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HARD HIT BY SANDY, LONG BEACH HIGH SCHOOL REBUILDS ATHLETIC FIELD USING ASHLY AUDIO

LIDO BEACH, NEW YORK – AUGUST 2014: Long Beach High School is situated on a barrier island on the southern side of New York’s Long Island, where it received a terrific pounding from Hurricane Sandy in late October 2012. For more than a year afterward, student athletes had to pass the trashed and unusable athletic field as other rebuilding efforts took precedence. The job would be large. In addition to rebuilding the field itself, the school had to replace the field’s fatally damaged sound reinforcement system. Installed by Advance Sound of Farmingdale, New York, the new system centers on an Ashly ne24.24M modular processor and two Ashly ne8250 eight-channel amplifiers. Advance Sound installed a similar system at Long Beach Middle School prior to Hurricane Sandy, and that system weathered the fateful storm and remains functional to this day.

“Long Beach High School was very hard hit by Sandy,” said Thomas DePace, chief operations officer at Advance Sound. “The wind, the sand, and the water turned what was once a grassy field into a swampland. The goal of this rebuilding effort was to prevent such loss to a future storm. We’ve had great success with the robustness of Ashly gear, so that was easy to specify. In addition, the school wanted to move to a more distributed system to avoid noise conflicts with neighbors that had been a source of some tension with the old end zone-fired system. We needed a lot of amplifier channels, and Ashly’s two-rack space, eight-channel ne8250 filled that need perfectly.”

Inputs to the system include a CD player, an iPod input, and a handful of wired and wireless microphones, all of which feed an Ashly ne24.24M modular processor outfitted with eight analog inputs and twelve analog outputs. Two Ashly ne8250 amplifiers deliver sixteen 250W channels to drive six bi-amped One Systems 212CIM loudspeakers and a collection of indoor loudspeakers for the press booth. The 212CIMs are weatherproof, and Advance Sound was allowed to install each speaker on its own dedicated sound pole. Thus, coverage was not constrained by the locations of existing structures, and the SPL at the adjacent residences is significantly lower than with the previous system.

“With an eight-fader Ashly RD-8C remote control, the new system is also very easy and intuitive for the non-technical staff to operate,” said DePace. “That’s important because we’re an hour away from the school, and troubleshooting on game day is not something we want to be engaged in. With the RD-8C, all they have to do is turn the fader up for the input they’d like to hear. That’s as easy and repeatable as it gets!”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. 

www.ashly.com

L.A.’s CHALICE RECORDING GETS DOWN WITH DANLEY

HOLLYWOOD, CALIFORNIA – AUGUST 2014: The client list at Chalice Recording Studio in Hollywood, California is so extensive that it is challenging to think of a celebrity who is not on it. For example, the “B” section includes the Backstreet Boys, Barbara Streisand, Beastie Boys, Justin Bieber, Beyoncé, the Black Eyed Peas, Blink 182, and Britney Spears and the “P” section includes Paris Hilton, Perry Farrell, Prince, and Puff Daddy. Those clients use Chalice Recording Studio as the medium through which they turn ideas into platinum albums and Grammy Awards. So Chalice is always humming – almost literally – with the next big thing. Because top-volume monitoring (think 120dB+) and deep, authentic bass at those extreme SPLs have become so critical to so many hip-hop and top-40 artists, engineers, and producers, Chalice Recording Studio has installed Danley Sound Labs TH-115 subwoofers in studios A and B.

“Before we installed the Danley subs, we were blowing our subwoofer drivers once or twice a week,” said Lowell Pickett, head studio tech at Chalice. “It’s because the monitoring volume is often really extreme; more and more, our clients are using the main system to gauge the music’s impact at club volumes. It’s a visceral thing – they want to feel it as much as hear it. Anyway, I did some research, and more than one person suggested that I check out Danley.”

