A virtual press conference from Sound & Video Contractor

Archive of the ISE Newslink Category

Matrox Maevex Streams Full HD Camera Footage from Hong Kong International Airport to Off-Site Aviation Gallery

Maevex H.264 encoders and decoders selected to distribute high-quality, low-bandwidth video over the existing network infrastructure—simplifying integration and reducing project costs

Matrox® Graphics Inc. today announced that the Hong Kong Civil Aviation Department (HKCAD) has successfully installed Matrox Maevex™ H.264 encoders and decoders to stream live, low-bandwidth, 1080p60 ATC tower camera footage to its HKCAD Education Path aviation gallery 2 km (1.2 mi) away. Selected for its ability to distribute high-quality video at low, user-definable bit rates (100 Kbps to 25 Mbps), the Maevex AV-over-IP platform lets HKCAD present a dynamic air traffic control exhibit to the gallery’s visitors.

AV-over-IP-Hong-Kong-Airport-H.264-Encoders-Decoders

After evaluating several third-party AV-over-IP options, HKCAD brought in local IT solutions provider Amara International Ltd. Amara recommended the cost-effective Maevex encoder/decoder system. Amara demonstrated how the bundled Matrox PowerStream™ software can be used to easily customize the bit-rate limit to the existing infrastructure’s available 8Mbps. As a result, HKCAD was able to stream smooth and uninterrupted traffic footage from a 1080p60 HD camera in Hong Kong International Airport’s ATC tower to the off-site Epson® HD projector, giving gallery visitors a highly engaging air traffic controller experience.

“Pristine image quality, low-bandwidth consumption, high stability…these are the qualities that make Matrox Maevex a unique AV-over-IP solution,” said Miss Michelle Siu, Project Officer at the Hong Kong Civil Aviation Department. “Matrox Maevex was instrumental in helping us stream video over our existing IP network and we are very satisfied with the equipment’s performance so far.”

To read the complete story and view pictures, visit Matrox Maevex Streams Live Airport Traffic Footage to Off-Site Aviation Gallery.

See Matrox Maevex demonstrated live at ISE 2015 (Amsterdam RAI, NL, February 10-12, stand #11-F68).

About Matrox Graphics Inc.
Matrox Graphics is a global manufacturer of reliable, high-quality ASICs, boards, appliances, and software. Backed by in-house design expertise and dedicated customer support, Matrox products deliver stellar capture, extension, distribution, and display. Engineering high-quality products since 1976, Matrox technology is trusted by professionals and partners worldwide. Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/graphics.

NEW HOPE BAPTIST CHURCH BELIEVES IN ASHLY

New_Hope_Baptist_InteriorGRAND RAPIDS, MICHIGAN – NOVEMBER 2014: Founded in 1934 by a small collection of the faithful who opened up their living rooms every Sunday in the bustling Michigan town of Grand Rapids, New Hope Baptist Church has grown to a congregation of over 800 active members. To better accommodate its members, the church recently underwent a comprehensive renovation of its 750-seat sanctuary and associated overflow and ancillary use rooms. A new sound system centered on Ashly Audio processing, amplification, and user control is a centerpiece of the project and gives New Hope congregants exceptional intelligibility for spoken word, along with musical transcendence for the New Hope band and praise choir. Critically, the Ashly gear came in at a price point that allowed the church to meet its needs reliably, without breaking the project’s budget. Pro Audio Inc., of nearby Grandville, Michigan designed and installed the system for New Hope Baptist Church.

“The performance of Ashly gear is top-notch and yet its cost is very reasonable,” said Ken Reinecke, owner of Pro Audio Inc. “That’s a rare combination. In terms of sound quality, Ashly’s processing and amplification is transparent. What goes in is what comes out, plus whatever dynamics or equalization I’ve dialed in. And the gear can run at 96kHz for super critical situations. Programming Ashly’s Protea DSP platform is straightforward. I just drag and drop whatever processing I need, and drag appropriate inputs to appropriate outputs. Linking groups is also handy. Ashly gear is also tremendously reliable – it basically never breaks or fails.” Because space at New Hope Baptist Church was at a premium, it also helped that Reinecke could fit all of the system’s processing and amplification in just six rack spaces.

A new Soundcraft Si Performer 3 console serves as the user interface in the sanctuary itself. From there, an Ashly ne8800 8×8 Network DSP Protea™ Processor handles all of the loudspeaker settings for the sanctuary’s new JBL VRX928LA eight-inch, two-way line array system with JBL 915S subs. The stereo line array is powered by a single Ashly nXe 3.04 network four-channel amplifier rated at 3,000W per channel, providing ample power to the main sanctuary system. Additionally, output from the console feeds an Ashly Pema 8250 combination 8×8 Matrix Protea processor and eight-channel 250-Watt amplifier. The Pema 8250 takes additional inputs, such as wall jacks for microphones or music players that are located in the narthex and other out rooms. The versatile eight-channel Pema 8250 handles all of the audio routing, signal processing, and amplification for New Hope Baptist’s two nurseries, its nursing room, the bathrooms, and the narthex.

Four Ashly WR-5 programmable wall-mounted remote controls located strategically around the out rooms provide customized, intuitive control of those inputs, as well as of the sound from the sanctuary. “The nice thing about that arrangement is that folks can make changes in all those rooms without bothering the sound tech,” said Reinecke. “While the main system is controlled entirely from the Soundcraft console, the church staff can use the mic inputs and the Ashly WR-5 remote controls to play music or have a standalone PA for meetings and small events in those out rooms.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

ASHLY AUDIO MULTI-CHANNEL 25-VOLT AMPLIFIERS PROVIDE A COST-EFFECTIVE ALTERNATIVE TO A 70-VOLT SYSTEM WITH CONDUIT AT DENISON HIGH SCHOOL

Denison_High_SchoolDENISON, TEXAS: Denison High School in Denison, Texas recently completed a new 300,000 square-foot building to accommodate its 1,250-plus students. Although packed with the latest in academic technology and the sort of architectural features that both provide comfort and encourage learning, the new building faced cost overruns and a budgeting challenge that required creative thinking on the part of its subcontractors. Among them was a plan put forward by local A/V integrator Batts Audio, Video & Lighting to jettison a 70-volt announcement/bell system (and all the expensive conduit it would require!) for a distributed amplifier system running a 25-volt announcement/bell system. Based around eight 8-channel Ashly Audio ne8250.25pe Network Amplifiers with built-in Protea™ DSP processing, Batts AV&L gave Denison a reliable, high-quality system for a fraction of the cost of the proposed 70-volt system.

“The issue was that the new school was coming in way over budget,” explained Jeremy Pilcher, vice president of operations at Batts AVL. “It was recommended to them by the construction manager at risk, as well as by a third-party construction manager, that many items be brought back under the umbrella of the district’s responsibility, such as classroom projectors, cafeteria/gym/video room projectors, auditorium technology, and the announcement system. We have an established relationship with the district, and we became responsible for all of it.”

The most vexing problem was the announcement/bell system, which called for a 70-volt system run through conduit throughout the building. “We ran the costs/benefits on using 25-volt amps distributed throughout the building that could power loudspeakers without necessitating conduit,” Pilcher said. “Sure, we needed more amps, but even after accounting for that, the cost savings was substantial. Ashly Audio is the industry leader in multi-channel 25-volt amplifiers. They are extremely cost-effective, especially with optional on-board processing, and are well-known for their reliability.”

The system begins with a dedicated paging system with analog outputs to trigger different zones. Those triggers and the voice signal travel to the eight Ashly ne8250.25pe amplifiers, which are placed strategically throughout the school. Each amplifier’s eight channels powers delivers 250 watts output to multiple zones of 25-volt Quam-Nichols loudspeakers, and each separate channel can constitute a separate selectable paging zone. The Ashly ne8250.25pe amplifiers also provide modest equalization, delay and limiting using the optional on-board Ashly Protea processing. “All together, using Ashly’s 25-volt amplifiers provided a functionally and cost-effective solution,” said Pilcher.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

GRAMMY AWARD-WINNING PASTOR OPTS FOR DANLEY AT VICTORY CATHEDRAL WORSHIP CENTER

Victory_Cathedral_Worship_Center_1BOLINGBROOK, ILLINOIS: Pastor Smokie Norful founded Victory Cathedral Worship Center in Bolingbrook, Illinois in 2005, the same year he won a Grammy Award for Contemporary Soul Gospel Album of the Year for Nothing Without You. He is one of the country’s top gospel artists, and his credits include several gold and platinum albums, dozens of awards and nominations, and numerous high-profile performances, including a performance at the White House in celebration of Black Music Month. When Victory raised funds for its first permanent sound system, Norful scrutinized the options, using his unique perspective to articulate exacting requirements. The Chicago branch of Advanced Systems & Technologies (AST) designed and installed the new system, which centers on Danley Sound Labs loudspeakers and subwoofers for the main house system, the delay system, and on-stage monitoring.

“Victory Cathedral Worship Center seats 1,500, and Pastor Norful fills it to capacity for two services every Sunday,” said Terry McCarthy, systems specialist with AST. “Due to cost overruns with the building’s original construction, the church had to put a new sound system on hold. They leased for many years, and when they were ready to install a permanent sound system, they wanted to do it right. Pastor Norful was very particular and we made it a priority to team up with his staff to insure that every detail was covered. We took the staff around to various installations in the Chicago area. They hadn’t recognized the name Danley Sound Labs at the outset, but when they heard it, they knew that Danley was their obvious favorite. “The first thing our customers notice when they hear Danley is great sound, plain and simple. And then, as they walk the room, they experience great coverage to every seat.”

The main system is comprised of two clusters of three Danley SH-46 full-range loudspeakers per side for true stereo coverage. Two massive coupled Danley DBH-218 subwoofers hang from the ceiling just in front of the stage. Three Danley SH-69 full-range loudspeakers provide LCR delays, two-thirds back from the stage, which give excellent representation at the mix position. Finally, four molded-horn Danley SM-80s provide incredible stage monitoring and two, flown, molded-horn Danley SM-96s cover the choir.

“AST started working with Danley Sound Labs based on Danley’s excellent sound quality, deep bass, minimal necessary processing, and unparalleled pattern control,” said McCarthy. “Taking clients on tours of our Danley installations is the best way to demonstrate the quality that we can deliver.” Moreover, Danley offers excellent service and product support – including design assistance – which is essential. As we focus on a broader class of technologies these days – sound, video, lighting and acoustics – our clients greatly benefit from this high level partnership.”

The system includes 64 channels of digital audio distribution, with Allen & Heath and Dante, including consoles at front-of-house, a complete audio suite, and a customized personal monitor mixing system. Powersoft K Series amplifiers provide power and processing for the mains. QSC PLX Series amplifiers and a Danley DSLP48 System Processor power and distribute to the stage monitors and delay fills. In addition, AST designed and installed full HD-SDI video production and presentation systems. The system includes three large video screens, six camera locations, independent IMAG control at FOH and a complete video suite and control room.

Pastor Norful and the rest of Victory’s staff and congregation are very pleased with the new system. “Smokie said it was a ‘home run’ and that it met and exceeded their every expectation,” said McCarthy.” The greatest feeling in the world when you finish a project is in the knowledge that you’ve delivered an outstanding product and that your research and hard work has paid off. They’re very happy and we are extremely proud to have served them in this capacity.” AST also provided extensive training for the staff and volunteers and the church is currently planning a new children and youth center that will utilize Danley Sound Labs loudspeakers and subwoofers as well.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Advanced Systems and Technologies, AST • www.soundvideolighting.com
Dallas/Ed Butler: ed@soundvideolighting.com • Chicago/Terry McCarthy: terry@soundvideolighting.com

ROLL TIDE! ALABAMA’S 100,000+ BRYANT-DENNY STADIUM CONVERTS FROM LINE ARRAYS TO DANLEY

DCIM100GOPROTUSCALOOSA, ALABAMA – NOVEMBER 2014: The University of Alabama’s Crimson Tide – among the most storied and winningest college football teams in the nation – plays all of its home games at 100,000-plus seat Bryant-Denny Stadium in Tuscaloosa. Pleased with the authoritative performance of its on-field sound reinforcement system – a single Danley GH-60 Genesis Horn paired with a single Danley TH-212 subwoofer – the university agreed with design and installation firm Baker Audio Visual (Norcross, Georgia) that Danley Sound Labs loudspeakers and subwoofers should replace the existing sound system to cover the entire stadium. Constrained by an aggressive timeline that necessitated reusing existing hang points, Baker AV installed Danley’s new weatherproof OS-80 loudspeakers and OS-115 subwoofers in the upper bowl and Danley’s seasoned SH-96HO loudspeakers (with additional OS-80 loudspeakers for down fill) in the lower bowl.

“We only had a short window to complete the design and installation once the athletics department gave us the go-ahead,” said Joe Schuch, vice president of Baker AV. “We had a similarly short window at Turner Field, home of the Atlanta Braves, where Danley Sound Labs delivered over four hundred custom loudspeakers within six weeks to make that job a success. At Bryant-Denny, we worked with Mike Hedden, Danley president, on a solution that would work within the constraints of the existing infrastructure. There was not enough time to engineer new solutions or to modify loudspeaker locations. We worked through Danley’s catalog of form factors to build an appropriate solution.” In part because Danley builds all of its loudspeakers and subwoofers in the USA, it was able to meet the deadlines at Bryant-Denny while simultaneously meeting deadlines at the Kentucky Derby’s Churchill Downs. Hedden reported that, between the two, the company produced between four and five hundred loudspeakers in just four weeks.

Alabama_Stands_SpeakersThe upper bowl now gets coverage from forty distributed Danley OS-80 weatherproof loudspeakers (two at each of twenty locations), which will remain impervious to the elements for decades to come. Every other OS-80 cluster is paired with a Danley OS-115LF weatherproof subwoofer for low-end support. The lower bowl uses twenty-four clusters, each comprised of a Danley SH-96HO for main coverage and a Danley OS-80 for downfill directly below the main loudspeakers. The OS-80 is rolled off at 250Hz and thus primarily aids in spoken word intelligibility. Similar to the end zones, all of the Danley products in the upper and lower bowls deliver better coverage with substantially fewer and/or lighter boxes, making it possible for Baker AV to install the system without taking valuable time to recertify the hangs.

After a few days tuning the system, Baker AV and Danley specialists fired up the system for the university. “The Athletics Department thinks it is a night and day improvement,” said Schuch. “The Danley system is more musical and has better intelligibility. The low-end output throughout the stadium blew them away.” Hedden added, “With the Danley system, Bryant-Denny gets better coverage, higher output, greater fidelity, and deeper bass all with a fraction of the cabinets, (38 Danley Synergy Horns replaced 128 line array cabinets) weight was reduced by several tons, and our system required 52 less amplifiers and signal processing than the old system. Our company offers the highest efficiencies, which translate into fewer devices required, making us the greenest manufacturer on the market. To me, it’s a huge affirmation that we’re doing the right thing and building a better mousetrap. With Danley systems in many of the biggest stadiums in the country – Green Bay Packers’ Lambeau Field, Buffalo Bills’ Ralph Wilson Stadium, LSU’s Tiger Stadium, Penn State’s Beaver Field, MSU’s Spartan Stadium, and now Alabama’s Bryant-Denny Stadium – we hope the tide is turning on the industry’s line array funk. Roll Tide!”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

InfoComm Announces University Days in Cardiff & London

InfoComm International®, the leading trade association representing the audiovisual and information communications industries worldwide announces two InfoComm University™ Days to 18th November at the Thistle Cardiff City Center and 20 November onboard the HMS Belfast, London.

Cardiff and London University Days are supported by Canon Europe. The London University Day is supported by Audio-Technica.

Chris Lavelle, Regional Director, UK & Ireland at InfoComm International said: “We’ve got an amazing line up of expert speakers who will present informative and topical issues. Interested parties are encouraged to sign up as early as possible.”

Each day will be a full day of education covering topics including networked microphones to the behavior of light in projection, LED video wall displays, cloud computing, big data and a look at InfoComm’s new AV Systems Performance Verification Guide. Each event will be followed by a networking reception to reflect on the day.

Certified Technology Specialist holders can earn CTS® renewal points. Each event is free to InfoComm members and includes lunch.

There will be prize giveaways for delegates including a compact digital camera from Canon at both events and pair of Audio-Technica headphones at the London University Day.

Viewing the full schedule is highly recommended. Please visit:

Cardiff – http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/40438.htm
London – http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/40532.htm

Margarita Mix of Santa Monica Adds Fourth Fairlight EVO System

Sound Mixer Paul Hurtubise at the Fairlight EVO Audio Production System, Margarita Mix, Santa Monica, CA.

Sound Mixer Paul Hurtubise at the Fairlight EVO Audio Production System, Margarita Mix, Santa Monica, CA.

SANTA MONICA, CA (Nov 3, 2014) — Margarita Mix of Santa Monica, a FotoKem company specializing in audio post services for commercials and advertising media, has installed a fourth Fairlight EVO integrated audio production system for their award-winning team of sound designers, mixers and composers. With the upgrade, the facility’s accomplished sound mixers Paul Hurtubise, Jimmy Hite, Nathan Dubin and Jeff Levy are now working on identical audio post platforms in their HD mixing suites.

