A virtual press conference from Sound & Video Contractor

Archive of the ISE Newslink Category

SYMETRIX LAUNCHES SYMNET COMPOSER SOFTWARE VERSION 2.0

SEATTLE, WASHINGTON: Symetrix announces a new release of its SymNet Composer open architecture design software for Edge and Radius DanteTM network audio DSPs. In addition to a host of time-saving workflow enhancements, Composer 2.0 natively integrates select Dante third-party hardware supporting the discovery, signal routing, and other aspects of AtteroTech unDIO2x2 and unDX2IO and Stewart Audio AV25-2 and NetAV 2×2 devices. Composer 2.0 is the only programming environment needed to build a Dante networked system from start to finish, simplifying and speeding initial design, revisions, and troubleshooting.

Trent Wagner, senior product manager at Symetrix, noted, “I’m very excited to launch this version of SymNet Composer. To my knowledge, Composer 2.0 is the first full integration of third-party Dante devices in our industry. Contractors can now manage an entire Dante-based system from end-to-end (remote wall box I/O, to DSP, to power amps) using only SymNet Composer 2.0 with select products from AtteroTech, Stewart Audio, and Symetrix.”

In addition to third-party Dante device integration, Composer 2.0 offers a number of workflow enhancements. Remote control protocol can be accessed via TCP/IP and TCP/IP string output modules, simplifying integration with control devices and increasing the number of compatible control systems (e.g. projectors). Module input and output names can be automatically propagated to downstream modules, speeding and standardizing the labeling process, and presets can now be created and edited without going off-line. In addition to the 600+ DSP modules already within the Edge and Radius system, a new Transient Suppressor DSP module reduces random transient noise (e.g. pen tapping, silverware clanking) for clearer conference audio. Furthermore, a new “Trace Signal Path Forward” feature now traces through all Dante transmitters and receivers that significantly reduces the time required to understand, follow, and troubleshoot signal flows within large systems.

Added Symetrix Founder and CEO, Dane Butcher, “SymNet Composer 2.0 is yet another milepost in our ongoing mission to provide software and hardware tools that help our integrators achieve the greatest possible levels of technical excellence while at the same time expending the least time and effort.”

SymNet Composer 2.0 is available for free download at www.symetrix.co

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

BE SURE TO VISIT US AT INFOCOMM BOOTH #C9416

FORT WORTH BUILDS ITS STUDIO PROFILE WITH AN API 1608 CONSOLE

FORT WORTH, TEXAS: Over a span of 25 years and growing out of two previous studios, producer/engineer/studio owner Bart Rose has made his presence known in the Texas music scene through what is now called Fort Worth Sound. The studio works with both bands and singer/songwriters ranging from rock, country, blues and jazz. A new 1608 console by API completes the transformation of Fort Worth Sound’s Studio A, which has been a project in the making since 2008.

It took years to complete the construction of Fort Worth’s Studio A. “I wanted a console with amazing analog character, a small-ish footprint, and great reputation in the production world,” shares Bart. “There had been times when a prospective client looked at my control surface and asked ‘where’s the console?’ We think you will agree that Fort Worth Sound is one of the finest recording studios in the North Texas area.”

Studio A, which houses the 1608 console, accommodates the majority of the album recording and mixing projects. Since purchasing the console, Bart has used the console for several recording sessions. “I love the sound of the preamps. Just having amazing preamps with a high-pass filter yields great results on tracks that don’t need EQ.” Bart takes the sound coming from the studio into great consideration. The main recording room for Studio A has twelve-foot ceilings, independent climate control for each room, and floating floors to avoid low-frequency rumble from city traffic.

Since 2008, Fort Worth Sound has worked with major artists including The Toadies, Los Lobos, and Pat Green. Soon after the 1608 commissioning, the studio hosted a very successful two-night open house, where past and perspective clients were shown the new capabilities of Studio A. Bart has confidence that the purchase of the 1608 will diversify his studio profile. “I have a feeling this console will attract clients who wouldn’t have recorded with me before I had an analog console on the front end.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

(PHOTO CAPTIONS) (TOP) Bart Rose with the API 1608 console in Fort Worth Sound’s Studio A. (BOTTOM) FortWorthSound_StudioA.JPG: Studio A at Fort Worth Sound.

