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Symetrix Appoints Millar Electronics as Rep in Southeast U.S.

SEATTLE, WASHINGTON: Symetrix, manufacturer of a wide range of DSP solutions for the installed sound market, from turnkey Jupiter processors to Dante-based, open architecture Radius and Edge processors, announces the appointment of North Carolina-based Millar Electronics as its rep in the Southeast. Millar Electronics will cover North Carolina, South Carolina, Georgia, Tennessee, Alabama, and Mississippi, where it has a deep history and a well-established network of connections. Millar Electronics was founded ninety years ago – in 1924 – as a components company selling capacitors, resistors, and the like. Over the decades, it grew with the times to become an audio/video manufacturers rep firm.

“Millar Electronics has built its success on relationships,” said Craig Richardson, vice president of global sales with Symetrix. “When I talk with people who do business with Millar Electronics, they always relate the trust they have in the salesmen they work with. Those salesmen are always out in their territories, talking with their clients, and keeping on top of what’s going on. They help their clients make the right choices for success now and in the long run.”

“We’re excited to work with Symetrix,” said Pete Petty, sales manager with Millar Electronics. “Symetrix builds cutting-edge DSP solutions, and its Edge and Radius products use Dante as a networking platform. Of course, Dante is becoming a big part of the industry, and Symetrix’ native Dante capacity will work hand-in-hand with a lot of the other equipment we represent and provide our clients with a complete solution. Moreover, great people work to make Symetrix what it is, and, having personally worked with them before, I know they’ll make it easy for us to go out and do our job. We’re looking forward to delivering a substantive increase in Symetrix’ market share in our territories.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

COLUMBIA PERFORMING ARTS CENTRE DANCING TO ASHLY’S NX-SERIES AMPS

COLUMBIA, MISSOURI: The Columbia Performing Arts Centre in Columbia, Missouri is a private, not-for-profit dance school for children founded in 1998, and its students range in age from toddlers through college age. The school recently completed a major addition including four new studios. The addition replaced the nearby, but separate, studio annex allowing them to have all eight studios under one roof creating a safer environment for the students. Local A/V integration firm Sound Concepts Inc. was hired to design and install high-fidelity sound systems, both for the new studios and to preemptively replace the older components in the existing studios. Sound Concepts Inc. delivered an impactful, energy-efficient sound system centered on the Ashly nXp8002 two-channel Network Amplifier rated at 800W per channel with a built-in Protea™ DSP Processor. All nX Series amplifiers can be programmed to trigger a defeatable sleep mode where the amp draws less than 1 Watt of AC power.

“The Columbia Performing Arts Centre is always brimming with energy and activity, and high-quality sound reproduction is an important component in its success,” said Chris Howe, manager at Sound Concepts Inc. “In addition to supplying the new studios with great, easy-to-operate sound systems, the center’s directors wanted us to harmonize functionality and quality in the existing studios as well. That way, instructors trained in one studio will be able to use any other studio without a hiccup.” Howe completed the installation in stages, beginning with the new rooms and progressing to the existing rooms as class schedule logistics permitted.

As requested, each studio is nearly identical. Each features a Denon DM700C CD player for a primary music source. Howe used its digital output with the Ashly nXp’s optional digital input card. In addition, he gave each system a 1/8-inch iPod-style jack and connected it to the nXp’s analog input. “If an instructor wants to use the CD player, they just use it and it works,” he said. “If they want to connect their digital music source from a player, phone, or computer, they just turn the Denon player off, and the nXp automatically fails over to the analog input. It’s really simple and removes a layer of equipment that we (and they) would have had to deal with.” He used the nXp’s back-panel volume control option to wire a 10k potentiometer for a simple volume control. Depending on the room, the nXp powers either four 8ohm Renkus-Heinz TRX182s or two 8ohm Renkus-Heinz TRX151s. Each room gets the full benefit and liveliness of stereo sound.

“There were a lot of good reasons to go with the Ashly nXp combined amplifiers/processors,” said Howe. “Of course the built-in DSP is one of the first features that drew us to the nXp line, we needed smooth compression and limiting to protect the system as well as a good EQ to fine tune the speaker response to each space. The fail-over functionality was huge, as was the unit’s super low power consumption at idle. That kind of intelligent power management is great in a situation like this! The fact that they’re American made with a huge five-year warranty is excellent. And of course, the sound quality and reliability is tremendous. When we got the first nXp8002 in, we A/B’d it with an amp from our rental stock in the adjacent room. That rental amp’s got a good name and a good reputation. Everything else about the two rooms was exactly alike – same size, same speakers, same everything. I assumed I wouldn’t be able to hear a difference, or if I did hear a difference, I’d have to strain to hear it. I was surprised that the Ashly nXp8002 was obviously better. It was the kind of difference you just hear, no straining needed.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

DANLEY EXPANDS LINE OF OS “OUTDOOR SERIES” FULLY-WEATHERIZED LOUDSPEAKERS

GAINESVILLE, GEORGIA: Danley Sound Labs, maker of innovative loudspeakers and subwoofers, announces the expansion of its OS “Outdoor Series” of fully-weatherized loudspeakers, including a new fully-weatherized subwoofer. Although all Danley products are optionally available with level-2 weatherization, which includes fiberglass seams, stainless steel hardware, and protective coatings over all wooden components, the fact remains that those wooden components will have a shorter life span in the elements than they would have had in an indoor installation. In contrast, Danley OS products are constructed of molded plastic with a custom injection molded shell rated to last fifty-years. The cabinet is sealed so the inner components are also protected from harsh outdoor elements. The materials are sourced from within a half-hour of Danley’s Gainesville, Georgia headquarters – a boon for large orders and/or short lead times.

“Like all of our Synergy Horn loudspeakers, the Danley OS-80 sounds fantastic,” said Mike Hedden, president of Danley Sound Labs. “Fidelity is excellent and distortion is remarkably low at all SPLs, and the OS-80 has the same highly-articulated coverage pattern and arrayability for which Danley is known. What sets the OS-80 apart is that its construction and materials make it impervious to the weather, for years and decades to come. Our local sources and molding machinery make it easy for us to turn over large Outdoor Series orders on short notice. Moreover, the molding process itself is very efficient, which allows us to sell the OS products at fiercely competitive prices.”

Soon, the OS-80′s versatile 80-degree conical coverage pattern will be joined by other OS models with a diversity of coverage patterns that will give designers greater flexibility to meet the needs of a range of outdoor situations. These will include the OS-90 and OS-100. In addition, the new Danley OS-115LF subwoofer will extend the bottom end of the OS line and the OS Nano will be the power of Danley in the palm of your hand.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

NASHVILLE’S HISTORIC SOUND EMPORIUM STUDIOS INSTALLS AN API LEGACY PLUS

NASHVILLE, TENNESSEE – JULY 2014: Sound Emporium Studios is a go-to destination for artists including Willie Nelson, Kenny Chesney, and Alison Krauss, not to mention major projects by T-Bone Burnett. The facilities, built by “Cowboy” Jack Clement in 1969, are the birthplace of legendary recordings including Kenny Rogers’ The Gambler, REM’s Document, Sammy Davis Jr.’s final album, as well as Taylor Swift’s first. To meet the growing needs of its diverse clients, Sound Emporium consulted Rob Dennis at API reseller Rack-N-Roll, who directed the studio towards a 48-channel Legacy Plus console.

“Our clients have long requested an API in that room,” said studio manager, Juanita Copeland. “The flexibility, build and sonic quality, along with the reputation of API made it an easy decision. It just brings together a lot of great API sonic solutions into one user-friendly package. Having the 2500 bus compressor is the icing on the cake.” Copeland also mentioned having 48 inputs, 48 returns, and 12 aux inputs is a huge improvement to the studio’s former setup. The room can also be used for mixing now thanks to the Uptown 2 automation.

Since commissioning the console early this summer, it’s been used for tracking, overdubs, and some mixing. The Legacy Plus is already booked for major clients in the coming months, including one of the top 100 guitar players of all time, and a critically-acclaimed alternative country artist. Recordings for the hit ABC show Nashville are also booked for when filming resumes this month, as well as several rock projects later in the year. “We are just thrilled to finally have such an amazing console in that historic room!” adds Copeland.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

SUMMER PRICING ON NEW ATC SCM20PSL MONITORS

LAS VEGAS, NEVADA – JULY 2014: TransAudio Group, U.S. distributors for ATC UK, announces special introductory pricing on the ATC SCM20PSL MkII near-field reference monitor. The passive ATC SCM20PSL MkII improves upon the previous ATC six-inch, two-way passive and is ATC’s smallest and least expensive monitor in the ATC Professional line up. Built to the same exacting standards as its active pro range siblings, the SCM20PSL MkII is ideal for those already using passives but seeking a new level of resolution in a compact passive package. Purchases made before September 1, 2014 benefit from the reduced price of $2,990 per pair. After that, the price rises to a (still very reasonable) $3,490 per pair.

“ATC is well-known for designing and building studio monitors that are unflinchingly truthful and that help engineers deliver mixes that translate everywhere,” said Brad Lunde, president of TransAudio Group. “ATC founder, Billy Woodman, and his team of R&D engineers never tire in the pursuit of perfection, and our request for a smaller monitor has led them to develop the SCM20PSL Pro MkII. We’re offering the special introductory pricing to both celebrate and motivate.”

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

The ATC SCM20 PSL Monitors are now shipping.
MSPR: Now until September 1st – $2,990.00 pair • After September 1st – $3,490.00 pair.

ZONA RECORDING STUDIOS ADDS API’s THE BOX

LONG ISLAND, NEW YORK – JULY 2014: Recording engineer John Zona works with much of the talent in the artistic-rich area of Huntington, New York through Zona Recording Studios. While currently running the studio around his full-time gig of pin striping motorcycles, he is transitioning his time mixing and recording from a hobby to a full-scale operation. As part of that transition, Zona has added API’s THE BOX to help bring enthusiasm and excellence to clients, ensuring they’ll come back and refer others.

“I am very pleased with my decision to purchase THE BOX,” recalls Zona. “After shopping around, doing research, and even demo-ing the board at the API headquarters in Maryland, it became clear API was the way to go. I am very impressed with the quality of the EQs, mic pre’s, as well as the reputation, construction, and warranty of the board.”

Zona, who is also an accomplished drummer, bass guitarist and composer, is presently taking the final steps in reconfiguring and wiring his updated studio space. While doing that, he’s using THE BOX to re-mix music he’s previously recorded. “I am getting results I had not even anticipated,” shares Zona. “I look forward to being an API customer for years to come.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

SYMETRIX RADIUS 12X8 DANTE™ NETWORK DSP IS THE BACKBONE FOR CHICKIE’S AND PETE’S CRAB HOUSE AND SPORTS BAR

ATLANTIC CITY, NEW JERSEY – JULY 2014: What started as a late-night effort between two brothers in 1987 to perfect their mother’s secret recipe turned into Crabfries® and launched their fledgling restaurant, Chickie’s and Pete’s Crab House and Sports Bar, to critical and commercial success. ESPN recently proclaimed the establishment to be the “Number One Sports Bar in North America” and Maxim Magazine deemed it the “Greatest American Neighborhood Bar.” Now a well-established Philadelphia favorite, Chickie’s and Pete’s is expanding its reach and recently opened its 26th location in Atlantic City’s Tropicana Resort & Casino. As with all of the other Chickie’s and Pete’s locations designed and installed by Cherry Hill, New Jersey-based Pro Systems, the new one uses Symetrix processing. This time it’s two SymNet Radius 12×8 Dante network audio DSPs paired with two SymNet xIn 12 and two xOut 12 audio I/O expanders for a total I/O count of 48 by 40.

Pro Systems’ Rich Stout and Jim McCann designed, programmed, and installed the new system. “For the Atlantic City location, the client wanted an upscale sports bar feel consistent with their ‘Best Sports Bar’ award from ESPN,” said Stout. “Every Chickie’s and Pete’s location that we have installed has incorporated Symetrix processing, and they’ve always been pleased with the sound quality and ease of use. At Atlantic City, we went with an HDMI 1080p solution with lots of individual audio zones. To accommodate all the inputs and zones, we chose two Radius 12×8 processors paired with two each xIn 12 and xOut 12 breakout boxes. The Radius’ integrated Dante network capacity made it easy, reliable, and inexpensive to route audio from box to box.

In addition to the Symetrix backbone, the system consists of Crown amplifiers feeding JBL Control and AE Series loudspeakers across 39 zones. Two Crestron HDMI DM switchers support 38 by 64 channels of video/audio, and several Crestron V15 touch panels enable end user control of audio, video, and lighting from a variety of strategic locations.

Rich Stout commented, “The client has no idea about the underlying complexity of a system like this nor should they have to. The trick is to make it simple enough that anyone walking up to the Crestron panel can run the entire system. With Symetrix and other premium hardware vendors we achieved that goal at Atlantic City, and it is now one of Chickie’s and Pete’s favorite locations.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

NEW DANLEY DIRECT FREE MODELING SOFTWARE DELIVERS SPEED, CROSS-PLATFORM PERFORMANCE, SOLID MATH, AND THIRD-PARTY MEASURED DATA

GAINESVILLE, GEORGIA – JULY 2014: Danley Sound Labs, maker of innovative loudspeakers and subwoofers that cleverly sidestep the trade-offs and constraints inherent in conventional designs, has applied that same “outside of the box” thinking to its latest loudspeaker and subwoofer installation design software. Named Danley Direct and available for free from danleysoundlabs.com, the new platform models the direct sound path from user-defined designs involving Danley products in three-dimensional spaces (which can be conveniently imported or modeled via SketchUp). Co-designed by renowned acoustician Doug Jones and Sebastian Rivas Godoy, Danley Direct is notable for its transparent cross-platform performance (Mac or PC), multiple-window flexibility, and tremendous speed. Like everything Danley Sound Labs puts its name on, Danley Direct is built on solid math and third-party measured loudspeaker and subwoofer data.

Danley Direct is heir to the capabilities of Danley’s DDT modeling software, which was one of the only loudspeaker modeling software programs to include subwoofer (i.e. < 100Hz) output. "When we were asked by Mike Hedden, Danley president, to update DDT, Sebastian and I realized that it had fully matured," said Jones. "It would become unwieldy if we tried to build more capability on top of its existing structure. So we decided to start from scratch. We recognized that our new software had to be fast, and it had to let the user create his or her own work environment. It needed a powerful graphics engine that could keep pace with a quick-thinking designer."

Jones and Godoy succeeded. Not only will Danley Direct operate on a Mac or PC with interchangeable files, it will do so with a fluidity that encourages exploration and creativity. The software supports multiple-window operation, and rendered objects can be rotated and otherwise manipulated without requiring re-rendering. "No other loudspeaker modeling software can do that," stated Hedden. Jones added, "With that kind of speed and transparency, Danley Direct is not going to waste anybody's time." Because it uses the ubiquitous SketchUp as its drawing environment, it's easy to create spaces either from scratch or by importing the numerous file types that SketchUp accepts (e.g. .dxf, AutoCAD). Of course, Danley Direct can import Danley DDT files, and, like DDT, Direct training will count toward CTS continuing education credits.

Although not nearly as flashy as its smooth graphics engine or its transparent workflow, Danley Direct's underlying mathematics and the Danley product data that feed into it are honest and correct. That, of course, is of the utmost importance. "Danley has always supported third-party independent measurements," said Jones. "The model you build in Danley Direct will be as close to the reality of the subsequent installation as any reasonable person could expect. This software is not designed to sell Danley products; it is designed to properly model them so that our users will have successful projects. And that is what will sell Danley products."

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

SCOTT PETITO PRODUCTIONS ADDS A 1608 CONSOLE “THE BEST PIECE OF GEAR FROM API”

WOODSTOCK, NEW YORK – JULY 2014: Musician, audio engineer, and studio owner Scott Petito has roots in the jazz and acoustic genres that go back to the early 1980s. His studio, Scott Petito Productions, has worked with major acts including James Taylor, Keith Richards, Pete Seeger, Bela Fleck, and Brian Setzer. In an effort to return to his roots in analog recording, Scott consulted Alto Music in Middletown, New York, who directed him toward an API 1608.

“It’s the best piece of gear I have ever used from API,” said Scott. “I have mixed on the Vision and Legacy consoles, as well as several vintage consoles. This has that same sound, but in a compact, simple and reasonable affordable design. It’s new, reliable, and has a great warranty.” The console has 24 channel inputs and 32 slots, providing over 48 reruns from Pro Tools. “It quickly became clear that it’s the only choice for uncompromising analog sound, and a familiar character and layout.”

With a degree from Berklee College of Music and countless hours in the studio, the sound generated by the 1608 is held to a high standard by Scott. “I already can feel and hear the added depth and dimensionality. It makes it easier to get what I want, I use fewer plug-ins, and being a smaller footprint the short signal path is always pristine and clear. It also has great headroom.”

Also among his favorite features and functions, Scott appreciates the Channel Strip and lunchbox implementation. “It lets me keep a lot of flavors on hand. The routing is wonderful. We have everything coming up on the patchbay.”

Scott and his crew wasted no time in getting to know the capabilities of the 1608. “The first session even before everything was wired to the patchbay or furniture was installed, we recorded a new album with Tony Levin, the bassist for Peter Gabriel and King Crimson among others. It’s turning out great! We are now mixing it.”

Next, the new 1608 will be used to mix the new album from Mercury Rev, whose fourth studio album Deserters Song was voted as one of the top twenty most influential albums of the last twenty years by Mojo Magazine. Scott will also use the new console to mix a new album of his own.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

PLATINUM MIX ENGINEER ERIC RACY DEPENDS ON METRIC HALO PLUG-INS IN THE STUDIO AND ON THE ROAD WITH KATY PERRY

SAFETY HARBOR, FLORIDA: Eric Racy made his entrance into the world of high-profile mixing and producing via the underground world of dance music, a pivot that allowed him to leverage skills and perspective honed by the diverse tones and influences of EDM. He has gone on to mix Robin Thicke, Lil’ Wayne, Pharrell, and Busta Rhymes, along with dozens of other big name artists, and a host of indie and underground artists that deserve to have “big” names. His intuitive, yet technically precise mixing on Tyga’s “Faded” helped propel it to Platinum status, and his affable nature and unfailing ability to work magic with all things audio earned him mission-critical playback positions on tours with 2NE1 and, most recently, Katy Perry. He’s also half of boutique analog signal processing manufacturer Black Box Analog Design and thus aware of tone on a level transcending that of most mix engineers. Racy’s faithful reliance on Metric Halo’s ChannelStrip plug-in, which has been present on most channels on every (yes, every) song he has mixed since discovering it four years ago, speaks to ChannelStrip’s unique musicality and usability.

“ChannelStrip is incredible,” Racy stated flatly. “I’ve used it on every single mix since I discovered it. Although I go out of the box for EQ sweetening on a few critical channels, everything else that needs equalization gets Metric Halo’s ChannelStrip. In fact, those critical channels often get ChannelStrip, too.” Racy has an established methodology in which ChannelStrip plays a key role. When he first opens up a new mix, he combs through each channel, carefully listening for unpleasant resonances and low or high frequency content that can be filtered out. He uses ChannelStrip to then notch out the resonances and filter the unnecessary extremes.

“I’ve tried this with a million plug-ins and outboard EQs,” he said, “but nothing is as effective as Metric Halo ChannelStrip. It doesn’t mangle the audio around the notch or filter, and it doesn’t make it sound like there’s a hole in the frequency range. It gets rid of the annoying frequencies and content, and it does it transparently.” For vocals, Racy often automates the notch frequency to keep the resonance from peeking out when the vocalist changes his or her mouth shape. “The results are well worth the effort,” he said. “Nothing else I’ve found can compare with this technique.”

Similarly, Racy claims to obtain results with the keyed gate on ChannelStrip that he cannot get with any other plug-in or hardware. “I love that I can adjust the key on the gate and that those adjustments are so effective,” he said. “I’ve been working on a forthcoming Killbot album, which involves members of Korn, Sluggo, and Tyler Blue making some aggressive rock meets dubstep. As with any live recording, there’s tons of bleed on the live drums (especially the snare and toms), and – as almost always happens with drum kits – any drum or cymbal can accidently trigger any other drum’s gate. It’s a mess that often required hand-editing in the past; no other gate could get it right. But with Metric Halo ChannelStrip, I can effectively key each drum’s gate so that it only opens for its intended target. I know that other gates have that same functionality, but none of them work nearly as well as ChannelStrip.”

Racy has all of the software and hardware tools he could want in his LA-based studio, but he knew he wouldn’t have access to that gear if he took the job building the audio tracks and doing Pro Tools playback on the Katy Perry “Prismatic World Tour.” “I’m a mix engineer first and foremost, and I certainly didn’t want to give that up on the road,” he said. “Metric Halo plug-ins formed one of the essential components of my mobile rig; ChannelStrip of course, but also Metric Halo’s Character plug-in. Given everything they can do, the Metric Halo plug-ins are very efficient and wouldn’t drain DSP resources on my native rig.”

He continued, “The Character plug-in is great. It models different kinds of analog signal paths, and just like real high-end studio hardware, the effect is critical, but also subtle. Placing different Character settings on a few different channels really adds up to something. It was especially useful to have on the road when I didn’t have access to my outboard gear, but I’ve continued to find plenty of uses for it now that I’m back in my studio.” Racy looks forward to dipping into the rest of Metric Halo’s Production Bundle of plug-ins as time in his busy schedule permits.

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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