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SYMETRIX EDGE PROCESSORS DELIVER SOPHISTICATED AUDIO SYSTEM IN GARDNER-WEBB UNIVERSITY’S STUDENT CENTER

BOWLING SPRINGS, NORTH CAROLINA – NOVEMBER 2012: Gardner-Webb University, a private institution serving 4,300 students in North Carolina, recently completed a $30 million construction project at the heart of the campus. University President Dr. Frank Bonner described the new Tucker Student Center as “the single-most impressive and most transformational building ever built on Gardner-Webb’s campus.” The building’s high-fidelity sound reinforcement system is consonant with that description. Its event space is equipped with a 7.2 surround sound system that is perfect for movie screenings and rider-ready for high-profile bands. Local A/V firm A Sound Experience designed and installed the system around a pair of Symetrix SymNet Edge processors networked together and with a Yamaha CL5 console via the new Dante protocol.

The heart of the audio system resides in the event space, which is a complex of divisible and combinable rooms that will host movie screenings, performing arts events, concerts, and meetings. However, its tendrils extend throughout the student center to provide high-quality background music in the building’s restaurants, store, recreation area, and common areas. “The new system at the Tucker Student Center is tremendously powerful and flexible, and just a few years ago a comparable system would have cost two or three times as much,” said Preston Hinson, systems engineer at A Sound Experience. “The SymNet Edge possesses a tremendous amount of processing power, and the use of the Dante network reduced the labor costs substantially while simultaneously improving system performance.”

Inputs to the system include six wireless microphones, Dante ports located in each of the divisible rooms, output from a 7.2 surround sound processor, several media inputs, and stage boxes. The SymNet Edge frame possesses a modular I/O topology, and one frame, dubbed “Dante In,” is fully loaded with sixteen analog inputs. Its considerable processing power is devoted to conditioning each input, which is then available anywhere in the system via the Dante network. “I’ve worked with virtually all of the older digital audio distribution protocols, and they were always tedious and somewhat problematic, said Hinson. “ In contrast, I simply plugged in Dante and it worked. The simplicity and robustness of it blew my mind. The Yamaha CL5 integrated seamlessly. This was the first job I have completed in which all of the patching is done via Cat5.”

The second SymNet Edge frame is dubbed “Signal Management” and handles all of the routing, combining, and output conditioning for the system. “Symetrix’ new SymNet Composer design software proved to be very intuitive,” said Hinson. “It was all drag-and-drop.” The second Edge’s modular I/O slots are outfitted with sixteen outputs for distribution to several loudspeakers and zones. The heart of the system is in the surround-sound room, where the Yamaha CL5 resides. Its loudspeaker complement is comprised of iSP HDL 3112 line array cabinets, iSP HDM 210 fills, and iSP dual twelve-inch horn-loaded subwoofers. Other rooms in the complex that combine also use the iSP HDM 210s. Elsewhere in the building, output from the SymNet Edge feed an iSP HDDS system, which distributes audio to iSP ceiling speakers via Cat5 cabling.

For expert users, the Yamaha CL5 provides the main point of control for the system. Keys allow different users to access different levels of control, ranging from full concert mixing access to modest volume changes for meetings. Students and staff access the video playback system from the surround sound processor, which has the look and feel of a consumer-grade stereo component. Elsewhere in the building, iSP wall plates allow users to plug in any line level source with an eighth-inch jack. However, when Hinson and the school’s A/V staff realized the potential of Symetrix’ ARC-WEB technology, they plan on using it in conjunction with ARC-WEB.

“ARC-WEB allows us to give staff and students customized control of the audio system – and anything with RS-232 control, such as the video playback system – via any smartphone or Internet-connected device,” said Hinson. “They are very excited about that. In addition to providing control of the video system, we may move all audio input sources to a common location and then let an ARC-WEB interface provide input selection and volume control.”

