A virtual press conference from Sound & Video Contractor

Archive of the NAB Newslink Category

BACK TO BASICS WITH AN API 1608 ON FOO FIGHTER’S GRAMMY AWARD-WINNING WASTING LIGHT

brown_vig_foos.JPGJESSUP, MARYLAND – FEBRUARY 2012: Foo Fighters took home five statues at the 54th Annual Grammy Awards, including prestigious Best Rock Album and Best Rock Performance honors, winning for an album produced entirely using a 32-channel API 1608 console. For its Wasting Light album, the band went back to basics, switching off the computers and tracking and mixing to tape via the all-analog API console, with the help of engineer James Brown and producer Butch Vig.

Nominated in a total of six categories, Foo Fighters won for Rock Song: “Walk,” Rock Album: Wasting Light, Rock Performance: “Walk,” Hard Rock/Metal Performance: “White Limo,” and Long Form Music Video for “Foo Fighters: Back and Forth.”

In his acceptance speech after the band received the Best Rock Performance award, frontman Grohl said, “Rather than go to the best studio in the world down the street more

NAB Preview: Real-Time 3D Rendering, Multi-Platform Distribution and Centralized Workflows to Take Center Stage at Vizrt’s NAB Booth

Bergen, Norway, Vizrt Ltd. (Oslo Main List: VIZ)

At NAB 2012, Vizrt Ltd, will showcase its latest advances in live graphics, channel branding, video editing, interactive content, multi-platform distribution, live sports and graphics analysis. Vizrt will exhibit in Booth SL5605 during the NAB 2012 convention, being held from April 14-19th at the Las Vegas Convention Center.

What’s next for Vizrt

Get a glimpse of what the future of Vizrt has to offer at the What’s Next stand. Vizrt will show the latest innovations in newsroom content timing, IP streaming video output plus much more. Vizrt will also demonstrate the Viz Media Engine integration with Adobe Premiere allowing users to search and access video content directly in Premiere. Users will also be allowed to edit and overlay Vizrt graphics directly in the Premiere timeline.

The timing of video and graphics in the newsroom just got easier with innovations in Viz Content Pilot. Users can also transcode real-time content with graphics embedded and adjusted for any mobile device type using device adapted graphics.

Vizrt’s real-time 3D rendering platform, Viz Engine can be expanded now to give live video input, multiple channel playout, DVE effects, vision mixer, internal chroma keying, and real-time compositing of videos and graphics making the Viz Engine truly a TV in a box.

Live Graphics Production

The latest version of Viz Trio, the world’s number one character generator (CG) and template graphics system, now has enhanced video content management support with the integration to Viz Media Engine. Retrieve HD video content and add videos as part of your Viz Trio graphics workflow.

Viz Content Pilot, Vizrt’s core graphics and video content solution, is now fully integrated with the Viz Media Engine video production solution. Journalists in the newsroom can search videos assets and edit videos directly from their desktops and build a newsroom playlist containing both graphics and video elements.

The Viz Virtual Studio is always a major part of NAB for Vizrt. This year we will show you how to engage the audience at home by letting them be part of your live newscast, triggering real-time rendered graphics from iPads with a second screen app. The Vizrt public show will run every half hour and will include on-air talent using the latest multi-touch screens, iPads, immersive graphics and real-time rendered content to tell a story with the most compelling tools around.

From Acquisition to Device-Adapted Video

Serving as the core of Vizrt’s multiplatform video distribution architecture is the Viz Media Engine – the central point for complete control over all assets – metadata, playlists, archive and storage. The Viz Media Engine is a digital management solution that includes tools to manage the entire multi-platform distribution process – from ingestion, transcoding and publishing content that’s automatically adapted for playout on TV, web, phones or other handheld devices.

“By covering the entire workflow – from camera ingest to final play-out on TV, web, and mobile devices, our Viz Media Engine covers broadcast, mobile and web in one workflow,” explained Petter Ole Jakobsen, CTO of Vizrt. “A complete video platform approach delivers dramatic benefits in terms of speed, quality and volume of video production. It can also be used with other archive systems without any manual file management required.”

Also in the booth will be the latest version of Viz Reporter for the iPhone, enabling live news gathering from the field. Viz Reporter is a fully integrated solution, from video recording on the mobile phone, live streaming directly from the phone, and playback on the back-end server. Videos can be edited, embedded with metadata and geo-tagged.

3D Sports Analysis

LiberoVision, fully acquired by Vizrt, will demonstrate the latest innovations in 3D sports analysis at Vizrt’s stand at NAB. LiberoVision sports analysis tools are now integrated into Vizrt’s general graphics and video workflow.

The newest version of LiberoVision’s Libero Highlight 4.5, includes the ability to embed virtual advertisements onto the live programming, iPad-enabled control of the LiberoVision annotator, 3D arrows, detection of camera angles used in American football, faster video processing, and a simplified user interface.

Multichannel play-out and channel branding

With Viz Multichannel, broadcasters can insert commercials on multiple channels in a fully automated way. It combines pre-scheduled, timecode-based playlist operations with the possibility of adding real-time 2D and 3D graphic effects and powerful branding capabilities. It centralizes the entire workflow onto one desktop.

The newest version of Viz Multichannel will feature improved integration with Viz Trio, including new features such as multi-playlist support, faster playlist loading, integration with Viz Media Engine, support for timeline editors, and for setting up an external preview channel.

Over the top TV & and content distribution to all platforms

With Vimond Media Solutions’ integration with the Viz Media Engine and Escenic Content Engine, users now get a complete online video platform handling live streaming from mobiles, editors’ ingest, insertion of graphics and advertisements, automatic transcoding, and multiplatform content distribution, in addition to a full range of monetization VoD functionality, DRM adaption for multiple platforms, advanced geoblocking, reporting and business intelligence, and over-the-top (OTT) functionality.

Other highlights at this year’s Vizrt NAB booth:

Viz Weather 2.3

- Multiple radar and satellite sources used together in the same scenes

- Weather Alerts

- Faster playlist initialization

Viz World - New DigitalGlobe Online service allows access to global high-resolution imagery

- First Look option gives access to crisis event imagery from DigitalGlobe from inside Viz World

- Photoshop plugin that allows access to the Viz World server for the production of maps.

2D to 3D Conversion

SterGen, a strategic partner of Vizrt, will show its groundbreaking software for live 2D to stereoscopic 3D conversion. SterGen’s software can produce realtime 2D to 3D conversion on soccer with a result that surpasses regular 3D productions.

System Security

Viz Secure monitors both on-air and content preperation systems, provides continuous visual status updates, reports failures, suggests remedial and preventative actions to make sure your Vizrt envioronment is safe and functioning properly.

About Vizrt:

Vizrt provides real-time 3D graphics and asset management tools for the broadcast industry and media houses – from award-winning animations & maps to online publishing tools. Vizrt’s products are used by the world’s leading broadcasters and publishing houses, including: CNN, CBS, Fox, the BBC, BSkyB, ITN, ZDF, Star TV, Network 18, TV Today, CCTV, NHK, The Globe and Mail, Times Online, The Telegraph, and Welt Online. Vizrt is a public company traded on the Oslo Main List: VIZ, ISIN: IL0010838154.

Press contacts:

Martin Burkhalter Ofra Brown Håvard Myklebust
President & CEO CFO Executive VP Products and Marketing
+41 22 365 75 01 +47 5351 8040 +47 918 45 602
mbu@vizrt.com ofra@vizrt.com hmyklebust@vizrt.com

Integrated Media Technologies, Inc. Announces Sports Digital Asset Management Service

Essential for the Successful Future of Teams, Leagues, Universities & Associations

Integrated Media Technologies, Inc. (IMT) has announced a new Sports Digital Asset Management Service specifically designed for the athletics industry.  For sports content owners and producers, having a digital asset management strategy has become an essential part of doing business and affects virtually every aspect of the organization’s operations and future multi-media ROI opportunities.

“A well designed digital asset management strategy gives a sports organization the ability to properly manage rich media assets” explained Mike Braico, EVP of Sales at IMT.  “Think life cycle of the production process, including acquisition, editing and distribution for all digital media files and the underlying metadata.”

IMT worked with the Tennis Channel to design and build a new state-of-the-art file-based workflow, which allows their broadcast operations, editorial, graphics, and post-production teams to share and archive content.

“Growth at our network required an expanded approach to production workflow and storage,” remarked Dean Hadaegh, Senior Vice President of Broadcast Operations and CTO, Tennis Channel.  “IMT quickly targeted our specific needs and came up with an across-the-board strategy that allowed us to re-design our operation without any downtime.”

IMT’s Sports Digital Asset Management Service takes advantage of new technologies and distribution outlets through a centralized efficient digital workflow. It also enables real time collaboration and coordination throughout the organization, capitalizing on video assets through increased output, accelerated operations, and optimum utilization of staff.

“Our new Sports Digital Asset Management Service focuses on protecting video assets for the long term,” emphasized Tom McGowan, IMT VP of Business Development, “and provides our clients with the ability to create new marketing capabilities and revenue streams through increased advertising inventory, sponsorship opportunities, in-venue promotions, social media exposure and e-commerce platforms across broadcast, web and mobile distribution platforms.”

IMT’s Sports Digital Asset Management Service drives new branding opportunities and significantly increases the ability to reach fans on any platform, and anywhere they want to enjoy content.   As an internal competitive benefit, Sports Digital Asset Management Service also enables management to provide the coaching staff and players with the latest tools and innovations for video capture and display in the locker rooms, coaches’ offices, team meeting rooms/theaters, family lounges and with minor league and remote scouting operations.

IMT at NAB 2012, April 16-18, Las Vegas
IMT will be hosting a number of technology briefings in their hospitality suite on the second floor of the Renaissance Hotel located at 3400 Paradise Road. The hotel is conveniently located across the street from the Las Vegas Convention Center.
Please contact IMT’s Marketing Coordinator, Kate Metzger, for more information – kate@imtglobalinc.com.

ABOUT INTEGRATED MEDIA TECHNOLOGIES, INC. (IMT)
IMT is a consulting, design, construction, and systems integration company providing scalable technology systems for business operations.  IMT addresses three major market sectors: Communications Media & Entertainment (CME), Information Technologies (IT), and Healthcare. Through an active engagement process, IMT consultants and engineers collect, interpret, refine, design, build and maintain technology systems that deliver optimum results for clients.
Learn more at: http://www.imtglobalinc.com    tel:  877.761.9770

 

ADVANCED BROADCAST SOLUTIONS CONTINUES SPONSORSHIP OF BROADCAST ENGINEERING CONFERENCE AT 2012 NAB SHOW

SEATAC, WA — Professional video and audio systems integration firm Advanced Broadcast Solutions (ABS) is a Platinum Sponsor of the 66th Broadcast Engineering Conference at the 2012 NAB Show, which runs April 14-19 at the Las Vegas Convention Center in Las Vegas, Nev. This is the third consecutive year ABS has sponsored the conference and its second as a Platinum Sponsor.

“ABS has renewed our Platinum Sponsorship for 2012 because it’s more important than ever to promote education in our industry,” said Mark Siegel, President of ABS. “The Broadcast Engineering Conference is filled with valuable educational and networking opportunities, and we’re proud to support it again.”

Produced by the NAB in partnership with IEEE and the Society of Broadcast Engineers, the conference is designed for broadcast technicians and engineers, as well as consultants, manufacturers, and distributors. Sessions during the six-day conference will address a number of technological challenges, including loudness measurement and control, green engineering for broadcast, maximizing spectrum efficiency, media archiving, and disaster preparedness and recovery. Hot industry topics, such as broadcast 3DTV, mobile TV, Internet connected TV, and hybrid television, will also be discussed.

For the conference schedule and registration information, visit http://www.nabshow.com/2012/education/conferences/broadcast-engineering-conference.asp.

About Advanced Broadcast Solutions:

Based in SeaTac, WA, Advanced Broadcast Solutions (ABS) specializes in personalized broadcast services such as consulting, project budgeting, workflow analysis, feasibility studies, project management, system and architectural design and engineering, equipment specifying, procurement and installation, maintenance support and training. ABS boasts a technical staff with over a century of practical experience in television operations, automation, traffic implementation, multiple program stream management and signal distribution by fiber, microwave and satellite. ABS clients include: Fisher Communications, Cowles California Media, Real Networks, Cisco Systems, and Microsoft Studios.

For more information about ABS, call 206-870-0244 or visit our Web site at www.advancedbroadcastsolutions.com.

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Optical Devices Division of FUJIFILM to Debut Newest Member in EXCEED Series at NAB 2012

To show compact lenses boasting technical firsts

Wayne, N.J. – FUJIFILM North America Corporation, Optical Devices Division has announced that it will introduce a cost-effective ENG-Style lens with a 2x extender and show two breakthrough lenses for the first time in the U.S. at its NAB 2012 booth (#C7525). The company will showcase a variety of its industry-leading, high-end optics during the show, which runs from April 14th-19th in the Las Vegas Convention Center.

Making its worldwide debut is the XA20xs8.5BERM, the newest member of the 2/3-inch, cost-effective EXCEED ENG lens series. The new XA20x is a telephoto lens with a 2x range extender, an ergonomic digital servo, Quick Zoom and inner focus. It also features improved corner resolution. It is the first of the EXCEED series of economically priced ENG lenses to include a 2x extender. The new lens is ideal for a variety of production applications from newsgathering to in-studio use. It can be used with rear controls for zoom and focus, so is suitable for tripod use.

In addition, two lenses, both with 19x zoom ratios, first introduced at IBC 2011, will make their first U.S. appearance at NAB2012. The lenses are the first in such a compact size to feature three floating zoom groups and Aspherics, resulting in superb optical performance.

The HA19x7.4BERM/BERD 2/3-inch ENG/EFP lens is the latest addition to the Premier Series of high-performance ENG production lenses. The new HA19x offers improved corner resolution and is designed for top-of-the-line television production applications.

“With large screen HDTVs at home, viewers are able to see more information in the corners than ever before,” explained Thom Calabro, Director, Marketing and Product Development, FUJIFILM North America Corporation, Optical Devices Division. “It’s more important than ever before to have uniform resolution from edge to edge. In addition to entertainment and sports production, this lens is also well suited for high-end studio work and on-location documentary production. This is one of the finest barrel-type lens you can get, and it has an extremely wide angle at 7.4mm.”

The HA19x offers minimal focus breathing. Newly developed coatings improve blue transmittance and response. 16-bit encoders are employed as standard, as is a 2.2x extender.

Also making its first U.S. appearance is the XA19x7.4BESM-D8 compact, box-style studio and field lens. The XA19x is a lightweight, 2/3-inch HDTV lens designed for high-end entertainment and news studio applications. It’s a high performance lens suitable for virtual reality shooting, with 16-bit encoders standard. At 3.3kg, the XA19x is half the weight of comparable products. It comes equipped with a 2.2x remote-controlled extender. Focus breathing compensation and tally lights to signify on-air camera status both come standard on this lens.

The Optical Devices Division will also demonstrate its XA50x9.5BE SM HD field telephoto lens. The cost effective XA50X9.5B ESM is ideal for regional, minor league, and collegiate sports coverage, as well as houses of worship, corporate events, and other venues requiring longer focal length lenses. The 45-pound lens features an integral camera supporter that requires no additional camera lens support, which results in a considerable cost savings over other designs that require a build up kit or separate camera/lens support.

Fujinon will also show its Premier Series of PL Mount Lenses featuring the fastest T speeds available in a family of zooms, with unprecedented color matched 4K and beyond optical performance. All four PL Mount zooms are similar in size and weight, and uniform gear placement and front barrel diameters enable quick and efficient lens changes. From 14.5 to 400mm, the Premier PL lenses are available in 14.5-45mm T2.0, 18-85mm T2.0, 24-180mm T2.6, and 75-400 mm T2.8-T3.8.

About Fujifilm
FUJIFILM North America Corporation, a marketing subsidiary of FUJIFILM Holdings America Corporation consists of five operating divisions and one subsidiary company. The Imaging Division sells consumer and commercial photographic products and services including film, one-time-use cameras, online photo services and fulfillment, digital printing equipment and service. The Electronic Imaging Division markets consumer digital cameras. The Motion Picture Division provides motion picture film, and the Graphic Systems Division supplies products and services to the printing industry. The Optical Devices Division provides binoculars, and optical lenses for closed circuit television, videography, cinematography, broadcast and industrial markets. FUJIFILM Canada Inc. markets a range of Fujifilm products and services. For more information, please visit www.fujifilm.com/northamerica, or go to www.twitter.com/fujifilmus to follow Fujifilm on Twitter. To receive news and information direct from Fujifilm via RSS, subscribe at www.fujifilmusa.com/rss.

FUJIFILM Holdings Corporation, Tokyo, Japan, brings continuous innovation and leading-edge products to a broad spectrum of industries, including electronic imaging, digital printing equipment, medical systems, life sciences, graphic arts, flat panel display materials and office products, based on a vast portfolio of digital, optical, fine chemical and thin film coating technologies. The company was among the top 16 companies around the world granted U.S. patents in 2010, and in the year ended March 31, 2011, had global revenues of $25.8 billion*. Fujifilm is committed to environmental stewardship and good corporate citizenship. For more information, please visit www.fujifilmholdings.com.

* At an exchange rate of 86 yen to the dollar

All product and company names herein may be trademarks of their registered owners.

FUJIFILM Optical Devices Division, 10 High Point Drive, Wayne, New Jersey 07470. Phone: 973-633-5600. Fax: 973-633-5216. Web site:www.FUJINON.com

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Digital Rapids Encoding Solutions Power Multi-Screen Australian Open Coverage for unas media productions

February 15, 2015 — Passfield, UK: Digital Rapids announced today that unas media productions — the Austria-based video production company within the sportsman media holding group — used an array of Digital Rapids’ multi-format encoding solutions to produce high-quality live streams of the Australian Open tennis tournament for the official Australian Open streaming website, mobile devices and online betting providers.

unas media productions deployed a customized flight case incorporating five dual-channel, high-definition Digital Rapids encoders on-location in Melbourne, Australia. The encoders provided live streams from all seven courts as the world’s top tennis players competed in the first Grand Slam tennis tournament of the year, January 16th to 29th. The live streams were available on the Internet via ‘Australian Open TV’ and on Apple(r) iOS devices such as the iPhone(r), allowing the live action to be enjoyed by tennis fans around the world. more

More Gain Before Feedback Achieved at Rose Bowl and Super Bowl Thanks to RND 5045

BUENA PARK, Calif.—An ongoing issue with ref mics appears to have been resolved with the use of the new Rupert Neve Designed Portico 5045 Primary Source Enhancer developed for, and distributed by, Yamaha Commercial Audio Systems, Inc. A case in point was the recent use of the unit by Jack Bowling of ATK AudioTek at the Rose Bowl in Pasadena and the Super Bowl in Indianapolis.

Bowling had the chance to demo the RND 5045 unit prior to the Rose Bowl in Pasadena to explore the possibilities for its use in resolving certain issues of this specific application. “Kevin Kimmel from Yamaha Commercial Audio Systems, having worked with me in the past, knows I project manage and mix the UCLA football games and also mix the Tournament of Roses Game at the Rose Bowl,” states Bowling. “He initially introduced me to the RND 5045 suggesting it might help achieve more gain before feedback and provide more clarity on the referee microphone. I was curious to see what effect it would have, and after some patching and a further discussion of various parameters, we tried it out and I was impressed with the change the unit made.”

Bowling said the Rose Bowl PA is a distributed system with all speakers pointing toward the field, and because of this, a great portion of the reverberant energy works its way onto the field, making for a challenging situation. “It was only through experimentation that I was able to hear the effect and appreciate the change it made to the ref mic,” says Bowling. “The 5045 did an excellent job tightening up the ref’s voice by attenuating a great deal of that reverberant energy.”

Because of the success he had with the RND 5045 at the Rose Bowl, Bowling took the unit on the road to Indy for the Super Bowl where he used a Yamaha M7CL digital console at his mix position and two Sennheiser MKE-2 Platinum mics connected through a dual switch to two Shure Axient transmitters and receivers (only one element is used at a time, the additional system is used as a backup). “The RND 5045 was great! I had limited time to tune the ref mic and was very pleased with the result. I used the 5045 on an insert with a Cedar DNS-1500 and an XTA Parametric EQ and ended up with a ref mic that sounded very natural and had plenty of gain. I am always looking for a way to improve the clarity and squeeze just a bit more level out of the ref mic and this unit did both.”

For more information on ATK Audiotek, visit www.atkaudiotek.com.

For more information on the RND 5045, visit www.yamahaca.com.

-END-

Photo ID: Jack Bowling, ATK at Yamaha M7CL digital console with RND 5045 in rack

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

DNF Controls at the 2012 NAB Show

At the 2012 NAB Show, DNF Controls will demonstrate the company’s array of applications based on its flagship technology, the Flex Control Network(R). An intelligent and cost-effective solution, Flex Control Network provides a complete control and connectivity infrastructure that integrates with existing equipment, protecting equipment investments. Also on display will be DNF’s new Production Control Application for live television productions and the new Tally Control System. DNF will also exhibit its popular AnyWhere Interface Box (AIB) and GTP-32 Control Processor. more

AVLEX INTRODUCES FOUR NEW EARSET MICROPHONES

******* Photo: Avlex HSP-39 *******

Kansas City, MO – February 2012 … Avlex Corporation, the name audio professionals turn to for world-class wireless technology and microphones, proudly introduces four new low profile single earset microphones: the HSP-39, HSP-29, HS-38, and HS-28. All four models combine a performance proven omnidirectional condenser element with a hassle-free, interchangeable earhook design that eliminates the guesswork and frustration all too often associated with achieving a secure and comfortable fit when trying to accommodate different face shapes—making them an outstanding choice for a myriad of live sound reinforcement applications. more

Rupert Neve Designed Portico 5045 Popular for Referee Mics

BUENA PARK, Calif.—The new Rupert Neve Designs Portico 5045 Primary Source Enhancer is becoming increasingly popular as an added tool for audio engineers on referee mics during sporting events, as recently witnessed by the installation of a unit at the Alamo Dome in San Antonio, Texas for the Valero Alamo Bowl. Clarity Media San Antonio installed the unit at the 66,000-seat Dome. The Alamo Dome joins other notable sports facilities where the unit has been used or are installed including Notre Dame, Northwestern, Green Bay Lambeau Field, Cowboy Stadium, Reliant Field in Houston, University of Phoenix Stadium, and UCLA at the Rose Bowl in Pasadena.

The request to Clarity came after a call from Ben Sturgis, Sr. Audio Visual Tech, Convention, Sports, & Entertainment Facilities, to Ben Strizu, Co-Owner, of Clarity Media Group. “Clarity had been analyzing the Dome’s sound system overall because they were having problems with their ref mics,” states Strizu. “After hearing a demo by Yamaha Commercial Audio Systems, we felt the unit would fulfill the Alamo Dome’s needs.”

Once Sturgis had an opportunity to hear the unit, he was hooked. “We use the RND 5045 on referee mics because the biggest issue we were fighting was not getting enough gain out of their mics without feeding back,” states Sturgis. “After Clarity installed the unit, it was the first time we could turn down the refs’ mics as opposed to turning them up. The 5045 gave us an additional 10db of gain before feedback.” In addition to sporting events, the RND 5045 is used for public address announcements, trade shows held at the venue, and whenever handheld mics are required.

The Dome also houses a Yamaha M7CL digital console, and in the 7,000-seat Illusions Theatre located at the north end of the complex, Clarity Media installed a NEXO GEO S12 line array used as a portable system. The GEO S set up is configured with six boxes per side, PS10s for front fills, and two NXAmps (one 4×4 and one 4×1) power the entire system.

For more information on Clarity Media Group, visit www.claritymediagroup.net.

For more information on the Rupert Neve Designed RND 5045, Yamaha M7CL digital console, and NEXO products, visit www.yamahaca.com.

-END-

PHOTO ID: Ben Sturgis

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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