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Archive of the NAB Newslink Category

DPA Shows Its New d:screet™ Necklace Microphones At IBC 2014

DPA Microphones has always been renowned for its ability to deliver superb audio, even in the most challenging conditions. Now, thanks to a new range of body worn microphones, the company has overcome the biggest challenge of all – how to give control of mic placement to non-technical actors or reality show contenstants without compromising sound quality.

DPA’s solution, which will be on show at IBC 2014, is the d:screet™ Omnidirectional Miniature Necklace Microphone – a cleverly designed mic that houses a legendary d:screet 4061 Omnidirectional Miniature Capsule in a soft rubber necklace.


“These microphones are perfect for situations where fast costume changes are necessary – or for reality TV shows where the contestants have to place microphones without help from a trained audio engineer,” says DPA’s CEO Christian Poulsen. “The necklace design ensures that the microphone sits in exactly the same place on the body every time, so there is no need for EQ-ing between different recordings.”

The d:screet Necklace Mic is already being used in the Danish adaptation of Big Brother and DPA anticipates plenty of interest from other reality TV productions. The mic comes in black, white and brown and in lengths of 47 or 53 com (18.3 or 20.9 inches).

At IBC 2014, DPA is exhibiting alongside its Dutch distributor Amptec on booth 8.D70. At 5pm every evening it will be holding a prize draw, which will give one lucky show visitor the opportunity to win a DPA d:screet Miniature or d:fine™ Headset Microphone. At that same time, the company will challenge one of its mics to see exactly how much stress it can withstand. Could it be used as a drumstick, for example? IBC visitors need only come along to 8:D70 at 5 pm to find out.

While there, they can also see DPA’s new heavy-duty d:screet™ 4060 Omnidirectional Miniature Microphones and classic d:screet 4060 Omnidirectional Miniature Mics with reinforced cable relief, making them even more durable for demanding use. These microphones satisfy market demand for high-quality sound combined with a highly-durable housing and cable.

“Incorporated on all d:screet Miniature Microphones, our new robust strain relief version brings much needed reassurance to people who are not used to handling miniatures,” Christian Poulsen adds.

The heavy-duty 4060 microphone is ideal for people who require even more security and for whom the visual appeal is of less importance. It is perfect for placement in rigorous filming situations, such as incorporated into a combat suit for a fight scene or under a horse saddle in a period piece. Featuring a stainless steel housing, sturdy cable relief and a thicker 2.2 mm (.09-inch) cable, both enhanced versions are exceptionally durable and ideally suited to the rigors of broadcast productions.

DPA will complete its IBC 2014 line-up with its new d:fine™ 66 and 88 Headset Microphones, which are ideal for broadcast productions with vocal performers who need to move freely without obstructions from a handheld mic or one on a stand.

Combining the flexible mechanics of DPA’s modern d:fine ear mount solution with the sound qualities of the legendary 4066 Omni and 4088 Cardioid headworn mics, the new d:fine™ 66 and 88 Headset Microphones join the original d:fine as well as the traditional 4066 and 4088 Miniature Headset Microphones under the company’s d:fine family. With so many sound handling and size options to choose from, DPA’s d:fine family now addresses every need that actors, musicians and singers face when working in a live television environment.

“There is a growing need for durable body worn microphone solutions with excellent sound reproduction for stringent use in live environments and similar settings,” Poulsen adds. “When we launched the d:fine Headset Microphones we believed that they would define a new generation of headsets. They have certainly met our expectations, which is why we have decided to expand the d:fine Headset Microphone series with this brilliant solution to give users a broad assortment of styles and features.”

For more information please visit DPA at IBC 2014. Hall 8, Stand D70.

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

White Mark Designs A New Foley Studio At Moscow’s CineLab

Studio design consultancy White Mark Ltd played an important role in creating a new Foley studio for Russia’s state of the art film sound facility CineLab Ltd. Unashamedly designed to be the best in the world, CineLab’s Foley studio is already attracting projects from both local and international clients.

Based in Moscow and housed in a completely renovated former cold store building on the banks of the Moskva River, CineLab already has 14 studios including three dubbing theatres, a 5.1 mixing room for pre-mixes and TV/DVD work, multiple edit and pre-production suites and sound design rooms. Three of CineLab’s dubbing theatres have Dolby Premier Licenses, and one of these was recently upgraded by White Mark to Dolby Atmos 3D spec.

The facility’s new Foley studio was designed to cater for two very distinctive approaches to Foley recording, says CineLab’s Managing Director Vadim Nerukov.

“Some Foley artists want to close mic everything and then add effects, compression, reverb, etc. afterwards in the control room,” he explains. “Others prefer a more ‘naturalistic’ approach where they use the space and air in the room and real reflections from the walls. In our opinion neither approach is the best – they are simply different. We wanted a room that could cope with both.”

To achieve this result, White Mark worked closely with internationally acclaimed and award-winning Foley artist and sound designer Nicolas Becker, whose credits include Harry Potter and the Goblet of Fire, The Ninth Gate, The Pianist, Oliver Twist, The Ghost and Venus In Furs, all directed by Roman Polanski.

White Mark’s managing director, David Bell says: “We designed and built the room from scratch, including every conceivable kind of indoor and outdoor surface. We also incorporated motorized ceiling panels and wall curtains that can be used to modify the room acoustics, and a special floor mounted on acoustic pads that can be tuned to different frequencies by tightening or loosening screws.

Bell adds that White Mark obviously included a conventional control room in its design but after speaking to Becker and watching him work, the company also positioned an additional mixing and recording area in the centre of the live room with a line of sight into each of the studio’s four working zones.

“This dedicated space allows the artists like Nicolas who prefer to work naturally to move around the studio and create sounds to the picture in real time,” David Bell says. “The picture is projected onto screens and the engineer working with him has five microphone positions at his disposal and can literally mix live, building up each scene, sound by sound.”

White Mark installed a 5.1 surround sound system in the Control Room, while the live room, which has four screens in different positions, has a theatrical-style loudspeaker system (Left-centre-Right) behind the main screen. This allows the Foley artist to work to picture and hear exactly what a cinema audience will ultimately hear.

Naturally the studio is filled with props and devices to create new sounds – and there is a dedicated large storage room with a car access dock so that bigger props can be brought in.

“This is, without doubt, the most impressive Foley room I’ve ever seen – and certainly the most impressive we’ve ever built,” David Bell adds. “Of course, having carte blanche to create something special did help – as did the fact that CineLab was effectively built from the ground up so we could incorporate features like the very thick cast concrete floor, incorporating deep pits and water pools of different depths, and the loading dock very early on in the design process.”

Vadim Nerukov says that completing CineLab’s Foley studio involved the most innovation in terms of ideas, design and workflow.

“As our design partner, White Mark has achieved great results with all of the rooms in the facility,” Nerukov says. “In our view they are the best acoustic design company on the market and we’re thrilled with the Foley room – it is quite simply magnificent.”

Recent projects undertaken at CineLab include the mix for the feature film Stalingrad, carried out by Vincent Arnardi, and the mix for Viy, carried out by four times Oscar winning sound engineer Bob Beemer. CineLab has also recently completed the Russian dub of The Amazing Spiderman 2, one of the first projects to take place in its newly accredited Dolby Atmos theatre.

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About White Mark:

Established in 1997 by David Bell, John Dunnill, Derek Buckingham and Alan Cundell, White Mark Ltd specialises in production facilities for music recording and the film and television industries. Over the last fifteen years it has designed and supervised the construction of over 500 production suites worldwide. The company’s impressive client list encompasses some of the world’s most famous music recording facilities including Peter Gabriel’s Real World Studios in the UK, Germano Studios in New York, Hit Factory/Criteria Recording Studios in Miami, Strongroom in London and private studios for producers and musicians such as William Orbit and Damon Albarn. In the area of audio post production, White Mark has completed over 140 audio studios and many broadcast and video editing facilities for more than 60 companies in Soho alone. The list of clients includes Grand Central, Hackenbacker, Envy, De Lane Lea, Scramble, Lipsync, Molinare, DeLuxe, 750mph, NBC/Universal, Wave, Unit and Boom. Advertising agency clients include worldwide facilities for Hogarth International and AMV/BBDO on four continents.
www.whitemark.com

