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Evolutionary Yamaha PM10 Launched Today

Yamaha RIVAGE PM10

Buena Park, Calif.—In a worldwide announcement made at Inter BEE today, Yamaha Corporation Japan has launched the RIVAGE PM10 Digital Mixing Console, an enormous, evolutionary step for Yamaha PM Series Digital Live Sound Consoles. More than ten years have passed since the Yamaha PM1D and PM5D defined the direction for the digital console market. The new flagship RIVAGE PM10 significantly increases the quality and versatility necessary in a live sound environment, and inherits features from the renowned PM Series Consoles. Evolved features and performance define yet another milestone for Yamaha sound reinforcement consoles. The PM10 system is comprised of the CS-R10 control surface, DSP-R10 DSP engine, RPio622 I/O rack, three types of RY cards, and two types of HY cards provide the flexibility to configure and ideally match the scale and functional requirements of any application.

“Our new flagship RIVAGE PM10 system is the result of more than 40 years of PM Series history and reinforces our passion to provide industry-leading commercial audio products,” states Laurence Italia, Vice President/General Manager, Yamaha Commercial Audio Systems, Inc. “RIVAGE PM10 will ignite the market for a new era of extraordinary sound, operation, and reliability. Needless to say, RIVAGE PM10 would not be possible without the dedication of the Yamaha Japan R&D team as well as feedback from our customers.”

Under the fundamental philosophy of Yamaha live sound consoles, Hybrid Microphone Preamplifiers have been newly-developed, as has the analog section both in terms of components and overall design, achieving an extraordinarily pure, natural sound. Impeccable models of the Rupert Neve Designs (RND) transformer circuitry and acclaimed SILK processing have been created utilizing Yamaha’s VCM (Virtual Circuitry Modeling) technology. The SILK processing feature even includes selectable “RED” and “BLUE” characteristics, and a continuously variable “TEXTURE” knob that facilitate sonic shaping right at the input stage, adding musical sparkle or power as required. Josh Thomas, general manager of Rupert Neve Designs, had this to say about the collaboration: “We have done a number of listening sessions to compare our hardware to the transformer and Silk Texture emulations that Dr. K of Yamaha Japan and the development team achieved. Rupert and I are both very impressed by how closely the emulations get to the original analog designs. We hope that you all enjoy the rich Rupert Neve sound.”

The channel EQ and dynamics have been significantly upgraded with three newly developed algorithms plus the classic Yamaha “Legacy” algorithm. The new “Precise” algorithm includes Q parameters on the low and high shelving filters that allow filter overshoot to be flexibly controlled for added musical impact. An “Aggressive” algorithm has been designed for the most musical response, and the “Smooth” algorithm offers smooth, natural control while retaining the fundamental character of the source. Two Dynamics stages are provided, each functioning as a gate, compressor, ducker, or de-esser as required. Two compressor types are included: “Legacy Comp” features standard Yamaha digital console compressor characteristics, and “Comp260,” a VCM model of a popular analog comp/limiter from the mid-70s.

A total of 45 plug-ins are available for creative processing, with substantially increased processing power. New and noteworthy are plug-ins created in collaboration with Rupert Neve Designs, TC Electronic, and Eventide.Collaboration with Rupert Neve Designs has resulted in the “Rupert EQ 773,” “Rupert Comp 754,” “Rupert EQ 810,” and “Rupert Comp 830,” all VCM models of Neve designed outboard devices from the 70s and 80s. All four models deliver the gloriously musical vintage outboard sound still favored by many discerning engineers. The alliance with TC Electronic has resulted in the inclusion of two new reverb plug-ins: the “VSS4HD” room simulation reverb that offers a multitude of reflection settings with musical-sounding reverb processing capabilities, and the “NON LIN2” plug-in that can function as an envelope-filtered gate reverb without requiring a trigger.

“I wish to congratulate Yamaha with raising the bar for live console design significantly,” states Thomas Lund, CTO of TC Electronic. By directly integrating the world’s finest EQ, dynamics and reverbs, this mixing system is truly outstanding. Therefore, a big congratulations to the users also.”

Cooperation with Eventide has produced the “H3000-LIVE” harmonizer, an accurate reproduction of the H3000 Ultra Harmonizer algorithm with an interface streamlined for live sound use. “The marriage of classic Eventide effects with the state-of-the-art Yamaha RIVAGE PM10 mixing system is a match made in heaven,” adds Ray Maxwell, Eventide vice president of sales and marketing.

Console operation has been given the utmost attention with the Yamaha-familiar Selected Channel section implemented in full, allowing all parameters of the selected channel to be directly and intuitively controlled. There are also two large LCD touch screens that provide logical continuity with the faders, offering the same operability as the highly regarded Centralogic™ interface in 12-channel groups. In addition to this dual interface hybrid operation style, horseshoe-ring encoder position indicators, refined panel layout, and several other details contribute to significantly improved overall operability.

New features extend the usefulness of the scene memory: “Isolate” enables the engineer to specify entire channel modules including EQ and dynamics libraries, etc., that will be protected from recall operations without altering the Recall Safe settings; significant for situations where scene memory is heavily used. The Overlay Filter can be “overlaid” on a current mix to apply temporary offsets to fader and mix/matrix send levels independently from Scene Recall – valuable in situations that require sudden changes and the ability to easily revert to the original settings.

The CS-R10 control surface and DSP-R10 DSP engine are connected via a dedicated CAT5e ring “Console Network.” The DSP engine connects to the RPio622 I/O racks via the newly developed TWINLANe ring network using multi-mode optical fiber. The fact that both networks use simple ring connections facilitates redundancy and the highest possible reliability. TWINLANe is an original Yamaha protocol that can handle up to 400 96kHz audio channels over distances of up to 300 meters with low latency and redundancy for high reliability. Up to two DSP-R10 DSP engines and eight RPio622 I/O racks can be connected in a single ring.

Connection to a computer for multi-track recording, connectivity to the NUAGE Advanced Production System, Yamaha CL and QL Series Consoles, as well as other external equipment is possible via a Dante network. Dante, designed for simple setup with an extremely wide range of professional audio devices, works ideally with TWINLANe to create an exceptionally flexible, reliable system overall.

RIVAGE PM10 has an expected delivery during 2015.

For more, expanded information on RIVAGE PM10, please visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

ASHLY AUDIO MULTI-CHANNEL 25-VOLT AMPLIFIERS PROVIDE A COST-EFFECTIVE ALTERNATIVE TO A 70-VOLT SYSTEM WITH CONDUIT AT DENISON HIGH SCHOOL

Denison_High_SchoolDENISON, TEXAS: Denison High School in Denison, Texas recently completed a new 300,000 square-foot building to accommodate its 1,250-plus students. Although packed with the latest in academic technology and the sort of architectural features that both provide comfort and encourage learning, the new building faced cost overruns and a budgeting challenge that required creative thinking on the part of its subcontractors. Among them was a plan put forward by local A/V integrator Batts Audio, Video & Lighting to jettison a 70-volt announcement/bell system (and all the expensive conduit it would require!) for a distributed amplifier system running a 25-volt announcement/bell system. Based around eight 8-channel Ashly Audio ne8250.25pe Network Amplifiers with built-in Protea™ DSP processing, Batts AV&L gave Denison a reliable, high-quality system for a fraction of the cost of the proposed 70-volt system.

“The issue was that the new school was coming in way over budget,” explained Jeremy Pilcher, vice president of operations at Batts AVL. “It was recommended to them by the construction manager at risk, as well as by a third-party construction manager, that many items be brought back under the umbrella of the district’s responsibility, such as classroom projectors, cafeteria/gym/video room projectors, auditorium technology, and the announcement system. We have an established relationship with the district, and we became responsible for all of it.”

The most vexing problem was the announcement/bell system, which called for a 70-volt system run through conduit throughout the building. “We ran the costs/benefits on using 25-volt amps distributed throughout the building that could power loudspeakers without necessitating conduit,” Pilcher said. “Sure, we needed more amps, but even after accounting for that, the cost savings was substantial. Ashly Audio is the industry leader in multi-channel 25-volt amplifiers. They are extremely cost-effective, especially with optional on-board processing, and are well-known for their reliability.”

The system begins with a dedicated paging system with analog outputs to trigger different zones. Those triggers and the voice signal travel to the eight Ashly ne8250.25pe amplifiers, which are placed strategically throughout the school. Each amplifier’s eight channels powers delivers 250 watts output to multiple zones of 25-volt Quam-Nichols loudspeakers, and each separate channel can constitute a separate selectable paging zone. The Ashly ne8250.25pe amplifiers also provide modest equalization, delay and limiting using the optional on-board Ashly Protea processing. “All together, using Ashly’s 25-volt amplifiers provided a functionally and cost-effective solution,” said Pilcher.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

GRAMMY AWARD-WINNING PASTOR OPTS FOR DANLEY AT VICTORY CATHEDRAL WORSHIP CENTER

Victory_Cathedral_Worship_Center_1BOLINGBROOK, ILLINOIS: Pastor Smokie Norful founded Victory Cathedral Worship Center in Bolingbrook, Illinois in 2005, the same year he won a Grammy Award for Contemporary Soul Gospel Album of the Year for Nothing Without You. He is one of the country’s top gospel artists, and his credits include several gold and platinum albums, dozens of awards and nominations, and numerous high-profile performances, including a performance at the White House in celebration of Black Music Month. When Victory raised funds for its first permanent sound system, Norful scrutinized the options, using his unique perspective to articulate exacting requirements. The Chicago branch of Advanced Systems & Technologies (AST) designed and installed the new system, which centers on Danley Sound Labs loudspeakers and subwoofers for the main house system, the delay system, and on-stage monitoring.

“Victory Cathedral Worship Center seats 1,500, and Pastor Norful fills it to capacity for two services every Sunday,” said Terry McCarthy, systems specialist with AST. “Due to cost overruns with the building’s original construction, the church had to put a new sound system on hold. They leased for many years, and when they were ready to install a permanent sound system, they wanted to do it right. Pastor Norful was very particular and we made it a priority to team up with his staff to insure that every detail was covered. We took the staff around to various installations in the Chicago area. They hadn’t recognized the name Danley Sound Labs at the outset, but when they heard it, they knew that Danley was their obvious favorite. “The first thing our customers notice when they hear Danley is great sound, plain and simple. And then, as they walk the room, they experience great coverage to every seat.”

The main system is comprised of two clusters of three Danley SH-46 full-range loudspeakers per side for true stereo coverage. Two massive coupled Danley DBH-218 subwoofers hang from the ceiling just in front of the stage. Three Danley SH-69 full-range loudspeakers provide LCR delays, two-thirds back from the stage, which give excellent representation at the mix position. Finally, four molded-horn Danley SM-80s provide incredible stage monitoring and two, flown, molded-horn Danley SM-96s cover the choir.

“AST started working with Danley Sound Labs based on Danley’s excellent sound quality, deep bass, minimal necessary processing, and unparalleled pattern control,” said McCarthy. “Taking clients on tours of our Danley installations is the best way to demonstrate the quality that we can deliver.” Moreover, Danley offers excellent service and product support – including design assistance – which is essential. As we focus on a broader class of technologies these days – sound, video, lighting and acoustics – our clients greatly benefit from this high level partnership.”

The system includes 64 channels of digital audio distribution, with Allen & Heath and Dante, including consoles at front-of-house, a complete audio suite, and a customized personal monitor mixing system. Powersoft K Series amplifiers provide power and processing for the mains. QSC PLX Series amplifiers and a Danley DSLP48 System Processor power and distribute to the stage monitors and delay fills. In addition, AST designed and installed full HD-SDI video production and presentation systems. The system includes three large video screens, six camera locations, independent IMAG control at FOH and a complete video suite and control room.

