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Archive of the InfoComm Newslink Category

FSR Launches Next-Generation Matrix Switcher

Company Extends Line of Cost-Effective and Easy to Use Solutions For An Array of Pro-AV Applications

Woodland Park, NJ — FSR is once again extending its range of innovative Pro AV solutions with the launch of its new, next-generation matrix switcher. Joining the company’s switcher line of products that already address the needs of all types of users, FSR is now introducing its DV-HMSW4K-88 Matrix switcher, which routes eight HD sources to any eight HDTV displays.

The new FSR DV-HMSW4K-88 Matrix switcher supports 1080p full HD up to 4K plus all 3D formats, along with multichannel digital audio formats such as PCM, Dolby® True HD and DTS-HD® Master Audio™. Switching and other commands can easily be implemented using the front-panel push buttons, IR remote control, RS-232, or via TCP/IP.

“FSR has always had a dynamic range of product offerings, enabling us to accommodate so many markets with smart technologies and solutions, including our complex matrix switchers, which are cost-effective, easy to use and reliable,” said company president Jan Sandri. “To this end, we are thrilled to be able to extend our line of matrix switchers by introducing the new DV-HMSW4K-88. With so many great features, we can support the many needs of AV professionals in a wide variety of applications.”

Among its many features, the DV-HMSW4K-88 supports resolutions up to 1080p@60Hz, 48-bit deep color, 4k@30Hz; allows any source to be displayed on multiple displays at the same time; allows any HDMI display to view any HDMI source at any time; allows PCM, Dolby TrueHD and DTS-HD master audio pass through HDMI output; offers multiple switching mode, push-in button, IR remote control, RS-232 control, and TCP/IP control; offers easy installation with rack-mounting ears; offers full 3D pass through; is HDCP compliant; and includes 9 IR receivers, 8 IR transmitters, a handheld IR Remote Control, and power supply.

About FSR
FSR, established in 1981, manufactures a wide variety of signal management and infrastructure solutions for the audio / video, datacom, education, hospitality, government, and religious markets, including floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and HDBaseT & CAT-X signal delivery solutions.

The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: www.fsrinc.com.

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Communications
Harriet Diener
845-512-8283 • mailto:harriet@desertmoon.tv

Barix In-Store Audio Solutions Come to InfoComm India

New in-store solutions cover the spectrum for live and scheduled playback of audio content, including dynamic ad insertions

ZURICH/ST. PAUL, MINNESOTA, September 3, 2014
— The upcoming InfoComm India show in Mumbai marks the official launch of Barix’s next-generation of in-store radio solutions in the Asia-Pacific region. Highlighting solutions that generate revenue for end users and reduce costs for systems integrators, Barix will demonstrate IP audio strategies for consumer engagement that meet a vast array of business requirements.

Barix’s next-generation IP audio “products” comprise wholesale applications that bring multiple software and hardware components together into complete solutions, driving both new operational efficiencies and revenue-generating opportunities. Visitors to the Barix stand at InfoComm India (Hall 1, B17 at the Bombay Convention and Exhibition Centre, September 17-19) can see how the company’s latest in-store radio solutions align with this solutions-oriented strategy.

“Barix’s years of experience developing IP audio and control solutions for in-store radio has advanced to a point where we offer two very distinct networked solutions, each offering benefits based on system scale, network resources and even general customer preference,” said Domenico Gambino, VP Sales, Barix. “We are providing end users and integrators with an affordable, high-quality foundation to incorporate single or multichannel audio streams—along with revenue-generating advertising opportunities—into any organization’s promotional and entertainment strategies. Barix’s knowledge and expertise in moving audio over networks ensures that our customers experience simple deployments, reliable operation and infinite scalability.”

Store & Play
Store & Play specifically offers a solution to retailers and businesses that want dynamic in-store radio programming without using too many network resources, and/or want more control locally over their playout schedules. Store & Play allows customers to download music and advertising content off the network, and reliably play out that programming on schedule with excellent audio quality. Exceptional download speeds and system memory preserve playback quality through demanding processing actions, while a built-in precision clock ensures that schedules remain intact in the event of network outages.

SoundScape
SoundScape allows comprehensive management of audio distribution over IP networks, offering a centralized management portal and audio players at multiple locations. Users can manage, configure and group SoundScape audio players, schedule content and monitor device status network-wide. The network-wide management capabilities of SoundScape further reduces costs and complexity by enabling remote firmware updates, log creation and more. SoundScape delivers broadcast-quality programming with targeted, location-based advertising insertions that seamlessly fade in and out of music programs, as well as the ability to seamlessly switch between live and scheduled streams.

Barix: We Move Audio (www.barix.com)
Barix supplies simple and reliable solutions and components to systems integrators and end users worldwide. We move high-quality audio across IP networks, adding value to customer solutions for more than a decade with hundreds of thousands of devices installed worldwide. Background music distribution with dynamic advertising insertion for retail shops, bars and hotels; public address solutions for schools and public spaces; and intercom and entry systems for facility surveillance, protection and security are among the many applications of Barix solutions. Barix also supports OEM projects for a number of Global 500 listed companies serving many industries worldwide.

# # #

Barix AG, Seefeldstrasse 303, 8008 Zurich, Switzerland
Phone: +41 43 43322 11, Fax: +41 44 2742849
Barix Technology Inc, St. Paul, MN – (866) 815-0866

http://www.barix.com

http://www.ip-audio.info

Yamaha Commercial Audio Donates Live System To Nashville HS

Pearl-Cohn Entertainment Magnet High School in Nashville, Tennessee offers students the opportunity to learn through the lens of the entertainment industry with pathways in audio engineering, broadcasting, record industry, marketing, and image consulting. It is the only entertainment magnet high school in the country. The vision of Pearl-Cohn is to equip its students to realize and achieve their potential while committed to educate the whole person.

Bryan Lenox of Lenox Productions facilitated the arrangement with Yamaha, who in turn, enlisted the services of J Sound Services (Nashville) to add a new Yamaha CL1 Digital Audio Console and Rio 3208-D input/out box to its 413-seat auditorium. Yamaha IS and DXR speakers, and TXn amplifiers were also installed. J Sound Services specified the system for its easy operation by student volunteers. Auditorium productions at Pearl-Cohn can be anything from assemblies with announcements and presentations that include video to full-on theatrical events.

J Sound Services has had a lot of experience installing Yamaha Installation Series Speakers, so they were the obvious choice for the installation. “Once we understood the scope of the project, we determined a Yamaha MTX5D processor and DCPS wall-mount controller would also be required,” states Jason Spence, owner, J Sound Services. The design approach was based on the fact that there is limited acoustic treatment in the school auditorium. “It was important to minimize the amount of energy on the walls, says Spence.

Time was spent using Yamaha’s YS3 Sound System Simulator and EASE acoustic modeling software to focus the mid-high and subwoofer-arrays. Deployed end-fire arrays both in L-R and Center allow pattern control on how wide the throw would be in the room and also provides a Cardiod pattern measuring 12db down on stage behind the arrays. “By deploying the subs this way we have significantly reduced the low-end energy on the stage and what would have reflected off the walls in a typical Omni pattern, Spence adds. The room can easily handle and extends below 40Hz without the low-end building up, leaving the room also very articulate and musical. The house is nice and big with lots of sub. The design is very unique and it clearly looks different. The staff and Bryan Lenox were quite impressed with the results of the end-firing arrays.”

Lenox assisted in the set up and adjustments of the CL1. “The system sounds really good. The school had a unique need for a system that can handle intimate speaking all the way to low-end thumping Hip Hop music. And, this system definitely delivers. The CL1 is a great sounding console and one that the students can learn on in order to prepare for the real world so they can jump into any situation with confidence.”

The new auditorium’s multi-purpose system is all Dante connected with the Yamaha CL1 taking control of presets for theatrical productions using the consoles Nuendo Live software. Pearl-Cohn ran cat5 cable to their multi-track room to record the events taking place in auditorium. A.Cisco switch is used to network and import multi-tracking in studio. An old projection booth above the auditorium now has the capability of adding a Nuendo recording suite with infrastructure and cables already in place.

“Our students needed professional-class live production facilities in order to complete our vision to equip our students with real-world skills that will transfer to the marketplace or college when they graduate, states Sam Lorber, Instructional Designer at Pearl-Cohn. Thanks to Yamaha’s generous donation, these students will now be able to walk into any venue: club, church, college auditorium, or arena with a skill set advantage no other school can provide.” The principal commented on how she loves that she can touch one button and it just works.

J Sound Services also installed a Vivitek High-Definition 6K lumen projector with remote HDMI interface. To update the theatrical lighting system, JSS enlisted the consulting services of Chris Lisle Lighting Design and installed Elektralite LED PAR fixtures, Watson raceway and ElektraHazer, an Altman spotlight, and Chauvet Datastream; all of which integrated with the existing ETC dimmers. As part of the lighting system update the existing Fresnels and Lekos were reconditioned and focused.

J Sound Services also installed four Yamaha C115VA and two C112VA Club Series Speakers using a MTX3 processor and the same DCPS wall-mounted controller as in the auditorium. Spence said the system installed could be operated in the same manner, with a touch of a button, making it extremely simple and consistent for staff and students to operate the systems in either location.

For more information on Pearl-Cohn Entertainment Magnet High School, visit www.pearlcohnhs.mnps.org.

For more information on J Sound Services, visit www.jss.net.

For more information on Yamaha Commercial Audio products visit, www.yamahaca.com.

-END-

LECTROSONICS TM400 DEPLOYED AT CHURCHILL DOWNS FOR WIRELESS TEST & MEASUREMENT

**** Photo: David Marsh ****

Louisville, KY – August, 2014… Churchill Downs, the thoroughbred racetrack most famous for hosting the annual Kentucky Derby, represents the epitome of professional horse racing. In preparation for the 140th running of the Kentucky Oaks and Kentucky Derby, facility management wanted a new sound reinforcement system installed covering all outdoor areas of the facility. To ensure the new system met the highest expectations, the design services of Dallas, TX-based Marsh/PMK International, LLC were retained. And to assist with the many considerations that go into the commissioning of a new sound system, a TM400 Wireless System for Test and Measurement from Rio Rancho, NM-based Lectrosonics was utilized. more

LA MARINA NYC’S OUTDOOR EVENTS THRIVE WITH D.A.S. AUDIO

**** Photo: Edwin Diaz at La Marina NYC ****

New York, NY – August 2014… Located at Dyckman Marina in upper Manhattan, the newly rebuilt La Marina NYC sports a restaurant, bar, lounge, and events space that covers more than 75,000 square feet of Hudson River waterfront. With world-class facilities and a breathtaking waterfront view, it is rapidly becoming the place to see and be seen. La Marina NYC’s waterfront area is where all the high profile live activity takes place and, to ensure a high level of speech intelligibility and music reproduction for all their events, the venue’s management recently took delivery of a new sound reinforcement system drawn from the WR Series catalog of Valencia, Spain-based D.A.S. Audio. more

FSR’s New LITE-IT Enclosed Box Light Named Winner In rAVe’s 2014 Annual Best of InfoComm Awards

Woodland Park, NJ – FSR is proud to announce that its LITE-IT Enclosure Box Light, introduced at this year’s InfoComm 2014 show in Las Vegas, has been named a winner by rAVe [Publications] in its 2014 Annual Best of InfoComm Awards in the category of “Best New AV Accessory.” Winners were revealed following the show, which reports a record high of 37,000-plus attendees from more than 114 countries. After scouring more than 490,000 net square feet of space and visiting with the 947 exhibitors showing new products and technologies, the rAVe team carefully chose the products that they thought were the best and most innovative.

FSR’s new LITE-IT easily provides lighting in floor, wall and ceiling boxes, or anywhere a work light is needed. This little light securely fastens to any ferrous metal surface via a “rare earth” magnetic mounting. A timed circuit automatically turns LITE-IT off after 75 seconds, and its anti-retrigger circuit prevents it from staying on even if the switch is held continuously.

“FSR is proud that our new LITE-IT Enclosure Box Light has not only received a very warm reception from show attendees at this year’s InfoComm show, but that it also gained the attention of the staff from rAVe and won its 2014 Annual Best of InfoComm Award,” said Jan Sandri, FSR president. “While looking to address the needs of our many users in markets ranging from education and houses of worship to corporate and medical, FSR wanted to design a unit that would deliver the same level of outstanding performance for which we are known.”

LITE-IT’s warm 3000K LED color for eye comfort provides over 12 Lumens of light output (20 percent more than a standard PR-2 flashlight bulb), and its super-efficient wide angle dual LED’s furnish a lighting pattern with uniform brightness to very end of battery life. High-quality alkaline batteries are included and pre-installed and provide 4+ years of typical usage from a single pair of batteries (Based on 2 operations per day, 5 days per week, 52 weeks per year).

rAVe [Publications], founded in 1998 by Gary Kayye, is a news organization that provides coverage of the commercial (ProAV) and residential (HomeAV) audiovisual trade industries via e-newsletters, blogs, video, social media, and a variety of other mediums.

About FSR
FSR, established in 1981, manufactures a wide variety of signal management and infrastructure solutions for the audio / video, datacom, education, hospitality, government, and religious markets, including floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and HDBaseT & CAT-X signal delivery solutions.

The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: www.fsrinc.com.

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Public Relations & Advertising
Harriet Diener
845-512-8283 • mailto:harriet@desertmoon.tv

Southwestern Assembly of God U Installs Yamaha NUAGE DAW System

BUENA PARK, Calif.—Located in Waxahachie, TX, Southwestern Assemblies of God University (SAGU) began as a regional bible school and later, added a junior college program. The university has experienced phenomenal enrollment increases from 596 students in 1991 to approximately 2,200 today. In 2013, the academic divisions of the university realigned into three colleges: the College of Bible & Church Ministries, the College of Business and Education, and the College of Music and Communication Arts. All colleges maintain Bible-based curriculum to fulfill the mission of SAGU. Since 2000, SAGU has added 24 new academic programs, bringing the total to more than 60 programs.

Recently, SAGU added a 48-Fader Yamaha NUAGE Advanced Production DAW System, purchased through Audio DAWG of Irving, Texas. The system is installed in a dedicated studio for commercial production that is available for rental and an academic learning lab for Digital Media Arts students. Internships are being offered for students in the program, but they will also have to complete at least one major audio project using the studio, with staff engineer assistance.

“I started using Nuendo 2.0 in 2003 as an upgrade from Cubase SX which I was strictly using for MIDI programming, states John Cookman, Chief Engineer and Director of Media Services and Production. My DAW at the time was a PARIS system that had been discontinued, and I needed a DAW that could keep up with where I was leaving off. Wow! Nuendo really did that and more.”

Cookman purchased NUAGE primarily because he had grown tired of recording/editing/mixing with a mouse and keyboard. “I always sensed that my creativity was being stifled due to the inefficient ways of keyboard and mouse work flow, Cookman says. I had originally planned to purchase a Euphonix system because of its acclaimed integration with Nuendo, but once I demoed the NUAGE at NAB 2013, I decided it was much more practical to buy a console that was specifically made for the Nuendo platform and would also be supported by Nuendo’s parent company, Yamaha. From the first minute I sat down with the NUAGE, I have felt at home.”

The Digital Media Arts BA degree is the path for all of SAGU media students, and the department is moving toward an audio recording degree path. They do offer an audio recording class that is mandatory for all DMA students. Each student will be doing at least one project on the NUAGE. SAGU averages roughly 20 students in the audio recording class per semester.

Technically, SAGU is not a house of worship but they do have daily chapel services. “My department has started up a live and on-demand outlet to view and listen to services (www.SAGU.tv chapel channel), notes Cookman. This is a multi-camera and multi channel audio mix for broadcast TV using our DMA students as student workers. We also do sports broadcasting as well.”

Two main facilities are used for broadcasting, the largest auditorium seats approximately 2,300. During the school year the auditorium is occupied mostly by students. The other auditorium is a new performing arts theater seating 625. “Our NUAGE system is directly integrated to this room so that we can use it as a sound stage to record from,” adds Cookman.

Cookman appreciates the NUAGE state-of-the-art approach adding in the elements of the analog workflow to a digital non-linear workflow. “Now I am able to access the best of both worlds concerning work flow. Yamaha has done an outstanding job at connecting the user to efficient workflow systems. The way they have integrated NUAGE with the DAW (especially Nuendo) has empowered the engineer with hands-on tools that are unprecedented in our industry.”

Specific features that were attractive in SAGU’s decision process were the motorized faders, one-touch navigation to any parameter, and the ability to edit each parameter microscopically with professional grade encoders. “Faders and buttons impact our work environment everyday. Being able to reach over and instantly access channel data makes workflow so efficient. Now, I don’t have to spend time scrolling with my mouse and keyboard keeping me from really getting into that creative zone. The NUAGE is a “Must Have” for every DAW.”

John Cookman has been in the industry for 30 years, and 18 of those were spent in the non-linear DAW world. “Since I started working with NUAGE, I finally feel like I am tapping into the top layer of my potential as a engineer and producer. In May, we released a Christian music project for an outside artist (I was hired to produce and record/edit/mix). Within 45 days, we charted at #10 on the Billboard Hot Christian charts and the next week, we topped out at #8. The artist was the only independent artist in the top 100 at that time. I attribute a lot of that to the flexibility the NUAGE brought us to use more of our creative brain rather than engineering brain.”

Cookman says he is budgeting for a smaller NUAGE setup for broadcast remix in SAGU’s master control room currently using Nuendo.

For more information on SAGU, visit www.sagu.edu.

For more information on Audio DAWg, visit www.audiodawg.com.

For more information on NUAGE, visit www.yamahaca.com.

-END-

PICTURED: John Cookman

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

You Say You Want More Resolution – Renault’s CAVE Raises the Bar for Virtual Reality Design

Paris, France – August 2014…Virtual Reality (VR) technology first appeared on the virtual horizon several decades ago, but it’s safe to say that the past few years have seen a quantum leap in its evolution. With ever-increasing processing power and ultra-high resolution display technologies, the cartoon-ish, low bitrate virtual worlds of yesterday have given way to stunningly realistic environments shockingly close to the real thing. And VR technology has become an integral aspect of so many of our most prolific industries, from military and pilot training, architecture, and medical research, to aerospace and automobile design.

French automobile manufacturer Renault has long been ahead of the curve in embracing new technologies. Most recently, the company has implemented a new CAVE (Cave Automatic Virtual Environment) facility at the Paris headquarters. While other auto manufacturers have also implemented CAVE technology, Renault’s facility boasts the highest resolution ever realized in a VR environment, with five sides of Sony-based imaging that can deliver up to 16k resolution.

Renault partnered with Mechdyne, a leader in VR and visual technologies, to design and implement the new CAVE facility. “Renault approached us to bid on the project, because we had already built a six-sided CAVE of that resolution, and we understood the challenges,” explains Mechdyne’s Richard Cashmore. “They had a very clear concept of what they wanted to do.”

“We wanted to work with a company who could provide us with a holistic, integrated system, including structure, projection, and computers,” explains Andras Kemeny, founder and head of Renault’s Virtual Reality and Immersive Simulation Technologies Group. “While many of the leading manufacturers have provided exceptionally good support and advice, we found that Mechdyne was not bound to a specific technology. They were able to look at the entire technological landscape, and consider combinations of different brands and products. Their approach was very focused on our specific goals, rather than on whatever technology they favored.”

The system includes five sides of Sony SXRD 4k projectors at 5.5k lumens, scalable to 16k — the first 16k VR environment anywhere in the world. “While there were some other options using newer DLP projection, ultimately, the Sony system delivered the fastest performance and the highest resolution, both of which were critical factors,” observes Cashmore.

Kemeny adds, “In this case, the Sony projector Mechdyne specified was originally designed for cinema-based solutions. Calibrating multiple projectors was not something Sony had addressed. Sony provided us some data, and then our engineers at Renault and Mechdyne collaborated for several months to design a calibration protocol. We’ve been quite happy with the results.”

Indeed, the collaboration between Renault and Mechdyne created a powerful synergy. “Originally, the relationship was that of client and provider, but over time it really evolved to where we were all really part of the same team,” says Kemeny.

“I think that’s one thing that’s unique about our approach,” observes Cashmore. “We really try and look at the project through the eyes of the end user. We’re not trying to sell whatever technology we’ve got in stock. We can recommend what we feel is best for them, given their goals and the technologies available.”

