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Yamaha Audioversity – Applications Edition Headed to ChiTown

audioversity_logo

Buena Park, Calif.—Yamaha Commercial Audio Systems, Inc. is heading to Chicago with an Applications Edition for Sound Reinforcement/Live Sound of the ever-popular Audioversity, November 3-5, 2014. The company has reformatted the learning experience for a limited time held over three days and consisting of three tracks, with each day focusing on a specific subject. Day 1 will focus on Digital Mixing Consoles for Sound, Day 2 – Digital Audio Networking, and Day 3 – Speaker Systems. Attendees will be eligible to receive CTS credits for each of the three-day sessions.

The Mixing Consoles track on Day 1 will focus on the latest in the Yamaha digital console family – CL and QL Series. Subjects will feature the essentials of the two series, mixing techniques, tips and tricks, and a mixing lab offering attendees hands-on time with assistance from our specialists. You may choose the CL or QL Series track depending on preference Learning material will be consistent in both tracks. A unique course for system techs covering Dante™ networking, Soundcheck Best Practices, Guest/User Management, and much more. For more information and to register, visit https://www.yamaha.com/ycas/training/registration.html?classdate_id=794&course_id=151.

Day 2 focuses on building networking skills applicable for audio engineers. The day will start with fundamentals in the context of a common home network, and expand into features required for full scale Dante™ network provisioning and configurations. Participants will learn by doing with live demonstrations and interactive labs. Popular and thought provoking topics include: Integrating Audio Networks with Existing IT Networks (Including WiFi points and Internet Access), Adding Dante™ to Existing Audio Networks (CobraNet®/EtherSound™), employing Dante™ as a clear, low-latency conferencing solution, using Dante™ for distributed audio or connecting overflow rooms, choosing network switches, WAPs, and other hardware for audio networks. For more information and to register, visit https://www.yamaha.com/ycas/training/registration.html?classdate_id=795&course_id=152.

Day 3 will feature speakers and systems including product listening demos, applications, and the latest in design software. New NEXO products – the GEO M6 Compact Sound Reinforcement System and the versatile STM M28 loudspeaker will be highlighted along with various STM ground-stack configurations. For more information and to register, visit https://www.yamaha.com/ycas/training/registration.html?classdate_id=796&course_id=153.

“Since its inception in 2010, the Audioversity Expo has provided complimentary education to thousands of audio professionals,” states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. “This one-of-a-kind event is truly a unique offering unlike any other.”

Audioversity – Applications Edition is free-of-charge and open to members of the audio community. Attendance is limited and seats will be filled quickly so register for the tracks at the links above.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Scheiner, Ainlay, Slovarp and McClain Demo Yamaha NUAGE at AES

Award-winning recording and mix engineers Elliot Scheiner, Chuck Ainlay, Jeremiah Slovarp of Jereco Studios, and John McClain of Dog & Pony Studios, along with Yamaha Commercial Audio Systems technology experts will discuss and demonstrate the NUAGE Advanced Production System and Nuendo 6.5 Software for music and post applications during the AES 2014 Show. The demos will take place at booth #1401 on Friday, Oct. 10: Jeremiah Slovarp at 11:00 am – 12:00, Elliot Scheiner from 3:00 – 4:00 pm, Chuck Ainlay from 4:00 – 5:00 pm, and John McClain from 5:00 – 6:00 pm. On Saturday, October 11: John McClain from 10:00 – 11:00 am, Chuck Ainlay from 12:00 – 1:00 pm, and Jeremiah Slovarp from 3:00 – 4:00 pm.

Also, check out the Yamaha Demo Room, #304C, on Friday, October 10 and Saturday, October 11 for CL and QL Series Basic Operation Tips between 11:00 am – 1:00 pm and CL and QL Series Network Essentials between 3:00 – 5:00 pm. On Sunday, October 12, there will be a CL and QL Series hands-on open lab from 11:00 am – 1:00 pm.

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TC Furlong Hosts Digital Console Expo

LAKE FOREST, Ill.—TC Furlong, Inc. will host a Digital Console Expo on Tuesday, October 21 between 4:00 pm – 8:30 pm. Manufacturers include Yamaha Commercial Audio Systems, Avid, Midas, DigiCo, SSL Live, Soundcraft, Allen & Heath, Mackie, PreSonus, QSC, and several more. The companies will exhibit their latest digital consoles, and manufacturer staff will be on hand to answer questions.

The event is free of charge and will be held at the Moody Church, 1635 N LaSalle Street, Room 107, in Chicago. Food and beverages will be provided along with a raffle for prizes as well as giveaways.

Registration is required as space is limited. To register, visit www.tcfurlong.com/dce.

The Moody Church is easily accessible by public transportation, and there are several pay lots as well as limited street parking in the area.

This is the third Digital Console Expo presented by TC Furlong Inc. TC Furlong is a Chicago-area live sound rental and sales company that has been in business for 41 years.

For more information, visit www.tcfurlong.com/dce or call 888-823-8756.

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Wisconsin Realtors Association Upgrades to Transparent Teleconferencing via a Symetrix SymNet Radius AEC Dante Network Audio DSP

Wisconsin_Realtors_AssociationMADISON, WISCONSIN – SEPTEMBER 2014: Headquartered in Madison, the Wisconsin REALTORS® Association (WRA) is 13,000 members strong and one of the largest trade organizations in the Badger State. Among the many services that it offers its members, continuing education is perhaps the most prominent. Throughout most of its hundred-plus year history, members traveled to the WRA headquarters to keep current with seminars, workshops, and conferences, and its building contains flexible training and conference rooms to deliver those services. With the advent of modern telecommuting technologies, the WRA has sought to bring its continuing education to its members. However, the staff’s early experimentation with free web-based software and homespun A/V technology proved frustrating on both ends due to poor audio and video quality. WRA hired Peak Systems Group of Reedsburg, Wisconsin to update their rooms with modern remote conferencing technology, and the A/V integrator obliged with a new system centered on the uniquely functional Symetrix SymNet Radius AEC Dante network audio DSP.

“They were trying to adapt their existing technology for use with free web-based remote conferencing software,” said Jason Keagy, president of Peak Systems Group. “They set up a camera on a tripod and brought in a portable audio mixer, but making that all work correctly was not easy for someone without an A/V background. They had a lot of failures and poor audio quality led to a lot of frustration. Folks were struggling to understand the presentations, and they weren’t free to participate. On the video end, the staff tried to zoom the camera in on the screen, with predictable results.”

In addition to the entire pedigreed collection of audio processing modules that Symetrix has perfected, the SymNet Radius AEC includes connectivity and specialized processing to make remote conferencing transparent and pleasurable. The 1U rack unit contains eight mic/line wideband echo cancellers, eight line outputs, and four auxiliary line inputs. Each individual channel has AEC processed and direct outputs plus dedicated reference and auxiliary inputs, allowing any source connected over Dante to take advantage of the onboard processing. “They needed better audio for web feeds, as well as phone-in technology,” said Keagy. “The Radius AEC was the perfect choice. We used its expansion slot for a Symetrix 2 Line Analog Telephone Interface Card. The Radius AEC’s native Dante networking capability assured us that future system expansion, if needed, would be easy and cost-effective. But perhaps most importantly, our past experiences with Symetrix have always been predictable and trouble-free. Symetrix equipment just works – and it works well.”

Most of the system components are used in the training room, but the Radius AEC has enough inputs, outputs, processing power, and flexibility that it’s handling audio for the conference room as well. A Crestron digital media system delivers transparent A/V system control via a Crestron touch screen and coordinates video I/O and routing with the audio I/O and routing of the Radius AEC. For fine-scale control of audio processing, Peak Systems Group gave the WRA staff Symetrix ARC-WEB internet-based control, which they can access via their smartphones or via the training or conference room computers.

