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ASHLY APPOINTS TAU AUDIO SOLUTIONS NEW DISTRIBUTOR IN BELGIUM, THE NETHERLANDS, AND LUXEMBOURG

WEBSTER, NEW YORK: Ashly Audio, one of the world’s leading designers and manufactures of high-quality, high-performance signal processor and power amplification solutions for the commercial and professional audio markets, has appointed Tau Audio Solutions as its exclusive distributor in “Benelux” (Belgium, the Netherlands, and Luxembourg). Tau Audio Solutions has been importing and supplying audio communications systems to the Benelux region for fifteen years, and with its connections and expertise, Ashly expects to enjoy the same steady growth in Benelux that it has enjoyed in the U.S. and other international markets.

“It’s our experience that Ashly’s high-performance line of audio electronic products work best when paired to high-performance loudspeakers,” said John Sexton, Ashly Audio’s vice president of sales. “Tau’s combination of SoundTube loudspeakers and Ashly amplifiers and DSP is a perfect match. Tau will have the ability to present turnkey audio system solutions to its Benelux dealers. We look forward to working with Ron Vossen and the Tau sales team to grow Ashly’s business in the Benelux region.”

“Ashly has been on our most wanted list for many years,” added Vossen. “It’s a company that is known for its high standards and quality products. Ashly is a perfect fit for our portfolio, and the appointment is a very nice gift for our fifteenth birthday.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

WITHOUT ADDING A SINGLE NEW RIGGING POINT, DANLEY SPEAKERS DRAMATICALLY IMPROVE COVERAGE AT XAVIER UNIVERSITY’S CINTAS CENTER

CINCINNATI, OHIO: The Musketeers men’s basketball team is the standout athletic program at Xavier University in Cincinnati, Ohio. Over the last dozen years, the team has made an appearance in an NCAA tournament in all but one, and Forbes places it among the nation’s top twenty most valuable college basketball programs. The Musketeers play at the 10,500-seat Cintas Center at Xavier University, which was built in 2000. Xavier University recently asked consultant Anthony James Partners and local integrator ICB Audio & Video to update the sound system with increased coverage of seating areas that were poorly covered by the original system. In part because no additional rigging points could be added, the solution centered on lightweight Danley loudspeakers and subwoofers with excellent pattern control and exceptional sound quality.

“The Cintas Center is a large venue, and Xavier University does a good job keeping up with it’s A/V system,” said John Keller, who configured the system and the rigging with ICB Audio & Video. “They wanted the new system to improve upon the old system’s coverage, which had quite a few holes – most notably in the first few rows on the floor. The big trick was that we couldn’t add any rigging points nor add significant weight to the rigging points that existed.

“Of course,” he continued, “the reason you get holes in coverage is because the speaker is delivering the wrong pattern at the wrong location, but the direct and obvious solution of adding new locations wasn’t on the table. Nevertheless, the coverage, efficiency, and relatively lightweight design of Danley loudspeakers allowed us to meet the facility’s goals within those stringent constraints.” An interesting side note, when Danley demo’d its products for the Xavier officials, they responded to its noticeably superior fidelity with a chant that exceeded the most indulgent fantasy of the most optimistic contractor. “They literally chanted, ‘Cut the check!’ and ‘Give the man the P.O.!’ to the head of purchasing,” recalled Mike Hedden, Danley president. Anticipating a chuckle of incredulity, he added, “They really did do that!”

The new Danley system replaced the old system, cluster for cluster. Ten clusters use a pair of Danley SH-96 full-range loudspeakers stacked in opposite orientations to provide complete coverage of the upper and lower bowls. Two additional clusters use an SH-96 with two Danley SH-64s to provide expanded coverage at either end of the bowl. A total of six Danley TH-115 subwoofers hang independently in two rows along the arena’s long axis. Each cluster is dead hung from a single point because a pick point wasn’t possible; the catwalks and other ceiling hardware couldn’t safely support it.

Keller was able to reuse the wiring infrastructure, and ICB replaced the distributed audio system for all of the facilities outside of the bowl with a BiAmp system networked via CobraNet the previous year. A 32-channel Yamaha LS9 console serves as a new front end, with CobraNet output feeding a new QSC Basis DSP system. The two DSP systems share audio via CobraNet. A rack of QSC CX- and PL-series amplifiers power the Danley loudspeaker and subwoofers.

“The coverage and sound of the new system are dramatically better than they were in the old system,” said Keller. “There are no dead spots, and the cabinets work together nicely in the clusters. How that happens exactly is Danley’s magic secret. In the areas that were covered previously, the coverage is now more even. The client is very pleased, and I’m impressed that we were able to swap out all the speakers within a two-week window in order not to conflict with their basketball schedule or corporate sponsors. Using the same rigging points was really the only option to get the job done.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Clearwing Productions to Host Yamaha CL Digital Audio Console Event

Clearwing Productions will host an orientation and training session on the new Yamaha CL Digital Audio Console, on Tuesday, February 12 between 1:00 – 8:00 pm at their Milwaukee, Wisconsin location. The open house will also feature demonstrations by Yamaha Commercial Audio Systems representative, Mike Eiseman, between 1:00 – 4:00 pm.

Clearwing Productions is located at 11101 W. Mitchell Street, Milwaukee.

Refreshments will be served.

RSVP with Kerry Miller at kmiller@clearwing.com or call 414.258.6333.

For more information visit http://us5.campaign-archive2.com/?u=569f3c53263ba5c7c09883735&id=6de6032bee.

For more information on the Yamaha CL, visit www.yamahaca.com.

-END-

Christian Artist FOH Engineer Relies on new Yamaha CL5 Digital Console

BUENA PARK, Calif.–Known for front of house mixing dozens of Christian artists, front of house engineer, Harold Rubens, has found much success using the new Yamaha CL5 Digital Audio Console on several tours in 2012 and early 2013. “CTS Audio (Franklin, Tenn.) has been my preferred audio provider,” states Rubens “They provide us with racks and stacks and any additional audio support we need. For the shows I’m doing now the CL I’m using is owned by musician, Brandon Heath, who purchased the console through CTS for his “Blue Mountain” Tour.” Once I mixed on the CL5 for Brandon’s national tour, I liked it so much that I turned right around and took the same console out to mix the Andrew Peterson “Behold The Lamb of God” Christmas tour.”

“The networking capabilities of the CL Series using Dante makes everything easier,” Rubens said. “On the “Blue Mountain” Tour, it was easy to just plug in a computer and instantly record and playback all 64 tracks for both virtual sound check and recording. On Andrew Peterson’s tour, we were touring with one CL5, but with two sold-out shows at the Ryman, we added a second CL5 to accommodate additional instruments and guest performers. The console’s networking made it really easy to add the second CL5 and also be able to sound check everything using the playback from the previous show.”

“I think that the CL5 sounds incredible,” adds Rubens. “It has exceeded any expectation I had for the console. I’ve used Yamaha digital consoles extensively at one point or another on tours and/or installs, and I was anxious to see how the CL5 was going to perform. I knew about the long list of new features, but I still wondered how it was going to sound. Needless to say, I was very impressed which is why I recommended that Brandon buy one along with two Rio3224-D boxes to use as part of his own touring system.”

Andrew Peterson’s “Behold The Lamb Of God” show has been touring for 13 years. Each year, the tour makes a stop at the historic Ryman Auditorium in Nashville which production support from CTS. “The show is a complicated concert to mix,” says Rubens. “There is a seven-piece string section, drums, percussion, bass, lap steel, dobro, mandolin, ukele, electric guitars, acoustic guitars, piano, hammer dulcimer, lap dulcimer, accordion, along with six vocalists who take lead on different songs.” The concert featured special appearances by Steven Curtis Chapman, Stuart Duncan, Jeff Taylor, Buddy Green, Sierra Hull and members of Union Station (Allison Krause’s band).”

“When Harold came into the Ryman with Andrew’s annual Christmas show, it was the first time anyone had brought in a Yamaha CL5,” notes Les Banks, Ryman Auditorium Tech Supervisor. “I had previously attended a demo but had not yet seen one in action. As soon as Harold powered up the CL5 and played the previous evening’s show (using Virtual Soundcheck), I instantly commented on how clear the console sounded. The top end was clear and the bottom was tight…no smoke and mirrors here; great mic pre’s and plug-ins. As the Ryman’s audio supervisor, I am in the unique position to audition every type of console on the planet through the same PA, and this console rocks! For its price and size, the CL is jammed-packed with performance and features. It gets all A’s on my report card!”

Rubens said that while out with Heath, things were sounding so good that opener, Matt Maher, decided to release a live project using the tracks acquired during the tour from the Nuendo Live function of the Yamaha CL. “Yamaha digital consoles all have different feature sets that are not always available on other Yamaha consoles; i.e. the USB recorder on the LS9, the touch screen on the M7CL, and the direct to matrix send on inputs on M7s and 5Ds.The CL is a culmination of all those features plus a whole lot more, and to top it all, it sounds really, really good. This is an amazing package at an incredible price point.”

For more information on Harold Rubens, email hrubensaudio@gmail.com.

For more information on the Ryman Auditorium, visit www.ryman.com.

For more information on CTS Audio, visit www.ctsaudio.com.

For more information on the Yamaha CL Digital Console Series, visit www.yamahaca.com.

-END-

Photo ID: Rubens at Yamaha CL5 during Andrew Peterson’s “Behold The Lamb of God” Tour at the Ryman Auditorium in Nashville.

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Bauder Audio Provides Support for Record-Breaking Camp Out for Hunger Benefit

BUENA PARK, Calif.—Bauder Audio Systems, Inc. (Philadelphia) and Indre Recording and Production (Havertown, PA) provided support, once again, for WMMR Radio’s Preston & Steve Show 2012 Camp Out for Hunger benefit. A complex, around-the-clock, five-day, live remote broadcast involving VIP guests, bands, outdoor stunts, and two dozen tractor trailers gathering food from thousands of generous people, The benefit collected a record-breaking 627,678 pounds of food and over $100K in monetary donations. Featured guests hailed from the worlds of sports, music, TV, and politics.

The event takes place in a large tent installed in the parking lot of the Metroplex Shopping Center in Plymouth Meeting. Bauder provided a new Yamaha CL5 digital console for use at FOH and for bands monitor mixes along with a Yamaha M7CL digital console with a Dugan-MY16 card for broadcast. The tent PA consisted of all NEXO loudspeakers powered by NXAMP 4×4’s and 4×1’s. PS15 R2s and RS18s were used for the main PA while PS10 R2s and PS8s were used for fold back and fills. The live bands were mixed down by Indre Recording’s broadcast truck outfitted with a Yamaha DM2000 and fed back to the M7CL.

“Whenever I’m working on a NEXO PA, I tend to simply pop the presets and go, as opposed to executing the normal laborious tuning process that other “out of the box” systems require,” states Chris “Sully” Sullivan, FOH Engineer. “It’s refreshing, and certainly saves money on labor calls.” Sully also used the new Yamaha CL5 digital console and said, “Even with no formal training on the CL5, within minutes I found my hands intuitively finding all of the knobs my brain was asking for….”

12 channels of stereo play back can be used for any given live band performance, helicopter landing, or other stunt taking place during a remote Preston and Steve Show. The core of the broadcast consists of five people talking about any number of topics on the radio. “In addition to the five primary mics, I can have anywhere from two hardwired guest mics to 10 wireless mics up and all running at one time,” states Rodney Byrd, Assistant Chief Engineer, Greater Philadelphia Radio Group. “With the introduction of the Dugan card for the Yamaha M7CL console, it has changed the dynamics of how I mix the show so much that it is now on my equipment rider. The sound quality that we experienced during the week of Camp Out for Hunger sounded like we were back in our own studio. I was able to walk out front and hear the PA without having to worry about whether all of the mics were up. It is like having an A1 that you don’t have to talk to; and it just works right out of the box.”

Indre Recording and Production of Philadelphia recently installed a Yamaha DM2000 digital console in their flagship remote truck. The remote recording package now offers 96 channels of audio from the stage via fiber optic snakes and MADI integration. “The DM2000 is doing double duty, serving as the main mixing console as well as a full Pro Tools control surface for the truck’s HDIII recorder,” states Michael Comstock, Owner and Head Engineer, Indre Recording.

For more information on Indre Recording and Production, visit www.indre.com.

For more information on the Camp Out for Hunger Benefit, visit
http://www.wmmr.com/events/campout-for-hunger/.

For more information on Bauder Audio Systems, visit www.bauderaudio.com.

For more information on Yamaha and NEXO products, visit www.yamahaca.com.

-END-

PHOTO #1 ID: L to R: “Sully”, Michael Comstock, Radio Hosts Steve and Preston, Rodney Byrd at the Yamaha M7CL-48 Digital Audio Console

PHOTO #2 ID: Indre Recording Remote Broadcast Truck that houses a Yamaha DM2000.

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Verrex Appoints Freifeld as New Enterprise Account Executive

AV systems integrator Verrex welcomes Perry Freifeld to its Sales group. Perry, who joins with broad expertise relevant to Enterprise needs, is based at the company’s corporate headquarters.

MOUNTAINSIDE, NEW JERSEY USA / 16 January 2013 / — Verrex, a global design-build integrator and managed services provider of conferencing, collaboration and presentation technologies, today announced that Perry Freifeld has joined as Account Executive for the metropolitan New York, New Jersey and Philadelphia areas. Mr. Freifeld will deliver Verrex’s full range of AV systems solutions to the corporate market as well as manage and develop several of Verrex’s largest clients and projects. He reports directly to Verrex Vice President of Sales, Bill Chamberlin.

“The crux of what Verrex offers are solutions that empower our clients,” said Mr. Chamberlin. “We never forget that it’s not just about the technology – it’s about the people and how that technology can improve, strengthen and help propel their entire organization. Perry understands this fully, which is reflected in how widely our clients respect and enjoy working with him. Taken with his AV technical expertise and workplace insights, Perry will no doubt bring considerable value to our enterprise team.”

Mr. Freifeld has focused his career on delivering complex audiovisual solutions to the corporate market. Most recently Perry was Account Executive of Haverford Systems in Downingtown PA where he was responsible for managing and growing the Philadelphia territory. As lead salesperson, he managed large corporate clients such as Hershey and other Fortune 500s. Perry earned his Bachelor of Arts with Honors in Business Management, along with a minor in Italian, from Moravian College in Bethlehem, PA. He also holds the LEED Green Associate certification, demonstrating his understanding and support of environmentally conscious building design, construction and operations.

“Innovation is an increasingly important mandate for organizations today,” added Mr. Freifeld. “Coupled with Verrex’s compelling value proposition, I have the opportunity to help a significant number of organizations to recognize the full potential of conferencing and collaboration technologies. I look forward to further developing our relationship with clients across the globe and bringing Verrex’s exceptional performance and capabilities to new ones.”

Mr. Freifeld is based out of Verrex’s Corporate & Global headquarters in Mountainside, New Jersey and can be reached at pfreifeld@verrex.com.

About Verrex
Founded in 1947, Verrex designs, integrates, services and supports conferencing and collaboration systems globally that allow companies to communicate and collaborate through video conferencing and other audio visual technologies. Verrex’s approach is driven by a proprietary quality-management process and focus on documentation to deliver consistency and best-in-class standards across an entire enterprise. Led by full-service offices in key corporate hubs, Verrex has built an allied network across 40 countries to share its vision of exceptional integration and support services worldwide. For information, visit verrex.com.

Verrex, the Verrex Logo and GMS are registered trademarks of Verrex Corporation and/or its affiliates in the U.S. and other countries.
# # #

Media Contact:
Theresa Hahn, Director of Marketing & Business Development
Verrex
Phone: +1 908 664 8391
Email: thahn@verrex.com

Hometown Church for Lincoln Brewster Replaces Existing Point ‘N Shoot System with NEXO GEO S12 Line Array

BUENA PARK, Calif.—The Bayside Church in Roseville, California, known to many as the home to house of worship leader and influential musician, Lincoln Brewster, recently upgraded its speaker system for their 2,300-seat main campus location with a NEXO GEO S12 line array, RS18′s, and NXAmps. Bayside Church has a total of four locations, and over 12,000 members of the congregation attend worship services on any given weekend. Bayside Church and Brewster, who frequently leads worship at the church when not on tour, have considerable influence on the Christian scene. “Lincoln was very much involved in our decision to replace our existing d&b system with the NEXO system,” states Lee Fields, Senior Audio Director for all audio systems and audio staff across the campuses. “It was really a joint effort; Lincoln trusts me, but at the same time, I don’t underestimate his talents either. He is an incredible audio engineer in his own right. After all, he has mixed most of his own records.” The NEXO system was purchased through Special Event Services (SES), Sacramento.

Fields said that the core of the change in line array systems was that the church seating had changed drastically. “The d&b system was a point and shoot system that mainly covered the floor (about 900 seats), and large delay boxes covered the remaining 1,000ish seats in the bleacher sections. The new seating arrangement is still 900 on the floor and another 1,400 or so in new stadium-style seats, adding in another 500 new seating locations. With the previous system, over half of the seating area would have been in coverage by delay speakers—not ideal with the worship experience we are trying to create. The NEXO line array has allowed us to cover the room much better from a single source, and every seat sounds amazing and surprisingly similar to the next.” On a typical weekend, Bayside’s worship band consists of 6-7 contemporary worship musicians.

The second reason for the change out the system was a bit more philosophical Fields notes. “Lincoln and I both have been to hundreds of churches and have seen a variety of PA systems: PAs that rival stadium touring rigs, PAs way too small for big rooms, PAs way too big for small rooms, PAs that sound great and are just right for a church, and PAs that cost way too much money for a church to be spending money on. With all that said, we finally found a product that far exceeds our needs sonically and that is also a perfect representation of being a good steward when it comes to our church’s money. This is the biggest win for us on a personal level, knowing that we didn’t have to spend zillions of dollars on a system. We are astonished by the performance of the GEO S12 rig/ It feels great knowing our church can go about the duty of assisting people with the money we saved by choosing the product we did, and we didn’t sacrifice anything, rather, we gained everything.”

Fields has been a touring engineer for close to ten years and says he’s literally seen all of the various line arrays available. “I kept running across the GEO S12 at medium size festivals, at conferences, and other events. Every time I got my hands on them, I loved them! A huge bonus is how supportive the team at Yamaha Commercial Audio Systems has been. Jake Cody, the House of Worship Manager, has been an invaluable resource to me, Lincoln, and to our church. The heart of the Company, and Jake, is to help churches in anyway they can. The same can be said for Greg Slape from SES. They believe that NEXO being an elite brand can provide churches what they require in a line array, but at an affordable price point. The quality of the service from Yamaha and SES is unmatched in this industry, and I don’t think anyone would disagree.”

“We chose the NEXO Geo S12 because it was the best sounding box we tried,” adds Brewster. “It also happened to be the least expensive, and in my opinion, is the best value in line-array systems today.” The three other Bayside Church locations are using NEXO systems with NX Amps and Yamaha LS9 Digital Consoles. In total, there are over ten Yamaha digital consoles across all Bayside Church venues. On this year’s Christmas tour, Lincoln Brewster took along a pair of the new Yamaha CL5 Digital Consoles as well as a NEXO GEO S12 system, which Fields said, had big advantages so rehearsals could be accomplished at their own church with the exact PA used for the tour.

For more information on Bayside Church, visit www.baysideonline.com.

For more information on Yamaha and NEXO products, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

The Super Powers of DiGiCo’s SD7T Propel Batman Live Production

A superhero and cultural icon operating out of the fictional American Gotham City, Batman is assisted by various characters including his crime-fighting partner, Robin in his continuous war on crime. Armed with a keen intellect, detective skills, technology and physical prowess coupled with an indomitable will to fight an assortment of villains from Catwoman to the Riddler, Batman is proof you don’t need superpowers to be a superhero. Adopted for the stage, Batman LIVE is a spectacular live action adventure filled with stunts, acrobatic acts and illusions. The show’s North American circuit started in the fall of 2012, following a popular and acclaimed arena tour throughout the United Kingdom, Europe, and Latin America.

A DiGiCo SD7T at FOH was chosen by the show’s sound designer Simon Baker in conjunction with Clair Global, with a D5 local rack and DiGiCo stage racks connected via 500-feet of fiber optic cable. Two Apple Mac Pro’s with internal RME MADI cards run as hot, swappable redundant show playback machines, running QLab theatre control software enabling 48 channels of playback and flexible MIDI and Timecode programming.

The FOH system handles around 140 inputs overall: 24 channels of Sennheiser RF receivers, 2 x 48 channels of MADI playback, and 16 channels of external effects, as well as 22 zoned outputs to the FOH PA comprised of eight hangs of Clair Global i3 loudspeakers (56 boxes), 12 zones of Clair FF-2 boxes for front-fills built into the stage (26 boxes), two end-fire sub-arrays of Clair BT 218′s (12 boxes) and another 30 outputs for onstage and backstage monitoring in-ear monitors and press feeds. All effects are obtained within the console with the exception of an external Mac Mini running Apple’s MainStage 2 with a RME fireface interface for all vocal effects, and a TLA Audio valve compressor sitting across the vocal subgroups. [Pictured at right: Clair systems engineer Tim Peeling, FOH engineer James Meadwell, PA's Dane Barber and Kevin Leas.]

“The QLab machines send and receive MIDI signals back to the SD7 with pre-recorded Timecode to trigger all video cues, and some of the automation sequences,” says Clair systems engineer Tim Peeling. “We also pass MIDI triggers through the console exiting the stage rack to fire a hundred or so lighting cues. The comprehensive programming options available on the SD7T for this very snapshot-hungry theatre show are extensive. The powerful matrix, including the ability to delay matrix inputs, allows me to time-align the live mics separately to the track and sound FXs within the console. Sonically, the console is great as well, but where the SD7 really wins in this situation is the flexibility of the snapshot programming.”

“The SD7 is being used in a ‘control via MIDI’ mode with each of the snapshots assigned a MIDI value,” adds FOH engineer James Meadwell, who brings extensive experience mixing shows on London’s West End theatre district. “We then configured the desk’s NEXT and PREV buttons via the SD7 Macro page to send out MIDI commands to control the QLab’s Next and Previous functions. This created a loop with the desk triggering QLab, which in turn sent a trigger back to the SD7 recalling the snapshot needed. The music for the show has all been pre-recorded and we were able to get the SD7 snapshots to be recalled at exact musical points within the show. We programmed the QLab so the SD7 ‘reacted’ to the show’s sound cues, which makes mixing the show a very intuitive and enjoyable experience!

“We also used the SD7′s macro buttons extensively,” Meadwell continues. “We created a full set of transport controls for QLab, which meant that we could control both our main and backup machines simultaneously from the surface of the SD7. This was invaluable as it effectively did away with two computer keyboards and helped when cueing up to start from different points within the show. We assigned a whole page of macro buttons to trigger spot sound effects within the show. These were for moments that varied and therefore couldn’t be programmed into a set cue list structure. We assigned a MIDI note value to each macro button, which in turn, triggered a separate cue list of sound effects within QLab. An example of this in the show is where the Scarecrow walks around the stage on giant stilts. We follow his walk playing a sound effect with every step. Every performance is different, which gives the actor the freedom to do whatever he likes. Having the macro button as a sound effect button gives me total flexibility without having to jump around the show’s main cue list. We use the Alias feature heavily as a lot of the characters double up on inputs, so the ability to switch EQ settings between snapshots was great! Overall, I’d say the SD7T is by far the best digital desk for theatre I have ever used.”

GRUNDORF INTRODUCES NEWS ABS SERIES AMP RACKS

**** Photo: Grundorf ABS Series amp racks ****

Council Bluffs, IA – WNAMM Booth 6337, Hall A… Grundorf Corporation, a leading manufacturer of equipment for musicians and audio professionals, is pleased to introduce the new Grundorf ABS Series professional amp racks. Designed to house everything from amps, processors, patchbays, and more, these versatile, lightweight, rugged transport cases provide robust protection for one’s valuable electronics and are ideal for musicians and DJ’s and also make an outstanding choice for house of worship, corporate AV centers, and educational applications. more

SANECORE AND CUK AUDIO NAMED SYMETRIX DISTRIBUTORS OF THE YEAR

SEATTLE, WASHINGTON: Symetrix announces Sanecore and CUK Audio as Distributors of the Year. Sanecore, who distributes Symetrix in China and Hong Kong, has won the award for the Asia-Pacific region. In the Europe/Middle East/Africa region the award is presented to CUK Audio, Symetrix’ distributor serving the United Kingdom.

“Since coming on board in 2005, Sanecore has become a perennial all-star distributor for Symetrix,” said Mark Ullrich, international sales manager with Symetrix. “This is evidenced by the staff’s unwavering commitment to the brand, the incredible sales growth they have achieved in China, Hong Kong and Macau, their high level of technical expertise, and the overall ease and pleasure of doing business with them. We’re lucky to have such a strong partnership with the professionals at Sanecore and very much respect their continued commitment to the brand.”

About CUK Audio, Ullrich commented, “As a relatively new distributor, CUK quickly established itself as a tour de force for Symetrix in the UK. It is a next-generation distributor, and with a highly capable sales and technical support team CUK goes beyond the usual distribution model by adding value to each job and staying closely connected to customers and installations. With the recent release of Symetrix’ new teleconferencing and Dante-equipped Edge and Radius DSPs, CUK is exceptionally poised for continued growth and success with Symetrix products.”

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

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