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BORMANN MARKETING EARNS SYMETRIX U.S. REP OF THE YEAR AWARD

SEATTLE, WASHINGTON: Symetrix, manufacturer of a broad range of signal processing and control equipment for professional audio applications, announces that Bormann Marketing has earned its U.S. Rep of the Year award for fiscal year 2012. Bormann Marketing has been representing Symetrix in the Dakotas, Minnesota, Wisconsin and northern Illinois for the past year-and-a-half. The award is an even more noteworthy accomplishment “given the particularly talented rep force that we currently have,” in the words of Tim Murray, director of sales in the U.S. & Canada for Symetrix. In addition to the Integrator Series of application specific installed system DSP, the Jupiter series of app based turn-key DSP, and the powerful Dante network audio SymNet Edge & Radius DSP, Bormann cited strong sales of the SymNet Solus standalone fixed I/O DSP as key ingredients in the past year’s success.

“Company Principal, Jon Bormann and his team form a very professional, talented organization,” said Murray. “They epitomize all of the characteristics of a successful independent manufacturer’s representative. Not only do they consistently meet and exceed sales goals, they have a strong infrastructure, they make it a point to learn and master the technologies and products, and of course, they have excellent rapport and relationships with their/our customers, as well as with personnel here at Symetrix. We are quite pleased to be working with Bormann Marketing and look forward to more growth and success together in the coming year.”

“We make it a priority to keep on top of the technology so that we can confidently assist in trainings and system design,” said Bormann. “And of course Symetrix is rapidly bringing innovative, new products to market that perfectly meet the needs of our clients. Thus, we have a great synergy with Symetrix. In the past year, the SymNet Solus processor was especially popular, owing in equal parts to its flexible open-architecture DSP, transparent sound quality, and fiercely competitive price-point.”

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

ROBUST, AFFORDABLE ASHLY PROCESSORS, AMPLIFIERS, AND NETWORK FADER REMOTE CONTROL REJUVENATE ST. CLEMENT CHURCH

DES PERES, MISSOURI: St. Clement of Rome Catholic Church has served as the spiritual bedrock of Des Peres, Missouri for over half a century. Today, over 5,000 parishioners call St. Clement home, and over 500 students attend its schools. Like most mid-sized churches, the impact of its services relies on a well-functioning sound reinforcement system to deliver transparent, intelligible spoken word and emotionally compelling music. When St. Clement’s old sound system started failing, it called on local A/V integrator Tech Electronics to install a new system that would provide trouble-free service for years to come. Tech Electronics met that goal with a new headend comprised of an Ashly ne24.24M modular processor, three Ashly KLR 3200 amplifiers, and an Ashly FR-16 network fader remote control.

“The church had last updated its equipment over a dozen years ago,” explained Tony Badamo, systems specialist at Tech Electronics. “They don’t modify their setup very often, so when they do, they want to choose an integrator and equipment that will provide a stable system to carry them far into the future. The auto-mixers in the old system were starting to fail, as were some of the amplifiers.” Badamo wanted to try a complete Ashly system, based on its reputation for reliability and its competitive price point. “The power you get per dollar with Ashly amplifiers is very efficient,” he added. “If you compare it with the other leading amplifier manufacturers out there, you’ll see it’s a big difference.”

All of the loudspeakers – which are arranged as a center cluster with a left-right complement – were in good shape, and Badamo left them in place. Only the rack equipment needed to be replaced. To accommodate the church’s CD player input and its many microphone inputs, he outfitted the modular Ashly ne24.24M processor with twelve analog inputs. Eight outputs handle all of the existing loudspeakers, including a 70-volt system for hallways and other areas outside the sanctuary, as well as a listening assistance system. Badamo easily configured one of the Ashly KLR 3200 amplifier channels to power the 70-volt system. The remaining channels power the house system.

Badamo was careful to give St. Clement Church enough control to meet its needs, but not so much control that curious fingers could wreck the setup. The Ashly FR-16 is a bank of sixteen faders plus a master that communicates with any Ashly processor via a simple network connection. Each fader’s effect is fully customizable, and Badamo gave the church simple volume control of each input, along with master volume control. Because the church was hoping for a “set it and forget it” setup, the Ashly FR-16 resides in the rack. Everything else is off limits. “I love that the volume knobs on the Ashly KLR amplifiers can be locked out,” Badamo said. “Especially in systems like this with multiple outputs, giving the user access to the volume knobs is a recipe for blown-up speakers!”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

SYMETRIX JUPITER 8 APP BASED TURN-KEY DSP PROVIDES WYOMING SCHOOL AUDITORIUM PERFORMANCE AND CONTROL

PINDALE, WYOMING: Nestled amid the soaring, snow-capped peaks of the Rocky Mountains, Sublette County School District #1 serves the students of Pinedale, Wyoming and its neighboring communities. Total enrollment across all grades falls just over 1,000 students. With an auditorium available for school performances and community events, the Pinedale High School operates as one of the cultural cornerstones of the small community, and the responsibility of maintaining and operating it’s A/V system falls to Patrick Rookus, the district’s auditorium manager and tech director. When the room’s aging sound reinforcement system approached its thirtieth birthday, Rookus made the call to renovate it, both as a way to prevent imminent equipment failure and, perhaps more importantly, as a way to keep up with the needs of the auditorium’s diverse users. A Symetrix Jupiter 8 app based, turn-key DSP resides at the heart of the new system and delivers transparent audio quality, system flexibility, and intuitive user control.

“We wanted the new system to be versatile enough to satisfy the needs of the varied types of performances and presentations that take place, while also anticipating the sound system requirements for many years to come,” said Rookus. He contacted Performance Audio of nearby Salt Lake City, Utah, where system design & installation expert Jake Peery worked out an affordable and effective solution. “By using a Symetrix Jupiter, I knew we could create a system that would be simple, flexible, and – together with a Symetrix ARC-2e wall panel remote – easy to operate,” said Peery. “The Jupiter possesses all of the necessary processing power, including delays, limiting, and equalization, at a very affordable price point.”

The system is composed of eight new Sennheiser ew 114 G3 wireless microphones, along with a range of other existing wired and wireless microphones that feed an existing console. The outputs of the console feed two of the eight analog inputs of the Symetrix Jupiter 8. An additional microphone runs directly into the Jupiter 8 to allow speech reinforcement for simple applications. The additional inputs of the Jupiter 8 accommodate other “guest” consoles that can be utilized without having to un-patch the main console. On the back end, a new stereo Electro-Voice EVA line array with three top cabinets and two subwoofers per side provides impactful coverage, and four Electro-Voice XI-1082 loudspeakers provide front fill. Electro-Voice amplifiers power the system.

The Jupiter 8 runs the “Sound Reinforcement #6” app, which provides a high-pass filter, a low-pass filter, a 15-band EQ, a split compressor, and a feedback fighter on each input. On each of the outputs there is a speaker manager module, which contains eight bands of parametric EQ, a high-pass filter, a low-pass filter, and up to 243ms of speaker delay. A flexible matrix creates eight submixes, where any input can be routed to any output with full input level control. Peery installed a Symetrix ARC-2e wall panel remote at the rack, which allows Rookus to easily select between the Jupiter 8 inputs. Moreover, the ARC-2e allows for selecting different operating modes, such that the guest consoles can patch in and be processed as left/right only, as left/right and separate fills, or as left/right, fills, and subwoofers.

“It’s an efficient system that does everything required of it,” summarized Peery. “Moreover, it has sufficient flexibility to meet the school’s future needs.”

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

FULL SAIL UNIVERSITY TO OUTFIT STUDIO B WITH A 64-CHANNEL API VISION ANALOG SURROUND SOUND CONSOLE

WINTER PARK, FLORIDA: With 17,000 students and over 44,000 alumni filling the ranks of the entertainment industry, Full Sail University is among the best-known and highly-respected institutions for audio, film, design, show production, game development, computer animation, and entertainment business education. Its flagship recording arts program dates back to the school’s founding over thirty years ago and is currently supported by a massive studio complex. After a comprehensive search and thorough vetting, Full Sail has announced it will replace the existing console in Studio B with a 64-channel API Vision analog surround sound console.

“It was important that we provide our students the invaluable experience of working with high-end analog audio,” explained Dana Roun, director of audio arts at Full Sail University. “Today, most of our incoming students have been working with digital audio their entire lives. And yet the sound that defines our industry, the sound of the classic albums, the benchmark in professional audio, is the sound of finely crafted analog equipment. API embodies that real analog sound.”

Of course, Full Sail University does not make a decision on one of its large-format consoles in one of its signature control rooms lightly. Some of the school’s audio educators and technicians met to whittle down a long list of possible replacements. “We considered everything,” said Roun. “But we were aiming for that boutique, sought-after, no-questions-asked, flat-out great analog sound.” Once a short-list existed, Roun and a small party of faculty traveled to Nashville, where they could test-drive each console in close proximity. “We left Nashville sure in our decision that API had the sound we were after,” he continued. “When we heard it, it felt unmistakably right.”

“API is pleased not only to be chosen to build and supply a custom API Vision console for Full Sail, but also to show this 64-channel console on the floor of the recent AES Show,” said Gordon Smart, managing director of API. “This special desk, scheduled for commissioning at Full Sail on January 2, 2013, was unveiled at this past AES convention in San Francisco. It’s exciting to welcome one of the most prestigious secondary schools on the planet into the API family!”

Because the API Vision can mix in stereo and surround sound simultaneously, Full Sail will be able to merge it with audio-for-video courses and projects. Its flexibility provides room for growth and will allow the school to realize the full value of its investment for many years to come, independent of the often-unpredictable shifts in digital audio technology.

ABOUT API (AUTOMATED PROCESSES, INC.)
Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

NEW API 1608 ANALOG CONSOLE INSTALLED IN THE PEABODY CONSERVATORY AT JOHNS HOPKINS UNIVERSITY

BALTIMORE, MARYLAND: When the highly-respected Recording Arts and Sciences Program at the Peabody Conservatory/Johns Hopkins University needed to replace an aging console the clear choice was with a new sixteen-channel API Audio 1608 console, largely because of its authentic sound quality and flexibility. The University program, which awards a double-major Bachelor’s degree and a Master’s of Arts in Audio Sciences is the American equivalent of the European Tonmeister training program, and its students benefit from being in close alliance with the JHU’s G.W.C. Whiting School of Engineering, a dedicated faculty of experts and a comprehensive recording studio facility to anchor the program.

Students from the Peabody Conservatory engage in over one thousand performances a year in five venues of varying size, and the Recording Arts and Sciences Program’s studio facilities tie into those venues. Recording arts students record each and every performance under the guidance of faculty members. Beginning students handle simpler stereo recording sessions and assist on more complex sessions, whereas advanced students conduct multi-mic recording sessions for the orchestras, operas and jazz ensembles. Studio D is connected to three of those performance venues, and the new API 1608 console will play a large role in those recording sessions.

The API 1608 is paired with a Pro Tools HD system, which Scott Metcalfe, director of the program, asserts is an excellent hybrid analog/digital combination. “With the API 1608, students can experiment with the full range of possibilities, from in-the-box mixes, to analog summing, to DAW fader control, to full-analog mixing and processing,” he said. “It’s a very flexible design, and we will use it in a lot of different ways.”

Metcalfe and colleagues also look forward to putting the API 1608’s modular design to equally practical use. Each channel features a slot for an API 500-series format module, with eight spare slots that can be patched in. Although API is famous for having pioneered the format and makes many popular 500-series processors, a huge number of established and boutique manufacturers have adopted the 500-series format for their processors as well. Thus, the API 1608 readily accepts third-party processors of tremendous scope and variety.

API is already present in the facility’s other studios. A four-channel API 3124 preamp and a ten-space 500V rack loaded with API equalizers and dynamics processors lend the warm analog “API sound” to Studio A. “In addition to the sonics of API and the flexibility of the 1608, I was also happy to be working with our neighbors,” said Metcalfe, acknowledging the fact that API’s headquarters are a mere twenty-five minutes from the Recording Arts and Sciences Program at the Peabody Conservatory/Johns Hopkins University.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

DANLEY SPEAKERS GIVE NATIONWIDE ARENA THE HOME ADVANTAGE

COLUMBUS, OHIO: Nationwide Arena is home to the Columbus Blue Jackets of the National Hockey League and is host to most of the popular musical acts that travel through Ohio’s capital city. Depending on its configuration, Nationwide Arena can accommodate between 17,000 and 21,000 people, and its recent turn-of-the-millennium design and construction have been widely praised by sports fans and critics. ESPN The Magazine wrote that Nationwide Arena is “the No. 2 stadium experience in professional sports” and the “Ultimate Sports Road Trip” deemed it the greatest arena in the NHL. However, poor sound system coverage had been Nationwide Arena’s dirty little secret since it opened its doors in 2000, and the owners were wisely unwilling to rest on their laurels. Recently, as part of a project that included a massive video upgrade, acoustical consultant Anthony James Partners joined A/V integration firm Daktronics to bring sound reinforcement in line with the rest of the arena’s amenities using efficient, point-source Danley Sound Labs loudspeakers and subwoofers.

“Achieving even coverage with conventional loudspeaker technologies is challenging because low-frequency pattern control is seldom very good,” explained Larry Lucas, director of audio engineering with Anthony James Partners. “As a result, system components interfere with each other and create uneven coverage that cannot be rectified with all the processing in the world. Danley Sound Labs’ unconventional designs array seamlessly and deliver excellent pattern control. Moreover, they are inexpensive relative to their output, which provides exceptional return on investment for the client.”

The design called for eight primary clusters distributed equally around the arena. Each cluster contains two Danley SH-96 full-range loudspeakers hard-packed side-by-side and a Danley TH-118 subwoofer. Eight wide-dispersion Danley SM-100 loudspeakers populate a delay ring that provides coverage for Nationwide Arena’s highest tier. Two additional SH-96s cover the ice. Daktronics installed all of the clusters on chain motors for easy servicing and, in the case of those clusters whose positions would interfere with musical acts, easy hoisting.

The rest of the sound reinforcement system benefitted from the retrofit as well. A new Allen & Heath iLive console provides 32 inputs and 16 outputs at the main mix position and 16 inputs and 8 outputs at a remote position. A QSC Q-Sys processor with a 500i core provides input conditioning, routing logic, and modest loudspeaker conditioning. Lab.gruppen PLM-series amplifiers deliver clean power to the Danley loudspeakers and subwoofers. Because both the Q-Sys processing system and the PLM-series amplifiers are network-ready, Daktronics was able to provide the owners with comprehensive monitoring facilities in the A/V control room.

Nationwide Arena’s new high-definition sound reinforcement system complements a new high-definition video system. Its showpiece is a new 43,000 lb. scoreboard that uses nearly sixteen million LEDs to display high-definition video on four 25-foot by 15.5-foot screens. The brilliant scoreboard hangs over center ice. In addition, two “party towers” now use LED technology to project 25-foot by 14-foot video images in the west corners of the arena. Various smaller screens project in upgraded high-definition, and the resolution of the ribbon video board that circles most of the arena is doubled.

“With the Danley system installed, the coverage is close to perfect,” said David Sturzenbecher, audio project engineer with Daktronics. “The design specification called for +/- 4dB throughout, and the system measures closer to +/- 2dB throughout. Because the Danley products deliver so much output, we needed vastly fewer boxes to provide full coverage than we would have used with conventional loudspeakers or line arrays. That let us give them a very high-performance system at a much lower price tag. And not only is the coverage excellent, but so too is the fidelity and low-frequency extension.” Jeff Baumgartner, Nationwide’s in-house A/V engineer stated, “Daktronics design engineers created a virtual arena and accurately predicted the performance throughout the arena. Overall, I am extremely pleased with the system. Coverage is darn near perfect.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

QSC Introduces the New AcousticPerformance™ Line of Loudspeakers


Costa Mesa, CA (December 5, 2012) – QSC Audio Products is proud to announce the launch of the AcousticPerformance™ line of professional, two-way, full-range loudspeakers, ideal for a variety of installed sound reinforcement applications which require higher SPL and a stylish enclosure. All models feature a 3-inch voice coil, high power-capacity compression driver combined with high-output woofers to deliver exceptional full bandwidth reproduction.

“In keeping with QSC’s loudspeaker design philosophy, all AcousticPerformance loudspeakers feature Directivity Matched Transition™ (DMT) which matches the compression driver to the natural coverage angle of the woofer in the cross-over region”, states Phil Sanchez, QSC Loudspeaker Product Manager. “When combined with their axisymmetric waveguides, AcousticPerformance loudspeakers deliver a flat power response with smooth and accurate sonic reproduction and remarkably consistent coverage both on and off-axis.”

AcousticPerformance models may be used in passive (full-range) mode to minimize amplifier channel count or bi-amp mode for greater control and performance. To further enhance performance, bi-amp and full-range tunings using QSC Intrinsic Correction techniques are available for Q-Sys™ and future QSC products.

All models feature M10 mounting points for deployment via eye-bolts as well as mount points for an optional yoke bracket. The AP-5122m multi-purpose enclosure features a 40-degree angle, making it ideal for floor monitor use, and a pole cup for deployment on a loudspeaker stand. The enclosure and terminal input cup on the AP-5122m have been designed to facilitate the cable runs for a clean appearance on stage.

Presenting a clean, unobtrusive look, AcousticPerformance grilles are unadorned, eliminating the need to cover-up logo treatments, which can be difficult to hide or remove. The grille is also lined with acoustically transparent backing, adding to the enclosure’s professional appearance.

AP-5102/5122/5152 models are available in black (RAL 9011) and white (RAL 9010) finishes. AP-5122m is available in black only. To minimize impact and disposal fees at the job site, all AcousticPerformance loudspeakers are packaged in environmentally friendly, recyclable cartons.

Key Features of the AcousticPerformance Line:

•DMT™ (Directivity Matched Transition) ensures smooth, coherent power response across the listening plane
•3” diaphragm compression delivers a clean and powerful high frequency response
•M10 fittings and yoke mount fittings offer flexible deployment options for a variety of applications
•Clean industrial design with unadorned grilles complement most decors and settings
•NL4 Speakon™ connector and covered barrier strip terminals*
•Bi-Amp / Passive Switchable
•Constructed from 15-ply Baltic birch plywood
•16-Gauge powder coated steel grilles
•Available in black (RAL 9011) and white (RAL 9010)*
•Complete EASE, CAD & BIM information available online
* Except for 5122m

For more information, visit the AcousticPerformance product page at http://qsc.com/products/speakers/ap/

About QSC Audio
QSC Audio Products, LLC is a leading manufacturer of power amplifiers, loudspeakers, digital signal processors, digital sound transport, and network audio for professional audio systems worldwide. qsc.com

D.A.S. AUDIO DEPLOYED AT THE FLYING MONKEY MOVIE HOUSE AND PERFORMANCE CENTER

**** Photo: Gary Agresti (left) with The Flying Monkey General Manager Brooks Bartlett (right) ****

Plymouth, NH – December 2012… Part of The Common Man family of restaurants, The Flying Monkey Movie House and Performance Center attracts audiences from all around New England and beyond for shows featuring some of the best contemporary musical and comedy acts. Booking both regional and national artists, The Flying Monkey’s upcoming schedule includes violinist / fiddler Natalie MacMaster, singer / songwriter Judy Collins, guitarist Johnny Winter, and Blue Oyster Cult, among others. Providing sound reinforcement for artists of this stature is nothing to be taken lightly. That’s why a new sound system using components from Valencia, Spain-based D.A.S. Audio was selected. more

Linear Announces eMerge Essential – Affordable, Scalable Browser-Based Access Control

Linear Announces eMerge Essential – Affordable, Scalable Browser-Based Access Control

Linux-based eMerge Essential™ and Essential Plus™ systems install quickly, operate reliably and offer many features found only in higher-cost systems.

Carlsbad, CA – December 3, 2012 – Linear LLC, the leader in residential and commercial access control, emergency response and security solutions, announces the first products from Linear’s new eMerge e3-Series: the eMerge Essential and eMerge Essential Plus embedded browser-based network appliances. Designed to suit most moderately-sized businesses, the new eMerge Essential units provide 1-door/2-reader access control and immediate out-of-the-box expansion capabilities to grow the system to 4-doors/8-readers with no additional hardware required.

Reliability is a priority with eMerge, so all e3-Series eMerge systems rely on an IT-friendly embedded Linux operating system. By using solid state hardware, eMerge products are protected from risks including: hard drive failures, virus/spyware attacks, and Microsoft updates which can unknowingly take a system offline. Additional access control assurance is provided via the optional Power over Ethernet (PoE) or the ability to backup via uninterruptible power supply. The eMerge Essential Plus includes a self-contained battery back-up with a UL294-approved 60-watt supervised power supply, enclosed in heavy-duty steel cabinet.

Adding to the Linear e3 Series’ value is an intuitive, ultra-fast setup wizard that saves hours of setup time versus traditional systems. Integrated inputs/outputs enhance functionality while a high-speed processor can handle more than 30 transactions per second, allowing multiple users to access simultaneously. The eMerge Essential and Essential Plus also grow with a business, seamlessly scaling up to more robust eMerge e3 systems, such as the Elite 36 or 64, when additional doors and readers are necessary, via a simple software upgrade.

Once installed, remote management enables system status access and updates with any browser on any operating system via the Internet. The eMerge dashboard includes floor plans and event logs offering a full system status at a glance, optimized for viewing on computer monitors, iPhones, iPads, Androids and other mobile devices. Data can be backed up automatically to Micro SD or FTP-based storage to ensure there’s always a record of who has come and gone.

“The Linear eMerge Essential has all the access control and management features many businesses require, whether they are in commercial, industrial, banking, medical, retail, hospitality or some other segment,” said Duane Paulson, senior vice president of product and market development. “eMerge offers tremendous value from a cost perspective but also because customers can easily install an entry-level solution with features normally found in large-scale systems, and still upgrade to more doors and readers as the business grows.”

The eMerge Essential and eMerge Essential Plus are protected by a ruggedized polycarbonate or metal enclosure.

For more information about Linear LLC, please visit www.linearcorp.com/e3emerge or call 1-800-421-1587. Linear can also be found on Facebook, Twitter and LinkedIn.

About Linear LLC
For over 50 years, Linear LLC has been an innovator in the security market. Linear’s legacy includes the early application of passive infrared detection and radio frequency (RF) transmission, technologies that revolutionized the wireless security and access control industries. Today, Linear delivers class-leading wired and wireless products into a variety of markets serving the access control, security and home technology needs of its customers. A subsidiary of Nortek, Inc., Linear continues to expand its product and engineering prowess, leveraging the knowledge gained from strategic acquisitions and custom product development which will help lead the company into the next 50 years. To learn more, visit www.linearcorp.com.

Linear is a subsidiary of Nortek, Inc. a global, diversified company whose many market-leading brands deliver broad capabilities and a wide array of innovative, technology-driven products and solutions for lifestyle improvement at home and at work. Please visit www.nortekinc.com for more information.

Band Plays It ‘Straight’ With NEXO Rig at the Fox Theatre

BUENA PARK, Calif.—Logic Systems Sound & Lighting, Inc. of Valley Park, MO, recently provided a NEXO GEO S12 rig to the historic Fox Theatre in St. Louis for a Straight No Chaser concert. On the road, Straight No Chaser has built a reputation as an unforgettable live act. Now supporting their SNClive Tour, the 10-member a cappella ensemble’s tour will continue into summer 2013.

Logic Systems Audio Department Manager, Brian Bird and Systems Engineer, Pat Murphy outfitted the 5,060-seat Fox with 20 NEXO GEO S1210s, four NEXO GEO S1230s, six NEXO RS18s, eight NEXO PS8s, and eight NEXO 4×4 NXAMPs. The band is also carrying a pair of Yamaha M7CL digital consoles for mixing duties on the tour.

“The Fox Theatre is a difficult space to cover from a single array position,” states Bird. “The large balcony and overhang make it tricky to cover the entire balcony, while still having a direct line of sight to the front of house mix position which is at the rear of the floor level and deep under the balcony. To accomplish the task at hand, a low hang with a 14-degree vertical angle seemed to work best. This angle is hard to achieve with many boxes on the market today, however, we are able to do so with the GEO S12.”

Bird said the layout for the NEXO system they chose modeled extremely well in the NEXO NS-1 software. “In my experience, the software is spot on, if you take the time to build the model properly. For a lower SPL show like this, the clarity of the GEO S12 fit the Straight No Chaser concert perfectly, and was the best choice. We work in this venue regularly and typically use our NEXO GEO T rig, but in this case, the S12 was definitely a better fit.”

For more information on Logic Systems, Inc., visit www.logicsound.com.

For more information on NEXO and Yamaha products, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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