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Shotoku Serves Up A Win For Tennis Championship Broadcasts

UNIQUE VR TRACKING SYSTEM PROVIDES AUGMENTED REALITY FOR HIGH-PROFILE SPORTING EVENT

Staines, UK – Shotoku Broadcast Systems, a leading international manufacturer of advanced camera support products, recently facilitated the introduction of Augmented Reality (AR) to BBC Sport for its live outside broadcasts of the Wimbledon 2013 tennis championships. Shotoku sales director James Eddershaw announced from the Company’s European headquarters in Staines, UK, that Shotoku provided BBC Sport with two TP-90VR and SX300VR Tracking Pedestal & Head systems for its temporary OB studio during its live outdoor coverage of the Lawn Tennis Championships.

AR was introduced on the first day of the tournament and continued to be used for every studio broadcast throughout the two-week tournament. The level of use and complexity of the graphics adapted as the tournament progressed, right up to the final day. In the UK alone, more than 17m viewers watched the men’s final broadcast.

It was Shotoku’s unique VR tracking technology that made transferring systems more typically found in permanent studio installations, into the temporary OB studio possible. Using highly accurate internal encoders to monitor all moving axes and combine with simple in-studio referencing technology, allowed Shotoku to drastically reduce the time required for installation and calibration.

“We are delighted to have been able to work with BBC Sport to help them deliver AR for the first time at an Outside Broadcast, especially at such a prestigious event as the Wimbledon tennis championships.” said Eddershaw. “We are particularly pleased with the reaction of the camera operators who used the equipment for the first time in an OB environment. Any changes to their normal operation came simply from working with the in-shot graphics, not the equipment.”

Shotoku’s recently introduced SX-300VR virtual tracking EFP head features precise tracking and uncompromised operation. Based on the popular SX300 EFP head, the ergonomic design with decades of extensive VR experience behind it provides a robust, reliable platform for a wide range of camera and lens configurations. The SX-300VR provides high-accuracy, real-time data output with absolutely no loss in manual performance. Like all Shotoku VR systems, the unit combines with the Serial Position Interface (SPI) for frame-synchronized high-resolution data tracking, compatible with all leading VR graphics systems. The head may be simply mounted on a tripod, or for real-time full 3D tracking, one of Shotoku’s VR pedestals such as the lightweight, 3-stage TP-90VR, used in this application. While both are typically employed for a range of studio configurations, the SX-300VR and TP-90VR proved to be robust, flexible and reliable in a challenging OB studio application.

About Shotoku Broadcast Systems
Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.co.uk

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Shotoku contact: James Eddershaw
+44 (0) 1784 224650 / mailto:info@shotoku.co.uk

Press contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / mailto:Harriet@DesertMoon.tv

Cobalt Digital to Roll Out Expanded Range of Card-Based Options for Broadcasters at IBC 2013

COMPANY CONTINUES ROLE AS LEADING PROVIDER OF AUDIO VIDEO SIGNAL Processing 3G/HD/SD-SDI CARDS
FOR VARIETY OF MOBILE, STUDIO AND TRANSMISSION APPLICATIONS

Urbana, IL – Cobalt Digital (www.CobaltDigital.com), manufacturer of award-winning 3G/HD/SD-SDI conversion gear, will offer an array of new and enhanced card-based signal processing solutions to international broadcasters at this year’s IBC2013, at Stand 10.B44. With a line-up that further extends the company’s position as a leader in card-based solutions, Cobalt will unveil the latest in converter technology with its new OBSIDIAN3G™ range of cards, highlight enhanced colour correction features in its 9084 COMPASS® HD/SD-SDI RGB Colour Correction Card, feature extended capabilities of its SPOTCHECK® to provide both a video and audio compliance monitoring and recorded data logging system, as well as show its new fibre units both in card form and in Cobalt’s popular Blue Box Group™ family of throw-down modules.

“We are very much looking forward to this year’s IBC2013 show in Amsterdam and having the chance to meet with both current and potential new customers and demonstrate how we listened to their requests and delivered new and enhanced products to meet their diverse needs – no matter the application,” says Chris Shaw, EVP Sales and Marketing, Cobalt Digital. “From professionals in traditional broadcast spaces to those in mobile trucks, studio and transmission environments, Cobalt is delivering a range of solutions that spans from high quality, fast colour correction and video and audio compliance monitoring to expanded Blue Box and OBSIDIAN3G families at this year’s show. As always, our goal is to keep customers ahead of the technology curve in a competitive market with reliable, cost effective gear.”

New:
• OBSIDIAN3G – a new series of terminal gear cards offers the highest quality performance and improved frame density with pricing sensibility to accommodate all types and sizes of broadcast facilities. The continuously expanding feature-rich OBSIDIAN3G series, developed using the latest chip technology, debuts at IBC2013 with a down converter series that combines low power with a high-density design and the potential to pack up to 20 cards per frame in a dual-channel unit for a total of 40 conversions. Features include 3G/HD/SD-SDI input, frame sync, SDI reclocking, SD-SDI and analog video/audio outputs. The 9501-DCDA auto-detects and down converts SMPTE 425/292/259M formats, performs aspect ratio conversion and can pan & zoom. Three models debuting at this year’s show include: OBSIDIAN3G 9501-DCDA-3G, OBSIDIAN3G 9501-DCDA-HD, and OBSIDIAN3G 9502-DCDA-3G.

Highlights:
• SPOTCHECK, Cobalt’s audio loudness measurement and recorded data logging system, now offers enhanced compliance monitoring and logging capabilities. With up to 16 video channels containing up to 32 audio channels, the newest version – SPOTCHECK-2016 – monitors, meters and logs loudness compliance over extended time-periods and now supports codecs H.264, MPEG2, MP1L2, DD, AAC. Enhancements include Live Audio Meters, Thumbnails, Transport Stream Manager and ASI Gateway. SPOTCHECK also features newly added video monitoring capabilities in the form of notification of Frozen Frame/Audio Dropout, SNMP Alarm Trap and Unit Status and Local Ad Insertion (SCTE35 and DTMB Tones). More features will be on-hand at the company’s stand during IBC2013.

• Cobalt’s 9084 COMPASS HD/SD-SDI RGB Colour Correction Card offers customers a fast and intuitive colour correction option with real-time adjustment features which can easily be made from the company’s award-winning OGCP-9000/CC Remote Control Panel. The remote control panel, intended for FUSION3G® 9900 series and COMPASS 9000 series signal processing cards, was designed with a special emphasis for the COMPASS 9064 and 9084 Colour Corrector cards, and the FUSION3G series +COLOR option. The 9084 offers RGB-space colour correction with YCbCr proc features and frame sync for HD/SD-SDI video streams. The RGB processing controls provide full offset, gain and gamma adjustments. The YCbCr proc controls provide lift, gain, saturation, phase, white clip (hard and soft), black clip, and colour saturation clip – all with user memory. Parameter updates are smooth and responsive, providing real-time adjustments ideal for use during live events. Even though the card provides extensive control of the signal from the RGB perspective, it will continue to pass those signals that fall outside of the RGB gamut. Pluge and YCbCr limit ramp signals pass without modification. When the CbCr saturation clip is activated, the saturation limiting operation will not affect the colour phase.

• Fibre units are now available for Cobalt’s recently released Blue Box Group™ – a range of throw-down modular bricks designed to answer the demand for first class quality, price competitive, signal conversion equipment. This family continues to grow with its new range of fibre units, including Transceiver, Regenerator, Transmitters and Receivers. The units, pathologically compatible with OG fibre cards, allow for analog audio embed and de-embed and provide 3G (1080p59.94/50) support for HDMI models. The compact, rugged, and portable converter boxes are super-easy to use and support SMPTE 425, 292M, and 259M as well as DVB, ASI, and MADI audio on two independent coax-to-fibre paths. Up to six modules can be installed in a single 1RU rack.

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ABOUT COBALT DIGITAL INC.
Cobalt Digital Inc. designs and manufactures award-winning 3G/HD/SD-SDI conversion gear for the broadcast television environment. Distributed through a worldwide network of dealers, system integrators, and other partnerships, Cobalt products are backed with a 5-year warranty. For more information, visit http://www.cobaltdigital.com.

Company Contact: Chris Shaw, EVP of Sales and Marketing
+1-217-344-1243 / chris.shaw@cobaltdigital.com

Press Contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmoon.tv

METRIC HALO ANNOUNCES IMMEDIATE AVAILABILITY OF MIO CONSOLE 5.6

SAFETY HARBOR, FLORIDA – AUGUST 2013: Metric Halo announces the immediate availability of MIO Console v.5.6, a free software upgrade for all users of the Mobile I/O family of audio interfaces, including the award-winning 2882, ULN-2, LIO-8 and ULN-8. Version5.6 includes the following new features: I/O inserts for accessing external hardware from within the MIO Mixer, ConsoleSync hardware/software synchronization technology, AAX ConsoleConnect plug-in for compatibility with Pro Tools 11, saving of system boot states and support for EuCon 3.0. In addition to these new features, v.5.6 continues to improve stability and compatibility with current and future versions of Mac OS X.

ConsoleSync is a unique enhancement to the Mobile I/O family that benefits both new and experienced users. ConsoleSync allows MIO Console to read the complete state of any attached hardware seamlessly, automatically and without any disruption of running audio. ConsoleSync auto loads the mixer configuration, complex signal processing chains, Monitor Controller settings, analog I/O configuration and even window layout from the hardware.

With ConsoleSync, new users will experience a dramatically reduced learning curve for accessing the power of MIO Console. Experienced users will value the ability to have MIO Console re-connect to the hardware with exact recall of the current hardware state and no disruption of audio. For live sound and monitoring applications this allows the user to disconnect and re-connect the computer or quit and launch MIO Console without being concerned about introducing dropouts to ongoing primary and backup recordings or to the monitoring paths for talent.

I/O inserts streamline the use of external analog and digital processors within the MIO mixer. This new feature also allows inserting processors that are hosted on the computer directly within the signal flow of the MIO low-latency hardware mixer. This enables the use of host-based reverbs and delays with greatly simplified routing.

This free upgrade continues the Metric Halo tradition of adding value to the Mobile I/O platform as well as enhancing the product for new users. A 30-day money-back guarantee backs Metric Halo’s hardware products so you can try them out in your studio with no risk. All products in the Mobile I/O family are discounted during the Metric Halo 2013 Summer Sale, which runs until September 15, 2013.

Free download from http://mhsecure.com/metric_halo/support/downloads.html

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

ASHLY AUDIO PRODUCTS NOW ALLOW USER CONTROL FROM APPLE iPAD, iPAD MINI, iPHONE, & iPOD TOUCH DEVICES VIA KEY DIGITAL’S COMPASS CONTROL TECHNOLOGY

WEBSTER, NEW YORK – JULY 2013: Ashly Audio is pleased to announce that all of its processors and amplifiers with Ethernet or RS-232 control capability are now compatible with Key Digital’s Compass Control Technology, which allows end-user control from Apple’s ubiquitous iPad, iPad Mini, iPhone, and iPod Touch wireless devices. Because many users already own these devices, offering user control via Apple’s wireless iOS products is both cost-effective and convenient. Moreover, the “wow factor” is sure to impress clients and win more work via word of mouth.

The Ashly Audio products that integrate with Compass Control include the ne24.24M modular matrix processor; the ne4400, ne4800, & ne8800 processors; the Protea 3.6SP & 4.8SP processors; the ne800, ne1600, ne2400, ne4250, & ne8250 amplifiers; the nXe & nXp amplifiers; and all Pema integrated processor/amplifiers. “In this age of highly integrated A/V systems, we at Ashly Audio are excited to be able to give our customers yet another means of controlling their pro sound equipment via Compass Control® and Apple iOS devices,” said Ashly CEO Mark Wentling.

“Resulting from cooperative efforts between Ashly and Key Digital, the integration of its audio products within the Compass Control® environment represents a powerful and user-friendly comprehensive solution delivering iOS-based control and entertainment functionality,” said Key Digital’s Vice President of Sales, Michael Lakhter. “The Compass Alliance™ Partners have come together to create a system that has full-driver integration already completed, increasing efficiency for integrators.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

IMT Joins AT&T Partner Exchange as Platinum Solution Provider

Integrated Media Technologies to Provide Customized AT&T Solutions

 

 

 

Integrated Media Technologies, Inc. (IMT) has joined the AT&T* Partner Exchange (sm) reseller program as a Platinum Solution Provider and is now authorized to resell services from one of the leading worldwide providers of IP-based communications to businesses. Bundling AT&T solutions with IMT’s solutions will provide innovative, customized choices for customers.

“We can help our clients further now by providing the network piece between facilities and data centers,” commented IMT’s Chandos Mahon, VP Sales of the company’s new Interactive Video Learning division.  “We can resell AT&T cloud services in particular, which will further help IMT provide optimum backup and archiving for our customers, which is ideal for the media and entertainment industry.”

 

 

 

 

 

“We welcome IMT to the AT&T Partner Exchange. Our collaboration will enable IMT experts to bundle our innovative services with their in-depth knowledge to deliver tailor-made solutions to businesses,” said Randall Porter, Vice President, Sales and Business Development, Emerging Business Markets, AT&T Business Solutions.

IMT will initially resell the following solutions with additional solutions to be added this year:

AT&T Synaptic Compute as a Service (sm) – offers on-demand virtual machines and associated networking resources in a self-service, pay-as-you-go model.

AT&T Synaptic Storage as a Service (sm)- provides highly-secure, virtualized storage that adaptively scales to any size your customers need, and is accessible from virtually any device, nearly anywhere.

AT&T Synaptic Platform as a Service (sm) – a complete development environment that allows users to build custom applications and bring them online quickly and efficiently.

AT&T Virtual Private Network Service – provides the foundation that connects the main office, data centers, branch offices, and remote and mobile workers to each other, and to the applications they need to be productive.

AT&T Managed Internet Service
– high-speed dedicated Internet access, with the features businesses need to connect with customers, partners, and employees.

AT&T Multiprotocol Label Switching (MPLS) Private Network Transport – - businesses can couple their AT&T Managed Internet Service with a point-to-point, network-based connection for increased security and availability.

AT&T IP Flexible Reach – a managed Voice over IP communication solution that supports inbound and outbound calling on your data network, providing local, long distance, and international calling for U.S. sites.

*AT&T products and services are provided or offered by subsidiaries and affiliates of AT&T Inc. under the AT&T brand and not by AT&T Inc.

ABOUT INTEGRATED MEDIA TECHNOLOGIES
Integrated Media Technologies Inc. (IMT) is a digital media and technology company with offices in Los Angeles, San Jose, Dallas, and NYC.  In 2011, Inc. Magazine ranked IMT as the 25th fastest growing private company in the Technology Services industry.  IMT serves the broadcast, telecommunications, media & entertainment, IT, institutional, commercial real estate and hospitality sectors with a broad range of solutions designed to drive new value and efficiencies from technology.

Learn more at: http://www.imtglobalinc.com tel: 877.761.9770

Markertek is Now a Certified Assembler and Distributor of LEMO’s Well Established 3K.93C HDTV Cable Assemblies (SMPTE)

SAUGERTIES, NY – July 24, 2013Markertek, (a division of Tower Products) has announced that they have been officially certified by LEMO to build and repair SMPTE 311M fiber optic cable assemblies with the LEMO 3K connectors. The LEMO 3K.93C hybrid connector has a compact design with two single-mode fiber contacts, two power contacts and two signal contacts for HD camera interconnection systems. The LEMO 3K.93C is fully ANSI/SMPTE (USA), ARIB (Japan) and EBU (Europe) compliant. Markertek has achieved the highest level of technical excellence in attaining LEMO Certified SMPTE cable assembler status.SMPTE Hybrid Cables

“We are pleased to include Markertek as a LEMO certified distributor/supplier of our HDTV/SMPTE Cable Assembly products”, said Dean Pohwala, LEMO USA General Manager. “LEMO offers high quality in all of our products and we expect a continuation of this quality through the commitment of Markertek.”

“Our SMPTE cables were certified on the first attempt after vigorous testing in multiple environments,” said Chris Fisher, Markertek VP of Manufacturing. “This speaks volumes about our fiber lab and its commitment to quality craftsmanship. Our shop boasts the very latest in fiber optic termination and testing equipment. We are proud to be among a very select group to achieve LEMO SMPTE cable assembler certification.”

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About Markertek
Markertek is a highly specialized broadcast and pro-audio supply house serving the technical side of the media industry with over 60,000 unique solutions at reasonable prices – supported with dependable advice from actual pro-audio and broadcast video professionals. The Markertek catalog has achieved cult-like status among digital media professionals as the ultimate design tool for creating the electronic infrastructure required to produce the majority of primetime television shows, feature films, commercials and chart-topping music hits, as well as all other areas in the audio and video industry.

Markertek is the #1 “Go-To” source in the industry for everything fiber optic including SMPTE Hybrid camera cables, 2-12 channel tactical fiber snakes, fiber rack mount solutions, fiber reels, fiber consumables, specialized tooling and fiber repairs.

Visit www.markertek.com for more information.

About LEMO
LEMO (www.lemo.com) is a global leader in the design and manufacture of precision custom connection solutions. Our high quality push-pull connectors are found in a variety of challenging application environments including medical, industrial control, test and measurement, audio-video, and telecommunications. LEMO has a wide variety of electrical and fiber optic connectors for studio (indoor), harsh field environments (outdoor), audio connectors for microphones and headsets, and power / signal communication connectors for booms and 3D rigging systems.

Get HD Sound For HD Pictures with DPA Microphones at IBC 2013

Broadcasters attending IBC 2013 will only need to stop at DPA Microphones’ stand D76 in Hall 8 to cover all HD broadcast microphone applications, from the single interview to the complete TV show.

Since its beginning in 1992, DPA Microphones has been developing microphones that deliver HD sound from the deepest sounds to the highest peaks, covering the whole dynamic range, delivering perfect, linear HD sound.

Christian Poulsen, CEO of DPA Microphones, says: “People spend a lot of time in front of their TV and enjoying this experience depends on the picture they see and the sound they hear. This is where DPA microphones make the difference. A poor sound, even with a good picture, is not accepted. Our goal is to make it as easy as possible for the sound engineer to work with DPA microphones. This means that they are extremely linear and need very little or no EQ’ing. DPA is the only company on the market that delivers the same sound pattern, whether you work with a miniature microphone or a larger d:dicate™ microphone. The microphones simply blend perfectly and give a fantastic sound experience – for the sound engineer and the audience.”

Broadcast applications cover many situations and different miking possibilities depending on requirements, taste and specifications. In the broadcast studio the TV host is close miked with a DPA lavalier miniature mic mounted on the chest, or perhaps the elegant d:dicate™ mic on a goose neck mounted on the desktop. The journalist (the VJ) who interviews people in the field needs lightweight equipment because he has to record both the video and the sound at the same time. He would be miked with a DPA miniature or headset mic, while recording the interview with a d:facto mic. In a full blown TV talent show, the TV host wears a d:fine™ Headset Microphone, the singer sings into a d:facto™ Vocal Microphone, the band is reinforced with d:vote™ 4099 Instrument Microphones and d:dicate Recording microphones and the whole ambience is captured with the 5100 Mobile Surround microphones. And the list of combinations goes on and on.

“We believe we deliver the best sounding microphones to the broadcast industry and you can challenge us on that,” Christian Poulsen adds. “The audience deserves the best and we want to be the first choice when it comes to the best sounding microphones. The hallmarks of DPA’s ingenious engineering techniques ensure that every DPA microphone delivers clear, transparent and precise sound, along with the robustness and versatility.”

Beside DPA’s unique miniature based microphones, broadcasters will be particularly interested in the new d:dicate™ 4017C Shotgun microphone, a shorter version of the popular d:dicate 4017B Shotgun microphone. Thanks to the modularity of this new d:dicate range, DPA has been able to team the much loved 4017 shotgun capsule with its compact C preamp to create a microphone that is ideal for boom recording in tight spaces and rooms where ceiling height is limited. Offering the same functionality as the 4017B-R, which is the shotgun microphone in a Rycote Windshield, the 4017C-R offers the same solution, just with the 4017C and a smaller Rycote Windshield to give outside broadcasters, journalists and location film-makers everything they need for clear, directional sound, regardless of weather or environmental conditions.

The d:dicate series has been expanded with yet another new preamplifier solution, two modular active cables (MMP-ER with rear cable entry and MMP-ES with side cable entry), plus a number of modular active booms (MMP-F). These new microphone solutions can be used in many different applications, for example as a microphone solution on a desktop, on a podium, suspended for high-end capture or on elegant stage stands. The active booms come in several lengths and configurations with flexible gooseneck and XLR termination. The new active cable only adds a centimeter to the capsule, making it even more discreer than the compact C preamp, but giving comparable performance.

At IBC 2013, DPA Microphones will also be showing its new, high quality d:facto™ II Vocal Microphone that gives users unlimited possibilities for their performance. This eagerly awaited addition to the DPA condenser microphone range brings true studio sound to the live stage by offering an extraordinarily natural sound, superior gain before feedback and extreme SPL handling. In addition to use with the new wired DPA handle, the d:facto II provides singers and engineers with the added benefit of a state-of-the-art adapter system that allows for seamless integration with many professional wireless systems.

DPA will complete its IBC 2013 line up with its expanded d:fine™ series of Headset Microphones. Offering impressive gain before feedback and very stable construction, these unobtrusive microphones are easy to fit and provide presenters and guests with a discreet microphone solution that can’t be seen on the face. The d:fine range is renowned for its audio accuracy and its ability to deliver natural voice intelligibility and consistent audio performance at all SPLs. Available in both directional and omnidirectional options, in single or dual-ear designs and with long or short booms, d:fine™ headset Microphones are designed to fit comfortably and can be adjusted to accommodate any ear size and head shape.

At the DPA stand every microphone can be listened to and there is even a tombola where you can win a d:vote 4099 Instrument Microphone every day at 5 pm.

For more information about DPA Microphones, please come to Hall 8, Stand D76 or visit the company’s website – www.dpamicrophones.com

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information on DPA Microphones, please visit www.dpamicrophones.com

Shotoku’s Pedestal/Head Systems Elevate Newscasts for Communications Corporation of America Stations

Torrance, CA • KETK-TV, a Communications Corporation of America station and the East Texas NBC affiliate located in Tyler, recently replaced a set of aging and obsolete pedestals with three Shotoku Broadcast Systems TP200/SX300 systems. Naoki Ebimoto President announced the installation from US headquarters in Torrance, CA.

On the air since 1987, KETK-TV provides news for Tyler, Longview, Waco, Shreveport and Baton Rouge sister stations from its Tyler facility. Communications Corporation of America is a leading medium-market broadcast and digital media company with outlets throughout Louisiana, Texas and Indiana.

“KETK selected the Shotoku systems following a fairly extensive research process,” explained Dan Trent, chief engineer at KETK-TV. “Price is always a driver, and Shotoku gives ‘more bang for the buck’”.

Trent continued, “We produce 12 hours of news per day for 5 stations from our Tyler facility, so Shotoku’s TP200/S300 pedestal/head system gets a lot of use. Our former equipment wasn’t capable of up and down movement, and that limited production creativity. The new units change elevation easily, giving operators the freedom to capture a variety of shots and adjust to our different sets. ”

Shotoku’s elegant and ergonomically designed TP200/SX300 Pedestal System is a state-of-the-art configuration ideal for news and production studios. The 2-stage pneumatic pedestal has a maximum payload of over 80kg (177 lbs.) and supports a wide-range of camera configurations. Its perfect balance column and base offer maximum stability and great operational flexibility. One-step foot brake and single-action cable guard enables precise movements and control at all times for fast and easy positioning.

The companion SX300 pan & tilt fluid head offers top class performance with 40kg (88 lbs.) payload and perfect counterbalance/smooth pan & tilt drag to maximize image flexibility.

Added Trent, “The systems have been performing flawlessly; we’ve already experienced a significant improvement over the previous equipment. The operators are very happy.”

The TP200/SX300 systems have been in constant use since their installation.

About Shotoku Broadcast Systems
Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.co.uk

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Shotoku contact: Naoki Ebmioto
1-866-Shotoku • mailto:info@shotoku.tv

Press contact: Desert Moon Communications, Harriet Diener
+1-845-512-8283 / harriet@desertmoon.tv

Prism Sound’s Audio Design Workshop LIVE Travels To Helsinki

High profile guest speakers from Texas Instruments and Klippel are joining the next Prism Sound/Oxford Digital Audio Design Workshop LIVE, which takes place in Helsinki on August 21st, 2013. In an industry first, this groundbreaking event will be webcast live from the 51st AES Convention to audiences around the world.

The registration page for the live webcast can be found here:

http://audiodesignworkshoplivehelsinki-SS.eventbrite.com

The event, which is held in conjunction with the Audio Engineering Society (AES), is open to all engineers, engineering managers, students and academics involved in audio engineering. It will feature seminar sessions and workshops hosted by some of the most experienced engineers in the audio industry who will share their knowledge and practical expertise in active loudspeaker design, providing the audience with an opportunity to learn from their many decades of collective experience.

“The seminar sessions will cover aspects of analogue and digital audio system design and optimization, with a major emphasis on real-world, practical problem solving,” says Simon Woollard, Test & Measurement Product Specialist at Prism Sound. “Our audience will have plenty of opportunity for hands-on experimentation, and for networking with the presenters and other participants. This is a fantastic chance for everyone involved in audio engineering to learn the tricks of the trade from luminaries within the audio industry.”

Prism Sound and Oxford Digital, who have joined forces to organise the Audio Design Workshop LIVE series, have extensive experience in the field of audio engineering.

Prism Sound has been developing audio measurement solutions for over 25 years and has pioneered many major innovations in this field. The company offers high quality audio analyzers that are suited to a wide range of test and manufacturing environments.

Oxford Digital specialises in digital audio signal processing for mobile and consumer equipment. Its products include an extremely compact audio DSP core with a rapid programming and development environment and Sonic Tuning Tools that allow rapid optimisation of the sound reproduced by compact loudspeaker systems. The complete toolset is targeted at reducing time-to-market and lowering software maintenance costs.

Audio Design Workshop LIVE will feature seminar sessions and Q&A opportunities where delegates will have the chance to ask the panellists for answers and advice.

Places for Audio Design Workshop LIVE are limited and anyone wishing to take part is encouraged to register now. This can be done online via the dedicated registration page: http://audiodesignworkshoplivehelsinki-SS.eventbrite.com or by calling +44 (0)1353 648 888.

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About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com

DiGiCo-Driven Broadway Shows Take Home Coveted TONY Awards

Building on the success of the DiGiCo D5T, still in current use on shows such as Cinderella, SD7T consoles have become a mainstay in the audio trenches on Broadway and in the West End (UK) for many a year, with their potently powerful hardware, Stealth engine and theatre software kit capable of handling the most intricate demands of theatre audio today. This June, a slew of the newest productions utilizing DiGiCo consoles took home coveted 2013 TONY Awards.

Using an DiGiCo SD7T:
Kinky Boots – Best Musical; Best Performance by an Actor in a Leading Role in a Musical (Billy Porter); Best Choreography (Jerry Mitchell); Best Original Score (Music and/or Lyrics, Cyndi Lauper); Best Sound Design of a Musical (John Shivers); Best Orchestrations (Stephen Oremus).

Pippin – Best Revival of a Musical; Best Performance by an Actress in a Leading Role in a Musical (Patina Miller); Best Performance by an Actress in a Featured Role in a Musical (Andrea Martin); Best Direction of a Musical (Diane Paulus).

Matilda The Musical – Best Book of a Musical; Best Scenic Design of a Musical (Rob Howell); Best Lighting Design of a Musical (Hugh Vanstone); Best Performance by an Actor in a Featured Role in a Musical (Gabriel Ebert).

Since his involvement designing The Lion King for Singapore in 2010, John Shivers has been using DiGiCo SD7Ts on just about every show since. The award-winning sound designer says the console offers a lot of flexibility, especially with the “T” software, which he says brings features and functionality specific to their needs on theatrical productions as well as a solid sounding foundation in a very compact package. 



“The SD7T software has added these very beneficial features thanks to [award-winning sound designer] Andrew Bruce’s involvement in the development. Having onboard compression, gating and delay—along with the programmability and recallability of those parameters on every channel—opens up possibilities that you just can’t have with an analog console. It’s definitely been an upgrade for us from that standpoint. A positive byproduct has definitely been the size of the console, which allows you to get into smaller spaces and require less seats be removed and has served as a large financial windfall for producers. For me, from a purely creative and design standpoint, it’s about the capabilities of the console. I’m not one to follow the crowd necessarily, but the SD7T has become a standard of our industry and the reason everybody’s using them seems clear. It has proven itself to be a very capable and reliable console.”

Additionally, Rodgers & Hammerstein’s Cinderella, which utilized DiGiCo’s 5DT, was awarded Best Costume Design of a Musical (William Ivey Long).

To discover more about DiGiCo’s line of theatre-ready digital consoles, please visit: www.digico.biz

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