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Archive of the InfoComm Newslink Category

Trivium, The ME, And New Yamaha QL: A “Three-Way Logical” Combination

BUENA PARK, Calif.—“Trivium” is an American heavy metal band from Orlando, Florida that formed in 2000, and since signing with Roadrunner Records in 2004, has released six studio albums and eighteen singles. Selling over one million albums worldwide and following the release of their sixth album, the band is out on tour in support of Vengeance Falls.

After speaking with Clair Bros. (Littiz, PA) who is responsible for audio production for the tour about different console options, Trivium’s monitor engineer, Mike Babcock, chose the new Yamaha QL5 Digital Audio Console for monitor mixing. Clair is also providing a FOH control package, a full stage patch package, and snake system for Trivium. The band owns JH-Audio IEMs and Sennheiser transmitters. Clair is also providing a full monitor system and control package for “Volbeat” who headlines the tour.

“The Yamaha QL Console Series could not have been released at a more opportune time, states Clair Account Manager, Justin Weaver. We were in the middle of talking to tour manager Joey Brueckmann and Mike Babcock about their upcoming tour package, and the QL5 was the perfect fit for the tour. Trivium is jumping around between headline, support, and festival shows, so having a reliable, compact console in monitor world was a must since real estate on stage is at a premium.”

After speaking with Doug Staab at Yamaha Commercial Audio Systems, he assured Clair Bros. that Yamaha could have the QL5 QC’d and shipped to them before their shop load-out date. “Not only did they deliver on time, but our console department also had time to play with the console and was quite impressed with the design and feel of the QL, says Weaver. We look forward to deploying this desk on many more tours in the future that require a dependable, small-footprint mixing console.”

Initially, Trivium chose a Yamaha CL1 for the tour mainly because Brueckmann was finding that all of their fly dates had Yamaha PM5Ds for monitors, and we wanted to stay within the Yamaha family for consistency yet keep a small footprint for ease of everything,” states Babcock. The fact that the new QL5 was available was a huge bonus, mainly for the onboard preamps and not needing an additional Rio rack. I’ve never been one to shy away from new gear, especially from Yamaha.”

Babcock said since the main goal for a monitor console was a small footprint and Trivium is the main support act on the Volbeat tour, a quick load out was important. “Having a file system that is compatible with all Yamaha consoles is a big plus. The file conversion utility worked great with our first fly date festival using a Yamaha PM5D.” Babcock said that on that fly date with a converted QL5 show file for PM5D externally clocked at 96 there was no noticeable audio quality difference after gain structure was reset. “I would consider the QL5 to be PM5D quality (or better) in an Yamaha LS9 size. Great for club tours, support tours, and anywhere a small footprint is needed. Keeping client demands for high quality audio is the main goal, and the addition of the Premium Rack plug-ins is greatly appreciated and adds that little special sauce we all love. There are times where I really need dynamic EQ, and that option is great as well.”

“It all adds up to be the best monitor mixes anyone in the band has ever had mainly due to having the QL5 tools required to offset various venue conditions at the tip of my fingers.”

For more information on Trivium, visit www.trivium.org.

For more information Clair Bros., visit www.clairglobal.com.

For more information on the Yamaha QL Digital Console, visit www.yamahaca.com.

-END-

PHOTO ID: L to R: ME Mike Babcock with TM Joey Brueckmann

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

CAST BlackTrax Shortlisted for Two Studio LIVE Design Awards

48HRS BEFORE VOTING CLOSES!



Live Design’s Seventh Annual Excellence Awards voting is now open.

Vote for CAST BlackTrax in the following categories:

Category 3. Live for Broadcast: Eurovision
Category 7. Venues (Theatre or Performance): Trinity Fellowship Church

Vote Here: http://livedesignonline.com/news/excellence-awards-voting-open

Winners of each category will be featured in the June issue of Live Design, as well as honored at the Broadway Master Classes.

