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Archive of the NAB Newslink Category

TNDV Captures Creative Energy of Amnesty International Show at Barclays Center

Mobile production specialist’s use of film-style cameras for musical performances enhances dramatic feel of charitable event

NASHVILLE, March 26, 2014TNDV has had a busy mobile production schedule through the first quarter of 2014, with Amnesty International’s Bring Human Rights Home Concert last month standing out as its most unique project. The event, which took place at the Barclays Center in Brooklyn, featured a roster of interesting musical acts aligned with the organization’s mission of fighting injustice and promoting human rights.

TNDV brought its 40-foot expanding side truck, Aspiration, to capture live performances for in-venue image magnification; and to serve as the central command center for content acquisition. The uniquely dramatic elements of the event – which included a rousing speech and performance of two recently-imprisoned members of the Russian musical act Pussy Riot — influenced TNDV to make some changes to its mobile production workflow. This included the use of Canon EOS C300 cinema cameras, which introduced new production possibilities while challenging the crew.

“It was going back to Truck 101,” said Nic Dugger, president and owner, TNDV. “We basically reverse-engineered the truck to work with a camera designed for the film industry, making adjustments across the infrastructure to ensure that the cameras worked with every component. We also lost of a lot of the creature comforts we are used to with the cameras themselves. However, we gained a look and feel that is not easily achievable with broadcast cameras, thanks to a shallow depth of field and some incredibly high resolution images.”

Dugger and his team engineered nine HD video outputs to support the cameras, with feeds frame synched and time-code locked content for delivery across Aspiration’s switching, routing and multiviewing infrastructure. In addition to magnifying performances from The Flaming Lips, Tegan and Sara, and other performers on large venue screens, live feeds were recorded to in-camera memory cards and Aja KiPro recorders on the truck for future use by the organization. The KiPros recorded the feeds using a progressive segmented frame rate, allowing TNDV to capture the content in the 24p-style preferred by the film director.

But there were a number of more unusual compensations for which the TNDV team needed to engineer solutions.

“The most important element we offered this show was a way to monitor cameras and fully understand what was happening,” said Dugger. “Being cinema cameras, the C300s don’t have tally lights, which means there is no obvious way to know what camera is on the air. They also don’t have return video, which means we can’t press a button and watch the line cut in the viewfinder. It made for even higher reliance on our Imagine Communications multiviewer system, while actively listening to the director to understand his next move.”

TNDV achieved that last point by taking advantage of the Barclays Center’s extensive fiber infrastructure. Dugger used Aja Fido bricks to convert HD-SDI signals to fiber and transport signals from every corner of the venue to the loading dock, where Aspiration was parked. That same infrastructure carried multiple RTS intercom feeds, enabling digital point-to-point communications with anyone connected to the matrix.

“That is where the world of film and TV really came together for this project,” said Dugger. “The film director and his camera crew were able to use a mix of matrix-station intercom connections and belt packs on a party line to communicate across the venue — something they typically don’t get to do. This enabled very effective communications across all cameras and departments.”

Dugger added that using the C300 cameras provided a taste of what’s to come with 4K, as he and other truck companies start to consider the most effective upgrade strategies to meet those next-generation production requirements.

“We’ll have to retrain our brains to become more familiar with the film approach to production, where lens millimeters and F-Stops have a major effect on high-resolution image characteristics,” he said. “This project helped us understand how to achieve better light-balance in the absence of traditional shading, for example. The transition to 4K is going to force us to pay more attention to focus, resolution and other aspects related to the intensive imaging requirements.”

ABOUT TNDV: Television
Formed in 2004, TNDV: Television represents the culmination of many years of broadcast and live production for Nic Dugger, owner and president; and his staff of full time engineers. TNDV produces events from small single-camera productions all the way up to multi-million dollar international TV events, and takes pride in building custom solutions for challenging productions of any size, in any situation. Recent productions include the live concert productions at the NCAA Final Four, the 2013 Re/Max Long Drive Challenge on ESPN, and the inaugural season of Sing for Your Supper on PBS. Please call 615-585-6528 or visit www.tndv.com for more information.

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Matrox Maevex H.264 Encoders and Decoders Named 2014 SCN InfoComm Installation Product Awards Finalist

Vote “Maevex” for Most Innovative Video Processing (Transport) Product

Matrox® Graphics Inc. today announced the selection of Matrox Maevex™ 5100 Series H.264 encoders and decoders to the list of finalists for the 2014 SCN InfoComm Installation Product Awards in the Most Innovative Video Processing (Transport) category.

Matrox Maevex H.264 encoders and decoders extend Full HD-quality 1080p60 video and audio over standard IP networks at user definable bitrates between 100Kbps and 25Mbps. They are ideal for driving dynamic digital signage, delivering multimedia materials to different classrooms, and letting operators share desktop, video, and other content on collaborative video walls. Maevex encoders also support software-based decoding on non-Maevex devices and will soon include video recording to capture and store video/audio to a network shared drive or NAS. The flexible and innovative PowerStream™ software lets administrators remotely discover, manage and adjust encode/decode settings on a network of Maevex devices.

Vote for Maevex today! Voting closes May 1 and the winners will be revealed at InfoComm 2014.

See Maevex in action at upcoming tradeshows — NAB Show (Las Vegas, April 7-10, booth SL5019), ITEC (Cologne Messe, Germany, May 20-22, stand E170) and InfoComm (Las Vegas, June 18-20, booth 2247).

About Matrox Graphics Inc.
Matrox Graphics is a leading manufacturer of graphics solutions for professional markets. In-house design expertise, top-to-bottom manufacturing, and dedicated customer support make our solutions the premier choice in industries that require stable, high-reliability products. Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/graphics.

NAB 2014: Digital Nirvana’s Broadcast Monitoring System Streamlines Workflow with Powerful New Features

Newark, CA – Digital Nirvana will introduce the latest release of its broadcast monitoring software, Monitor IQ 4.0, at the NAB 2014 convention being held from April 5-10th at the Las Vegas Convention Center. Digital Nirvana will exhibit in Booth #SU11017. Monitor IQ is an in-house logging and compliance monitoring solution for traditional broadcasting media.

“We continue to add innovative functionality to Monitor IQ,” said Arco Groenenberg, director of sales and marketing for Broadcast Products, DigitalNirvana. “New features like transport stream recording, SmartSearch, editing, playback and advanced engineering alerts make Monitor IQ one of the smartest monitoring solutions in the industry while offering excellent price for performance.”

Monitor IQ 4.0 Broadcast Monitoring System
Monitor IQ combines signal-monitoring, loudness monitoring, aircheck-logging, ad verification, competitive analysis and content repurposing and runs on Digital Nirvana’s Open Media Appliance – a highly scalable, industrial-grade server. The Open Media Appliance accepts multiple inputs including SD/HD SDI, ASI, ASI-IP, ATSC, QAM, 50 Hz, 60 Hz and DVB-TC/S2. It exports content in a wide range of file formats for content repurposing, including Flash, MPEG-2, MPEG-4 and H.264, and XDCAM.

Monitor IQ can record Multi-language Audio/Video and VANC Metadata. Designed with an efficient architecture and a simple Web interface, it integrates seamlessly with third party software. The resulting workflow is quick and easy, making the most of time and money.

With Monitor IQ, there’s no need to install ActiveX. It’s compatible with all standards-compliant web browsers. Its extensive search function can use keywords, CC text, metadata, titles, descriptions, as-run and traffic logs, imported and discrepancy reports.

Web Captioning ensures that programming complies with new FCC closed captioning mandates in the SMPTE Timed Text Format. Program Guide Extraction automatically extracts EIT data directly from the broadcast, enabling recording by program. Plus, an Infrastructure Self-Check performs more than 40 types of ongoing system checks to proactively monitor the total health of the Monitor IQ system.

Available options for Monitor IQ include: an iPad/iPhone/Android interface, NAVE Watermark Decoding, Centralized Management, Director’s Audio Track and a REST API for 3rd party development.

About Digital Nirvana
Since 1996, Digital Nirvana has been empowering customers with innovative knowledge management technologies. By combining media and digital technology expertise, Digital Nirvana makes it possible for organizations to streamline operations and gain competitive advantage with advanced product and service offerings. The company’s product portfolio includes the industry-leading Monitor IQ broadcast monitoring system, AnyStream IQ OTT monitoring solution, and the MediaPro content repurposing system. A comprehensive service portfolio includes media monitoring and analysis, market intelligence and analytics, and learning management services. Digital Nirvana is headquartered in Fremont, California with offices in Hyderabad and Coimbatore, India. For more information visit http://www.digital-nirvana.com.

New Broadcast Pix Software Upgrades Include Next Generation Chromakey, Dual-Channel Clip Server

Billerica, Massachusetts – Broadcast Pix™ will debut ClearKey, its next generation chromakey, as well as a dual-channel clip server and several other upgrades in its Version 4.0 software for Granite™ and Mica™ integrated production switchers. Available in May, the new software features will be demonstrated at the 2014 NAB Show (Booth SL6325), which runs April 7-10 in Las Vegas, Nev. The company also announced Version 3.0 software for its Flint™ end-to-end integrated production switchers, with most of the same upgrades.

Part of Broadcast Pix’s Fluent™ workflow software, ClearKey features precise, highly adjustable keying that can handle challenging visuals, such as glass or fast-moving or out of focus objects. Robust color correction removes the most stubborn spill from chromakeyed objects, which is important for virtual set use where color contamination is almost unavoidable. A key crop function can be used to confine the keying effect to certain areas of the screen.

ClearKey also creates more realistic shadow and lighting effects. Shine a spotlight on the background, for example, and it will shine on the virtual set as well. If a subject casts a shadow on the green or blue background, ClearKey can make the shadow appear on the virtual set, if desired. A simple eye dropper tool simplifies chromakey color selection, and intuitive controls make it easy to adjust lighting, shadow and spill correction effects.

The V4 upgrade includes a dual-channel clip server for Granite and Mica, which handles playback of SD and HD footage in a variety of file formats. (Flint already includes a dual-channel clip server.) Both upgrades add new device controls for Blackmagic Design HyperDeck Studio and Studio Pro video recorders, as well as all AJA Ki Pro recorders, over a TCP/IP connection. Clips can be recorded and played back from the PixPad, and all controls can programmed into a macro for simplified control. The new upgrades also include device control for Lumens VC-G50 and VC-G30 HD PTZ cameras. Plus, Fluent-View, Broadcast Pix’s customizable multi-view, includes a new snap-to-grid feature to make it easier to build new screen layouts.

“When Broadcast Pix has a major software release, you know we’ve listened to our customers and added some pretty significant improvements,” said Steve Ellis, general manager, Broadcast Pix. “ClearKey in particular represents a major step forward that will improve productions for customers who rely on virtual sets. It is highly adjustable but easy to operate – and it delivers outstanding results.”

Flint V3 and Granite/Mica V4 are free upgrades for all respective systems under warranty and will be available in May.

About Broadcast Pix Founded in 2002, Broadcast Pix is the leader in integrated production switchers, with customers in more than 110 countries. Available in several configurations, from compact systems with end-to-end integration to large-scale systems for high-end live productions, Broadcast Pix switchers include CG, dual clip stores, file-based macros, external control software, and customizable multi-view and virtual sets with patented control options. Broadcast Pix also offers ReVue next generation slow motion systems, fX3D real-time 3D graphics, Rapid CG dynamic graphic playout software, and VOX voice-automated live video production, each designed to enhance our highly integrated live production switchers. Customers include leading broadcast, corporate, education, government, religious, sports, streaming, and visual radio studios. Learn more at www.broadcastpix.com.

AVnu Alliance Member Sheds Light on Broadcast Market Transition to Ethernet AVB at NAB 2014

Alliance Member, Jan Eveleens, CEO Axon Digital Design to present AVB as an opportunity for new generation of broadcast

Beaverton, Ore. – March 25, 2014AVnu Alliance, the industry consortium that certifies Audio Video Bridging (AVB) products for interoperability, is proud to have Jan Eveleens, AVnu Alliance Pro Video Group Chair and CEO of Axon Digital Design, present at next month’s National Association of Broadcasters (NAB) Broadcast Engineering Conference (BEC).  Eveleens will outline the benefits of AVB networking, and how it will foster an entirely new generation of broadcast infrastructure architectures and products, enabling innovative and more efficient workflows.

“We’ve already seen strong interest from broadcasters who agree with us that AVB is a game-changing technology for the industry. The underlying standards and technology are already available,” said Eveleens. “As part of the existing IEEE 802.1 suite, AVB makes a standard Ethernet network suitable for a full-blown production backbone.”

Eveleens, an active member of the AVnu Alliance, has recently led the group to complete the final draft of the market requirements for Pro Video and Broadcast AVB networks. At NAB Show, he will demonstrate how IT-based technologies and AVB will become powerful drivers for the demanding broadcast market, creating a profound change in how broadcast infrastructures are designed and built.

What:   “The End of SDI? Introducing Ethernet AVB Technology in Live Production Environments

Who:      Jan Eveleens, Chair, AVnu Alliance Pro-Video Group

Where:  NAB Show, Broadcast Engineering Conference – Las Vegas Convention Center, South Hall – room S228

When:   10:30 a.m. on Tuesday, April 8, 2014

Registration for this session at the 2014 NAB BEC Conference is open now to NAB Show attendees.  The NAB Show is the world’s largest electronic media show covering filmed entertainment and the development, management and delivery of content across all mediums.

About AVnu Alliance

The AVnu Alliance is dedicated to the advancement of streaming audio video by promoting the adoption of IEEE 802.1 Audio Video Bridging (AVB) standards over the network infrastructure. The organization strives to create an open path to AVB standards, define AVB compliance test procedures, and an AVnu certification program that ensures AVB interoperability of networked A/V devices to provide the highest quality streaming experience in professional A/V, automotive, and consumer applications to deliver a compelling end user experience.

Press Contact

Caster Communications, Inc. 401-792-7080

Alex Crabb alex@castercomm.com mobile: +1-401-318-2229

 

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Matrox Announces Monarch SDK

Pro AV and broadcast system developers can easily and affordably integrate high quality streaming capabilities into their products

Matrox® Video today announced Monarch SDK, a comprehensive set of tools that lets systems integrators, hardware and software developers, programmers and IT professionals harness the streaming capabilities of Monarch HD streaming appliances from within their own custom applications running on any platform — PC, Mac, mobile devices or automation systems.

Matrox Monarch HD streaming and recording appliance

The first release of Monarch SDK, an HTTP-based API, includes documentation and sample code that let developers write applications to configure and control Monarch HD. All streaming parameters are accessible. Bitrates can even be dynamically adjusted, without stopping the stream.

“AV and broadcast equipment suppliers now have a very straightforward way to include a high quality webcasting service as part of their overall product offerings,” said Daniel Maloney, technical marketing manger, Matrox Video. ” Customized applications incorporating Monarch HD appliances can be effectively tailored for live event producers, houses of worship, justice systems, medical and education environments, and other internet broadcasters.

Matrox Monarch HD will be demonstrated in booth SL5019 at the 2014 NAB Show (Las Vegas, April 7-10).

Price and availability
Priced at $995 US (€799, £699) not including local taxes and delivery, Matrox Monarch HD is now available through a worldwide network of authorized dealers. Monarch SDK will be available in May 2014. Developers may obtain more information about Monarch SDK by e-mailing video.info@matrox.com.

About Matrox Video
Matrox Video is a technology and market leader in the field of 4K, HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, streaming, A/V signal conversion, capture/playout servers, channel-in-a-box systems and CGs. Matrox’s Emmy award-winning technology powers a full range of multi-screen content creation and delivery platforms used by broadcasters, telcos, cable operators, post-production facilities, live event producers, videographers and A/V professionals worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/video.

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Tightrope Media Systems Launches New Instant Replay System, Strengthens Cablecast Feature Set

New ZEPLAY offers lower entry costs for professional-grade sports replay, while Cablecast 5.3 enhances overall workflow for broadcasters

ST. PAUL, MINNESOTA, March 25, 2013Tightrope Media Systems is coming to the 2014 NAB Show with exciting product launches and enhancements that bring more operational benefits to existing customers, while creating a foundation to expand into new business areas.

At NAB (Las Vegas Convention Center, April 7-10, Booth C6508), Tightrope will introduce a new 2×2 version of its tried-and-true ZEPLAY slo-mo instant replay solution for sports production. The new version brings the same rock-solid stability, ease of use and expansive feature set of its 4×4 sibling at a much lower cost of entry – as in roughly half the price.

“We have found that many customers don’t require the four-in, four-out, eight-angle support that our original ZEPLAY solution offers,” said Steve Israelsky, broadcast solutions lead, Tightrope Media Systems. “A large cross section of our customer base in the local cable market was being underserved in this sector. The 2×2 ZEPLAY gives these and other customers, including small-to-mid sized venues and colleges, an affordable, feature-rich and reliable solution to enhance the sports fan experience. It also gives our 4×4 customers another option if they want to add more angles at a lower price.”

Both ZEPLAY units will incorporate new features for NAB that are available in the ZEPLAY 3.0 release, scheduled for right after the show. This includes a new export feature that allows production staff to export entire multi-angle sequences as opposed to individual clips, making it easier to share engaging content – and game-changing moments – immediately in an edited sequence as opposed to a series of individual clips.

ZEPLAY 3.0 also adds a number of operator-oriented refinements to the sequence editor. Individual clip speeds across sequences have always been variable, allowing operators to show play highlights from one angle at full speed; and then show the culmination of the play in slow motion from a different angle. ZEPLAY users can now specify a default rate for the entire sequence, and then modify that speed from the T-Bar as the sequence plays out. ZEPLAY 3.0 also includes an enhanced audio capability to assist in editing the highlight sequences, as well as improvements in the storyboard and editing window layouts.

Cablecast Streaming

Speaking of local cable channels, Tightrope has enhanced its Cablecast server and automation platform with new streaming, processing and monitoring features that introduce new efficiencies and operational improvements. These developments are particularly ideal for Tightrope’s large PEG channel and university customer base.

Foremost, the incorporation of H.264 streaming vastly improves compatibility for multiplatform delivery. The main benefits are twofold: consumers can easily watch PEG channel content on tablets, smartphones and other mobile devices; and station engineers can cleanly monitor playout on these same devices, as opposed to being tied to a desktop station.

“The evolution to H.264 streaming means that broadcasters, including PEG channels, can deliver more streams at higher quality to more viewers, thanks to exceptional bandwidth improvements and compatibility across more playout devices,” said Israelsky. “The ability to deliver important local content to more viewers is a benefit both to the station and the community. It is a feature that many PEG channels are ready to incorporate as they more aggressively work to expand audiences in the digital TV age.”

Additionally, Cablecast 5.3 adds AFD support to automatically and seamlessly present on-air content across 16:9 and 4:3 screens in the most attractive manner, without awkward cropping and reformatting. This ensures that content looks great on screen without the need for expensive up, down, cross and aspect ratio conversion gear.

Tightrope has also enhanced its built-in RAID monitoring solution for Cablecast, reporting potential issues directly within the user interface – alerting customers well in advance of potentially devastating events. The service also automatically backs up database content and information to the cloud for quick restoration in the event of a critical error.

Finally, the new Cablecast 5.3 release also expands compatibility with routing switchers, adding support for Snell/Pro-Bel and Aja routers. This raises the number of routers supported within Cablecast to near 100, ensuring that customers can control routing traffic, stream playout and more for a tighter overall workflow.

About Tightrope Media Systems

Founded in 1997, Tightrope Media Systems is the pioneer of web-centric digital signage and broadcast automation systems. It provides station automation, video servers, internet video on demand, live streaming, the Carousel Digital Signage system, and ZEPLAY, a multi-channel instant replay machine for stadiums, arenas and Outside Broadcast vehicles. Tightrope’s award winning systems are used throughout the world. You can reach Tightrope Media Systems at (866) 866-4118 or visit them on the web at http://www.trms.com.

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FOR-A TO Introduce 4K Up Converter at NAB

URC-4000 Turns HD Video into 4K in Real-Time

Cypress, CA – At the upcoming NAB Show, the spotlight of FOR-A’s show booth will be an array of new 4K products, including the introduction of the URC-4000 super resolution 4K up converter. The URC-4000 provides powerful up-conversion and turns HD video into 4K in real-time. FOR-A will exhibit in Booth C5117 at the show, which runs April 7-10 at the Las Vegas Convention Center.

“The URC-4000 features original input and resolution technology developed by FOR-A,” said Hiro Tanoue, FOR-A Corporation of America president. “This solution unleashes a new era in 4K conversion. We’re excited to be introducing the URC-4000 and other innovative 4K solutions on the biggest show stage in broadcasting.”

The unit features a new approach to input and resolution conversion using spatiotemporal frame interpolation to detect changes in images with high precision on a pixel-by-pixel basis. Using this process, any distortions from conversions are reduced, and the resolution of still image areas is restored. The URC-4000 further improves resolution via multi-scale nonlinear enhancement.

FOR-A’s URC-4000 features: a built-in Web server, supports Simple Network Management Protocol (SNMP), and offers the ability to add an optional redundant power supply for critical live applications. It supports outputs of 3G-SDI Level A or B, and multiple input formats, such as: 1080/59.94i, 1080/50i, 720/59.94p and 720/50p.

About FOR-A
FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 714-894-3311 or visit our web site at www.for-a.com.

NAB 2014: Digital Nirvana Delivers Latest Version of AnyStream IQ – the Industry’s First OTT Media Monitoring System in the Cloud

Digital Nirvana offers Broadcast and OTT Media Solutions to “Monitor Anywhere” across the entire Media Ecosystem

Newark, CA – Digital Nirvana will bring its latest generation broadcast monitoring and content delivery solutions to the NAB 2014 convention (Booth SU11017) from April 5-10th at the Las Vegas Convention Center. On display at the Digital Nirvana booth will be AnyStream IQTM 2.0, the latest version of the industry’s leading cloud-based solution for reliably recording, logging and monitoring OTT content.

“With the explosive growth of streaming content to desktops, tablets and mobile phones, reliable OTT monitoring in the cloud has become vital,” said Hiren Hindocha, CEO of Digital Nirvana. “As live streams increase in popularity, so does the importance of reliable OTT monitoring. It’s our vision to expand our offerings beyond traditional broadcast media, offering powerful tools to help our customers monitor and manage any type of media in the entire ecosystem. Our mission is to deliver these tools with an ideal combination of price and performance.”

New features in version 2.0 include support for HDS capture and Advanced Alert Reporting. HDS (HTTP Dynamic Streaming) capture enables the user to record and monitor HDS streams in multiple bit rates or in a pre-selected bit rate and extract and display captions.With Advanced Alert Reporting, all alerts related to a channel are displayed in one, centralized place.

AnyStream IQ 2.0 OTT Monitoring Solution

AnyStream IQ is an ideal tool for broadcasters, content creators, aggregators and distributors of streaming content. Because it is a cloud-based solution, there is no hardware to install. A simple browser-based interface allows users to access, record, monitor, log, report and search streams in FLV, HDS, and HLS streaming formats. Additionally, AnyStream IQ helps ensure compliance with FCC-mandated web captioning.

As a cloud-based subscription service, Anystream IQ allows customers to move monitoring costs from a capital to an operating expense and spreads monitoring expense over twelve months. It’s easy to add channels to the current system and to expand to hundreds of channels if needed.

Scalable, modular and accessible, AnyStream IQ’s OTT media monitoring technology is a feature rich and highly cost-effective way to monitor streamed content.

Broadcasters are invited to schedule an appointment with Digital Nirvana at the NAB Show to learn more.

About Digital Nirvana

Since 1996, Digital Nirvana has been empowering customers with innovative knowledge management technologies. By combining media and digital technology expertise, Digital Nirvana makes it possible for organizations to streamline operations and gain competitive advantage with advanced product and service offerings. The company’s product portfolio includes the industry-leading Monitor IQ broadcast monitoring system, AnyStream IQ OTT monitoring solution, and the MediaPro content repurposing system. A comprehensive service portfolio includes media monitoring and analysis, market intelligence and analytics, and learning management services. Digital Nirvana is headquartered in Fremont, California with offices in Hyderabad and Coimbatore, India. For more information visit http://www.digital-nirvana.com.

PESA Introduces Smart32 Remote Control Panel for Live Production

Huntsville, Alabama – PESA, a leading U.S.-based designer and manufacturer of professional audio and video connectivity, today announced the Smart32 remote control panel, which features 32 dynamically reprogrammable LCD buttons arranged in a 2×16 configuration. Designed for live production, it allows single keystroke switching for fast on-air selection. The Smart32 will be demonstrated during the 2014 NAB Show (Booth SL4619), which runs April 7-10 in Las Vegas, Nev.

The latest addition to PESA’s line of remote control panels, the new Smart32 allows any switch to be configured for any source, destination, level, salvo or control – and various key types can be displayed in different colors. Users can also select button brightness and set buttons to blink, pulse, or be constantly on or off.

Through Cattrax, PESA’s management control software, operators can create clear, intuitive command functions with up to three rows of text per button, plus assign predefined icon graphics for typical source and destination devices, such as cameras and DVRs. The Smart32 provides up to 16 pages of configurations, and panel layouts can be cloned to make it more efficient to create new configurations.

“Our Smart32 is a great addition for live production environments. It’s compact but very powerful, and it’s easy to customize for confident switching on the fly,” said Chuck Tillett, PESA president and COO.

The Smart32 is competitively priced and will be available in Q2 2014.

About PESA

As a leading provider of audio/video (A/V) Baseband and IP connectivity products, PESA offers a wide selection of multi-path streaming products, routing switchers, matrix switchers, extenders, converters, media extenders, and signal processing gear to support government, military, industrial, commercial, medical, broadcast, and mobile truck applications. From large to small-scale A/V routing and extender products to multiple IP streaming appliances, PESA offers a diverse suite of AV products, all of which are supported by 24/7 technical support. PESA is located in Huntsville, Ala., with regional sales offices throughout North America and China. Our cost effective solutions are available around the world through our industry leading team of Channel Partners offering local support and installation. All products mentioned herein are trademarked property. Learn more about us at www.pesa.com and www.pesaxstream.com. Follow us on Twitter: @PESA_ONLINE.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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