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Archive of the InfoComm Newslink Category

Crimson AV Develops AV Mounts for Digital Signage and Point of Sale Use; Lineup Ideally Suited for Retail, Hospitality and Other Commercial AV Applications

PR30 and CLAMP3 by Crimson AV Provide Versatile Display Mounting Options; Will be Demonstrated at InfoComm 2014 in Las Vegas, Nevada June 16-18

GLENVIEW, IL and LAS VEGAS, NV – MAY 28, 2014 (InfoComm Booth #C5430) – Crimson AV, LLC today announced that the Company will utilize the InfoComm Conference in Las Vegas, Nevada to showcase new commercial AV mounting solutions engineered to affix to round and rectangular pipes, on walls, on counter tops, and other challenging attachment points often found in retail, point of sale, digital signage and other commercial installations. Expanding on the Company’s mission to deliver professional-grade AV mounting solutions that are simple to specify, order and install, Crimson will demonstrate at InfoComm 2014 a host of new mounting solutions specifically designed for hospitality, retail, entertainment, education, government, healthcare facilities, houses of worship, venues of any size, and a wide variety of commercial applications.

Crimson AV has a unique value proposition and fills a much-needed niche. In addition to a comprehensive TV and projector mount lineup of more than 400 off-the-shelf solutions, the Company also specializes in custom-configured solutions that are designed to specification and suitable for virtually every type of audio-visual installation. Two new models in the line are a product of this solution-oriented approach and are being shown to InfoComm attendees for the first time:

New CLAMP3 Display Mounting Accessory

  • Benefit: Quick and easy to install, attaches to unistrut, truss, pipe or any round or rectangular structure up to 3.5″ in diameter. Extremely adjustable; monitor display height adjustment is limited only by the range of the drop length. Creates a unique and versatile display mounting solution that’s compatible with a variety of flat, tilt, pivoting and articulating mounts.
  • Application: Digital signage, retail, point of sale, trade shows, exhibits, studios, warehouses, venues, and other challenging environments.

New PR30 Display Mounting Accessory

  • Benefit: Versatile mounting solution for monitors up to 30“ in size. Interfaces with the CLAMP3 to create a pivoting display mounting solution. Attached monitors can be set in either landscape or portrait orientation, and then rotated, tilted, and locked into place after installation, providing end-users significant flexibility in both location and use.
  • Application: 100x100mm hole pattern. Ideal for retail point of sale, hospitality, venues, and other challenging environments.

“Our new PR30 and CLAMP3 were developed for customers that needed to mount displays for point of sale and digital signage use in retail, warehouses, venues, and other challenging commercial environments,” says Crimson President, Vlad Gleyzer. “They’re genuine problem-solvers and serve as prime examples of Crimson’s ability to react to the unique needs of commercial systems integrators.”

Every product in Crimson’s comprehensive assortment is manufactured to rigorous standards, designed for maximum install efficiency, and sold for a fraction of the price of competitive solutions, making the line making the lineup a “must see” at trade shows and regional events. Interested parties are invited to connect with Crimson at booth #C5430 at InfoComm 2014, or by visitingwww.crimsonav.com, calling 866-MOUNT-TV, or writing to info@crimsonav.com.

About Crimson
Based in Glenview, IL, Crimson AV manufactures a comprehensive yet uniquely differentiated lineup of display mounting solutions designed for Commercial, Pro, and Residential audio-visual applications. Combining enhanced product design techniques, extensive manufacturing expertise, and lean business practices, Crimson has developed a proprietary business model that delivers superior products for maximum value. Customers benefit from professional-grade products that are backed by unparalleled service and technical support. Uncompromising design and build quality requirements and an industry-leading 10-year warranty ensure each Crimson AV mount will be trouble-free for years to come. Interested parties can learn more about Crimson mounting solutions by visiting www.crimsonav.com, by calling 866-MOUNT-TV, by writing to info@crimsonav.com and by following @CrimsonAV on Twitter.Media inquiries should be directed to: Katye (McGregor) Bennett, KMB Communications, (425) 328-8640Katye@KMBComm.com,www.kmbcomm.com/press and @katyemcgregor.

Accompanying images:
Link to PR30 product image

Link to CLAMP3 product image

 

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D-Tools Workflow-Enhancing Native iOS Mobile Quote App Now Available

Companion app to SIX 2013 enables electronic systems integrators to remotely generate bids and later import them into the D-Tools SIX 2013 software platform for full project design and management

CONCORD, CA, USA  MAY 27, 2014 — D-Tools, Inc., the worldwide leader in electronic system integration software, announced today that the new D-Tools Mobile Quote app—an iOS-based companion app for its flagship software, SIX 2013—is now available for D-Tools users worldwide. This mobile extension of SIX 2013 provides mobile project quoting capabilities that enable Commercial and Residential Audio, Video, and Security systems integrators to generate quotes natively on an iPad®, then import them into the full D-Tools SIX 2013 software platform for further project design and management. Delivering on D-Tools’ commitment to timely product updates and enhancements, this new D-Tools Mobile Quote app will immediately extend the highly functional D-Tools SIX 2013 workflow to mobile sales and specification teams.

A native iOS application, the D-Tools Mobile Quote app leverages D-Tools’ extensive manufacturer product library by enabling system integrators to access and integrate product category, sub-category and package information and price range from their SIX 2013 catalog while working with customers in the field. Integrators can enter client and contact information into the Mobile Quote app, then walk prospective customers through available installation scenarios in order to create a quote for approval. Once complete, the resulting quote can then be imported into the full SIX 2013 software application for additional design work and synchronization.

A highly efficient productivity solution, the Mobile Quote app uses many of D-Tools’ workflow concepts, extending them to the mobile environment where customer interaction often takes place. Enabling the specification of locations and systems provides integrators the ability to provide packages or pre-configured systems for inclusion in the quote. Labor and general pricing is automatically calculated, and customers are provided an accurate proposal that in many cases can be signed off for approval on the spot.

By using D-Tools mobile quoting software, integrators give their customers a professional and impressive solution that illustrates both their commitment to the latest in cutting-edge technology and respect for their clients’ time by offering fast bids on-site. An integrator’s customer no longer has to wait anxiously until the integrator gets back to the office and spends hours pounding out a quote. Solutions are quick, easy, and professional, allowing the integrator to get started on their project right away. Available to D-Tools customers via the Apple App Store, the Mobile Quote app will carry a monthly subscription fee of $25.00 per user/device.

“We’re pleased to make the D-Tools Mobile Quote app available to our global user community,” said Adam Stone, President and Founder of D-Tools. “Providing our users the ability to create quotes in the field is a natural evolution for our platform, and the Mobile Quote app is an important component that ensures D-Tools continues to meet the growing needs of our expanding electronic systems integration customer base. The Mobile Quote app release is the first release of our mobile capabilities roadmap to significantly enhance and complete our project workflow. As we have demonstrated since the release of SIX last year, this new platform enables us to deploy new features as part of rapid and regular release cycles, which ultimately provides our customers a clear path for sustained growth.” 

More than 4,500 companies worldwide use D-Tools Systems Integrator Software to streamline the estimation, design, and project management processes associated with the installation and integration of low voltage systems.

iPad® is a trademark of Apple Inc., registered in the U.S. and other countries.

About D-Tools, Inc.
D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software platforms. The company’s flagship product, System Integrator™ (SI), is a robust solution that utilizes Autodesk® AutoCAD and Microsoft® Visio to facilitate comprehensive system design, documentation and project management. D-Tools enables residential and commercial integrators to streamline business processes and increase revenues while reducing the time and cost associated with the installation and integration of low-voltage electronic systems. More than 4,500 leading companies currently use the award-winning D-Tools platform to reduce time, costs and to streamline the system integration process. Product updates and related information can be obtained by following D-Tools on Twitter and on Facebook.

Learn more about the D-Tools MVP Program, D-Tools System Integrator, or the undeniable benefits of using a streamlined system design, proposal, and estimation software platform at www.d-tools.com(866) 386-6571, ext. 1, or e-mail info@d-tools.com ormvp@d-tools.com.

Press Contacts
Tim Bigoness, D-Tools, Inc., +1 (925) 270-4102, timb@d-tools.comwww.d-tools.com

Katye (McGregor) Bennett, KMB Communications, +1 (425) 328-8640katye@kmbcomm.com

MVP Contact
Josh Carlson, D-Tools, Inc., +1 (925) 270-4105joshc@d-tools.com

Link to accompanying images for use in publication:
https://www.dropbox.com/sh/e99zhtd1lhkb2h6/AAAtJc2LeZpbWLXKv42LGp3Fa

 

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More realistic than ever before: CAST releases beta version of wysiwyg R33

Ahead of its general product release, expected before the end of June, CAST Software announces the distribution of the beta version of wysiwyg R33 design and previsualization software suite – the second instalment in the graphics upgrade — with three of its new and significant features, many of which were evaluated and requested by CAST Software’s partner base.

