A virtual press conference from Sound & Video Contractor

Archive of the NAB Newslink Category

Thomson Video Networks and Jünger Audio Partnership Offers Streamlined Loudness Control Solutions

Marc Judor, Manager International Sales and Marketing from Junger (left), and Claude Perron, CTO from Thomson Video Networks (right).

Thomson Video Networks has announced a strategic partnership with Jünger Audio that will bring Jünger’s renowned audio loudness technology to the ViBE encoding platform. With sophisticated handling of loudness built in, ViBE encoders will allow customers to achieve a reduced infrastructure footprint, as well as providing a simpler and more effective solution to regulatory loudness requirements.

Jünger Audio’s sophisticated audio leveling technology delivers broadcast audio that complies with all current loudness regulations (ATSC A/85, ITU 1770 and EBU R128). The company’s LEVEL MAGICTM algorithm provides a comprehensive series of level controls that address all of the issues broadcasters currently face, with audio coming from a wide variety of sources. Based on a Multi-Loop dynamic range control principle, where slow changes (AGC), fast changes (transient processing) and Look Ahead peak limiting are handled simultaneously, LEVEL MAGIC offers level management with exceptionally high audio quality and without coloration, pumping, breathing, distortion or modulation effects.

“We have chosen Jünger from the key players in this arena because the LEVEL MAGIC algorithm is very highly regarded by broadcast sound engineers for the outstanding results it delivers,” said Claude Perron, chief technology officer of Thomson Video Networks. “Audio quality is a key criterion for our customers and an important part of the viewer experience, and with this collaboration we can combine the leading loudness solution with the leading encoding technology.”

Thomson Video Networks and Jünger will work jointly to integrate LEVEL MAGIC into the ViBE platform, and the technology will be incorporated into new ViBE products from Q3 2012. An easy software upgrade will be available to customers of existing ViBE EM4000 and VS7000 units.

“In the light of new legislation, broadcasters around the world are very aware of the need to maintain legal audio levels,” said Peter Poers, managing director of Jünger Audio. “As audio specialists, we have spent many years developing technologies that address the loudness issue without any detrimental effect on sound quality. By combining LEVEL MAGIC with ViBE encoding, it is now much easier for broadcasters to deploy and operate a solution that complies with all current loudness regulations and offers a smaller footprint, thus minimizing the possibility of errors.”

-ends-

About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities.

Information about products from Junger Audio is available at www.junger-audio.com

About Thomson Video Networks
From the very onset of digital TV broadcasting, the Thomson name has been synonymous with supplying expertise, quality, and reliability to the world’s leading broadcasters. Since delivering the world’s first large-scale direct-to-home satellite system, Thomson Video Networks has been a global leader in compression systems for satellite, terrestrial, cable, IPTV, mobile TV, and Web streaming. The company helps its customers deliver superior quality video to anything from small handheld devices to large 3D HD screens, with the lowest bandwidth to ensure a profitable business model. A trusted supplier to more than 20 percent of the active channels deployed worldwide, with a global support presence and a reputation for delivering quality at every stage, Thomson Video Networks offers the experience and range of products to meet every need, from hybrid multiformat compression systems to contribution links for content exchange networks.

Information about products from Thomson Video Networks is available at www.thomson-networks.com.

Antelope Audio to Unveil Rubicon – World’s First Atomic AD-DA Preamp

Santa Monica, CA, April 19, 2012– Antelope Audio will introduce Rubicon, a groundbreaking 384 kHz digital audio preamplifier which integrates the world renowned 10M Rubidium atomic clock. Rubicon caters to the ever-increasing interest in high-resolution audio, addressing the specific needs of high-end consumer electronics enthusiasts for accurate audio representation and detailed soundstage of both analog and digital recordings. The new device will be presented to the public during the Munich High End Show, May 3rd – 6th.

Rubicon is the first DAC to integrate a Rubidium atomic clock, which is 100,000 times more stable than a traditional crystal oscillator. Coupled with Antelope’s 64-bit Acoustically Focused Clocking technology, the Rubidium achieves a breakthrough in jitter management, improving the sound quality in an unprecedented way. The same technology is implemented in the company’s flagship master clocks used for scoring blockbusters such as Avatar and available at the best recording and mastering studios around the Globe.

“I find the idea of an audio enthusiast being able to hear his/her favorite recordings clocked by the world’s most stable clock very exciting. I believe this will bring the music appreciation in the home environment to a completely new level compared only to the precision and sonic detail representation available at the finest professional listening rooms,” shared Igor Levin, CEO and founder of Antelope Audio.

Housed in a sturdy, machined-aluminum enclosure with a vintage Art Deco design, Rubicon incorporates a discrete phono preamp, ultra linear, dual stage headphone drivers and Antelope’s renowned gold-plated relay volume control.

The transformer-based, ultra-low noise, discrete JFET phono preamp is a complement that will be highly appreciated by many vinyl lovers. In addition to the 384 kHz DAC, Rubicon also includes ultra-high sample rate A/D conversion. These functionalities together with the high resolution USB recording capability provide the users with the sublime experience of digitizing their favorite tracks, still keeping the depth and the warmth of the original analog recordings.

In addition to the 384 kHz USB streaming, Rubicon offers extended flexibility and smooth user experience provided by the implemented DLNA capability. The DLNA streaming gives users the opportunity to wirelessly push audio files from their smart phone, PC or NAS (Network-attached storage) server and play the content through the high-sample rate DAC.

Rubicon inherits the D/A conversion technology from 384 kHz Zodiac Gold DAC – the 2012 winner of the Audio Excellence Award in Japan and often described by reviewers and prominent sound engineers as “future-proofed”, “clean”, “neutral” and “accurate”. The A/D circuit comes from the 2011 winner of the Audio Media Gear of the Year award, high-end professional mastering converter Eclipse 384.

Antelope Audio plans to present the Rubicon for the first time to the public and the media during the Munich High End Show, in hall 3, booth A 04, at 2 pm, on May 3rd.

Rubicon features

– 10M Rubidium Atomic Clock, providing 100,000 times more accurate reference;
– 64-bit Acoustically Focused Clocking jitter management technology;
– Ultra low noise phono inputs with custom audio transformers, discrete JFET preamp design;
– 384kHz A/D & D/A converters;
– Gold-plated stepped relay volume attenuator matched to 0.05dB for all volume levels;
– Ultra-linear, dual stage headphone amps;
– De-jittered audio S/PDIF output;
– Custom USB 2.0 chip streaming up to 480 Mbits/384kHz with recording option;
– DLNA streaming capabilities through an Ethernet interface

Specifiations:
Analog Inputs
1x PHONO Input on RCA
3x Inputs on RCA
1x HiZ Input on RCA
1x Combo Balanced Input on XLR/¼ TRS

Analog Outputs
1x Balanced Output on XLR
1x Unbalanced Output on RCA

Digital Inputs
2x S/PDIF
2x TOSLINK
1x AES/EBU
Word Clock Input
Ethernet port

Digital Outputs
2x S/PDIF De-jittered outputs

NAB Show Presents Sennheiser with ACE Award, Recognizing Excellence in Booth Design and Execution

Las Vegas–April 19, 2012 – Audio specialist Sennheiser [booth C2632] was presented with an ACE (Awesome Cool Exhibit) Award by the NAB Show on Wednesday during a special ceremony. The peer-driven award recognizes NAB Show exhibitors for innovations in booth design and execution. Sennheiser captured the ‘medium sized’ booth category, which is defined as being between 200 and 900 square feet.

The judging criteria for the NAB’s ACE Awards are as follows:

Creativity: use of color, sound, light and other creative elements
Effectiveness: how well the booth draws in and engages the visitor
Overall structure: quality of the build and innovative use of materials
Peer review: overall “look and feel” as judged by other exhibitors

The NAB Show booth design is based on Sennheiser’s new global booth concept that was debuted at the CES and NAMM shows earlier this year and providesa tangible experience of the audio specialist’s brand values, inviting exploration and interaction. The interior space presents Sennheiser’s products in a series of ‘focused islands,’ each concentrating on a particular theme and providing visitors with a ‘hands-on’ experience. A sophisticated lighting concept spotlights each product and optimizes visibility.

This new booth design is yet another milestone in the audio specialist’s premium brand strategy. The design concept, developed by the German design agency Syndicate, was first brought to life two years ago in Sennheiser’s point of purchase program that was executed worldwide. Sennheiser is now consolidating the presentation of its brand profile at shows and trade fairs throughout the world.

“Our team is very proud to have been recognized by the NAB with the ACE Award,” commented Greg Beebe, President of Sennheiser USA. “Our U.S. team was the first to execute this important global concept from Sennheiser, and we have received a great deal of positive feedback from booth attendees — both during NAB Show and at other important U.S. trade shows.”

Over the coming year, the new concept will be used at all Sennheiser leading shows and trade fairs in the Consumer Electronics, Installed Sound and Professional Systems markets.

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Sound Devices Teams Up with Habitat for Humanity for Deconstruction Project at New Facility

REEDSBURG, WI, APRIL 19, 2012 — Sound Devices (2012 NAB Booth C2546), experts in portable audio and video products for field production, recently relocated and settled into its new 27,000-square-foot U.S. headquarters in Reedsburg, WI. As part of the move, the company made its renovation a community project by donating the front portion of the building to the local Habitat for Humanity affiliate.

“The front section of the building was isolated from the rest of the facility, so it was originally in our plans to tear it down,” says Jon Tatooles, managing director of Sound Devices. “However, when I learned that Habitat for Humanity participates in deconstruction projects, it made sense to donate the material and divert it from a local landfill. The volunteers on site were really amazing throughout this venture and we are happy to help others in need.”

After hearing about Habitat for Humanity’s deconstruction projects through a business associate who sits on the board of directors for the Dane County Habitat branch, Sound Devices coordinated the project with the local Sauk and Columbia County affiliate. Bruce Koch, deconstruction and ReStore (Habitat’s ReStore resale outlets sell reusable and surplus building materials to the public) coordinator for the affiliate, conducted an initial visual inspection of the facility in order to determine the types and quantity of materials that were salvageable. Once the project was green lighted, volunteers worked meticulously to deconstruct the entire building over the course of seven days.

Habitat for Humanity is an international organization with local affiliates across the globe that builds housing for low-income working families. The materials collected at the Sound Devices project totaled more than six 30-yard dumpsters of either usable, re-sellable or recyclable materials, including approximately 33 40-foot trusses, 200 2x6s, 80 sheets of 4×8 plywood, 200 studs, siding, insulation, piping, wiring, doors, the furnace and air conditioners. The re-sellable items will be sold in Habitat’s ReStore in nearby Baraboo. The money raised will help Habitat build new houses and pay for overhead expenses at the ReStore.

“For a company like Sound Devices to think outside the box and let us come in to their facility to help others is amazing,” says Koch. “Wonderful things happen when a low-income family has its own home—the children flourish and the parents can better provide—it’s really a great thing to see firsthand. At Habitat, we strive to do everything we can to further that cause. When a local company like Sound Devices can see that vision with us, we’re all happy and everyone benefits.”

Sound Devices’ new facility is located at E7556 State Road 23/33 in Reedsburg.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The thirteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

PESA Demonstrates 3G-SDI Fiber Routing Switcher with New MFP Technology from Advanced Fiber Products at NAB 2012

Huntsville, Alabama – PESA, a leading U.S.-based custom design and build manufacturing company for professional audio and video signal distribution, today announced a new concept in fiber optic backplane design that uses MiniCube™ Miniature Form Pluggable (MFP) transmitter technology from Advanced Fiber Products, LLC. Introduced as the world’s first 3G-SDI MFP fiber routing switcher, the MFP option backplane for PESA’s Jaguar 3 64×64 series will be on display at the 2012 NAB Show (Booth SL9615), which runs through April 19 in Las Vegas, Nev.

MFP technology establishes a new approach to LC-type fiber connectivity. Traditional Small Form Pluggable (SFP) modules use right-angle card cages that take up valuable board space during the design process. With MFP modules, both vertical and right-angle pluggable cages are available, resulting in a 50 percent smaller footprint. With vertical mount cages, hot pluggable fiber connections can be loaded in the same backplane space as a standard BNC port, which simplifies product packaging and increases product performance.

Offering up to 64×64 high-speed fiber optic ports, PESA’s Jaguar 3 is the first routing switcher to incorporate MFP technology. With its unique backplane design, the Jaguar 3 can offer fiber and coax connections in the same chassis. Two shared backplanes allow I/O ports in groups of 32.

“Our MFP video transceiver works with existing infrastructures, but it uses about half the space and up to 40 percent less power than traditional video optical transceivers,” explained Mark Benton, general manager, Advanced Fiber Products. “As a result, it helps to create a very dense backplane offering pluggable modules, such as what you can find on the Jaguar 3. PESA has shown a lot of interest in this technology, and we appreciate working with them on this first MiniCube video router application.”

The Jaguar 3 can route all SMPTE and ITU standard serial digital video signals, plus it supports embedded audio and other ancillary data for SDI, HD-SDI, and DVB/ASI broadcast sources. For digital cinema, the Jaguar can easily be configured to support SMPTE S372 for dual-link HD-SDI. With the MFP optional fiber backplane, HD signals can be transmitted up to 10Km.

Although the 2 RU Jaguar 3 is small in size, it is big on performance. Data rates from 50 Mbps up to 3 Gbps are supported. All inputs are auto-equalized, while outputs are auto-sensed and re-clocked to the appropriate transport stream. For non-standard formats, re-clockers can be bypassed to allow any data rate up to 3 Gbps. Two independent reference inputs allow easy selection of sync using either black burst or tri-level sync source. The compact frame design features front load, hot-swappable card sets and includes slots for optional redundant power supply/control modules. The routing switcher frame can be configured to support a variety of control interfaces, including Ethernet, RS-232, or PESA’s PERC2000 control system.

The Jaguar 3 includes PESA’s user-friendly CATTRAX software, which provides a simple interface for diagnostics, setup, and switching. With CATTRAX, multiple users can operate the Jaguar control system from anywhere on the network. For pushbutton control, the Jaguar offers three styles of local or remote panels.

“Advanced Fiber Products has pioneered the next-generation fiber solution for flexible switching systems,” said Dan Holland, PESA vice president of product marketing. “The new MFP concept capitalizes on a miniature form factor technology that allows PESA to deliver the best possible video performance for fiber optic routing. As a result, long distance routing for high-end, high-speed video distribution is available in a more compact solutionfor military, government, production facilities, and sporting venues.”

About Advanced Fiber Products

Advanced Fiber Products, Ltd. (AFP) is a leading designer, developer and manufacturer of optical and optoelectronic and specialized products for telecom, enterprise, industrial, military and broadcast markets. The company headquartered at Haverhill, near Cambridge in the United Kingdom has developed a wide variety of novel and secure connectivity products, both fiber and copper for use in sensitive and adverse operating environments

Advanced Fiber Products, LLC., a wholly owned subsidiary of AFP, Ltd., designs, develops and manufactures HD/3G-SDI active video distance extending fiber optic products and multi-signal products for fixed and portable broadcast applications as well as oil and gas exploration and military applications. AFP, LLC is located near Chicago, Illinois in the United States.

About PESA

As a leading provider of audio/video connectivity, PESA offers a wide selection of routing switchers, matrix switchers, extenders, converters, media extenders, and signal processing gear to support government, military, industrial, commercial, broadcast and mobile truck applications. PESA offers one of the widest ranges of AV products – from large scale fiber optic routing to single-point CAT-5 DVI extenders – each with the integrity and innovative high performance technology expected from PESA. Our products are available around the world from a leading team of channel partners offering local support and installation; and all of our products are supported by 24/7 technical support. To learn more about our technologies and services visit www.pesa.com. PESA is located in Huntsville, Alabama with regional offices throughout the United States.

All products mentioned herein are trademarked property of their respective owners.

Elevation Church Embraces Recent Sennheiser Endorsement, while Putting New Neumann KK 205 Microphone Capsules to the Test

Charlotte, NC – April 18, 2012: Recognized by Outreach Magazine as one of the fastest-growing churches in the United States, Elevation Church serves over 10,000 congregants each weekend and maintains six worship campuses — four of which are ‘portable.’ To keep pace with this growth, Elevation has had to establish itself on a solid technology footing and has maintained a strong relationship with Sennheiser since opening its doors in 2005. Recently, Elevation became an official Sennheiser endorsed worship facility and was among the first to put the new Neumann KK 205 capsules — which are designed for the Sennheiser 2000 series wireless transmitters — through their paces.

Brian Poole is technical director at Elevation Church and has worked closely with Sennheiser to ensure that the clarity and sonic integrity of the facility is all that it can be, no matter which campus congregants are attending. Recently, Elevation added five Neumann KK 205 microphone capsules to its arsenal of live performance and recording tools. Poole discusses how he has helped Elevation continue to deliver superior sound with Sennheiser and Neumann.

Can you describe some of the challenges that go along with the growth that Elevation has experienced?
We are six years old and have six campuses in the Charlotte area. All in all, we are running at about 10 or 11 thousand people every weekend. With that growth, there have been a lot of rapid changes we have had to make, especially considering that audio is a very big part of what we do. Sennheiser has been there for us the entire time and has provided the best product and support we could ask for — and even more so now that we are endorsed. A big challenge as a multi-campus church is ensuring that we will have gear that we know will be reliable and sound great. Four of our campuses are portable, so we are lugging gear in and out all weekend; when we plug it all in and turn it on, we know it is going to work. Sennheiser has also helped us through our RF coordination, which can be very complex.

How familiar are you with Neumann microphone capsules?
We have always loved Neumann microphones and already had the KK 105 capsules on our pastor’s [Steven Furtick] speaking mic with a Sennheiser SKM 5200 transmitter. Our pastor does a lot of singing as well, and the performance of the SKM 5200 / KK 105 combination has been fantastic. By making a Neumann capsule that works with an SKM 2000 transmitter is really a game changer for us. Now we can have Neumann sound not only for the pastor, but all our other lead singers and it is a very economical solution.

Tell me about your first impressions with the KK 205s.
We just received them three weeks ago, and they are already on our primary lead vocal microphones [used in combination with the Sennheiser SKM 2000 handheld transmitters] at our two permanent campuses. One of these campuses is a warehouse with low ceilings, and the acoustics aren’t ideal. The KK 205 has a supercardioid pattern so we are able to get plenty of gain before feedback — this is huge for us because we like it loud and we like it to sound good. I was 100 percent comfortable that I could take the KK 205 right to the stage without going through weeks of rehearsals first.

For our Easter service, the new Neumann capsules went into our broadcast facility. We have a big spoken word element in our Easter service, and this is the first thing right out of the gate during our worship experience. All our main worship leaders were on the KK 205s and the feed went out to all six of our campuses. It was also put online for everyone to see and participate in. Everything worked out great and all the voices were very rich.

Do you intend to use the KK 205s in other applications?
We do a lot of recording both for CDs and streaming on our website. In fact, our worship band has just signed a pretty big record deal and we expect the KK 205s and the SKM 2000s will be used on future live recordings. Our first live album and live DVD was a big deal for us and it is very exciting that Sennheiser has released a ‘Neumann for the Masses,’ if you will.

How has your experience been with Sennheiser overall, including with the new Neumann KK 205s?
First of all, Sennheiser has rock solid RF and the sound quality is best of the best. We’ve got 36 channels in our auditorium of Sennheiser wireless and I’ve never had a single issue of anything dropping out. Now, with the KK 205s, we can put Neumann performance in the reach of all our singers, increasing the overall quality of our worship experience. Audio quality has always been an incredibly important component of worship for Elevation Church and the KK 205 capsules truly represent quality for the masses — the cost/performance ratio cannot be beat. All in all, our relationship with Sennheiser has been fantastic and we feel very blessed.

Caption:
Brad Hudson, Worship Leader at Elevation Church, uses a KK 205 on a SKM 2000 during Easter rehearsals at Elevation’s Blakeney campus.

FUJIFILM Optical Devices Division Premieres Videos of New 2012 NAB Lenses

Thom Calabro explains features and benefits the new lenses offer

Wayne, N.J., April 16, 2012 – FUJIFILM North America Corporation, Optical Devices Division premiered a series of one to two minute videos featuring new lenses at the 2012 NAB Show today. The videos—featuring Thom Calabro, Director, Marketing and Product Development, FUJIFILM North America Corporation, Optical Devices Division – discuss the many features and benefits the new lenses offer and debut on Fujifilm’s Facebook and YouTube channels as follows:

Monday, April 16, 2012: The new PL-90 Cabrio (ZK4.7×19) zoom lens, with an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or ENG-Style lens. With a 19-90mm focal range and weight of only 2.7kg including servo motors, it has the longest focal range available in a lightweight zoom.

Tuesday, April 17, 2012: The new HA19x7.4 BERM/BERD 2/3-inch ENG/EFP lens lens with improved corner resolution and high-performance functionality for demanding television production applications.
Wednesday, April 18, 2012: The new XA19x7.4 BESM-D8 box-style studio/field lens featuring focus breathing compensation, 16-bit encoders, and tally lights for high-end entertainment and news studio applications.
Thursday, April 19, 2012: The new XA77x9.5 HDTV field lens, featuring patented OS TECH image stabilization ideal for shooting in windy conditions or on unstable platforms.

“The combination of video and social media is proving to be a great way to connect with our customers, especially the next-generation of professional cinematographers and those shooting on location,” explained Calabro. “Social media video allows us to educate our customers about the latest technology and capabilities built into our new lenses.”

The videos are available on demand as part of an on-going social media initiative launched in 2011. To view all press releases for NAB 2012 from the Optical Devices Division of FUJIFILM North America Corporation, please click on the link below:

www.FujifilmUSA.com/2012NAB

About Fujifilm
FUJIFILM North America Corporation, a marketing subsidiary of FUJIFILM Holdings America Corporation consists of five operating divisions and one subsidiary company. The Imaging Division sells consumer and commercial photographic products and services including film, one-time-use cameras, online photo services and fulfillment, digital printing equipment and service. The Electronic Imaging Division markets consumer digital cameras. The Motion Picture Division provides motion picture film, and the Graphic Systems Division supplies products and services to the printing industry. The Optical Devices Division provides binoculars, and optical lenses for closed circuit television, videography, cinematography, broadcast and industrial markets. FUJIFILM Canada Inc. markets a range of Fujifilm products and services. For more information, please visit www.fujifilm.com/northamerica, or go to www.twitter.com/fujifilmus to follow Fujifilm on Twitter. To receive news and information direct from Fujifilm via RSS, subscribe at www.fujifilmusa.com/rss.

FUJIFILM Holdings Corporation, Tokyo, Japan, brings continuous innovation and leading-edge products to a broad spectrum of industries, including electronic imaging, digital printing equipment, medical systems, life sciences, graphic arts, flat panel display materials and office products, based on a vast portfolio of digital, optical, fine chemical and thin film coating technologies. The company was among the top 16 companies around the world granted U.S. patents in 2010, and in the year ended March 31, 2011, had global revenues of $25.8 billion*. Fujifilm is committed to environmental stewardship and good corporate citizenship. For more information, please visit www.fujifilmholdings.com.

* At an exchange rate of 86 yen to the dollar.

All product and company names herein may be trademarks of their registered owners.

FUJIFILM Optical Devices Division, 10 High Point Drive, Wayne, New Jersey 07470. Phone: 973-633-5600. Fax: 973-633-5216. Web site:www.FUJINON.com

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DPA Microphones Features d:fine Headset Mic Seriesat the 2012 NAB Show

Offers an Unobtrusive and Versatile High-Quality Mic
to Meet Today’s Challenging Broadcasting Needs

LAS VEGAS, APRIL 16, 2012 – DPA Microphones, the manufacturer of high-level reference and headset microphones, will feature its d:fine series of headset microphones at the 2012 NAB Show (Booth C3436). Named to reflect their accurate audio definition and natural sonic characteristics, the d:fine headset mics offer consistent audio performance at all sound pressure levels, from a whisper to a shout, impressive gain-before-feedback and stable construction. The d:fine series is available as omnidirectional and directional and includes a long and a short mic boom mounted on either a single-ear mount or a dual-ear mount.

“The d:fine headset microphones have set a new benchmark for the industry, combining DPA’s accurate, full-range sound quality with a small form factor microphone capsule ideal for the wide variety of traditional and new broadcast applications,” says Jarrod Renaud, sales and marketing for DPA Microphones, Inc.

Today, broadcasters’ audio needs are changing and they rely more than ever on unobtrusive wireless headset mics. With these different options, broadcasters can find the d:fine headset that best fits their needs. The single-ear d:fine is good for more stationary productions such as a news show, commentary at a live sporting event or a talk show. For more active productions such as reality shows, health and fitness programming and live dance performances, the dual-ear d:fine provides broadcasters with the extra assurance that the mic will stay in place. The new short boom d:fine headset allows a user to optimize the placement of the microphone to realize perfect fit and invisibility, plus handling of extremely loud vocal levels, while minimizing distortion of wireless transmitters.

In a broadcast world that is increasingly changing and relying less on studio-bound and traditional filmed programming, the d:fine headset microphones provide worry-free performance in the most exacting situations. Supporting the exceptional d:fine sound quality, with a frequency range of 20 Hz to 20 kHz ± 2 dB and a maximum peak handling capacity of 144 dB before clipping, d:fine headset mics offer the unique opportunity to enjoy the quality of a DPA product through a sleek and flexible wireless headset mic.

The DPA single-ear and dual-ear headset mics are available in omnidirectional and directional versions, in black, brown, beige and lime green. The adjustable, single-ear headset features a removable ear hook assembly. All mics feature a

connector wire with multiple connector options to fit any professional wireless system.

“We are dedicated to understanding the needs of our clients and developing both microphones and support systems to meet those needs,” states Renaud. “The d:fine series is the perfect example of microphones that meet the new audio challenges increasingly encountered by the broadcast industry.”

About DPA:
DPA Microphones A/S is a leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

Integrated Microwave Technologies, LLC (IMT) Introduces Modular Mobile RF Platform (MMRP) ENG News Vehicle Customization at the 2012 NAB Show

Smaller, Cost-Effective Solutions for Long-Distance ENG Transmission Proves to Be Affordable Alternative Option

LAS VEGAS, APRIL 18, 2012 – When Integrated Microwave Technologies, LLC (IMT), a Business Unit within the Vitec Group’s Videocom Division, and a leader in advanced digital microwave systems serving the Broadcast, Sports & Entertainment and MAG (Military, Aerospace & Government) markets, rolled out its first Ford Transit Connect MMRP ENG vehicle four years ago, it aimed to instill confidence in the smaller ENG platform as a viable asset for broadcast outlets. The cost of ownership of Ford Transit Connect ENG truck over a five year period is over $20,000 less when compared to similar larger ENG platforms, like Chevrolet Suburban and Ford E-150 Cargo van. Today, IMT has announced that it has expanded its MMRP offering with the design and customization of additional vehicle makes and models for all ENG sizes and budgets. IMT’s fully-equipped Ford Transit Connect MMRP ENG news vehicle will be on display at the 2012 NAB show (Booth OE1569). IMT will offer a special NAB price for the ENG truck, starting at $69,000 throughout the duration of the show. Additional microwave central receive and transmission systems will be on display at the company’s booth in Central Hall (C6432).

With the design for its MMRP ENG vehicles, IMT focuses on providing broadcasters with a variety of options and configurations for on-the-run applications in a flexible, cost-effective and turnkey package. Among the company’s recently customized vehicles are Chevrolet Suburbans, Tahoes, Trailblazers, HHRs, Ford Explorers, Expeditions and even an Audi Q7 and Buick Enclave. IMT has customized the vehicles for media outlets around the country, including broadcasters in Pittsburgh, Philadelphia and New York.

“After successfully introducing the Ford Transit Connect as an ENG news vehicle, we started receiving numerous inquiries about whether we could customize vehicles broadcasters already owned,” says Integrated Microwave Technologies Divisional Chief Executive Stephen Shpock. “Our engineers worked out the logistics and we are now rolling out customized MMRP vehicles for broadcasters in markets all over the country.”

As the leading manufacturer of microwave video systems for the broadcast industry, IMT has unsurpassed expertise to handle custom newsgathering requests. IMT can transfer existing gear or provide options for full HD or SD audio/video/RF equipment packages. IMT’s customization includes a compact Will-Burt Nightscan mast. The compact pneumatic mast, low-maintenance design and efficient workflow platform come together in a cost-effective system.

With the addition of the Newscoder 4 to the MMRP, broadcasters are now able to transmit HD content efficiently over the same infrastructure used to transmit SD content. The Newscoder 4 is a compact, low-power, HD/SD, video/audio encoder with AES encryption. At just 3.7 cubic inches in size, Newscoder 4 delivers superior MPEG-4 H.264 SD and HD encoding.

Defining the next level of video compression, the Newscoder 4 provides an additional 30-percent bit rate reduction, low delays and video quality improvement over a baseline encoder. It also has the advantage of supporting a full main profile.

In addition to the Newscoder 4, standard features include a 2000-watt inverter, a standard extra-wide editing bench with flip-up lid and camera storage, an optional 275-amp alternator and optional LED scene lighting.

“Our ENG news vehicle customization is all about efficiency through simplicity,” adds Shpock. “In today’s market, budgets are extremely tight and broadcasters need to be able to adapt to the ever-changing environment. IMT has recognized the need and is proud to provide this cost-saving alternative to the broadcast industry.”

About Integrated Microwave Technologies, LLC
Integrated Microwave Technologies, LLC (IMT) is a Business Unit within the Vitec Group’s Videocom Division. The company comprises the leading microwave brands Nucomm, RF Central and Microwave Service Company (MSC), offering broadcasters worldwide complete broadcast solutions. Nucomm is a premium brand of digital microwave video systems (including COFDM and VSB) for portable and fixed link applications. RF Central is an innovative brand of compact microwave video equipment for licensed and license free broadcast applications. MSC is a premier provider of engineering, integration, technical support, installation and commissioning services. IMT is an ISO 9001:2008 certified QMS organization and recipient of multiple industry awards for design and innovations.

More information can be found at www.imt-broadcast.com.

A Snapshot of The Vitec Group
Vitec is an international Group principally serving customers in the broadcast, photographic and military, aerospace and government (MAG) markets. Listed on the London Stock Exchange with 2011 revenue of £351 million, Vitec is based on strong, well known, premium brands on which its customers worldwide rely. Vitec is organised in three divisions: Imaging & Staging, Videocom and Services.

Imaging & Staging designs, manufactures and distributes equipment and accessories for photography, video and events.

Videocom designs and distributes systems and products used in broadcasting and live entertainment, film and video production and MAG.

Services provides equipment rental, workflow design and technical support for camera, video, audio, fibre optic and wireless technology used by TV production teams and film crews.

More information can be found at www.vitecgroup.com.

RTW Delivers First TM3 TouchMonitor Units to TPC

Swiss Broadcast Service Provider Furnishes Edit Suites with Latest Model from RTW’s TouchMonitor Range

ZURICH, APRIL 18, 2012 – RTW, a leading manufacturer and distributor of professional audio metering and control devices for studio recording and radio and TV broadcast applications, today announced that technology and production center (tpc) in Zurich, Switzerland, has ordered seven TM3 units from RTW’s TouchMonitor range, prior to the official introduction of the product. tpc is the first company to take delivery of the long-awaited entry-level audio meter. Decibel S.A., RTW’s Swiss distributor, supplied the TM3s to the production facility.The company will employ the units in its newly installed edit suites, which will be used primarily for sports programming. tpc ordered the six-channel version of the TM3, as it needs to monitor multiple stereo outputs in parallel.

Alfio Di Fazio, audio-project manager, tpc, ordered the RTW devices long before the actual market launch. “When the larger TM7 and TM9 TouchMonitors were first introduced, the R128 national group and I talked with Michael Kahsnitz, head of engineering at RTW, about a smaller version specifically made for video edit suites,” he says. “The TM3 seems to meet our requirements in this area perfectly.”

tpc is so pleased with the TM3 units that it is considering purchasing more units for its numerous studios, ensuring all of its audio monitoring needs are covered.
An independent subsidiary of SRG SSR, tpc oversees TV, radio, and multimedia productions and systems, and provides custom broadcasting solutions for Swiss broadcaster Schweizer Radio und Fernsehen (SRF). tpc is Switzerland’s largest and best-equipped broadcast service provider. As a general contractor, it offers all services required for producing, publishing and managing high-quality broadcast and video projects.
“tpc is a world-renowned service provider in the broadcast industry,” says Andreas Tweitmann, CEO, RTW. “We are very happy to have them as the first TM3 TouchMonitor user worldwide. RTW designed the new TM3 as a technologically sophisticated yet reasonably priced solution specifically for broadcast journalist work spaces, edit suites and small control rooms.”
The RTW TM3 TouchMonitor enables quick and easy loudness metering. It comprises a display unit featuring a 4.3-inch touch screen for horizontal or vertical use and a separate interface box. The easy-to-learn operating concept allows for fast selection of presets that are configured using the Device DC1 software, which is available for Mac and Windows. In addition to PPM and true-peak instruments, the TM3 offers comprehensive loudness metering in compliance with all globally relevant standards, including EBU R128, ITU BS.1770-2/1771, ATSC A/85 and ARIB. Instruments include single-channel and summing bar graphs, loudness range and numerical displays. The TM3 stereo version handles analog and digital audio, while the TM3-6CH version also supports six-channel digital input (an upgrade option for stereo units is also available).

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