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NEW COLUMBIA HIGH SCHOOL STAYS ON BUDGET WITH PERFORMANCE DRIVEN ASHLY AMPS AND DSP

COLUMBIA, MISSOURI – FEBRUARY 2013: The population of Columbia, Missouri grew by over twenty-percent between 2000 and 2010 and is on pace to continue that growth in the current decade. Responding to the obvious need for increased classroom space in a school system designed for a smaller citizenry, the Columbia School District secured funds to build a fourth high school, which will relieve crowding in the existing high schools and middle schools. Muriel Williams Battle High School will open in fall 2013, but already many of its facilities are nearly completed, including band and music rooms that will help jumpstart new musical traditions for the fledgling school. An Ashly ne1600pe amplifier with onboard Protea DSP in each of those rooms will facilitate playback of instructional audio, including stereo recordings of the students themselves.

Lonnie Theer & Associates (Omaha, Nebraska) designed the modest band and music room audio playback systems with an eye toward performance, reliability, and transparent user control, all while meeting the school district’s budget. Each system is an exact duplicate of the other so that faculty and staff need only learn one system to learn them both. “Including only the necessary controls within a robust design make these twin systems just the right speed for the new high school,” said Paul Jonas, director of installations at Theatrical Media Services (Omaha, Nebraska), who installed the system.

A 16-channel Yamaha MG166C mixer provides an intuitive user interface in each room. A handful of microphones, a CD player, and a solid-state recorder form a manageable and flexible input set that’s useful for benchmarking students’ performances against both professional performances and against the students’ earlier performances. One Ashly ne1600pe amplifier with onboard DSP resides in each room, providing equalization, limiting protection, and power for Renkus-Heinz CFX121 full-range loudspeakers. A pair of CFX121s in each room deliver full stereo playback.

“The ease and simplicity of the Ashly ne Series with optional onboard DSP is a real benefit in a job like this,” said Jonas. “Having Ashly’s flexible Protea™ software inside the amp lets us install the system with less wiring and with less time spent wiring. Moreover, there’s a cost savings to having the DSP housed within the amplifier. A separate unit would add significantly to the expense. Ashly’s reputation for building reliable equipment also factors into the benefits.”

The school district will take possession of the new building in the summer, on schedule and on budget.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

Four DiGiCo Consoles Are Manna From Heaven

In 2012, a DiGiCo SD7 was installed in Jiguchon Church in the South Korea’s Bundang New City. Such was its success that four more of the company’s mixers have now been installed in another church in the city, demonstrating how DiGiCo mixing consoles are making significant inroads into the country’s house of worship market.

Featuring a state-of-the-art technical specification, the new Manna Methodist Church has a seating capacity of 4,000, with around 10,000 worshippers attending each week. Services feature a live band, choir, organ and orchestra, so the audio system needed a high input channel count, as well as facilities to mix live audio for broadcast on its own Internet channel.

The church consulted DiGiCo’s South Korean distributor Soundus Corporation, who supplied and installed an SD7 console at Front of House, with four SD-Racks and an SD8-24 to take care of the live broadcast mix. In addition, Soundus supplied an SD9 for a mobile audio system and an SD11 for the church video editing suite.

“The decision to use DiGiCo consoles was based on the SD7’s ability to handle more than 200 input channels, the dual engine offering stability, reliable redundancy and excellent sound quality,” says Soundus sales manager Byung Chul Park. “The church also needed additional mixing consoles and it was an obvious decision to stay with the same manufacturer.”

Utilising an Optocore fibre optic network, this solution made for a seamless solution throughout the church.

“The system is very versatile and is easily expandable for any future requirements,” concludes Byung Chul. “The church is very happy with it.”

OPTOCORE TECHNOLOGY SUPPORTS AUDIO FOR THE 2013 U.S. PRESIDENTIAL INAUGURATION

Maryland Sound International Utilizes Optocore Network Rings for Signal Distribution and Monitoring

WASHINGTON D.C., FEBRUARY 19, 2013 – When audio integrator Maryland Sound International (MSI) was once again tasked with supplying the main audio system for President Barack Obama’s second presidential inauguration on January 21, 2013, the company employed two Optocore Networks. MSI, a longtime user of Optocore technology, a leading choice for powering professional audio, video and data transmission networks in a variety of markets, including broadcast, post production and AV, chose the networks for their multiple levels of redundancy and reputation of superior reliability. This marks the third presidential inauguration in a row for which MSI has chosen Optocore equipment for the critical audio distribution.

With the ceremony taking place on the grounds of the Capitol in Washington, D.C. in January, MSI was faced with unpredictable winter conditions as well as a long transmission path back to MSI’s Front-of-House position, nearly 2,000 feet from the last speaker tower. MSI and audio designer Patrick Baltzell needed a way to distribute audio signals with as few conversions as possible in order to ensure the approximately 1,000,000 attendees of the ceremony heard every word.

MSI chose Optocore Network technology in order to drive the signal chain directly from the Yamaha PM5D FOH mixing console using Optocore YG2 Yamaha cards that were connected with redundant fiber cabling to the locations of the loudspeaker processors and amplifiers. This provided MSI with lossless digital transmission, which is critical in order to properly transport the audio with crisp sound and clarity over such a long distance transmission path without any glitches.

“The Optocore Networks we put in place for this year’s ceremony certainly made access to all of the amplifiers, signal processors and overall signal distribution far easier and more reliable than in the past,” says Brian Bednar, system technician, MSI. “This time around, everything was more streamlined and faster to set up and tear down at the end of the event.”

The main Optocore Network consisted of one YG2 card in the Yamaha PM5D FOH mixing console connected to an Optocore DD32 networked AES/EBU device on stage right and another DD32 on stage left. Each DD32 was connected to an Optocore X6P-8/8 analog converter and a Dolby DLP loudspeaker processor via AES. The X6P converters gave MSI the ability to feed all the devices that were not AES and/or not driven through the Dolby processor units.

The second Optocore Network consisted of one YG2 card in the PM5D connected to an Optocore DD32R-FX networked AES/EBU device at delay zone 1 (700 feet away) and another DD32R-FX at delay zone 2 (1500 feet away). Each DD32R-FX was connected to an Optocore X6P-16IN analog converter and a Dolby processor via AES. Both networks featured redundant fiber connections.

The DD32R-FX proved to be a helpful add-on for this year’s sound system, with its built-in network wide Ethernet switch. The Optocore Network allowed MSI an easy access to the Dolby DLP loudspeaker processors and amplifiers located off the main site. With a broad part of the sound system offsite, it was then easy to maintain control and monitoring of all the devices on the network to see if they were functioning to MSI’s specifications.

“It is my role to help the FOH engineer tune the system, so having access to all parts of the system at all times in order to make changes without my needing to leave the FOH position is invaluable,” says Art Isaacs, project manager, MSI. “The X6P-16IN converters gave us the functionality to run measurement microphones from multiple city blocks away back to the FOH position. Using the Optocore system proved itself to us in many ways. The sound system was extremely quiet due to the all-AES based drive system. Ethernet access to all of the online devices proved extremely helpful and provided great flexibility. I can only hope that in 2017 that we can continue to work with Optocore systems and further enhance the sound system.”

The relationship between Optocore and MSI goes back for almost a decade. “Optocore has been part of MSI’s rental inventory since 2004,” says Tine Helmle, director, Optocore. “We are proud to provide MSI with the solutions it needed to ensure the audio was heard loud and clear during such an important and historic U.S. event as the presidential inauguration. We look forward to working with them well into the future.”

About Optocore
Based in Munich, Germany, Optocore is the world market leading provider of scalable, high-bandwidth, low-latency fiber-optic networks for the transmission of audio, video and data. For 19 years, Optocore has been continuously innovating and setting new standards with regards to digital network technology. Optocore builds and develops synchronous optical fiber and CAT5 based network solutions for broadcast professionals, fixed installations and live event applications. Utilizing leading-edge technology and high-quality components Optocore guarantees durability and therefore long-term market and customer satisfaction. Due to the open system architecture, Optocore’s platform offers other manufacturers the option to transfer conventional standard audio, video and data formats used in the pro audio industry, via a fiber and CAT5 network. Technical expertise, QoS and an extensive support structure are guaranteed to all customers, together with the highest level of quality controls. For more information, visit www.optocore.com.

SYMETRIX SOLUS 16 STANDALONE FIXED I/O DSP PROVIDE UNIQUE, ZONE-SPECIFIC AUDIO SYSTEMS IN 50 BEST BUY STORES

SEATTLE, WASHINGTON – FEBRUARY 2013: Starting with a single location in West Saint Paul, Minnesota, in 1966, Best Buy has worked to become the largest electronics retail store in the eastern United States. It currently operates over one thousand stores around the country and in select locations throughout the world. In its rise to the top, Best Buy has innovated and re-conceptualized the way consumers buy electronics, and the company continues to innovate to keep ahead in the fast-paced and ever-changing world of consumer technology. In that tradition, fifty renovated and newly-constructed Best Buy locations are pioneering a new concept in store sound. Rather than blanketing the entire footprint with a wash of music, discrete zones with very little bleed give the stores a feeling of calm and deliberately direct guests’ attention to the sources of the sound. Because of its powerful open-architecture programming, high sound quality, easy networking, and cost-effective pricing, the Symetrix SymNet Solus 16 standalone fixed I/O DSP underpins the new concept.

“They wanted sound in some areas of the store, but not in other areas,” explained Jon Bormann, owner of Bormann Marketing and the designer of the new system. “It is a directed approach, which is very different from the usual approach taken in retail stores. For example, the store’s Magnolia Audio/Video section, which features really high-end equipment, is better served if sound isn’t spilling into it from the ceiling. In another application, they play a video message every fifteen or thirty minutes, and we’ve arranged the sound so that it effectively emanates from the screen’s location. Since our brains are programmed to look toward the source of a sound, the video message is way more effective than if the audio were raining down from wall to wall.”

The new concept identifies four separate zones per store, the output of which is realized via concentric rings of unobtrusive, ceiling-mounted Innovox miniature steerable line arrays. A pair of energy-efficient Lab.gruppen E-Series amplifiers power the system, and their asymmetrical design allows different loads to be placed on each channel. The 16-input/8-output SymNet Solus 16 DSP handles all of the processing, including robust ambient noise sensing and gain compensation, sophisticated equalization for the line arrays, and flexible multi-zone performance. The emergency and telephone paging systems tie into the new system.

“In contrast to the typical store audio system, this system delivers high fidelity, foreground-quality music, and voice,” said Bormann. “Symetrix is well known for building equipment for installed systems that has studio-quality sonics. Moreover, the SymNet Solus 16 is priced right, which helps allow this new system to go into many stores.” Each SymNet Solus 16 is given a unique IP address, and an engineer stationed at Best Buy’s Richfield, Minnesota headquarters monitors and adjusts system performance in all fifty stores. Although it is seldom used, a Symetrix ARC-2e wall panel remote in each store can override the system’s preprogrammed auto-gain in the event that program material appears too quiet or too loud.

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

ASHLY AMPS SERVE UP RARE AND WELL DONE AT PERRY’S STEAKHOUSE AND GRILLE

TEXAS – FEBRUARY 2013: Perry’s Steakhouse and Grille truly is rare and well done. From its humble beginnings as a butcher shop more than thirty years ago, Perry’s has grown to become one of the premier steakhouses in Texas. Today with nine locations, each uniquely customized to the neighboring community, Perry’s Steakhouse is located in greater Houston, Austin, Dallas, and San Antonio.

One of the premier A/V integration firms in Central Texas, Intelligent Lighting Services, has designed and installed state-of-the-art sound systems in the most recent Perry’s Steakhouse locations. Intelligent Lighting Services’ Eric Bernstein recommended Ashly’s ne8250pe eight-channel Network Amp with integrated Protea™ signal processor for the Katy, Dallas and San Antonio restaurants.

“I was already looking to make some changes after the first installation at Austin because the big-name DSP we installed there seemed to time-out every other day,” explained Bernstein. “I’d had previous good experiences with Ashly gear and knew that it was reliable. Since I already knew we’d be using Tannoy CMS801 ceiling-mounted loudspeakers, I had my tech wire up an Ashly ne8250 amplifier and another from the manufacturer we had used at the first location. I did a blind comparison in controlled conditions and came away convinced that their clientele would hear no perceptible difference, at least with those loudspeakers. So there it was: an affordable, great-sounding amplifier with optional on-board DSP that I knew was flexible and reliable. And to top it off, Ashly is a nice, contractor-friendly manufacturer. We went forward in the next three locations – Dallas, San Antonio, and Katy, Texas – with the Ashly ne8250pe at the heart of the design.”

Because ambient live music is an integral part of the Perry’s experience, all three locations feature an Allen & Heath console adjoining a modest stage. Its output joins a handful of cable TV channels, a Muzak player, and a wireless microphone at the input to the Ashly Protea DSP environment. Because each of the Perry’s Steakhouse locations is unique, the Dallas location uses four Ashly ne8250pe eight-channel amplifiers, whereas San Antonio and Katy use three. The Ashly Protea DSP Matrix Mixer is used as a room combiner in the private dining rooms, allowing the restaurant to host any size dinner meeting or event. Other common zones include the bar area, lobby, hallways, restrooms, entry, patio plus four or five private dining rooms. Because the Ashly ne8250pe includes separate processing on each output, Bernstein was able to perfectly signal align all of the zones for maximum impact and coherence.

User control is simple. At the Dallas and Katy locations, each zone features a Ashly WR-5 programmable wall-mounted remote. Its simple push buttons allow selection of different input sources and overall volume. The San Antonio location adds a URC KP-4000 wired controller behind the bar for more in-depth control, along with a URC MX-5000 wireless remote that allows the manager to make changes on the fly from any location.

Perry’s Steakhouse and Grille is currently considering new location sites. Because the owner has fallen in love with the sound of the newest restaurants and the way his team is able to so easily control them, Bernstein’s Ashly-based design will serve as the blueprint for all future Perry’s Steakhouse and Grille locations moving forward.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

Draper Introduces Video Conferencing Accessories

For effective video conferencing in today’s multi-use conference rooms and other venues, you need the required technology precisely where you need it, when you need it—but out of sight when you don’t. Draper has introduced several new products designed to do just that.

Draper’s Video Conferencing Camera Lift-Ceiling allows the placement of a video conferencing camera directly behind a motorized projection screen; the camera raises and lowers with the screen.

The Video Conferencing Camera Lift–Credenza hides your camera in virtually any conference room furnishing, ready to be raised at any time by simple remote operation.

Draper’s Video Conferencing Camera Adapter Bracket allows a video conferencing camera to be mounted in a Draper ceiling recessed projector lift. The bracket is available with three Draper lift models; choose the lift based on how far down out of the ceiling the camera needs to travel.

Draper also offers three unique types of backgrounds to bring your video conferencing to life, help you communicate more effectively and set your content apart. Draper’s neutral backgrounds come in six muted earth tones, and eliminate distractions, help prevent unwanted interference, control room lighting and ensure a consistent corporate image. Custom printed backgrounds can contain custom artwork, photographs, corporate logos and more. Chroma Key Backgrounds, typically referred to as “blue screen” or “green screen” technology, make it easy to change background images or show live action video footage.

For more information on Draper’s new telepresence line, visit www.draperinc.com/VideoConferencing/index.asp.

Christie’s New Book of Shapes Showcases Innovative Digital Display Projects Around Globe

Christie® has published and released The Book of Shapes – a “coffee table” style book showcasing projects around the globe that are redefining the use of display technology in everything from retail stores to museums and corporate spaces.

A free download as an interactive iPad app, PDF, or hard copy, the book explores how Christie® MicroTiles® — groundbreaking, modular video building blocks — have allowed architects and designers to introduce inventive, irregular shapes into projects where video, motion graphics and interactive content are applied.

The release of “The Book of Shapes: International Design Inspirations Featuring Christie MicroTiles” coincides with Christie’s large presence at the Integrated Systems Europe trade show in Amsterdam Jan. 29-31, and comes on the third anniversary of the market release of Christie MicroTiles.

The Book of Shapes app features MicroTiles installations from around the world since the product’s launch – with visuals, embedded video and detailed narratives on how the display technology is being used, and the results achieved. The app also includes location maps, reference materials and an integrated version of MicroTiles Designer™ 2.0, a Web-based tool that allows designers and architects to visually plan and specify MicroTiles-driven projects.

iPad users can locate and download The Book of Shapes app free from Apple’s App Store. A non-interactive PDF is also available free of charge, allowing all the showcases and supporting material to be readily viewed on other tablet devices and conventional PCs and laptops.

Designed To Inform and Inspire
“The Book of Shapes is designed to inform and inspire people charged with integrating display technology into projects, and help them think about how having a digital canvas can energize and transform a space, or solve a business challenge, in interesting new ways,” explained Kathryn Cress, vice president, global & corporate marketing, Christie.
.

London Stock Exchange Atrium, a Project Featured in Christie's Book of Shapes


“We’ve been amazed how architects, retail designers, pro AV and interactive experts have all taken advantage of the opportunity to introduce shapes into design concepts,” added Cress. “They’ve gone so far beyond a display world that was defined forever by rectangles, and the remarkable thing is we’ve likely had just a taste of what’s possible.”

The Book of Shapes celebrates projects across several continents, and is sorted by vertical categories: Retail Environments, Museums & Entertainment, Broadcast Television, Events & Shows, Higher Education and Corporate Spaces.

Among the featured projects is a virtual mountain range at the History Colorado Center in Denver, massive sweeps of MicroTiles in corporate spaces like Deutsche Bank’s Asia-Pacific headquarters in Hong Kong and the Telstra experience centre in Melbourne, Australia. Portable and easily configured, MicroTiles have also been used extensively at temporary exhibits such as global expos, trade shows and fashion events.

Exploring Possibilities
The Book of Shapes explores possibilities – projects where MicroTiles have been “disappeared” into walls, built into furniture, and radically transformed retail and lobby environments. The technology has prompted a re-think on the approach to visual messaging and marketing in public or shared spaces.

One of the most ambitious projects featured in The Book of Shapes involves the London Stock Exchange’s main office in Paternoster Square, where several multimedia canvases totaling 508 MicroTiles envelop the space. The project powerfully reflects the kinetic energy of the financial markets, and is used as a compelling visual backdrop for ceremonies welcoming newly listed companies.

That project is also explored in detail in a different, dedicated digital publication, “The Blue Book: How MicroTiles Helped Make an Impact at the London Stock Exchange.” A free copy can be downloaded inside the Book of Shapes app or from Christie by visiting this web page: http://www.microtiles.co.uk/moreinformation.php?tab=bluebook

The launch of Christie MicroTiles three years ago represented a revolution in display technology. Some 30,000 units are now in use globally, and new projects are steadily switching on. During the recent holiday season, for example, 425 MicroTiles were set into the street front windows of the Barneys New York flagship store for an “Electric Holiday” done in partnership with The Walt Disney Company.

Flexible, Modular Display Technology
With their modular design, Christie MicroTiles can be arranged into virtually any shape or scale of display wall. The lightweight and compact rear projection modules measure 16 inches across by 12 inches tall, by 10 inches deep and fit perfectly in retail settings, corporate offices, museums, airports, broadcast sets, indoor sports stadiums, control rooms and numerous other applications.

Christie MicroTiles automatically self-calibrate for color and brightness and have built-in sensors that monitor each LED’s performance. Each tile detects its neighbor and adjusts its image to optimize the overall display. With tiny seams between tiles, Christie MicroTiles produce a virtually seamless canvas with an unlimited number of super-fine pixels. With robust screens that are cool to the touch and high resolution images that are crisp and clear even close up, Christie MicroTiles are perfect for interactive displays.

WHEELER BROTHERS OUTFIT TEXAS STUDIO WITH A 32-CHANNEL API 1608

AUSTIN, TEXAS – JANUARY 2013: A notorious musical group has chosen an API 32-channel 1608 to outfit their unique studio in Texas. The Wheeler Brothers, a five-piece band hailing from Austin, Texas, plays heartfelt, soul-bending Southern rock suffused with the welcoming twang of indie country. The band works hard, playing a show roughly two out of every three days, and it has never played a hometown gig that was not completely sold-out. Their popularity has increased with the release of their debut album, Portraits, which has been met with critical acclaim. Summoning superhuman energy, the Wheeler Brothers are busy writing and recording their sophomore album between live dates at an expansive personal studio in Tarpley, Texas. A 32-channel API 1608 analog console is at the heart of the process, providing engineer Craig Lawrence with authentic sound and the immediacy of real knobs and faders for every track.

The 32-channel API 1608 is loaded with plenty of time-tested API processing. Twenty API 550b four-band EQs, twelve API 550A three-band EQs, and four API 560 graphic EQs sweeten the band’s instruments, not the least of which are their voices. “The board has that classic API sound… it’s open and punchy,” said Lawrence. “It has a big sound that’s really appropriate for the Wheeler Brothers. The EQ is precise but not clinical, and I love the way the bandwidth narrows as I go deeper into a cut.”

The 32-channel API 1608 interfaces with a 48-channel Pro Tools HD rig and a Studer A827 two-inch tape machine. An Endless Analog CLASP system mediates their interworking by recoding to and pulling from the tape with appropriate latencies. “One of the greatest things about having thirty-two analog API channels is that everything is right there in front of me,” said Lawrence. “I can just reach over and twist an EQ knob. The guys in the band can just lean in and turn things up or down. It’s very physical and intuitive.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

Christie Interactivity Kit Now Shipping

Christie® is pleased to announce that the Christie Interactivity Kit is now shipping. Powered by Baanto™ ShadowSense™, the Christie Interactivity Kit is a distinctive solution for adding multi-touch interactivity to any digital display.

MicroTiles equipped with the Christie Interactivity Kit


Designed in pieces that fit perfectly around Christie® MicroTiles®, the Christie Interactivity Kit can be configured into 84 different sizes. The kit can accommodate practically any large format display up to 21.4 feet wide and 6 feet high, or a Christie MicroTiles array measuring up to 16-units wide by 6-units tall.

The easy-to-use, field-installable kits simply attach around the display wall perimeter and plug into a computer USB port without need for drivers. Windows® 7 automatically recognizes the Christie Interactivity Kit as a multi-touch device and no manual calibration of sensors or cameras is required. Using breakthrough Baanto™ ShadowSense™ technology, Christie Interactivity Kit offers excellent performance with high touch accuracy and fast response times that support up to 18 touches on a large-format display.

Christie Interactivity Kit – The Simple Answer
“Many large-format touch technologies struggle with touch accuracy and response time, especially with multi-touch,” explained Richard Heslett, senior product manager, Business Products, Christie. “Typically you have to manually position and calibrate cameras, and install special drivers or software that must be running on the computer in order for the system to work.”

Christie’s Interactivity Kit solves this problem by detecting the video wall’s size and configuration, and simply connecting to the computer’s USB port. When used with Windows® 7, which offers native support for multi-touch, the Interactivity Kit is automatically recognized as a multi-touch device.

“In addition to saving the time and effort of calibrating sensors and installing drivers,” continued Heslett, “the Interactivity Kit is both lightweight and small for easy shipping and maneuvering into buildings while special brackets for MicroTiles handle the alignment.”

Applications for Christie Interactivity Kit
“With their stunning image quality, colors and resolution, Christie MicroTiles are the perfect medium for large format interactivity,” added Heslett. “For example, on broadcast sets, where MicroTiles are very popular, an on-air commentator can analyze a sports event or election results using the Interactivity Kit on a large presentation wall. Because of their modularity, MicroTiles and the Interactivity Kit are both easy to move around and flexible in size, so they are ideal for temporary events and trade shows. Rental stagers can purchase one set of gear and create a multitude of different shapes and sizes with it.

“Other great applications include museums and public institutions where visitors want to explore and learn, higher education where students want to learn and connect with each other, and corporate spaces where information needs to be shared and analyzed by colleagues in a collaborative setting.”

Benefits of Christie Interactivity Kit:

-True multi-touch performance with excellent accuracy, resolution and response rates for large-format applications.

-Up to 18 touches on a 16 by 6 array (21.4 feet wide by 6 feet high).

-Ease of setup with USB connection and no drivers required.

-No manual calibration of sensors or cameras.

-Recognized by Windows® 7 natively as a multi-touch device.

-Seamless integration with Christie MicroTiles and Christie JumpStart.

“Now shipping, the Christie Interactivity Kit is an exciting breakthrough technology for creating large-format, multi-touch displays that was not possible until now – there is nothing like it. This technology opens up all kinds of new possibilities for connecting people with each other and with information, and for delivering impactful, branded experiences,” Heslett concluded.

ASHLY KLR-3200 AMPLIFIERS POWER UP DOWNSTREAM CASINO AND RESORT

QUAPAW, OKLAHOMA – JANUARY 2013: With its parking lot in Kansas, its main entrance in Missouri, and its gaming facilities and guest accommodations in Oklahoma, Downstream Casino Resort is quite literally on top of the region’s historic tri-state junction. The Quapaw Tribe-operated facility opened in 2008 and attracts approximately two million visitors annually. Building on its tremendous success, Downstream Casino Resort undertook an ambitious expansion plan to add a six-story tower with 155 additional guest rooms, restaurants, event spaces, and spa services. The Tribe hired A1 Audio of nearby Branson, Missouri to design and install a comprehensive distributed audio system, and A1 Audio delivered, in part by specifying a modest rack of high-powered, low-cost Ashly KLR-3200 amplifiers.

A1 Audio got its start in the 1960s in the energized venues of Las Vegas, Nevada. Its reputation for putting on successful shows with nary an unprofessional hiccup launched successful ventures in Hollywood, California, and, later, Branson, Missouri. Today, the Missouri office upholds the unwavering commitment to service that made the company so successful at its start. For years, Downstream Casino Resort has relied on A1 Audio for live show rentals and technical support. When plans materialized for the new expansion, the Quapaw called on A1 Audio to bring that same level of professionalism to its new facilities.

For reasons outside of A1 Audio’s control, the timeline on the new project was incredibly tight. “Massive crews from all the trades swarmed the new construction,” explained Pete Savel, vice president of A1 Audio. “At one point when we were pulling cable, they had something like 250 guys on drywall! It was a huge undertaking.” Despite the rush, the new system is elegant and refined, in consonance with the architecture and professionalism of the casino and resort staff.

In strategic locations throughout the tower, eighty Community loudspeakers from the 70-Volt D4, D6, and D8 wide-dispersion series deliver articulate, full-frequency content. In a few locations with less than six inches of ceiling space, low-profile Community D4LP deliver comparable performance. Yamaha DME-N series processors provide all input conditioning and matrixing, and an AMX system provides user control via an intuitive and engaging iPad interface. Five dual-channel Ashly KLR-3200 amplifiers power the entire system.

“The Ashly KLR-Series amplifiers are tremendously powerful, yet remarkably affordable,” said Savel. “Nothing else comes close on a performance-to-cost basis. We’ve used them in several installations now, and they worked from day one without a single glitch. That’s the kind of reliability we count on.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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