Pastor Norful and the rest of Victory’s staff and congregation are very pleased with the new system. “Smokie said it was a ‘home run’ and that it met and exceeded their every expectation,” said McCarthy.” The greatest feeling in the world when you finish a project is in the knowledge that you’ve delivered an outstanding product and that your research and hard work has paid off. They’re very happy and we are extremely proud to have served them in this capacity.” AST also provided extensive training for the staff and volunteers and the church is currently planning a new children and youth center that will utilize Danley Sound Labs loudspeakers and subwoofers as well.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Advanced Systems and Technologies, AST • www.soundvideolighting.com
Dallas/Ed Butler: ed@soundvideolighting.com • Chicago/Terry McCarthy: terry@soundvideolighting.com

ROLL TIDE! ALABAMA’S 100,000+ BRYANT-DENNY STADIUM CONVERTS FROM LINE ARRAYS TO DANLEY

DCIM100GOPROTUSCALOOSA, ALABAMA – NOVEMBER 2014: The University of Alabama’s Crimson Tide – among the most storied and winningest college football teams in the nation – plays all of its home games at 100,000-plus seat Bryant-Denny Stadium in Tuscaloosa. Pleased with the authoritative performance of its on-field sound reinforcement system – a single Danley GH-60 Genesis Horn paired with a single Danley TH-212 subwoofer – the university agreed with design and installation firm Baker Audio Visual (Norcross, Georgia) that Danley Sound Labs loudspeakers and subwoofers should replace the existing sound system to cover the entire stadium. Constrained by an aggressive timeline that necessitated reusing existing hang points, Baker AV installed Danley’s new weatherproof OS-80 loudspeakers and OS-115 subwoofers in the upper bowl and Danley’s seasoned SH-96HO loudspeakers (with additional OS-80 loudspeakers for down fill) in the lower bowl.

“We only had a short window to complete the design and installation once the athletics department gave us the go-ahead,” said Joe Schuch, vice president of Baker AV. “We had a similarly short window at Turner Field, home of the Atlanta Braves, where Danley Sound Labs delivered over four hundred custom loudspeakers within six weeks to make that job a success. At Bryant-Denny, we worked with Mike Hedden, Danley president, on a solution that would work within the constraints of the existing infrastructure. There was not enough time to engineer new solutions or to modify loudspeaker locations. We worked through Danley’s catalog of form factors to build an appropriate solution.” In part because Danley builds all of its loudspeakers and subwoofers in the USA, it was able to meet the deadlines at Bryant-Denny while simultaneously meeting deadlines at the Kentucky Derby’s Churchill Downs. Hedden reported that, between the two, the company produced between four and five hundred loudspeakers in just four weeks.

Alabama_Stands_SpeakersThe upper bowl now gets coverage from forty distributed Danley OS-80 weatherproof loudspeakers (two at each of twenty locations), which will remain impervious to the elements for decades to come. Every other OS-80 cluster is paired with a Danley OS-115LF weatherproof subwoofer for low-end support. The lower bowl uses twenty-four clusters, each comprised of a Danley SH-96HO for main coverage and a Danley OS-80 for downfill directly below the main loudspeakers. The OS-80 is rolled off at 250Hz and thus primarily aids in spoken word intelligibility. Similar to the end zones, all of the Danley products in the upper and lower bowls deliver better coverage with substantially fewer and/or lighter boxes, making it possible for Baker AV to install the system without taking valuable time to recertify the hangs.

After a few days tuning the system, Baker AV and Danley specialists fired up the system for the university. “The Athletics Department thinks it is a night and day improvement,” said Schuch. “The Danley system is more musical and has better intelligibility. The low-end output throughout the stadium blew them away.” Hedden added, “With the Danley system, Bryant-Denny gets better coverage, higher output, greater fidelity, and deeper bass all with a fraction of the cabinets, (38 Danley Synergy Horns replaced 128 line array cabinets) weight was reduced by several tons, and our system required 52 less amplifiers and signal processing than the old system. Our company offers the highest efficiencies, which translate into fewer devices required, making us the greenest manufacturer on the market. To me, it’s a huge affirmation that we’re doing the right thing and building a better mousetrap. With Danley systems in many of the biggest stadiums in the country – Green Bay Packers’ Lambeau Field, Buffalo Bills’ Ralph Wilson Stadium, LSU’s Tiger Stadium, Penn State’s Beaver Field, MSU’s Spartan Stadium, and now Alabama’s Bryant-Denny Stadium – we hope the tide is turning on the industry’s line array funk. Roll Tide!”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

InfoComm Announces University Days in Cardiff & London

InfoComm International®, the leading trade association representing the audiovisual and information communications industries worldwide announces two InfoComm University™ Days to 18th November at the Thistle Cardiff City Center and 20 November onboard the HMS Belfast, London.

Cardiff and London University Days are supported by Canon Europe. The London University Day is supported by Audio-Technica.

Chris Lavelle, Regional Director, UK & Ireland at InfoComm International said: “We’ve got an amazing line up of expert speakers who will present informative and topical issues. Interested parties are encouraged to sign up as early as possible.”

Each day will be a full day of education covering topics including networked microphones to the behavior of light in projection, LED video wall displays, cloud computing, big data and a look at InfoComm’s new AV Systems Performance Verification Guide. Each event will be followed by a networking reception to reflect on the day.

Certified Technology Specialist holders can earn CTS® renewal points. Each event is free to InfoComm members and includes lunch.

There will be prize giveaways for delegates including a compact digital camera from Canon at both events and pair of Audio-Technica headphones at the London University Day.

Viewing the full schedule is highly recommended. Please visit:

Cardiff – http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/40438.htm
London – http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/40532.htm

Empire PRO To Host QSC, Shure, and Yamaha Commercial Audio Training Day

empire_logo-transparent

LOS ANGELES—On Thursday, December 4th, QSC, Shure, and Yamaha Commercial Audio Systems, Inc., will present a powerful day of live-sound training at Empire PRO, 5675 Mansfield Way, Bell, CA. A professional production of the training will also be streamed live at http://www.mldistrict.com/empirepro, courtesy of DataVideo. Empire PRO is a leading national Pro Audio, Video & Lighting distribution partner.

The training, appropriately titled “Modern Technology For Today’s Production” will cover line arrays, digital consoles, monitors, amps, wireless and digital microphones, and in-ear monitors along with how they optimally work together for applications from small to mid-size production. Presenters will focus on system design, networking, Dante and RF landscape, coordination, and antenna setup as well as best practices, special tools, and tips.

“Our goal is to provide the Pro AV community with support and resources that empower them to grow their business, states Edmond Khanian, VP Sales at Empire PRO. We are more than a great place to get the products you need, when you need them, and at the prices you expect; we are a partner whose top priority is the success of our dealers’ business. We are proud and grateful to have strong relationships with industry leaders like QSC, Shure, and Yamaha Commercial Audio, who share and support our vision.”

Empire PRO continues to prove its commitment to be the most supportive Pro Audio, Video and Lighting wholesale distribution partner for AV Professionals through training and educational opportunities like this.

Presentation Schedule

• 9:40-10am: Introduction
• 10-11:15am: Shure – RF (spectrum update/incentive auction)
• 11:15-12:30pm Shure – RF coordination using Shure gear (highlighting BLX, QLXD, ULXD, AXT600 and WWB6) and how to choose the right antenna
• 12:30-1:30pm QSC – Line Array (specification and deployment) / Amp Technology
• 1:30-2:30pm LUNCH
• 2:30-3:30pm QSC – Touchmix (for production)
• 3:30-4:45pm Yamaha – CL Consoles (who, what, where, when, why and how)
• 4:45-6pm Yamaha – QL Consoles (who, what, where, when, why and how)

Don’t miss this opportunity to develop your Pro Audio knowledge. Space is limited, so RSVP now at http://www.empirepro.com/qsc-yamaha-shuretraining.php, or tune into the live streaming at http://www.mldistrict.com/empirepro. For information on how to become an Empire PRO dealer, call Omer Saar at 213.748.5200 x 112 or via email at omer@empirepro.com.

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About Empire PRO:
Empire PRO is among the largest distributors of Professional Audio, Video and Lighting equipment nationwide and highly regarded worldwide. We take pride in providing our clients with a reliable, supportive and efficient source of optimal full-system solutions by distributing leading audio, video and lighting brands, stocking deep inventory in-house, and being centrally located in the heart of Los Angeles for prompt delivery.

Our goal is to provide you with the most valuable support services and full-system-solutions to help you close deals and provide your clients with an experience that exceeds their expectations. Our Sales Executives are experts in helping you define and design optimal system-solutions for your clients. Our service is personal & professional and we offer full technical and sales support to insure satisfaction.

HOSA TECHNOLOGY ANNOUNCES PRO BREAKOUT CABLES

**** Photo: The new Hosa Pro Breakouts ****

**** Photo: The new Hosa Pro Breakouts ****

Buena Park, CA – November 2014… Hosa Technology, the leading innovator of analog and digital connectivity solutions for the modern musician, is pleased to introduce the latest line expansion to the Hosa Pro line of cables. The new Hosa Pro Breakouts make the process of interfacing consumer audio products with professional equipment easier than ever. With Hosa Pro Breakouts, any consumer audio product equipped with a stereo minijack output can seamlessly be interfaced with professional units sporting quarter-inch Tip/Sleeve, XLR, or even RCA connectors. more

Emmy Award-Winning Studio Works Mouseless, Keyboardless with Yamaha NUAGE

Jereco Studios and Yamaha NUAGE

BUENA PARK, Calif.—Jereco Studios is located in Bozeman, Montana, a small town located outside of Yellowstone National Park, and home to a unique, dense film and music community. The four-time Emmy® award-winning, commercial sound recording studio offers sync-to-film ADR and voice-over recordings with remote link up via ISDN or SourceConnect. Jereco is equipped for 5.1 and 7.1 Digital Surround Sound, Dolby E, DTS, and many other formats. In addition, the studio provides a full line of quality live sound reinforcement services and equipment rental packages.

Jeremiah Slovarp, producer/engineer and President of Jereco Studios, has been working up until now on a Yamaha 02R96v2. In early 2013, he began searching for a new, modern work surface. “Yamaha Commercial Audio Systems had posted its first NUAGE photos and articles on their web site, and I knew this system was what I was looking for,” states Slovarp. I admit, I miss the old console, but am moving ahead with the new Yamaha NUAGE. The 02R96 still works after almost 14 years, which is a real testament to Yamaha’s design and build quality.”

“In the fall of 2013, the Club Cubase newsletter announced NUAGE would be on display with technical and sales team members from Yamaha present at Poll Sound in Salt Lake, Utah, Slovarp says. It was too late for me to book a flight, so I drove the seven hours from Bozeman to Salt Lake the night before so I could be the first one at Poll Sound the following morning. I was met on demo day by the Poll Sound staff and Yamaha’s Chris Hinson and Randy Weitzel. Because I was early that morning, I had the console to myself for a good two hours while Chris and the Poll Sound staff took turns showing me around and answering questions.”

JeremiahMixingNuage

Before he left Montana, Slovarp packed up a few projects to use as workflow samples on the demo NUAGE at Poll Sound. “I think this was a great experiment and gave me the opportunity to work on the console with my own work and workflow preferences. I was particularly impressed that Chris was taking notes on my hiccups and recommendations, and passed those notes on to the NUAGE development team, some of which have shown up in the latest software updates. The integration of my existing workflow into a new platform that felt so much like my natural workspace in Nuendo really was seamless. The deep integration and control of the DAW on the console is truly complete and unique.”

Slovarp has been using Nuendo 2 since 2002, keeping up with every revision and update. He said the most important thing he appreciates about NUAGE is that it has enabled him to put down the keyboard and mouse. “I feel like I can get back to mixing, pushing faders, turning knobs, and just working on a creative console. After an eight or ten hour day, my hands would be in pain from all the manual movements I had to make being dependent on mouse editing and clicking. With the advent of all the cool and amazing new digital DAW based mixing tools and equipment, I think the industry, in general, has regressed from the art of mixing and working with consoles and large format hardware. But with NUAGE, I appreciate the deliberate move Yamaha has made to enable engineers to get back to mixing and editing as an art form.”

For more information on Jereco Studios, visit www.jerecostudios.com.

For more information on Yamaha NUAGE, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Next AVnu-Certified Switches Hit the Market

Extreme Networks Family of X460 Switches Receives AVnu Certification.

Beaverton, Ore. – November 6, 2014Extreme Networks, Inc. EXTR and AVnu Alliance®, the only industry consortium driving open standards-based deterministic networking through certification, is proud to announce another series of AVnu-certified AVB switches. The Extreme Networks Summit® X460 Series of stackable switches has passed all testing for certification and will now bear the AVnu-certified Logo.

“In a big step forward for adoption and scale of the AVnu-certified ecosystem, we are excited to announce the X460 family of AVnu-certified switches from Extreme Networks, creating increased choices for end users,” said AVnu Alliance President, Rick Kreifeldt. “AVnu Alliance and our members are ensuring interoperability across a broad ecosystem of devices through certification, which will bring economies of scale and drive down total costs. There are many more AVB end points and switches in the pipeline for AVnu certification, with certification and interoperability testing for automotive, video and consumer electronics expected to open in 2015.”

AVnu Alliance has built robust and comprehensive testing requirements for products based on the market requirements. The tests ensure that the product conforms to the relevant IEEE standards, as well as additional requirements that AVnu Alliance has selected as necessary for proper system interoperability.

“AVnu-certification has allowed us to go the extra step for our customers toward scalability, flexibility and reliability throughout the network. We are very proud to now have two families of AVnu-certified switches on the market and we will continue to pursue certification for more switches,” said Todd Acree, Director of Product Management at Extreme Networks, AVnu Alliance member. “AVB standards provide a dynamic infrastructure that has huge benefits for our customers. AVnu-certification of our X460 series minimizes maintenance and reduces total cost while simplifying system design and optimization of the network.”

Extreme Networks’ AVB Summit X460 Series, now AVnu-certified, is intelligent, cost effective edge switching that is highly scalable, with a small form factor. The X460 series is based on Extreme Networks® revolutionary ExtremeXOS, a highly resilient OS that provides continuous uptime, manageability, and operational efficiency. The Summit X460, with 6 ports of 10GbE ports on each switch, can also be used as a top-of-rack switch for many data center environments with features such as high-density Gigabit Ethernet for concentrated data center environments.

AVnu Certification is open for switches and professional audio products at its appointed testing house, University of New Hampshire InterOperability Lab (UNH-IOL). Any member may enter it into certification testing.

About Extreme Networks

Extreme Networks, Inc. is setting a new standard for superior customer experience by delivering network-powered innovation and market leading service and support. The company delivers high-performance switching and routing products for data center and core-to-edge networks, wired/wireless LAN access, and unified network management and control.  Our award-winning solutions include software-defined networking (SDN), cloud and high-density Wi-Fi, BYOD and enterprise mobility, identity access management and security.  Extreme Networks is headquartered in San Jose, CA and has more than 12,000 customers in over 80 countries.

About AVnu Alliance

The AVnu Alliance is a community creating an interoperable ecosystem of low-latency, time-synchronized, highly reliable networked devices using open standards. AVnu creates comprehensive certification programs to ensure interoperability of networked devices. The foundational technology enables deterministic synchronized networking based on IEEE Audio Video Bridging (AVB) / Time Sensitive Networking (TSN) base standards. The Alliance, in conjunction with other complimentary standards bodies and alliances, develops complete solutions in professional AV, automotive, industrial control and consumer segments.

 

Press Contact

Caster Communications, Inc. 401-792-7080

Alex Crabb alex@castercomm.com cell: +1-401-318-3339

 

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Margarita Mix of Santa Monica Adds Fourth Fairlight EVO System

Sound Mixer Paul Hurtubise at the Fairlight EVO Audio Production System, Margarita Mix, Santa Monica, CA.

Sound Mixer Paul Hurtubise at the Fairlight EVO Audio Production System, Margarita Mix, Santa Monica, CA.

SANTA MONICA, CA (Nov 3, 2014) — Margarita Mix of Santa Monica, a FotoKem company specializing in audio post services for commercials and advertising media, has installed a fourth Fairlight EVO integrated audio production system for their award-winning team of sound designers, mixers and composers. With the upgrade, the facility’s accomplished sound mixers Paul Hurtubise, Jimmy Hite, Nathan Dubin and Jeff Levy are now working on identical audio post platforms in their HD mixing suites.