Compared with conventional designs, Danley Sound Labs’ patented Tapped Horn (TH) subwoofer technology delivers deeper low-end extension, a more even frequency response, and much lower distortion. Indeed, few people understand how distorted conventional subwoofers are until they hear a Danley Tapped Horn subwoofer. To help make their decision, the Chalice staff A/B’d the Danley TH-115s against their existing big-name subwoofers in Studio A.

“The Danley subs were way, way better,” Pickett said flatly. “Previously, there was no place in the room where the bass seemed focused. With these subs, I could really hear what was going on in most places in the room. Everything tightened up and became clearer, and our low end got even lower.” “There’s a magic that happens when the Danley subwoofers at Chalice pair up with the full-range system,” added Kenny Andrews, the area Danley rep. “It’s a very musical sound.”

As part of the Danley installation, Chalice did something very few studios are willing to do (yet). They put the entire monitoring signal through a Danley DSLP48 digital processor, which provided clean crossovers, as well as flexible equalization and filtering for tuning the room. “We were nervous,” Pickett admitted. “We had previously used high-end analog crossovers and equalizers. This was a jump, but everyone agrees it has been all up side and no down side. The sound is as transparent as ever, and the uniform channel processing has tightened up the stereo imaging. The DSLP48′s equalizers are great and have helped the acousticians who tune the room.” As a bonus, Chalice uses the DSLP48 to provide different presets to different clients.

Output from the Danley DSLP48 feeds a Danley DSLA3.3K dual-channel amplifier, which in turn powers the two Danley TH-115 subwoofers. The processor output also feeds the existing full-range system, an Augspurger GA215H with 15-inch TAD 1601 B woofers and TAD 4002 beryllium compression drivers. All the loudspeaker components, as well as the Danley TH-115 subwoofers, are soffit mounted.

“Our clients noticed the improvement right away, and we stopped replacing subwoofer drivers on a weekly basis,” said Pickett. “With the Danleys, the volume can be so great that the light fixtures fall from the ceiling! That really tickles the clients!” With Studio A booked out completely, Chalice made the same change in Studio B. Now Studio B has a pair of Danley TH-115s, backed by additional Danley processing and amplification.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

BOCK AUDIO ACCURATELY CAPTURES THE CLASSIC SOUND OF A TUBE 47 IN THE MODERN BOCK 407

LAS VEGAS, NEVADA – AUGUST 2014: Just as he has captured the sound of the vintage Telefunken 251 in the Bock 251 and the sound of the vintage Neumann U47 FET in the Bock iFet, studio microphone genius David Bock has now captured the sound of the vintage Neumann U47 tube microphone in the new Bock 407. As with Bock’s other products, TransAudio Group will distribute the Bock 407 in the United States. Studios and individuals who want the timeless 47 sound will find it in the Bock 407 at half the price of a vintage unit and without the reliability and serviceability issues for which vintage microphones are so horribly notorious. Indeed, David Bock gained most of his critical insights into the 47′s sound by servicing a seemingly endless parade of vintage units that marched into his shop.

“The Bock 407 has that smooth, creamy midrange you associate with a 47, along with the signature proximity effect that vocalists like Robert Plant and Frank Sinatra used so famously,” said Brad Lunde, president of TransAudio Group. “It sounds stunning. Importantly, David designed the 407 to use new ‘old stock’ materials: materials that are in current production and that replicate the properties of vintage materials that are no longer being made. The Bock 407 is affordable, consistent, reliable, and, when the time eventually comes, easily serviceable.”

The Bock 407 borrows its power supply and amplifier from the flagship Bock 507 and adds a custom k47-type capsule that David Bock tirelessly prototyped and adjusted to bring to its current perfection. The microphone has a cardioid pickup-pattern and ships with a remote power supply, a professional spider-type shock mount, and a custom twenty-foot cable that connects the microphone to the power supply. In addition to its signature “big vocal” sound (both male and female), the Bock 407 will shine a beautiful light on brass, strings, and percussion. It can also serve as the whole solution for small ensembles or simple guitar and vocal performances.