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

DANLEY JERICHO HORNS COVER NORTH TO SOUTH AT PENN STATE UNIVERSITY’S BEAVER STADIUM

Penn_State_Beaver_StadiumUNIVERSITY PARK, PENNSYLVANIA – SEPTEMBER 2014: The Penn State Nittany Lions play all of their home games at Beaver Stadium in University Park, Pennsylvania. With an astounding capacity of over 106,000, Beaver Stadium is the second largest stadium in the Western hemisphere (after the University of Michigan’s stadium) and the fourth largest in the world. A recent off-season upgrade to high-definition LED scoreboards inspired a parallel upgrade to a new high-definition sound system that relies on Danley Sound Labs Jericho Horns to throw sound from the south end zone clear across to the north end zone – and all areas between – with point-source, horn-loaded fidelity. Coverage is a remarkable ±2dB across that huge expanse, and eight Danley TH-812 subwoofers support the full-range content with honest, musical low end that shakes the stands.

Clair Solutions Senior Systems Designer Jim Devenney (Manheim, Pennsylvania) designed the system with assistance from Chad Edwardson at Danley Sound Labs and Al Harris from Populous Architects (Kansas City, Missouri). Jason Hertz led the installation for Clair Solutions with assistance from Jonathan Hoffman and Forrest Brewer from Barton-Mallow/Alexander, the general contractor. “The new scoreboard would no longer be able to accommodate the old sound system,” said Devenney. “It simply wouldn’t fit. Mike Hedden, Danley president, came up from Georgia to demo a Danley Sound Labs solution, and the school officials liked its full-bandwidth sound, dynamic response, and even coverage.” Importantly, the Danley solution would allow Devenney to cover the entire stadium with a much smaller footprint. Hedden commented, “Our demo was an opportunity to do a side-by-side with a very popular line array. At 800 feet the Jericho Horn was clear and present, like it was fifty feet away. When we switched to the existing line array it was as if the sound stepped backwards three hundred feet. It was a stunning difference. One of the officials asked me how I could explain what everyone was hearing. I replied, to paraphrase the founders, we hold these truths to be self evident, that all loudspeakers are not created equal!”

The system hangs from three levels on the new scoreboard, and each side is a mirror image of the other side. At the top level, two Danley J4 Jericho Horns hit the stands beyond the opposite end zone. Below that level, four Danley J3 Jericho Horns cover the far half of the east and west stands. At the lowest level, two Danley J3 Jericho Horns cover the near half of the east and west stands, and two Danley SH95-HO loudspeakers provide near fill. All told, eight Danley TH-812 subwoofers, four on the top and four on the bottom, provide abundant bass. Devenney left a distributed system of fill speakers under overhangs in place. Lab.gruppen LM26 processors running Lake software provide equalization and protection for the system. Lab.gruppen FP-Series amplifiers with the NLB-60E controller provide system power as well as network control and monitoring.

“Everything worked out very well,” said Devenney. “Coverage is excellent: plus or minus 2dBA throughout the stadium, except in club areas where I intentionally made things quieter. The system has good articulation, nice fullness, great dynamics, and impressive vocal clarity. The J4’s do a great job getting high end to the far side of the stadium, and the efficiency of the Danley components reduced the footprint considerably from where it had been.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

RECORD API 1608 SALES ALLOW FOR SUPERIOR COLLEGE AND UNIVERSITY CURRICULUMS ACROSS THREE CONTINENTS

Hochschule_Musik_NurnbergJESSUP, MARYLAND – SEPTEMBER 2014: Since introduced at the 123rd AES Convention in New York City in October 2007, the API 1608 console continues to make its way into colleges and universities across the globe. In the past year alone, more 1608s have been placed in educational institutions compared to any other year since 2007. These full-featured consoles, each with various channels of recording and mixing capabilities, now grant students, ranging from high school to graduate school, the opportunity to learn on the analog technology used in professional studios all over the world.

“We’re very pleased to have placed so many of these highly-versatile consoles in the past year,” said Larry Droppa, president of API Audio. “Each of these 1608s will now join the ranks of top audio schools including the New England School of Communications, American University, and California State University.”

Since the summer of 2013, nearly a dozen consoles have been placed in schools including Nashville’s Pearl-Cohn Entertainment Magnet High School, and Blackbird Academy. Colleges and universities in the United States include Emerson College in Massachusetts, Mesa Community College in Arizona, Broward College in Florida, Glendale Community College in California, and the University of Michigan in Ann Arbor. Locations outside the United States include the University of Western Ontario, Canada, Technologico de Monterrey in Mexico, the University of Örebro in Sweden, and Hochschule für Musik Nürnberg in Germany.

SUNY_PurchaseThe 1608 offers sixteen input channels, each with a mic pre and equalizer. It also has the option of adding sixteen-channel expanders, allowing for a 16, 32, or 48 channel console in total. API also offers its optional motorized fader automation system called P-Mix. Derived from the technology used extensively in API’s large format consoles, P-Mix offers a host of features found only in the most sophisticated console automation systems, often costing many times more.

“Since the 1608 is built to the same standards as our Vision and Legacy large-format consoles, it’s a powerful tool for students to learn with,” said Droppa. “It’s the same equipment used in some of the best recording facilities around the world, where many of the students will want to work after graduation.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and the BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

(PHOTO CAPTIONS) IMAGE 1: Hochschule für Musik Nürnberg in Germany; IMAGE 2: State University of New York (SUNY) Purchase.

STOP BY AND SEE US AT AES 2014 BOOTH #1219

INTRODUCING THE ATC SCM20ASL PRO MKII: ATC IMPROVES ITS MOST POPULAR SMALL-FORMAT, 2-WAY ACTIVE REFERENCE MONITOR

LAS VEGAS, NEVADA – SEPTEMBER 2014:ATC_SCM20ASLPro_MkII TransAudio Group, U.S. rep for ATC and other boutique professional audio companies, introduces the ATC SCM20ASL Pro MkII near-field reference monitor. The ATC SCM20ASL Pro MkII improves upon the ATC SCM20ASL Pro. Like its predecessor, the MkII is a high-performance two-way active loudspeaker that is ideally suited for critical near-field applications or as surround channels in larger systems. Its exceptionally neutral output extends across the audible spectrum and is now improved by a new amplifier design, a new ATC-made dual suspension tweeter, and a new cabinet design.

“ATC is well-known for designing and building studio monitors that are unflinchingly truthful and that help engineers deliver mixes that translate everywhere,” said Brad Lunde, president of TransAudio Group. “ATC founder Billy Woodman and his team of R&D engineers never tire in the pursuit of perfection, and improvements to the passive SCM20PSL Pro MkII led to parallel improvements in the active the SCM20ASL Pro MkII.”

The new SCM20ASL Pro MkII is based around the ATC 6.5-inch “Super Linear” LF driver with integrated midrange, utilizing the same SL technology developed for the larger nine-, twelve- and fifteen-inch based monitors. Constructed with a 75mm/three-inch voice coil and a short-coil, long-gap topology, it combines the high-power handling and low-power compression usually only found in large, high-efficiency systems with the fine resolution and balance of modern high fidelity systems.

Five years in development, the new ATC dual-suspension 25mm tweeter offers lower distortion, higher output, and greater reliability. The electronics in the active design have also had considerable development time invested in them, resulting in reduced noise and distortion (a further -10dB @ 10kHz) and a reduced operating temperature for improved reliability. The amplifier design is a revised version of ATC’s discrete MOSFET Class A/B design with 200W and 50W continuous power available for the bass and high-frequency sections, respectively. The user controls have also been improved over the previous generation with more flexible input sensitivity controls and a revised low-frequency shelf control to help achieve good balance in difficult acoustic conditions. The amplifier includes protection circuits for both DC offset and thermal overload.

The new cabinet design maximizes linearity and minimizes size and weight. The cabinet has been restyled to more closely follow the larger monitors in ATC’s professional range and is constructed from heavily-braced MDF. Highly damped, elastomeric panels are bonded and stapled to the cabinet’s inner walls to suppress cabinet panel resonances, while the enclosure’s front panel is heavily radiused to reduce cabinet diffraction, improving the frequency response and imaging.

“Even given the excellence of the previous design, these new features lead to a substantive improvement,” Lunde concluded.

MSRP $6,695/pair

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

BE SURE TO STOP BY AND SEE US AT AES 2014 BOOTH #1110

NEW YORK CITY’S EXCLUSIVE UNION LEAGUE CLUB UPGRADES TO ASHLY

Union_League_Club_NYCNEW YORK, NEW YORK: The Union League Club of New York City was founded by Union loyalists during the Civil War and has grown since then to become one of the city’s most exclusive clubs, where the public-minded members of New York’s upper class meet away from the bustle of urban life. Its elegant clubhouse on East 32nd Street and Park Avenue in Manhattan thus serves as an oasis, and the Union League recently refurbished many of its rooms to add modern audio/visual technology where appropriate. Based on its functionality and rock-solid reliability, A/V integration firm Audio Production Services (Amawalk, New York) specified an Ashly ne24.24M Protea™ DSP Matrix Processor and an Ashly ne4250.70 Network Four-Channel Amplifier for the Union League Club’s new system.

Although most of the clubhouse areas provide a refuge from technology, club members requested video and audio in one of the large lounge spaces, the nearby coffee bar, and some ancillary lounge spaces. Inputs to the new system are many and include all manner of video feeds, wireless microphones for events, and iPod® connectivity. Those inputs feed into an Ashly ne24.24M matrix processor, which handles all of the routing, mixing and equalization. Audio Production Services biased the modular I/O of the ne24.24M to accommodate the huge number of inputs, reserving just four outputs to feed a four-channel Ashly ne4250.70 amplifier. Those four amplifier channels power 70-volt RCF ceiling speakers in four separate zones.

“I’ve used Ashly products on many previous installations,” said Simon Nathan, president of Audio Production Services. “They are very flexible and easy to work with. In addition, they are reliable, which was critical for the Union League clubhouse. Ashly’s Protea processing worked well with Key Digital’s user interface technology and allowed us to give the staff an iPad that could control the new A/V system. In all, it was a straightforward design and an easy installation, and the client is happy with its sound and performance.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

Yamaha Announces I/O Rack For Dante/MADI Conversion

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. will launch the fifth in a series of its Remote I/O (Rio) Racks at this year’s AES Convention. The new RMio64-D provides unprecedented capabilities for Yamaha CL and QL Series Consoles as well as NUAGE DAW systems that use Dante networking. The new product enables audio from a CL or QL live sound system to be converted to MADI and fed to an OB vehicle, for example, or a MADI based console can be easily integrated into a NUAGE system for post production.

Word clock synchronization can be an issue when converting between different audio formats, but now with the RMio64-D MADI inputs and outputs feature built-in, sample rate conversion sources with differing word clocks can be connected without causing noise or dropouts. In addition to redundant Dante network connections, the RMio64-D additionally supports MADI redundancy through simultaneous coaxial and optical connections. With the MADI Split (loopback) capability, a signal received at either the coaxial or optical input can now be retransmitted to the output.

On its own or in close integration with other Yamaha products, RMio64-D adds even greater value. The rack can be mounted via the CL or QL console touch screen displays with convenient remote control of Dante patching and sample rate converter settings (future update). Precision synchronization with the NUAGE system Direct Monitoring and VST System Link functions is also provided, as well as remote control from the NUAGE Workgroup Manager software.

“The RMio64-D allows smooth, simple connection between the MADI format and the Dante digital audio networking protocol that is rapidly gaining acceptance worldwide, states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. Built-in sample rate conversion effectively overcomes word clock synchronization issues that would otherwise limit system design freedom, and extensive compatibility with CL, QL and NUAGE systems, significantly enhancing the value of those products for use in a broad spectrum of sound systems. Tight integration is the key to complete systems solutions offered by Yamaha for our customers.”

A late 2014 availability is expected with a target MSRP of $3,800.

For more information on the RMio64-D, visit Yamaha Commercial Audio Systems, Inc. at AES 2014, Los Angeles Convention Center, booth #1401 or on the web www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Yamaha CL/QL V3.0 Boast New Features for Broadcast, Live Sound

BUENA PARK, Calif.—Announced during IBC in September, Yamaha CL and QL Digital Audio Consoles will release V3.0 updates available in early 2015.
Version 3.0 adds features and functionality that will increase the appeal of all CL and QL Series models for broadcast applications, including 5.1 panning and monitoring for surround broadcasts, and a newly developed buss compressor that is ideal for insertion in the stereo mix buss.

For live sound applications, V3.0 will add the benefit of a new 8-band parametric EQ and real time analyzer. There will not be a QL Series V2.0 so that the CL and QL Series Consoles will be at the same V3.0 level. CL and QL files are interchangeable, making it easy to choose and combine models to best accommodate live sound front of house and monitoring as well as broadcast relay and recording, from the most basic to large scale applications.

Notable new CL/QL V3.0 features for broadcast include 5.1 Surround Panning.
Pan positioning can be set via the touch panel or knobs. Mix to Matrix can be used for international feed production, and Mix to Stereo can be used for stereo mix down. In addition to surround mixing, CL/QL V3.0 adds basic surround monitoring. Monitor alignment capability is also provided, with adjustment of relative speaker levels and delays.

Also for broadcast applications, Dan Dugan Sound Design highly regarded automatic microphone mixers already included in QL Series is now included in CL Series consoles. Gain distribution for up to 16 speech microphone channels is automatically optimized in real time, achieving smooth, natural level control.

Yamaha R&D has created an accurate VCM (Virtual Circuitry Modeling) model of an acclaimed buss compressor that is relied on in broadcast and recording studios around the world. Buss Comp 369 is ideal for inserting on the stereo mix buss for increased loudness, more uniform levels, and warm overall sound. It is an excellent choice for live sound as well as broadcast applications.

Mix minus, considered important for relay broadcast applications, previously available for CL consoles is now available in the QL consoles. The signal from a specified channel can be easily omitted from a specific bus, making it easy to quickly create a mix for the location reporter, for example, that may not include his/her own mic feed. The new Frame Delay capability enables the audio engineer to delay the audio at the console in order to achieve proper synchronization, a necessity in broadcast and in live applications where video is being used. The feature makes it possible to set that delay in frame increments for easy sync with a wide variety of video formats.

Additional live sound features include an 8-band PEQ in the GEQ Rack and Effect Rack making it possible to select 8-band Parametric EQ in the GEQ RACK and EFFECT RACK. With the real time analyzer (RTA) to support room tuning and other operations, the frequency spectrum of cued channels can be shown in the new RTA display as well as in the PEQ or GEQ display to provide visual feedback while adjusting EQ.

Also of note for the live sound market, V3.0 will now provide four banks of enhanced User Defined Keys, not only reducing the possibility of running out of keys, but it also allows keys to be grouped by function for improved efficiency. DCA Assignment Selection for Scene Management has been added to the parameters for Recall Safe, Focus Recall, and Global Paste. Rather than only being selectable with ALL parameters during scene memory management, DCA assignment is now an independent setting. This allows more refined control, such as specifying only Channel Name, Fader, and DCA Assign to be Recall Safe, for example.

We’re very pleased to brings these additional upgrades that have been requested by our users, states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. Our loyal sound reinforcement engineers will benefit from several great tools whether they are mixing on CL or the new QL Series as well as a whole new set of amazing features for our broadcast users. In addition to the new features in V3.0, we are currently working on a number of additional refinements that will provide even greater operability and stability and will continue to deliver products and updates that contribute to the most efficient and comfortable working environment for our customers.”

CL/QL V3.0 firmware will be available as a free download from the Yamaha Commercial Audio Systems, Inc. web site, www.yamahaca.com, in early 2015.

For more information, visit Yamaha Commercial Audio Systems, Inc. at AES 2014, Los Angeles Convention Center, booth #1401 or on the web www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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