Corporate A/V Company Adds Yamaha QL1 For Fortune 100 Clients

BUENA PARK, Calif.—Sardis Media of Grayslake, Illinois recently took delivery of a new Yamaha QL1 Series Digital Audio Console for use on their corporate A/V projects. For over 30 years, Sardis Media has produced videos, meetings, and special events for Fortune 100 corporations, non-profits, and A-list associations. Clients include Advisors Excel, Motorola Solutions, Baxter, MorphoTrak, RustOleum, & RZIM. The company purchased its QL1 from Reach Communications of Brooklyn Park, Minnesota.

Sardis, who also owns a Yamaha M7CL Digital Audio Console, will use the new QL1 on the road as the primary audio console for smaller corporate events that require large event features. “We needed a console that had a lot of power and features but in a much smaller footprint for front of house for our production truck, says company spokesperson Nate Aguilar. Clients are always happy when we save space at FOH so they can fit more attendees in the room. As operators, we love that we don’t have to sacrifice quality when going to a small console like the QL1.”

Aguilar said that being in the corporate events business they are always dealing with more than a few Lavaliere microphones open at one time on stage, and the built-in Dugan auto mixer feature of the QL1 helps manage levels tremendously.

“We knew we wanted a touch screen for quick adjustments and graphic feedback on changes being made, says Aguilar. Most of us on staff at Sardis have a background in graphics or video, so being able to actually see what the console is outputting is important. Also, the built-in Dante network gives us the flexibility to add channels and outputs when needed in small increments, and having the ability to record every input separately is vital.”

Since Sardis already owns an M7CL and loves the operation, Aguilar notes, “it was a no brainer to add the Yamaha QL1 with its minimal learning curve to our inventory.”

For more information on Sardis Media, visit www.sardismedia.com.

For more information on Reach Communications, visit www.reachcomm.net.

For more information on the new Yamaha QL Series Digital Audio Consoles,
visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

ADVERTISING AND POST STUDIO, MICAH KOVACS AUDIO, WINS AWARDS USING A METRIC HALO ULN-2 INTERFACE

BRONXVILLE, NEW YORK: Although the path to Micah Kovacs’ relatively new and successful freelance venture, Micah Kovacs Audio, was not clear to him at the outset, his dedication, professionalism, and knack for making audio work transparently with images guided him down it, nonetheless. Already, his ten-plus years in the advertising and film post industry have earned him Addy, Promax, and Mercury awards, and several awards at juried film festivals. His clients include the Sundance Channel, VH1, L’Oreal, Verizon, NBC, and many other high-profile brands. Whether working out of his home studio for smaller projects or temporarily relocating to a client’s facility for more involved projects, Kovacs relies on the superlative audio quality and reliability of his Metric Halo ULN-2 mic-preamp/converter to maintain a pristine signal path at all times. Moreover, Metric Halo’s commitment to future-proofing the ULN-2 with software and, when necessary, firmware upgrades – together with Metric Halo’s commitment to making the ULN-2 work robustly with any and every piece of audio software in the Mac universe – guarantees that Kovacs’ investment will continue to work for him indefinitely.

Like so many in the audio industry, Kovacs stumbled across recording technology while in a high school band. “I was fascinated by the process of recording very early on,” he said. “In college, I joined some other bands and we recorded ourselves with 4-tracks or with digital workstations when they were available. It wasn’t anything close to what I do these days; we weren’t using Pro Tools, for example. But the craft of recording and mixing captivated me.” An art major, Kovacs gravitated toward video in his coursework and secured an internship at a video post-production house after graduating. He worked his way up from production assistant to assistant video editor. “The whole time, I was the go-to guy for any audio work that needed to be done,” he recalled. “I really enjoyed the mix process and learned, through my work there, that there were companies dedicated solely to audio for video.”

