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Archive of the NAB Newslink Category

METRIC HALO RELEASES PRODUCTION BUNDLE FOR AAX, CELEBRATES WITH SALE

channelstrip-3.JPGMUSIKMESSE, FRANKFURT – MARCH 21, 2012: Today at Musikmesse, Metric Halo announced the release of the Metric Halo Production Bundle for Pro Tools 10. The software will be available starting on March 26, 2012 and consists of seven AAX plug-ins compatible with both Native and HDX DSP systems: ChannelStrip 3, Character, Haloverb, Multiband Dynamics, Multiband Expander, Precision DeEsser, and TransientControl. The software may be seen at the Audiologistik booth – Hall 5.1, Stand A85.

This bundle provides the all the tools necessary to sculpt a mix. Four of the plug-ins contain audio analysis tools from SpectraFoo, giving the user visual feedback of the plug-in’s processing. “We’re thrilled to release the Production Bundle for AAX,” said Allen Rowand of Metric Halo. “We wanted to do more than simply port our existing ChannelStrip plug-in to the AAX format. We wanted to release a suite of more

In full motion: FoveaHD makes NAB debut

See Calibre UK at NAB 2012, Booth N1817, 16-19 April 2012, Las Vegas

Cost-effective HD and SD motion compensated standards converter with real-time noise reduction and image enhancement

British video image processing hardware manufacturer, Calibre UK will introduce the new FoveaHD MEMC motion compensated frame rate converter into the broadcast marketplace at NAB 2012.

“The FoveaHD is a completely new motion compensated standards convertor designed for cost-effective and smooth SD and HD broadcasting. Typical applications for FoveaHD include newsgathering, mobile operations, outside broadcasting and live events to studio dubbing and satellite broadcast communications,” says Tim Brooksbank, Chairman at Calibre UK.

The convertor has multiple SD and HD inputs and outputs to enable upconversion, downconversion, cross conversion, as well as converting between all common frame rates. Adding to its functionality, the FoveaHD convertor is equipped with 3G-SDI and Analog I/O. FoveaHD provides motion compensated HD and SD standards conversion at the price of a standard linear video converter.

FoveaHD also has powerful image restoration capabilities for archive conversion, a valuable library asset.

VITC embedded time code is supported and includes automatic delay and correction.

The 2U rack system has control via Ethernet or front panel keyboard ensuring smooth integration.

“The introduction of FoveaHD follows the success of our VideoExcel series broadcast grade universal format converters and frame synchronizers, which will also be on show at NAB alongside the latest HQView530 video scalers, format convertors and scan convertors aimed at the professional video market,” adds Brooksbank.

Calibre UK will exhibit on booth N1817 at NAB 2012 at the Las Vegas Convention Center, Las Vegas, Nevada, USA between 16-19 April 2012.

www.calibreuk.com

Yamaha Commercial Audio Systems Launches CL Series Digital Consoles


BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. has announced the launch of the new CL Series of digital consoles. The three consoles are making their official debut today at the ProLight+Sound Expo in Frankfurt, Germany. The Yamaha CL Series is a Dante network-based console featuring remote I/O for a faster, more responsive Yamaha system solution. All three CL models in the Centralogic™ series, only differentiated by frame size and input capability, feature 24 mix buses, 8 matrix buses, plus stereo and mono outputs, and 16 DCAs. The footprint of all three CL consoles is small, yet powerful and has been developed specifically for sound reinforcement applications such as performing arts venues, theaters, houses of worship, touring, and remote broadcast. The high output bus count will be a great benefit to live broadcast and monitor applications.

The Yamaha CL5 mix capacity is 72 mono + 8 stereo inputs (64 channels through Dante and 8 local), with 34 faders (16 on the left, 8 Centralogic, and 8 right plus stereo and mono masters). The CL5 also includes built-in output metering. The CL3 is a 64 mono input system, with 8 stereo inputs, and 26 faders (16 left, 8 Centralogic center, plus masters). The CL1 console is a 48-mono + 8 stereo inputs, and 16 faders plus two master faders (8 left and 8 Centralogic center, plus masters). All models feature 16 DCAs, channel encoders and support 48kHz and 44.1kHz sampling rates. An optional meter bridge is available for the CL3 and CL1 consoles. The CL5 and CL3 feature a built-in shelf for an iPad, and the CL1 has a shelf for an iPod.

All CL consoles are configured with a top panel center section with a comprehensive selected channel section, a new 16-bit color LED back-lit touch screen, four User-Defined Knobs, a built-in help system, 2-track USB recorder/player section, and much more. The CL Series features 16 31-band GEQs, an 8U effects rack and a new 8U Premium Rack including Rupert Neve Designs Portico 5043 Compressor and Portico 5033 EQ as well as new Yamaha VCM compressors and EQs. Rupert Neve, who approved the 5033 and 5043 in the Premium Rack during its initial evaluation, called it ‘very sweet sounding’ and ‘indistinguishable from its hardware equivalent’.

Up to eight external Rio (Remote I/O) boxes can be used for a total of 256 channels via the Dante digital network. The 5U rack space Rio3224-D includes 32 remote controlled mic/line inputs, 16 line outputs, and four AES-3 outs. The 3U Rio1608-D includes 16 remote controlled mic/line inputs and eight line outputs. Dante network I/O can easily be set up and patched utilizing familiar paradigms within the console user interface, with no external software required for network operations

Additional console features include simultaneous CL Editor/StageMix connection, multi-track recording via Dante Virtual Soundcard software, and File Converter Software for CL, PM5D, M7CL and LS9 consoles. A new recording software from Steinberg dubbed “Nuendo Live”, optimized for live recording and playback transport, will also be bundled with the console. CL Editor for Mac and PC as well as StageMix for iPad will be available for the series free of charge.

“The CL Series sets a new standard in terms of sound quality, flexibility and usability for mixing professionals,” states Larry Italia, Vice President/General Manager, Yamaha Commercial Audio Systems, Inc. “We appreciate the loyalty of our customers and are excited by the possibilities the CL Series will afford mixing engineers.”

The fader sections of all CL consoles features new self-lit key tops, channel name and color bar visible in sunlight, new fader caps and a smoother drive circuit. The Centralogic section also features Undo and Preview keys for Scene Memory, fader bank select, and 16 user defined keys.

The CL console’s back panel consists of dual Dante ports, 3 MY card slots, work clock I/O, MIDI I/O, AES/EBU digital out, 8 Analog Omni ins/outs, 5-in/5-out GPI, and an external PW800W PSU connection.

Targeted MSRP for the Yamaha CL5, CL3, and CL1 is $27,499, $21,999 and $14,999, respectively. The Rio3224-D has a targeted MSRP of $8,499 and the Rio1608-D has a targeted MSRP of $4,799. The optional meter bridge for the CL3 and CL1 has a targeted MSRP $1,199.

The Yamaha CL5 and Rio3224-D will be available in late Spring 2012, and the CL3, CL1, and Rio1608-D will be available in late summer 2012.

To see the new Yamaha CL Series Digital Consoles and for more information, visit Yamaha Commercial Audio Systems, Inc. at the 2012 NAB Convention April 16 in Las Vegas, booth #C2239, or on the web at www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Yamaha StageMix Version 3 Takes a Bow


BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. has announced a major update for the StageMix iPad App available for Yamaha M7CL and LS9 digital consoles. StageMix Version 3 enables even greater control and ease-of-use in live sound and sound reinforcement applications such as houses of worship and performing arts centers. StageMix Version 3 makes its official debut today at ProLight+Sound in Frankfurt.

In 2010, Yamaha released the first application of the StageMix iPad App for the M7CL console, allowing engineers to quickly adjust monitor mixes from the performance position onstage or anywhere in the audience immediately hearing the effects of the adjustments. In 2011, the Company released a similar StageMix iPad App for use with the LS9 console. The StageMix App provides greater control and flexibility for both digital mixing consoles and enables the mixing engineer to freely adjust console parameters and sound levels by wireless control, rather than at the mix position.

New functions for StageMix V3 include: Mute Group Masters; Channel Naming;
Channel Pan; Send Levels in Meter Bridge; Tap Tempo; Edit Mixer Setting (i.e. IP and MAC Addresses); Bank Navigation in Long Faders mode; Selectable Input and Output Meter Positions; EQ Type I / II button in EQ screen; HPF ON button is always available in EQ screen; and DCA Faders (M7CL only).

“As we celebrate our 25th year in providing high-quality digital technology products, we continue to be at the forefront of developing high-performance products for our customers and end users,” states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. “With input from our customers based on their needs and feedback, the combination of StageMix Version 3 with an M7CL or LS9 will provide even greater flexibility and convenience when making important and necessary mix adjustments.”

StageMix Version 3 for the M7CL or LS9 will be available in April 2012 and can be downloaded free of charge via the Apple iTunes Store.

