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PESA Introduces World’s First HDcctv-Compliant Routing Switcher

HDcctv 16X16 Routing Switcher

Compact 1RU HDcctv 16X16 Routing Switcher

Huntsville, Alabama – December 27, 2011 – PESA® today unveiled the new 16X16 PESA HDcctv Routing Switcher, the world’s first HDcctv routing switcher with full compliance to the HDcctv Alliance™ high-definition video interface standard for security and surveillance systems. With just a single RG-59 coax cable for each port, users can connect up to 16 HDcctv-compliant video cameras to the PESA HDcctv Routing Switcher and output up to 16 individual coax connections for HDcctv DVR or display devices. Designed specifically for high-definition video over coax, PESA’s new 16X16 HDcctv Routing Switcher features a compact 1RU enclosure, local or remote network control options and a redundant power supply and control card option.

“The PESA HDcctv Routing Switcher is the ultimate interface where multiple HDcctv cameras and DVR’s need to be shared or switched in the best quality format available,” said Dan Holland, PESA’s Vice President of Product Marketing. “HDcctv is based on proven uncompressed high definition video technology so there is no need to compromise quality or worry about dropped packets, latency, or bandwidth allocation issues normally found with IP based technology.”

With a compact frame design, the PESA HDcctv Routing Switcher uses full uncompressed video technology to distribute brilliant high resolution images from devices as far away as 100m over traditional RG-59 coax cable. With the 1.5Gbps enabled transport for each port, video resolutions for 720p and 1080p are evenly distributed without compression. Unlike IP-based switches and hubs using distributed 10Gbps backbone, PESA’s HDcctv Routing Switcher allocates a dedicated 1.5Gbps for each device connected to the router. In aggregate comparison to IP solutions, PESA’s 16X16 HDcctv compliant routing system provides over 24Gbps of non-blocking, non-compressed video switching.

Based on the HDcctv Alliance standard, all inputs are auto-equalized and outputs reclocked to transmit 720p25/30, 720p50/60, or 1080p25/30 video resolutions distances up to 100m (300ft). Two independent reference inputs allow easy selection of gen-lock from black burst or a tri-level sync source. The frame assembly features a front load / hot swappable matrix card and includes space for an optional redundant power supply and control module. Each HDcctv Routing Switcher provides control interfaces for PESA’s Ethernet control system or can be configured to support many third-party control systems. Additionally, the PESA HDcctv Routing Switcher easily supports an optional local pushbutton control panel, up to 80 remote control panels, or control via a unique PESA soft-panel – a software emulated version of control panels.

With almost four decades of proven technology development in high-quality broadcast switching products, PESA continues to be an innovative provider of future-proof video distribution product solutions. The PESA 16X16 HDcctv Routing Switcher is the world’s first fully compliant HDcctv Matrix Switch and PESA’s roadmap includes several other HDcctv matrix and signal processing devices to be introduced in 2012.

As customers analyze ever larger amounts of video data and need to derive more value and ROI from their investment in video security and surveillance equipment, the HDcctv standard continues to deliver cost-effective, full uncompressed video solutions for users looking to upgrade legacy CCTV systems or design new greenfield megapixel IP video systems.

”The enormous market opportunity for uncompressed HD surveillance video over coax is increasingly widely recognized in the security industry,” observed Todd Rockoff, executive director of HDcctv Alliance. “Realization of that market opportunity requires multi-vendor/brand compatibility, which is ensured by compliance with the HDcctv standard. By delivering the world’s first HDcctv-compliant matrix switch, PESA has contributed a critical component for enterprise-class HDcctv-based surveillance systems.”

About HDcctv Alliance
HDcctv Alliance® is the non-profit industry association that develops and promulgates the global specification for high-definition closed-circuit television (HDcctv). The V1.0 HDcctv specification is derived from broadcast industry standards for 100% digital serial transmission of uncompressed video over coaxial cable. However, HDcctv is planned to also transmit video over various media (including optical fiber and Cat5), and the HDcctv standard optimizes the interface to meet the needs of the surveillance market. The Alliance promotes industry adoption of HDcctv technology, and it provides education both to the surveillance equipment industry and to equipment buyers. HDcctv-compliant products bear the distinctive HDcctv logo that guarantees transmission distance and interoperability with other HDcctv-compliant products. The Alliance also offers an HDcctv Certificate for video surveillance system designers, installers, and dealers through an education program. An up-to-date list of HDcctv-compliant Products and Certified HDcctv Professionals is maintained at www.highdefcctv.org.

About PESA
As a leading provider of audio/video connectivity, PESA offers a wide selection of routing switchers, matrix switchers, extenders, converters, media extenders, and signal processing gear to support government, military, industrial, commercial, broadcast and mobile truck applications. PESA offers one of the widest ranges of AV products – from large scale fiber optic routing to single-point CAT-5 DVI extenders – each with the integrity and innovative high performance technology expected from PESA. Our products are available around the world from a leading team of channel partners offering local support and installation and all of our products are supported by 24/7 technical support. To learn more about our technologies and services visit www.pesa.com. PESA is located in Huntsville, Alabama with regional offices throughout the United States.
All products mentioned herein are trademarked property of their respective owners.

Contact Information
Dan Holland
VP, Product Marketing
256-726-9200
dholland@pesa.com

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Dual DiGiCo SD8 Systems At ZZ Top’s 1st Annual La Grange Fest Blow Away Band’s Live Sound & Satellite Radio Broadcast

ZZ Top pulled off their very first La Grange Fest in late October, pairing the timeless Tejas boogie kings with Southern rockers Lynyrd Skynyrd and country singer Jamey Johnson. Set just outside Austin in Bee Cave, the fest—and subsequent live broadcast on Sirius XM radio—was accomplished using DiGiCo‘s SD8 at the hands of the band’s engineer, Jamie “Jamo” Rephann. Both Jamo and monitor engineer Jake Mann have been rockin’ SD8s (Mann on an SD8-24) for several years on the band’s tours with production partner Clair Brothers.



The SD8 was in place when Jamo inherited the gig from engineer buddy Toby Francis. “He’d been raving about the DiGiCo’s and I just decided to go with it,” Jamo recalled. “I had been previously using a Venue Profile for AFI and The Mars Volta, but after hearing the difference between the Avid and DiGiCo, I was sold on the SD8, and don’t want to use anything else from now on.”



But it is the sonic quality of the SD8 that induces raves from the veteran engineer. “The DiGiCo sound is the best I’ve heard on a digital desk of any make or model, and I’ve used all of them from the Yamaha MC7 to the Midas XL8. Side-by-side, the SD8 smokes them both. I didn’t touch anything but a Midas XL 4 for like 10 years, and am a huge Midas fan… but they don’t hold a candle to the DiGiCo’s. The real difference came after mixing on a Venue Profile for 2 years (with a Big Ben as an external word clock). I ran some CD’s and was amazed at the sonic quality I was hearing. Everything was in the 160-500Hz area and the ‘air’ from 8-12k was back, almost like a great analog desk! I couldn’t believe my ears and was already kicking myself for not trying this desk earlier. It has the quality of a smooth analog sounding desk and I couldn’t be happier.”



The console’s I/O section and onboard features have proved versatile for handling the various house systems the 3-piece encounters from gig to gig. “I’m using a total of 38 inputs for ZZ Top, not including the 4 audience mics. I also have as many as 8 outputs a night to drive a variety of house systems—L, R, Sub, Center, Outfill, Delays, Smart, and SMPT for video that we run through my desk to lighting. I really love the delays on the output section, available on every output, and EQ and compression if you want it. But I have to tell you, I cannot live without using the multiband compressors on a few things because of the DiGiCo sound. They’re super-transparent and really do a wonderful job with everything I use them on. I use the multibands on both channels of vocals, kick and snare channel inserts, bass group, synth bass and guitar group. Also, the regular comps and gates sound great as well. They’re very smooth and warm-sounding with no “pumping” as it were. Additionally, I do some channel splitting and panning things on the guitars. I have 3 guitar channels that I make stereo and pan all the way. I’m also using my control groups to do most of my mixing as well as the normal subbing out of kick, snare, bass, vocals, guitars, and etcetera. Then I’ll use the compressors on the subgroups if needed… it kind of melds things together, if you will, a bit better in my opinion.”
 


With space often an issue in venues and on festival dates, the SD8′s compact footprint has paid off. “It’s really comes in handy so many times when space was an issue. I just use the desk and an easy tilt so I roll up with nothing other than a Smart tablet and my desk. It has really helped me get in and out at many festivals with a minimum of space and hassle.”



The band is recorded on every gig, which serves several functions, including virtual soundchecking. “Monitor engineer and resident SD8 guru Jake Mann multitracks each show using an RME MADIface card into a MacBook Pro using Logic,” explained Jamo. “And since the band does not soundcheck at all, virtual soundcheck is KEY to my show every day.”



At the LaGrange Festival, working in tandem with the Sirius and Skynyrd’s audio crews only reinforced Jamo’s love of the DiGiCo desk. “As usual, the console preformed amazing with no issues at all. I do love the uses of delay times on the outputs as I delayed the FOH mix to radio and added Sirius’ 2 audience mics. There was an additional Profile at FOH for Skynyrd and even with the external word clock the SD8 just smoked it. I hear their engineer is now going to try the DiGiCo after hearing our show, which just destroyed his profile sonic-wise and left it sounding limp and weak! There was none of the low-mids or shimmering highs with the Profile. He ran a mic through my desk and was stunned just at the vast improvement to his voice compared to the Avid… ‘Nuff said. Not to mention, the Sirius radio guys said that it was the best sounding live performance to air over Sirius.”

ToolsOnAir Releases just:play and just:live v1.6

Vienna, Austria – November 2011…..  ToolsOnAir, creators of innovative QuickTime-based applications for broadcast video production professionals, has announced the release of version 1.6 of their play out products just:play and just:live.

Part of ToolsOnAir’s acclaimed Broadcast Suite of video production tools, just:play and just:live v1.6 offers a host of new features and enhancements that take the concept of TV Station in a Mac even further.

Included in the version 1.6 update is full support for Mac OS 10.7 (Lion), as well as support for Apple’s Mac Mini. As ToolsOnAir Director of Marketing Gilbert Leb explains, “With Apple’s recent integration of Thunderbolt technology and the increased processing power of all Mac models, the concept of ‘TV Station in a Mac Mini’ is now fully viable. Using video hardware such as AJA’s IO XT Box or Black Magic Designs’ Ultrastudio 3D, it is now possible to implement a truly professional grade broadcast facility, delivering playout automation, real-time graphics and router control in a single Mac Mini with a mere 85 Watts of power consumption. Our customers are now looking at implementing literally dozens of channels – with redundant backups – using minimal space and resources.”

ToolsOnAir’s just:play and just:live v1.6 now offer real time aspect ratio conversion, automatically detecting different aspect ratios and converting the files to match playout format. In addition, the user can override the preset selection for each clip individually. For frame accurate play out, the internal time used for scheduling and playing out can now be synchronized to an LTC signal.

Also supported is playlist within playlist functionality, where saved playlists can be dragged and dropped into a previously scheduled playlist.

Advanced native router control for external interfacing and control including routers from AJA, BM, Harris, Kramer and other manufacturers, GPI control of external devices and control of just:live as a server application over the VDCP standard.

“This latest update is yet another step in ToolsOnAir’s ongoing pursuit of offering a complete, powerful, end-to-end solution for multi-camera ingest, editing and automated playout, integrating live graphics feed and more,” says Leb.

For more information, visit www.toolsonair.com

 

Brainstorm Introduces SR-112 Time Code Distripalyzer and DCD-12 Word Clock Distributor

New Versions of Industrywide Favorites for Time Code and Clocking Solutions

Brainstorm Electronics, the world leader in time code and clocking solutions, has introduced two new versions of its industrywide favorites for time code and clocking solutions.

Brainstorm SR-112

Brainstorm’s new SR-112 Time Code Distripalyzer, replaces the industry standard SR-15+. It is a time code reader, distributor, reshaper, analyzer and generator all in a 1U rack mount device. The analyzer indicates format, frame rate, errors and video phase and outputs a comprehensive report; the 1×12 distributor reshapes the signal; the optional generator repairs drop-outs and generates new code. All SMPTE and EBU SD/HD rates are supported. Ethernet is included for reporting and to set parameters and update firmware.

Brainstorm DCD-12

The new single domain DCD-12 Word Clock Distributor/Generator is an excellent companion for the popular DCD-8 and includes the same exceptional jitter rejection. The DCD-12 can run as a master generator on internal crystal or locked to an external reference such as WC, Video Sync (HD & SD), AES31, S/PDIF, 10 MHz (GPS or Rubidium clock). The rate of the reference (input) is “learned” by the DCD-12 automatically while the output rate can be identical or set independently. Ethernet is included to monitor and set parameters and update firmware.

About Brainstorm
Brainstorm products deliver complete solutions for all sync requirements in the post- production, recording and broadcast environments. Designed for operations ranging from audio recording studios to large post-production houses and major broadcast facilities or remotes, Brainstorm offers the most comprehensive package for all clocking needs, providing versatility in the widest range of applications.

For more info about Brainstorm, visit distributor plus24:
http://www.plus24.net or phone 323.845.1171

WIRELESS FIRST USES NEW CLAIR GLOBAL WIRELESS ANTENNA TO HANDLE EIGHTY-SIX RF CHANNELS AT ROCKEFELLER TREE LIGHTING CEREMONY

rockcenter_xmaslighting_2011.JPGNEW YORK, NEW YORK – DECEMBER 2011: When construction workers decorated a twenty-foot tree with paper garlands, cranberry strings, and the tinfoil ends of blasting caps in the early years of the Great Depression, they had no way of knowing they were starting a beloved holiday tradition. Today, the Rockefeller Center Christmas Tree in midtown Manhattan is a national symbol of the season. The tree’s lighting ceremony in late November has blossomed into a two-hour television special, complete with nostalgic hosts, the Radio City Rockettes, and performances by pop music icons, both contemporary and enduring. As in years past, NBC hired Wireless First, a Clair Global Company, to wrangle eighty-six channels of mission-critical wireless RF that spanned a full city block. In addition to an encyclopedic knowledge of all things RF and decades of in-the-trenches experience, Wireless First’s successful package included the new, innovative more

Bright Technologies Presents New Generation of BrightDrive Media File Servers for Media Industry

Reno, USA — Bright Technologies, Inc., developer of advanced technology for shared media, has answered the industry’s need for economical, compact, eco-friendly media file servers by launching a new generation of BrightDrive servers. Designed and developed to address the rigorous demands of the media and entertainment industry, BrightDrive Procyon and BrightDrive Triton offer a unique set of features and functionalities that dramatically increase productivity and maximize profitability via real-time collaboration between all clients.

The servers will incorporate Bright’s best-of-class software, including the astonishing new patent-pending BrightClip 2.0 advanced recording technology. The latest BrightClip release is faster and smarter than ever. More than just file allocation, it permanently overcomes the industry-wide problem of degradation by eliminating fragmentation, randomization and inter-leaved frames and is still the only solution that works 100% at all times.

BrightDrive Procyon, the next generation of Bright’s G2 Pro, packs a powerful punch from a compact 3U footprint. The high-availability server utilizes integrated connectivity, eliminating the need for extraneous components, to offer an outstanding out-of-the-box experience. Procyon features a groundbreaking hardware platform plus a current and stable software foundation – including support of StorNext 4.2.

The new BrightDrive Triton elevates BrightDrive G2, its predecessor, to a higher level. The new server answers the need for an attractively priced, green solution that only occupies a single rack unit. Triton also supports StorNext 4.2.

In addition to their fresh look, BrightDrive’s Procyon and Triton eco-friendly designs lower cooling requirements and significantly reduce power costs. The servers’ agnostic architecture allow facilities to seamlessly interface with their preferred applications, protocol, resolution, and formats, eliminating the need for investment in new storage. They offer the highest level of operational stability, consistent and predictable performance, and high-speed access for all users at all times. Both BrightDrives are equipped with incomparable GUI’s (graphical user interfaces) for monitoring and administration.

“The most ingenious thing about the BrightDrive Procyon high-availability Media File Server, is that it’s consolidated into a mere three rack units and utilizes integrated connectivity between the components!” exclaimed Roger Beck, Bright’s CTO. “With more uptime, less maintenance effort, and BrightDrive’s internal “Virtual SCSI Device” customers save money on meta-data devices, hardware, and maintenance. Also our new single server, BrightDrive Triton, occupies only 1U which, I’m sure, our customers will love.”

Added Shawn Clark, Bright’s director of sales, “We’re thrilled about the new product releases specifically because our development team designed the BrightDrives to be a lot smaller and greener than their predecessors. This will ensure that our customers’ infrastructure will consume less power and require less cooling. But even more exciting is our ability to offer both new BrightDrives for 20% less!”

BrightDrive Procyon is shipping now, and BrightDrive Triton will be available as of January 1, 2012 directly from Bright Technologies and through Bright’s worldwide network of business partners.

About Bright
Bright Technologies develops highly specialized technology for shared media environments. In the mid-1990s, Bright’s core team began the development of the first file system for shared media and by 1999, Bright was the first company to address the core issues and challenges of file handling in media. Over the past 12 years, Bright has earned a reputation as an innovative, collaborative, problem solving media software and technology developer. Based on this level of experience and vision for what’s possible, Bright has developed its current product line. Today, Bright Technologies provides the most advanced media file servers in the industry, featuring low-latency, high performance, and best possible predictability and reliability, specifically designed to meet the needs of media file-based workflows. Bright Technologies, Inc., head office: 10405 Double R Blvd, Reno, Nevada, USA. t: +1 775 823 9002 www.4bright.com

Contacts:
Bright Technologies Inc.
Catrin Beck, Marketing Director
P +1 775.823.9002

Desert Moon Communications
Harriet Diener (PR)
harriet@desertmooncomm.com
P: +1 845 512 8283

Watch our new BrightDrive Movie!!
Learn how File Fragmentation steals System Performance in our “Transparent Drive Demo”!!

CLAIR GLOBAL INTRODUCES THE CF 1090 FRACTAL ANTENNA

cf1090_fractalantenna.JPGLITITZ, PENNSYLVANIA – DECEMBER 2011: Clair Global is introducing the CF 1090 Fractal Antenna for live entertainment applications worldwide. The creation of the CF 1090 is a study in guided serendipity.

In the summer of 2010, Clair Global acquired Wireless First. Both the company’s founder, Kevin Sanford and his chief engineer Josh Flower had been working on a new wireless antenna in their shop for several years. Now, as part of the Clair team, they moved quickly to take advantage of Clair’s innovative spirit and talented staff. The final stroke of genius was the inclusion of Dr. Nathan Cohen, whose decades of experience as founder of Fractal Antenna Systems Inc. make him one of the world’s foremost experts on the technology at the CF 1090′s heart. Using fractal technologies, whereby self-similar scaling of antenna elements both reduces housing size and increases frequency range, more

Pro Audio Monitoring System Manufacturer Blue Sky Creates YouTube Video Aimed At Consumers & End-Users

Pro audio monitoring system manufacturer, Blue Sky, has maintained a core philosophy since its inception in 2001: to design and offer products that represent the highest ratio of performance-to-cost as well as a superior sound experience for its customers—from home enthusiasts to entertainment content creation professionals. Taking a cue from its in-depth website “Key Concepts” section, which addresses the company’s philosophy on topics ranging from the “Basics of Bass Management” to the “Truth About Subwoofers”, Blue Sky has created an in-depth video on its own YouTube channel to promote the company, its philosophy and the full line of components and systems it offers for home, personal, and professional studio use. 


Targeted to the end-user and consumer, Blue Sky’s first foray into the world of video was produced by Andrew Wild of Wild Touch Productions. Just over 7 minutes, the video outlines the complete Blue Sky story and showcases the full-range professional monitoring components and lines—from the entry-level 2.1 desktop eXo2 to the mid- and large-scale music/film dubbing systems including MediaDesk, ProDesk, Sky System One and Big Blue. Additionally, you’ll hear raves and reviews from two of Blue Sky’s professional proponents, Chris Unthank, Director of Transfer Operations at Larson Studios and Audio Director/Gaming Sound Designer Greg Allen (formerly of UbiSoft and Electronic Arts).

“Our intention with this new video is essentially to reintroduce the brand to the customer through social media outlets including YouTube and Facebook,” said Blue Sky Vice President Chris Fichera. “Outside of the traditional sales and marketing arena, we want to speak directly to our end-users to reiterate what we are about technically, what makes the Blue Sky brand and products unique—including offering components designed to complement each other and seamless systems built around the bass management concept, and to offer a few raves from some of our hardest-working customers. That’s what we were after and I believe we achieved it.”

Audinate Partners with Inter-M

Largest South Korean Manufacturer of Pro Audio Licenses Dante™
Portland, OR-Nov. 21, 2011- Audinate announced today that Inter-M, South Korea’s largest PA and installed sound manufacturer, has agreed to collaborate to produce a line of products that will feature Dante, Audinate’s patented media networking technology. Audinate is the creator of Dante, the most advanced audio networking solution that is built using standards based IP over Ethernet.

Inter-M has been building quality commercial sound and professional audio products with a single-mindedness of purpose: “We Make It Easy” for its products to be designed and installed into systems. Known for their P.A Systems, S.R Systems, Consoles, Speakers, CCTV Systems, Wireless System, Microphones and DVR, Inter-M products are featured throughout Korea in Stadiums, Performing Arts Centers, office buildings and Houses of Worship. Inter-M is a publically listed company on the Korean Stock Exchange (KOSDAQ)

“Inter-M is a great brand in Korea and is expanding rapidly around the world.” said Lee Ellison CEO for Audinate. “Inter-M has an aggressive plan to connect their wide variety of products into an integrated system using Dante.”

“We believe having Dante in our systems gives us a definite competitive advantage” stated Wonho Lee, Director if R&D at Inter-M. “We selected Dante because it provides us with an audio over IP solution today, and Audinate is the only company that can offer a viable transition path to AVB for the future.”

Inter-M plans using Dante end-to-end throughout their systems, from Dante-enabled paging microphones, through mixers and distribution units, to Dante-enabled powered speakers.

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About Audinate
Audinate revolutionizes the way that AV systems are connected by transporting high-quality media over standard IT networks. Using Audinate’s patented Dante networking solution, digital media networking just got easy. Audinate’s solution has been licensed by customers across the AV industry and can be found in installations and live sound applications globally. Audinate is a Promoter Member of the AVnu Alliance™. Audinate offices are located in US, United Kingdom and Australia. Dante is a trademark of Audinate Pty Ltd.

Visit www.audinate.com for the latest news and information on the company.

About Inter-M
Inter-M has become a leading company with a competitive edge in the audio, video, and communications markets worldwide. Inter-M strives to make great contributions to the community with new products and technology, with many successful high-profile installations around the world. Inter-M is located in Korea and has been in business for 28 years.

Yamaha 01V96i Mixer Launched


BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. has announced the launch of the new 01V96i Digital Mixer, making its first official debut at this week’s InterBee Show. The new 01V96i offers a 16-track USB 2.0 interface for multi-track recording via MAC or PC. The new unit is identical in mixing functionality as its predecessor but cosmetically takes on a new black look for easy differentiation from the previous 01V Series dark blue. Since its initial release in 1998, the 01V has been used in a wide variety of applications, both personal and professional, ranging from recording and production environments to live sound and installation applications.
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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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