CLICK HERE TO WATCH THE VIDEO

www.blacktrax.ca

Matrox at InfoComm 2014 — Product Preview

Video wall controller boards, H.264 encoders/decoders, fiber-optic KVM extenders, video streaming and recording appliance and quad HD capture card to be showcased

Matrox® Graphics Inc. and Matrox Video will be sharing booth N2247 at InfoComm 2014 (Las Vegas, June 18-20). Matrox Graphics Inc. will demonstrate the field-proven Mura™ MPX video wall controller boards, Maevex™ Full HD over IP H.264 encoders/decoders and zero-latency Avio™ fiber-optic KVM extenders. Matrox Video will showcase the award-winning Monarch HD™ video streaming and recording appliance and the VS4™ quad HD capture card for multi-camera recording and streaming.

Video Wall Controller Boards
Matrox Mura MPX Series capture and display boards feature flexible inputs and high-quality outputs allowing AV integrators, system builders and equipment manufacturers to easily and cost-effectively build high-density video wall controller systems supporting custom video walls of almost any size. Exceptional-quality scaling, switching, and compositing of source content including HDCP feeds are easily managed through intuitive software control options including Matrox MuraControl™, third-party software and simple integration with existing AV control systems. The recently released Matrox MuraControl 3.0 for Windows video wall management software will be demonstrated for the first time at InfoComm 2014. Mura capabilities will also be showcased through rich transitions and eye-catching effects applied to both recorded and live content using the latest Mura Network API — a platform that software developers have used to build their own powerful video wall control solutions for Mura-based video walls.

AV-over-IP H.264 Encoders/Decoders
Matrox Maevex H.264 encoders and decoders deliver exceptional quality AV streaming at low bandwidth over standard IP networks for display or for storage anywhere on the LAN. Maevex encoders, priced at only $999 US (MSRP), can be combined with Maevex decoders or a third-party software decoder to stream up to Full HD digital signage, education and training materials, camera footage, desktop screen capture and other AV content to one or more displays and to collaborative video walls. New at InfoComm this year, Matrox will demonstrate how Maevex encoders can record live AV content to network-attached storage (NAS) or network-shared drives at resolutions up to 1080p60. The zero-latency pass through allows realtime monitoring or connection of another device to stream at the same time as recording. Maevex units come bundled with Matrox PowerStream™ software, allowing for easy remote device management, stream switching and streaming/recording parameter adjustment, including user-definable bitrates between 100Kbps and 25Mbps. An API is also available for software developers who want to add Maevex device control to third-party applications.

Fiber-optic KVM Extender
Matrox Avio F125 fiber-optic KVM extenders separate dual HD or single 4K Ultra HD video, keyboard, mouse, stereo analog audio and USB 2.0 devices from a computer, providing real-time control of high-performance workstations located up to 6 miles away. The transmitter/receiver pair extends two single-link DVI (2x1920x1200) or one dual-link DVI (2560×1600 or 4096×2160) video, and multiple high-speed USB 2.0 compliant devices from the host computer by up to 1312 ft (400 m) over multimode cable and 6.2 mi (10 km) over single-mode cable. Avio F125 stands out for its ability to transmit all signals with zero compression and zero latency on a single duplex LC-LC fiber-optic cable.

Video Streaming and Recording Appliance
Matrox Monarch HD is a small, easy-to-use H.264 encoder designed for professional video producers who need to simultaneously stream a live event and record a mastering-quality version for post-event editing. Priced at just $995 US, it provides these two independent modes in an integrated unit. From any HDMI input source such as a camera or switcher, Matrox Monarch HD generates an H.264-encoded stream compliant with RTSP or RTMP protocol. While encoding the video at bitrates suitable for live streaming, Matrox Monarch HD simultaneously records a high-quality MP4 or MOV file to an SD card, a USB drive, or a network-mapped drive. Matrox Monarch HD is remotely controlled using any computer or mobile device with a web browser. The new Monarch SDK, an HTTP-based API, includes documentation and sample code that let AV and broadcast equipment developers write applications to configure and control Monarch HD streaming capabilities, giving them a very straightforward way to include a high-quality webcasting service as part of their overall product offerings.

Quad HD Capture Card for Multi-Camera Recording and Streaming
Matrox VS4 is a quad HD capture card that comes bundled with VS4Recorder™,a multi-camera recording app that gives live event producers complete synchronized control over capture of the four inputs connected to the VS4 to create high-quality MOV, MP4, or AVI files for use with popular editing apps, for immediate upload to the internet or for archiving. VS4 is also ideal for multi-camera live production streaming with Telestream Wirecast for Windows or StudioCoast vMix software. It not only sends video feeds for streaming, it also facilitates ISO recording to disk of all the original video and audio feeds for post event editing via a Matrox plug-in for Wirecast or Matrox Video for Windows (VfW) codecs for vMix MultiCoder software..

About Matrox
Matrox is a world leader in graphics, imaging, and video technology providing an extensive array of real-world relevant OEM and end-user solutions to businesses and individuals across a diverse range of professional markets, including media and entertainment, finance, digital signage, medical imaging, manufacturing, factory automation, security, government, and enterprise computing. For more information, visit www.matrox.com.

GRUND AUDIO DESIGN ANNOUNCES UPDATES TO GA-2021 LINE ARRAY SYSTEM

**** Photo: Grund Audio Design GA-2021 ****

Council Bluffs, IA – April 2014… Grund Audio Design, a pioneering manufacturer of loudspeaker and signal processing products for the audio professional, is pleased to announce that new Gala Series GA-2021 line array elements are being updated with revised flyware and that a new transport case is available. While the new flyware provides greater versatility, the new enclosures remain fully compatible with existing GA-2021 systems and can be used together should customers wish to expand their current systems. more

Renkus-Heinz Adds Color to New York’s Grey Bar

New York, NY – April 2014… The area around midtown Manhattan is about as busy and bustling as one might expect in the heart of the City that Never Sleeps. Packed into these few square miles is a staggering array of museums, shops, casual and upscale eateries and watering holes.

Since opening its doors last year, Grey Bar has quickly become a popular neighborhood spot for the midtown crowd. The restaurant’s kitchen has been receiving stellar reviews, and the dining room has been perpetually full.

The Grey Bar’s sound system, installed by Rego Park, NY-based Starview Satellite and designed by Rich Trombitas of Cardone, Solomon, and Associates, is designed to keep pace with the club’s ambience, whether it’s the midday lunch crowd or the more upbeat dinner hours. The system comprises a dozen Renkus-Heinz TRX81 two-way complex conic loudspeakers, with four cabinets across the bar and and eight more covering the dining areas.

As Starview’s John Paturno explains, the TRX Series was ideally suited for this application, with a tight pattern control that enabled the sound to be focused away from many of the room’s abundance of mirrors, glass, and other reflective surfaces.

“We were impressed with the flexibility of the TRX81 as well,” says Paturno. “Initially, we had planned on mounting all the cabinets horizontally, but due to some last-minute architectural changes, it became necessary to reorient a few of them vertically. We were impressed with how easily we were able to rotate the horn to achieve the coverage we needed.” Powersoft amplification drives the system, with Symetrix DSP also providing Web-based access to the system. “The owners can adjust the source and volume, even from off-site,” adds Paturno.

The Grey Bar has become an instant hit with the busy urban set, praised both for its menu and its ambience. As Paturno points out, the TRX Series has been a big part of that ambience. “The uniformity and flexibility of the TRX81s provide the perfect non-intrusive backdrop for the lunch and dinner crowds, with the capacity for a more high energy sound for the later night Manhattan crowd.”

###

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Opticomm-EMCORE to demonstrate Video Wall driven by Eclipse HD at InfoComm

Alhambra, CA – Opticomm-EMCORE, a leading provider of high-definition video, audio and data transport solutions for Fiber, IP, CATx and Coax networks, will be using the InfoComm 2014 show in Las Vegas on June 18-20 as a platform to demonstrate the quality of the new Eclipse HD as it extends and switches 1080p or 1920×1200 multimedia feeds across a dedicated IP network, sent to a four-panel video wall as example of its capabilities. In addition, other high-quality products for pre- and post-production, live-feed, and Professional A/V will be on display at the booth stand, C7716.

Opticomm-EMCORE will construct a cost-efficient video/audio/data distribution system over an IP network to show design consultants, system integrators and home theater aficionados the painless switching and routing of the new Eclipse HD. This encoder/decoder system provides visually lossless transmission and processing of HDMI 1.3, 5.1 channel audio, RS-232 data and USB HID keyboard/mouse (KVM), over a dedicated Gigabit Ethernet network. A media player, Blu-ray or DVD player, laptop, camera or other HDMI source can send HD signals to the Eclipse HD encoder, which can then be sent to a Layer 2/3 Unmanaged Gigabit Ethernet Switch with IGMP 2.0 (if desired), which lastly can be received by one or more decoders to be connected to single or multiple displays. There are virtually limitless ways to configure a HD matrix by stacking IP switches.

In addition to the Eclipse HD, we will be showing the NV series as a part of the IP network exhibit, which utilizes JPEG 2000 encoding and decoding for lossless DVI, HDMI, and 3G HD-SDI distribution. Also we will also be highlighting, in our booth, the c-linx series, Optiva and GBOX fiber products. The c-linx series are small, stand-alone box units utilizing HDBaseT technology to extend signals for extension up to 100 meters, over CATx. The company will also display the Optiva OTP-1DVI2A1UKM, which has been upgraded with a larger bit-rate of 10GB optics and now supports up to 4K resolution and KVM over a secure, lossless multimode fiber up to 10 km and singlemode fiber up to 25 km. The first in the GBOX Series, GBX-HDMI-VGA, provides for the transmission of either HDMI 1.4b with HDCP and HEAC support, or VGA / Component for legacy stereo analog sources, in a point-to-point configuration. It also supports stereo analog and S/PDIF digital audio, 10/100/1000 Ethernet, bidirectional RS-232 and IR support.

Opticomm-EMCORE’s booth will display the newest and key products that we believe, will cater to consultants and integrators who build and design complex signal network systems and have need of high-quality signal management.

“We are excited to showcase our newest addition to the video-over-IP distribution category, Eclipse HD,” concludes Henok Tafese, Senior Director of Business Development.

Opticomm-EMCORE’s complete breadth of video-over-IP, fiber and CATx/HDBaseT products will be on display at InfoComm 2014, June 18-20, booth C7716 of the Las Vegas Convention Center. For more information, please visit www.opticomm.com, download the EVE/EVD-HD datasheet here, or call 626-293-3400.

FELLOWSHIP BIBLE CHURCH UPGRADES TO DANLEY SOUND LABS

TACOMA, WASHINGTON – APRIL 2014: Fellowship Bible Church in Tacoma, Washington started as a gathering of friends in a living room on July 7, 1977 (7-7-77) and grew over the decades that followed to become a beacon in the community. The church moved into its current 750-seat sanctuary in 1996 and developed an engaging contemporary worship style complete with a small band. However, the church members were long dissatisfied by the sound quality in the sanctuary. So when they recently raised the funds, they sought high and low for the very best sound reinforcement system to replace it. That search took them to Audio Video Electronics, a Twin Cities-based A/V integration firm with extensive experience designing and installing systems based on Danley Sound Labs components. Now, Danley synergy horn loudspeakers and DBH subwoofers provide beautifully articulate, musical reinforcement with even coverage.

“Their old system was in a pretty sorry state when we first arrived to meet and understand their needs,” said Stefan Svard, president of Audio Video Electronics. “They were most interested in getting a new system that would be consistent; Consistent not only in its day-to-day performance, but consistent in its coverage of the seating area. One of the things I really like about Danley is the phase coherency of its designs. It makes for consistent patterns and, perhaps more importantly, remarkably consistent sound quality within that beam. I’ve been a Danley supporter for a long time now, and I’ve really come to believe in [President] Mike [Hedden] and the rest of the company.”

The new system is much simpler than the old system. Three Danley SH-50s comprise a center cluster with a pair of Danley SM-60s providing side fill. A pair of Danley DBH-218 subwoofers generates ample deep bass. Svard used Danley’s modeling software to optimize the positioning and component selection. Three Powersoft Duecanali 3904 amplifiers with integrated DSP power all of the full-range boxes, with a channel to spare for an additional down fill that the church will have funds for in the future. A single Powersoft K20 with integrated DSP powers both subwoofers. A Midas PRO2 console serves as a flexible, easy-to-use front end. “The whole system is much simpler now,” said Svard. “They have a nice console with a digital snake and a clean rack. Although it’s not complicated, it gives Fellowship Bible Church a lot of punch and room for growth.” In addition to the sound reinforcement system, Audio Video Electronics also gave the church a new Vivitek d6010 6000 lumen projector and a 16×10’ pearlescent Da-Lite snap-screen.

“I love that when I cluster the Danley boxes, they act like one large speaker,” said Svard. “Other manufacturers generate comb filtering and lobing, which can cause some nasty feedback when the cluster is above the pulpit. Danley doesn’t do that. Danley gives me excellent pattern control with uniform sound. The clarity of a Danley box is unmatched, in my opinion. The low-end at Fellowship Bible Church is tremendous. We had a few of their new DBH-218s at a much larger, 5,000-seat church in Tulsa, Oklahoma, and they were great. We arranged Fellowship’s two DBH-218s to give some directivity to the low end, which gives them nice on-stage volume and ample bass in the seats. In all, we gave them a premium system all the way across, from the console… to the amps… to the loudspeakers and subs. They’re very happy with it.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

TRUE COLOURS MIXES BIGGER PROJECTS WITH THE BOX® FROM API

PADUA, ITALY – APRIL 2014: Located in one of the oldest towns in northern Italy, True Colours Studio is dubbed a ‘well-heeled project’ by owner Mauro Santinello. What began in 2005 as a single recording and control room has now grown into a facility with three recording rooms for commercial audio projects, jingles, and most recently some major Italian recording artists. To accommodate the needs of its growing presence in the music scene, True Colours has added THE BOX® to its studio, citing its “high quality manufacturing, and the unique API sound”.

Mauro wanted a project console that would provide a cost-effective, versatile solution to handle the needs of his growing studio in the decades to come. Along with his booming presence in the recording artist scene, True Colours has a growing demand for complete post-production, musical arrangements, and the creation of music for movie productions and short films. “I chose THE BOX because it represents the right console for a modern studio.”

The small-format recording and mixing console offers features that are not provided by most DAWs, including mic preamps, input signal processing, a high-quality mix bus, cue sends with talkback, and monitor control – all in a compact and versatile package. True Colours has a growing number of external preamps, EQs, and compressors, which includes some existing gear from API. The ability to personalize setups was a major factor that drew Mauro to THE BOX. “I didn’t want a big console with 32 preamps and 32 EQs that are all similar.”

True Colours mixes and records music of all genres, with only metal and electronic music yet to make the list. The crew has recorded a wide-range of Italian artists including famed singer Zucchero, piano master Stefano Bollani, and jazz trumpet player Enrico Rava. Most recently, Mauro used THE BOX for a session with singer Alberto Micaglio, whose acoustic presence is expanding from Italy, to London and New York. He has an album due out later this year.

“I have always wanted to buy an API console,” admits Mauro. “THE BOX offers a high-quality analog sound, and no compromises.”

ABOUT API (AUTOMATED PROCESSES, INC.)
Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

PreSonus Tames the Loudest Hole in Golf

Scottsdale, AZ – April 2014… With a history dating back to the 1930s, the Phoenix Open is one of pro golf’s most celebrated events. Now known as the Waste Management Phoenix Open, the tournament has hosted some of the biggest names in the game, from Arnold Palmer, Ben Hogan, Jack Nicklaus, and Ben Crenshaw to Phil Mickelson, Vijay Singh, and Tiger Woods.

In 1987, the Open moved to its current home at the world-renowned TPC Scottsdale golf course. The course was custom designed for the tournament and is best known for the 16th hole of its Stadium Course. It has often been referred to as “the loudest hole in golf”; during the tournament, its amphitheater-style seats are packed with crowds of exuberant fans and spectators who cheer and jeer loudly as the pros play through.

David Eriksson, CEO of Phoenix-based Church Technologies, is a volunteer with the Phoenix Thunderbirds, a prominent civic organization that has supported the Open throughout its storied history, raising millions of dollars for Phoenix-area charities. Eriksson, who has lent his audio skills to the event for close to a decade, explains the challenges behind the 16th hole.

“It’s always been a bit of a crazy event, and by the time the players get through to hole 16, they’re nearing the end of their game, and things are loosening up,” he observes. “But it’s still a regulation game, and the PGA has some pretty stringent regulations regarding noise. The challenge is to find just the right balance of being heard over the crowd without overpowering the game.”

Eriksson found the solution a few months before this year’s Open. “We did an event last December as part of the Shane and Shane tour, and I got to hear the new PreSonus® StudioLive™ AI loudspeakers,” he recalls. “I just loved the way they sounded, and I thought it would be great to try them out at the Open.”

Four systems were brought in to cover the 16th hole, each comprising three StudioLive 328AI Active Integration™ loudspeakers and a StudioLive 18sAI subwoofer. “We had one system in the Chairman’s Club, another in the bar area, and two more on the crowd,” says Eriksson. “The sound was just wonderful—the system had such amazing clarity.”

For next year’s Open, Eriksson plans on bringing in a StudioLive AI-series digital console, too, to take full advantage of Active Integration. “I’m really excited about being able to control the mix from an iPad,” he enthuses. “I can be down in the tee box and hear what the players are hearing. That’s an amazing advantage.”

“This is one of the biggest events in professional golf, and getting the sound right is a big part of it,” Eriksson concludes. “PreSonus has pretty much everything we need, from the console to the speakers, and it’s all fully integrated to work together. It’s a great fit.”

###

About PreSonus Audio Electronics, Inc. – Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

Historic Racing Track Turned Casino Wins with Twenty-Two Symetrix SymNet Edge DSPs

MIAMI, FLORIDA – APRIL 2014: Constructed in 1932, Hialeah Park is an architectural wonder in southern Florida that hosted some of the world’s finest horseracing until it shuttered its doors in the late 1990s under pressure from the shifting tides of modern gambling. Its resplendent Spanish décor impressed the many celebrities who graced its grandstands, including Winston Churchill, Frank Sinatra, Harry Truman, Will Rogers, John Kennedy, and Joey DiMaggio. Its iconic palm trees and archways served as the setting in numerous Hollywood films, including The Champ and The Godfather: Part II. Hialeah Park recently leveraged the weight of that history to launch Hialeah Park Racing & Casino, which pairs quarter horseracing with a casino built into the interior of the historic grandstand. A new, state-of-the-art sound system infuses the casino with full-fidelity music 24 hours a day, seven days a week using twenty-two SymNet Edge Dante networked audio DSPs modularly outfitted with twelve inputs and a whopping three-hundred outputs!

“The casino has nearly nine-hundred slots, twenty-three poker tables, and several restaurants and bars located across 150,000 square feet,” said Byard Hey, sales manager with NDR Systems, the Ft. Lauderdale integration firm that installed the new sound system. “They were very careful to restore all of the architectural motifs that make Hialeah Park such a regal place.” Kinsella-Marsh Group, Inc. (Miami Beach, Florida) designed the system around a different processing arrangement, but Hey pushed for Symetrix. “I’ve been using Symetrix for years, and the installations always go smoothly and the equipment always holds up,” he said. “Moreover, the new SymNet Edge met all of the design requirement and then some. It has a modular I/O that could easily accommodate the lopsided I/O count of this job. Importantly, the SymNet Edge is based on the future-oriented Dante network, whereas the specified processor was based on the now-fading CobraNet technology.”

Each SymNet Edge frame can be filled by up to four I/O cards. The available I/O cards cover the full range of possible I/O needs, but for Hialeah Park Casino, Hey simply installed three 4-Channel Analog Input Cards and seventy-five 4-Channel Analog Output Cards into twenty-two SymNet Edge frames. While each Edge frame has its own processing resources, the whole system acts as one integrated whole via the Dante network. Each speaker location includes a five-inch loudspeaker, an eight-inch loudspeaker, and a subwoofer. All the components are Tannoy with the SymNet Edge processing turning each location into a three-way system. Lab.gruppen amplifiers are used for power.

“Dante is great, especially for this type of installation,” said Hey. “It’s a communications protocol of the future, which will make any future requests easy to accommodate. It has a dual network topology, which makes it more robust, and it is so easy simply to wire it all with Cat5 jumpers! The SymNet Composer software is intuitive and allows me to see the entire system or dig down as necessary. The casino has been up 24/7 for several months now without a hiccup.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

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