TransAudio Group is currently taking orders from dealers and suggests that interested users contact their dealers for a demonstration.

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.www.transaudiogroup.com

The BOCK 407 is now shipping. MSRP: $7,175.00

Sound Works Pro Gives HOW Kids Camp ‘Surge’ Protection

BUENA PARK, Calif.—Surge is a weeklong evening summer camp for children entering first through sixth grade held by the Westridge Church of Dallas, Georgia. The camp offers coaching in various sports and instruction in the arts, along with religious teachings.

Sound Works Productions of Frankfort, Ill. provided the audio gear for the camp, which took place at the Star Plaza Radison Hotel in Merrillville, Indiana, and included a NEXO GEO S12 line array consisting of four GEO S12s and two RS18 Ray Subs per side, two PS10s used for front fills, NEXO NX4x4 amplifiers, and Yamaha M7CL digital audio console with Aviom card used for front of house and monitors.

“When our clients are looking for a smooth implementation and excellent sound quality, we turn to our NEXO rig, ” states Daniel Nickleski, Co-owner at Sound Works Productions.

For more information on Surge, visit www.westridge.com.

For more information on Sound Works Productions, visit www.SoundWorksPro.com.

For more information on NEXO and Yamaha products, visit www.yamahaca.com.

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LECTROSONICS WIRELESS MICROPHONE AND AUDIO PROCESSING TECHNOLOGIES PROVIDE NEW CAPABILITIES AT BINGHAM HIGH SCHOOL

** Photo: Drayton Bailey (left) and Jaime Verhaal (right) **

South Jordan, UT – August, 2014… As many business professionals, educators, and others are discovering, automated mixing control and wireless microphones simplify and improve the sound reinforcement capabilities in many different environments. Such is the case at Bingham High School, where the school’s auditorium underwent a substantial facility upgrade in order to improve its sound reinforcement capabilities. Here, Digital Hybrid Wireless® microphone and Aspen audio processing technologies from Rio Ranch, NM-based Lectrosonics were placed into service. more

D.A.S. AUDIO DEPLOYED AT BRIARCREST CHRISTIAN SCHOOL

**** Photo: Briarcrest Christian School’s Sparks Chapel Fine Arts Center ****

Memphis, TN – August 2014… For over forty years, Briarcrest Christian School has been recognized in the Mid-South for its unique combination of academic excellence and Christian education. Starting at the pre-school level and continuing through the 12th grade, Briarcrest Christian School offers students a wealth of learning opportunities, including a comprehensive Fine Arts program. In an effort to support its music, theatre, and a wide range of other on-campus activities, the school recently opened the Sparks Chapel Fine Arts Center. To ensure the highest levels of speech intelligibility and music reproduction characteristics, the facility is equipped with a world-class sound reinforcement system drawn from the Aero Series 2 catalog of Valencia, Spain-based D.A.S. Audio. more

PNTA Joins Yamaha Dealer Network

BUENA PARK, Calif.—PNTA opened its doors in1975 as a local Seattle-area supplier of theatrical equipment and consumables. Since that time, PNTA has expanded staff and capabilities to provide a wealth of services for customers nationally. Employee-owned since 2008, the Company has increased its services to include audio, video, and lighting. As part of its recent growth, PNTA has joined the Yamaha Commercial Audio Systems, Inc. dealer network adding the new Yamaha QL Digital Audio Console to their ever-growing Yamaha arsenal.

With an expert technical services staff, PNTA installs and repairs equipment and supports both non-profit and private customers through their Event Services Department providing production requirements for events of all sizes. Masters at their craft, the Event Services staff enriches the company with backgrounds in systems design, lighting design, sound design, set design, stage management, equipment repair, event design and production, and graphic arts and design.
PNTA is located in a 20,000 square-foot facility near downtown Seattle. The facility notably includes a sizeable brick and mortar retail store supporting its dealer activity for leading entertainment and live production manufacturers, now including Yamaha Commercial Audio products. The company has an active walk-in customer business seeking to buy lighting, audio, video, staging and special effects, drapery and decorative fabrics, as well as an extensive assortment of consumables.

“We did an exhaustive internal review of what audio vendor we needed to strategically add to best accelerate our market progress in growing our overall audio business, states Dave Vaught, Event Services Production Manager at PNTA. We were particularly interested in broadening our offering in professional products appealing to our client base. We focused those efforts initially in audio control and sound reproduction as we needed more tools for sale, rental, and event services support. With the substantial market position and reputation of Yamaha and its many new and highly regarded products recently introduced, the answer became clear. We are happy to have become a Yamaha dealer and integrator of Yamaha’s Commercial Audio Systems products.”

Vaught said that PNTA wanted to add consoles that they expected to see high rental demand from for both existing customers and customers travelling into the state of Washington. “With the announcement of the QL Series, we found a very forward-thinking technological capability in a footprint that was easily transportable while being exceedingly powerful. The expandability of the QL Series clinched our choice and buying depth at key levels. Based on our client history, every need we could think of could be answered by some or all of the features of Yamaha QL desks. We were impressed with a number of the features, including onboard recording, signal and effect processing, auto-mixing, and iPad integration.” For rentals and event services, PNTA also invested in a speaker line extension, moving into the Yamaha DXR and DXS Speaker Series.

“While our company size has grown along with the expanded services we now offer, PNTA retains what we started with when we first opened our doors—a dedication to meeting the needs of our valued customers and finding creative solutions to tough problems,” states Richard Carlson, President. “By adding Yamaha products to our product line, we can now offer the ultimate in quality and reliability to our audio customers. Yamaha consoles are specified on many riders and fill rental needs as well as being versatile for our production needs.”

For more information on PNTA, visit www.pnta.com.

For more information on Yamaha Commercial Audio products, visit www.yamahaca.com.

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Photo ID: From left to right: Jon-Philippe Ruhumuliza, Rental Manger; Bill Woodland, Custom Sales; Dave Vaught, Event Services Manager

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

API’s BOX FILLS IN THE “MISSING PIECE” AT THE CASINO IN NASHVILLE

NASHVILLE, TENNESSEE – AUGUST 2014: The BOX has settled into a new home in a Nashville studio – The Casino. Owned and operated by Eric Masse, The Casino records LPs and EPs for signed artists and bands within the city. Masse consulted Chad Evans at Vintage King while he upgraded his studio, and now admits that the “feels like the missing piece” to his former setup.

“I had been craving the next step up for my sixteen I/O studio for a while,” said Masse. “When I heard about the BOX last year, I started gearing up for it.” The Casino, which also houses two lunchboxes®, six 512c mic pres, a 5500 dual equalizer, and a 2500 stereo compressor, stayed in the API family when looking to gain control over pans and add inserts.

“Enter stage right – the BOX,” jokes Masse, who is amazed by the capabilities The Casino is now able to fulfill. “I can hardly contain my head from exploding from all the options. It’s the center of my studio. I can route things in the mix like never before, and parallel compress things all analog. I can add outboard effects post-conversion to individual tracks, and I don’t have to use my converters to feed the hear-back headphone hub. I can instead build a mix with the sends, and use the inserts for direct ‘more me’s’ and use all sixteen converters for audio. I’m digging it.”

Apart from the functions, the customizable 500 Series inputs allow The Casino to create its own unique sound. “I like that I can utilize the 500 Series slots on the program bus, while still using the input channels. So far, to be honest, I like everything about it.”

Since installing the BOX, Masse has put the final touches on singer/songwriter Rayland Baxter’s second album, and is currently mixing alternative artist Mikky Ekko’s record. He is also ready to record the second country music album Charlie Worsham. The versatility of the BOX helps meet the needs for each unique artist, and allows Masse to utilize the space he needs to record and grow. “I like that it’s a console, and not a console.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and the BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

Symetrix Jumps Into Space-Age Sound and Control at Manhattan’s Intrepid Sea, Air & Space Museum

NEW YORK, NEW YORK – AUGUST 2014: Space Shuttle Enterprise was the first reusable spacecraft ever built in the United States, and the extensive prototyping and experiments that it underwent led directly to the construction of space shuttle Columbia and the rest of NASA’s fleet. After the retirement of the space shuttle program, NASA awarded Space Shuttle Enterprise to Manhattan’s Intrepid Sea, Air & Space Museum, where it was installed after a much-publicized NYC flyby and Hudson River barge ride. Leo Garrison, senior integration specialist at Metro Sound Pros, designed and installed a flexible sound reinforcement system for the museum’s purpose-built Space Shuttle Pavilion using the cost-effective Symetrix Jupiter 8 DSP with smartphone-based control provided by Symetrix ARC-WEB. Unfortunately, Hurricane Sandy badly damaged the pavilion a few short months after it had opened to the public, but the Intrepid Museum rebuilt the exhibit with several improvements, including a second Symetrix Jupiter 8 DSP for expanded functionality.

Garrison used the Symetrix Jupiter 8 hardware, which has eight inputs and eight outputs, together with the Priority Zone Mixer #1 App, which automatically configured the Jupiter hardware for routing and processing needs of such a system. “The Symetrix Jupiter DSP delivered a lot of processing power at an affordable price,” said Garrison. “The budget was very tight, and the client selected powered loudspeakers that required a lot of the Jupiter’s processing capabilities in order to sound properly tuned.” The museum’s AVP of technology opted to rely on Symetrix’ robust ARC-WEB Internet-based control, with one Symetrix ARC-2e wall panel remote for backup. Garrison custom designed the ARC-WEB interface just as he would a hardware ARC interface and gave the museum the ability to select different input sources in the Pavilion’s entryway and in the Pavilion itself.

The original Symetrix Jupiter 8 hardware survived Hurricane Sandy, which collapsed the inflatable dome due to loss of power. Because the museum had to start over again, they had the opportunity – unwelcomed as it was – to redesign the exhibit with knowledge of what worked and what could have worked better,” said Garrison. The second Symetrix Jupiter 8 was added to the system and also uses the Priority Zone Mixer #1 App. One analog output was dedicated to feed into the first unit’s priority input 1. That allows single source material from the second Jupiter to feed the entire exhibit, when desired. Together, the two units possess sixteen outputs, with roughly half feeding audio induction loops for assisting the hearing impaired. For day-to-day use, different zones loop zone-specific audio, such as recordings of radio transmissions between NASA ground control and Enterprise during test flights or educational movie content.

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

Middle Atlantic Debuts Low Profile, Safety Certified Display Solutions

Fairfield, NJ––The new FlexView™ Series from Middle Atlantic provides AV integrators with display solutions that offer unmatched strength, mounting flexibility, aesthetics and user friendliness. A collection of display stands and carts ideal for corporate, hospitality and education environments, FlexView models feature a slim profile, contemporary design aesthetic and safety certification, offering hallmark Middle Atlantic strength and durability.

FlexView solutions feature the lowest profile display mount in the industry as well as a smaller base for unimpeded, up close display interaction. In addition, it enables mounting of larger displays than competitively-priced solutions currently available in the market, including most 90” screens with VESA 800 mounting or smaller.

Models are available with electric or manual display height adjustment for options in ergonomics and flexibility. FlexView solutions are also available in stationary or mobile configurations with rugged casters that provide long-lasting use and seamless maneuverability, even when wheeling over door thresholds.

FlexView options enable integrators to do more within a slim profile with features like the Lever Lock™ system for small component mounting and a locking easy-access door for quick maintenance. All carts and stands are integrator and end-user friendly with storage where it’s needed and useful options and accessories to provide more flexibility in customizing the solution to the application.

For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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