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Dual Yamaha DM2000s Used at Hofstra Presidential Debate

BUENA PARK, Calif.—Hofstra University on Long Island (NY) was the site chosen for the second of three Presidential debates between President Barack Obama and former Massachusetts Governor Mitt Romney. Held on Tuesday, October 16, Hofstra previously hosted the 2008 debate between President-elect Obama and John McCain. Audio production was provided by On Stage Audio (OSA) Las Vegas.

Michael Abbott, owner of All Ears, Inc. (Los Angeles) chose a pair of Yamaha DM2000 digital consoles for audio control. “The dual DM2000s were chosen for the Presidential debate specifically to provide two separate audio streams,” states Abbott. “Size and audio I/O capabilities also played a key role in the set up. We routed six Yamaha AD8HR 8-channel preamps to eight groups: four for the house mix and four for the broadcast pool truck.”

In addition, Abbott said Dugan-MY16 cards were inserted for the 24 Town Hall participant mics along with moderator and candidate microphones.

For more information on All Ears, Inc., e-mail michaelsound@earthlink.net.

For more information on Yamaha Commercial Audio products, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Dante-MY16-AUD Updated for Remote Head Amp Control

—Rio3224-D/Rio1608-D Head Amp Control from the M7CL, LS9, PM5D, DM1000, and DM2000—

BUENA PARK, Calif.—The Audinate Dante-MY16-AUD Mini-YGDAI interface card marketed by Yamaha Commercial Audio Systems, Inc., has been updated to allow remote head amp control. The updated version allows the head amps in the new Rio3224-D and Rio1608-D I/O rack units, developed for the new Yamaha CL console line, to be remotely controlled from an M7CL, LS9, PM5D, DM2000, and DM1000 digital mixing console.

The Dante network audio protocol developed by the Australia-based manufacturer Audinate, offers outstanding basic performance with low jitter and latency, while also allowing flexible system scaling to accommodate a wide range of applications and capacities. These capabilities have made Dante a mainstream choice for installations and live sound applications.

The collaboration with Audinate began in 2009 with the development of the Dante-MY16-AUD interface card, and this year’s release of the Yamaha CL Series Digital Mixing Consoles realized the world’s first implementation of Dante as the standard built-in protocol. The new update will enable the Rio3224-D and Rio1608-D I/O rack units, that could previously only be used with the CL series, to now be used with digital mixing consoles such as the M7CL and LS9 that do not feature built-in Dante communication capability.

“Now, Yamaha digital consoles equipped with Audinate’s Dante-MY16-AUD will gain the ability use the head amp control feature and integrate with the new the Rio I/O racks,” says Lee Ellison, Audinate’s CEO. “This enhancement further extends the complete Dante network ecosystem for Yamaha products.”

For more information on the updated Dante-MY16-AUD interface card, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Yamaha Celebrates 125/25

BUENA PARK, Calif.—October 1, 2012 marks the 125th anniversary year of Yamaha Corporation, one of the world’s leading musical instrument and professional audio companies, based in Japan, commencing operations in 1887. Yamaha Corporation and its other group companies will begin a year of commemoration of this significant anniversary. For the occasion the Company has adopted a new commemorative logo mark and slogan, “125 Years of Passion and Performance”.

This year is special for Yamaha Commercial Audio Systems, who is celebrating the 25th anniversary of the company’s entrance into the digital console market with the launch 25 years ago of the DMP7, the first of many digital consoles manufactured by Yamaha Corporation Japan. Great strides have been made over the past 25 years with the manufacture of DMC1000, ProMix 01, DM2000, 02R, 02R96, 01V and 01V96 and 01V96i, The strong acceptance for these earlier models opened doors for mid-size recording, post and broadcast facilities as well as for the installation market, most notably the house of worship market, and sound companies to take advantage of more affordable, digital console solutions. Thirteen years ago marked the launch of the company’s flagship PM1D digital console, soon followed by the PM5D console. Familiarity and reliability have been the constant thread throughout all digital products manufactured by Yamaha, reinforcing a strong customer commitment to the future line of M7CL, M7CL-48ES, LS9, DM2000VCM and 02R96VCM consoles.

“It is fitting that as we celebrate the 125th anniversary of our parent company, Yamaha Corporation Japan and the 25th anniversary of digital console manufacture, we also celebrate the enormous acceptance of our new Yamaha CL Digital Console product line launched in March,” states Larry Italia, Vice President and General Manager, Yamaha Commercial Audio Systems, Inc.

“The 125th anniversary slogan, “125 Years of Passion and Performance”, speaks volumes about dedication to our customers,” says Italia. “Our employees are quite passionate in providing the highest quality service and support, and we will continue to provide exceptional digital audio products at the highest level of performance.”

For more information, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Another “STAR” Follows Cobalt Digital Home From IBC

AMSTERDAM, The Netherlands – Cobalt Digital has added another award to its growing collection of honours. The manufacturer of 3G/HD/SD-SDI conversion gear took home its tenth STAR award (Superior Technology Award Recipient) from the editorial staff of TV Technology Europe magazine at IBC 2012; this time for its HPF-9000 High-Power 20-Slot Frame.

The STAR Award is designed to celebrate and showcase the preeminent technological innovations available to the broadcast industry. Mark Hallinger, TV Technology Europe’s editor, reviewed a variety of products, examined the technical applications and their overall contribution to the industry, and then chose 27 winners.

“STAR awards are given to interesting new products that help a user save money or accomplish a task in an easier way,” said Hallinger. “The products selected help advance the industry–some were chosen because of technical novelty or innovation, some because they filled an important gap in the production or transmission chain, and some because they were just cool products.”

Cobalt’s HPF-9000 fits all the criteria! The 2RU high-density modular frame offers a significant 360-Watts of net (user) available power in a high-capacity 20-slot format. The HPF-9000 can accommodate two front loaded hot swappable PSU-9000 power supply modules with separate power cords for power redundancy to ensure 24/7 operation, features independent cooling fans and status LEDs, and provides an easily accessible front–mounted power switch. Rear modules offer a broad selection of interfaces such as BNC, twisted pair audio, and fiber for maximum flexibility. The unit features remote control and monitoring via Ethernet.

“We are delighted to add another STAR award to our Trophy Room,” exclaimed Chris Shaw, Cobalt’s executive vice president of sales and marketing. “The HPF-9000 is a fabulous tool, providing compatibility with both the Cobalt 9900 series Fusion3g cards as well as the 9000 series COMPASS cards. It features the same rear modules as the 8321 frame allowing a seamless transition from one to the other, and provides numerous input/output combinations to suit any requirements including mixed interfaces such as BNC, and balanced analog audio.”
# # #
ABOUT COBALT DIGITAL INC.
Cobalt Digital Inc. designs and manufactures award-winning 3G/HD/SD conversion gear for the broadcast television environment. Distributed through a worldwide network of dealers, system integrators, and other partnerships, Cobalt products are backed with a 5-year warranty. For more information, visit http://www.cobaltdigital.com.

ABOUT TV TECHNOLOGY EUROPE
TV Technology Europe is the region’s leading magazine for broadcast technology. The magazine is published by NewBay Media. See www.nbmedia.com

Company Contact: Chris Shaw, EVP of Sales and Marketing
+1-217-344-1243 / chris.shaw@cobaltdigital.com

Press Contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmooncomm.com

BHV Broadcast’s Video Ghost Featured In “What Caught My Eye” Presentation at IBC 2012

Amsterdam, The Netherlands – BHV Broadcast’s Video Ghost phantom power system captured the attention of IBC’s hugely popular “What Caught My Eye” strand on opening day of the premier annual event for global professionals engaged in content creation, management and delivery. The manufacturer of compact, cost-effective equipment for live and post-production, added the honour to Video Ghost’s growing collection of awards that already includes the prestigious Mario from TV Technology, and a Pick Hit from Broadcast Engineering.

IBC’s “What Caught My Eye” gives attendees the inside track on product and trends rocking the exhibition floor. Each morning a different industry expert, chosen for their unique perspective, shares their insight into the news, hot business issues or flag up interesting areas or demonstrations. BHV Broadcast’s Video Ghost was one of ten innovations featured in the “What Caught My Eye: Cameras, Where to Start?” session presented by Alan Roberts, and produced and chaired by David Dawson on Saturday, 8 September. Alan Roberts, an eminently qualified and respected industry expert in the realm of film and television images, drew upon his vast experience as a consultant to broadcasters and manufacturers on a world-wide scale to uncover gems on the exhibition floor with “star” potential.

BHV Broadcast’s Video Ghost was identified for its ability to bring phantom power to the digital video world. Developed as a low-cost, reliable alternative to traditional batteries, the unit provides a hefty 65 watts of power at 12V for camera head-ends and remote monitors using the existing serial digital video coaxial cable. Equally at home with SD or HD signals, it can also be used to power composite to SDI converters at the camera, avoiding significant signal degradation suffered by composite video over distances. At IBC, BHV introduced the V-lock universal mounting system as Video Ghost’s newest feature.

At IBC, BHV Broadcast also highlighted Syntax Essence, a new low-cost version of the popular and award-winning Syntax up/cross/down converter; an enhanced version of TallyHo!, a wireless tally indicator system that was featured in “What Caught My Eye” at IBC in 2010; the miniature three-input, broadcast specification Callisto Micro SDI mixer; and the award-winning Proteus multi-format, multi-purpose, motion-adaptive standards converter.

About the BHV Companies
BHV Broadcast is the sales and marketing arm of Brick House Video, designer and manufacturer of award-winning compact and cost-effective equipment for production and post-production including a full range of rack-mount and portable digital switchers to accommodate any application where space is at a premium. The Company also manufactures rate/standards and format conversion equipment. For further information: www.bhvbroadcast.com
# # #
BHV Broadcast contact: Martin Cook
+44 (0) 1962 777733 • sales@BHVBroadcast.com

Press contact: Harriet Diener / Desert Moon Communications
1-845-512-8283 • harriet@desertmooncomm.com

IntraCom Systems Releases a 2RU Dual Touchscreen IP Matrix Intercom Control Panel

IntraCom Systems, LLC, the Los Angeles based developer of VCOM, the leading software IP Matrix Intercom System, announced today the availability of its new 2RU VCOM Touchpanel(tm). The unit’s intuitive dual Touchscreen GUIs support up to 250 channels configurable for Point-to-Points, Group Calls, and Party Lines. The TCP-403′s unprecedented noise suppression and echo cancellation technology enables use of the unit’s powerful integrated 3″ speaker and panel microphone in push-to-latch/push-to-unlatch (“open mic”) mode with virtually no feedback! The TCP-403 is ideal for Broadcast, Defense, Industrial, Commercial, and House of Worship applications.

Key Features
• High resolution dual touch screen selector activation supports 250 channels;
• Individual channel volume controls with onscreen level indicators (+ 6-18db);
• Onscreen telephone dial-pad and on-selector caller ID;
• Interoperable with two-way radios, phone networks, VoIP/SIP, and other intercom systems;
• Unparalleled electro-acoustical echo cancellation and noise suppression;
• Use with dynamic, electret, or USB headsets;
• Works interchangeably with VCOM on PC’s, Tablet PC’s, Macs, and Android and iOS Devices;
• Operates over standard IP networks (WAN/LAN/WiFi/Data Cellular) from anywhere;

About VCOM:
VCOM(tm) is a highly interoperable, IP software Intercom that leverages advanced algorithms and software engineering for on the edge streaming and ultra wide band communications. The System is engineered to support highly dynamic, fast, and complex communications requirements and consists of our:
* server-side Virtual Matrix summing/mixing engine
* client-side control panels for multi-channel/multi-access professional communications
* device interfacing software to easily bridge disparate communication systems including hardware intercoms, two-way radios, and public/private telephone networks
* intuitive System Administration application that enables dynamic configuration and monitoring of the System from any workstation on the network.

VCOM Control Panels provide point-and-click control for establishing talk and/or listen voice paths. Multiple group and individual voice paths can be established simultaneously and multiple conferences can be accommodated in any complexity. Subscribers may talk and/or listen in a single conference or multiple conferences, in any combination and in any sequence.

VCOM runs on standard computer and network hardware and is based on a dedicated server, multiple client architecture. The System readily scales to hundreds of users, is built on a highly flexible platform, and coincides with a broad movement within industry and government to use widely deployed IP infrastructures and commercially available computer hardware.

IntraCom Systems, LLC is a Los Angeles-area developer of highly interoperable, multi-channel software intercom systems for professional applications.
To learn more about VCOM and IntraCom Systems, visit us online at www.intracomsystem.com .

###

IntraCom contact: Stephen Brand
310-456-9396
sbrand@intracomsystem.com

Michael MacDonald Joins ATK Audiotek as President

Michael MacDonald, New President of ATK Audiotek

Valencia, California (September 25, 2012) – Leading audio production company, ATK Audiotek, is proud to welcome Michael MacDonald to take over the duties as President and leadership of the company’s business development, sales and marketing programs, coincident with the retirement of outgoing President Michael Stahl.

MacDonald joins ATK Audiotek with over three decades of experience in the professional audio industry, most recently having served for five years as Vice President of Sales and Marketing at HARMAN Professional. Prior to HARMAN, Michael operated a successful consulting business at Pilot Business Strategies, where he worked with over 30 professional audio clients and trade organizations on product and program development, business planning and marketing and sales, where he built strong relationships with a diverse array of industry stakeholders. MacDonald has held senior roles at other professional audio manufacturers, including as President of JBL Professional and 10-years in various executive positions with Yamaha International.

Michael MacDonald began his career in the audio business in the production industry working as lead audio engineer on a host of major tours and projects including Olympics Opening and Closing Ceremonies, the GRAMMY® Awards and Presidential debates.

“Having Michael MacDonald join the company is a natural extension of the relationships we have enjoyed for over 30 years,” commented Mikael Stewart, Partner and Vice President of Special Events, ATK Audiotek. “We’re very pleased to welcome him onboard and look forward to his ideas and his energy just as we are appreciative of Mike Stahl’s massive contribution to ATK since its foundation!”

Scott Harmala, Partner, CTO and Vice President of Engineering, ATK Audiotek, concurs “Michael not only brings decades of experience and industry contacts but a proven, high energy, creative approach to building new business. We share a considerable history together but also a strong vision for the future potential of the production industry and of ATK Audiotek!”

Michael MacDonald noted, “I am really excited to be moving to ATK Audiotek for the next phase of my career,” add Michael MacDonald on his new role. “ATK Audiotek is a great company that has been a pioneer in the live event industry and has built a solid business by focusing on superb customer service. I am really flattered that Mikael and Scott have given me the chance to join the team as an ATK partner and I also appreciate the support Michael Stahl has provided to make this possible.”

About ATK Audiotek
Founded in 1983, ATK Audiotek is the foremost sound reinforcement provider in the professional audio industry. ATK Audiotek provides unparalleled quality and reliable service to all of its clients. ATK Audiotek’s client roster includes hundreds of television productions, special events, industrial conventions, permanent installations and concert tours. ATK Audiotek has received many awards including four nominations and two wins of the prestigious TEC Award for outstanding technical achievement. For more information please visit http://www.atkcorp.com/about.html

Season 7 of Rachael Ray Moves to New Studio and Yamaha Consoles Move Along As Part of ‘the Mix’

BUENA PARK, Calif.—On September 17, 2012 the Rachael Ray Show will officially move to beautiful new digs for the Season 7 opener, and broadcast mixer Bob Aldridge and front of house mixer John Bates, are taking along their trusty Yamaha M7CL-48 and DM2000 Digital Consoles. Produced by CBS Television Distribution and KWP Studios, in association with Harpo Studios, Scripps Networks and Watch Entertainment, the hugely successful syndicated daytime program originally launched in the fall of 2006.

“An M7CL-48 and DM2000 are both used for the audience mix,” states Bates. “The DM2000 is the production mix desk while the M7CL is used for the music mix.” Aldridge and Bates are also using the new Dugan-MY16 card with the DM2000 to tighten up the show’s sound, and Aldridge said ‘it works great.’

“Season 1 of the Rachael Ray Show had the M7CL as the audience console and it worked quite well as both the production and music console,” says Bates. “We had 16 RF mics, some production inputs, and support for 24 channels of music inputs. Then the show decided that we should be ready to support 32 channels of music inputs and the M7CL was no longer big enough so we moved it to the monitor position. Shows rarely get smaller as they develop, and it was at that point that we brought in a Yamaha DM2000, some outboard mics preamps fed through a bunch of Yamaha MY16-AT ADAT cards, bringing us up to 56 mic inputs, and mixed both production and music on the DM2000 through the end of Season 6.”

The Rachael Ray Show set has several different locations that Rachael could be in at any point in time,” notes Bates. “We took advantage of the Yamaha DM2000 to recall different scenes depending on where in the studio we were working. The four remote layers enable us to customize the surface layout for the scene at hand. The built-in channel and bus delays allow us to really dial in the mix without the need for any outboard processing.

The number of music inputs the mixers have been asked to support has increased to 48 so the decision was made to add an additional M7CL-48 to the house position to mix music and the DM2000 becomes a production only console. “We now can split 48 mic channels between broadcast mix, FOH mix and monitor mix, a far cry from where we started,” adds Bob Aldridge.
All of the features that made the DM2000 a great fit for the show before are still in play in the new studio and Bates said it’s been fun stripping back the show and building it up again.

For more information on the Rachael Ray Show, visit http://www.rachaelrayshow.com/.

For more information on Yamaha products, visit www.yamahaca.com.

-END-

PHOTO ID: L to R: John Bates and Bob Aldridge

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

KanexPro Introduces Mini Audio Amplifier with Mic Mixer

KanexPro the leading A/V Connectivity solutions provider is proud to introduce the Mini Audio Amplifier is a quarter-rack width digital amplifier (Class D) with equalizer control and Mic mixer. It’s a simple yet powerful device delivering 2×20 Watts@4Ohm default output with built-in volume/ bass feature. It also supports dual mono-output with 2 stereo audio selectable inputs. The Microphone mixer includes independent volume control with balance switching. Supports balanced/ unbalanced signals.

This Mini Audio Amplifier is mainly used during lectures, house of worship centers and various musical events where mic mixing together with equalizing audio is critical.
Mini Class D audio amplifier

Features:

• Fast switching audio amplifier
• 2×20 Watt@4Ohm as the default amplifier output
• Bridge connection supported by switching the amplifier to be 1x40Watt@8Ohm
• Supports Dual-mono output
• Built-in Microphone mixer (separately controllable)
• Line audio output, with volume controllable.
• MIC input supports 48V phantom power
• MIC port with balanced switching suppress
• Supports balanced/ unbalanced signals
• Supports Ducking power technology
• Ultra low inrush current
• Two stereo audio inputs, switchable by button, remote or RS232.
• Volume/Bass/Treble controllable by buttons or RS232
• Optional control by IR remote
• Convection cooled, antistatic case design
• LED indicator, for power and operating status
• IR remote (optional) not included
• Internal Universal power adaptable (100-240 volt AC, 50/60Hz)

About KanexPro™

Leveraging our core strength in professional A/V products, KanexPro carries a complete selection of A/V connectivity needs. When planning digital installations you will find that we carry a broad line of A/V connectivity products enabling you to broadcast, extend, split, or multiply HD signal transmissions; simply and cost-effectively.

KanexPro is a registered trademark. All other trademarks and registered trademarks mentioned herein are the property of their respective owners.

DPA Microphones Help The Fukada Tree To Bloom

Internationally renowned recording engineer and lecturer Akira Fukada made an enormous impact at the New York AES Convention in 1997 when he unveiled the Fukada Tree seven microphone arrangement – a totally new technique for recording orchestral music in surround sound for subsequent broadcast or CD release.

Developed to resolve some of the problems engineers had encountered when trying to record spatial environments with traditional omni-directional microphones, the Fukada Tree clarified microphone positioning and also incorporated directional microphones for main and environmental sounds.

Akira Fukada originally developed the Fukada Tree while working for Japanese state broadcaster NHK, but since 2011 he has been CEO of his own company, Dream Windows Inc., that consults on a wide range of music recording, special sound design and audio issues. From the outset, Mr. Fukada specified DPA microphones as best suited to his Tree arrangement because they offer a rich bass and high frequency sound that doesn’t blot during the recording process. These were supplied by DPA’s Japanese distributor Hibino, with whom Mr. Fukada has subsequently presented a number of seminars and workshops explaining the Fukada Tree.

“I insist on using DPA microphones because I like the transparent feel they deliver,” he explains. “When recording piano, for example, they give me the clear attack sound and the beauty of reverberation when the sound attenuates. Their wide dynamic range and rich bass vigorously catches the expression of an orchestra, while for string ensembles recorded in a studio, they capture the rich overtones and give a better feeling of air.”

Since first announcing the Fukada Tree arrangement, Akira Fukada has made a number of positioning modifications to improve front localization, but his choice of microphones remains constant and continues to be DPA.

He says: “The LL/RR microphones on both sides are intended to pick up the orchestrated sound expanse and a smooth sound envelope covering the front and rear sections of the hall. However, I don’t use LL/RR microphones for small music ensembles. My arrangement incorporates DPA 4011A directional microphones and DPA 4006A omnidirectional microphones from the Reference Standard Microphone Series. The configuration of the tree can vary depending on the hall’s acoustic characteristics, while the intervals at which the microphones are placed can also change to conform to the size and formation of the orchestra.”

Ken Kimura, DPA Microphones’ Regional Sales Director, Asia Pacific, says: “Following the upgrade and release of our finest Reference Standard Microphones, and given Mr. Fukada’s requirement for the best audio equipment, I’m very pleased to see that he continues to rely upon our 4006A, 4011A, and 4015A mics for his recording sessions under Dream Windows Inc.”

In recent months Mr. Fukada has used DPA microphones and The Fukada Tree to record a number of prestigious projects including capturing Shostakovich’s Symphony No. 5 with the Saito Kinen Orchestra, directed by Seiji Ozawa.

“I also use DPA microphones for projects that don’t require the Tree,” he says: “Recently I used a DPA 4006 on a Decca Tree stereo configuration to pick up string ambience in a studio setting. I also use a DPA 4015 wide cardioid ORTF for piano, and if I am recording acoustic guitar I like to use a DPA cardioid 4011 XY. For me, DPA microphones are indispensable because they suit any musical instrument and provide all the accuracy that I need.”

-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

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