For more information on StageMix Version 3, visit Yamaha Commercial Audio Systems, Inc. at the NAB 2012 Show on April 16, booth #C2239 or via the web at www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated
professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Shotoku Enables HD Production Facility For Swiss Radio & Television in Zurich

TECHNOLOGY AND PRODUCTION CENTER SWITZERLAND AG (TPC) ADDS SHOTOKU CAMERA
SUPPORT AND REMOTE CONTROL SYSTEMS

Staines, UK – Shotoku Broadcast Systems, a leading international manufacturer of advanced camera support products, recently completed the successful installation of robotic camera support and control systems at the technology and production center switzerland ag (tpc) in Zurich, Switzerland. James Eddershaw, Shotoku Ltd.’s sales director, made the announcement from the Company’s European headquarters in Staines, UK.

tpc, a subsidiary of Swiss Radio and Television (SRF), is responsible for technology and production of television, radio and multimedia for the public broadcasting entity. The company selected three TG-18 high performance remote pan and tilt heads with multiple, distributed controls and Shotoku’s full Resilient Network Interface (RNI) option for enhanced system resilience. The configuration also incorporates two Ti-11 I-Height elevator pedestals, a pair of advanced TR-8T Touch Screen control systems, plus a TR-8B basic control panel and its companion TR-HP hot panel.

“The Shotoku systems perform very well,” proclaimed Jens Schulz, tpc ‘s project manager. “They integrate seamlessly with our new multi-studio HD facilities, enabling us to provide our clients with a flexible, high-quality production environment.”

“We are very pleased to be working with tpc in their impressive Zurich production facility,” said James Eddershaw. “By selecting multiple control systems from our range, tpc are able to easily adapt the system’s operation to suit specific production requirements and studio configurations.”

About Shotoku Broadcast Systems
Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK.
For further information: www.Shotoku.co.uk

# # #
Shotoku contact: James Eddershaw
+44 (0) 1784 224 650 • info@shotoku.co.uk

Press contact: Desert Moon Communications
Harriet Diener
+1-845-512-8283 / harriet@desertmooncomm.com

Cobalt Digital’s Dual-Channel MPEG Encoder Delivers for IMS Productions

Urbana, IL – IMS Productions, the media and technology partner to the world-famous Indianapolis Motor Speedway, has taken delivery of Cobalt Digital’s new 9223 dual-channel 3G/HD/SD MPEG-4 encoder to transport multiple feeds to various devices for Verizon IndyCar race coverage. The announcement was made by Chris Shaw, senior vp sales and marketing, from Cobalt’s headquarters in Urbana, IL.

The 9223 will send live signals to Verizon’s IndyCar app for mobile devices such as cell phones and tablets, as well as to car cameras and to race officials’ “race control” panel on the day of the race via a live car position track map generated from timing and scoring data and audio scanner feeds.

“Cobalt’s 9223 met all three of our main criteria: ease of use, form factor, and an appealing cost point,” exclaimed Steve Stiles, IMS Productions director, post-production. “The project requires multiple feeds created on the road in a mobile setting which means rack space is at a premium. A scalable card-based solution is ideal for this situation, and the 9223 dual-channel encoder is giving us just what we need.”

The 9223’s openGear® open architecture platform enables IMS scalable incorporation into their infrastructure and easy to use Dashboard setup and control operator interface. Up to ten 9223 cards can be installed into a single 8321 openGear frame for delivery of up to 20 individual or simulcast channels. Offering the latest advances in video compression for excellent video quality at very low bit rates, the 9223 unique encoding designs allow delivery of multiple HD and SD video services simultaneously. The card has both two ASI outputs and two Ethernet outputs, supporting full-duplex 100Mb/s and IGb/s operation. Full user remote and card-edge monitor/control facilitates full card status and control access locally or across a standard Ethernet network.

IMS Productions supplies a full range of media services from two state-of-the-art HD trucks and a fleet of support vehicles for every major network. “Our customers demand the highest level of quality possible, and that is reflected in the cutting edge technology that we employ,” added Stiles.
# # #
ABOUT COBALT DIGITAL INC.
Cobalt Digital Inc. designs and manufactures award-winning 3G/HD/SD conversion gear for the broadcast television environment. Distributed through a worldwide network of dealers, system integrators, and other partnerships, Cobalt products are backed with a 5-year warranty. For more information, visit http://www.cobaltdigital.com.

Company Contact: Chris Shaw, Sr. VP of Sales and Marketing
+1-217-344-1243 / chris.shaw@cobaltdigital.com

Press Contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmooncomm.com

Shotoku Broadcast’s New SG900 Manual Pan & Tilt Head Offers Vibration-Free Speed in Sturdy Design

Unit to Debt at NAB 2012

Torrance, CA • Shotoku Broadcast Systems, a well-established leader in manual and robotic camera support, and virtual reality tracking, will present its new pan and tilt head developed for applications requiring teleprompters at NAB 2012 in Booth C 8528. The Company will also highlight its well-received TP200 pneumatic pedestal and popular SP tripod series.

NEW
SG900 Pan and Tilt Head
Ideal for outside broadcast, studio and portable cameras with teleprompters, the SG900 supports 198 lbs and features smooth operation, single knob balance adjustment, and robust construction in an ergonomic design. The unit incorporates the VISCAM ultimate fluid drag system to control pan and tilt speed without vibration or shake, and REULAUX perfect balance system for maintaining the camera’s center of gravity. The SG900 is suitable for various pedestals including the new TP200 2-stage pneumatic pedestal.

HIGHLIGHTS
TP200 2-Stage Pneumatic Pedestal
Shotoku’s ergonomically designed TP200 2-stage pneumatic pedestal has a maximum payload of over 80kg (177 lbs.) and supports a wide-range of camera configurations. Its perfect balance column and base offer maximum stability and great operational flexibility. One-step foot brake and single-action cable guard enables precise movements and control at all times for fast and easy positioning.

SP Tripod Series
Shotoku’s professional SP tripod series provides easy-to-operate, robust systems that offer smooth and stress-free movement. The economical, streamlined and ergonomically designed models support payloads ranging from 4.4 lbs. (2kg) up to 33lbs. (15kg). The units support professional, ENG, and handheld cameras, and are all lightweight, compact and sturdy and features pan & tilt brake knobs, a bowl clamping knob, and leg locks for firm and quick locking.

About Shotoku Broadcast Systems
Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.tv

# # #

Shotoku contact: James Eddershaw
+44 (0) 1784 224650 / info@shotoku.co.uk

Press contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / Harriet@DesertMoonComm.com

Cobalt Digital Goes Retro At NAB 2012 With A Modular Signal Conversion Line

Urbana, IL – Cobalt Digital (www.CobaltDigital.com), manufacturer of award-winning 3G/HD/SD-SDI conversion gear for broadcast environments, is returning to its roots with the addition of a modular signal conversion line. The series – named Blue Box Group – will debut at NAB 2012 on Cobalt’s booth N 1929 in the North Hall.

Blue Box Group
Cobalt Digital returns to its origins of throw-down modular bricks with the introduction of the Blue Box Group to answer the demand for first class quality, price competitive, signal conversion equipment.

Initial product offerings include HDMI to SDI and SDI to HDMI converters, and Analog to Digital, Digital to Analog converter boxes with audio embedding and de-embedding.

# # #
ABOUT COBALT DIGITAL INC.
Cobalt Digital Inc. designs and manufactures award-winning 3G/HD/SD conversion gear for the broadcast television environment. Distributed through a worldwide network of dealers, system integrators, and other partnerships, Cobalt products are backed with a 5-year warranty. For more information, visit http://www.cobaltdigital.com.

Company Contact: Chris Shaw, VP of Sales and Marketing
+1-217-344-1243 / chris.shaw@cobaltdigital.com

Press Contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmooncomm.com

Cobalt Digital Plans To Keep Customers CALM & In Control at NAB 2012

Urbana, IL – Cobalt Digital (www.CobaltDigital.com), manufacturer of award-winning 3G/HD/SD-SDI conversion gear for broadcast environments, has announced plans to show new technologies at NAB 2012 that add value-laden options to the Company’s loudness processing and metering offerings. Chris Shaw, Cobalt’s senior VP of sales and marketing, released details of LMNTS™ – a multi-channel loudness processing over IP solution, SPOTCHECK™ – a monitoring and logging tool, and logging and graphing upgrades to Cobalt’s loudness metering system. The innovations will be demonstrated on Cobalt’s booth N 1929 in the North Hall.

LMNTS (Multi-channel loudness processing over IP)
Ideal for MVPDs and MSOs where a large number of diverse programming sources must be simultaneously controlled, LMNTS performs automatic loudness processing across many transport streams.

LMNTS can operate with diverse audio codecs, extracting the packets from program streams, performing industry leading AEROMAX loudness management in the PCM domain, then re-encoding and re-packeting the audio with its stream. Physically, all data connection to LMNTS is via GigE IP interfaces over an industry-standard IT hardware platform, with no intermediary breakouts.

LMNTS works with single and multi program streams, and supports all video codecs. AV synchronization is perfectly maintained, as audio data is rewritten in place. Packet timing, PES alignment, PID structure, and stream metadata are all preserved.

SPOTCHECK
SPOTCHECK monitors an IP or ASI MPEG stream at the transit encode point to measure and log ALL material emanating from facilities in larger operations using multi-program MPEG streams.
Operating at emission MPEG level and leveraging automation as-run data, SPOTCHECK maintains a complete log of all program segments. Compliance records can be graphically queried or queried by using as-run search entries, ranging over several minutes to several months.

Logging and Graphing Upgrades to Loudness Metering System
The easy to use, yet comprehensive option ensures thorough audio level and LKFS assessment. Cobalt’s loudness meter software integrates with the Company’s Fusion3G range and most 9000-series COMPASS cards, and works with the award-winning OGCP-9000 Remote Control Panel and WINOGCP Desktop Virtual Control Panel to provide a flexible, complete solution for ingest or on-air loudness measurement, assessment and records. Cards forward audio measurement data to the control panel over the plant’s Ethernet network.

Nearly New
9257 1×9 MADI Audio Distribution Amplifier
Card-based solution for AES10 MADI signal distribution. Card supports sampling frequencies up to 96 kHz, with a 64-channel payload supported at industry standard 48 kHz sampling rate (other sampling rates specified as valid per AES10-2003 also supported at various payload capacities). openGear® open-architecture platform offers scalable incorporation and easy-to-use DashBoard™ setup.

# # #

ABOUT COBALT DIGITAL INC
Cobalt Digital Inc. designs and manufactures award-winning 3G/HD/SD conversion gear for the broadcast television environment. Distributed through a worldwide network of dealers, system integrators, and other partnerships, Cobalt products are backed with a 5-year warranty. For more information, visit www.cobaltdigital.com.

Company Contact: Chris Shaw, VP of Sales and Marketing
+1-217-344-1243 / chris.shaw@cobaltdigital.com

Press Contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmooncomm.com

Shotoku Broadcast’s New Pan Bar Control System To Target Sports Events

Robotic System Featuring Operational Ease Presented at NAB 2012

Torrance, CA • Shotoku Broadcast Systems, a well-established leader in camera support and virtual reality tracking, has revealed plans to launch of its new Gemini Pan Bar Control System (PBCS) that offers uncompromised and easy operation for hard-to-reach sites such as sports events. Gemini make its world-wide debut at NAB 2012 in Booth C 8528 alongside Shotoku’s popular TR-T touch control system and the SPI-Touch unique positional calibration method for Virtual Studios.

NEW
Gemini Pan Bar Control System (PBCS)
Shotoku launches the new Gemini PBCS system, aimed at sports and special event productions where cameras need to be where cameramen cannot go.

Gemini brings together two of Shotoku’s most advanced products from the Robotics and Manual VR Tracking ranges to provide a remote pan & tilt head so perfectly synchronized with the manual head that they truly act as one. Camera operators can work without compromise, in comfort and safety, wherever the camera needs to be.

Immediate control over the tracking speed, direction, range and ratio is provided at the touch of a button so any event can be captured close-up or telephoto, at low or high speed. Dedicated hardware tracking and a simple RS422 interconnection makes setup quick and easy and ensures highly reliable operation, time after time. The Gemini system can even support multiple remote heads, so a single operator may seamlessly switch between cameras to give any view point on the action.

Any Shotoku remote head can be used to suit the payload and required location while the SH series manual VR tracking head provides exceptional tracking resolution under all conditions. Dual pan bars, adjustable balance and an easy-fix monitor support platform make the system comfortable to use over extended periods.

Gemini is already in demand – several systems will be deployed across high-profile venues throughout major international sporting events in London this summer.

HIGHLIGHTS
TR-T Touch Control System
Shotoku’s latest version of its successful TR-T touch control system offers an enhanced system operation to meet demands of larger, complex facility-wide installations as well as smaller systems. The flexible TR-T system enables any control system in any location to easily and rapidly re-configure control of cameras and studios in other physical locations. Automated functions allow precise control over shot recall, with minimal intervention, enabling an operator to truly multi-task, without losing any on-air flexibility.

SPI-Touch
SPI-Touch offers a totally new way of positional calibration for Virtual Studios. Simply designate two different points through SPI-Touch’s viewfinder and press the button at each of the points. The camera position will be instantly calibrated. SPI-Touch eliminates the need to mark the studio floor and move the pedestal making calibration easy and fast.

About Shotoku Broadcast Systems
Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.tv

# # #
Shotoku contact: James Eddershaw
+44 (0) 1784 224650 / info@shotoku.co.uk

Press contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / Harriet@DesertMoonComm.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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