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DANLEY JERICHO HORNS FILL 2200-SEAT FIRST REDEEMER CHURCH WITH STUDIO-QUALITY SOUND

CUMMING, GEORGIA: For a long time, First Redeemer Church in Cumming, Georgia didn’t have a purpose-built sound reinforcement system for its stunning 2,200-seat sanctuary. The contemporary band that rocked the morning service, as well as the orchestra and two-hundred-plus voice choir that supported the traditional service, played through the repurposed remnants of a sound reinforcement system that had once serviced their converted warehouse where the church first started. Years of band-aids and add-ons averted disaster, but the room was so unevenly covered that a foot in either direction was often significantly different, with obvious phasing in the travel. Now, a pair of Danley Sound Labs’ most powerful point-source boxes, Danley Jericho J1-94s, deliver stunning stereo imaging with abundant low-end support from a beefy Danley BC-415 subwoofer flown in the center of the room. “First Redeemer now has the best sounding sanctuary in the world,” averred Scott Oliver, owner of Centerline Audio Visual of Hendersonville, Tennessee. “I would put it up against any other system, at any price!”

Oliver designed and installed the system, with custom rigging and fly-ware by Diekhoff Company (Nashville, Tennessee). “My philosophy is always to use as few speakers as possible,” said Oliver. “There’s less destructive interference and fewer alignment issues. Instead of using more speakers for a larger room, I prefer to use larger speakers. A lot of people think I’m nuts for designing Danley Jericho Horns into this, but the results say otherwise. The Jericho offers stunning detail and clarity. It’s very accurate – like a giant studio monitor. With two of them, the stereo imaging is vivid, and it is easy to pick out each and every instrument on stage. Even sitting in the balcony, you can hear the snares rattling and different hi-hat velocities. And even though it’s been said a billion times, it’s still true: Danley’s pattern control is unbelievable. The coverage at First Redeemer is remarkably even.”

In addition to the two Danley J1-94 loudspeakers and the BC-415 subwoofer, a pair of Danley SH-69s provide down-fill for the first few rows and a pair of Danley SH-46s provide side-fill. An existing Digidesign Venue console is still in use and feeds a pair of Danley DSLP-48 processors. Three new Danley EDA 12k and four new EDA 4.8k amplifiers power the system “We did a shoot-out with a number of high-end commercial amplifier manufacturers, and the Danleys had the most consistent measured RMS power level,” said Oliver. “Moreover, I like that they are just straightforward amplifiers – no crazy bells and whistles. The whole system embodies the same sort of simplicity – just a couple of processors, 52,000 watts, a handful of (large) loudspeakers, and one massive subwoofer!”

First Redeemer had originally considered purchasing a line array system from another super high-end loudspeaker manufacturer. “We did an entire design and brought in a system to test,” explained Jeff Baggett, First Redeemer’s audio engineer and a Nashville mastering engineer. “It sounded great, and I was skeptical that Danley would be able to touch it. Scott [Oliver] brought over a pair of the Danley Jericho Horns and powered them up. Immediately it was game over. The Danleys ate the other system for lunch. They were tremendously even and had no finger lobes at all. We even matched the EQ curve of the other system to try and make it a fair fight, but the Danleys still killed it. Now that the system is properly installed and voiced for the room, it’s even better. I love it. It’s the kind of sound that makes you want to just bring in some music and listen. The reproduction is so accurate that I could easily master an album on the system. It’s that good. And the subs are just incredible.”

“The very first song we pulled up had no EQ or processing, but already the new Danley system sounded 3,000-times better than the old system that they had been trying to perfect for sixteen years,” said Oliver. “By the time we where on song three, it sounded like a record. The mix was expansive and rich. When we went to the traditional service, Baggett was mixing sixty channels of audio, and anyone in the congregation could easily distinguish each one of those instruments. The church was also impressed by the price tag for this world-class sound system. It was about one quarter the price of the original line array that they had considered!”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

St. Paul Union Depot Reopens with Dynamic Tightrope Digital Signage Systems

Carousel solution powers interactive and static displays for passenger wayfinding, ad-driven revenue generation

ST. PAUL, MINNESOTA, March 5, 2014 – The Union Depot transportation center in downtown St. Paul once serviced more than 20,000 commuters a day, with passenger and freight railroad services for the Twin Cities and the state of Minnesota. Forty years after passenger rail service was discontinued in 1971, Union Depot has been renovated and reopened, with Tightrope Media Systems supplying all dynamic digital signage systems and interactive kiosks.

The Tightrope Carousel solution, integrated by Tierney Brothers, replaces historical, legacy signage cabinets to bring a richer informational experience for visitors and residents using the multi-modal facility’s bus, rail, taxi and bike services. It also delivers new creative and reporting capabilities for Union Depot and its partners. The complete Carousel solution offers two unique channel layouts that are the basis of 12 individual channels delivered to 28 players.

According to Tina Volpe, marketing manager for Jones, Lang, LaSalle (the company that manages Union Depot), 22 historical cabinets were updated with modern, non-interactive displays featuring the Carousel system. In addition, six interactive kiosks allow travelers to find a variety of facility information as well details about local restaurants, shopping centers, events, news, notifications and more.

“The Carousel system is incredibly easy to use and quite intuitive,” said Volpe. “It’s just as easy as using any Microsoft product, such as Word, Power Point or Publisher. For marketing purposes, we can easily upload new information to the interactive map about events, public announcements, new locations, or even important emergency information such as bad storms or delays. It’s easy and fun for visitors to explore the interactive screens and features.”

From the start of the renovation, Union Depot envisioned its signage system as a dynamic, integrated source to deliver real-time information to visitors while supporting future revenue-generating needs. The system serves multiple transit functions, displaying real-time arrival/departure information by route. Rather than require each transit partner to have a separate information system and display, Tierney Brothers integrated these into one system that captures the information from each partner. The results are centralized into a common Union Depot-branded display.

“This system integrates these various data streams seamlessly, and also gives the individual transit providers the ability to have local custom messaging like ‘weather delay’ in an override situation,” said Volpe.

In fact, the digital signage system not only acts as a wayfinder, but also as a concierge. “Because we don’t yet have all of our transit modes up and running, we don’t necessarily have enough foot traffic to qualify staffing guest services all day to assist customers,” said Volpe. “The digital signage systems serve that function for those times when we don’t staff on schedule.”

In addition to providing visitors with helpful information, the systems also help to drive additional revenue sources for Union Depot. Volpe and her team can control alternate content and run rotating ads on the static screens for example, scrolling content from local businesses or customers who rent out facility space for events.

“We are definitely looking at the signage systems for advertising purposes as well,” said Volpe. “Having them generate additional revenue is certainly another business opportunity that we hope to grow over the next year.”

About Tightrope Media Systems
Founded in 1997, Tightrope Media Systems is the pioneer of web-centric digital signage and broadcast automation systems. It provides station automation, video servers, internet video on demand, live streaming, the Carousel Digital Signage system, and ZEPLAY, a multi-channel instant replay machine for stadiums, arenas and Outside Broadcast vehicles. Tightrope’s award winning systems are used throughout the world. You can reach Tightrope Media Systems at (866) 866-4118 or visit them on the web at http://www.trms.com.

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Crestview Church Gets Creative with PreSonus

Boulder, CO – March 2014… For Greig Hess, music is an indispensible part of the worship experience. As Worship Pastor at Boulder’s Crestview Church, Hess has long been a strong advocate in creating a contemporary service that inspires through music. And as he explains, PreSonus gear has made a tremendous impact on his work.

“I originally got an AudioBox 1818VSL for our small project studio about a year now,” he says. “I began using it on some live events as well, and I was really impressed with it. So we recently got a StudioLive 24.4.2 console for the sanctuary, and it’s dramatically changed the way we create and record our music.”

Hess says the StudioLive has enabled them to radically streamline their live service production. “The processing power in the StudioLive is equal to several times the outboard gear we had before — we can have a compressor and effects on every channel if we need to. Plus we were able to remove a whole rack of gear from Front of House. And the ability to save full snapshots of everything has done amazing things for our workflow.”

As has the ability to record the entire mix, he observes. “We use Capture to record a multitrack of our live service. With a volunteer staff, it’s great because when you are training a new sound guy you can use it to show them how to run the console, how to add effects, what different things sound like. And you’re doing it in an empty room, without the pressure of a live service.”

In fact, he adds, it’s a useful thing even for a more experienced mixer. “I’m usually on stage playing, and working with a Capture session gives me a chance to get familiar with the board, so I know what to ask for when I need something. It’s also great for rehearsals — we use it to control the mix from the stage, which enables us to schedule rehearsals without having to have a sound guy present.”

Not surprisingly, those Capture sessions have seeded other creative projects as well. “We load the files into Studio One and do some additional production, add instruments and do some sweetening to the tracks,” he says. “You can do some amazing things in Studio One.”

The sanctuary is outfitted with Renkus-Heinz TRX81 and TRX62H two way loudspeakers, powered by Crest and Crown amplification. A Hear Back personal monitoring system drives the musicians’ in-ear systems. And Hess reports he’s also picked up an AudioBox USB to use when playing tracks and loops from his laptop on stage.

Meanwhile, he says, the AudioBox 1818VSL has continued to be a workhorse on its own. “We’ve been using the AudioBox 1818 VSL in our Fellowship hall. It’s enabled us to add a 16-input interface in there, with no fuss and no setup woes. Sometimes we do video projects, and the Audiobox 1818VSL makes a great portable setup we can take anywhere. And I’m already thinking about how we can use it when we do retreats. I can basically set it all up for them here, configure it all the way they will be using it, and they can take it with them and not have to worry about needing a sound guy.”

Hess concludes, “for a smaller church like ours, PreSonus gear has really given us an edge. It’s affordable, it’s easy to use, and it gives us access to the kind of technology that only the really big churches used to be able to afford.”

 

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Classic St. Louis Church Trades 12 For 1 with Iconyx

Florrisant, MO – March 2014… One of the first settlements in what would become the State of Missouri, Florrisant was founded in the 18th century by French settlers. Until the late 19th century, French was the village’s predominant language — except for a small population of German settlers in the southern part of town. Seeking a church that spoke their language, in 1866 a handful of those German families founded the Church of the Sacred Heart of Jesus.

The church’s grand old Gothic style sanctuary has been a landmark on Jefferson Street since 1893. The 600 seat hall was designed in the spirit of the great cathedrals, with soaring walls, stone floors, high arched ceilings, and ornate stained glass windows. It’s a lush, reverberant setting for choir and organ, but problematic for spoken word intelligibility.

“Although it’s not a large room, its acoustical character is very much like that of a cathedral,” explains Gary Haselhorst, President of Valley Park, MO-based Cignal Systems. “Their issues are similar to that of a cathedral, on a smaller scale — it’s a very reverberant space, and intelligibility suffers.” The church’s previous sound system, with 12 pillar-mounted cabinets, only added to the cacophony.

Cignal removed the existing speakers and replaced them with a single Iconyx digitally steered line array column from Renkus-Heinz. “We had recently used the Iconyx in the St. Louis Basilica, and when the monsignors heard how well it worked in the cathedral, they knew there was hope for theirs as well.”

A single IC24-R-II column is mounted on a front pillar, just left of the altar. “We were able to achieve very uniform coverage with just one speaker,” says Haselhorst. “We ordered the cabinet painted to match the brickwork, and the Monsignor’s sister painted some marbled accents on it. It blends in almost invisibly with the architecture.”

Haselhorst reports the system has solved the room’s intelligibility problems and more. “They run the praise band through the Iconyx as well, and it sounds great,” he says. “We took out twelve speakers and replaced them with one Iconyx. They’re very pleased.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Sochi Olympics Sound Better with Renkus-Heinz

Sochi, Russia – February 2014… The Sochi Olympics have gone to the history books, and as is always the case, the brief few days the games are held belies the immense time and effort preparing for them. In Sochi, a dozen new world-class venues have been erected for the games, and outfitted with high-performance audio, video, and lighting systems.

Avallon, Ltd of Moscow designed and installed multiple Renkus-Heinz systems in no fewer than five Olympic venues. The most prominent project was the Arena Isberg, home to the figure skating and short track competitions. As Avallon President Sergey Vashchenko explains, it was also the most challenging.

“Since music is such an important part of the performance, figure skating competitions have some of the most stringent sound requirements,” says Vashchenko. “Even after working with the building’s designers to reduce the reverb time from 7.5 to 3.2 seconds, we still knew we need to create a system with great performance and tight pattern control, to keep the reflections under control.”

The audience seating is covered by eight each Renkus-Heinz CEM61 and CEM62 high power CoEntrant mid-high modules, with eight CE-3TLO subs covering low frequency reinforcement. The systems are hung around a central Media-LCD display. Ten CT7M TRAP boxes provide music to the skaters on the ice.

“During the EASE acoustic modeling phase, we looked at a number of options, including more traditional line arrays,” says Vashchenko. “But we were not happy with the difference in sound quality between the audience and the ice. Moreover, there was some concern that a line array might block the sightlines for some of the upper-level seating. The optimal solution was to mount all the speakers on the video screen frameworks, and the Renkus-Heinz CEM and CT series speakers offered coverage patterns that suited this arrangement very well.”

Power and signal processing for the systems is covered by Dynacord DSA-series multichannel amplifiers and P64 matrix processors. Amps and DSP are located within the signage frameworks, to reduce cable runs and assure low impedance. Audio signal is fed via fiber from the Stage Tec Auratux 16-T2Z digital console. “We assembled the entire system within the framework while it was on the ground, which made things a bit easier,” says Vashchenko.

Acoustical measurements were carried out by consultant Yury Indlin of ADI in Irkutsk. Vashchenko designed the system, with installation and commissioning by Avallon’s Vladislav Azarov.

“During the competition, sound levels are limited to 85-87dB,” says Vashchenko. “But during testing we were able to achieve levels of 103dB, with even coverage across the entire facility.”

At the Arena Fischt, home of the Olympics Opening and Closing ceremonies, Avallon installed six Iconyx IC7-II mechanically steered array systems in the VIP lobby, as well as a pair of PNX-82 two-way Complex Conic loudspeakers in the Press Center. And the Training Centers for Hockey and Figure Skating are both outfitted with multiple TRX151 two-way systems.

“It was a great pleasure to work with the Renkus-Heinz system,” remarked Vladislav Azarov. “I’ve heard many good things about their patented wave guides, but this was my first experience using their products on a large-scale project, and it was awesome. I’ve had so many great comments about the sound quality, from the athletes, from the spectators, and even from the heads of the Olympic Committee.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Wilson and Gilkes Rejoins Draper as Australian Distributor

(Spiceland, Ind.) –New South Wales-based Wilson and Gilkes has rejoined Draper, Inc., as the company’s AV products distributor in Australia and New Zealand.

Wilson and Gilkes Managing Director Ian Wilson points to Draper’s significant research and development investment in viewing surface technology as one big reason for the move.

“Predictions for future market trends have convinced us that Draper will be at the forefront of screen technology in the years to come,” Wilson says. “This will place us and our customers in a very strong position. We’re all very excited about our new direction and look forward to servicing the market needs with the most suitable products the market can offer.”

(left to right) James Hunt of Wilson & Gilkes; Bob Mathes, Draper AV Video Market Manager; Dale Arnull and Managing Director Ian Wilson of Wilson and Gilkes; and Jentry Wittkamper, Export Sales Manager for Draper.


Wilson and Gilkes has had an association with Draper dating back to the 1970s, when the company supplemented its own range of projection screens with Draper products.

“We couldn’t be happier with this announcement,” according to Draper Export Sales Manager Jentry Wittkamper. “With the combined strengths of Draper and Wilson and Gilkes, we will be able to serve the Australian market better than ever, and better than anyone else.”

To learn more, visit www.draperinc.com.au or www.wilsongilkes.com.au.

About Draper
Founded in 1902 as a window shade manufacturer, Draper, Inc., is a Spiceland, Ind.-based manufacturer of projection screens and lifts and mounts for projectors and displays, providing AV related equipment for over half a century.
Draper has focused a lot of resources on product design, with innovations like the Access family of motorized screens, improved tab tensioning system and revolutionary modular portable screens.

Two and a half years ago we moved our primary focus to the surfaces themselves, and their optical performance. We built a world class testing lab, and worked with consultants and key suppliers to identify and refine ingredients to improve the optical performance of our surfaces. Since then we have introduced many new surfaces to address specific needs in the marketplace. And we developed the new standard in surface planning tools, the Draper Pro Screen Calculator.

Draper products are sold to dealers and shipped throughout the United States and to more than 100 countries. In addition to its Spiceland, Indiana headquarters, Draper, Inc. has sales offices in Placentia, CA and in Blackwood, Gwent, United Kingdom. Draper also has four wholly owned subsidiaries: Draper Group Ltd., a sales and warehouse facility in Corby, Northamptonshire, United Kingdom, and three manufacturing companies in Sweden: Draper Europe AB, a leading European projection screen manufacturer; SMS Smart Media Solutions AB, a leading European provider of video projector and flat screen mounts; and Evoko Unlimited AB, provider of the Evoko Room Manager. For more information, visit www.draperinc.com.

ALTINEX ANNOUNCES PRICE RESTRUCTURING ON TABLETOP INTERCONNECT UNITS

**** Photo: Altinex TNP128 (left) and TNP128S (right) interconnect boxes ****

Brea, CA – February 2014… Altinex, a leading manufacturer of Signal Management Solutions®, is pleased to announce a dramatic price restructuring on the entire range of tabletop connectivity solutions, including the Tilt-N-Plug, Tilt-N-Plug Jr, Pop-N-Plug, Cable-Nook, Cable-Nook Jr, Table Buddy, and Under Table series of interconnect solutions. In addition to more competitive pricing for all models—both present and future—the restructuring results in greater selection and value while preserving the ability to quickly order custom configured interconnect units. more

Washington Family Ranch Extends Campus Reach with Barix IP Paging

Outreach ministry informs guests and staff with clarity and consistency across multiple zones

ZURICH, SWITZERLAND, February 26, 2014 — The Washington Family Ranch in rural central Oregon had a problem last summer: With 400 youth guests per week, the Young Life-owned ministry camp’s expensive, network-based paging system was failing. Receivers were transmitting live pages in a staggered manner, creating unintelligible messages — along with guest confusion and complaints.

Based on the suggestion of audio engineer/integrator Alan Stricklin, Washington Family Ranch installed a multipoint Barix IP Paging system this off-season. The system is fully tested and ready for the upcoming 13-week season, and delivering punch and clarity at all playout points thanks to low latency and exceptional audio quality.

“Our previous system was billed as Hi-Fi, but it was very hard to understand the messages with the various amps and receivers responding at different times,” said Andrew Pratt, guest services manager at Washington Family Ranch. “This past year we just turned the amps off, which left us exposed on the liability side. We were limited in how to alert our guests if something were to happen.”

Enter Barix courtesy of Stricklin, who also uses Barix solutions at Minnesota Public Radio. The complete solution gives Pratt and his staff a compact, easy-to-use master paging station in the main office that connects over the network to playout points in high-traffic locations. Pages are streamed live to Barix IP audio decoders at these locations, which prepare and deliver the messages over loudspeakers.

The result is clear messages for guests and staff in four dormitories, the main activity center, campus store, snack bar, dining hall, kitchen and main reception building. Pratt notes this is especially important in the event of a dangerous weather or a security situation, given the camp’s rural location.

“The intelligibility is exceptional and all our speakers are firing at the same time,” said Pratt. “We’re confident that wherever guests are standing that they will clearly hear the announcements, instead of trying to translate the messages.”

In addition to quality, Pratt cites low cost and simplicity as major benefits of the Barix IP Paging solution.

“This operates like a set it and forget it system, and I’m excited that it requires minimal management,” said Pratt. “We believe it will be the kind of system where we train people to use it at the beginning of the summer, and that’s it. The low cost of the system makes it seem as though we will absolutely get our money’s worth.”

The complete Barix IP Paging solution installed at Washington Family Ranch includes an Annuncicom PS1 master paging station, and Barix Exstreamer 205 IP audio decoders at playout points — the latter of which include built-in amplifiers to reduce costs and infrastructure. Looking forward, Pratt expects to take advantage of Barix scalability by adding more playout points via additional Exstreamers, and exploring multicast delivery — a Barix specialty — to minimize network bandwidth.

Barix: We Move Audio (www.barix.com)
Barix supplies simple and reliable solutions and components to systems integrators and end users worldwide. We move high-quality audio across IP networks, adding value to customer solutions for more than a decade with hundreds of thousands of devices installed worldwide. Background music distribution with dynamic advertising insertion for retail shops, bars and hotels; public address solutions for schools and public spaces; and intercom and entry systems for facility surveillance, protection and security are among the many applications of Barix solutions. Barix also supports OEM projects for a number of Global 500 listed companies serving many industries worldwide.

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Barix AG, Seefeldstrasse 303, 8008 Zurich, Switzerland
Phone: +41 43 43322 11, Fax: +41 44 2742849
Barix Technology Inc, St. Paul, MN – (866) 815-0866

http://www.barix.com

http://www.ip-audio.info

Zektor Again Renews Partnership in D-Tools Manufacturer Vantage Point Program

Detailed Zektor Information Available in D-Tools System Integrator™ Product Database For Immediate Worldwide Project Specification

CONCORD, CA, USA – FEBRUARY 26, 2014 D-Tools Inc., the worldwide leader in system integration software today announced that Zektor has renewed their participation in the MVP Partnership Program. Detailed information about the entire line of Zektor products is available in the D-Tools product database for D-Tools System Integrator™ users to specify free of charge.

Founded in 2003, Zektor designs and manufactures some of the most recommended audio/video signal distribution and switching products for the global custom installation market.

“We are pleased to renew our participation in the D-Tools MVP Program, making our professional A/V switching equipment more readily available to system integrators and custom installers,” said Jeff Haynes, CEO at Zektor. “The D-Tools MVP program provides us with an exceptional platform to further extend our product reach by making it easier for integrators worldwide to specify our full line of products. As a service-centric organization serving the dynamic custom installation trade, it is critical that detailed product information be readily available whenever are wherever it’s most convenient to those who need it. D-Tools not only provides this capability, it also simplifies the design and estimation process significantly.”

The D-Tools Manufacturer Vantage Point (MVP) program provides system designers, specifiers, integrators and installers the most up-to-date and detailed product information available, in a format that can be utilized in a cross-functional capacity for maximum workflow efficiency. In fact, more than 4,500 MVP members worldwide help companies streamline the design process by making it easier for them to provide accurate, professional proposals to their clients by using the D-Tools System Integrator platform.

“Zektor’s products are well known for their quality and compatibility and their products are an ideal fit for the D-Tools Manufacturer Vantage Point program, so we are happy to have them renew their participation,” said Adam Stone, President and CEO of D-Tools. “D-Tools System Integrator users have come to rely on Zektor’s premium quality Audio Video Switching and Distribution options for their customers and we’re thrilled to make the lineup available to them for use in their system designs and proposals.”

Those interested in learning more about the D-Tools MVP program, D-Tools System Integrator, or the many benefits that can be derived from utilizing a streamlined system design, proposal and estimation software platform are encouraged to visit www.d-tools.com, Email mvp@d-tools.com, or call 1-866-386-6571 ext. 1 for more information.

About Zektor
Zektor is a designer and manufacturer of feature rich professional grade audio/video distribution products for the custom installer.  Zektor proudly designs, manufactures and supports all of their matrix products in the USA. Zektor was founded in 2003 and is a privately held company. For more information please visit their website at www.zektor.com.

About D-Tools, Inc.
D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software. The company’s flagship product, System Integrator™ (SI), is a total design solution that utilizes Autodesk® AutoCAD and Microsoft® Visio for comprehensive system design, documentation and project management. D-Tools SI allows residential and commercial integrators to streamline their business processes to increase overall revenues while reducing the time and costs associated with the installation and integration of low-voltage systems. In fact, over 4,500 leading companies use D-Tools software to reduce time, costs and to streamline the system integration process. D-Tools is a three-time recipient of the Consumer Electronics Association Mark of Excellence Award, multiple recipient of Custom Retailer/Technology Integrator Excite Award (2007, 2008, 2009, 2010, 2011, 2012, 2013), and Commercial Integrator BEST Award (2011, 2013), as well as a winner of the National Systems Contractors Association Multi-Room Audio Video Awards for Best Installation Aid, Sound and Video Contractor Innovations in Technology for Business Productivity Award, CE Pro High Impact Award for Design Software, and CE Pro BEST Award for Software Applications (2013).

More information can be obtained by calling (866) 386-6571, e-mailing info@d-tools.com, or visiting D-Tools online at www.d-tools.com. Follow D-Tools on Twitter at www.twitter.com/DTools and on Facebook at www.facebook.com/beatool.

D-Tools Press Contacts: 
Tim Bigoness, D-Tools, (925) 270-4102, timb@d-tools.com

Katye (McGregor) Bennett, KMB Communications, (425) 328-8640, katye@kmbcomm.com, www.kmbcomm.com/press

Link to Images
Zektor Products Featured in D-Tools Six Data Library as Part of MVP Program Partnership

 

 

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Delicate and Martin Audio MLA Team Up For Maroon Five

Las Vegas, NV––For the second year in a row, Delicate Productions supported Maroon Five with a Martin Audio MLA system for two celebratory New Year’s Eve shows at the Mandalay Bay Event Center.

The Event Center, a modern 12,000-seat venue, “is fortunately one of the better sounding casino rooms,” according to Jim Ebdon, FOH Engineer for Maroon Five.

“In these venues it’s all about the coverage,” Jim explains, “and what’s great about the MLA system is that it covers so well. It’s a smaller box and very versatile. We work with Delicate a lot and I trust them, so I leave it up to (President of Delicate Productions) Jason Alt and FOH Tech Makoto Araki to set up.

“They do a great job shooting the room, making the analysis and figuring out how many boxes they’re going to need and how the side hangs should be configured depending on the amount of tickets we’ve sold. Maroon Five usually sell out these shows, so the hangs tend to go right round the sides of the stage in a 270 configuration. And with MLA, we’re able to control the sound well to avoid reflections.”

The setup for these shows consisted of 11 Martin Audio MLA, one MLD (downfill) and 12 MLA Compact enclosures per side with 12 MLX subwoofers, plus 6 W8LMD and four WT2s for side fills. In addition to Alt and Araki, the Delicate crew included Craig Robinson (Monitor Tech) and Russ Cunningham (Stage Tech).

Asked how the system sounded, Ebdon said, “MLA is a very flat system, it doesn’t color the sound in any way, which is great. And I find it to be very accurate as well; the high frequencies are smooth and extremely easy to listen to. Going down the frequency range, there’s a very seamless transition into the subwoofer. With many systems, you hear the main flown PA and then the sub, it sounds like two separate sound sources. Not with MLA. It’s a real full-range sound system.

“We travel a lot and I’m lucky enough to plug into all kinds of sound systems these days. When it comes to MLA, I don’t even need to get into what kind of drivers or amps Martin Audio uses because it sounds good, and that’s all that matters.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

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