“The facility was already working extensively on Fairlight, and after careful evaluation and testing, I made the transition,” says Hurtubise, who joined Margarita Mix in late 2012 with over 20 years of experience in commercial audio post.

Having used a number of platforms over the course of his career, Hurtubise notes, “I simply think Fairlight sounds better. It’s less fatiguing on the ears, and I seem to hear things more clearly and definitively.

“The EVO workstation is also very ergonomic and easy to operate,” he adds. “I feel like I’m on a system that’s been developed for humans to work on. EVO’s jogger fits my hand, and its keyboard fits my fingers. I’m running sessions more efficiently because I’m not as focused on all the clicking.”

Hurtubise also points out that the graphic displays are less fatiguing. “It’s much easier for me to be on the Fairlight all day. I noticed immediately that I wasn’t as physically tired at the end of the day. The displays are comfortable to work on, too.”

According to the talented mixing team at Margarita Mix, there are plenty of features to like about the system. They like that the picture has a home in the system, versus floating around the screen. “The picture’s right there when I want it—I love the Pyxis,” Hurtubise says of the dual-channel HD video recorder that is integrated into EVO as standard. “I also like the streaming Pyxis video frames along the bottom of the timeline display, and being able to see the picture frames before and after the playhead. This way, I can see how many frames I have until my next edit.”

When the mixers need to face the voiceover booth with a script in front of them rather than face the EVO surface, they’ve created a macro that puts “Record” on different sides of the controller so that it’s ergonomically easier for them. Fairlight’s one-button record function also helps in VO sessions when the talent starts to speak. “We don’t want to interrupt them; if we press our ‘Record’ macro button, the disk recorder immediately stops one take and goes right into another one in the span of a 1/10th of a second,” Hurtubise explains.

Custom fader sets are another admired attribute of the system. “I’ve never been on a system where I can so easily lay out faders to my liking,” says Hurtubise. “Sometimes I’m knee deep into a session and I really wish I had my beeps next to my mic, right next to my music stem, right next to my sound effects stem, next to the dialog stem next to my headphone send—then I can mute and level them very easily. I can create that quickly with Fairlight.”

There are several features on the Fairlight that the Margarita Mix team hasn’t had available on previous DAWs. “For example, I like the way Fairlight solos tracks: I can solo a set of tracks, un-solo them by holding control and pressing one button, and then re-solo that same set by pressing one button,” Hurtubise reports. “I like being able to memorize zooms. Say I have 128 tracks with 70 music stems and 40 sound effects stems. I can zoom to the music tracks and store it in U1; I can go to the sound effects tracks and store that in U2. If I hear something in the music I just press U1, and instantly I’m looking at the music stems. It is super easy.”

All four Fairlight operators at Margarita Mix use similar console control templates for uniformity. Nathan Dubin has been at Margarita Mix for over a decade recording VO, mixing for television, ADR recording for film and commercial mixing for TV and radio that has earned several industry accolades. Working with clients such as Nissan, Activision, Disney, AT&T, Kaiser Permanente, and UPS, Jimmy Hite has over 30 years of experience in sound mixing for the commercial and advertising industries, and has won numerous awards throughout his career. Paul Hurtubise focuses on commercial mixing as well as ADR and commentary recording. His recent credits include spots for Google, eHarmony, Old Navy, Hyundai, and Toyota, among others. Jeff Levy has been part of the team for 20-plus years, also earning multiple awards for mixing and sound design.

About Fairlight:
Fairlight has been designing, engineering and manufacturing cutting edge, professional digital audio technology for more than 30 years. Its dedication to innovation, quality and customer service has made Fairlight one of the most respected companies in professional audio. With their integrated control surfaces and intuitive user interfaces, Fairlight’s award-winning media creation tools are renowned for their speed, flexibility and exceptional sonic quality. The company’s products offer full compatibility with virtually all open audio, video and sync standards, making them ideally suited to a wide range of audio post and live broadcast applications. To learn more about Fairlight please visit www.fairlight.com.au

FairlightUS Inc. is the exclusive North American distributor for Fairlight products. For more information visit: www.fairlightus.com

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