Though Renault’s CAVE was initially created for interior ergonomic design, Kemeny reports that the technology has become popular with other departments within the organization.

“One thing that was very exciting for us was the fact that the CAVE was being embraced by various departments within Renault,” he says. “Ultimately, this is enabling us to build a better vehicle.”

In fact, the Renault CAVE has led to discussions with Daimler (parent company of Mercedes Benz) on a new collaborative project. “There has long been a strong working relationship between Renault and Daimler,” says Kemeny.

“The collaboration with Mechdyne has given us the most state-of-the-art facility in the automotive industry,” Kemeny concludes. “It’s a system we can be very proud of.”

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About Mechdyne 
Mechdyne is one of the world’s leading providers of innovative visual information technologies.  We bend technology to our will in ways that transform complex data into insights and ideas.  To ensure our customers succeed, we provide comprehensive, customized solutions that include consulting, software, technical services, and hardware integration.
With offices around the world, Mechdyne serves a global customer base.  Our customers include: leading government laboratories, energy companies, universities, manufacturing and design firms, U.S. armed forces, and other users of visual information technologies.

HOSANNA LUTHERAN CHURCH GOES HI-FI WITH DANLEY

MANKATO, MINNESOTA – AUGUST 2014: Growing with the community since its founding in 1972, Hosanna Lutheran Church is now a cornerstone of religious life in Mankato, Minnesota. With four contemporary services a week, plus one traditional service and plenty of high-SPL youth events, its sanctuary sound and video systems were tapped to provide a huge range of content. Despite having loudspeakers made by a respected manufacturer, intelligibility and low-end extension were poor and a regular source of complaints until recently, when Audio Video Electronics (AVE) (Maple Grove, Minnesota) renovated the system. Citing their excellent fidelity and intelligibility, AVE installed a pair of Danley Sound Labs SH-60 loudspeakers. To give Hosanna Lutheran Church plenty of bass when needed, AVE also gave the church a beefy Danley DBH-218 subwoofer.

“Before AVE’s renovation, we always had complaints,” said Matt Kotthoff, technical director at Hosanna. “The system was muddy, and a lot of our disciples, especially some of the senior members, had a hard time understanding what was being said depending on where they were sitting. Also the system lacked intelligibility and power.” Stefan Svärd, president of AVE, added, “Not only that, the low-frequency extension was simply missing. This was despite its big name components and the fact that it looked like a good system on paper. It simply didn’t translate to real-world performance.”

Svärd designed an elegantly simple new sound reinforcement system for Hosanna. An exploded mono cluster of two Danley SH-60s leverages Danley’s excellent pattern control to cover all of the seating without energizing the rest of the structure. Between them, also on the ceiling, is the Danley DBH-218 subwoofer. Svärd repurposed Lab.gruppen C-series amplifiers for the mains and added a Lab.gruppen FB14000 for the subwoofer. An existing Biamp Nexia and EV-DC1 processor condition the system, albeit less now than with the previous components, as the Danley boxes are naturally flat and transparent. A new Midas Pro 3 mixer gives Kotthoff and his techs control of the system for complex services, and a Crestron control system provides simple control of audio, video, lighting, and HVAC via iPad or iPhone. Finally, a new 8000lumen Digital Projection HD projector gives the congregation crisp imagery.

“I’ve had a lot of experience with loudspeakers from all sorts of manufacturers,” said Svärd. “To me, Danley’s unique designs offer the smoothest, most ‘studio-monitor-like’ performance in the sound reinforcement market. They have accurate phase response, great pattern control, and true hi-fi sound. The Danley DBH-218 subwoofer delivers a lot of clean output, and because it’s horn-loaded, it affords a degree of pattern control. For the youth services, they have that subwoofer shaking the whole building! Together, the whole system sounds phenomenal.”

Kotthoff agrees, “The Danleys sound great! Everything sounds crisp, clear, and clean. Nothing sounds harsh or painful. The intelligibility in the whole worship space is outstanding, everything from feeling the bass guitar rhythm to the clear natural sound of both singing and speaking voices. The DBH-218 subwoofer is awesome, every chance I get I love to crank the kick drum and feel the beat go right through me! I have received so many compliments, from ‘the audio is so clear’ and ‘now that’s an HD presentation’ to things like ‘I got bass in my butt!’ and ‘can you turn it louder?’ The system is amazing! It totally enhances Hosanna Lutheran’s strong music ministry in so many ways!!”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

JOEL HAMILTON RECORDS AND MIXES “PUSS N BOOTS” DEBUT USING ATC SCM25A’s

BROOKLYN, NEW YORK – AUGUST 2014: Puss n Boots is a three-piece, all-female, alt-country band led by singer-songwriter Norah Jones and backed by accomplished vocalists Sasha Dobson and Catherine Popper. All three women learned new instruments for five years before recording their debut album with engineer/musician/producer Joel Hamilton (Tom Waits, Black Keys, Sparklehorse, Elvis Costello) at Studio G Brooklyn. Titled No Fools, No Fun, the album was recently released on Blue Note Records. As co-owner of Studio G Brooklyn with Tony Maimone, Hamilton installed ATC SCM25A three-way reference monitors and ATC SCM0.1-15 subwoofers in Studio A, a change that happily coincided with his first Grammy nomination (Pretty Lights, A Color Map of the Sun), a Latin Grammy nomination (Bomba Estereo, Elegancia Tropical), and a Latin Grammy win (Gaby Moreno, Postales). The ATCs were purchased from Audio Power Tools in New York.

“The ATCs have changed the way I work and improved the quality of my work,” said Hamilton. “I’m lucky to have a nicely tuned control room with an SSL and plenty of vintage outboard gear, and with the ATCs, I’m suddenly able to make decisions that are smaller – and yet more critical – than I have ever been able to make before. I have the ability to resolve a finer shade of the colors I’m hurling at the end-listener, and it’s been a revelation. It’s not a small thing, and that’s why I’m reaching for dramatic words like that. It’s tectonic. The entire continent has shifted.”

The glorious harmonies delivered by Jones, Dobson and Popper are a huge part of Puss n Boots’ magic. They form the emotional foreground. “The balance of those harmonies is crucial,” said Hamilton. “You’ve got these three gorgeous women with gorgeous voices, and they’re all coming at you like gangbusters because they can all project. We recorded everything live to analog tape, including the vocals. That gives a particular nuance to how the instruments sit against the vocals. You can feel the beat push and pull so beautifully. I needed to make sure that all of that nuance would come shining through for the listener. Striking the right midrange balance of those harmonies is critical, and I had to make sure all of that beauty would be immediately apparent to, say, my mom!”

While Norah Jones’ existing albums might safely be described as “polished” and most classic country albums might safely be described as “rough,” Hamilton had to walk the line between those extremes. “The balance is deliberately raw, which is perhaps unexpected by traditional Norah Jones standards, but it also has to be informed,” he said. “We were shooting for a tiny bulls eye, but we also had to make sure that everything felt unfettered and natural; just on the edge of scratchy so that it felt rough but didn’t actually hurt people. With the ATCs, I could find that line and make adjustments with confidence. I could tell where I was overcooking it on purpose. I could dial in just the right amount of ‘road house.’”

With the introduction of the ATCs, gone too is the need to translate for the client how a mix will sound outside of the studio. “After spending a lot of time in front of other monitors, I could tell when certain things would sound bad in the studio but fine outside of the studio,” Hamilton said. “The challenge beyond that, however, was convincing the client that those bad things would be fine later on, which is just one more thing to heap onto the already-skittish nature of an attended mix session. And so clients would ask, ‘why don’t you just get monitors that sound like it will sound like?’ It seems so simple, but of course it’s not.”

Hamilton used to switch between a number of monitors and loudspeakers all day long, but now he just hangs out on the ATCs. Depending on the task at hand, he can turn the ATC subwoofer on or not. “With the sub on and the volume cracked, the ATCs rock and serve as ‘mains,’” he said. “When I’m listening closely and resolving small moves, the ATCs are my nearfields. Either way, I now have complete confidence in what I’m hearing and doing. When a mix sounds good on the ATCs, I know it will sound good everywhere else. With Puss n Boots, we were able to make solid decisions that stuck. We totally avoided the hell of endless revisions!”

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

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