nXp3.04 is a lightweight, energy-efficient Class D switching amplifier with four 3000-watt channels and an integrated 4×4 Protea DSP. Three of its amplifier channels power three Community R2 loudspeakers at the scoreboard. The final amplifier channel powers a pair of Community DS5 surface-mount loudspeakers in the press box. Additional aux outputs from the nXp3.04’s DSP section feed a Listen Technologies assistive listening system.

“As with all Ashly networkable devices, connecting to and accessing the nXp3.04’s DSP was instantaneous,” said Campana. “Because I have considerable experience with the Ashly ne-Series of DSPs, the layout and workflow of the nXp DSP was pleasingly familiar. The Community R2′s like to see a lot of power, and I knew the nXp3.04 would be able to deliver with a maximum output of 3,000 watts at 2 ohms per channel. Not only was there power to spare, 2000 watts per channel @ 4 ohms, but the nXp3.04 performed at full throttle with only a minimal amperage draw. With all of its brains and brawn, I’ll definitely utilize the Ashly nXp-Series for future jobs – especially at its more-than-fair price point.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

API 1608 TRAVERSES THE EARTH

JESSUP, MARYLAND: With hundreds of satisfied customers, API’s 1608 console continues to make a mark on the music industry with the company’s signature API sound. Available with or without P-Mix automation and up to 48 channels, 1608’s can be found in studios both large and small, in the U.S. and around the world. Here is a small sampling of some 1608s that have recently left the factory.

STUDIO K – Paris, France Situated on the fourth floor of a 17th century building in Paris, David Chalmin’s 32-channel automated API 1608 console is the perfect fit for his semi-private space. Chalmin began as a musician, but his interest in pro audio gear has turned him into an engineer who has worked on everything from alternative rock to classical music.

Chalmin did his fair share of research before deciding on the 1608 and chose the console based on the API sound, character, and API 500 Series format. “The preamps are amazing, so already while tracking you get your sound. Then, during the mix, you have huge headroom to play with. Automation is simple and straightforward. It brings the console to another level. This console is a dream!” says Chalmin.

VIRGINIA ARTS – Charlottesville, Virginia Next, Virginia Art’s (Virginia’s oldest operating commercial studio) opted for a 16 channel API 1608, again with P-Mix automation. The console will serve as the flagship in Virginia Arts Recording, owned by Chris Doermann and engineered by Sean Dart.

The 1608 has already served many local and national acts, such as John Grisham, Thomas Dolby, Those Darlins, Ra Ra Riot, The Walkmen, Cowboy Junkies, and William and Mary Accidentals.
“The API brand has long been known for its excellent products. Sound and flexibility were among the top factors [in purchasing the 1608]. The console’s small footprint and low power draw was the perfect addition to our relatively small control room. Also, API’s staff welcomed us into the factory on day one and answered every question we’ve had since. And the biggest thing – great sound,” said Sean Dart.

EMERY RECORDING STUDIOS – Novelty, Ohio Final example, studio owner, producer, engineer and mixer, Eric Emery, chose a 16 channel automated API 1608 to represent his workspace, Emery Recording Studios, and his band, Concordia. Working under Johnny K. at Groovemaster Studios, as well as Grammy Award-winning mixer Craig Bauer, Emery’s 1608 choice of console has added a level of API professionalism to his studio, which has been in operation since 2005 when he was just 15 years old.

“The first time I heard that magical API Sound I was hooked. It just has that special punch you can’t get from anything else,” said Emery. “This console gives my mixes something I couldn’t get from any other piece of gear. This is a definite no-brainer if you want to achieve that truly commercial sound.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

IMT Names Osvaldo Alvarez Eastern Region Systems Architect

Alvarez Spearheads Growth With Integrated Media Technologies

Fast-growing consulting and systems integration firm Integrated Media Technologies, Inc. (IMT) has named Osvaldo Alvarez as Eastern Region Systems Architect to further its commitment to East Coast broadcast and media customers, especially in the NYC area.

A recognized broadcast technology expert and well-known systems engineer with more than 25 year experience in the industry, Alvarez was previously a systems engineer at NetApp servicing the broadcast, media and entertainment marketplaces. Prior to NetApp, he was a senior project engineer for CBS Broadcasting in studio and post-production, and worked at ESPN, ABC and NBC. Alvarez served as a product manager and field engineer for companies such as Grass Valley, Sony, Miranda and Philips.

“I’ve known Osvaldo for many years and have always marveled at his technical and interpersonal skills, as well as his systems knowledge,” commented IMT VP of Business Development Tom McGowan. “Osvaldo comes on board at a critical time in our company’s expansion and his leadership in the broadcast and media technology industries will accelerate our engagement with leading media and entertainment companies on the East Coast and Central Midwest. I look forward to working closely with Osvaldo.”

“This is exactly the position I’ve been looking for,” explained Alvarez. “IMT has carved out a major sector of the burgeoning IT, broadcast, and M&E market and is poised to capitalize on its very smart understanding of future needs. I want to be a part of that, and my experience in digital storage technologies, HSM and MAM will allow me to contribute for the benefit of our clients.”

IMT is a full service systems integrator, providing the latest technologies from more than 100 global vendors, coupled with a comprehensive portfolio of professional consulting and support services. The company offers scaleable solutions to manage complex technology projects from end-to-end, including research, system analysis and design, technology selection and supply, testing, installation, training and support.

IMT’s growing portfolio of clients includes numerous Fortune 500 companies serving the broadcast, media, entertainment and sports markets.

ABOUT INTEGRATED MEDIA TECHNOLOGIES, INC. (IMT)
Integrated Media Technologies Inc. is a leading consulting and systems integrator for digital media, and information technology. The company delivers products and services that enable clients to achieve their strategic business goals. Through an active engagement with the client, IMT collects project requirements to design the best solution to address the customer’s needs. IMT’s award-winning staff designs, procures, installs, trains, and supports a project from beginning to end. In addition, IMT offers ongoing support through its Remote Managed Services, lowering project risk, cost and assuring maximum uptime.
For more information, visit   http://www.imtglobalinc.com

Yamaha CL Digital Console Update V 1.7 Available in December

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. announces the December availability of Version 1.7 software upgrade for the Yamaha CL Series Digital Audio Console. The upgrade, available via free download, is based on significant end user input and will provide enhanced efficiency and versatility along with significant improvements that will be especially valuable for mixing engineers in festival and similar complex event setups. Several of the features implemented in V 1.7 will make the CL an even better console choice for festivals, since many of the new features are already familiar to PM5D users.

New CL V 1.7 features include Selective Load/Save for set up data such as scene memory, libraries, etc., can now be individually loaded from or saved to USB memory providing an efficient way to load complex setup data. The HA Option for changing input patches now makes it possible to select whether the end user wants to use the HA settings from the patched port as is, or copy the channel HA settings to the patched port in order to quickly change input patches when mixing in a fast-paced environment without having to copy HA settings.

“As with all Yamaha Commercial Audio products, updates are implemented based on suggestions primarily from our end users,” states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. “Their input is quite essential, now, and for future generation of products.”

CL V 1.7 updates also include: in the Sends On Fader mode, the assignable encoders (Gain/Pan/Assign knobs) can now be used to adjust channel level and panning for sends to stereo buses. Custom Fader Bank setups can be stored to, and recalled from, individual scenes. At busy events that involve multiple engineers, this feature can make it easy to change custom fader bank settings without having to switch users. And, the sends from input channels to buses on which the send point is set to PRE, can now be assigned to DCA groups for muting via a DCA Mute Option for PRE sends.

Other new features in CL V 1.7 include improved Channel Name Display In the Sends On Fader mode where channel ON/OFF status is now indicated in the channel name display. Additionally, a “black” 9th color has been added for the Channel Color Bar. More points are available in the Metering Point field on the meter display with the addition of “Pre GC Meter” and “Post Digital Gain Meter”.

Also in CL V 1.7, the Analog HA gain and Digital HA gain indication have been improved and are both displayed in the Selected Channel View Gain/Patch field at all times. The HPF status of R Series and similar external HA units are shown in the Gain/Patch field as well. DCA/MUTE group and mute name display are now shown in the DCA/Mute Group Assign Mode pop-up display. Improved Channel Link display indicators in the CH Link Mode pop-up display will make it easy to see current link group settings.

In addition to the above new features, CL V 1.7 includes Extended Cue monitor adjustment range that extends from -30 dB to +20 dB. It is now possible to specify whether latched or unlatched external switches are connected to the GPI input ports. And, when mounting I/O devices on the Dante network, the device type can now be detected without the description in the device label, allowing for better customization of names.

For more information on Yamaha CL V 1.7, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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