ABOUT SYMETRIX Sound professionals rely upon the performance, value and reliability of audio mixing, routing and processing products from Symetrix. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

DANLEY SPEAKERS DELIVER 7.1 A/V FOR FLORIDA STATE SENATE CHAMBER

TALLAHASSEE FLORIDA – NOVEMBER 2012: The Florida Senate Chamber is a large, circular room, with desks for the forty senators and lecterns for the Senate President, the Senate Secretary, and invited speakers on the main floor. Visitor galleries surround the chamber. Tallahassee-based A/V integration firm and instrument retailer Music Masters recently renovated the chamber’s thirty-plus year old sound reinforcement system. A new 7.1 surround sound system comprised of Danley Sound Labs loudspeakers and subwoofers rings the floor from above and delivers natural and highly-intelligible sound reinforcement for A/V playback, live performances, and senate business.

Music Masters renovated the Florida House of Representatives Chamber last year, replacing everything except the loudspeakers, which were of a newer vintage. “We installed a 144×16 Media Matrix DSP and tuned everything up so that the system sounds great,” explained Les Stephenson, owner of Music Masters. “However, the Senate’s system needed a complete overhaul.”

“In the Senate, you have forty important people discussing vitally important business,” said Stephenson. “Intelligibility and pattern control were therefore key, and that immediately led me to consider Danley Sound Labs. The center speaker would sit up above the President of the Senate’s desk, but twenty-six feet was the very lowest it could be mounted. Danley’s excellent pattern control could fire from that height and cover the floor without energizing the glass and rotunda above. Moreover, Danley’s transparent sound would naturally allow the Senate to have intelligible conversations. I wouldn’t have to fight with the processing for a week to make it sound good.”

Music Masters mounted a Danley SH-46 sideways for the center channel, which delivers a 60-degree horizontal by 40-degree vertical pattern. A pair of Danley SM-60s provides left and right channel coverage. Four Danley SM-100s serve as side and rear channels. A Danley TH-118 subwoofer fills out the low end from inside the projection room. Stephenson ordered all but the SM-100s with self-power, and the fact that none of the units require bi- or tri-amplification added an element of simplicity to a system that was otherwise not very simple. Therefore, each speaker is a fully independent sound system unto itself, allowing very complex sound field imaging.

Music Masters installed a new Shure Beta 87 microphone at each of the senators’ desks, Shure MX418 on the podiums, and AKG CK47s on the President’s rostrum. Those microphones, together with new A/V inputs (suitable for musical accompaniment!), feed a 56-input/Peavey Media Matrix NION processing system. At some point in the 1990s, each desk was wired for its own DSP channel, and Stephenson recognized how valuable that would be in a fully time-aligned system. Thus, the DSP contains 64 outputs, enough for every individual desk, where new five-inch OAP loudspeakers reside, as well as for the Danley 7.1 system. Biamp amplifiers power all of the small loudspeakers and QSC powers the Danley SM-100s.

Stephenson used the power of the Media Matrix NION system, together with the fact that the Senate conducts business in an orderly fashion, to time-align all of the system’s many loudspeakers. “When a senator is recognized,” he explained, “he or she is given the opportunity to speak. When that mic is switched on, the Media Matrix automatically calculates appropriate delays at every loudspeaker, like ripples from a pebble dropped in calm water. Even the output from the Danley loudspeakers shifts so that listeners spatially locate the origin of the person speaking to his or her actual location in the chamber. It makes a tremendous difference in the transparency and impact of the system.”

Everyone who has heard the system agrees, “It’s an excellent sounding system,” Stephenson concluded. “Which will enhance the Florida Senate Chambers for many years to come. It is a system befitting so august a body.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

MASTRO’S PENTHOUSE FAVORS ASHLY

BEVERLY HILLS, CALIFORNIA: Mastro’s stands among the nation’s premier steak and seafood houses, and its Beverly Hills location is one of its most celebrated. In fact, business was so brisk that the management decided to expand upward, literally. After renovating the third floor of its North Canon Drive location, Mastro’s Penthouse recently opened to offer drinks, sushi, and deck lounge dining. In addition, a private dining room with its own private balcony is sure to be well used by the restaurant’s upscale clientele. Mastro’s hired Clean Media – the same A/V integration company that helped create the ambiance in the first two floors – to design and install a video and audio system that would be consistent with Mastro’s exclusive aesthetic. Clean Media obliged, relying on Ashly Audio amplifiers with integrated Protea(tm) DSP to guarantee reliable performance with audio that is grilled – or rather, tuned – to perfection.

Clean Media is based in Scottsdale, Arizona and enthusiastically endorsed by well-known All-Pro football player, Minnesota Vikings defensive end Jared Allen. He loved the home theater that Clean Media built for him so much that he’s been helping to promote the company ever since. Not that Clean Media is really hurting for business; it is the go-to company for many of the country’s high-end chains, including Eddie V’s Restaurants (owned by Darden Restaurants), Oreganos Pizza Bistro, Twin Peaks Restaurant, and, of course, Mastro’s Restaurants.

“A little over a year ago, Ashly Audio sent some engineers to give our company a presentation,” recalled Dylan Vicha, the owner of Clean Media. “We shared all of the problems and issues that we had run into with other manufacturers, and they clearly articulated how an Ashly-based system would circumvent them. We tried out Ashly at the Red Revolver Lounge in Scottsdale, a club that I also co-own, and everyone agreed that Ashly delivered tremendous processing power, great user control integration, reliability, and ready technical support – and all at a very fair price point. Having now used Ashly for almost every project initiated in the last year, we’re confident that Ashly gear will meet and exceed our clients’ needs and will uphold the reputation that we have earned for building easy-to-use, great-sounding, and bullet-proof A/V systems.”

Inputs to the new system include a PC, Blu-ray, two channels of DirecTV, a DJ/band jack, a live music feed from the second floor, an MP3 input from the second floor, and DirecTV from the second floor. A Crestron audio matrix switcher selects and routes the inputs appropriately, with a Crestron HDMI video matrix switcher doing the same for the associated video inputs. A Crestron Series 3 control processor with wall-mounted touchscreens and an iPad interface give the Penthouse staff intuitive control over relevant system parameters. One eight-channel Ashly ne8250.70pe and one four-channel Ashly ne4250.70pe, both with built-in Protea DSP matrix mixer & processor, handle signal amplification and signal processing duties simultaneously. JBL in-ceiling loudspeakers cover five output zones: the bar, the restrooms, the dining area, the hallway, and the private dining area. Atlas weather-resistant loudspeakers cover the patios.

“The Ashly amplification and processing has been extremely reliable in all our commercial 70-volt applications, and the clients always comment on how easy our systems are to use,” said John White, project manager with Clean Media. “We have used Ashly both as a standalone audio control system and as an amplifier/processor integrated with Crestron & RTI control systems. The Protea DSP control is easy to set up, and we’re always able to dial in great sound in each zone, no matter what the acoustic obstacles are. We will be using Ashly Audio products in all our future projects.” In the coming months, completed Ashly projects will include Federal Pizza (Owners of the Postino Wine Café chain), Hopdoddy Burger Bar (former owners of Eddie V’s Restaurants), and the additional Oreganos, Eddie V’s, and Twin Peaks locations.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ASHLY NE8250.PE AMPLIFIER SAVES THE DAY AT CHURCH OF THE SAVIOR

LEXINGTON, KENTUCKY: Church of the Savior is a growing mid-size church nestled amid the bluegrass of Lexington, Kentucky. In order to support increased programming, the church raised funds to build an annex comprised of three high-tech classrooms anchored by an equally-high-tech foyer area. Kentucky-based Pro Sound & Lights designed a forward-thinking A/V system for the new space, but requests from the church’s knowledgeable liaison threw a wrench into the plans at the eleventh hour. Additional processing and amplifier channels would be needed, and Pro Sound & Lights’ systems engineer Chris Naughton accommodated the requested additions without going over budget by calling on an eight-channel Ashly ne8250.pe amplifier with optional onboard Protea(tm) DSP processing.

“All three rooms can be combined into one larger room, with all of the technology routed appropriately,” explained Naughton. “It’s functionally similar to a small conference center. Moreover, the foyer area – which will have a little coffeehouse and plenty of comfy places to hang out – can be used as a fourth classroom, so we included all of the A/V infrastructure there as well.” Naughton already had a processor and amplifier ordered when he received a call from Dave Grosz, Media engineer, for the media communications department at Asbury University and a member of Church of the Savior. “Dave knows his stuff. He’s behind one of the leading telecommunications programs in the country,” said Naughton. “He felt the new classrooms would be better served with JBL Control-series full-range loudspeakers paired with JBL Control-series subwoofers.”

At first, Naughton imagined that the easy fix would be to order a second four-channel amp to power the subwoofers, one per zone. But while he was revising the layout he realized that the processor on order had only six outputs. He needed eight outputs to do the crossovers. “That’s when I began to panic,” he laughed. “Contracts were signed, we were good to go, and now this! Money was very tight, and so I needed to find a solution that would not only work, but would work for not a lot more money than we had already committed to.”

Naughton did some research and realized that the Ashly ne8250.pe was the cost-effective solution that the project now cried out for. Within its two-rack unit frame, it offers eight 250-watt amplifier channels plus an on-board Protea digital matrix mixer & processor. He could keep the original processor, which was inextricably linked to the Extron control system to which the church had already agreed. Only four of its outputs, one per zone, would feed the Ashly ne8250.pe, which would supply the necessary crossover processing, along with modest delay and equalization. “No other manufacturer has a quality solution that is as affordable as the Ashly ne8250.pe,” said Naughton. “Despite the inclusion of the processing power, the ne8250.pe was still less expensive than two of the original four-channel amplifiers, which had no processing at all. In addition, Ashly’s shipping time was phenomenal. I received the unit two or three days after I ordered it. That gave me enough time to have the two original amplifiers rerouted back to the manufacturer!”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ARIZONA STATE UNIVERSITY’S WELLS FARGO ARENA GOES FOR DANLEY!

TEMPE, ARIZONA: The Wells Fargo Arena is the home of Arizona State University’s basketball, volleyball, gymnastics, and wrestling teams. At six stories high and with over 10,000 seats, it also hosts concerts, graduation ceremonies, and other events. Over its nearly forty years of service, the Wells Fargo Arena has had several sound reinforcement systems, all of which lacked power and were unintelligible to one degree or another. But that changed recently, when the school raised funds for a whirlwind renovation project that resulted in a new system centered on Danley Sound Labs full-range loudspeakers and subwoofers. The new system conveys impressive bass and highly-intelligible speech.

“From conception to commissioning, this job spanned a mere three weeks,” said Ron Klaus, design engineer with Phoenix-based Audio Video Resources (AVR). AVR had worked with Arizona State University on a number of projects in the past, and so the school trusted the firm to guide the project to a successful completion – even on such a compressed timeline. Anthony James Partners (AJP) served as the project consultant, and AVR partnered with the Arizona contingent of Clearwing Productions on the installation. Under the guidance of Project Manager Jared Bigelow, AVR managed the project and procured the equipment, whereas Clearwing Productions provided all of the speaker rigging, rack building, and cabling. Engineers at Danley Sound Labs designed the system in consultation with Anthony James Partners, Director of Audio Engineering, Larry Lucas.

The new system is comprised of a primary ring, together with a delay ring, for the upper tier. Twelve two-box hangs form the primary ring. On each, a Danley SH-69 delivers 60- by 90-degree coverage for the closest seats, whereas a narrower Danley SH-60 delivers 60- by 60-degree coverage for the mid-level seats. Twelve Danley SH-100s form the delay ring that covers the “nose bleed” section. Four Danley TH-118 subwoofers, one in each corner situated above a two-box hang, supplement the main boxes with generous low end. “The Danley engineers took the wire frame of the arena and optimized loudspeaker choice and placement in EASE,” explained Klaus. “The experts at Clearwing Productions turned those plans into reality, a process that was expedited by their familiarity with the rigging at the Wells Fargo Arena. Clearwing Productions is frequently contracted to do the staging for events at the Wells Fargo Arena.”

Everyone involved in the project, including Lucas and engineers from Danley Sound Labs, was present for the system commissioning. “The guys from Danley were very thorough,” said Klaus. “For example, they went into the processor and custom tuned the attack, release, and thresholds on the limiter for each box. It was well done.” Only two days after the booms were removed, the school was already sanding the floor to paint on new stripes for the rapidly approaching fall season.

“It’s an impressive system,” summarized Klaus. “Even when the arena is empty and its reverb time is hovering around five seconds, the direct sound coming from above is full and highly intelligible. Then you look up and realize that that big sound is coming from a couple of relatively small boxes. Moreover, the low-frequency extension is impressive, despite the fact that the system only possesses four subwoofers.” The Wells Fargo Arena marks the second largest Danley installation in the Grand Canyon State; further south, the University of Arizona’s football stadium employs four of Danley’s massive Jericho Horns to efficiently and effectively cover 52,000 seats.

Noted Mike Hedden, Danley Sound Labs’ president, “Using the current design trend, many design engineers would have chosen the line array approach. In comparison, the Danley Synergy Horn/Tapped Horn subwoofer solutions yield vastly better pattern control and frequency response in a fraction of the cabinets for substantially less money. Plus, from the time Danley Sound Labs received the order to the product being on the job sight was less than three weeks. Cutting edge technologies, delivered in extremely short time frames, at a very competitive price, these are some of the reasons Danley is enjoying such incredible growth.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.
www.danleysoundlabs.com

Gardner-Webb University Installs Two Dante-enabled Yamaha CL Consoles

BUENA PARK, Calif.—Gardner-Webb University in Boiling Springs, North Carolina has experienced remarkable growth, perseverance, and maturity since it began as a movement initiated by the Kings Mountain Baptist Association in 1905. The University began as Boiling Springs High School and later became a junior college in 1927, and renamed Gardner-Webb College in 1948. The institution officially became known as Gardner-Webb University in 1993, culminating years of preparation. Today, Gardner-Webb is flourishing with five professional schools, two academic schools, and 11 academic departments that offer just over 5,000 students, 60 undergraduate and graduate fields of study.

Recently, the University installed Yamaha CL1 and CL5 digital consoles and two RIO3224s purchased by Full Compass and installed by University staff in cooperation with the ASE Group. The consoles are located in their new 110,000-sq. ft. Tucker Student Center in Stewart Hall. Stewart Hall is unique in that it can be separated into three separate spaces.

“The performance space is non-traditional and very flexible,” states Wayne E. Johnson, Associate VP for Operations, Gardner-Webb University. “Stewart Hall works in either a coffee house/club setting by lowering electric disappearing Skyfold walls, or in an auditorium or banquet setting by raising the walls. When lowered, the center room has a balcony on three sides with bistro table seating.”

About the new CL consoles, Johnson says that the system sounds great and has a superb operational design. “We had previously been using an LS9 in older venues, but the CL Series offers much more flexibility. We also integrated with Symetrix for Dante distribution and are using MYMIX cards as well, so there are no traditional audio connections. The entire project (audio, video, monitor, lighting) is all running off Cat5. Due to the flexibility of the space, we wanted to be able to re-patch anything from speakers to light fixtures over one single wiring network.”


For more information on Gardner-Webb University, visit www.gardner-webb.edu.

For more information on Yamaha CL Digital Consoles, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Extron Introduces New Economical Wall Mount HDMI Twisted Pair Extender

Extron Electronics is pleased to introduce the DTP HDMI 230 D, a Decora®-style transmitter and receiver set for transmission of HDMI, audio, and bidirectional RS-232 and IR control signals up to 230 feet (70 meters) over a single CATx cable. The HDCP-compliant extender provides an economical and effective means for extending HDMI with embedded multi-channel audio from HDMI-equipped devices. In addition, the DTP HDMI 230 D accepts analog stereo audio signals and digitizes them for simultaneous transmission over the same twisted pair cable. The wall-mount design and remote powering of either unit make the DTP HDMI 230 D ideal for extending HDMI, audio, and bidirectional control while offering aesthetically pleasing integration in space-challenged environments. more

Martin Gasienica joins Clark’s Sales Team

Clark Wire & Cable™, HD World Booth #863, a leader in broadcast and professional AV interconnect technology has hired Martin Gasienica to the position of Eastern Regional Account Manager. In this position Gasienica will be responsible for managing the daily sales and service requirements in the eastern region of Clark Wire & Cable’s domestic sales.

With over fifteen years of experience in broadcast and commercial AV interconnect technology, Gasienica brings with him an extensive history of product and industry knowledge. Previously Martin held the position of eastern regional inside sales at Gecpo International, Inc., a manufacturer of communications wire and cable. In addition to his decade plus experience Gasienica holds a BFA in audio and communications from Columbia College Chicago that encompassed audio system design, integration, and content production.

“Martin is an exceptional addition to our sales team,” stated Shane Collins, president of Clark Wire & Cable. “His experience, product knowledge, and commitment to service is unique and naturally aligns with Clark’s commitment to the broadcast and commercial AV industries. We welcome Martin as key addition to our team and growth strategy.”

About Clark Wire & Cable

Clark Wire & Cable, a leader in broadcast and professional AV interconnect technology, is celebrating over 23 years of business. With a focus on quality and innovation, Clark Wire & Cable delivers unique and reliable solutions dedicated to the markets it serves. From precision engineered bulk cable and cable assemblies to connectors, tools and custom panels, Clark Wire & Cable has remained committed to delivering comprehensive interconnect solutions. For additional information, please visit www.clarkwire.com.

Draper Achieves InfoComm International Emerald CAVSP Designation

Draper, Inc. has renewed its qualification as an InfoComm International Emerald Certified AudioVisual Solutions Provider (CAVSP). The Emerald designation recognizes that a percentage of the company’s sales, customer service and technical staff are certified as InfoComm Communication Technology Specialists and have completed relevant coursework from the InfoComm Academy.

“Retaining the Emerald CASVP designation is something we’re very proud of,” according to Draper Field Sales Manager Lee Denhart, LEED® AP. “Along with our high number of LEED® APs, this shows our dedication to maintaining a sales team that is one of the most knowledgeable and technically proficient in the industry.”

InfoComm awards individual certification to audiovisual professionals who have demonstrated knowledge and comprehension of the science and technology used in communications including audio, video, display and systems. Technicians, engineers, designers, salespeople, customer service personnel, managers and executives are eligible to take the Communication Technology Specialist certification test.

In addition to confirming that a percentage of Draper’s employees are InfoComm CTS-certified, the Emerald CAVSP designation means that Draper has agreed to comply with 10 Standards of Excellence developed in collaboration with industry experts to emphasize the best practices of audiovisual businesses.

Overall, 18 Draper employees are CTS-certified. In addition, Draper boasts 13 LEED® APs, and two who are certified by the Imaging Science Foundation.

For more information on Draper, visit www.draperinc.com.

DiGiCo SD9 Rack Pack Shakes the Cage at All-Star Opening of Mick Fleetwood’s Hawaiian Venue

fleetwoods-on-front-street-maui.jpgDiGiCo rocked the house at the grand opening celebration of Mick Fleetwood’s new restaurant and club, Fleetwood’s on Front Street, in the heart of downtown Lahaina, Maui. The four-night musical celebration boasted a star-studded roster of performers. Night one kicked off with the Grammy-nominated Mick Fleetwood Blues Band, featuring guitarist/singer Rick more

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