LED Video Walls / Screen Virtual Point Light
As content changes on screens such as LED video wall displays, they emit a light ‘glow’ into the surrounding environment. wysiwyg perfectly replicates this effect so lighting designers will be able to produce the most accurate previsualization and deliver stunning designs for their clients.

Shaded View Profiles
Promising greater workflow efficiency, Enhanced Shaded View Profiles allows users to save a combination of lighting settings under a profile for future use.

200 Lighting Universes
Saving perhaps the best new feature of R33 to last, CAST Software has doubled the number of universes giving wysiwyg users access to 200 universes. This translates to 102,400 DMX lighting channels, ensuring that no project is too big for wysiwyg.

But what does an industry professional see when looking at wysiwyg for the first time? Really virtually real super rich graphics driven by the ultimate software application that is so comprehensive that it deals with all aspects of lighting, including those things, which affect lighting like moving props, LED video walls, and reflective surfaces. wysiwyg lets them design and pre-cue, and then previsualize, run a sequence or take screen shots to test or share, ultimately delivering a design that can be faithfully replicated for real.

One lighting designer working with the beta version is Emiliano Morgia who said: “On seeing the beta version of wysiwyg R33, my first impression was ‘Wow’. In our lighting design projects we are often working to very tight deadlines so the Shaded View feature will ensure that we’re even more efficient. Additionally R33 packs some punch in creating realistic previsualizations for clients, especially those who are increasingly requiring LED video wall displays.”

“R33 represents a huge leap forward in functionality and the next instalment of the on-going graphics upgrade. The speed enhancement, file handling and navigation improvements are a result of the direct feedback from our professional customer base. R33 continues to unleash creative lighting for today’s needs and exemplifies what we are prone to say around CAST: it just keeps getting better!” explained Bruce Freeman, Chairman at CAST Group.

Meanwhile, over 100 beta testers, representing a cross-section of lighting professionals, are busy putting R33 through its paces and will be communicating their findings to CAST over the next weeks.

A full set of R33 features will be announced when the general release version of wysiwyg R33 becomes available, likely before the end of June.

R33 Beta LED Video Wall Glow Video: http://youtu.be/rQaoazMZ7dI

Twitter & Facebook: @CASTsoftware

CAST Forum: http://forum.cast-soft.com

www.cast-soft.com/blog

TDC provides core video expertise for largest-ever light festival Vivid Sydney

Aquatique Show International, Vivid Aquatique, Darling Harbour, Photography by Rodney Campbell.

TDC – The Technical Direction Company is proud to be deploying the full range of its professional and technical expertise in providing core technology and services to Destination NSW for the sixth annual Vivid Sydney festival running from 23 May to 9 June.

Anthony Bastic, Vivid Light Festival Director said: “Vivid Sydney is a unique celebration of light, music and ideas that will see the centre of New South Wales’ vibrant capital transformed by a series of state-of-the-art visual and creative art installations. There are two components to Vivid Light. The first is the Light Walk, which is the public interface of Vivid Sydney. This includes numerous light installations by artists. Secondly, also forming part of the Light Walk, are projections onto some of Sydney’s most iconic buildings including the Museum of Contemporary Art and Customs House. We are thrilled to work with TDC in bringing the artists’ vision to light.”

“This is our third year of working with Destination NSW on Vivid Sydney, providing a huge range of technologies including 3D media servers, 3D mapping, video projection equipment, projection tower infrastructure and sound installations, not to mention our highly skilled crews to manage the technology,” comments Kain Jones, Special Projects Manager at TDC. “We have used our experience of working on Vivid Sydney for the last three years to apply the insights with have learned to how to adapt and continue to make sure that the elements TDC is involved in are amazing.

“As Vivid Sydney grows, new buildings and locations are added, so initially we spend considerable time analysing which technology is best-aligned to meet the artists’ vision. We get involved from the outset in installation design, mapping the buildings to enable the designers to create content specific to the outline of those buildings. We then work on optimal locations for projector placement, media server selection, lens selection and the number of projectors required to meet specific brightness (lux) output for each installation.”

