A virtual press conference from Sound & Video Contractor

Archive of the NAMM Newslink Category

NASHVILLE’S HISTORIC SOUND EMPORIUM STUDIOS INSTALLS AN API LEGACY PLUS

NASHVILLE, TENNESSEE – JULY 2014: Sound Emporium Studios is a go-to destination for artists including Willie Nelson, Kenny Chesney, and Alison Krauss, not to mention major projects by T-Bone Burnett. The facilities, built by “Cowboy” Jack Clement in 1969, are the birthplace of legendary recordings including Kenny Rogers’ The Gambler, REM’s Document, Sammy Davis Jr.’s final album, as well as Taylor Swift’s first. To meet the growing needs of its diverse clients, Sound Emporium consulted Rob Dennis at API reseller Rack-N-Roll, who directed the studio towards a 48-channel Legacy Plus console.

“Our clients have long requested an API in that room,” said studio manager, Juanita Copeland. “The flexibility, build and sonic quality, along with the reputation of API made it an easy decision. It just brings together a lot of great API sonic solutions into one user-friendly package. Having the 2500 bus compressor is the icing on the cake.” Copeland also mentioned having 48 inputs, 48 returns, and 12 aux inputs is a huge improvement to the studio’s former setup. The room can also be used for mixing now thanks to the Uptown 2 automation.

Since commissioning the console early this summer, it’s been used for tracking, overdubs, and some mixing. The Legacy Plus is already booked for major clients in the coming months, including one of the top 100 guitar players of all time, and a critically-acclaimed alternative country artist. Recordings for the hit ABC show Nashville are also booked for when filming resumes this month, as well as several rock projects later in the year. “We are just thrilled to finally have such an amazing console in that historic room!” adds Copeland.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

SUMMER PRICING ON NEW ATC SCM20PSL MONITORS

LAS VEGAS, NEVADA – JULY 2014: TransAudio Group, U.S. distributors for ATC UK, announces special introductory pricing on the ATC SCM20PSL MkII near-field reference monitor. The passive ATC SCM20PSL MkII improves upon the previous ATC six-inch, two-way passive and is ATC’s smallest and least expensive monitor in the ATC Professional line up. Built to the same exacting standards as its active pro range siblings, the SCM20PSL MkII is ideal for those already using passives but seeking a new level of resolution in a compact passive package. Purchases made before September 1, 2014 benefit from the reduced price of $2,990 per pair. After that, the price rises to a (still very reasonable) $3,490 per pair.

“ATC is well-known for designing and building studio monitors that are unflinchingly truthful and that help engineers deliver mixes that translate everywhere,” said Brad Lunde, president of TransAudio Group. “ATC founder, Billy Woodman, and his team of R&D engineers never tire in the pursuit of perfection, and our request for a smaller monitor has led them to develop the SCM20PSL Pro MkII. We’re offering the special introductory pricing to both celebrate and motivate.”

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

The ATC SCM20 PSL Monitors are now shipping.
MSPR: Now until September 1st – $2,990.00 pair • After September 1st – $3,490.00 pair.

ZONA RECORDING STUDIOS ADDS API’s THE BOX

LONG ISLAND, NEW YORK – JULY 2014: Recording engineer John Zona works with much of the talent in the artistic-rich area of Huntington, New York through Zona Recording Studios. While currently running the studio around his full-time gig of pin striping motorcycles, he is transitioning his time mixing and recording from a hobby to a full-scale operation. As part of that transition, Zona has added API’s THE BOX to help bring enthusiasm and excellence to clients, ensuring they’ll come back and refer others.

“I am very pleased with my decision to purchase THE BOX,” recalls Zona. “After shopping around, doing research, and even demo-ing the board at the API headquarters in Maryland, it became clear API was the way to go. I am very impressed with the quality of the EQs, mic pre’s, as well as the reputation, construction, and warranty of the board.”

Zona, who is also an accomplished drummer, bass guitarist and composer, is presently taking the final steps in reconfiguring and wiring his updated studio space. While doing that, he’s using THE BOX to re-mix music he’s previously recorded. “I am getting results I had not even anticipated,” shares Zona. “I look forward to being an API customer for years to come.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

Artspace Studio Buys a Prism Sound Titan Audio Interface

Artspace Studio, one of London’s premier boutique recording, has recently invested in a Prism Sound Titan USB multi-track audio interface for its Brixton-based facility.

“Titan was recommended to me by quite a few people, including mastering engineer Mandy Parnell at Black Saloon Studios and Kirk DeGiorgio (aka As One),” explains mixing and mastering engineer/producer, Tom Gillieron. “We thought we’d test one out, and we were amazed! I do a lot of mixdown work for people and they send me tracks that they’ve mixed down ‘in the box’ in Pro Tools, Ableton or Logic. When I compare the mixes I have done through the Titan and then summed on the SSL Matrix, the clarity in the high end is amazing and the stereo image is far clearer and more impressive.”

Studio owner Olsi Rama agrees that the Prism Sound Titan has been the best purchase Artspace has made this year.

“We have used the pre amps a lot because they are great, and we have also used it to clock from our Digidesign 192s,” Rama says. “We have an 8-track 3M tape machine at the studio and sometimes we like to record drums onto that. With the Titan’s fantastic conversion we can get back into the computer really easily without losing the warm analogue sound.”

Artspace is developing a strong reputation as the place to record in London. Artists who have recently worked in the facility include Jamie T, Marmozets, The Severed Limb and Martyn Ware (Human League). It is a mixed digital and analogue recording facility that offers three rooms, including a large live room, the Octagon, billed as a distinctive space ideal for laying down drums and group recordings.

Rama adds that another feature both he and Gillieron like is Titan’s versatile USB connection.

“This is great because it allows visiting engineers to just plug in their laptop with their preferred software and make an immediate connection to our vintage outboard processors without losing any of the detail,” he says.

Gillieron adds: “I have mixed down some tracks that I started elsewhere, on different speakers and on headphones and so on. The Prism Sound unit gave all the projects a bit of a boost – to my ears – which was exciting but also made me listen to them more carefully and mistakes became more obvious.”

For the future Gillieron is looking forward to using the Titan on multitrack field recordings of live musicians, but he’s already impressed with what it has revealed through his current and long-standing audio set-up.

“I have mastered a few tracks using the Titan and I find it’s easier for me to pinpoint unnecessary resonance than it was with what we were using before,” he says. “And I’ve been using the same speakers and amp for about 18 years.”

Gillieron has recently remixed PHORIA and his re-mix can be heard at this link: https://soundcloud.com/phoriamusic/emanate-tom-gillieron-remix

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

Cerwin-Vega! Highlights Expanded Offerings for Popular XD Series and P-Series Lines at Summer NAMM 2014

NASHVILLE, JULY 17, 2014 – Cerwin-Vega!, a Gibson Brand, is presenting its new P1000X 10-inch Powered Loudspeaker, the latest ¬addition to its critically-acclaimed P-Series Powered Loudspeaker Line at Summer NAMM 2014 (Booth 825). Also on display will be the XD4 and XD5 Speakers and XD8s Subwoofer, the newly expanded offerings for the company’s XD Powered Desktop Speaker Series.

Slated for release in August, the P-Series P1000X is a versatile workhorse that can serve as a single speaker for a small venue, be daisy-chained for larger venues needing more coverage and SPL or be side-mounted as a floor monitor. Featuring the same controls as the acclaimed P1500X, the P1000X Powered Loudspeaker is a two-way, bi-amped, full-range bass-reflex speaker with a 10-inch woofer and high-frequency compression driver. Powered by a custom efficient 1000W Class-D amp, the P1000X has a proprietary hemi-conical horn that provides enhanced sound clarity and superb dispersion over an even and wide coverage area.

A built-in mixer with multiple channels and I/O connections allows for simple and fast setup, while enhanced EQ, VEGA BASS boost and high-pass filter controls enable exact tuning and exceptional performance for any event. Its lightweight, robust polymer enclosure includes a self-tightening pole cup, as well as comfortable ergonomic handles. Built-in rigging points and a remote volume port make the P1000X ideal for suspended installation.

Showgoers can also experience the stunning audio performance of the Cerwin-Vega! XD Series, which continues to support the company’s legacy of superior bass response and sonic clarity. Key design elements of the XD3, XD4 and XD5 powered desktop speakers and XD8s powered subwoofer, include optimized frequency response, overall transparency, low distortion and the company’s trademark bass performance. Each XD Series speaker features high output amplifiers, soft-dome tweeters and innovative enclosure design for superior sound, while the XD8s sub offers additional bass extension.

Equipped with metal covers, the XD4 features a 3/4-inch tweeter while the XD5 utilizes a one-inch tweeter. Unlike other desktop speaker systems, the Cerwin-Vega! XD Series is built with solid MDF wood enclosures, allowing it to deliver the same sound quality as home speaker systems. All speakers in the series come equipped with Cerwin-Vega!’s signature VEGA BASS Boost Switch, which engages an enhanced bass EQ circuit. The efficient XD8s also has, high SPL and an optimally designed port for proper low frequency phase alignment and minimal port turbulence. It ships with a Remote Control, which includes a subwoofer mute button and adjusts the overall system volume when using the accompanying XD Series speakers.

About Cerwin-Vega!
Cerwin-Vega!, part of the Gibson Pro Audio division, is a leader in the design, manufacture, and distribution of loudspeakers for the home and professional audio markets. Dedicated to the pursuit of dynamic, accurate sound reproduction since 1954, Cerwin-Vega! products are distributed throughout the world via a network of distributors and dealers in more than 75 countries. For more information, visit www.cerwin-vega.com.

About Gibson Brands
Gibson Brands, one of the fastest-growing companies globally, was founded in 1894 and is headquartered in Nashville, Tennessee, USA. Gibson Brands has a portfolio of over a hundred well-recognized brand names for musical instruments, consumer electronics, and professional audio. In addition to the number one guitar brand, Gibson, other instrument brands include Epiphone, Dobro, Valley Arts, Kramer, Steinberger, Tobias, Slingerland, Maestro, Baldwin, Hamilton, Chickering and Wurlitzer. Professional audio brands include KRK Systems, TASCAM, Cerwin-Vega, Stanton and Cakewalk and continue Gibson’s tradition of quality in their respective markets; while consumer electronics brands comprise Onkyo, Integra, TEAC and Esoteric.

Gibson Brands expanded further into the consumer market with the acquisition of Philips’ Home Entertainment business—inventors of the cassette tape, as well as the CD, DVD, MP3, and MP4 formats. It shows the same leadership in technological innovation for the benefit of our customers under the Philips and Fidelio brand names.
A global company, Gibson Brands has manufacturing, marketing and research and development centers throughout the world. All Gibson Brands are dedicated to innovation, prestige, and improving their customers’ quality of life. Visit Gibson’s website at www.gibson.com. Follow Gibson Guitar at www.twitter.com/gibsonguitar and www.facebook.com/gibsonguitar.

SYMETRIX RADIUS 12X8 DANTE™ NETWORK DSP IS THE BACKBONE FOR CHICKIE’S AND PETE’S CRAB HOUSE AND SPORTS BAR

ATLANTIC CITY, NEW JERSEY – JULY 2014: What started as a late-night effort between two brothers in 1987 to perfect their mother’s secret recipe turned into Crabfries® and launched their fledgling restaurant, Chickie’s and Pete’s Crab House and Sports Bar, to critical and commercial success. ESPN recently proclaimed the establishment to be the “Number One Sports Bar in North America” and Maxim Magazine deemed it the “Greatest American Neighborhood Bar.” Now a well-established Philadelphia favorite, Chickie’s and Pete’s is expanding its reach and recently opened its 26th location in Atlantic City’s Tropicana Resort & Casino. As with all of the other Chickie’s and Pete’s locations designed and installed by Cherry Hill, New Jersey-based Pro Systems, the new one uses Symetrix processing. This time it’s two SymNet Radius 12×8 Dante network audio DSPs paired with two SymNet xIn 12 and two xOut 12 audio I/O expanders for a total I/O count of 48 by 40.

Pro Systems’ Rich Stout and Jim McCann designed, programmed, and installed the new system. “For the Atlantic City location, the client wanted an upscale sports bar feel consistent with their ‘Best Sports Bar’ award from ESPN,” said Stout. “Every Chickie’s and Pete’s location that we have installed has incorporated Symetrix processing, and they’ve always been pleased with the sound quality and ease of use. At Atlantic City, we went with an HDMI 1080p solution with lots of individual audio zones. To accommodate all the inputs and zones, we chose two Radius 12×8 processors paired with two each xIn 12 and xOut 12 breakout boxes. The Radius’ integrated Dante network capacity made it easy, reliable, and inexpensive to route audio from box to box.

In addition to the Symetrix backbone, the system consists of Crown amplifiers feeding JBL Control and AE Series loudspeakers across 39 zones. Two Crestron HDMI DM switchers support 38 by 64 channels of video/audio, and several Crestron V15 touch panels enable end user control of audio, video, and lighting from a variety of strategic locations.

Rich Stout commented, “The client has no idea about the underlying complexity of a system like this nor should they have to. The trick is to make it simple enough that anyone walking up to the Crestron panel can run the entire system. With Symetrix and other premium hardware vendors we achieved that goal at Atlantic City, and it is now one of Chickie’s and Pete’s favorite locations.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

Music Students Step Up To CAD Headphones


Understanding the need for professional equipment when learning how to play and record musical instruments and vocals, CAD Audio recently donated a number of MH510 studio headphones to music students in Cincinnati, Ohio.

Aaron O’Keefe, a private music instructor and owner/co-owner of the Loveland, Maineville and Lebanon music academies, describes how his students got involved with CAD.

“Carmen Mark ‘Squiggy’ DiGiacomo of the MAD Consulting Group contacted us about the manufacturer’s tent at the Rock On The Range Festival in Columbus where music product and audio manufacturers demonstrate their products. CAD Audio was one of those companies and they were good enough to donate a number of their professional headphones to our music school programs.”

Aaron’s students typically range from age six to 16 and he personally teaches piano, guitar, voice, drums, bass, double bass, vibraphone, mandolin and ukulele, to name a few. “We’ll usually take a song like ‘Heart Shaped Box’ by Nirvana or ‘Sober’ by Tool,” he explains. “I’ll teach the song individually to my drum, guitar, bass player and voice students, we’ll put them together in a band, rehearse the song, then actually record and videotape the final performance.

“These CAD headphones are going to be used in countless studio recordings, Aaron continues, “because too often, the kids have cheap, walkman-style phones that don’t do the job. The Sessions MH510s are perfect for the studio because they have a closed-back design and there isn’t any bleed through into the microphones, which is really important. Plus the audio quality is exceptional. We’re using them extensively for tracking and overdubs, which is great because they’ll eventually appear in our videos. They’re the best headphones we’ve ever used.”

Knowing that his students’ version of Tool’s “46 and 2” bit.ly/1rbMKFv on YouTube has had well over six million, four hundred thousand views to this point, appearing in their videos has added significance for supporting manufacturers such as Zildjian, Jackson, ESP, Dunlop, Kramer and CAD Audio.

Describing the adventure of taking young music students to a night out at Rock on the Range, Aaron concludes, “Guns ‘N’ Roses was headlining and the kids got to meet members of Killswitch Engage, Asking Alexandria and Matt Pinfield of MTV.

“Taking eight kids to a Metal show was a little stressful because I had a nine, ten and a few fifteen year olds and I didn’t have any other chaperones which was crazy. But it worked out fine, the kids got equipment, met their heroes and the nine year old, Eva, called it ‘the best trip ever.’”

For more information about CAD Audio, please call 800.762.9266 or visit www.cadaudio.com.

NEW DANLEY DIRECT FREE MODELING SOFTWARE DELIVERS SPEED, CROSS-PLATFORM PERFORMANCE, SOLID MATH, AND THIRD-PARTY MEASURED DATA

GAINESVILLE, GEORGIA – JULY 2014: Danley Sound Labs, maker of innovative loudspeakers and subwoofers that cleverly sidestep the trade-offs and constraints inherent in conventional designs, has applied that same “outside of the box” thinking to its latest loudspeaker and subwoofer installation design software. Named Danley Direct and available for free from danleysoundlabs.com, the new platform models the direct sound path from user-defined designs involving Danley products in three-dimensional spaces (which can be conveniently imported or modeled via SketchUp). Co-designed by renowned acoustician Doug Jones and Sebastian Rivas Godoy, Danley Direct is notable for its transparent cross-platform performance (Mac or PC), multiple-window flexibility, and tremendous speed. Like everything Danley Sound Labs puts its name on, Danley Direct is built on solid math and third-party measured loudspeaker and subwoofer data.

Danley Direct is heir to the capabilities of Danley’s DDT modeling software, which was one of the only loudspeaker modeling software programs to include subwoofer (i.e. < 100Hz) output. "When we were asked by Mike Hedden, Danley president, to update DDT, Sebastian and I realized that it had fully matured," said Jones. "It would become unwieldy if we tried to build more capability on top of its existing structure. So we decided to start from scratch. We recognized that our new software had to be fast, and it had to let the user create his or her own work environment. It needed a powerful graphics engine that could keep pace with a quick-thinking designer."

Jones and Godoy succeeded. Not only will Danley Direct operate on a Mac or PC with interchangeable files, it will do so with a fluidity that encourages exploration and creativity. The software supports multiple-window operation, and rendered objects can be rotated and otherwise manipulated without requiring re-rendering. "No other loudspeaker modeling software can do that," stated Hedden. Jones added, "With that kind of speed and transparency, Danley Direct is not going to waste anybody's time." Because it uses the ubiquitous SketchUp as its drawing environment, it's easy to create spaces either from scratch or by importing the numerous file types that SketchUp accepts (e.g. .dxf, AutoCAD). Of course, Danley Direct can import Danley DDT files, and, like DDT, Direct training will count toward CTS continuing education credits.

Although not nearly as flashy as its smooth graphics engine or its transparent workflow, Danley Direct's underlying mathematics and the Danley product data that feed into it are honest and correct. That, of course, is of the utmost importance. "Danley has always supported third-party independent measurements," said Jones. "The model you build in Danley Direct will be as close to the reality of the subsequent installation as any reasonable person could expect. This software is not designed to sell Danley products; it is designed to properly model them so that our users will have successful projects. And that is what will sell Danley products."

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

FOR THE LAST TWO YEARS ED CHERNEY HAS USED HIS ATC SCM25As TO MIX EVERYTHING

LAS VEGAS, NEVADA – JULY 2014: Ed Cherney needs no padding on his resume. A veteran producer and engineer with 35 years logged in the control room, Cherney has worked with the top talent in the industry, including Iggy Pop, Bob Seger, Bette Midler, Bonnie Raitt, Eric Clapton, Jann Arden, Jackson Browne, Keb’ Mo, Bob Dylan, and the Rolling Stones, to name just a few. His work has earned him six Grammy nominations and three wins, along with seven TEC nominations and five wins. He is a founding member of Producers and Engineers Wing of The Recording Academy and served as the Governor of the L.A. Chapter of The Recording Academy. Until last year, Cherney was also an avid, collector of studio reference monitors, learning to work around the faults of each model before relegating it to the closet when a newer model came through the door. That cycle ended with the arrival of a pair of ATC SCM25A 3-way nearfield monitors. Cherney now uses his ATC SCM25As for almost everything he does because they’re exciting to listen to and because the work he does on them translates flawlessly on any other pro or consumer system.

“I am always looking for speakers because they’re my eyes in the studio, my window to the world,” said Cherney. “I get a lot of inquiries from younger engineers, asking me if I can recommend a good pair of monitors for five-hundred bucks. I can’t. And it’s crazy that they’ll spend thousands on microphones and outboard gear without first giving themselves the one tool they need to actually hear what they’re doing. It’s like an artist buying expensive paints and then turning out the lights. That said I’ve had a hard time finding the ideal speaker at any price. I guess I’m something of a collector now.”

Cherney first heard a pair of ATC SCM25As at a studio in New York, and he liked what he heard. Shortly thereafter, he was working at a studio in his hometown of Chicago that had no good options for monitors. “I spoke to Brad [Lunde] at TransAudio Group [ATC’s U.S. distributor] and he sent out a pair of ATC SCM50ASLs for us to try. They were spectacular as well! We could turn them up loud, and the low end was defined, the midrange was smooth and silky, and the high end was sweet. The sound was thrilling; it could wash over me and punch me in the chest. These were the first mid-size speakers that could give me the experience of the soffit-mounted loudspeakers that the big studios have.”

He continued, “I’ve been dissatisfied with 2-way speakers in the past. The challenge is always to get the right vocal tone and volume, and it often depends on which side of the crossover the vocal is sitting. Sometimes the same singer can be below the crossover in the verse and above it in the chorus. In the past, I always took my mixes around to different systems – different speakers, my house, my car – to make sure the vocals were sitting in the mix correctly. Now that I have the ATC SCM25As, I rarely have to do that anymore. The vocals sit nicely in the midrange driver, and I’m always within a half dB. Every song. For the first time, I really trust the quality of the mixes in the studio. I don’t have to take them out and check them. I nail it and they translate to the rest of the world. That’s a huge improvement.”

Cherney has already used the ATC SCM25As on a number of projects. He produced, recorded, and mixed the main title for the Disney film Planes called “Nothing Can Stop Me Now,” as well as Robben Ford’s Bringing It Back Home and Eric Burdon’s Till Your River Runs Dry. He mixed Love for Levon on DVD, CD, and broadcast using the SCM25As, and he mixed Road to Forever by Don Felder of the Eagles. Currently, he’s working on a debut album from Athena Perez, a rising country artist from Chicago, and a new Bette Midler album.

In addition to how well his mixes translate on the ATC SCM25As, Cherney is also inspired by their clean, fatigue-free volume. “If I’m recording drums, I like to turn it up!” he said. “If the band’s in the control room, I have to turn it up! When I’m doing the final balances, I may be down around 75dB, but getting there, I want to feel it pop, physically! I want to move air in the room! With the 25s, I can. And I can do it all day long and still be as clear-headed and energized at the end of the day as I was at the beginning. My ATC’s make recording and mixing music much more fun.

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

(Photo Credit: © 2014 Lynn Fuston)

SCOTT PETITO PRODUCTIONS ADDS A 1608 CONSOLE “THE BEST PIECE OF GEAR FROM API”

WOODSTOCK, NEW YORK – JULY 2014: Musician, audio engineer, and studio owner Scott Petito has roots in the jazz and acoustic genres that go back to the early 1980s. His studio, Scott Petito Productions, has worked with major acts including James Taylor, Keith Richards, Pete Seeger, Bela Fleck, and Brian Setzer. In an effort to return to his roots in analog recording, Scott consulted Alto Music in Middletown, New York, who directed him toward an API 1608.

“It’s the best piece of gear I have ever used from API,” said Scott. “I have mixed on the Vision and Legacy consoles, as well as several vintage consoles. This has that same sound, but in a compact, simple and reasonable affordable design. It’s new, reliable, and has a great warranty.” The console has 24 channel inputs and 32 slots, providing over 48 reruns from Pro Tools. “It quickly became clear that it’s the only choice for uncompromising analog sound, and a familiar character and layout.”

With a degree from Berklee College of Music and countless hours in the studio, the sound generated by the 1608 is held to a high standard by Scott. “I already can feel and hear the added depth and dimensionality. It makes it easier to get what I want, I use fewer plug-ins, and being a smaller footprint the short signal path is always pristine and clear. It also has great headroom.”

Also among his favorite features and functions, Scott appreciates the Channel Strip and lunchbox implementation. “It lets me keep a lot of flavors on hand. The routing is wonderful. We have everything coming up on the patchbay.”

Scott and his crew wasted no time in getting to know the capabilities of the 1608. “The first session even before everything was wired to the patchbay or furniture was installed, we recorded a new album with Tony Levin, the bassist for Peter Gabriel and King Crimson among others. It’s turning out great! We are now mixing it.”

Next, the new 1608 will be used to mix the new album from Mercury Rev, whose fourth studio album Deserters Song was voted as one of the top twenty most influential albums of the last twenty years by Mojo Magazine. Scott will also use the new console to mix a new album of his own.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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