METRIC HALO ULN-8’s FRONT IMMERSIVE IDEAL – A RECORDING SESSION ON DISPLAY AT D.C. AREA MUSEUM

ARLINGTON, VIRGINIA – APRIL 2014: Beauty Pill is the musical brainchild of veteran producer and engineer Chad Clark, who founded the band in 2001 shortly after the dissolution of Smart Went Crazy. Both bands have received heaps of critical praise from outlets local to Washington D.C. and from the national press. Solid songwriting has turned Beauty Pill’s on-again/off-again status into something that promotes, rather than detracts, from its cult following. Beauty Pill recently teamed up with the Arlington, Virginia-based Artisphere museum to take on a unique artistic, musical, and sociological experiment. The band set up in a large room inside the museum with a windowed overlook and spent two weeks on display recording an album. Although they went in with racks of borrowed A-list studio gear, their initial recordings fell flat. It was only after Clark stripped everything down to just his Metric Halo ULN-8 interfaces that the recordings came alive, a testament to the ULN-8’s fantastic sound.

“Artisphere initially approached me to ask if I could do something ‘musical’ in the museum’s beautiful space,” explained Clark. “I was touring around, trying to come up with some ideas, when they showed me a large room with a window that overlooked it. It reminded me of Abbey Road Studio 2, where the Beatles made a lot of famous recordings. That put the idea in my head to do a recording there. It would be live in the sense that people would be watching us, but my plan was to record exactly as we would in a normal studio… including all of the discussions, overdubs, and the like. I thought it would interesting for the public to see that process – I have some non-musician friends who seem to think an album is made in almost the time it takes to listen to it!”

A musician first, Clark happily fell into engineering and production when other bands in the D.C.-area approached him because they liked the sound of Smart Went Crazy. He quit his day job in 1998 and spent nearly a decade between now and then as a mastering engineer at Silver Sonya. These days, he works mainly as a mix engineer, where he finds his passion for music is best nurtured. “It was working with Beauty Pill that first got me interested in the Metric Halo ULN-8,” Clark said. “It seemed to fit what I needed and what the band needed. Although I have nothing against low-fi recordings, I have no romance for them. I like sound that is vivid and the descriptions of the ULN-8 conveyed that idea. It’s turned out to be completely true – the ULN-8 is a miracle device! It’s incredibly flexible, and everything I record with it sounds amazing.”

Nevertheless, when someone goes to do a big studio recording – especially one that will be on display – there are certain preamps with legacies deep in the recordings of the late 1960s that engineers naturally assume will be the best choice for a rock record. With the help of friends at local studios, Clark amassed a rack of the choicest analog preamps and processors available. “We mic’d everything up with the best mics for each application and ran them to the textbook pro preamps that engineers have been using for decades,” he said. “The initial recordings were okay, but they weren’t fantastic. We all agreed that they fell kind of flat. So we simplified the mic’ing and pulled out all those great preamps, relying entirely on the Metric Halo ULN-8s for preamps and conversion to 24-bit/88.2kHz.”

He continued, “It was a revelation. The sound came alive. It was vivid and tactile. The ULN-8 preamps are just stellar. That was a convincing test, and now I never wonder about using anything but the ULN-8s now. I think it’s worth pointing out that although Metric Halo’s use of the term ‘archival quality’ is totally appropriate, it shouldn’t give anyone the idea that the ULN-8 is only for purists or documentary recording styles. Beauty Pill’s Artisphere recording is far from documentary. We use all kinds of overdubs and textures and found sounds. The quality of the ULN-8 simply makes that mode of recording more vivid and involving.”

Some of the band’s friends advised them against the experiment, citing YouTube’s “comment culture” as an example of how mean people can be when a band is vulnerable. “I suspect that if we had streamed the installation or posted video, things might have gotten ugly,” said Clark. “But the people who came to the exhibit were completely supportive. Sure, there were some uncomfortable moments when we were arguing amongst ourselves, but I mainly felt empathy from the window. They were wishing us well. It was an encouraging experiment!”

Ultimately, Immersive Ideal ran as an interactive multimedia photography and music exhibit with pictures from the recording sessions paired with a surround-sound mix of the final versions. Beauty Pill anticipates releasing it as a conventional stereo recording in the fall.

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

CAST BlackTrax Shortlisted for Two Studio LIVE Design Awards

48HRS BEFORE VOTING CLOSES!



Live Design’s Seventh Annual Excellence Awards voting is now open.

Vote for CAST BlackTrax in the following categories:

Category 3. Live for Broadcast: Eurovision
Category 7. Venues (Theatre or Performance): Trinity Fellowship Church

Vote Here: http://livedesignonline.com/news/excellence-awards-voting-open

Winners of each category will be featured in the June issue of Live Design, as well as honored at the Broadway Master Classes.

CLICK HERE TO WATCH THE VIDEO

www.blacktrax.ca

FELLOWSHIP BIBLE CHURCH UPGRADES TO DANLEY SOUND LABS

TACOMA, WASHINGTON – APRIL 2014: Fellowship Bible Church in Tacoma, Washington started as a gathering of friends in a living room on July 7, 1977 (7-7-77) and grew over the decades that followed to become a beacon in the community. The church moved into its current 750-seat sanctuary in 1996 and developed an engaging contemporary worship style complete with a small band. However, the church members were long dissatisfied by the sound quality in the sanctuary. So when they recently raised the funds, they sought high and low for the very best sound reinforcement system to replace it. That search took them to Audio Video Electronics, a Twin Cities-based A/V integration firm with extensive experience designing and installing systems based on Danley Sound Labs components. Now, Danley synergy horn loudspeakers and DBH subwoofers provide beautifully articulate, musical reinforcement with even coverage.

“Their old system was in a pretty sorry state when we first arrived to meet and understand their needs,” said Stefan Svard, president of Audio Video Electronics. “They were most interested in getting a new system that would be consistent; Consistent not only in its day-to-day performance, but consistent in its coverage of the seating area. One of the things I really like about Danley is the phase coherency of its designs. It makes for consistent patterns and, perhaps more importantly, remarkably consistent sound quality within that beam. I’ve been a Danley supporter for a long time now, and I’ve really come to believe in [President] Mike [Hedden] and the rest of the company.”

The new system is much simpler than the old system. Three Danley SH-50s comprise a center cluster with a pair of Danley SM-60s providing side fill. A pair of Danley DBH-218 subwoofers generates ample deep bass. Svard used Danley’s modeling software to optimize the positioning and component selection. Three Powersoft Duecanali 3904 amplifiers with integrated DSP power all of the full-range boxes, with a channel to spare for an additional down fill that the church will have funds for in the future. A single Powersoft K20 with integrated DSP powers both subwoofers. A Midas PRO2 console serves as a flexible, easy-to-use front end. “The whole system is much simpler now,” said Svard. “They have a nice console with a digital snake and a clean rack. Although it’s not complicated, it gives Fellowship Bible Church a lot of punch and room for growth.” In addition to the sound reinforcement system, Audio Video Electronics also gave the church a new Vivitek d6010 6000 lumen projector and a 16×10’ pearlescent Da-Lite snap-screen.

“I love that when I cluster the Danley boxes, they act like one large speaker,” said Svard. “Other manufacturers generate comb filtering and lobing, which can cause some nasty feedback when the cluster is above the pulpit. Danley doesn’t do that. Danley gives me excellent pattern control with uniform sound. The clarity of a Danley box is unmatched, in my opinion. The low-end at Fellowship Bible Church is tremendous. We had a few of their new DBH-218s at a much larger, 5,000-seat church in Tulsa, Oklahoma, and they were great. We arranged Fellowship’s two DBH-218s to give some directivity to the low end, which gives them nice on-stage volume and ample bass in the seats. In all, we gave them a premium system all the way across, from the console… to the amps… to the loudspeakers and subs. They’re very happy with it.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

TRUE COLOURS MIXES BIGGER PROJECTS WITH THE BOX® FROM API

PADUA, ITALY – APRIL 2014: Located in one of the oldest towns in northern Italy, True Colours Studio is dubbed a ‘well-heeled project’ by owner Mauro Santinello. What began in 2005 as a single recording and control room has now grown into a facility with three recording rooms for commercial audio projects, jingles, and most recently some major Italian recording artists. To accommodate the needs of its growing presence in the music scene, True Colours has added THE BOX® to its studio, citing its “high quality manufacturing, and the unique API sound”.

Mauro wanted a project console that would provide a cost-effective, versatile solution to handle the needs of his growing studio in the decades to come. Along with his booming presence in the recording artist scene, True Colours has a growing demand for complete post-production, musical arrangements, and the creation of music for movie productions and short films. “I chose THE BOX because it represents the right console for a modern studio.”

The small-format recording and mixing console offers features that are not provided by most DAWs, including mic preamps, input signal processing, a high-quality mix bus, cue sends with talkback, and monitor control – all in a compact and versatile package. True Colours has a growing number of external preamps, EQs, and compressors, which includes some existing gear from API. The ability to personalize setups was a major factor that drew Mauro to THE BOX. “I didn’t want a big console with 32 preamps and 32 EQs that are all similar.”

True Colours mixes and records music of all genres, with only metal and electronic music yet to make the list. The crew has recorded a wide-range of Italian artists including famed singer Zucchero, piano master Stefano Bollani, and jazz trumpet player Enrico Rava. Most recently, Mauro used THE BOX for a session with singer Alberto Micaglio, whose acoustic presence is expanding from Italy, to London and New York. He has an album due out later this year.

“I have always wanted to buy an API console,” admits Mauro. “THE BOX offers a high-quality analog sound, and no compromises.”

ABOUT API (AUTOMATED PROCESSES, INC.)
Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

Historic Racing Track Turned Casino Wins with Twenty-Two Symetrix SymNet Edge DSPs

MIAMI, FLORIDA – APRIL 2014: Constructed in 1932, Hialeah Park is an architectural wonder in southern Florida that hosted some of the world’s finest horseracing until it shuttered its doors in the late 1990s under pressure from the shifting tides of modern gambling. Its resplendent Spanish décor impressed the many celebrities who graced its grandstands, including Winston Churchill, Frank Sinatra, Harry Truman, Will Rogers, John Kennedy, and Joey DiMaggio. Its iconic palm trees and archways served as the setting in numerous Hollywood films, including The Champ and The Godfather: Part II. Hialeah Park recently leveraged the weight of that history to launch Hialeah Park Racing & Casino, which pairs quarter horseracing with a casino built into the interior of the historic grandstand. A new, state-of-the-art sound system infuses the casino with full-fidelity music 24 hours a day, seven days a week using twenty-two SymNet Edge Dante networked audio DSPs modularly outfitted with twelve inputs and a whopping three-hundred outputs!

“The casino has nearly nine-hundred slots, twenty-three poker tables, and several restaurants and bars located across 150,000 square feet,” said Byard Hey, sales manager with NDR Systems, the Ft. Lauderdale integration firm that installed the new sound system. “They were very careful to restore all of the architectural motifs that make Hialeah Park such a regal place.” Kinsella-Marsh Group, Inc. (Miami Beach, Florida) designed the system around a different processing arrangement, but Hey pushed for Symetrix. “I’ve been using Symetrix for years, and the installations always go smoothly and the equipment always holds up,” he said. “Moreover, the new SymNet Edge met all of the design requirement and then some. It has a modular I/O that could easily accommodate the lopsided I/O count of this job. Importantly, the SymNet Edge is based on the future-oriented Dante network, whereas the specified processor was based on the now-fading CobraNet technology.”

Each SymNet Edge frame can be filled by up to four I/O cards. The available I/O cards cover the full range of possible I/O needs, but for Hialeah Park Casino, Hey simply installed three 4-Channel Analog Input Cards and seventy-five 4-Channel Analog Output Cards into twenty-two SymNet Edge frames. While each Edge frame has its own processing resources, the whole system acts as one integrated whole via the Dante network. Each speaker location includes a five-inch loudspeaker, an eight-inch loudspeaker, and a subwoofer. All the components are Tannoy with the SymNet Edge processing turning each location into a three-way system. Lab.gruppen amplifiers are used for power.

“Dante is great, especially for this type of installation,” said Hey. “It’s a communications protocol of the future, which will make any future requests easy to accommodate. It has a dual network topology, which makes it more robust, and it is so easy simply to wire it all with Cat5 jumpers! The SymNet Composer software is intuitive and allows me to see the entire system or dig down as necessary. The casino has been up 24/7 for several months now without a hiccup.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

DANLEY SOUND LABS HOSTS TRAINING SESSIONS FOR INTERNATIONAL DISTRIBUTORS

GAINESVILLE, GEORGIA – APRIL 2014: Danley Sound Labs, manufacturer of innovative loudspeaker and subwoofer solutions for high SPL applications, hosted an ongoing series of training sessions for its growing team of international distributors. Key members of Finnish distributor LF Imports came to Danley’s Gainesville, Georgia headquarters in February, followed in March by members of Singapore distributor The Soundsmith and German distributor Carsten Eichstaedt-BLL-Veranstaltungstechnik. Participants engaged in critical listening exercises across a wide range of Danley products, from the flagship SH-50 loudspeaker and BC-415 subwoofer, to the company’s latest offerings, the lobe-free columnar SBH-10 Skinny Big Horn loudspeaker and the fully-weatherized OS-80 loudspeaker. Participants also learned the finer points of Danley’s free, easy-to-use DDT 2D & 3D system modeling software.

“We are developing the international side of Danley and are actively seeking new distributors in key geographies around the world,” said Jonathan “J.P.” Parker, Danley’s director of sales. “We realize that education is critical because, although Danley gets a lot of favorable press, decisions are made on a project-by-project basis, and making decisions about audio is often subjective. After going over the technology behind Danley’s product line, these training sessions give our distributors a frame of reference for the aspects of sound that they – and their customers – should be listening for. Once they have that frame of reference, it’s much easier to explain and show through a demo why Danley offers the better solution. We hope our international distributors can take that knowledge home and effectively convey it in their own culture and language.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.
www.danleysoundlabs.com

(PHOTO CAPTION) (Attendees around the table, clockwise from left) Chad Edwardson – Danley; Carsten Eichstaedt – BLL-Veranstaltungstechnik; Ivan Beaver – Danley; Edwin Ng – The Soundsmith; Nicholas Loe – The Soundsmith; Choon San Ng – The Soundsmith; J.P. Parker – Danley (not pictured).

D-Tools Furthers Standardization, Fully Integrates Industry Standard J-STD-710 Audio, Video and Control Architectural Drawing Symbols into System Integrator™ Software Platform

J-STD-710 Industry Standard Architectural Drawing Symbols are used to represent all facets of audio, video, and control pre-wire and installation for system designs, blueprints, or schematics, and are consistent with those used by Architects, Builders, Interior Designers, and other Professional trades

D-Tools System Integrator system design and proposal platform now features industry standard shapes for more seamless integration and better communication of project parameters with associated trades.

CONCORD, CA, USA – APRIL 09, 2014 D-Tools Inc., the worldwide leader in system integration software, today announced full integration of Industry Standard J-STD-710 Audio, Video and Control Architectural Drawing Symbols into the D-Tools System Integrator™ electronic system estimation, design and documentation software platform. Straightforward and easily-recognized, J-STD-710 Audio, Video and Control Architectural Drawing Symbols represent all facets of audio, video, and control pre-wire and installation for system designs, blueprints, or schematics, and are consistent with symbols used by Builders, Architects, Interior Designers, CE Manufacturers, Electronic Systems Contractors, and other professional trades.

“By implementing industry standard J-STD-710 Architectural Drawing Symbols into the D-Tools System Integrator™ platform, electronic systems integrators are provided an effective means for producing professional-looking, easily recognized proposals and design documentation that allows them to compete at a higher level and win more bids,” said Adam Stone, President and Founder of D-Tools. “Not only does standardization provide extensive value to every entity involved in a given installation, it will soon be a service that systems integrators will be required to provide. Essentially, we’re giving integrators a leg-up on their competition by encouraging the early adoption of industry standardized.”

Within the D-Tools System Integrator platform, J-STD-710 implementation consists of nine categories of Autodesk® AutoCAD symbols– including mount type and device options for each symbol–that D-Tools has converted into nine separate Microsoft® Visio stencils. The categories include Audio Video, Communications, Control, Electrical, Electronic Safety and Security, Furnishings, Generic, HVAC, and Vacuum Cleaning Systems.

The new D-Tools J-STD-710 stencils are available now for download and use by authorized System Integrator users, who can access these and other D-Tools stencil updates by clicking on the Download Stencil update link in the SIX toolbar in Visio.

By adopting and utilizing the J-STD-710 Audio, Video and Control Architectural Drawing Symbols into their system design and documentation practices, electronic systems integrators will more clearly communicate with project partners across different trades. Not only does this new standard provide needed clarity and consistency between project partners, it also provides systems integrators an opportunity to compete for bids at a higher level, earn and maintain project access, streamline processes, and boost their bottom line.

More detailed information about the new D-Tools J-STD-710 Audio, Video and Control Architectural Drawing symbols can be found on the D-Tools documentation D-Tools wiki, by visiting the D-Tools Blog Site, by calling 1-866-386-6571 ext. 1, or by emailing info@d-tools.com. Product updates and related information can be obtained by following D-Tools on Twitter and on Facebook.

About D-Tools, Inc.
D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software platform. The company’s flagship product, System Integrator™ (SI), is a robust solution that utilizes Autodesk® AutoCAD and Microsoft® Visio to facilitate comprehensive system design, documentation and project management. D-Tools enables residential and commercial integrators to streamline business processes and increase revenues while reducing the time and cost associated with the installation and integration of low-voltage electronic systems. More than 4,500 leading companies currently use the award-winning D-Tools platform to reduce time, costs and to streamline the system integration process.

Press Contacts: 
Tim Bigoness, D-Tools, Inc., +1 (925) 270-4102, timb@d-tools.com, www.d-tools.com
 
Katye (McGregor) Bennett, KMB Communications, +1 (425) 328-8640, katye@kmbcomm.com, www.kmbcomm.com/press
 
Accompanying Images:
D-Tools Logos
D-Tools Screen Shot of J-STD-710 Industry Standard Symbols

D-Tools Blog post on J-STD-710 symbols:
http://www.d-toolsblog.com/presidents-perspective/jstd710-symbols/

References:
The official J-STD-710 Audio, Video and Control Architectural Drawing Symbols Standard was created by members of the CEA/CEDIA/InfoComm R10WG7 Residential Systems Documentation Working Group who produced a joint White Paper post on J-STD-710 symbols:
http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/36035.htm
http://www.cedia.net/insights/cedia-blog-detail/blog/2013/12/09/method-to-the-madness-the-future-of-design-documents
https://standards.ce.org/apps/group_public/project/details.php?project_id=2

# # #ENDS

PreSonus Lands Top Distributors for France, Israel, Russia, and Spain

Belturbet, County Cavan, Ireland, March 2014… PreSonus is pleased to announce new distribution agreements for France, Israel, Russia, and Spain. “We’re honored and very fortunate to have reached agreements with four outstanding distributors,” says PreSonus Europe Ltd. Managing Director Michelle Lynch. “Each of these companies is a leader in its market, and together, we’ll make an unbeatable team.”

Established in 1971, and boasting 230 passionate employees, ALGAM France is the leading distributor of MI and professional audio products in France and the Benelux. “When PreSonus first contacted us, we were happily surprised and honored, as PreSonus is a fast-growing and highly innovative company,” says CEO and founder Gérard Garnier. “Moreover, we share the same state of mind: to keep moving forward. ALGAM France will draw on the largest network in France and our local marketing expertise to help PreSonus’ efforts.”

Established in 1972 by CEO and owner Avinoam Yarkoni, A.B. Electronics has been at the pinnacle of professional audio and lighting distribution and marketing in Israel for more than 40 years. Remarks Yarkoni, “A.B. Electronics are proud to be able to offer its current and future customers PreSonus’ vast array of excellent and innovative professional audio solutions.”

Adagio is one of the top music-industry distribution companies in Spain and Portugal, with a network of more than 400 dealers and a highly professional team. “We are very happy to have PreSonus onboard,” states Product Manager Roque Molina. “We look for brands that bring high added value and advanced technology, and PreSonus’ impressive product portfolio perfectly fits and complements our product family of computer-music and live-sound solutions.”

Established in 2012, OKNO-AUDIO is a division of Russia’s premier broadcast systems-integration company, OKNO-TV, which has been in operation for more than 20 years. The company distributes a number of key pro-audio brands. Notes Kirill Pavlov, General Director of OKNO-AUDIO, “It was extremely important for us to become a distributor for such an innovative and respected brand as PreSonus.” Adds Vladislav Manaenkov, co-founder and Executive Director, “We are proud to be an integral part of the PreSonus international team and will do our utmost for the brand’s development in all spheres of the Russian professional market.”

For more information, visit www.presonus.com.

 

 ***

About PreSonus Audio Electronics, Inc. - Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

  


About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

September 2014
M T W T F S S
« Aug    
1234567
891011121314
15161718192021
22232425262728
2930  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication