A virtual press conference from Sound & Video Contractor

Archive of the NAB Newslink Category

Cobalt Digital To Release Major Enhancements To COMPASS and FUSION3G Lines at IBC 2013

IBC Stand 10.B44

Increased Functionality to Target Production and Post Production Community

Urbana, IL – Cobalt Digital (www.CobaltDigital.com), manufacturer of award-winning 3G/HD/SD-SDI conversion gear, will announce significant loudness metering enhancements to its COMPASS® and FUSION3G® lines (Fusion 99xx, COMPASS 9085 and 9301 for AES only applications cards) at this year’s IBC2013, at Stand 10.B44. The new features, which will include multi-session loudness metering and logging with timecode input, will specifically be optimized for the production and post-production community’s workflow.

“The implementation of ATSC A/85 and EBU R128 loudness measurements and compliance directives, along with their respective incorporation in both the U.S. and Europe, has yielded great improvements in TV loudness,” explains Chris Shaw, EVP Sales and Marketing, Cobalt Digital. “There is now a growing call from broadcasters for content creators to deliver compliant content – as this will greatly reduce the need for extreme corrections at the broadcast head-ends and aid in maintaining original audio production quality. That’s why Cobalt Digital is excited to be rolling out these important enhancements that will specifically address the needs of the production and post-production community. Cobalt’s extensive range of cards is continually growing, offering innovative solutions for the most demanding applications.”

Cobalt’s wide range of cards will be ATSC A/85 ITU BS.1770-3 and EBU R128 compliant. Other enhancements will include optional LTC input for accurate dubbing, post production and EDLs; full logging of all non-compliant issues; error warnings; and regional and standards variations configurable via Cobalt’s remote control WinOGCP application. Now, WinOGCP provides session store and resume functions (stop/start without loss of placement or data), with subsequent sessions appended to give total session LKFS/LU reading.

An easily obtainable upgrade path includes Dolby Decode/Encode, Linear Acoustic® upMAX™ Upmixing and Linear Acoustic® AEROMAX™ Loudness Processing – dependent on which base card is deployed.

The Cobalt team will be on-hand to offer visitors demonstrations of the new features, as well as other new products and enhancements, at the company’s stand during IBC2013.

ABOUT COBALT DIGITAL INC.
Cobalt Digital Inc. designs and manufactures award-winning 3G/HD/SD-SDI conversion gear for the broadcast television environment. Distributed through a worldwide network of dealers, system integrators, and other partnerships, Cobalt products are backed with a 5-year warranty. For more information, visit http://www.cobaltdigital.com.

Company Contact: Chris Shaw, EVP of Sales and Marketing
+1-217-344-1243 / chris.shaw@cobaltdigital.com

Press Contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmoon.tv

Shotoku To Demo Range of Robust Pan & Tilt and VR Tracking Solutions at IBC 2013

IBC Stand 11.F40

Advanced Technologies Target Variety of Applications from OB and Studio To VR and Field Production

Staines, UK • Shotoku Broadcast Systems, a well-established leader in manual and robotic camera support, and virtual reality tracking, will be exhibiting a wide range of advanced solutions for a variety of broadcast environments at this year’s IBC2013 show in Stand 11.F40. The Company, recognized for its technologically superior, high performing and robust products, will highlight its various lines of pan & tilt heads, and innovative VR Tracking EFP heads, that target OB, studio, VR, and field production applications.

“As always, we are totally committed to IBC, which is a major event in our calendar. It allows us to showcase our systems to European broadcasters as well as visitors from other parts of the world. It’s a fantastic opportunity to meet new clients and catch-up with old friends with whom we’ve worked for many years,“ said James Eddershaw, sales director, Shotoku. “We have been leading the charge for years in providing advanced manual and robotic camera support, as well as virtual reality tracking solutions, to the broadcast market, and always look forward to reaching professionals worldwide and demonstrating how our product lines work and achieve results in real-world applications.”

ROBOTIC HIGHLIGHTS
TR-T Control Systems
Shotoku’s leading advanced control system will be shown once again, incorporating the recent enhancements and expansions in terms of camera capacity and dynamic configuration. The systems on show will be controlling multiple cameras and sharing camera operation across several controller-types.

Orchestra CMS Parliamentary Systems
Fully automated and with live video touch-screen operation, Shotoku’s world-leading parliamentary TV system will be shown in action. The TG-27 pan and tilt head, becoming a standard among high-end parliaments and legislatures all over the world, will be shown under the control of the TR-S panel.

Gemini Pan Bar Control System
Combining the intuitive control and feel of the manual pan and tilt head with the convenience and capabilities of a remote head, Gemini will be shown for the first time at IBC with the lightweight TG-27 head. This combination is ideal for placing smaller cameras and lenses in locations where a camera man could not conveniently, or safely, be positioned. Total control over the speed and response profile makes Gemini unparalleled in the operation of a remote camera.

MANUAL HIGHLIGHTS
SX-300 Pan & Tilt Head
One of Shotoku’s latest mid-weight EFP pan & tilt fluid heads, the SX-300 features outstanding balance, a robust build and ergonomic design. With a high capacity 40kg (88 lbs) payload and wide-balance capability, the SX-300 supports an array of cameras, lenses and accessories, making it perfectly suited for field production, OB and studio use. The 300 head accommodates flat base or 150mm ball. Operators can not only expect top-class performance and reliability from the SX300’s VISCAM technology for smooth and adjustable pan & tilt drag with reinforced torque, but a continuously adjustable balance system.

SG-900 Pan & Tilt Head
Shotoku’s SG-900 manual pan & tilt head offers vibration-free speed in an ergonomically designed sturdy package. Ideal for OB and studio production with Teleprompters or box type lenses, the SG900 supports 90 kg (198 lbs), and features single knob balance adjustment. The unit incorporates the VISCAM ultimate fluid drag system to control smooth pan & tilt movement and REULAUX perfect balance system for maintaining the camera’s centre of gravity. The SG-900 fits various pedestals including Shotoku’s TP-200 lightweight, 2-stage pneumatic pedestal and both the TP-80 and TP-90 studio models.

SX-300VR Virtual Tracking EFP Head
Shotoku’s new SX-300VR is an ergonomic, precision engineered, high resolution Virtual Tracking pan & tilt head that offers uncompromised operation. Based on decades of extensive VR experience, the outstanding design features a robust and reliable platform for a wide range of camera and lens configurations. The SX-300VR provides high-accuracy, real-time data output with absolutely no loss in manual performance. Like all Shotoku VR systems, the unit combines with the Serial Position Interface (SPI) for frame-synchronized high-resolution data tracking, compatible with all leading VR graphics systems. The VISCAM Fluid-Leaf Drag System supplies smooth continuously adjustable pan & tilt drag with enhanced torque and unparalleled levels of operator control. Capable of supporting payloads up to 40kg (88 lbs.) and available in 4-Bolt, M70 Mitchell, or 150m-ball mount, the SX300VR is an extremely flexible option for a range of studio configurations. The head may be simply mounted on a tripod, or for real-time full 3D tracking, one of Shotoku’s VR pedestals such as the TP-90.

About Shotoku Broadcast Systems
Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.co.uk

# # #

Shotoku contact: James Eddershaw
+44 (0) 1784 224650 / mailto:info@shotoku.co.uk

Press contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / mailto:Harriet@DesertMoon.tv

Shotoku Serves Up A Win For Tennis Championship Broadcasts

UNIQUE VR TRACKING SYSTEM PROVIDES AUGMENTED REALITY FOR HIGH-PROFILE SPORTING EVENT

Staines, UK – Shotoku Broadcast Systems, a leading international manufacturer of advanced camera support products, recently facilitated the introduction of Augmented Reality (AR) to BBC Sport for its live outside broadcasts of the Wimbledon 2013 tennis championships. Shotoku sales director James Eddershaw announced from the Company’s European headquarters in Staines, UK, that Shotoku provided BBC Sport with two TP-90VR and SX300VR Tracking Pedestal & Head systems for its temporary OB studio during its live outdoor coverage of the Lawn Tennis Championships.

AR was introduced on the first day of the tournament and continued to be used for every studio broadcast throughout the two-week tournament. The level of use and complexity of the graphics adapted as the tournament progressed, right up to the final day. In the UK alone, more than 17m viewers watched the men’s final broadcast.

It was Shotoku’s unique VR tracking technology that made transferring systems more typically found in permanent studio installations, into the temporary OB studio possible. Using highly accurate internal encoders to monitor all moving axes and combine with simple in-studio referencing technology, allowed Shotoku to drastically reduce the time required for installation and calibration.

“We are delighted to have been able to work with BBC Sport to help them deliver AR for the first time at an Outside Broadcast, especially at such a prestigious event as the Wimbledon tennis championships.” said Eddershaw. “We are particularly pleased with the reaction of the camera operators who used the equipment for the first time in an OB environment. Any changes to their normal operation came simply from working with the in-shot graphics, not the equipment.”

Shotoku’s recently introduced SX-300VR virtual tracking EFP head features precise tracking and uncompromised operation. Based on the popular SX300 EFP head, the ergonomic design with decades of extensive VR experience behind it provides a robust, reliable platform for a wide range of camera and lens configurations. The SX-300VR provides high-accuracy, real-time data output with absolutely no loss in manual performance. Like all Shotoku VR systems, the unit combines with the Serial Position Interface (SPI) for frame-synchronized high-resolution data tracking, compatible with all leading VR graphics systems. The head may be simply mounted on a tripod, or for real-time full 3D tracking, one of Shotoku’s VR pedestals such as the lightweight, 3-stage TP-90VR, used in this application. While both are typically employed for a range of studio configurations, the SX-300VR and TP-90VR proved to be robust, flexible and reliable in a challenging OB studio application.

About Shotoku Broadcast Systems
Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.co.uk

# # #
Shotoku contact: James Eddershaw
+44 (0) 1784 224650 / mailto:info@shotoku.co.uk

Press contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / mailto:Harriet@DesertMoon.tv

Cobalt Digital to Roll Out Expanded Range of Card-Based Options for Broadcasters at IBC 2013

COMPANY CONTINUES ROLE AS LEADING PROVIDER OF AUDIO VIDEO SIGNAL Processing 3G/HD/SD-SDI CARDS
FOR VARIETY OF MOBILE, STUDIO AND TRANSMISSION APPLICATIONS

Urbana, IL – Cobalt Digital (www.CobaltDigital.com), manufacturer of award-winning 3G/HD/SD-SDI conversion gear, will offer an array of new and enhanced card-based signal processing solutions to international broadcasters at this year’s IBC2013, at Stand 10.B44. With a line-up that further extends the company’s position as a leader in card-based solutions, Cobalt will unveil the latest in converter technology with its new OBSIDIAN3G™ range of cards, highlight enhanced colour correction features in its 9084 COMPASS® HD/SD-SDI RGB Colour Correction Card, feature extended capabilities of its SPOTCHECK® to provide both a video and audio compliance monitoring and recorded data logging system, as well as show its new fibre units both in card form and in Cobalt’s popular Blue Box Group™ family of throw-down modules.

“We are very much looking forward to this year’s IBC2013 show in Amsterdam and having the chance to meet with both current and potential new customers and demonstrate how we listened to their requests and delivered new and enhanced products to meet their diverse needs – no matter the application,” says Chris Shaw, EVP Sales and Marketing, Cobalt Digital. “From professionals in traditional broadcast spaces to those in mobile trucks, studio and transmission environments, Cobalt is delivering a range of solutions that spans from high quality, fast colour correction and video and audio compliance monitoring to expanded Blue Box and OBSIDIAN3G families at this year’s show. As always, our goal is to keep customers ahead of the technology curve in a competitive market with reliable, cost effective gear.”

New:
• OBSIDIAN3G – a new series of terminal gear cards offers the highest quality performance and improved frame density with pricing sensibility to accommodate all types and sizes of broadcast facilities. The continuously expanding feature-rich OBSIDIAN3G series, developed using the latest chip technology, debuts at IBC2013 with a down converter series that combines low power with a high-density design and the potential to pack up to 20 cards per frame in a dual-channel unit for a total of 40 conversions. Features include 3G/HD/SD-SDI input, frame sync, SDI reclocking, SD-SDI and analog video/audio outputs. The 9501-DCDA auto-detects and down converts SMPTE 425/292/259M formats, performs aspect ratio conversion and can pan & zoom. Three models debuting at this year’s show include: OBSIDIAN3G 9501-DCDA-3G, OBSIDIAN3G 9501-DCDA-HD, and OBSIDIAN3G 9502-DCDA-3G.

Highlights:
• SPOTCHECK, Cobalt’s audio loudness measurement and recorded data logging system, now offers enhanced compliance monitoring and logging capabilities. With up to 16 video channels containing up to 32 audio channels, the newest version – SPOTCHECK-2016 – monitors, meters and logs loudness compliance over extended time-periods and now supports codecs H.264, MPEG2, MP1L2, DD, AAC. Enhancements include Live Audio Meters, Thumbnails, Transport Stream Manager and ASI Gateway. SPOTCHECK also features newly added video monitoring capabilities in the form of notification of Frozen Frame/Audio Dropout, SNMP Alarm Trap and Unit Status and Local Ad Insertion (SCTE35 and DTMB Tones). More features will be on-hand at the company’s stand during IBC2013.

• Cobalt’s 9084 COMPASS HD/SD-SDI RGB Colour Correction Card offers customers a fast and intuitive colour correction option with real-time adjustment features which can easily be made from the company’s award-winning OGCP-9000/CC Remote Control Panel. The remote control panel, intended for FUSION3G® 9900 series and COMPASS 9000 series signal processing cards, was designed with a special emphasis for the COMPASS 9064 and 9084 Colour Corrector cards, and the FUSION3G series +COLOR option. The 9084 offers RGB-space colour correction with YCbCr proc features and frame sync for HD/SD-SDI video streams. The RGB processing controls provide full offset, gain and gamma adjustments. The YCbCr proc controls provide lift, gain, saturation, phase, white clip (hard and soft), black clip, and colour saturation clip – all with user memory. Parameter updates are smooth and responsive, providing real-time adjustments ideal for use during live events. Even though the card provides extensive control of the signal from the RGB perspective, it will continue to pass those signals that fall outside of the RGB gamut. Pluge and YCbCr limit ramp signals pass without modification. When the CbCr saturation clip is activated, the saturation limiting operation will not affect the colour phase.

• Fibre units are now available for Cobalt’s recently released Blue Box Group™ – a range of throw-down modular bricks designed to answer the demand for first class quality, price competitive, signal conversion equipment. This family continues to grow with its new range of fibre units, including Transceiver, Regenerator, Transmitters and Receivers. The units, pathologically compatible with OG fibre cards, allow for analog audio embed and de-embed and provide 3G (1080p59.94/50) support for HDMI models. The compact, rugged, and portable converter boxes are super-easy to use and support SMPTE 425, 292M, and 259M as well as DVB, ASI, and MADI audio on two independent coax-to-fibre paths. Up to six modules can be installed in a single 1RU rack.

# # #
ABOUT COBALT DIGITAL INC.
Cobalt Digital Inc. designs and manufactures award-winning 3G/HD/SD-SDI conversion gear for the broadcast television environment. Distributed through a worldwide network of dealers, system integrators, and other partnerships, Cobalt products are backed with a 5-year warranty. For more information, visit http://www.cobaltdigital.com.

Company Contact: Chris Shaw, EVP of Sales and Marketing
+1-217-344-1243 / chris.shaw@cobaltdigital.com

Press Contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmoon.tv

METRIC HALO ANNOUNCES IMMEDIATE AVAILABILITY OF MIO CONSOLE 5.6

SAFETY HARBOR, FLORIDA – AUGUST 2013: Metric Halo announces the immediate availability of MIO Console v.5.6, a free software upgrade for all users of the Mobile I/O family of audio interfaces, including the award-winning 2882, ULN-2, LIO-8 and ULN-8. Version5.6 includes the following new features: I/O inserts for accessing external hardware from within the MIO Mixer, ConsoleSync hardware/software synchronization technology, AAX ConsoleConnect plug-in for compatibility with Pro Tools 11, saving of system boot states and support for EuCon 3.0. In addition to these new features, v.5.6 continues to improve stability and compatibility with current and future versions of Mac OS X.

ConsoleSync is a unique enhancement to the Mobile I/O family that benefits both new and experienced users. ConsoleSync allows MIO Console to read the complete state of any attached hardware seamlessly, automatically and without any disruption of running audio. ConsoleSync auto loads the mixer configuration, complex signal processing chains, Monitor Controller settings, analog I/O configuration and even window layout from the hardware.

With ConsoleSync, new users will experience a dramatically reduced learning curve for accessing the power of MIO Console. Experienced users will value the ability to have MIO Console re-connect to the hardware with exact recall of the current hardware state and no disruption of audio. For live sound and monitoring applications this allows the user to disconnect and re-connect the computer or quit and launch MIO Console without being concerned about introducing dropouts to ongoing primary and backup recordings or to the monitoring paths for talent.

I/O inserts streamline the use of external analog and digital processors within the MIO mixer. This new feature also allows inserting processors that are hosted on the computer directly within the signal flow of the MIO low-latency hardware mixer. This enables the use of host-based reverbs and delays with greatly simplified routing.

This free upgrade continues the Metric Halo tradition of adding value to the Mobile I/O platform as well as enhancing the product for new users. A 30-day money-back guarantee backs Metric Halo’s hardware products so you can try them out in your studio with no risk. All products in the Mobile I/O family are discounted during the Metric Halo 2013 Summer Sale, which runs until September 15, 2013.

Free download from http://mhsecure.com/metric_halo/support/downloads.html

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

ASHLY AUDIO PRODUCTS NOW ALLOW USER CONTROL FROM APPLE iPAD, iPAD MINI, iPHONE, & iPOD TOUCH DEVICES VIA KEY DIGITAL’S COMPASS CONTROL TECHNOLOGY

WEBSTER, NEW YORK – JULY 2013: Ashly Audio is pleased to announce that all of its processors and amplifiers with Ethernet or RS-232 control capability are now compatible with Key Digital’s Compass Control Technology, which allows end-user control from Apple’s ubiquitous iPad, iPad Mini, iPhone, and iPod Touch wireless devices. Because many users already own these devices, offering user control via Apple’s wireless iOS products is both cost-effective and convenient. Moreover, the “wow factor” is sure to impress clients and win more work via word of mouth.

The Ashly Audio products that integrate with Compass Control include the ne24.24M modular matrix processor; the ne4400, ne4800, & ne8800 processors; the Protea 3.6SP & 4.8SP processors; the ne800, ne1600, ne2400, ne4250, & ne8250 amplifiers; the nXe & nXp amplifiers; and all Pema integrated processor/amplifiers. “In this age of highly integrated A/V systems, we at Ashly Audio are excited to be able to give our customers yet another means of controlling their pro sound equipment via Compass Control® and Apple iOS devices,” said Ashly CEO Mark Wentling.

“Resulting from cooperative efforts between Ashly and Key Digital, the integration of its audio products within the Compass Control® environment represents a powerful and user-friendly comprehensive solution delivering iOS-based control and entertainment functionality,” said Key Digital’s Vice President of Sales, Michael Lakhter. “The Compass Alliance™ Partners have come together to create a system that has full-driver integration already completed, increasing efficiency for integrators.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

IMT Joins AT&T Partner Exchange as Platinum Solution Provider

Integrated Media Technologies to Provide Customized AT&T Solutions

 

 

 

Integrated Media Technologies, Inc. (IMT) has joined the AT&T* Partner Exchange (sm) reseller program as a Platinum Solution Provider and is now authorized to resell services from one of the leading worldwide providers of IP-based communications to businesses. Bundling AT&T solutions with IMT’s solutions will provide innovative, customized choices for customers.

“We can help our clients further now by providing the network piece between facilities and data centers,” commented IMT’s Chandos Mahon, VP Sales of the company’s new Interactive Video Learning division.  “We can resell AT&T cloud services in particular, which will further help IMT provide optimum backup and archiving for our customers, which is ideal for the media and entertainment industry.”

 

 

 

 

 

“We welcome IMT to the AT&T Partner Exchange. Our collaboration will enable IMT experts to bundle our innovative services with their in-depth knowledge to deliver tailor-made solutions to businesses,” said Randall Porter, Vice President, Sales and Business Development, Emerging Business Markets, AT&T Business Solutions.

IMT will initially resell the following solutions with additional solutions to be added this year:

AT&T Synaptic Compute as a Service (sm) – offers on-demand virtual machines and associated networking resources in a self-service, pay-as-you-go model.

AT&T Synaptic Storage as a Service (sm)- provides highly-secure, virtualized storage that adaptively scales to any size your customers need, and is accessible from virtually any device, nearly anywhere.

AT&T Synaptic Platform as a Service (sm) – a complete development environment that allows users to build custom applications and bring them online quickly and efficiently.

AT&T Virtual Private Network Service – provides the foundation that connects the main office, data centers, branch offices, and remote and mobile workers to each other, and to the applications they need to be productive.

AT&T Managed Internet Service
– high-speed dedicated Internet access, with the features businesses need to connect with customers, partners, and employees.

AT&T Multiprotocol Label Switching (MPLS) Private Network Transport – - businesses can couple their AT&T Managed Internet Service with a point-to-point, network-based connection for increased security and availability.

AT&T IP Flexible Reach – a managed Voice over IP communication solution that supports inbound and outbound calling on your data network, providing local, long distance, and international calling for U.S. sites.

*AT&T products and services are provided or offered by subsidiaries and affiliates of AT&T Inc. under the AT&T brand and not by AT&T Inc.

ABOUT INTEGRATED MEDIA TECHNOLOGIES
Integrated Media Technologies Inc. (IMT) is a digital media and technology company with offices in Los Angeles, San Jose, Dallas, and NYC.  In 2011, Inc. Magazine ranked IMT as the 25th fastest growing private company in the Technology Services industry.  IMT serves the broadcast, telecommunications, media & entertainment, IT, institutional, commercial real estate and hospitality sectors with a broad range of solutions designed to drive new value and efficiencies from technology.

Learn more at: http://www.imtglobalinc.com tel: 877.761.9770

Markertek is Now a Certified Assembler and Distributor of LEMO’s Well Established 3K.93C HDTV Cable Assemblies (SMPTE)

SAUGERTIES, NY – July 24, 2013Markertek, (a division of Tower Products) has announced that they have been officially certified by LEMO to build and repair SMPTE 311M fiber optic cable assemblies with the LEMO 3K connectors. The LEMO 3K.93C hybrid connector has a compact design with two single-mode fiber contacts, two power contacts and two signal contacts for HD camera interconnection systems. The LEMO 3K.93C is fully ANSI/SMPTE (USA), ARIB (Japan) and EBU (Europe) compliant. Markertek has achieved the highest level of technical excellence in attaining LEMO Certified SMPTE cable assembler status.SMPTE Hybrid Cables

“We are pleased to include Markertek as a LEMO certified distributor/supplier of our HDTV/SMPTE Cable Assembly products”, said Dean Pohwala, LEMO USA General Manager. “LEMO offers high quality in all of our products and we expect a continuation of this quality through the commitment of Markertek.”

“Our SMPTE cables were certified on the first attempt after vigorous testing in multiple environments,” said Chris Fisher, Markertek VP of Manufacturing. “This speaks volumes about our fiber lab and its commitment to quality craftsmanship. Our shop boasts the very latest in fiber optic termination and testing equipment. We are proud to be among a very select group to achieve LEMO SMPTE cable assembler certification.”

# # #

About Markertek
Markertek is a highly specialized broadcast and pro-audio supply house serving the technical side of the media industry with over 60,000 unique solutions at reasonable prices – supported with dependable advice from actual pro-audio and broadcast video professionals. The Markertek catalog has achieved cult-like status among digital media professionals as the ultimate design tool for creating the electronic infrastructure required to produce the majority of primetime television shows, feature films, commercials and chart-topping music hits, as well as all other areas in the audio and video industry.

Markertek is the #1 “Go-To” source in the industry for everything fiber optic including SMPTE Hybrid camera cables, 2-12 channel tactical fiber snakes, fiber rack mount solutions, fiber reels, fiber consumables, specialized tooling and fiber repairs.

Visit www.markertek.com for more information.

About LEMO
LEMO (www.lemo.com) is a global leader in the design and manufacture of precision custom connection solutions. Our high quality push-pull connectors are found in a variety of challenging application environments including medical, industrial control, test and measurement, audio-video, and telecommunications. LEMO has a wide variety of electrical and fiber optic connectors for studio (indoor), harsh field environments (outdoor), audio connectors for microphones and headsets, and power / signal communication connectors for booms and 3D rigging systems.

Get HD Sound For HD Pictures with DPA Microphones at IBC 2013

Broadcasters attending IBC 2013 will only need to stop at DPA Microphones’ stand D76 in Hall 8 to cover all HD broadcast microphone applications, from the single interview to the complete TV show.

Since its beginning in 1992, DPA Microphones has been developing microphones that deliver HD sound from the deepest sounds to the highest peaks, covering the whole dynamic range, delivering perfect, linear HD sound.

Christian Poulsen, CEO of DPA Microphones, says: “People spend a lot of time in front of their TV and enjoying this experience depends on the picture they see and the sound they hear. This is where DPA microphones make the difference. A poor sound, even with a good picture, is not accepted. Our goal is to make it as easy as possible for the sound engineer to work with DPA microphones. This means that they are extremely linear and need very little or no EQ’ing. DPA is the only company on the market that delivers the same sound pattern, whether you work with a miniature microphone or a larger d:dicate™ microphone. The microphones simply blend perfectly and give a fantastic sound experience – for the sound engineer and the audience.”

Broadcast applications cover many situations and different miking possibilities depending on requirements, taste and specifications. In the broadcast studio the TV host is close miked with a DPA lavalier miniature mic mounted on the chest, or perhaps the elegant d:dicate™ mic on a goose neck mounted on the desktop. The journalist (the VJ) who interviews people in the field needs lightweight equipment because he has to record both the video and the sound at the same time. He would be miked with a DPA miniature or headset mic, while recording the interview with a d:facto mic. In a full blown TV talent show, the TV host wears a d:fine™ Headset Microphone, the singer sings into a d:facto™ Vocal Microphone, the band is reinforced with d:vote™ 4099 Instrument Microphones and d:dicate Recording microphones and the whole ambience is captured with the 5100 Mobile Surround microphones. And the list of combinations goes on and on.

“We believe we deliver the best sounding microphones to the broadcast industry and you can challenge us on that,” Christian Poulsen adds. “The audience deserves the best and we want to be the first choice when it comes to the best sounding microphones. The hallmarks of DPA’s ingenious engineering techniques ensure that every DPA microphone delivers clear, transparent and precise sound, along with the robustness and versatility.”

Beside DPA’s unique miniature based microphones, broadcasters will be particularly interested in the new d:dicate™ 4017C Shotgun microphone, a shorter version of the popular d:dicate 4017B Shotgun microphone. Thanks to the modularity of this new d:dicate range, DPA has been able to team the much loved 4017 shotgun capsule with its compact C preamp to create a microphone that is ideal for boom recording in tight spaces and rooms where ceiling height is limited. Offering the same functionality as the 4017B-R, which is the shotgun microphone in a Rycote Windshield, the 4017C-R offers the same solution, just with the 4017C and a smaller Rycote Windshield to give outside broadcasters, journalists and location film-makers everything they need for clear, directional sound, regardless of weather or environmental conditions.

The d:dicate series has been expanded with yet another new preamplifier solution, two modular active cables (MMP-ER with rear cable entry and MMP-ES with side cable entry), plus a number of modular active booms (MMP-F). These new microphone solutions can be used in many different applications, for example as a microphone solution on a desktop, on a podium, suspended for high-end capture or on elegant stage stands. The active booms come in several lengths and configurations with flexible gooseneck and XLR termination. The new active cable only adds a centimeter to the capsule, making it even more discreer than the compact C preamp, but giving comparable performance.

At IBC 2013, DPA Microphones will also be showing its new, high quality d:facto™ II Vocal Microphone that gives users unlimited possibilities for their performance. This eagerly awaited addition to the DPA condenser microphone range brings true studio sound to the live stage by offering an extraordinarily natural sound, superior gain before feedback and extreme SPL handling. In addition to use with the new wired DPA handle, the d:facto II provides singers and engineers with the added benefit of a state-of-the-art adapter system that allows for seamless integration with many professional wireless systems.

DPA will complete its IBC 2013 line up with its expanded d:fine™ series of Headset Microphones. Offering impressive gain before feedback and very stable construction, these unobtrusive microphones are easy to fit and provide presenters and guests with a discreet microphone solution that can’t be seen on the face. The d:fine range is renowned for its audio accuracy and its ability to deliver natural voice intelligibility and consistent audio performance at all SPLs. Available in both directional and omnidirectional options, in single or dual-ear designs and with long or short booms, d:fine™ headset Microphones are designed to fit comfortably and can be adjusted to accommodate any ear size and head shape.

At the DPA stand every microphone can be listened to and there is even a tombola where you can win a d:vote 4099 Instrument Microphone every day at 5 pm.

For more information about DPA Microphones, please come to Hall 8, Stand D76 or visit the company’s website – www.dpamicrophones.com

-ends-

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information on DPA Microphones, please visit www.dpamicrophones.com

Shotoku’s Pedestal/Head Systems Elevate Newscasts for Communications Corporation of America Stations

Torrance, CA • KETK-TV, a Communications Corporation of America station and the East Texas NBC affiliate located in Tyler, recently replaced a set of aging and obsolete pedestals with three Shotoku Broadcast Systems TP200/SX300 systems. Naoki Ebimoto President announced the installation from US headquarters in Torrance, CA.

On the air since 1987, KETK-TV provides news for Tyler, Longview, Waco, Shreveport and Baton Rouge sister stations from its Tyler facility. Communications Corporation of America is a leading medium-market broadcast and digital media company with outlets throughout Louisiana, Texas and Indiana.

“KETK selected the Shotoku systems following a fairly extensive research process,” explained Dan Trent, chief engineer at KETK-TV. “Price is always a driver, and Shotoku gives ‘more bang for the buck’”.

Trent continued, “We produce 12 hours of news per day for 5 stations from our Tyler facility, so Shotoku’s TP200/S300 pedestal/head system gets a lot of use. Our former equipment wasn’t capable of up and down movement, and that limited production creativity. The new units change elevation easily, giving operators the freedom to capture a variety of shots and adjust to our different sets. ”

Shotoku’s elegant and ergonomically designed TP200/SX300 Pedestal System is a state-of-the-art configuration ideal for news and production studios. The 2-stage pneumatic pedestal has a maximum payload of over 80kg (177 lbs.) and supports a wide-range of camera configurations. Its perfect balance column and base offer maximum stability and great operational flexibility. One-step foot brake and single-action cable guard enables precise movements and control at all times for fast and easy positioning.

The companion SX300 pan & tilt fluid head offers top class performance with 40kg (88 lbs.) payload and perfect counterbalance/smooth pan & tilt drag to maximize image flexibility.

Added Trent, “The systems have been performing flawlessly; we’ve already experienced a significant improvement over the previous equipment. The operators are very happy.”

The TP200/SX300 systems have been in constant use since their installation.

About Shotoku Broadcast Systems
Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.co.uk

# # #

Shotoku contact: Naoki Ebmioto
1-866-Shotoku • mailto:info@shotoku.tv

Press contact: Desert Moon Communications, Harriet Diener
+1-845-512-8283 / harriet@desertmoon.tv

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

October 2014
M T W T F S S
« Sep    
 12345
6789101112
13141516171819
20212223242526
2728293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication