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PURE GROOVE SYSTEMS TAKES DANLEY TO THE DANCE!

Pure_Groove_DanleyLOS ANGELES, CALIFORNIA: In less than a decade, Danley Sound Labs has revolutionized the fidelity and efficiency of sound reinforcement in houses of worship and, more recently, arenas and sports venues. The key to that revolution is the innovative loudspeaker and subwoofer designs of Tom Danley, who spent his early years inventing electro-acoustic solutions for NASA and holds seventeen patents, only a fraction of which are for music reproduction devices. He is a broad and deep thinker, and the patented Synergy Horn and Tapped Horn technologies, upon which Danley Sound Labs products are based, cleverly sidestep the compromises that are inherent to conventional loudspeaker and subwoofer designs. Simply put, Danley devices sound glorious at any volume, with rich, honest bass and pleasant midrange. Moreover, the efficiency of Danley devices allows that better fidelity to happen with vastly fewer boxes (and thus with vastly fewer amps and processing). With the help of Pure Groove Systems, Danley Sound Labs plans to expand its revolution to the world of dance music.

“I know the current dance music industry standard, and Danley smashes it,” said Damian Murphy, founder of Pure Groove Systems and president of Liquified, the dance music and festival production veteran. “I thought I had heard ‘great’ systems before, but now that I’ve heard Danley, I realized that audiences were settling for something that isn’t that great.’ I feel that it’s my duty to get promoters, artists, and fans the true sound they deserve,” said Murphy. Pure Groove Systems distributes, rents and demos Danley products globally.

Danley Sound Labs made its first inroad in the house of worship market in part because that’s where the heart of company president Mike Hedden resides, and the company’s current expansion into the arena market comes with considerable insider knowledge. They lacked that connection to the dance music industry, however. “Danley approached me and suggested a demo for a show we were doing in the Atlanta area,” said Murphy. “They sent Ivan [Beaver] and Chad [Edwardson] with a system to cover 1,500 people. It was just four boxes – two tops and two subs. I admittedly, was dubious, but they assured me it would be more than enough.”

Murphy continued, “They were right. It was plenty loud. But more importantly, it sounded rich, clean, and powerful. It was immersive and no matter what was playing, I felt like I was inside the track; and I wasn’t getting my head ripped off, either, despite the volume. The advantages didn’t end there. The consistency of sound was also unparalleled. No matter where I went on the dance floor or on any of the venue’s three balconies, I heard the same enveloping sound. It was unlike anything I had heard in my 25 years in the industry. It was very special.” Murphy reports that all of the numerous Danley systems he has since been a part of share those qualities.

The second characteristic of Danley’s designs – efficiency – is also a huge advantage in the dance music industry. “We put up a twenty-box Danley system at a 12,000 person stage at the Lightning In a Bottle Festival,” said Murphy. “An adjacent stage used over 170 conventional boxes to cover a comparable crowd, and their sound was no where near as good as ours. Danley’s efficiency scales, too. Fewer boxes means less time and/or people rigging, fewer amps, less processing, less electricity, smaller trucks, less fuel, and so on. And the fact that the efficiency comes with a dramatic improvement in sound quality… well, you can see why I’m excited to move the industry toward Danley.”

Since its establishment in January 2014, Pure Groove Systems has provided Danley systems for several festivals. At Miami Music Week, forty of the world’s top DJs played to 15,000-plus people, over five days, using two Danley J1 Jericho Horns and two Danley BC-415 subwoofers. The previously mentioned “Lighting In a Bottle” Fest used four Danley J1 Jericho Horns, two Danley SH-96HOs, eight Danley BC-415 subwoofers, and six Danley TH-118 subwoofers. The system performed flawlessly fourteen hours a day through the extreme heat and dust of the California desert. Despite rain at Amsterdam’s “Lost In a Moment” outdoor event, DJs kept more than 4,000 people packed on the dance floor using two Danley J1 Jericho Horns, two Danley SH-96HOs, two Danley TH-812 subwoofers, and two Danley BC-415 subwoofers.

