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Archive of the InfoComm Newslink Category

Revolabs to Present ‘Next-Generation Wireless Audio Conferencing Technology’ at InfoComm India 2013

SUDBURY, Mass. — Aug. 28, 2013 — Revolabs today announced that PS Tiwari, the company’s technical manager for India and the Middle East, will deliver an educational session titled “Next-Generation Wireless Audio Conferencing Technology” at InfoComm India 2013. As part of the InfoComm University courses being offered at the show, the presentation will take place on Tuesday, Sept. 17, from 2:00 p.m. – 3:30 p.m. in Room D at the Bombay Convention & Exhibition Centre in Mumbai, India. more

Yamaha Training Sessions to Be Held in Chicago and Dallas

BUENA PARK, Calif.—Yamaha Commercial Audio Training Seminars (YCATS) will hold training sessions in Chicago on September 10 and 13 at the Hyatt Regency O’Hare in Rosemont, Illinois and in Dallas on September 17 and 20 at the Sheraton Downtown.

Chicago sessions include CL Series Operational Training on September 10, and M7CL for Beginners and M7CL for Experience Engineers on September 13.

Dallas sessions include CL Operational Training on September 17 and Digital Audio Networks for Engineers on September 20.

For more information, course description, seminar location, and registration visit: http://yamahacommercialaudiosystems.com/training.php?catID=11001.

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API 1608 FEATURED IN FIRST EVER HIGH SCHOOL RECORDING STUDIO

NASHVILLE, TENNESSEE – AUGUST 2013: The Grand Opening of the new recording facility at Nashville’s Pearl-Cohn Entertainment Magnet School on May 8th featured the first API 1608 console in a high school setting. Many important names in the recording industry rallied to show their support of the “Music Makes Us” initiative by welcoming the new API-equipped studio, which will serve almost nine hundred students this year alone.

Built in 1986, the Pearl-Cohn Entertainment Magnet High School is located in north Nashville and is the sole entertainment magnet school in the country, offering courses in everything from audio engineering to television broadcasting. With the hard work of The Recording Academy® Producers & Engineers Wing® members and a partnership with the Warner Music Nashville label, this world-class facility is the home of the first ever student-run record label. The API console will serve as a major part of the school’s Academy of Entertainment Management and Academy of Entertainment Communication divisions. Students will learn audio production from song creation to production and on to distribution.

The school’s motto, “Together as One” rang true as a wide variety of important pro audio individuals contributed to and celebrated the opening of the studio. The Recording Academy® P&E Wing® as well as Nashville Mayor Karl Dean, Senior Vice President of A&R for Warner Music-Nashville Scott Hendricks, and API President Larry Droppa were among some of the attendees at the ribbon cutting ceremony for the expert-designed $1.2 million multi-room facility and control room.

“What a tremendous opportunity it is to have such a facility in a high school,” commented Larry Droppa at the introduction. “API is honored to have placed a 1608 as the centerpiece for audio education in the Pearl-Cohn school. Our ongoing commitment to support young and upcoming students in audio engineering is well represented by this, the first high school anywhere to have a 1608.”

ABOUT API (AUTOMATED PROCESSES, INC.)Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

(PHOTO CAPTION) (From left to right) Terry Palmer, (Terry Palmer Services); Ben Fowler, (Producer/Engineer and P&E Wing Committee Member); Steve Durr, (Owner, Steven Durr Designs and P&E Wing Committee member); Vickie Perdue, (Acoustics In A Box/Perdue Acoustics); Jay Perdue, (Acoustics In A Box/Perdue Acoustics); Larry Droppa, (API President/Owner); Jon Randall Stewart, (Singer/Songwriter/Producer and The Recording Academy Nashville Chapter President); Jeff Balding, (Producer/Engineer and P&E Wing Sub-Committee Chair); Julian King, (Producer/Engineer and P&E Wing Committee Member); Chuck Ainlay, (Producer/Engineer and P&E Wing Committee Chair).
(PHOTO CREDIT) Courtesy of The Recording Academy®/WireImage.com © 2013. Photo by Frederick Breedon.

LECTROSONICS ASPEN PROCESSING PROVES INTEGRAL TO CENTURYLINK’S TELECONFERENCING ACTIVITIES

**** Photo: Matt Zavakos, President of Singularity Technologies ****

Littleton, CO – August 2013… For companies and organizations with multiple locations, the ability to teleconference and exchange ideas and information is essential to conducting business. The process of assembling a reliable, easy-to-use system, however, remains one of the ongoing technological challenges for many companies. To ensure the deployment of a world-class, intuitive, and trouble-free system for their applications, Monroe, LA-based CenturyLink, Inc., the third largest telecommunications company in the United States, had a new system installed at their Littleton, CO facility—and central to its operation is a collection of Aspen audio processing equipment from Lectrosonics. more

FSR’s Jon Melchin Joins Expert Speakers at BICSI Conference

Woodland Park, NJ – Jon Melchin, FSR Inc.’s Director of Architectural Development, is among the expert speakers presenting at the 2013 BICSI Fall Conference & Exhibition. BICSI, a professional association supporting the information technology systems (ITS) industry, is an internationally recognized source of information, education, and world-class technology training. The event, which will take place from September 15-19 at the MGM Grand Hotel and Conference Center in Las Vegas, NV will feature a full schedule of sessions delivered by BICSI master instructors and industry experts.

“I’m honored to be chosen as a participant in a conference that considers training and education a priority, and recognizes the financial and physical benefits of keeping industry professionals informed,” noted Melchin.

Melchin’s presentation – The New Face of Design: Building Information Modeling and What it Means to the AV Industry – will feature a look into Building Information Modeling (BIM) – a 3D design, modeling and simulation technology that has changed the way architecture is practiced. It will delve into its impact on the AV industry and use an actual BIM designed project as an illustration. The session is scheduled for Wednesday, September 18 at 1:30 -2:30.

Melchin is an accomplished speaker and a Passport Provider with the American Institute of Architects Continuing Education System (AIA-CES) who conducts presentations that result in audience accreditation. His position as Director of Architectural Business Development with FSR underscores his solid relationship with the architectural and design community making his contributions to the Conference especially valuable. Melchin has authored numerous articles that have been published in international trade publications targeting the construction and audiovisual industries.

FSR Inc. manufacturer of audio and video switching, control products, and connectivity boxes, is exhibiting a compliment of products at BICSI in Booth 117.

Further information regarding all FSR products can be found at: www.fsrinc.com.

About FSR
FSR, established in 1981, manufactures a wide variety of products for the audio / video, education, hospitality, government, and religious markets, including AV floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and CAT-5 solutions.

The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: www.fsrinc.com.

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Communications
Harriet Diener • 845-512-8283 • harriet@desertmoon.tv

ACIR Professional Buys Building, Expands Space

Mays Landing, N.J.—Summer continues to be busy for the staff at ACIR Professional with shows in Cape May, the Count Basie Theatre, Ocean Grove, New York City, along with support of audio and backline for Atlantic City and surrounding areas, all as the company’s installation business continues to grow.

Perhaps the biggest news for ACIR this is summer is that they recently purchased a building in Mays Landing, New Jersey, a stones-throw away from the old location in Egg Harbor Township. Realizing their dream of expansion and growth, the company outgrew their lease space and made the move to purchase a building with additional room to grow.

In a joint statement, the three owners Ed DiBona, John Grasso, and Tom Young said, “Our new space enables us to further our customer service and support as we continue to purchase the gear needed to fulfill our clients’ requirements.”

ACIR’s new address is 1421 Cantillon Boulevard, Mays Landing, NJ 08330. The company phone number remains the same: (609) 677-5500).

For more information, visit www.ACIRpro.com.

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PHOTO CREDIT: Digital Warmth

ASHLY GETS INTO THE PUNCH BOWL!

PORTLAND, OREGON – AUGUST 2013: Punch Bowl Social is a unique entertainment concept that got its start in Denver, Colorado and is steadily making its way to a city near you. The second and most recent Punch Bowl Social occupies 32,000 square-feet on the top floor of Pioneer Place Mall in downtown Portland. Within that space, patrons can bowl, sing karaoke, shoot pool, throw darts, play ping-pong, shoot marbles, play board games, rock ‘80s video games, and more. Of course, Punch Bowl Social patrons can also grab a drink (often literally from a punchbowl) or dine on delicious, creative fare. The idea, of course, is that in the age of big screen TVs, the human animal still craves connection, and games and music have provided the context of that connection for millennia. To keep the music engaging, Denver-based A/V integration firm PRIME used Ashly Audio processing at both locations.

“Punch Bowl Social proved to be a far greater success in Denver than the owners had dared hope for,” said Robert Higdon, owner of PRIME. “The Denver location is expansive, but still considerably smaller than the new Portland location. In Denver, we used a single Ashly ne24.24M to do all system routing and conditioning for the Flexsys F8, F12, and F15s over the lanes. The owners were so pleased with Higdon’s solution that they hired PRIME to design and install the system at the new Portland location.

One of the new features at Portland is a pair of karaoke rooms that groups can rent for private parties. A single Ashly ne24.24M outfitted with sixteen inputs and eight outputs raises their sound quality far beyond the standalone karaoke systems that bars typically employ. Four wireless microphones per room allow group performances in combination with a cloud-based karaoke server. A Lexicon dual effects processor provides the professional polish that takes ace karaoke stars to the next level – and softens the rough edges of newbies. Powered loudspeakers from dB Technologies provide robust output, and users can dial in appropriate volumes for the music, their voices, and the effects from an Ashly FR-8 wall-mounted remote control. Because the FR-8 provides a simple slider for each function, users can operate it successfully with zero training.

The main sound reinforcement system at Portland’s Punch Bowl Social uses a separate Ashly ne24.24M. Inputs include five cable boxes, a Blu-ray player, two DJ inputs (one per each side of the building), a jukebox, a paging server, and an Apple Airport Express that can stream Spotify, Pandora, and the like. dB Technologies Flexsys F8 loudspeakers and Sub 15D subwoofers populate twelve output zones logically divided by amusement type. Three separate sets of four bowling lanes get a pair of F12s and a Sub 15D hung by chains from the ceiling. A Crestron control system paired with an Apple iPad mobile pro app provides input selection and volume control. The control features a schematic of Punch Bowl Social from above. Users tap the section they want to control and make the necessary adjustments.

“For every project I’m involved in, I try to give the end user the best sound quality possible,” said Higdon. “I always use Ashly processing, and I carefully tune each zone at commissioning. Sound quality is evident to me because I work with sound for a living, but sound quality is just as important for patrons who aren’t audio professionals. For them, it’s a subconscious thing. If the sound quality is lacking or, worse, annoying, they’ll want to leave. That, of course, is the last thing the owners want. But a well-tuned system is fantastic. My favorite thing to do when a job is finished and open is to go back and watch people enjoying it. I see them singing along, bopping their heads. That’s almost payment enough for me.” Higdon will be accompanying the Punch Bowl Social enterprise as it heads to Austin in a few months.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ALTINEX CONNECTIVITY INTEGRAL TO GENERAL ELECTRIC’S NEW CONFERENCE TABLE

**** Photo: Paul Downs ****

Plainville, CT – August 2013… The ability to facilitate easy connectivity to AV equipment as well as provide network and Internet access are critical concerns during the design of today’s state-of-the-art conference facilities. For their new conference room, Plainville, CT-based GE Industrial Solutions adopted a 360-degree approach with multiple video displays—and central to their AV connectivity are PNP417 Pop-N-Plug interconnect boxes and AC301-250 Dual Button Controllers from Brea, CA-headquartered Altinex. more

MIX ENGINEER ARIEL BORUJOW EXPANDS HIS METRIC HALO PALETTE TO INCLUDE THE PRODUCTION BUNDLE

NEW YORK, NEW YORK – AUGUST 2013: Ariel Borujow is chief engineer at New York City’s Stadiumred studios (www.stadiumred.com) and a multi-platinum, Grammy-nominated mix engineer who has worked with artist and producers such as Kanye West, Madonna, The Black Eyed Peas, P Diddy, J-Lo, Chiddy Bang, Just Blaze, and others. His success stems from his passion for audio, which makes his typical ten-hour day (clocked seven days a week) the key ingredient in a life well lived. Indeed, when we caught up with him, Borujow was happy to be getting back into that groove after being sick for a few weeks. “I didn’t know what to do with myself,” he laughed. “I was just stuck there, roaming around in my apartment, which is usually just a place to sleep at the end of a long day. I guess the upside is that I got to know my apartment better?” Now back in the studio, Borujow is finishing up projects with Modern Machines, Charlie Red, and Low Country Kingdom using the Metric Halo Production Bundle, which includes ChannelStrip 3, TransientControl, Multiband Expansion, Multiband Dynamics, Character, Precision DeEsser, and HaloVerb plug-ins.

Modern Machines (www.facebook.com/ModernMachines) is a pair of New York City producers who are making some of the most engaging and danceable electronic dance music on the planet, and Borujow recently mixed their single, “We Are the Night.” “They come from an engineering background, so the tracks sounded good coming in,” he said. “Nevertheless, they gave it some grit on purpose, and the challenge was to keep that feel while making sure the music would still translate effectively at a dance club.”

Borujow was a longtime user of Metric Halo’s ChannelStrip 2, and he’s pleased that ChannelStrip 3 retains the same “out-of-the-box sound” while adding features that make it even more functional and flexible. “The size is great and the interface is even more intuitive, but the most exciting improvement is the incorporation of a spectrum analyzer,” he said. “It’s a big deal and it’s on almost all of the Production Bundle plug-ins.” As with all of his mixes, Modern Machines benefitted from plenty of ChannelStrip 3. For the all-important kick drum, he used ChannelStrip 3 to dial in the right timbre and dynamics and then used TransientControl to punch it up. “I’ve used other manufacturers’ transient plug-ins,” Borujow said, “but Metric Halo has given TransientControl something that is noticeably better, but in a subtle and interesting way. I can’t exactly put my finger on it, but there’s no doubt that it really improves the dynamics without over-processing them.”

Borujow is using a slightly different part of his brain to mix Charlie Red [www.wearecharliered.com], a duo that fuses hip-hop, blues, and rock to come up with a very unique style. The music is all live instruments and the band recorded the tracks at home. “These guys are real artists and they go by feel,” Borujow said. “All of the tracks are masterfully performed, but some of the technical stuff needed polishing.” Again, he used TransientControl to add shape and dynamics to the drums, and ChannelStrip 3 found use everywhere. The tracks were also noisy at times and Borujow used the Multiband Expander to carve out the noise. The very accurate spectrum analysis feature allowed him to zero in and position the bands for maximum effect.

Because Charlie Red’s recordings weren’t made in a purpose-built live room there was a certain “boxiness” to the recordings. Rather than EQ out the room mode frequencies, Borujow used Multiband Dynamics to carve them out dynamically. “Again, the spectrum analyzer was a tremendous help,” he said. “To lessen that boxy sound, Multiband Dynamics is preferable to EQ because EQ tends to lose something. Multiband Dynamics leaves the life in the recording. It’s a much more pleasing solution. Metric Halo’s version sounds great and is quick and easy to work with.”

With another “this meets that” description, Borujow finds Low Country Kingdom (www.lowcountrykingdom.com) at the intersection of Gorillaz meets the Beastie Boys. “These guys are just super musical! They produced all the music in Logic and sent me the stems,” he said. “To give it more of a ‘sound,’ I used Character. I especially like the ‘American Solid State’ algorithm. It’s subtle and not overboard, and it doesn’t sound digital. It sounds authentic. It’s been a go-to plug-in and setting for me lately. It’s all over the Low Country Kingdom album.” He also used the Precision DeEsser quite a lot. “I use it a lot of the time for vocals, sure, but I use it for a lot of other instruments as well,” he explained. “For example, the Low Country Kingdom snare sound was a little too bright at times. Rather than EQ it out, which kills those frequencies even when they’re not annoying, the Precision DeEsser allows me to keep them down only when they’re too much. I put the TransientControl behind it, and the snare sounded awesome.”

All three projects benefitted in roughly equal degrees by Borujow’s newfound access to HaloVerb. “I’m a huge fan of the ‘Sizzly Plate’ preset,” he said. “I find that as I get older, I use reverb as much as I used to, but I want to hear it at the front of the mix less and less. It’s more effective as a subconscious thing – an element that puts instruments in a common space. I don’t want to hear it, I want to feel it.” He used HaloVerb for Modern Machines’ synths, Charlie Red’s guitars and drums, and Low Country Kingdom’s vocals.

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

FSR’s Digital Ribbon Cables Receives rAVe Reviews at InfoComm 2013

Mega-Bandwidth HDMI Cables Take Home “Best New Accessory” Award from rAVe [Publications]

Orlando, FL – FSR’s new Digital Ribbon mega-bandwidth HDMI cables were a hit with attendees and judges alike at this year’s InfoComm. The cost and time saving innovation received an outstanding reception by attendees, and was recognized with a 2013 Best of InfoComm Award as “Best New AV Accessory” by rAVe [Publications].

“We are proud to add this award to our growing trophy room!” said FSR president Jan Sandri. “It’s an amazing honor to have our Digital Ribbon Cables singled-out as the best-of-the-best by rAVe at InfoComm 2013, an event that showcased more new products and technology than ever before.”

Based upon a proprietary composite technology, FSR’s Digital Ribbon Cables took home the “Best New AV Accessory” award for its capacity to carry 1080p and 4k x 2k HDMI signals up to 325 feet, nearly twice that of other “extended” solutions, with crystal clear accuracy. The product’s ultra-simple, fast installation (just pull and plug), and money-saving ability to operate without transmitters or receivers add to its appeal.

Shipping now, additional information can be found at: http://www.fsrinc.com/products/dr-pcb-hxxm.htm

About FSR
FSR, established in 1981, manufactures a wide variety of products for the audio / video, education, hospitality, government, and religious markets, including AV floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and CAT-5 solutions.

The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: www.fsrinc.com.

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Communications
Harriet Diener
845-512-8283 • mailto:harriet@desertmoon.tv

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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