“Vivid Sydney is a great challenge for our company, the scale of this event is enormous in regard to projection technology required to bring it all together,” comments Michael Hassett, TDC’s Managing Director. “This year over 50 Barco projectors will be deployed in total, ranging from the brightest projector in the world, the HDQ-2K40 (40,000 lumens brightness) along with Barco HDF-W26 (22,000 lumens brightness) and FLM-R22+ (22,000 lumens brightness) projectors. This is a projection technology feat and not something that any company globally could pull together easily. We’re proud to be working with the great team at that Destination NSW again this year, and we look forward to the continued success of Vivid Sydney.”

• Over 50 Barco projectors will be deployed in total, ranging from the brightest projector in the world, the HDQ-2K40 (40,000 lumens brightness) along with Barco HDF-W26 (22,000 lumens brightness) and FLM-R22+ (22,000 lumens brightness) projectors. Photography Rodney Campbell.

The TDC team preparing for Vivid Sydney. Photography by Rodney Campbell.

TDC getting ready for Vivid Sydney. Photography by Rodney Campbell.

And the last word goes to Olin Winton, Technical Manager at TDC who says: “It’s always a joy to work on large format projection projects and Vivid Sydney is no exception. The opportunity to display images on iconic buildings takes months of planning and long nights of alignment. This year we have added several new projects to our list, which we are extremely pleased with. Seeing it all come together, working with world class technicians and seeing the end result of people interacting with the buildings is extremely rewarding.”

World firsts from TDC

This year’s Vivid Sydney programme includes a number of significant technological and creative firsts.

Dichroic Dimensions

Digital Shamans, Dichroic Dimensions, Museum of Contemporary Art Australia (Mordant Wing). Photography by Rodney Campbell.

Kain Jones points to one aspect of a unique interactive installation at the new building of the Museum of Contemporary Art Australia (MCA), where artist-in-residence Ross Manning has collaborated with multidisciplinary artistic collective, The Digital Shamans to give visitors the chance to projection-map the façade of the building using only their voice.

“There’ll be two microphones on a slightly raised platform. As the audience uses their voice to interact with the installation, various hidden layers of visuals and soundscapes will be revealed based on pitch,” explains Michael K Chin at The Digital Shamans. “TDC are an amazing company with the technical know how and equipment to cope with the subtleties in our work. Especially with the HD video taken of dichroic filters producing subtle gradients in tones and colour shifts, strong contrast and vivid colour. It’s been a pleasure working with TDC for the first time. They are very professional and their experience with past Vivid Sydney festivals has been invaluable.”

Gamma World

Jess Johnson & Spinifex, Gamma World, Original Façade, Museum of Contemporary Art Australia. Photography by Rodney Campbell.

Bringing together the worlds of live performance, interaction and visual art onto the original façade of the Museum of Contemporary Art, ‘Gamma World’ combines isometric designs, old school gaming, pop up 3D books and forced perspective using 3D and animation tricks that powerfully takes the viewers on a journey through changing worlds.

Stella Carmody, Producer at Spinifex Group Sydney says: “What makes this projection so special this year is that we were able to combine our love of story-telling with the wonderfully inspiring artwork of Jess Johnson to create an abstract, engaging and playful piece of moving art on this iconic building. Hardware and projection mapping was undertaken by our good friends, large-scale projection experts, TDC.”

Urban Tree Project

Urban Tree Project, Ample Projects – MLC Centre, Martin Place. Photography by Rodney Campbell.

If you ever find yourself wondering what grew in the CBD before monuments of glass and steel, Urban Tree Project in Vivid Sydney 2014 will show you. The CTA building in Martin Place will grow out of the ground to become a magnificent living tree within the surrounding urban environment to celebrate and reflect on Sydney’s original green landscape. Design and animation company, Ample Projects turned to TDC to provide the projection solution.

“This project had unique technical challenges, so the natural choice for us was TDC. Ample designed a complex 3D mapping solution in collaboration with the TDC team. They were highly professional, providing projection design solutions for a cylindrical architecture screen with extreme focal planes. We look forward to working with them again soon,” says Ample Creative Director, Nicholas Tory.

“The shape of the structure was great to work on. We decided that the best solution was to map the projection to the curves of the building using Coolux Pandoras Box Media Servers,” comments Pete Lynn, TDC’s Media Server Specialist. “We’re very happy with the results.”

The projections for the Urban Tree Project are synchronised with a stunning laser lighting show as is the case with TDC’s projections for the Vivid Aquatique Water Theatre installation.

Spirit of Patyegarang

•	Patyegarang, Bangarra Dance Theatre Company – Vivid Light Walk Tour, Harbour Bridge Southern Pylon. Photography Greg Barrett.

Bangarra Dance Theatre is Australia’s leading Indigenous performing arts organisation celebrating its 25th anniversary this year. To mark this milestone the company presents its new production at the Sydney Opera House Patyegarang until 5 July and participates for the first time in Vivid Sydney with The spirit of Patyegarang. Projected onto the southern pylon of the Sydney Harbour Bridge, The spirit of Patyegarang is a video installation marking the first Indigenous contribution to the Vivid Light Walk.

Bangarra’s Executive Director, Philipe Magid, said: “TDC is providing equipment and video expertise enabling our company to project a stunning work of art on to a section of the iconic Sydney Harbour Bridge. Through a fusion of dance movements and music soundscape and thanks to video projections supported by TDC, the important story of Patyegarang will awake and inspire with the sensations and emotions of ‘first contact’”.

Play Me

Play Me, Customs House, Photography by Rodney Campbell.

In a poetic explosion of colour, light and sound, ‘Play Me’ will transform the façade of Customs House into a series of massive ‘musical sculptures’ that are individually selected and manipulated by the audience.

“Each of these ‘sculptures’ depicts a family of musical instruments which the audience can ‘play’ in real-time using a touch screen located on a platform in front of Customs House bringing it to life in glorious torrents of ever-changing colour, light form and sound,” says Sergio Carrubba, director and projection designer at Danny Rose, the design team for this project. “We’ve worked with TDC before on the ‘Move Your Building’ exhibit at Vivid Sydney 2013. In all cases, TDC offers exceptional support during planning phases, onsite technical support and the very best in projection equipment to assist with our designs which will all be brought to life at Vivid Sydney.”

Ignatius Jones, Creative Director, Vivid Sydney, comments: “Vivid Sydney is a strange beast: on the one hand it is a major government initiative designed to drive visitation and tourist expenditure during the year’s lowest season, and on the other a celebration of the fusion of Art and Technology that is changing our world forever and for the better. As Creative Director I must split my focus between the exacting contractual and economic demands of government, and the necessity to provide cutting-edge technical solutions to all the issues of larges-scale – or should I say vast-scale – public entertainment.

“TDC has an instinctive and comprehensive understanding of these issues. They are the perfect collaborators: calm, creative and totally competent. I would have no qualms in recommending them to anyone in the tough world of live mass entertainment, and hope to be working with them for a long time to come.”


TDC staff working on this project:

Kain Jones – Special Project Manager
Olin Winton – Technical Manager
Steve Cain – Head Technician/Media Server Specialist
Pete Lynn – 3D Media Server Specialist
Drew Ferors – Projectionist
Gareth Marsh – Projectionist
Katrina Harding – Projectionist
Isaac McKenzie – Projectionist
Adam Fiddler – Technician

TDC are working with following designers for Vivid Sydney:
• Urban Tree Project, Ample Projects – MLC Centre, Martin Place http://www.vividsydney.com/events/urban-tree-project
• Aquatique Show International – Vivid Aquatique, Darling Harbour, http://www.vividsydney.com/events/vivid-aquatique
• Patyegarang, Bangarra Dance Theatre Company – Vivid Light Walk Tour, Harbour Bridge Southern Pylon, http://www.vividsydney.com/events/the-spirit-of-patyegarang
• Starry Night, Brad Miller – Pier 8, Walsh Bay Wharf, http://www.vividsydney.com/events/starrynight
• Digital Shamans – Dichroic Dimensions, Museum of Contemporary Art Australia (Mordant Wing), http://www.vividsydney.com/events/dichroic-dimensions
• Danny Rose – Play Me, Customs House, http://www.vividsydney.com/events/play-me
• Heinz Kasper – Mystery of Creation (Fragments of The Seasons), Cadman’s College, http://www.vividsydney.com/events/mystery-of-creation-fragments-of-the-seasons
• Jess Johnson & Spinifex – Gamma World, Original Façade, Museum of Contemporary Art Australia, http://www.vividsydney.com/events/gamma-world-mca-original-facade

TDC equipment supplied:

• Over 50 Barco projectors will be deployed in total, ranging from the brightest projector in the world, the HDQ-2K40 (40,000 lumens brightness) along with Barco HDF-W26 (22,000 lumens brightness) and FLM-R22+ (22,000 lumens brightness) projectors.
• Coolux Pandoras Box Media Servers
• Dataton WATCHOUT™ multi-image display and presentation software

Pennsylvania Church Upgrades with Yamaha and NEXO

BUENA PARK, Calif.—Morris Light & Sound (Nashville) recently completed an audio upgrade at the King Street Church in Chambersburg, PA consisting of a NEXO GEO S12 line array (five GEO S12s per side and two RS18 Ray Subs flown in the center) along with a Yamaha CL5 digital audio console at front of house, and two Rio 3224-D input/output located in an amp rack behind the stage.

“Given the traditional architecture and diverse worship styles at King Street, we needed to provide a system that was not only aesthetically pleasing but also met performance requirements for the various services at the church, states Danny Rosenbalm, Vice President – Integration, Morris Light & Sound. The NEXO GEOS12s were a great choice for this application as they provide exceptional coverage and strong full range music reproduction, all while keeping the spoken word and vocal clarity of paramount importance.”

With a congregation of approximately 2,000, King Street Church seats 550 in the sanctuary and 725 in the Baker Center, a separate contemporary worship space. Three service styles are held each Sunday: traditional, contemporary, and a blended service. The contemporary and blended services have anywhere from six to ten musicians and vocalists as part of the praise band.

“The tech team had heard the NEXO and Yamaha systems at many conferences and training sessions, states John Petrarca (Audio Install Project Coordinator, King Street Church). Since the church is made up mostly of volunteers and house audio duties are shared, we needed a system that was up to date and able to make transitions from one service style to the next. The system also allows for future growth, from video production to multi-site possibilities.”

Rosenbalm also said the Yamaha CL5 was a natural choice for the FOH console since church engineers were already familiar with the CentraLogic platform on the M7CL. “The console provides them the ability to mix twice the number of channels, adds new dynamics and EQ plug-ins via the Premium Rack, and employs Dante protocol for device connectivity. Utilizing Dante networking significantly cleaned up the signal path from the existing traditional copper snake. It also gave the church the ability to connect multiple venues on campus as well as provide broadcast with new recording possibilities. Overall, we are extremely pleased with the results from Yamaha/NEXO system.”

“Having a system that has a high level of performance especially with vocal clarity was crucial, states Tyler Roberts, Media and Production Coordinator at King Street Church. The system also had to be volunteer friendly, and by installing a Yamaha solution that includes the CL5 console and NEXO speaker system, we successfully completed our goals. In addition, the Dante infrastructure provides additional flexibility and allows us to integrate both venues together while helping to facilitate future growth.”

For more information on Morris Light & Sound, visit www.morrislightandsound.com.

For more information on Yamaha and NEXO products, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Renkus-Heinz Welcomes You to Las Vegas

Las Vegas, NV | May, 2014…  When you get off the plane in Las Vegas for the upcoming InfoComm Convention and head downstairs to pick up your bags, one of the first things you’ll notice is how easy it was to hear every announcement. Crisp and clear, even above the din of stadium sized video walls blasting trailers and ads at a non-stop clip. Renkus-Heinz ICONYX IC16-R digitally steered array loudspeakers are there to greet you, covering every corner of McCarran Airport’s massive arrivals baggage claim area.

At the InfoComm show, Renkus-Heinz will be easy to find. Stop by booth C11116 for a first look at ICONYX Gen 5, the next generation of Iconyx. Also on display will be the new VARIA-I installed series, as well as the exciting new RH Series, and the completely redesigned RHAON2 networking protocol.

Better yet, visit demo room N113 and hear them for yourself. Renkus-Heinz Sr. Vice President Ralph Heinz and Sr. Loudspeaker Engineer Paul Peace will be presenting the new ICONYX Gen 5, the fifth generation of digitally steered products, along with IC Live Fixed Install Gen5, VARIA-I Install, IC2, and RH Series.

This year will also mark the 23rd annual Renkus-Heinz Consultants’ Breakfast. This year’s event will feature presentations by AFMG co-founder Stefan Feistel, InfoComm’s Sr. Market Research Analyst Matt Robins, and our own Paul Peace, Sr. Loudspeaker Engineer. The invitation-only event will be held on Thursday, June 19 at 7:00AM. Seating is limited, so please RSVP to marketing@renkus-heinz.com if you’d like to attend.

On the show floor, Renkus-Heinz gear will also be in use at several other locations, including the Technologies for Worship Pavilion and the Audio Technica booth. And while you’re in town, pay a visit to the iconic Gilley’s Saloon and Honky Tonk on the Strip at Treasure Island for a listen to their Renkus-Heinz line array in action.

No matter what your plans during your stay in Vegas, Renkus-Heinz is proud to welcome you, loud and clear.

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Screen Innovations—The World Needs the Best Bigger

Austin, TX—May 22, 2014—Screen Innovations (SI) has enlarged Black Diamond™, the world’s most popular ambient-light-rejecting screen and the ideal choice for commercial integrators who need Black Diamond™ quality in a larger format. The largest Black Diamond™ screens to date feature 1.4 gain in new sizes: 16:9 120” and 2.35:1 150”, in Fixed and Zero Edge formats. The larger Black Diamond screens, as well as other recently designed additions to the SI family, continue to make SI the fastest growing screen company in the world.

Black Diamond, the world’s only vertical and horizontal ambient-light-rejecting screen, has a multi layer optic that reflects only the light generated by the projector resulting in a 900% boost in contrast. Additionally, Black Diamond is the only screen that greatly benefits dark environments by reducing light scatter by over 75%. The result is the richest, sharpest image, with the best blacks now available from a screen.

Ryan Gustafson, President of Screen Innovations, boldly announced, “At SI, we believe innovation means that a design is never complete, just more perfect with each iteration. He continued, “We are excited to announce that plans are underway to invest in and expand our production capability to better support today’s large display needs. Our customers asked, and we delivered.”

All Black Diamond screens feature active 3D capabilities and are future-proofed and 4K ready. Screen sizes start at 80” fixed, curved, motorized, and popular Zero Edge formats.

Screen Innovations will exhibit at InfoComm June 18-20, 2014, in Booth #419 in the North Hall. Stop by to see the next generation of video projection screens demonstrated with projectors from our partners, DPI, Epson, and Vivitek.

Manufacturers Suggested Retail Pricing: Starts at USD $2,199.00
Availability: May 2014

Screen Innovations makes it easy to choose the right screen for each application, based on lighting, room size, seating distance, and more. Visit www.screeninnovations.com to check out the Screen Calculator, Screen Wizard, and Projector Wizard online tools.

About Screen Innovations
Based in Austin, Texas, Screen Innovations is a leading manufacturer of projection screens and associated technologies for residential and commercial applications. Best known for Black Diamond™, the world’s first and only multi-directional ambient-light-rejection projection screen technology, SI has effectively revolutionized the two-piece projection category by pioneering and producing screens that deliver an unparalleled video image in light or dark environments. Sold at affordable price points and designed to blend flawlessly with surrounding décor, SI projection screens deliver stunning images and a fully immersive entertainment experience that rivals or surpasses traditional displays. Operating under the principle of “No matter the budget, Screen Innovations has the best available screen solution to suit your needs.” SI produces a comprehensive assortment of screens and accessories for nearly any budget or application.

Visit www.screeninnovations.com or call 512-832-6939. Follow us on Facebook @screeninnovations and on Twitter @SIScreens.

Audio DAWg to Host Yamaha NUAGE Open House

BUENA PARK, Calif.—Yamaha Commercial Audio Systems and Audio DAWg is pleased to host a product showcase of the Yamaha NUAGE – Advanced Production System on Tuesday, June 3 at Audio DAWg, 400 E. Royal Lane, Ste. #300, Irving, Texas.

NUAGE is a highly refined, scalable hardware/software production environment for recording, video post-production, ADR, music production and mixing. NUAGE features many unique and exciting features such as an integrated ADR system, efficient content management, advanced media access system, and much more.

A joint collaboration between Yamaha and Steinberg, NUAGE is a hardware and software system that adds the power of Dante audio networking, and is a complete, flexible system that allows engineers to choose and combine components to perfectly match individual application and workflow requirements.

Join Audio DAWg’s Spunky Brunone, the NUAGE Team, and special guests for an open house to be held from 3:00 pm – 6:00 pm with Q&A and product showcase. A NUAGE overview will be held from 7:00 pm – 9:00 pm.

Please RSVP as seating is limited. Telephone (972) 759-1131.

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New Yamaha Amplifiers Added to CIS Product Line

LAS VEGAS—Yamaha Commercial Audio Systems, Inc. will launch two new amplifiers at InfoComm 2014 that will add to the growing number of Commercial Installations Solutions (CIS) products. The user-friendly UI of the MA2030/PA2030 are based on years of experience developing AV products and musical instruments.

At a targeted MSRP of $399, the MA2030 mixer amplifier, available in the summer of 2014, provides functionality not normally seen in products at this price point. World-renowned DSP technology allows product features such as Priority Ducking, Feedback Reduction, Auto Leveling, Speaker Processing, and simple remote connectivity. The MA2030 is the only mixer amp in its class that provides a low-cost optional DCP1V1S wall controller panel connected over a common Cat5 cable for simple user control without having to access the amplifier. The DCP mounts in a standard single gang wall box and provides one knob and four switches.

The PA2030 can easily provide more power by adding two more 30-watt channels to the MA2030 and also works great as a low-cost, high or low impedance amplifier. Reliable Yamaha quality and a “green” and silent design equipped with a highly efficient class-D circuit with a fan-less cooling design, the PA2030 will be available at an MSRP of $299 in the summer of 2014.

“When we originally introduced the CIS product line, we knew it was only a first step in bringing great value, Yamaha reliability, and technology features to the market, states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems. Inc. The tradition continues with the addition of these two new products.”

The MA2030 mixer amp features three stereo line inputs (two RCA, one Mini-Stereo plug), two mic inputs (one Euro Block, one combination XLR/phone jack), one Stereo output (RCA), two amplifier outputs (2×30 watts at high impedance, 70v or 100v, or low impedance from 3 to 8 ohms), and one DCP control port (RJ45 supports one DCP1V4S with power and control).

The PA2030 power amp has two stereo line input options (RCA and Euro Block), two amplifier outputs (2×30 watts at high impedance, 70v or 100v, or low impedance from 3 to 8 ohms).

For more information on the new Yamaha MA2030 mixer amp and PA2030 power amp, visit Yamaha Commercial Audio Systems, Inc. in booth #C10716 at InfoComm 2014 or visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

LATEST ALBUM FROM JAMES HOUSE RECORDED WITH API’s THE BOX

NASHVILLE, TENNESSEE – MAY 2014: With a resurgence of his country music hits from the 1990s, singer/songwriter/producer James House is keeping busy with a new album which was just released, and a sold-out sixteen-show tour throughout the UK. While recording tracks for Broken Glass/Twisted Steel, James wanted to achieve the classic “API sound” from the comfort of his home studio in Nashville – Dream On Studios. To attain the specific sound he had in mind, James rented API’s THE BOX from Blackbird Rentals for the summing of the album’s final mixes.

The project began at Ben’s Studio in Nashville, where each of the tracks was recorded on two-inch tape through a classic API 3232 console. The tape was then sent to James’ home studio, where he recorded the vocals, guitar overdubs, and mixing. While he was at Ben’s Studio, James heard tracks that were cut for an early demonstration of THE BOX. “It sounded like classic, warm API,” recalls James. “I’m a big fan of API in the first place, which is one of the reasons why we cut at Ben’s Studio.”

Noting the design and layout of THE BOX, James appreciates how the small-format console is portable, yet creates a classic API sound. “Without it, I would have had to rent a studio with an API console to sum the record. With THE BOX, I was able to rent it for two or three days and take my time summing and getting all the versions of the mixes. The size and design fills a gap between tracking in a commercial studio and in a smaller home studio.”

James recalls that the sixteen summing channels were a key factor that drew him to the console, as well as the overall quality and clarity it helped him achieve. “I just A/B’d the record with one of my earlier records, and it has a punch and presence that I love.” The first single off the album, titled “Every Time It Rains,” has already earned airtime on top country stations, and the song’s presence is growing with the release of its music video.

“I knew THE BOX was a smart idea,” said James. “The mixes gelled exactly like we hoped they would.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.
www.apiaudio.com

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