“Working with the Danley team has been inspiring,” said Murphy. “They’re justifiably confident in their products, but they welcome feedback and are constantly looking to improve. The products sound amazing with any type of musical genre, electronic, rock, pop, classical, etc. I’m devoting myself to traveling the world with these systems to make an impact in my industry. We sell and rent Danley systems or demo them to potential customers in the right situation. I’m willing to do that because I’m confident that once people hear a Danley system, they’re going to want to buy it. There simply is nothing comparable to the clarity and power of these speakers. The difference is obvious.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

FOR MORE INFORMATION ON PURE GROOVE SYSTEMS, VISIT: Web: PureGrooveSystems.com • Twitter: @PureGrooveLabs • Facebook: PureGrooveSystems

Two Symetrix Jupiter 8 Turn-Key DSPs and ARC-WEB Control Technology Power Corner Entertainment

1919HOUSTON, TEXAS: Corner Entertainment is a recently-opened entertainment constellation located in Houston, Texas. It features a restaurant (Corner Table) a bar/nightclub (The Oak Bar), and a second wine and mixed drinks bar (1919). Though distinctly named, the three concepts flow together, both physically and in the vibe that unites them. That vibe is perhaps best described as high-class, but relaxed. Though the aesthetic and the quality of the libations and cuisine might justify it, Corner Entertainment is decidedly not stuffy. Houston-based integration firm LoGo Audio Video Music designed and installed Corner Entertainment’s high-performance, cost-effective audio system using two Symetrix Jupiter 8 fixed architecture standalone DSPs with smartphone control for the managers provided by Symetrix ARC-WEB.

“For small- to mid-sized installations, the Symetrix Jupiter is the only processor I’ll use,” explained Jay Gonzalez, LoGo AV’s founder and chief designer. “I’ve used a wide range of processors from different manufacturers, and I’ve experienced a surprising number of failures. When I have issues like that with a processor, I can’t use it again. It’s just too stressful! In contrast, the Symetrix Jupiter is always rock-solid and incredibly easy to work with. My programmer has had zero issues and loves that connecting with the Jupiter is as simple as plugging it in. And of course, Symetrix’ studio-grade sound quality is amazing and gives my clients a sound system to be proud of.”

Corner Entertainment’s audio system is divided into two completely separate halves: one that runs the restaurant and a second that runs the bar. Inputs to the restaurant system include a wireless microphone for events, a tie-in from a small mixer on a patio where bands set up, an iPod dock, and a Pandora music service stream. With eight inputs, one Symetrix Jupiter 8 accepts those sources and provides all of the necessary equalization, dynamics, and routing control. Crown CTS-Series 70-volt amplifiers power SoundTube SM500 loudspeakers. The Jupiter 8’s eight outputs feed eight separate zones, selected to give Gonzalez and his team maximum flexibility to tailor output levels and processing for a perfectly tuned system.

CornerTable_PatioSource selection and volume control are provided by Symetrix ARC-WEB technology. “They were excited by ARC-WEB,” said Gonzalez. “It’s cool technology that’s also very practical and, like all the Symetrix products I’ve worked with, rock-solid.” The owners and managers are set up to use ARC-WEB, but in the event that they aren’t available, LoGo Audio Video Music installed a hard-wired backup. A Symetrix ARC-2e wall panel remote located at the equipment rack provides redundant control.

The area that Corner Entertainment beautifully renovated to form its bar areas was constructed in 1919 (hence the name) as a sawmill to process local oak trees (hence the name) for upscale residences in Houston. Its inputs include a wireless microphone, an iPod dock, a Blu-ray player, an HDMI audio de-embedder, and a DJ tie-in from the wine bar area. Again, a Symetrix Jupiter 8 DSP handles all of the system processing, and Symetrix ARC-WEB and ARC-2e control technology allows source selection and volume control. With sixteen QSC AD-S82Hs and two QSC GPW subwoofers powered by beefy QSC PLX-3602 amplifiers, “it can get dance club crazy” in the bar areas, in Gonzalez’ enthusiastic words. A separate VIP area, dubbed “Lexington’s,” has its own Symetrix ARC-2e wall panel remote for separate input selection and volume control, as well as a dedicated flat-screen for presentations or screenings.

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

DRAWMER INTRODUCES THE 1973 A THREE-BAND FET STEREO COMPRESSOR AT AN UNREASONABLY LOW PRICE

Drawmer_1973LAS VEGAS, NEVADA: Ivor Drawmer, maker of classic analog, and now digital, pro audio signal processing equipment, drew on his thirty-plus years behind the soldering iron to create the Drawmer 1973, a three-band FET stereo compressor. Drawmer’s longtime distributor, TransAudio Group, will distribute the 1973 in the USA. Three features set apart the Drawmer 1973 from other multichannel dynamics processing solutions. First, the all-analog 1973 sounds noticeably better than the wide variety of multiband plug-ins popular with mixers. Second, the 1973′s controls are sensibly selected and intuitively laid out to get quick, effective results for an impressively wide range of dynamics problems. Third, Drawmer has priced the 1973 aggressively, matching the price of its best-selling full-band tube stereo compressor, the 1968.

The Drawmer 1973′s features include three independent compressor sections with two variable-frequency 6dB/octave crossovers to separate them into low, middle, and high frequency compression sections. Each section contains familiar threshold, gain, attack, and release controls, along with gain-reduction metering. Moreover, each section can be independently muted or bypassed for confusion-free setup and monitoring. The low section possesses a “Big” switch for enhanced low-end, whereas the high section possesses an “Air” switch for enhanced high-end. The three sections are recombined to form the “wet” signal, which can be mixed to variable degree with the dry signal for easy parallel compression. Illuminated VU meters make monitoring compression and output intuitive and, yes, fun.

“Certainly, the Drawmer 1973 owes some of its sound and functionality to Ivor’s experience designing the classic Drawmer 1960 and 1968 compressors, as well as to the Drawmer S3 signature series multiband tube compressor,” said Brad Lunde, president of TransAudio Group. “But it also has a sound and operation all its own. It is capable of solving problems single-band compressors simply cannot, such as compressing only the low end, raising its average level relative to everything else, and giving your mix a bit more bass without changing the overall level. It has a sound quality that cannot be matched by other analog processors, never mind plug-ins. It will be popular among mixers and EDM mixers alike. The 1973′s layout is impressive. Unlike most other multiband compressors, the 1973′s controls are easy to understand at a glance and work to inspire creative use. The real news here may be the 1973′s affordable price. Those in need of stereo multiband compression with Drawmer’s quality can have it for the cost of Drawmer’s famous single-band stereo tube compressor, the 1968.”

ABOUT TRANSAUDIO GROUP
TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

MSRP: $1,825.00
The Drawmer 1973 is now shipping.

STOP BY AND SEE US AT AES 2014 BOOTH #1110

IsoAcoustics Introduces Arista Isolation Stands for Studio Monitors and Speakers

Arista Sep18 2014

Los Angeles, CA (Sept 23, 2014) —At this year’s AES Show in Los Angeles, IsoAcoustics (booth #1651) is pleased to introduce Arista, a stylish and sleek new aluminum acoustic isolation stand for medium-sized professional studio monitors and bookshelf speakers for Home Entertainment and hi-fi applications.

The new Arista stands provide an aesthetically pleasing and cost-effective means to markedly enhance the sound clarity of speakers, using the patented “floating design” that this award-winning company has become known for.

The new IsoAcoustics Arista stands feature a unique integrated tilt adjustment that enables the user to dial-in the optimum tilt angle. With an overall size of 6”(w) x 7.5”(d), the Arista stands are designed for medium size studio monitors and speakers weighing up to 35 lbs.

