A virtual press conference from Sound & Video Contractor

Archive of the ISE Newslink Category

VIRGINIA ARTS RECORDING INSTALLS AN API 1608

CHARLOTTESVILLE, VIRGINIA – MARCH 2014: As part of a complete architectural and electronic renovation, Virginia Arts Recording recently replaced its large-format digital console with a sixteen-channel API 1608 analog console with API’s P-Mix fader automation. The north-central Virginia-based studio has been serving local musicians, labels, and radio stations for over thirty years. The current owners, Chris Doermann and Sean Dart, are embracing that history and the industry’s pivot to analog with the new API console and a 24-track, two-inch tape machine. Virginia Arts Recording also retains all the professional digital platforms with top-end converters to allow projects to effectively hybridize between the two technologies.

Virginia Arts Recording resides in a historic house in southeast Charlottesville, just miles from the University of Virginia campus. A little over a year ago, the coupling that merged the city water supply and the house’s water heater on the second floor failed just as everyone was closing up shop for a holiday weekend. “When we returned, the control room, and much of the equipment was totally wrecked,” recalled Dart. “The digital console was one of the casualties, but we decided to make the most of it. We wanted to put the studio on solid footing for the next twenty-five years.”

Analog consoles, tape machines, ADATs, and a steady progression of DAWs all had a place in Virginia Arts Recording’s history. Doermann and Dart decided to build a hybrid analog/digital studio with a workflow that made negotiating the two technologies transparent. “We definitely wanted an analog console, and we pride ourselves on capturing big drum sounds,” said Dart. “That’s API’s signature talent, so naturally we chose the 1608.”

Doermann and Dart took an API factory tour as a part of their research. “Interacting with API is a different experience,” said Dart. “Mark Seman of API invited us to the factory, and we packed a few mixes that we know well. API let us see everything, and gave us a few hours behind the 1608. It sounded amazing, and the feel of real faders has been a welcome relief from menus and double clicks. I just get in there with my hands, and thank API for giving us the recording feel we were missing.”

ABOUT API (AUTOMATED PROCESSES, INC.)
Established 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608, and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

ASHLY AUDIO POWERED PROCESSORS AT CORNELL UNIVERSITY’S SAGE CHAPEL CONDENSING SEVEN FEET OF PROCESSING & AMPLIFICATION INTO SEVEN INCHES

ITHACA, NEW YORK – MARCH 2014: Erected in 1875, Sage Chapel sits near the center of the picturesque campus of Cornell University in upstate New York. It is expressly non-denominational, and its interior is adorned by symbols of all the major and minor religions from around the world. For services and other events, Sage Chapel seats over 700 people, plus a large choir. To help voices carry with intelligibility in the large space, its sound reinforcement system has evolved with the state of technology over the decades. Apart from the chapel’s two organs, the system also provides reinforcement for any musical instruments used. Its latest upgrade condensed seven feet of rack space used for 1990s-era processing and amplification into just seven inches using an Ashly Pema 8250 and an Ashly ne4250pe. Each unit combines Ashly’s Protea signal processing with clean, high-powered amplifier channels – twelve in all.

“We put the previous system in over twenty years ago to deal with issues of intelligibility that were plaguing them at the time,” said Barny Cole, president of Calf Audio, also of Ithaca. “We put in three sets of loudspeakers arrayed in stereo pairs on delays running from the front of the chapel to the back. It delivered great sound quality, but it took a ton of processing to dial in. In those days, that meant a lot of separate rack units to individually equalize and time align each component. That system took seven feet of rack space! The university approached us recently to ask if we could condense all that processing because the closet was coveted by the janitorial staff. Of course, they didn’t want to lean their mops against a bunch of electrical equipment, so if we could condense it down and raise it up, everyone would be happy.”

With its fully-implemented front-end processing capabilities, the Ashly Pema 8250 now takes care of all of the “everyday” mixing and processing chores. It also delivers eight 250-Watt amplifier channels, all within two rack spaces. Because the Pema 8250 also includes line-level outputs from the processing section, it feeds the four-channel Ashly ne4250pe amplifiers with optional processing. All together, the system provides twelve 250-Watt amplifier channels and all of the processing they require in a tamperproof package. “I’m predisposed to choosing Ashly,” Cole admitted. “The company is a close neighbor – they’re just an hour-and-a-half down the road – and I like the individuals who work there. Ashly’s products are famously solid and reliable, and their service is spectacular. Since they deliver all of that at a huge price advantage, it would seem silly to bother with anyone else!”

An Ashly neWR-5 wall panel remote control provides simple selection of several presets. At its most basic, the Ashly Pema 8250 auto-mixes all of the usual inputs. The presets also allow selection of arrangements for other common event scenarios. For more complicated events, a console can patch in and take control of the inputs. Calf Audio is usually called in to provide sound engineer support for those more complicated events.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

ASHLY MIXES IT UP WITH VINTAGE MOS-FET AND NEW AMPLIFIERS TO UPDATE MIDLAND NAZARENE CHURCH

MIDLAND, MICHIGAN – MARCH 2014: Though founded decades earlier, the Midland Nazarene Church in Midland, Michigan moved to its present, 450-seat church in 1970. Although much changed in the four decades that followed, the church’s sound system didn’t change until only very recently. It bore the burden of the church’s increasing use of reinforced music, and equipment slowly succumbed to time and wear. When finally the only things that were still functioning as they had when they went in were a pair of Ashly FTX-1501 MOS-FET amplifiers (circa early 1980s), Midland Nazarene put its renovation out to bid. Nearby A/V integrator Center Line Technologies won the bid, scrapped everything except the perfectly functioning “vintage” Ashly amps, and added new Ashly amplifiers and processing to bring the sound system up to modern standards.

“This was the kind of church that likes to do things for themselves,” said Tony Rogalski, vice president at Center Line Technologies. “As their on-stage needs grew, they added four mini floor monitors for the praise team, two monitors for the pulpit, and two monitors for the musicians. All told, they had eight floor monitors on stage and only two small loudspeakers to cover the congregation. And they were the original two loudspeakers!”

Rogalski replaced those two loudspeakers with a new JBL system comprised of multiple flown loudspeakers and monitors, plus subwoofers. The new system called for vastly more channels, and while he was happy to keep the Ashly FTX-1501 MOS-FET amplifiers in service for monitors, he added an Ashly KLR 5000 to power the left/right loudspeakers and an Ashly KLR 4000 to power the center loudspeaker and the flown monitors. A new Ashly ne24.24M processor with modular I/O now replaces the scant analog processing of the original system. He increased its I/O count to 8×8 to handle all the new equipment. New Shure wireless microphones and an Aviom system provide a robust input set, which the church now mixes with a new Allen & Heath GLD-80 digital console. Rogalski repurposed several of the floor monitors for use in the classrooms that serve as overflow.

“We started working with Ashly processing over fifteen years ago, and it became our go-to processor,” said Rogalski. “Ashly processors never failed, and my field techs consistently reported that they were the easiest to program and gave them the most consistent results. Why mess with that track record? Ashly amplifiers won me over when we started specifying their combined amplifier/processor units. At their price point, it’s like buying an amplifier and getting a processor for free. Ashly amplifiers have proven to be every bit as robust as the Ashly processors that I’m more familiar with.”

He continued, “Midland, Michigan supposedly has more PhDs than anywhere else, and selling them on a system was a bit of challenge because they were all rocket scientists. Because their original Ashly amplifiers had proven themselves, they had no problem with our choice of Ashly for the new amps and processing. They’re very happy with the way things turned out. There is a clarity and naturalness to the sound, and the coverage, which had previously been spotty, is now even and seamless.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.
www.ashly.com

SYMETRIX SYMNET RADIUS 12×8 JAZZES IT UP AT FAMOUS NYC SOUL FOOD RESTAURANT

NEW YORK, NEW YORK – MARCH 2014: Founded in 1962 by Sylvia Wood, Sylvia’s Restaurant in the Harlem neighborhood of New York City serves soul food that has attained regional and international fame. Numbered among its past clients are Jesse Jackson, Magic Johnson, and the late Nelson Mandela, and its regulars include President Bill Clinton and Reverend Al Sharpton! Over the decades, Sylvia’s has expanded from its original storefront by annexing several of the adjacent storefronts. With each expansion, its sound system grew in size – but not in quality. Taylor Sound of Long Island, New York recently gave Sylvia’s a sophisticated, yet easy to use commercial-grade sound system centered on a Symetrix SymNet Radius 12×8 Dante networked audio DSP.

“The Symetrix Radius 12×8 was the first thing we installed at Sylvia’s, and it was almost too good,” said Bill Taylor, owner of Taylor Sound. “They clearly needed new speakers and amplifiers as well, but the Radius was such a step up from their old system that, without an external reference, the improvement seemed more than adequate. We went with the Radius 12×8 because we knew the sound quality would be there and because Symetrix’ open-architecture programming would allow us to give them the customized performance and user-control options that the restaurant needed. Specifically, we wanted to zone out each separate room so that processing and volume could be room-specific.” Taylor Sound designed and installed the new system.

Inputs to the system include a podium mic for calling guests when there is a wait (which is frequently), an iPod input, and output from an existing PreSonus studio/live board. The board supports the musicians and vocalists for Saturday Jazz Brunch and Sunday Gospel Brunch, each a longstanding tradition at the restaurant. User control includes a Symetrix ARC-2e wall panel remote for each room, as well as Symetrix ARC-WEB for managers. ARC-WEB allows them to control the system from their smartphones. Taylor Sound is installing new Renkus-Heinz TRX81 loudspeakers in each room in phases.

“The Symetrix Radius 12×8 has everything we need, including comprehensive dynamics, equalization, and delay for slight time alignment in each room,” said Taylor. “I really love working with the SymNet Composer open-architecture software. It allows me easily create whatever I need for a particular situation. Of course, giving the client ARC-WEB for free is nice. Finally, because the Radius 12×8 is built around the Dante network, it will be easy to expand in the future. Already, Sylvia’s is talking about blowing out another wall to add more table space!”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

RF VENUE INTRODUCES RF OPTIX™

ASHLAND, MASSACHUSETTS – MARCH 2014: Wireless audio manufacturer RF Venue has released the RF Optix™ RF to fiber optic conversion system, a powerful new tool for mainstream wireless microphone users that expands the possibilities of antenna distribution and wireless audio design.

“RF Optix brings technology from the world of broadcast and IT into the reach of church, school, and theater wireless users,” says CEO Chris Regan. “Integrators, tour managers, and church technicians are now able to do things with fiber that would have been way out of budget, or downright impossible, with coaxial cable.”

The RF Optix system leverages the low cost, lossless characteristics of fiber optic cable over the expensive, fragile, lossy characteristics of coaxial cables. Fiber cable runs thousands of feet long are possible with negligible in-line attenuation, so antennas can be remoted in venues far away from racks or equipment rooms located elsewhere in the facility.

“One of the main constraints for distributed antenna systems for wireless audio is the cost and signal loss challenges of coax cables,” says Regan. “This is especially true for plenum installs, where plenum rated coax can exceed the cost of the entire audio system. With inexpensive plenum rated fiber cables, system designers can now rethink their equipment layouts without sacrificing the huge performance benefit of using a remote antenna system for their wireless system.”

The RF Optix system is offered as a single channel for connecting to one antenna or in a dual channel package for diversity antenna systems. The Install Package includes wall or rack mountable flanges and the Live Package includes a hard-shell carrying case. Both options include 10’ BNC to SMA adapter cables for connecting to antennas and wireless rack equipment; 9V screw-on power supplies are also provided. Available accessories include 100m single mode plenum fiber cables and 100m indoor/outdoor reinforced fiber cables. Custom fiber cable lengths are available.

ABOUT RF VENUE RF Venue is a new wireless audio company specializing in remote antennas, RF distribution equipment and RF signal management and monitoring systems for audio/video installations and live sound events.

http://www.rfvenue.com

Contact RF Venue at 800-795-0817 or email orders@RFvenue.com for further details.

WICHITA STATE UNIVERSITY’S KOCH ARENA UPS GAME DAY WITH DANLEY HORNS AND SUBS

WICHITA, KANSAS – MARCH 2014: Originally constructed in 1953 and renovated in 2003, the 10,500-seat Charles Koch Arena is home to the Wichita State University Shockers’ basketball and volleyball teams. The men’s basketball team is a ten-time contender in the NCAA finals, and its home games usually sell out the arena. Recently, Daktronics (Brookings, South Dakota) designed and installed a new center-hung video board in Koch Arena, which prompted a simultaneous renovation of its previously disappointing sound reinforcement system. Now, twenty-four Danley Sound Labs Synergy Horn loudspeakers join four Tapped Horn subwoofers to deliver high-volume, high-fidelity audio to Shockers fans.

“Men’s basketball at Wichita State University attracts large, mostly sold-out, crowds,” said John Olsen, a Daktronics regional sales representative for large sport venue audio. “Because the shape of the building is circular and because the roof is curved, the sound level in Koch Arena can be challenging to overcome when the action on the court heats up. The old system lacked the proper design and performance to cover the entire arena with intelligible speech and impactful music, and there was a definite lack of low-end performance. The school had invested a lot of money in past improvements, but they were ineffective for the whole facility. The new system had to be more inclusive of their immediate in-game needs for all the fans.”

In addition to Olsen, who provided the client contact and communication necessary to understand and meet the university’s expectations, the Daktronics team consisted of Aaron Louwagie, project manager, Dan Eckert, system design engineer, and Doug Dodge, field installation engineer. Decker Electric of Wichita, Kansas provided the high- and low-voltage installation and rigging of the clusters, which required extensive welding to existing roof structures. Larry Lucas of Anthony James Partners (Richmond, Virginia) assisted with system design and commissioning.

Owing to its circular architecture (designed to give everyone a better seat), Koch Arena is known locally as “The Roundhouse.” “It’s a symmetrical room with a highly reflective dome,” said Lucas. “The acoustical challenges that come with that are extreme. The new system would have to have exceptional pattern control so that energy would hit the fans and not the ceiling. Danley Sound Labs’ unique horn-loaded designs offer that kind of precise pattern control. Moreover, they’re very cost-effective, especially when you factor in that each Synergy Horn loudspeaker or Tapped Horn subwoofer requires only one processing and amplifier channel.”

The system is comprised of eight clusters that circle the top ring of the new center-hung video board. Each cluster contains a Danley SH-96, a Danley SH-64, and a Danley SM-80. In addition, four Danley TH-118 subwoofers round out the bottom end. “The tight pattern control of those Synergy Horn boxes worked well within each cluster and between each cluster,” continued Lucas. “When we commissioned the system, one box was inadvertently set 6dB hotter than the rest, and it upset the acoustical balancing act that we had designed for the symmetry of the room. Once we brought it back down, the whole system tightened up nicely.”

A Yamaha LS9-16 manages all of the inputs to the system and in turn feeds a QSC Q-Sys processing system. Twenty QSC PL240 and four QSC CX1102 amplifiers power the Danley boxes, whereas two QSC CX302V and two QSC CX108V 70-volt amplifiers power thirty-six JBL Control 25T wall-mounted speakers that cover seats below a balcony lip that is shaded from the video board.

“On the surface, projects like Koch Arena can sometimes seem straightforward, but in reality they are very complex,” explained Olsen. “The SPL and intelligibility required in a facility like this can be very tricky to obtain. The complexity of equipment and the engineering know-how that is needed to properly design, install, test, tune, and fully commission this kind of system takes experience. At Daktronics, we are fortunate to have a team that includes experienced people who can make a project like this look easy. We are pleased with how the Danley speakers perform. They fit well at Koch Arena and the Wichita State University Athletics Department is pleased with the clarity of music and speech that we have achieved. Their fans immediately noticed the upgrades. With a high-performance audio and video system in place, the production team at Wichita now has a broad palette with which to work. Just like viewing a standard-definition video signal on an HD screen reveals hidden flaws, so too, a modern high-definition sound system reveals details in audio content that could not be heard before!”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Reliable Symetrix Zone Mix 761 Delivers Sound 24/7 at Brooklyn Luxury Low-Rise

BROOKLYN, NEW YORK – MARCH 2014: Heatherwood’s newest luxury apartment building is the low-rise at 544 Union in the Williamsburg neighborhood of Brooklyn. The newly-constructed six-story building is well appointed and includes a fitness center, a yoga studio, a game room, a resident lounge, a rooftop sundeck, and a large second floor terrace with a putting green, a fire pit, and plenty of places to sit, relax, and catch up with friends. Heatherwood wanted to improve upon the sound systems that had been installed previously in its other properties, and the A/V integration branch of Love Music (New Rochelle, New York) delivered with the rock-solid reliability and performance of a Symetrix Zone Mix 761 fixed architecture audio processor and Symetrix ARC-WEB user control for smartphones.

The electrical contractor on the job, Lippolis Electric, asked Love Music to design and commission the music playback system for 544 Union. “The client wanted something that would work 24-hours a day, seven days a week without fail,” said Mario Bilotta, vice president of Love Music and the person responsible for 544 Union’s sound system design. “They didn’t want to worry about the music playback system at all – they just wanted it to work. I knew the Symetrix Zone Mix 761 would give them that level of reliability and performance. I’ve been using Symetrix gear for many years now without any troubles at all. In addition, the Zone Mix 761 is easy to program and quick to install.”

The Zone Mix 761’s twelve inputs easily accommodate Internet radio, multiple iPod inputs, and multiple television inputs located throughout the building’s common areas. The unit’s six outputs feed as many zones: the fitness center, the lobby, the second floor patio, the rooftop patio, and two rec rooms. Three QSC amplifiers power thirty-six Community loudspeakers, both indoors and out. Users select both audio and video content in the rec rooms using a URC touch panel control. A Symetrix ARC-2e wall-mounted remote control in each of the other zones allows for intuitive source selection and volume control. Building staff can control the system using the custom-designed, password-protected Symetrix ARC-WEB control for smartphones and other internet-connected devices.

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

ASHLY AUDIO APPOINTS NETHERLANDS-BASED MIKE VAN DER LOGT AS NEW SALES MANAGER FOR EUROPE, THE MIDDLE EAST, AND AFRICA

WEBSTER, NEW YORK – MARCH 2014: Spurred by growing demand in foreign markets that has prompted a complete sales reorganization, Ashly Audio has appointed industry veteran Mike van der Logt of 4M4You, to serve as its sales manager for Europe, the Middle East, and Africa (EMEA). Van der Logt has over 25 years of experience in the industry providing product and relationship advice to pro audio manufacturers. Based in the Netherlands, he is well-suited to serve EMEA customers. On behalf of Ashly, van der Logt will travel the region to strengthen and expand business with existing distributors and develop new relationships to sustain and build sales momentum.

“Mike has extensive product knowledge, creative ideas for product applications, and a solid history of sales success,” said Mark Wentling CEO at Ashly. “He has a proven ability to develop sales in both new and existing markets, strong analytical and planning skills, and excellent rapport with people and cultures across EMEA. Mike develops meaningful relationships with clients and turns them into solid partners.”

“Ashly Audio would also like to thank Peter Malech of PM Distribution Germany, for his many years of exemplary representation of Ashly in the EMEA. While Peter is stepping down from his Ashly duties, and assisting in this transition, PM Distribution will also continue on with EMEA representation for other manufacturers.”

“Ashly has been in business for forty years and has a serious legacy in the industry,” said van der Logt. “Ashly’s track record and famous reliability has earned them a lot of loyalty, and I’m excited to build on that kind of success. There is a lot to talk about in Ashly’s extensive product line, from the established workhorses – like the modular ne24.24M processor – to exciting new advances – like the nX-Series amplifiers, which pack tremendous power, higher channel counts, plus Ethernet control, Network Audio, and DSP into just a 2-rack space footprint.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

(PHOTO CAPTION) (from left) Jon Paul Boucher – Ashly Audio COO; Mike van der Logt – Ashly Audio EMEA Sales Manager; Mark Wentling – Ashly Audio CEO.

Please stop by Ashly’s Prolight + Sound Booth 8.0D01 to meet Mike van der Logt and learn about Ashly’s ever growing product line.

DANLEY SOUND LABS SEEKS INTERNATIONAL DEALERS AND DISTRIBUTORS AT PRO LIGHT AND SOUND

GAINESVILLE, GEORGIA – MARCH 2014: Danley Sound Labs, manufacturer of innovative loudspeakers and subwoofers, will be at booth 8.0N60 (Hall 8.0, Booth N60) at Pro Light & Sound in Frankfurt, Germany March 12 –15, 2014. As Danley approaches its tenth year in business, its solid foundation in the house of worship and theater markets has expanded exponentially into the arena and stadium markets with the introduction of the Danley Genesis and Jericho horns, which deliver line array coverage from point-source designs. To support and sustain that growth, Danley is seeking international dealers and distributors in several key locations to join its team. Interested parties should either contact Jonathan “J.P.” Parker, Director of Sales, and Chad Edwardson, Applications Engineer, or meet them at Pro Light & Sound.

“Although we have many areas of the world covered, there are still numerous holes in Danley’s global dealer and distribution network that need to be filled,” said Parker. “We’re looking forward to meeting with candidates at Pro Light & Sound.” In addition to a collection of its established models, Danley will have its new OS 80 weatherproof loudspeaker and its new SBH-10 Skinny Big Horn at the show. Danley designs have made a big splash in the American and European sports arena market, with Genesis Horn and Jericho horn installations at football stadiums (Lambeau Field and Ralph Wilson Stadium), college American football stadiums (Louisiana State University, Arizona University, Brigham Young University, Michigan State University, and Northwestern University, among many others), and as well as indoor sports arenas.

To set up an appointment contact: J.P. Parker (jp@danleysoundlabs.com) or Chad Edwardson (chad@danleysoundlabs.com)

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

48-CHANNEL ANALOG API VISION CONSOLE PLAYS A PART IN FILM

MEMPHIS, TENNESSEE: A 48-channel API Vision console has had a large impact on the fortunes of Ward Archer and his enterprise, Music+Arts Studio. Twenty-five years ago, Archer closed a chapter of his life at the helm of an ad agency to found Archer Records. Six years later, he opened the David Cherry/George Augspurger-designed studio to cater to the label’s artists and has not looked back since.

Music+Arts Studio launched with a 48-channel, discrete, all-analog, surround-sound API Vision console, and prominent members of Memphis’ indie film scene became regular clients over the following years. Like a locomotive building momentum, Music+Arts Studio is currently attracting more and more film work from an expanding geographical base. The ratio of film-related to pure music projects is creeping up on 50:50 thanks, in part, to the API Vision.

“These days, I’m comfortable saying that we have a lot of experience with sound for picture, but that’s owing to some clients that rolled the dice with us in the beginning,” said Archer. “One of our earliest and greatest successes was The Gospel According to Jazz Chapter III, which was recorded live at Reid Temple in Maryland. We took those tracks – which sounded amazing from the moment we pulled them up on the API Vision – and mixed them for stereo and 5.1 [which the Vision is designed to do simultaneously]. The Vision has a transparency and an airiness on the top end that just sounds gorgeous.” The track “It’s What I Do” won a Grammy for Best Gospel Song.

In addition to the API Vision and a killer live room, Music+Arts Studio has catered to its client base by adding an eight-foot Stewart Filmscreen and high-definition projector for film mixing. “It’s a nice, cinematic experience for the director or music supervisor,” said Archer. “We’ll even crank up the [5.1 PMC] monitoring system a bit for the full effect.” The scope of Music+Arts Studio’s film work ranges tremendously, from ADR to scoring to mixing. For example, all of the score recording for the Matthew McConaughey-led drama, Mud, were recorded using the warm analog sound that the API Vision’s circuitry provided. Other projects include the indie film, Cigarette Girl, and mini-series, Headshop.

Despite the film industry windfall, Music+Arts Studio still enjoys tackling strictly-music projects for artists on the Archer Records roster. Recently, Amy LaVere completed Stranger Me, her fourth studio album on Archer Records. Studio manager and engineer Daniel Lynn assisted the project’s producer and engineer Craig Silvey, who had just finished mixing Arcade Fire’s Grammy-winning release, The Suburbs. “Silvey loved the Vision,” said Lynn. “I remember that there was one point during the mixing where we wanted to do some complicated bussing, and it wasn’t immediately apparent how to do it. I called API and got someone on the phone right away. Craig was impressed that we had that kind of rapport!”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

(PHOTO CAPTION) Music+Arts Studio Manager/Engineer Daniel Lynn (right) pictured with Colin Hay (Men at Work) during a recent session.

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

October 2014
M T W T F S S
« Sep    
 12345
6789101112
13141516171819
20212223242526
2728293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication