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KanexPro Introduces Mini Audio Amplifier with Mic Mixer

KanexPro the leading A/V Connectivity solutions provider is proud to introduce the Mini Audio Amplifier is a quarter-rack width digital amplifier (Class D) with equalizer control and Mic mixer. It’s a simple yet powerful device delivering 2×20 Watts@4Ohm default output with built-in volume/ bass feature. It also supports dual mono-output with 2 stereo audio selectable inputs. The Microphone mixer includes independent volume control with balance switching. Supports balanced/ unbalanced signals.

This Mini Audio Amplifier is mainly used during lectures, house of worship centers and various musical events where mic mixing together with equalizing audio is critical.
Mini Class D audio amplifier

Features:

• Fast switching audio amplifier
• 2×20 Watt@4Ohm as the default amplifier output
• Bridge connection supported by switching the amplifier to be 1x40Watt@8Ohm
• Supports Dual-mono output
• Built-in Microphone mixer (separately controllable)
• Line audio output, with volume controllable.
• MIC input supports 48V phantom power
• MIC port with balanced switching suppress
• Supports balanced/ unbalanced signals
• Supports Ducking power technology
• Ultra low inrush current
• Two stereo audio inputs, switchable by button, remote or RS232.
• Volume/Bass/Treble controllable by buttons or RS232
• Optional control by IR remote
• Convection cooled, antistatic case design
• LED indicator, for power and operating status
• IR remote (optional) not included
• Internal Universal power adaptable (100-240 volt AC, 50/60Hz)

About KanexPro™

Leveraging our core strength in professional A/V products, KanexPro carries a complete selection of A/V connectivity needs. When planning digital installations you will find that we carry a broad line of A/V connectivity products enabling you to broadcast, extend, split, or multiply HD signal transmissions; simply and cost-effectively.

KanexPro is a registered trademark. All other trademarks and registered trademarks mentioned herein are the property of their respective owners.

Community Ups the Ante with VERIS 2

Chester, PA, September 2012... Community Professional Loudspeakers has announced the second generation of their highly acclaimed VERIS™ (VERsatile Installation Systems) Series. VERIS 2 offers a new range of two-way, three-way, and subwoofer designs created for the most demanding installed sound reinforcement and playback applications.

VERIS 2 is an expanded, evolved collection of 11 new VERIS models, from small-format enclosures for distributed systems, fill and delay applications to mid-sized three-way systems designed for superior front-of-house performance.

VERIS 2 includes some significant enhancements, including newly designed 1-inch exit HF drivers, as well as a newly re-engineered grille design. All models offer improved crossovers, with individually voiced crossovers on 64 and 96 degree models. All smaller VERIS models come standard with a fully rotatable square horn. And Community has added a new subwoofer to the line, the V2-215S dual 15-inch model.

With three ranges of compact, large two-way, and three-way systems, the VERIS 2 series is ideally suited for everything from concert halls, theaters and auditoria to restaurants, pubs, health clubs, and houses of worship.

Four compact models include single and dual six-inch and eight-inch enclosures designed for surface mount or distributed systems. The larger VERIS 2 systems include two-way and three-way models with 12-inch or 15-inch woofers. Larger models are designed primarily for sound reinforcement and playback in mid-sized to large spaces, and are available in multiple coverage patterns for short, mid, and long-throw applications.

Rounding out the new VERIS 2 line are three versatile subwoofer systems, ranging from the compact V2-210S dual 10-inch to the V2-212S dual 12-inch and powerful V2-215S dual 15-inch subwoofer for larger venues.

All VERIS 2 models are available in black or white finishes, and are equipped with threaded mounting points, making them compatible with the full range of accessory brackets available for the original VERIS series. Also available for VERIS 2 is the new Vertical Yoke Bracket that enables precise vertical aiming of all full-range VERIS 2 loudspeakers.

“We introduced the original VERIS Series in 2007, and it has been one of our most well-received and successful lines,” remarked Julia Lee, Community’s Director of Sales and Marketing. “VERIS 2 continues the VERIS legacy of versatility, performance, and elegant design.”

 

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Community Professional Loudspeakers is a manufacturer and supplier of professional audio equipment.  Since 1968, Community has led the pro-audio industry with technological innovations which have become industry standards. Today, Community offers over 150 professional loudspeaker products, including installed loudspeaker systems, weather-resistant outdoor loudspeaker systems, ceiling loudspeakers, high level voice paging systems, and portable entertainment systems.  Visit www.communitypro.com for more information. 

Bridgestone Technical Center Gets Great Sound with Iconyx

Akron, Ohio, September 2012… Akron, Ohio has a long and storied history as the heart of the US tire business. In April of 2012 the city celebrated that proud heritage with the grand opening of Bridgestone Americas’ 260,000-square-foot worldwide technical center. The USD $100m research and development facility was designed by architects Harris/Day to exceed Gold LEED standards, and it shows. The building features wide, open spaces, a “living roof” with gardens and lounge areas, and plenty of natural light thanks to an abundance of glass throughout.

The showcase structure’s east and west wings intersect at a massive three-story atrium area that serves as building’s social nexus. The common space is outfitted with a large video wall, and serves as the hub of the technical center’s communications with the outside world, and with the company’s headquarters in Tennessee.

Of course, three stories of glass, while visually stunning, tends to create a less than optimal acoustical setting. As Gary Matthews of Middleburg Heights, OH-based Audio Video Interiors explains, even with a fair amount of acoustical treatment, the environment was a challenging one.

“It’s a big, open, reverberant space,” he says. “They did a great job in treating the back wall, which helps a lot, but it’s still a large, glassed-in space, with a high level of ambient noise, and intelligibility inevitably suffers.”

The architect’s vision included a desire for low-profile audio and video components, but the design was at odds with that goal. “Their original proposal was for 34 individual loudspeakers hung on walls and on ceilings throughout the area,” says Matthews. “They came to us and asked if there was anything they could do differently, because they didn’t want to see so many speakers.”

AVI’s  recommendation was for three Renkus-Heinz Iconyx steered steered arrays to cover the entire area. “So we got it down from 34 speakers, to three Iconyx ICX7 units built into the video wall, with zero visibility. And the sound coverage is far superior, with no distribution issues and no dead spots.”

With an Ashly Pêma 8×8 amplifier and signal processor already in place, AVI opted for the ICX7 passive system instead of the powered version. “We built pockets for them in the walls, and you can’t even see that they’re there,” says Matthews. A Listen Technologies assistive listening system and a pair of Shure SLX wireless mic systems completes the audio system.

“The Iconyx system was perfect for aiming the sound only at the areas we wanted to cover, and away from the walls and windows,” Matthews concludes.

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Community R-Series at the London 2012 Olympics

London, UK, September 2012….  Community continued the successful track record of its high power R-Series loudspeakers with around 230 systems installed at multiple venues for the London 2012 Olympics, including the Handball Arena, Basketball Arena, Water Polo Centre, Aquatic Centre, Outdoor Water Sports Centre and the Main Olympic Stadium.

Designed for high intelligibility speech and music coverage of large audience areas, the all-weather     R-Series is a first choice for every type of track and arena, including motor sports from F1 and NASCAR to world-class stadia across every continent, and many previous summer and winter Olympic games. The 22 models in the R-Series range provide a comprehensive choice of throw distances and coverage patterns and are used outdoors, from theme parks like Disneyland to the flood warning system of the city of Venice, and indoors at large convention centers and airports.

The five models deployed at the London 2012 Olympic venues were the R2, R1, R.5, R.5COAX and R.25, configured with a variety of dispersion patterns to provide the coverage each location required. The long-throw R2 is a powerful three-way system, comprising dual 12-inch LF drivers, 2-inch M200 midrange drivers and a high compression 1-inch HF. The medium/long throw R1 is a two-way system, comprising a 12-inch driver and high compression 1-inch HF. The R.5, R.5COAX and R.25 are compact systems, the R.5 and R.5COAX being two-way 12-inch units and the R.25 a two-way 8-inch system.

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Community Professional Loudspeakers is a manufacturer and supplier of professional audio equipment.  Since 1968, Community has led the pro-audio industry with technological innovations which have become industry standards. Today, Community offers over 150 professional loudspeaker products, including installed loudspeaker systems, weather-resistant outdoor loudspeaker systems, ceiling loudspeakers, high level voice paging systems, and portable entertainment systems.  Visit www.communitypro.com for more information. 

Updated Edition of Industry Standard Book Released – Show Networks and Control Systems by John Huntington

Author, educator, and industry veteran John Huntington has released Show Networks and Control Systems, the completely updated and revised edition of his industry standard reference text, which was previously titled, Control Systems for Live Entertainment. The book includes an in-depth examination of the control and networking technology used in lighting, lasers, sound, stage machinery, animatronics, special effects, and pyrotechnics used in concerts, theme parks, theatre, themed retail, cruise ships, museums, interactive performing arts, and special events.

“With the increasing impact and ubiquity of networking in our market, I felt a new edition with an expanded networking focus was important,” comments Huntington. “So, I completely reorganized the content; checked, updated, and expanded the information; and added a lot more information. And, to reflect the changes in the market I also changed the title.” There are 30 new pages of material including dramatically expanded show networking technology along with real-world examples for reference and graphical aids have been added to help navigate through the information, as well as a glossary. Huntington has presented the information in a form readable straight through by motivated, independent readers, while also making the structure modular enough to be useful for working professionals, educators, and students. In addition, Huntington is now posting supplemental video lectures for each chapter on his website, www.controlgeek.net.

As in the previous editions, he focuses not on gear, which constantly becomes obsolete, but on techniques and standards, because Huntington thinks it’s critical that people know not only the ‘what’ but the ‘why’ of entertainment technologies. “Though I’ve tried not to be extremely technical, this is a field of ever-increasing technological complexity,” comments Huntington. “It’s important for the average technician to learn how to put together reliable systems and make sure the show actually happens.”
The well-received book is quickly becoming an industry ‘must read’ for both working professionals and educators, as noted in much of the praise of Show Networks and Control Systems:

“We also tell our newly hired engineers that they should be conversant with the entire contents of this book because it covers the core knowledge commonly needed in the design of show control systems.” – Glenn Birket, P.E., President, Birket Engineering, Inc.

“This book is the definitive guide for designing and using network technology across a wide range of live performance applications. It’s a must-read for designers, technicians, and engineers of all experience levels.” – Steve Terry, VP of Research & Development Electronic Theatre Controls

“Most technicians can learn to use show networking and control equipment. They accomplish this by reading manuals and taking classes. Exceptional technicians understand how their gear works inside and out. They accomplish this by reading John Huntington’s book.” – Jason Potterf, Cisco

“John Huntington’s book provides an invaluable introduction to networking for entertainment systems, helping students build a foundation and vocabulary for systems integration across lighting, sound, media, scenery, and more.” – David Boevers, Professor, Carnegie Mellon School of Drama

“This book presents these indispensable techniques and concepts in clear, concise terms and examples. It’s easily the best resource for anyone needing a better understanding of where entertainment control technology is today and where it’s headed in the future.” – Scott Fisher, President, Fisher Technical Services

Show Networks and Control Systems retails for $50 USD and is available through John Huntington’s website at www.controlgeek.net.

Book Information
List Price: $50.00
7.5″ x 9.25″ (19.05 x 23.495 cm)
Black & White bleed on white paper
492 pages
Zircon Designs Press, ISBN-13: 978-0615655901

About the Author
John Huntington, a trusted expert in the field of entertainment and show control, is a professor at New York City College of Technology/CUNY (“City Tech”), and has worked with major companies and venues throughout the entertainment industry, including The Metropolitan Opera, Radio City Music Hall, Production Arts Lighting, Associates and Ferren, Thoughtful Designs/PRG, the Yale School of Drama, and the Tribecca Film Festival. Huntington has had more than 40 articles published in magazines such as Lighting and Sound America, Protocol, Live Design, Lighting Dimensions, TD&T, and Theatre Crafts. He is a member of IATSE Local #1, has a CCENT certification, a New York State Class B Laser Operator’s Certificate of Competence, was a Subject Matter Expert for the PLASA ETCP Entertainment Electrician certification exam, and is an ETCP Recognized Electrical Trainer. He lives and works in New York City and blogs at www.controlgeek.net.

NEW DANLEY SM-80 DELIVERS FIDELITY AND OUTPUT ON A STICK

danley_sm_80.JPGGAINESVILLE, GEORGIA – SEPTEMBER 2012: Danley introduces the SM-80, the latest in its SM-series of lightweight, cost-effective molded-horn loudspeakers. Tom Danley and the crack engineering team at Danley Sound Labs created the SM-80 for anyone who needs loud, and yet highly-articulate sound in a lightweight, portable package. Indeed, the SM-80 weighs in at a mere 65 lbs., a comfortable mass to perch atop more

FSR Releases Product Guide – Holds Prices Steady

Woodland Park, NJ • FSR, manufacturer of audio and video switching, control products, and connectivity boxes, has released its latest Price Guide featuring dozens of new products offered at extremely attractive price points. The Guide includes the Company’s new and comprehensive series of HDMI products, elegant and secure iPad holders and chargers, and the hottest line-up of poke-though floor boxes available!

“Our economy and our industry are recovering,” said Jan Sandri, president, FSR,” and we want to do our part to help the recovery by holding our prices. The price of everything else seems to be going up and we want to help out by not doing the same.”

FSR’s comprehensive array of AV products has been significantly augmented. Expanded offerings take aim at professional installations requiring HDMI support with the recently launched Digital Video series comprised of high bandwidth HDMI extenders, switchers, scalars and distribution amplifiers. The Company is also supporting the proliferation of tablet use for digital signage applications with an easy-to-install enclosure that provides a graceful housing for iPads, and a PoE to USB charger that offers a power option for the enclosure. A new line of poke-through floor boxes offers solutions for both concrete and fire-rated floors.

The new Price Guide is available in paper, PDF, Excel and eZip formats. To request a copy, contact FSR at (800) 332-3771, or send an email to mailto:sales@fsrinc.com for more information.

About FSR
FSR, established in 1981, manufactures a wide variety of products for the audio / video, education, hospitality, government, and religious markets, including AV floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and CAT-5 solutions.

FSR complies with the American Recovery and Reinvestment Act of 2009 and is a woman owned business. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information visit www.fsrinc.com.

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FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com
Press Contact: Desert Moon Communications
Harriet Diener
845-512-8283 • harriet@desertmooncomm.com

Classic Church Gets Modern Update

Brigantine, NJ, September 2012….  Like most of New Jersey’s seaside communities, life on this resort island near Atlantic City is affected by the seasons. In the summer months, the sun seekers and beach lovers help to swell the congregation at St. Thomas the Apostle from 1,000 to more than 3,000 – well beyond what their existing sanctuary can handle. As Bobby Harper, VP of Sales at Egg Harbor-based ACIR Professional explains, the church came up with a creative solution.

“It’s an older structure, and it has some history, and they didn’t want to just tear it down and build something bigger,” says Harper. “So they opted to renovate the original building and also build an event center, which could handle the overflow, as well as other functions.”

The idea of connecting the events center to the sanctuary via audio and video was suggested early on, but a complex digital matrix with touch panels was simply not feasible. “We wanted to create a solution for them that would meet their needs without getting into complex and expensive networking,” Harper explains. In the end, a bit of creativity was all it took.

Using the seasonal population shifts to their advantage, the project was carried out in two phases. “The first summer, they used the (just-completed) events center as just that – a multi-purpose events center,” explains Harper. When fall approached, the event center was pressed into service as temporary sanctuary while the original 1920s-era building was then renovated, expanded, and tied in with the events center via audio and video feeds. “This summer they are finally enjoying it as an expansion space.”

The new sanctuary presented some challenging acoustics. “The sanctuary is pretty reflective inside,” says Harper. “They replaced the carpet with granite and marble, which increased the reverberance.” The addition of naves to the left and right of the altar also impacted the room’s acoustics.

“We decided to go with a distributed system,” Harper continues. “We didn’t want to energize the space with a large system, and we wanted clarity and consistency in coverage.”

The room’s audio includes a pair of Community VERIS 28 dual 8-inch systems at left and right of the altar, with another three VERIS 8 single 8-inch loudspeakers along each side. Yamaha 3500 and 5000 amplifiers power the system. “The church has a full praise band, with drummer, bass , keyboard, organ, a couple of violins and flute, and musicality was an important consideration,” says Harper. “We had been looking into the VERIS systems, and it seemed like a perfect fit.”

System drive and processing is covered by Community’s dSPEC™ networked loudspeaker processor. “The dSPEC is a great piece of gear,” says Harper. “We’re hardly pushing the amps – that’s the beauty of it. We use the dSPEC  to calibrate the limiters on the amps for maximum efficiency with the loudspeakers. And it’s very user friendly. I plugged it in, had no training on it, and had it sorted out in less than an hour.”

A Yamaha MG16 console is installed at the sanctuary’s mix position, with a Yamaha MG24 for the choir monitors. Sennheiser mics and wireless systems cover the choir loft, altar and musicians. A Sony PTZ70 camera captures the service and sends the signal via Ethernet to the event center. Space to the left and right of the altar have been converted into naves, each of which are served by a pair of MX10 compact monitors as wedges. “We custom-painted them to match the wall, and mounted them where the wall meets ceiling,” says Harper. “They look fantastic and they sound great.”

Over in the event center, another Yamaha MG16 console covers mix position. Connected pairs between each of the three consoles enables each to receive aux send audio feeds from the others. As Harper observes, “the system is not quite foolproof, but fortunately the church’s technical personnel are savvy enough not to route things into a feedback loop.”  A smaller 5.1 consumer system covers most of the room’s audio needs, and an Eiki LCWB42NA projector gets the Sony PTZ’s video feed to a ceiling-mounted DaLite screen.

As Harper points out, the event center was conceived from the outset as a multi-use venue, with flexibility a key requirement. “We installed audio I/O panels throughout the room, and they can easily configure the system for whatever event they’re holding. They can take the audio and video feed from the sanctuary, or they can host a power point demonstration, or watch a movie, or Monday night football,” he says. “It also made it easy to configure a portable church while the main sanctuary was under construction.”

While A/V interconnectivity is more often the province of contemporary churches, Harper says the implementation of it in this older, more traditional setting was worth it. “There were certainly some challenges in terms of running cable and working out logistics, but the end result is exactly what we wanted.”

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Community Professional Loudspeakers is a manufacturer and supplier of professional audio equipment.  Since 1968, Community has led the pro-audio industry with technological innovations which have become industry standards. Today, Community offers over 150 professional loudspeaker products, including installed loudspeaker systems, weather-resistant outdoor loudspeaker systems, ceiling loudspeakers, high level voice paging systems, and portable entertainment systems.  Visit www.communitypro.com for more information. 

 

ASHLY AMPLIFIERS PREFERRED IN THE MASKING SYSTEMS OF DYNASTY SOUND

HOUSTON, TEXAS – SEPTEMBER 2012: Leon Cortese is the owner of Dynasty Sound, a Houston, Texas-based company that specializes in providing sound masking solutions for buildings and offices both large and small. Cortese himself has been in the business for over forty years. Now his children and grandchildren work for Dynasty Sound, giving the company’s name a very literal spin. In recent years, Cortese has designed his masking systems using Ashly multi-channel amplification, often with integrated processing, citing its cost-effective pricing, bulletproof reliability, and flexible functionality, not to mention the affable Ashly staff.

“There are a few exceptions, but basically all we do is masking,” said Cortese. “Some people say that’s boring, but not to me. Every time someone says they need a masking system – which is common and becoming more common – my cash register rings!” Cortese has installed literally thousands of masking systems, and today, Dynasty Sound installs between 10,000 and 15,000 loudspeakers a year.

“In the old days, everybody had an office, which made masking much less critical than it is today,” explained Cortese. “Today, companies put people in cubicles, and all of their conversations float throughout that space. Masking serves two purposes. First, it alleviates the potential distractions caused by so many conversations, and second, it brings companies in line with privacy laws. It used to be that companies piped in music to create an ‘environment,’ but music is much more personal today than it was then. If you pipe music into an office of workers these days, you’re pretty much guaranteed to have a large fraction of them hating what you’re playing.” In contrast, employees won’t argue over whether you should play pink or brown noise.

When he started out in the business, the amps that Cortese worked with were all tube-based. He has thus witnessed the tremendous technological advances that led to the modern amplifier. “There are several reasons why we only install Ashly amplifiers,” said Cortese. “First and foremost, they make one of the few eight-channel, two-rack space amplifiers that deliver greater than 125 watts per channel. Using the Ashly ne8250.70pe allows me to install twice as many loudspeakers, and I can avoid buying and installing a separate DSP by using the ne8250.70pe’s optional onboard DSP. It is a tremendously cost-effective solution.” Cortese reports that his company has installed between 400 and 500 Ashly amplifiers and that only one of them didn’t work perfectly right out of the box. “The people at Ashly are wonderful,” he said. “They are very easy to work with and are always ready to lend assistance.”

Every job is different and comes with its own idiosyncrasies and nuances, but they also share many commonalities. For example, a well-distributed masking system requires a loudspeaker for approximately every 144 feet, and except for where architectural concerns prevent it, Cortese places the loudspeakers above the hung ceiling. “Instead of pointing downward like a normal speaker, they point up,” he said. “That way the noise fires up, hits structure, and rains down like a sprinkler.”

Dynasty Sound most recently completed masking systems in the new 28-story building of Hess Oil Company in Houston. Delivering masking to every office space required 28 eight-channel Ashly ne8250.70pe amps and 10 four-channel Ashly ne4250.70pe amplifiers. “For that job, we mostly used loudspeakers that were placed in the sheetrock,” Cortese said. “With Ashly’s optional DSP tools built right into the amps, it’s very quick to install them, give them a quick EQ curve, and rock and roll.”

Now well into his 60s, Cortese shows no signs of slowing his active lifestyle, and his enthusiasm for creating functional masking systems has never been greater.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

SYMETRIX SOLUS 16 AUTOMIXES ST. ANTHONY CLARET CATHOLIC CHURCH

ANAHEIM, CALIFORNIA – SEPTEMBER 2012: The modest sanctuary of St. Anthony Claret Catholic Church in Anaheim, California is of an airy and lovely modernist design. It was at the height of architectural fashion when it was built in the late 1950s and has again come into vogue in the new century. However, its unintelligible sound reinforcement system was hardly state-of-the-art when installed decades ago, and unlike a fine wine, time did not make it sound any better. As the church’s musical ambitions and spoken word requirements grew through the years, Reverend Rudolph Preciado contacted Newport Beach-based 7K Solutions to remedy the antiquated audio. Paul Dexter, owner of 7K Solutions, used an open-architecture Symetrix SymNet Solus 16 processor to create a system with twelve open inputs that could automix itself.

“Reverend Preciado will be retiring soon, and he wanted to do something great for the church before he left,” said Dexter. “The old sound reinforcement system was not performing well. An early-1980s rack of analog processing and amplification that had become ever-more ‘Frankensteined’ through the years drove a ceiling full of eight-inch, full-range loudspeakers.”

When it was constructed, the church used a charming pipe organ as the sole musical source and had only modest spoken word requirements. Today, the pipe organ is joined by a choir and, for some services, by a band that mixes itself on stage. Three microphones cover the choir, and Dexter replaced the band’s old mixer with an Allen & Heath MixWizard. Instead of a boundary mic at the altar, St. Anthony Claret now uses three wireless headset microphones for the priests, one wireless handheld microphone, and four optional podium microphones.

The Symetrix SymNet Solus 16 is an open-architecture, stand-alone unit that provides sixteen mic/line inputs and eight outputs. The routing, logic, and signal processing that Dexter programmed was quite involved and reflected the specific uses and contexts of each input. For instance, the band’s input will not duck for any other input. In contrast, all of the microphones will duck in response to the headset microphones. Dexter used Symetrix’ time-tested auto-gain algorithm on all of the microphones to ensure that individuals with both quiet and loud speaking voices receive ideal reinforcement.

“I started using Symetrix processing several years ago,” said Dexter. “I’m not the sort of person who’s into taking classes and certifications, so I appreciate how really intuitive SymNet Designer is. But things always come up, and I can call the Symetrix support staff any time and speak with someone who is knowledgeable and interested. My question gets answered and I move on. The SymNet Solus 16 was the perfect solution at St. Anthony Claret because I knew sixteen inputs would be ample and eight outputs was all that were needed. The open-architecture programming would allow me to customize the system for the very particular needs of this church.”

In addition to some clever processing inside the SymNet Solus 16, Dexter corrected the intelligibility problem with a generous helping of acoustical treatment and a single, nearly-point source loudspeaker cluster. “The walls, ceiling, floor, and pews are all quite reflective,” he said. “It was originally meant to amplify the pipe organ.” Dexter placed absorptive panels on the ceiling, sidewalls, and back wall, taking care to match colors so that the aesthetic of the church wouldn’t be compromised. He placed several panels on the ceiling near the central loudspeaker cluster so as to minimize intelligibility-degrading early reflections. The loudspeakers are Fulcrum Acoustic DX1265s, powered by Powersoft amplifiers.

Just a single Symetrix ARC-2e wall panel remote provides all of the user control for the system. Dexter fixed the sanctuary’s output volume and then provided ten steps of volume control for wireless microphones (as a group), the podium microphones (as a group), the choir microphones (as a group), and the band’s on-stage mixer. Additional menu pages provide output volume for the choir monitor (which contains all content except the choir mics) and the cry room. Behind the scenes, the SymNet Solus 16 provides additional zone control for the foyer and each main loudspeaker. Zoning out the loudspeaker cluster allowed Dexter to shade and tune each element to deliver even coverage from the front seat to the back wall.

“Taken together, the system is very effective,” said Dexter. “It sounds great, and they don’t need an audio tech on hand. Reverend Preciado tested the system with us, and he walked all around the room, overjoyed by how clear everything sounded. And it’s so easy to use that we never had to provide a formal training session. The Reverend just pushed some buttons on the ARC-2e, and he understood exactly how it works.”

ABOUT SYMETRIX
Sound professionals rely upon the performance, value and reliability of audio mixing, routing and processing products from Symetrix. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

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