“IsoAcoustics is very pleased to introduce the Arista stand, which offers a handsome and cost-effective isolation solution for the pro studio and hi-fi market,” says Dave Morrison, CEO of IsoAcoustics.
The Arista stand will be available in black and aluminum in December 2014.

See the new Arista and IsoAcoustics entire line of award-winning acoustic isolation stands at booth 1651 the AES Show at the Los Angeles Convention Center, October 10-12, 2014.

About IsoAcoustics Inc.
IsoAcoustics stands provide superior acoustic isolation and enhance the sound clarity of virtually all speakers and amplification systems, including monitors for the professional studio and sound reinforcement, home theatre systems, musical instrument amplifiers, subwoofers and large monitors. AlI IsoAcoustics stands are built with a unique, patented isolation technology that allows speakers to float in free space, resulting in authentic, clear uncolored sound.

For more information, visit www.isoacoustics.com.

Wisconsin Realtors Association Upgrades to Transparent Teleconferencing via a Symetrix SymNet Radius AEC Dante Network Audio DSP

Wisconsin_Realtors_AssociationMADISON, WISCONSIN – SEPTEMBER 2014: Headquartered in Madison, the Wisconsin REALTORS® Association (WRA) is 13,000 members strong and one of the largest trade organizations in the Badger State. Among the many services that it offers its members, continuing education is perhaps the most prominent. Throughout most of its hundred-plus year history, members traveled to the WRA headquarters to keep current with seminars, workshops, and conferences, and its building contains flexible training and conference rooms to deliver those services. With the advent of modern telecommuting technologies, the WRA has sought to bring its continuing education to its members. However, the staff’s early experimentation with free web-based software and homespun A/V technology proved frustrating on both ends due to poor audio and video quality. WRA hired Peak Systems Group of Reedsburg, Wisconsin to update their rooms with modern remote conferencing technology, and the A/V integrator obliged with a new system centered on the uniquely functional Symetrix SymNet Radius AEC Dante network audio DSP.

“They were trying to adapt their existing technology for use with free web-based remote conferencing software,” said Jason Keagy, president of Peak Systems Group. “They set up a camera on a tripod and brought in a portable audio mixer, but making that all work correctly was not easy for someone without an A/V background. They had a lot of failures and poor audio quality led to a lot of frustration. Folks were struggling to understand the presentations, and they weren’t free to participate. On the video end, the staff tried to zoom the camera in on the screen, with predictable results.”

In addition to the entire pedigreed collection of audio processing modules that Symetrix has perfected, the SymNet Radius AEC includes connectivity and specialized processing to make remote conferencing transparent and pleasurable. The 1U rack unit contains eight mic/line wideband echo cancellers, eight line outputs, and four auxiliary line inputs. Each individual channel has AEC processed and direct outputs plus dedicated reference and auxiliary inputs, allowing any source connected over Dante to take advantage of the onboard processing. “They needed better audio for web feeds, as well as phone-in technology,” said Keagy. “The Radius AEC was the perfect choice. We used its expansion slot for a Symetrix 2 Line Analog Telephone Interface Card. The Radius AEC’s native Dante networking capability assured us that future system expansion, if needed, would be easy and cost-effective. But perhaps most importantly, our past experiences with Symetrix have always been predictable and trouble-free. Symetrix equipment just works – and it works well.”

Most of the system components are used in the training room, but the Radius AEC has enough inputs, outputs, processing power, and flexibility that it’s handling audio for the conference room as well. A Crestron digital media system delivers transparent A/V system control via a Crestron touch screen and coordinates video I/O and routing with the audio I/O and routing of the Radius AEC. For fine-scale control of audio processing, Peak Systems Group gave the WRA staff Symetrix ARC-WEB internet-based control, which they can access via their smartphones or via the training or conference room computers.

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

DANLEY JERICHO HORNS COVER NORTH TO SOUTH AT PENN STATE UNIVERSITY’S BEAVER STADIUM

Penn_State_Beaver_StadiumUNIVERSITY PARK, PENNSYLVANIA – SEPTEMBER 2014: The Penn State Nittany Lions play all of their home games at Beaver Stadium in University Park, Pennsylvania. With an astounding capacity of over 106,000, Beaver Stadium is the second largest stadium in the Western hemisphere (after the University of Michigan’s stadium) and the fourth largest in the world. A recent off-season upgrade to high-definition LED scoreboards inspired a parallel upgrade to a new high-definition sound system that relies on Danley Sound Labs Jericho Horns to throw sound from the south end zone clear across to the north end zone – and all areas between – with point-source, horn-loaded fidelity. Coverage is a remarkable ±2dB across that huge expanse, and eight Danley TH-812 subwoofers support the full-range content with honest, musical low end that shakes the stands.

Clair Solutions Senior Systems Designer Jim Devenney (Manheim, Pennsylvania) designed the system with assistance from Chad Edwardson at Danley Sound Labs and Al Harris from Populous Architects (Kansas City, Missouri). Jason Hertz led the installation for Clair Solutions with assistance from Jonathan Hoffman and Forrest Brewer from Barton-Mallow/Alexander, the general contractor. “The new scoreboard would no longer be able to accommodate the old sound system,” said Devenney. “It simply wouldn’t fit. Mike Hedden, Danley president, came up from Georgia to demo a Danley Sound Labs solution, and the school officials liked its full-bandwidth sound, dynamic response, and even coverage.” Importantly, the Danley solution would allow Devenney to cover the entire stadium with a much smaller footprint. Hedden commented, “Our demo was an opportunity to do a side-by-side with a very popular line array. At 800 feet the Jericho Horn was clear and present, like it was fifty feet away. When we switched to the existing line array it was as if the sound stepped backwards three hundred feet. It was a stunning difference. One of the officials asked me how I could explain what everyone was hearing. I replied, to paraphrase the founders, we hold these truths to be self evident, that all loudspeakers are not created equal!”

The system hangs from three levels on the new scoreboard, and each side is a mirror image of the other side. At the top level, two Danley J4 Jericho Horns hit the stands beyond the opposite end zone. Below that level, four Danley J3 Jericho Horns cover the far half of the east and west stands. At the lowest level, two Danley J3 Jericho Horns cover the near half of the east and west stands, and two Danley SH95-HO loudspeakers provide near fill. All told, eight Danley TH-812 subwoofers, four on the top and four on the bottom, provide abundant bass. Devenney left a distributed system of fill speakers under overhangs in place. Lab.gruppen LM26 processors running Lake software provide equalization and protection for the system. Lab.gruppen FP-Series amplifiers with the NLB-60E controller provide system power as well as network control and monitoring.

“Everything worked out very well,” said Devenney. “Coverage is excellent: plus or minus 2dBA throughout the stadium, except in club areas where I intentionally made things quieter. The system has good articulation, nice fullness, great dynamics, and impressive vocal clarity. The J4’s do a great job getting high end to the far side of the stadium, and the efficiency of the Danley components reduced the footprint considerably from where it had been.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

RECORD API 1608 SALES ALLOW FOR SUPERIOR COLLEGE AND UNIVERSITY CURRICULUMS ACROSS THREE CONTINENTS

Hochschule_Musik_NurnbergJESSUP, MARYLAND – SEPTEMBER 2014: Since introduced at the 123rd AES Convention in New York City in October 2007, the API 1608 console continues to make its way into colleges and universities across the globe. In the past year alone, more 1608s have been placed in educational institutions compared to any other year since 2007. These full-featured consoles, each with various channels of recording and mixing capabilities, now grant students, ranging from high school to graduate school, the opportunity to learn on the analog technology used in professional studios all over the world.

“We’re very pleased to have placed so many of these highly-versatile consoles in the past year,” said Larry Droppa, president of API Audio. “Each of these 1608s will now join the ranks of top audio schools including the New England School of Communications, American University, and California State University.”

Since the summer of 2013, nearly a dozen consoles have been placed in schools including Nashville’s Pearl-Cohn Entertainment Magnet High School, and Blackbird Academy. Colleges and universities in the United States include Emerson College in Massachusetts, Mesa Community College in Arizona, Broward College in Florida, Glendale Community College in California, and the University of Michigan in Ann Arbor. Locations outside the United States include the University of Western Ontario, Canada, Technologico de Monterrey in Mexico, the University of Örebro in Sweden, and Hochschule für Musik Nürnberg in Germany.

SUNY_PurchaseThe 1608 offers sixteen input channels, each with a mic pre and equalizer. It also has the option of adding sixteen-channel expanders, allowing for a 16, 32, or 48 channel console in total. API also offers its optional motorized fader automation system called P-Mix. Derived from the technology used extensively in API’s large format consoles, P-Mix offers a host of features found only in the most sophisticated console automation systems, often costing many times more.

“Since the 1608 is built to the same standards as our Vision and Legacy large-format consoles, it’s a powerful tool for students to learn with,” said Droppa. “It’s the same equipment used in some of the best recording facilities around the world, where many of the students will want to work after graduation.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and the BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

(PHOTO CAPTIONS) IMAGE 1: Hochschule für Musik Nürnberg in Germany; IMAGE 2: State University of New York (SUNY) Purchase.

STOP BY AND SEE US AT AES 2014 BOOTH #1219

INTRODUCING THE ATC SCM20ASL PRO MKII: ATC IMPROVES ITS MOST POPULAR SMALL-FORMAT, 2-WAY ACTIVE REFERENCE MONITOR

LAS VEGAS, NEVADA – SEPTEMBER 2014:ATC_SCM20ASLPro_MkII TransAudio Group, U.S. rep for ATC and other boutique professional audio companies, introduces the ATC SCM20ASL Pro MkII near-field reference monitor. The ATC SCM20ASL Pro MkII improves upon the ATC SCM20ASL Pro. Like its predecessor, the MkII is a high-performance two-way active loudspeaker that is ideally suited for critical near-field applications or as surround channels in larger systems. Its exceptionally neutral output extends across the audible spectrum and is now improved by a new amplifier design, a new ATC-made dual suspension tweeter, and a new cabinet design.

“ATC is well-known for designing and building studio monitors that are unflinchingly truthful and that help engineers deliver mixes that translate everywhere,” said Brad Lunde, president of TransAudio Group. “ATC founder Billy Woodman and his team of R&D engineers never tire in the pursuit of perfection, and improvements to the passive SCM20PSL Pro MkII led to parallel improvements in the active the SCM20ASL Pro MkII.”

The new SCM20ASL Pro MkII is based around the ATC 6.5-inch “Super Linear” LF driver with integrated midrange, utilizing the same SL technology developed for the larger nine-, twelve- and fifteen-inch based monitors. Constructed with a 75mm/three-inch voice coil and a short-coil, long-gap topology, it combines the high-power handling and low-power compression usually only found in large, high-efficiency systems with the fine resolution and balance of modern high fidelity systems.

Five years in development, the new ATC dual-suspension 25mm tweeter offers lower distortion, higher output, and greater reliability. The electronics in the active design have also had considerable development time invested in them, resulting in reduced noise and distortion (a further -10dB @ 10kHz) and a reduced operating temperature for improved reliability. The amplifier design is a revised version of ATC’s discrete MOSFET Class A/B design with 200W and 50W continuous power available for the bass and high-frequency sections, respectively. The user controls have also been improved over the previous generation with more flexible input sensitivity controls and a revised low-frequency shelf control to help achieve good balance in difficult acoustic conditions. The amplifier includes protection circuits for both DC offset and thermal overload.

The new cabinet design maximizes linearity and minimizes size and weight. The cabinet has been restyled to more closely follow the larger monitors in ATC’s professional range and is constructed from heavily-braced MDF. Highly damped, elastomeric panels are bonded and stapled to the cabinet’s inner walls to suppress cabinet panel resonances, while the enclosure’s front panel is heavily radiused to reduce cabinet diffraction, improving the frequency response and imaging.

“Even given the excellence of the previous design, these new features lead to a substantive improvement,” Lunde concluded.

MSRP $6,695/pair

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

BE SURE TO STOP BY AND SEE US AT AES 2014 BOOTH #1110

NEW YORK CITY’S EXCLUSIVE UNION LEAGUE CLUB UPGRADES TO ASHLY

Union_League_Club_NYCNEW YORK, NEW YORK: The Union League Club of New York City was founded by Union loyalists during the Civil War and has grown since then to become one of the city’s most exclusive clubs, where the public-minded members of New York’s upper class meet away from the bustle of urban life. Its elegant clubhouse on East 32nd Street and Park Avenue in Manhattan thus serves as an oasis, and the Union League recently refurbished many of its rooms to add modern audio/visual technology where appropriate. Based on its functionality and rock-solid reliability, A/V integration firm Audio Production Services (Amawalk, New York) specified an Ashly ne24.24M Protea™ DSP Matrix Processor and an Ashly ne4250.70 Network Four-Channel Amplifier for the Union League Club’s new system.

Although most of the clubhouse areas provide a refuge from technology, club members requested video and audio in one of the large lounge spaces, the nearby coffee bar, and some ancillary lounge spaces. Inputs to the new system are many and include all manner of video feeds, wireless microphones for events, and iPod® connectivity. Those inputs feed into an Ashly ne24.24M matrix processor, which handles all of the routing, mixing and equalization. Audio Production Services biased the modular I/O of the ne24.24M to accommodate the huge number of inputs, reserving just four outputs to feed a four-channel Ashly ne4250.70 amplifier. Those four amplifier channels power 70-volt RCF ceiling speakers in four separate zones.

“I’ve used Ashly products on many previous installations,” said Simon Nathan, president of Audio Production Services. “They are very flexible and easy to work with. In addition, they are reliable, which was critical for the Union League clubhouse. Ashly’s Protea processing worked well with Key Digital’s user interface technology and allowed us to give the staff an iPad that could control the new A/V system. In all, it was a straightforward design and an easy installation, and the client is happy with its sound and performance.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

THE API BOX BREAKS INTO AUSTRALIAN MUSIC SCENE THROUGH FAMED SONGWRITER/PRODUCER STUART CRICHTON

Crichton_Sloss_1VICTORIA, AUSTRALIA: As the API BOX makes its way to recording studios around the world, it has now found its first home in Australia through world-renowned songwriter/ producer, Stuart Crichton. Crichton has been a contributing factor in numerous top ten hits internationally, primarily in the U.K. He consulted Deb Sloss at Studio Connections Australia, API’s Australian distributor, when looking to make the addition to his home studio.

In just a short period of time, the BOX has already made a difference for Stuart. “The API BOX has totally changed the quality of my mixes, adding the warmth and width of a large room console,” Stuart shares. “The ease of set up and use is amazing – so straight-forward.”

Quality of sound is the most important feature for Stuart, who works with major artists including Kylie Minogue, Guy Sebastian, and Pet Shop Boys. “The mic pres and EQs are that beautiful API sound that many crave. The bus compressor is also now a major part of my mixes. Once I’m done mixing, I put it over the whole mix and BANG! There it is – a real vintage sound for what are usually digital-sounding mixes.”

Stuart relocated from the U.K. to Australia in late 2009, where he continues to make his footprint in the Australian recording scene, as well as work with top artists from around the world. He’s finding that his new console is the perfect tool to achieve a big studio sound in a relatively small space. “The BOX is an affordable way for a home studio to get that big room sound, which usually costs a lot of money per day.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and the BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com
(PHOTO CAPTION) Stuart Crichton with Deb Sloss of Studio Connections Australia. (PHOTO CREDIT: © 2014 SCA)

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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