From there, Kovacs took a job at NYC’s Pink Noise, where he worked his way up from glorified runner to head engineer in a span of eight years. Then he took a position at NYC’s Verbatim Sound as head engineer and music producer, and a while later – sated with industry contacts and know-how – he shifted to full-time freelance under the Micah Kovacs Audio flag. “Going freelance, I knew I had to upgrade my audio hardware,” Kovacs said. “Most of the audio interfaces on the market, including the one I owned at the time, had a nasty reputation for quickly becoming obsolete as computers and audio software progressed. I needed something that would be portable and more accepting of software upgrades. Moreover, I work with a number of audio programs, including Pro Tools and Nuendo, and I wanted something that would work seamlessly with all of them, now and in the future.”

He continued, “The Metric Halo ULN-2 was the natural choice. Metric Halo is famous for supporting its products [original versions of the company's first interface, the 2882, are still supported for all the latest Mac hardware and software]. In addition, its sound quality and reliability are consistently praised as among the best on the market.” With countless hours logged at his earlier jobs, Kovacs learned what gear was indispensible and what was not. He outfitted his personal studio with a lean, but powerful collection of gear that could travel when necessary. A small rack of outboard gear serves a variety of functions and interacts with a MacBook Pro and iMac via the ULN-2. The ULN-2 also sends signal from the computers to the gear and to a pair of KRK monitors and a pair of Yamaha NS-10s. On the far front end, Kovaks maintains a collection of studio-grade musical instruments for use in original recordings. When necessary, Kovacs can move his studio to a client’s space to complete long-term or quick turnaround jobs.

Understandably, Metric Halo’s free audio routing software, MIO Console, plays a large role in Kovacs’ setup. “I love MIO Console,” he said. “With it, I can switch between my monitors internally, and I can route signals in elaborate ways between internal software programs and my external hardware. I also like the processing the ULN-2 ships with; I’ve been experimenting a lot with the ‘Character’ signal path modeling plug-in. Finally, I was pleased with the service I received from Metric Halo. There’s a ton to learn, especially with MIO Console, and the tech support zeroed in on my particular setup to get me up and running quickly. I had clients wanting service right away, so I didn’t have time to experiment. Metric Halo understood that.”

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

Red TX Joins The Remote Recording Network

Broadcast audio specialist Red TX has joined Europe’s leading live recording initiative Remote Recording Network. Whilst contributing to managing and engineering music and broadcast assignments on a global and cost-effective basis, RRN offers bespoke solutions that cater for all kinds of transmission, recording, mixing, mastering, duplication and publishing.

Remote Recording Network GmbH had last year joined forces with Dutch mobile recording company Eurosound bv and had integrated the German ‘RemoteTaxi’ enterprise to establish the initial ‘Network’.

Peter Brandt, head of Remote Recording Network and a man with over 30 years’ experience of recording and mixing international rock, pop, jazz, and classical artists, says: “Bringing Red TX into RRN will benefit our European customers by giving them access to a fully digital truck based in Europe that can handle high-end surround sound projects, particularly for broadcast.”

Tim Summerhayes, CEO of Red TX, adds: “I have known Peter Brandt for many years and we have worked together on numerous projects in the past. I am very excited by this collaboration because it allows us to utilize our combined technical resources in a very effective way. There is a huge requirement for mobile digital recording facilities in Europe and by joining forces with the Remote Recording Network we can now provide the necessary human and technical resources to meet this demand.”

Red TX has two state of the art recording units, RED 1 and RED 2. Both are equipped with Studer Vista 8 Digital Mixers, PMC 5.1 surround sound monitoring and Pyramix, Pro Tools and Reaper recording systems. They also have extensive racks of outboard equipment and digital effects, and are internally designed to very high acoustic specifications. RED 2, which is the larger of the two units, will be located as required, between the RRN HQ in Germany and Eurosound bv’s base in The Netherlands, while RED 1 will remain at Red TX’s premises in the UK.

“Our model of using international partners to combine resources and equipment is very valid, especially in a world where businesses need to reduce their carbon footprint as much as they can,” Peter Brandt adds: “By tapping into facilities that are already stationed on different continents, we don’t need to transport huge trucks around the globe. Instead we can ‘travel lite’, frequently only needing to transport an engineer, which minimizes travel costs and keeps our carbon footprint to a healthy low. It also means that we can keep our rates very competitive, too.”

Red TX’s RED 2 unit will make its Remote Recording Network debut in June at the Tuckerville Festival in Enschede, The Netherlands. From there it has a busy summer ahead, working at live events and festivals in various countries.

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About Red TX:
Red TX provides a comprehensive concert recording and broadcast service to the music and television industries. The company has state-of-the-art mobile recording facilities and can handle projects of any size or complexity. As well as recording audio for broadcast, the company also records live music events for subsequent release on CD or DVD www.remoterecording.net
www.red-tx.com

About Remote Recording Network:
Remote Recording Network is a new initiative that brings together the market-leading live recording companies Peter Brandt Remote Recording and Eurosound GmbH. Years of experience, knowledge and network are now combined to supply an unrivaled, world-class, world-wide recording service.
www.remoterecording.net
For more information, please contact Tony Andrews – tony@awandrews.com

Hollywood Sound Hosts Yamaha NUAGE, Steinberg Nuendo Demos

BUENA PARK, Calif.— David Lees and Marcel Mauceri from Yamaha Commercial Audio Systems, Inc. will be on hand to demonstrate the new Yamaha NUAGE production system along with a Nuendo masterclass presented by Steinberg’s Greg Ondo on Tuesday, July 1st between 7:00 – 9:00 pm. Hosted by Hollywood Sound, the presentations will take place at their location 1541 North Wilcox Ave., Hollywood, CA 90028.

NUAGE is a highly refined, scalable hardware/software production environment for recording, video post-production, ADR, music production and mixing. NUAGE features many unique and exciting features such as an integrated ADR system, efficient content management, advanced media access system, and much more.

A joint collaboration between Yamaha and Steinberg, NUAGE is a hardware and software system that adds the power of Dante audio networking, and is a complete, flexible system that allows engineers to choose and combine components to perfectly match individual application and workflow requirements.

These sessions are free and open to all members of the audio production community. Please RSVP to 323.466.2416. For more details, visit
www.hollywoodsound.com.

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Advanced Systems Group Earns Top Revenue Honors from Quantum

EMERYVILLE, CALIF. – Advanced Systems Group (ASG), a leading video, data, audio and film integration firm, was recognized for “Top Revenue Achievement 2014” for the Americas by Quantum Corporation. ASG received the award for its StorNext sales during the Quantum Dealer Meeting at the 2014 NAB Show in April in Las Vegas, Nev.

“This award is not only an honor for us that we greatly appreciate, but it is a testament to Quantum’s outstanding products and services,” said Dave Van Hoy, president of ASG. “We rely on Quantum to help us deliver fast and reliable storage systems for our clients, and we look forward to growing our relationship with Quantum this year.”

“Our channel is vital to our go-to-market strategy at Quantum, and ASG is a valued and trusted partner that has made a significant investment in helping to grow our business,” said Andy Brinck, senior director, Channel Sales – Scale-Out Storage. “ASG’s success is a result of their capabilities and professional attention to solving our customers’ complex media workflows.”

Quantum’s StorNext product line offers a variety of archive, storage and content management solutions. StorNext 5, Quantum’s recently re-architected platform, enables complete end-to-end content management for modern media workflows with improved ingest and transcoding, optimized SAN and LAN client workflows, and integrated high-speed archive and data management. StorNext AEL Archives provide active archiving to LTO tape, automatically migrating content with built-in data protection and self-healing capabilities.

About ASG:

Based in Northern California with offices in the Northwest, Southern California and New York City, Advanced Systems Group LLC of Emeryville, Calif., has provided engineering, systems, integration, support and training to the broadcast, film, creative and corporate video markets since 1997. With unmatched experience in high-speed shared storage, media asset management, archiving, editing, color and VFX systems, ASG has become one of largest installers of post-production and shared storage systems on the West Coast. The ASG team is highly focused on customer success, and has installed and supported more than 300 SANs, production and post-production systems. For more information, visit www.asgllc.com or call 510-654-8300.

3TS Capital Partners Invests 7.2 million US$ into Visual Unity

Leading OTT platform and multiscreen solution provider, Visual Unity announces an investment of 7.2 million US$ (5.2 million Euros) by 3TS Capital Partners, the growth capital technology fund. This investment will strengthen Visual Unity’s delivery of end-to-end OTT solutions on a global scale.

The investment of 3TS, into Visual Unity is from their Cisco, EBRD, EIF and OTP backed growth capital fund, which focuses on investments in fast growing technology companies primarily in Central and Eastern Europe (CEE). Visual Unity will use the investment to support the growth of an international customer base for vuMedia™, its flagship OTT platform. vuMedia™ enables content owners and distributors to monetize their video assets over the Internet.

The company’s goal is to be the leading provider of OTT and multiscreen solutions. This investment will hasten leading-edge development of vuMedia™, Visual Unity’s world-class digital content delivery and smooth-multiscreen-user-experience product. 3TS is initially acquiring a minority stake in Visual Unity and commits to supporting the company at both a strategic and operational level.

Tomas Petru, Visual Unity’s Founder and CEO, says: “This is an exciting time for Visual Unity, with 3TS taking a key role in the future success of our company. Our robust, end-to-end product is already used by our customers worldwide. We support close to 10.000 different screens and devices in conjunction with every conceivable monetization method. 3TS’ diligent examination of, and investment into our product portfolio not only attests to its innovation, but will be instrumental in fueling our sales, marketing and development expansion.”

“Our strategic investment into Visual Unity will enable a strong focus in product development, while reaching previously untapped markets around the world,” commented Daniel Lynch, Managing Partner of 3TS Capital. “We look forward to establishing Visual Unity as a global leader in OTT and multiscreen products and services.”

“This investment from 3TS is coming at an ideal juncture for Visual Unity, in helping us realize our global expansion ambitions in response to overwhelming customer demand,” comments Tony Hasek, Chief Commercial Officer at Visual Unity. “This investment will provide the resources needed to service key markets around the world, and capitalize on the amazing growth opportunity in OTT and video streaming services.”

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About Visual Unity
Visual Unity is a Multiscreen Solution Provider, bridging the gap between linear broadcast, IT and IPTV to help clients reach and engage audiences on any screen. Since 1991, the team has been designing and delivering turnkey broadcast and complex multiscreen solutions worldwide – from HD outside Broadcast (OB) vehicles and major playout facilities to live internet streaming and Video on Demand services. Visual Unity’s award-winning vuMedia™ platform helps broadcasters and content owners control how their brand and assets are managed and monetized in the multiscreen environment. vuMedia™ is a highly scalable and a modular architecture, delivering a cutting-edge live viewing experience on the web or any mobile or connected device – all of which can be deployed into existing workflows and business processes.
Visual Unity is based in Los Angeles, Munich, Prague, Moscow, Istanbul, Dubai, Hong Kong. For further information, please visit www.visualunity.com, info@visualunity.com
About 3TS Capital Partners
3TS Capital Partners (www.3tscapital.com) is one of the leading private equity and venture capital firms in Central and Eastern Europe operating through offices in Budapest, Bucharest, Istanbul, Prague, Vienna and Warsaw. 3TS targets investments in growth sectors including Technology & Internet (Software, Hardware, Mobile, Ecommerce, Social, etc.), Media & Communications and Technology-Enabled Services. Investors in the current and earlier 3TS funds totaling over € 300 million include Cisco, EIF, EBRD, OTP, Sitra, 3i and KfW among others.
3TS Capital Partners, 3TS and the 3TS logo are registered trademarks or trademarks of 3TS Capital Partners Ltd. and/or its affiliates. For more Information Please contact Anikó Horváth ahorvath@3tscapital.com, tel. +43-699-10313369 or Managing Partner Daniel Lynch dlynch@3tscapital, tel. +420 225 990 856.

ATC TWEAKS ITS ENTRY-LEVEL PASSIVE NEAR-FIELD MONITOR AND RAISES IT TO A NEW STANDARD OF PERFECTION

LAS VEGAS, NEVADA – JUNE 2014: TransAudio Group, U.S. distributors for ATC UK, introduces the ATC SCM20PSL MkII near-field reference monitor. The passive ATC SCM20PSL MkII improves upon the previous ATC six-inch two-way passive and is ATC’s smallest and least expensive monitor in the ATC Professional line up. Built to the same exacting standards as its active Pro Range siblings, the SCM20PSL MkII is ideal for those already using passives but seeking a new level of resolution in a compact passive package. They are ideally suited for critical near-field applications or smaller rooms.

“ATC is well-known for designing and building studio monitors that are unflinchingly truthful and that help engineers deliver mixes that translate everywhere,” said Brad Lunde, president of TransAudio Group. “ATC founder, Billy Woodman, and his team of R&D engineers never tire in the pursuit of perfection, and our request for a smaller monitor has led them to develop the SCM20PSL Pro MkII.”

The ATC SCM20PSL MkII is based around the ATC 6.5-inch “Super Linear” LF driver with integrated midrange, utilizing the same ATC developed SL technology used in our larger nine-, twelve- and fifteen-inch based monitors. The SCM20PSL MkII is the first professional product to incorporate ATC’s brand new in-house built ATC Dual Suspension 25mm tweeter. Five years in development, the new ATC Tweeter offers lower distortion, higher output and greater reliability. A newly ATC designed/built passive Crossover has been incorporated combining second and third order features to offer improved imaging and precision, comparing favorably to our active designs. Exceptionally neutral output extends across the audible spectrum and within an all-new cabinet design, minimizing size and weight. “Given the excellence of previous designs, these advantages lead to a substantive improvement in passive speaker technology,” concluded Lunde.

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

Cobalt Goes West with Representation from Dan Weaver & Associates

Urbana, IL – Cobalt Digital (www.CobaltDigital.com), manufacturer of award-winning 3G/HD/SD-SDI conversion gear for broadcast environments, continues to expand its U.S. presence with the recent appointment of Dan Weaver & Associates of Louisville, KY and Milwaukee, WI as its new Manufacturer’s Representative. This move, intended to fortify the company’s mid-western sales coverage, was announced today by Bob McAlpine, svp of North America sales, from Cobalt’s headquarters in Urbana IL.
“I have known and worked with Dan Weaver throughout my professional broadcast career and I know there’s no better choice to help Cobalt Digital expand its reach throughout this important mid-west region,” stated McAlpine. “Dan is a solid presence and well-respected industry professional in the 13-states he covers. He is also a technically knowledgeable resource, which offers great advantages to Cobalt’s growing customer base in the region. Both Dan and his associate, Bob Phillips, will provide the support our customers need and that our company requires for sustained growth in the area.”
Dan Weaver & Associates serves a wide and diverse cross-section of markets, including broadcast, pro AV, educational, government, house of worship, corporate, and industrial & security with Cobalt Digital now joining its vast range of high-technology video, audio, computer and systems solutions.
“We are very excited and proud to represent the prestigious Cobalt Digital product line in our Midwest territory,” Weaver commented. “Cobalt’s high-quality, state-of-the-art signal processing, conversion, and terminal gear is supported by the best team in our industry. We are delighted to be associated with such talented and dedicated professionals.”
Cobalt is recognized worldwide as a leading provider of scalable, practical and cost-effective format conversion and loudness processing solutions. Key affiliations with organizations such as Dan Weaver & Associates help strengthen the Company’s presence and ensure first-class support for their rapidly expanding customer base.
# # #
ABOUT COBALT DIGITAL INC.
Cobalt Digital Inc. designs and manufactures award-winning 3G/HD/SD conversion gear for the broadcast television environment. Distributed through a worldwide network of dealers, system integrators, and other partnerships, Cobalt products are backed with a 5-year warranty. For more information, visit http://www.cobaltdigital.com.

Company Contact: Chris Shaw, EVP of Sales and Marketing
+1-217-344-1243 / chris.shaw@cobaltdigital.com

Press Contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / mailto:harriet@desertmoon.tv

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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