“The facility was already working extensively on Fairlight, and after careful evaluation and testing, I made the transition,” says Hurtubise, who joined Margarita Mix in late 2012 with over 20 years of experience in commercial audio post.

Having used a number of platforms over the course of his career, Hurtubise notes, “I simply think Fairlight sounds better. It’s less fatiguing on the ears, and I seem to hear things more clearly and definitively.

“The EVO workstation is also very ergonomic and easy to operate,” he adds. “I feel like I’m on a system that’s been developed for humans to work on. EVO’s jogger fits my hand, and its keyboard fits my fingers. I’m running sessions more efficiently because I’m not as focused on all the clicking.”

Hurtubise also points out that the graphic displays are less fatiguing. “It’s much easier for me to be on the Fairlight all day. I noticed immediately that I wasn’t as physically tired at the end of the day. The displays are comfortable to work on, too.”

According to the talented mixing team at Margarita Mix, there are plenty of features to like about the system. They like that the picture has a home in the system, versus floating around the screen. “The picture’s right there when I want it—I love the Pyxis,” Hurtubise says of the dual-channel HD video recorder that is integrated into EVO as standard. “I also like the streaming Pyxis video frames along the bottom of the timeline display, and being able to see the picture frames before and after the playhead. This way, I can see how many frames I have until my next edit.”

When the mixers need to face the voiceover booth with a script in front of them rather than face the EVO surface, they’ve created a macro that puts “Record” on different sides of the controller so that it’s ergonomically easier for them. Fairlight’s one-button record function also helps in VO sessions when the talent starts to speak. “We don’t want to interrupt them; if we press our ‘Record’ macro button, the disk recorder immediately stops one take and goes right into another one in the span of a 1/10th of a second,” Hurtubise explains.

Custom fader sets are another admired attribute of the system. “I’ve never been on a system where I can so easily lay out faders to my liking,” says Hurtubise. “Sometimes I’m knee deep into a session and I really wish I had my beeps next to my mic, right next to my music stem, right next to my sound effects stem, next to the dialog stem next to my headphone send—then I can mute and level them very easily. I can create that quickly with Fairlight.”

There are several features on the Fairlight that the Margarita Mix team hasn’t had available on previous DAWs. “For example, I like the way Fairlight solos tracks: I can solo a set of tracks, un-solo them by holding control and pressing one button, and then re-solo that same set by pressing one button,” Hurtubise reports. “I like being able to memorize zooms. Say I have 128 tracks with 70 music stems and 40 sound effects stems. I can zoom to the music tracks and store it in U1; I can go to the sound effects tracks and store that in U2. If I hear something in the music I just press U1, and instantly I’m looking at the music stems. It is super easy.”

All four Fairlight operators at Margarita Mix use similar console control templates for uniformity. Nathan Dubin has been at Margarita Mix for over a decade recording VO, mixing for television, ADR recording for film and commercial mixing for TV and radio that has earned several industry accolades. Working with clients such as Nissan, Activision, Disney, AT&T, Kaiser Permanente, and UPS, Jimmy Hite has over 30 years of experience in sound mixing for the commercial and advertising industries, and has won numerous awards throughout his career. Paul Hurtubise focuses on commercial mixing as well as ADR and commentary recording. His recent credits include spots for Google, eHarmony, Old Navy, Hyundai, and Toyota, among others. Jeff Levy has been part of the team for 20-plus years, also earning multiple awards for mixing and sound design.

About Fairlight:
Fairlight has been designing, engineering and manufacturing cutting edge, professional digital audio technology for more than 30 years. Its dedication to innovation, quality and customer service has made Fairlight one of the most respected companies in professional audio. With their integrated control surfaces and intuitive user interfaces, Fairlight’s award-winning media creation tools are renowned for their speed, flexibility and exceptional sonic quality. The company’s products offer full compatibility with virtually all open audio, video and sync standards, making them ideally suited to a wide range of audio post and live broadcast applications. To learn more about Fairlight please visit www.fairlight.com.au

FairlightUS Inc. is the exclusive North American distributor for Fairlight products. For more information visit: www.fairlightus.com

API’s BOX BRINGS BIG CONSOLE SOUND INTO SMALL SPACES

John_FishellMUNCIE, INDIANA – OCTOBER 2014: Assistant Professor John Fishell teaches music media and production at Ball State University in Indiana, but enjoys recording from his home. In order to get a large format sound in the small space, Fishell turned to Vintage King and the BOX console from API. The BOX was the perfect size for Fishell’s small footprint requirement, considering his entire studio is located in the second bedroom of his apartment. However, the footprint of the console is the only thing he finds small about it. When asked what advice he would give to others considering a BOX of their own, Fishell responded: “Brace yourself, you are playing with the big boys now. With API, there should be no such thing as puny-sounding tracks. The built-in compressor is powerful, yet easy to use and makes a difference.”

In addition to the BOX, Fishell has accumulated quite the API collection, including six API 550b EQs, four JDK V14 EQs, and twelve API 225L compressors. He says his first experience with API gear was when he was a student himself at Omega recording studios in Rockville, Maryland. There he got to work with a 2488 in the B room, and he’s been a fan ever since. When he decided on the BOX himself, no other company would do. “I was very happy with my modular API DSM system, and I knew I wanted to stay with their summing. The features like the built-in 550A made me lust after the BOX. I was able to seamlessly integrate API outboard gear that I already owned through inserts and patch points.” Fishell has worked as independent engineer, producer, and musician since 1993. He has also worked full-time at James Madison University, Middle Tennessee State, University of Colorado at Denver, American University, and now Ball State.

At home, Fishell primarily focuses on rock and jazz, occasionally working on classical music as well. Even though he has only had the BOX installed for a few months, it has already recorded almost a dozen different artists such as Dave Liebman and Mike Stern. When he compares it to other consoles, Fishell will argue that the BOX holds its own: “The BOX has the same ‘mojo’ and coloration of API’s bigger consoles, so I can compete with other pro mix facilities in the comfort of my small apartment. It does a great job – better than mixes that stay in the ‘digital box’. Even classical and jazz projects benefit from the ‘muscle’ that API gear provides.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608, and the BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

DANLEY DOES DOUBLE DUTY FOR RICHWOODS CHRISTIAN CHURCH AND SATELLITE LOCATION

Richwoods_ExteriorPEORIA, ILLINOIS – OCTOBER 2014: Richwoods Christian Church was founded in the late 1990s by pastor Jim Powell in Peoria, Illinois. Its congregation was initially small, a scant sixty-five people, but those congregants were motivated to grow the church. They succeeded, and today Richwoods Christian Church brings 1,400 people together every weekend, spread across four services at two locations. The larger location built its current sanctuary in a former high-end furniture store, where, despite low ceiling height, local A/V integration firm Advanced Audio and Lighting gave the church a highly-intelligible and musical sound reinforcement system based on Danley Sound Labs SH-50 full-range loudspeakers and TH-115 subwoofers. Not wanting to compromise at the satellite location, Richwoods Christian Church asked for Danley again. There, a collapsible system of self-powered Danley SH-96 loudspeakers and TH-118 subwoofers meets that goal.

“Everyone we worked with at Richwoods had a clear vision of what they wanted to achieve without getting overly involved in the nuts and bolts of how it would be achieved,” said Trent Keeling, vice president at Advanced Audio and Lighting. “Quality audio was high on their priority list. They wanted a system that would deliver their very contemporary praise and worship style with authority. Because there’s a lot of musical talent in the church, they needed something that would serve everything from orchestral music to a five-piece rock band, on top of having excellent intelligibility.”

Richwoods_PerformanceWhile the church’s new location in a former furniture store would serve it well in terms of location and accessibility, it was not ideal for sound reinforcement. There was only a nineteen-foot distance between the floor and the low steel, which was compressed even further by a modest stage and drop ceiling. “That’s not a standard hang height,” laughed Keeling. “One of Richwoods’ signature programs is its Christmas pageant, which involves, at various points, up to thirty children running around stage with open omnidirectional lavalier mics. If we could place the PA twenty-five feet up and twenty-five feet forward, then just about any loudspeaker could pull that off. But here we were going to be right above the stage, sixteen feet up. That’s where you separate the men from the boys.”

Keeling’s solution was to cover the room with four Danley SH-50 full-range loudspeakers, two close-packed on each side of the stage. “Danley’s Synergy Horn loudspeakers, like the flagship SH-50, have excellent phase coherency and precise pattern control down to 350Hz and lower,” he said. “Because of that pattern control, the SH-50s can be right above the stage without collapsing into feedback. In addition, the fact that the SH-50 is a three-way enclosure gives Richwoods great vocal intelligibility.” Two flown Danley TH-115 subwoofers provide low-end support. The system is nominally stereo, but because the six hundred-plus seat room is so wide, the techs are “discouraged from doing any hard panning,” in Keeling’s words. Biamp Audia provides modest processing, Lab.gruppen amplifiers power the system, the FOH desk is a Yamaha M7, and Shure microphones provide input.

The church was so pleased with the quality of its Danley sound reinforcement system that it motivated the approach they took to designing a satellite location, Richwoods East. “They recognized that the quality of their services was an important component of Richwoods’ success,” said Keeling. “They wanted the satellite to live up to the quality of the ‘Mother Ship’.” The 500-member congregation of Richwoods East meets at an Embassy Suites ballroom using a portable, plug-and-play system. Keeling maintained the ‘Mother Ship’s’ quality by designing a ground-supported system of two self-powered Danley SH-96s and two self-powered Danley TH-115 subwoofers.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

DIGGERLAND USA: FIRST CONSTRUCTION-THEMED ADVENTURE PARK BUILT UPON ASHLY

Diggerland_USAHAMMONTON, NEW JERSEY – OCTOBER 2014: Diggerland USA is the country’s first construction-themed adventure park, allowing children and their families to operate real construction equipment in a safe environment. The 14-acre park is located adjacent to its sister attraction, Sahara Sam’s Oasis, in New Jersey in the suburbs southeast of Philadelphia. Spellcaster Productions of nearby Hammonton, New Jersey designed and installed the system on a very tight timeframe; from land clearing to opening took just six months. An Ashly Audio ne24.24M modular Protea™ matrix processor outfitted with twelve inputs and twelve outputs provides all of the equalization, delay, ducking and routing for Diggerland USA, and seven Ashly KLR-3200 amplifiers power the park’s seventy-plus Community loudspeakers. Ashly’s networked neWR-5 wall-mount user control allows staff members to adjust input and volume within a given zone, and Ashly’s iPad app gives management complete control of the park’s audio from anywhere via Wi-Fi.

“While I was working on this project, our Ashly rep stopped by,” said Mike Shafer, project manager of Spellcaster Productions. “I showed him what we were up to, and he suggested the ne24.24M processor and the KLR-3200 amplifier. I did my homework and realized that moving to Ashly would save the client some money and would give us all the functionality and power we needed. We also designed and installed the sound system at Sahara Sam’s Oasis, and the client wanted to be assured Ashly would meet the same standard. I assured him that Ashly has been making quality equipment for over thirty years and that they are well known for their reliability. Ashly’s five-year warranty and my positive experiences assured him.”

The sound system permits Diggerland USA to play background music and advertisements, either of which will duck for pages made from a Shure wireless microphone or from the park’s phone system. All of the input sources feed the Ashly ne24.24M processor, which in turn feeds a rack of seven Ashly KLR-3200 two-channel amplifiers. The KLR-3200 is rated at 1600W into a 2 Ohm load, 1100W at 4 Ohms or 800 Watts per channel into a 70V line. This versatility makes it a perfect choice to power the Community Sound-centric loudspeaker system. Community D4LP loudspeakers cover indoor areas with low ceiling height, Community DP8 pendant loudspeakers cover a food pavilion and an arcade, and Community R.15 and R.35 loudspeakers throw from light poles to cover the vast outdoor spaces.

Diggerland_USA_ArcadeThe Ashly Remote App for the Apple® iPad or iPad Mini is used to provide the theme park management team with a customized wireless remote control. “I arranged it so that the app’s home page lists each zone with a radio button to select the input source,” said Shafer. “That, together with a volume slider for each zone, allows them to do everything they need to do. Because we gave them Wi-Fi throughout the park, they can make adjustments right there in the park – no walking back and forth to an equipment closet.” For staff within the arcade, the picnic area, and the concession stand, Shafer installed Ashly neWR-5 wall-mount remotes, which allow input selection and volume selection.

“The installation was smooth and straightforward,” said Shafer. “Programming the ne24.24M was easy – just a matter of connecting the right nodes and then tuning the system. Even some of the less common requests were easy, like a real-time page from a security monitoring company for afterhours if the park’s security system detects movement. The page warns intruders that the police have been called. Since the opening in June, we’ve been back to adjust things as they’ve determined how exactly they want things to function.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

November 2014
M T W T F S S
« Oct    
 12
3456789
10111213141516
17181920212223
24252627282930

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication