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Archive of the NAMM Newslink Category

ImmersAV™ Technology Brings a “You are There” 3-D Audio/HD Video Experience to Consumers

CHICAGO, ILLINOIS – DECEMBER 2013: The evolution of iOS, Android, Windows Mobile and other operating systems for smartphones and tablet computers is changing the way consumers receive and experience audio and visual entertainment. ImmersAV Technology builds on the power of these revolutionary devices and takes it steps forward. The “You Are There” immersive entertainment experience from ImmersAV is based on the synergy of binaural audio and high-definition video. ImmersAV also brings the spatial capabilities of binaural headphones to two-speaker stereo listening using proprietary Crosstalk Cancellation (CTC) filter techniques. Best of all, the “You Are There” experience requires no additional audio/video product purchases for consumers.

Audio pioneer and Engineering Producer, Robert Schulein (right) along with Signal-Processing Researcher/Designer, Dan Mapes-Riordan, founded ImmersAV Technology in 2010. Their mission was to create a practical 3-D spatial-audio experience for consumers using existing acoustic playback technology. To make this happen new production tools and recording techniques were developed. Productions using “You Are There” technology from ImmersAV can be found on our YouTube channel: http://www.youtube.com/user/ImmersAV/videos. Not only do these recordings enhance the entertainment experience, they give musicians a new and original vehicle to present their music to their fan base.

“As a pioneer in the development of professional and consumer multi-channel surround sound technology in the 1990s, I was frustrated that no technology was addressing users that could not afford, or did not have room for, 5.1 and larger playback systems,” explains Schulein. “ImmersAV Technology has focused on the interest in spatial sound within this market segment. Regardless of the quality level of the headphones or loudspeakers being used, the “You Are There” experience creates a new world of listening enjoyment. I believe that ImmersAV now provides a solution to consumers who could never afford surround sound before. Now they can get more than surround sound on stereo equipment they already own.”

Mapes-Riordan adds, “Refinement of our filters can be attributed to our ability to compare the spatial accuracy of our results over loudspeakers with original binaural headphone files. Since we produce recordings for both headphones and loudspeakers, the listener has the unique ability to immerse themselves using both techniques.”

ABOUT IMMERSAV TECHNOLOGY Founded in 2010 ImmersAV™ Technology began with the goal of providing consumers with a “You Are There” immersive entertainment experience using innovative microphone production and signal processing techniques. These techniques use patented microphone technology and proprietary ImmersAV Crosstalk Cancellation (CTC) filters.

To experience ImmersAV Technology productions, visit: www.immersav.com
Find us on YouTube at: http://www.youtube.com/user/ImmersAV/videos and be sure to “Like” us on Facebook: www.facebook.com/ImmersAV

BLACKBIRD STUDIO CHOOSES API 1608 FOR ITS NEWLY CREATED BLACKBIRD ACADEMY

NASHVILLE, TENNESSEE – DECEMBER 2013: An API 1608 analog console will serve aspiring sound engineers at the newly created Blackbird Academy recording school in Nashville, Tennessee. The school is based at the prestigious Blackbird Studio and will draw on their history, expertise, and industry connections to offer three educational curricula, totaling over 720 hours of horizon-expanding coursework. Class sizes will be small and will feature extensive hands-on lab time, including time in two of Blackbird’s eight recording studios, now reserved exclusively for educational use. The classroom space was created by interior designers Robert and Cortney Novogratz of the HGTV television show, Home by Novogratz.

“We chose the API 1608 for a number of reasons,” said John McBride, who is co-owner and co-operator of Blackbird Studio with his wife, country superstar Martina McBride. “The 1608 is easy to use, it has a great sound, and it’s an excellent tool to teach students signal flow. We already have a couple of 1608s at Blackbird, and we’re very happy with them. Moving forward with the Academy, we wouldn’t have it any other way!”

Mark Rubel and Kevin Becka are co-directing Blackbird Academy, which began with a three-day summer camp designed for high school students. The Academy’s debut Studio Engineering Program kicked off on September 30, 2013 and will run for about 24 weeks.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

Premiere Southern California Live Music Venue Steps it Up with VARIA

Long Beach, CA – December 2013…The Gaslamp is one of Southern California’s best-known night spots, with a rich history of great entertainment and an impressively eclectic roster. On any given night, the club’s stage plays host to artists ranging from hard rock and metal to punk, acoustic, and even contemporary classical performances, as well as comedy, DJs, tribute acts, karaoke, and even televised sporting events.

The Gaslamp offers up a full kitchen, with private booths and tables as well as a bar and dance floor, making it a great place for dinner, drinks, and a night out. But as owner Mike Newfeld explains, the club’s acoustics have long been a struggle.

“It’s a very boomy room,” says Newfeld. “It’s got high ceilings, concrete floors, and just not very good sound dispersion — a lot of pockets that are dead space or too loud. The challenge has been to find a system that would deliver consistent coverage and sound good, no matter where you are in the room.”

Engineer Tony Purvis agrees. “It was really, really hard to get a good mix throughout the whole club — to achieve that ‘comfortable loud,’ where everyone can enjoy themselves, enjoy the music and the performance but still be able to hold a conversation.”

The Gaslamp recently upgraded their sound system, installing the new VARIA modular point source line array system from Renkus-Heinz. As Purvis observes, the VARIA system has completely changed the equation for the club.

“The experience that I’ve had with the new VARIA system has been just amazing,” Purvis remarks. “The design of the system has enabled complete coverage. This system makes my life easier.”

“We couldn’t be happier with the new VARIA system,” adds Newfeld. “Our customer base noticed immediately. It’s loud, clear, and clean, without blowing people away. Thanks to the new VARIA system, we are now known as the premiere live music venue in Southern California.”

 

 

 

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

SWEDISH COMPOSER AND PRODUCER ANDY PRICE DISCOVERS METRIC HALO PLUG-INS

LOS ANGELES, CALIFORNIA/GOTHENBURG, SWEDEN – NOVEMBER 2013: “Ever since I can remember I’ve been making music,” said Swedish composer and producer Andy Price. “I started recording when I was twelve years old using a couple of cassette tape decks and a cheap toy keyboard. I used one tape deck to record drums, and then played the drum track back while I recorded keys on the second tape deck. A few years later, I traded my scooter in for an old Korg that I still use to this day!” Clearly, the music bug bit Price early and deep. Today, he splits his time between Los Angeles and his native Gothenburg, producing and writing with artists such as Cheryl Cole, Girls Aloud, Dot Jr, Ministry Of Sound, and Sasha Keable (just to name a few) and is in the studio right now working hard to finish songs with Tokio Hotel, Aura Dione, Jana and more. The breakout hit that put him on the path he now enjoys was “Lyracis” and the video for the single, “Speakerphone” got over a million YouTube views in just a few weeks.

Several years ago, Price read an online review of Metric Halo’s ChannelStrip plug-in, and, curiosity piqued, gave it a spin. “ChannelStrip has been a huge part of every song I’ve created since then,” he said. While Price is most celebrated as a producer and songwriter, the nature of the market leads him to mix most of the material he works on. It’s a task he enjoys, and it affords him the creative freedom to fully realize his artistic vision. He has since expanded his Metric Halo palette to include HaloVerb and Precision De-Esser. “I have an obsession for vintage gear and the classic sound of older records,” he continued. “Metric Halo’s plug-ins are unique because they deliver that classic analog sound with all of the convenience and flexibility of a plug-in. I would say that Metric Halo is my foundation when mixing. A Metric Halo plug-in is on at least 80% of my channels!”

ChannelStrip is Price’s “tool of all tools.” Almost every track needs some kind of help in the frequency or dynamics domain, and ChannelStrip addresses both aspects within one scalable plug-in. With the newest version, ChannelStrip 3, Metric Halo has added SpectraFoo spectrum analysis to provide visual feedback for changes made to the main signal or to the side-chain signal. “It seems that ChannelStrip is always my starting point for a mix – getting things into decent shape; and my finishing point – making the fine corrections once everything is dialed in,” Price said. “Importantly, it’s very fast and intuitive. It’s easy to find the right settings. Also critical is its warm, analog sound and punchiness that I can’t get with any other plug-in.” Almost all of Price’s template channels include an instantiation of ChannelStrip.

Price’s introduction to Metric Halo HaloVerb and Precision De-Esser is more recent. “HaloVerb is my new favorite reverb,” he said. “It has something magic in it that works especially well with vocals or any signal that needs to ‘pop.’ I feel like it has the character of a great room – a real room – that’s unique among reverb plug-ins. Similarly, Precision DeEsser is the only de-esser that I’ll use now. It gives all of my vocals a noticeably warmer output, which is something that I’ve never considered or experienced with any other de-esser. I sometimes even throw it on the master bus together with ChannelStrip 3 to clear out anything edgy or grating. ChannelStrip 3 comes first with an overall high-end boost, followed by Precision DeEsser to give a crisp, but warm, sound to the overall mix.”

Price confesses that his role is an imprecise mixture of musician, composer, engineer, and producer. “Most people say that I produce records and write songs,” he said. “But from my perspective, I just have fun and play with sound all day. I go into the studio and it’s just a big blur. Then some hours later, hopefully we have a song!”

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

API 1608 TRAVERSES THE EARTH

JESSUP, MARYLAND: With hundreds of satisfied customers, API’s 1608 console continues to make a mark on the music industry with the company’s signature API sound. Available with or without P-Mix automation and up to 48 channels, 1608’s can be found in studios both large and small, in the U.S. and around the world. Here is a small sampling of some 1608s that have recently left the factory.

STUDIO K – Paris, France Situated on the fourth floor of a 17th century building in Paris, David Chalmin’s 32-channel automated API 1608 console is the perfect fit for his semi-private space. Chalmin began as a musician, but his interest in pro audio gear has turned him into an engineer who has worked on everything from alternative rock to classical music.

Chalmin did his fair share of research before deciding on the 1608 and chose the console based on the API sound, character, and API 500 Series format. “The preamps are amazing, so already while tracking you get your sound. Then, during the mix, you have huge headroom to play with. Automation is simple and straightforward. It brings the console to another level. This console is a dream!” says Chalmin.

VIRGINIA ARTS – Charlottesville, Virginia Next, Virginia Art’s (Virginia’s oldest operating commercial studio) opted for a 16 channel API 1608, again with P-Mix automation. The console will serve as the flagship in Virginia Arts Recording, owned by Chris Doermann and engineered by Sean Dart.

The 1608 has already served many local and national acts, such as John Grisham, Thomas Dolby, Those Darlins, Ra Ra Riot, The Walkmen, Cowboy Junkies, and William and Mary Accidentals.
“The API brand has long been known for its excellent products. Sound and flexibility were among the top factors [in purchasing the 1608]. The console’s small footprint and low power draw was the perfect addition to our relatively small control room. Also, API’s staff welcomed us into the factory on day one and answered every question we’ve had since. And the biggest thing – great sound,” said Sean Dart.

EMERY RECORDING STUDIOS – Novelty, Ohio Final example, studio owner, producer, engineer and mixer, Eric Emery, chose a 16 channel automated API 1608 to represent his workspace, Emery Recording Studios, and his band, Concordia. Working under Johnny K. at Groovemaster Studios, as well as Grammy Award-winning mixer Craig Bauer, Emery’s 1608 choice of console has added a level of API professionalism to his studio, which has been in operation since 2005 when he was just 15 years old.

“The first time I heard that magical API Sound I was hooked. It just has that special punch you can’t get from anything else,” said Emery. “This console gives my mixes something I couldn’t get from any other piece of gear. This is a definite no-brainer if you want to achieve that truly commercial sound.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

AV, Big Data Optical Product by FiberPlex Singled Out for Award

FiberPlex CEO Buddy Oliver, center, accepts the Neutrik premierePARTNER award on behalf of the FiberPlex WDM-16 product team.

Optical fiber products are no longer toiling in obscurity. Among the heavyweights in the world of audio, video and big data transport is FiberPlex Technologies’ active wave division multiplexer, which was recognized last month for a coveted 2013 premierePARTNER Award by connectivity company Neutrik USA.

Of more than 50,000 Neutrik U.S. customers FiberPlex was singled out along with ten other professional AV equipment manufacturers for its product contribution to the growing fiber optic transport industry.  Among FiberPlex’s wide array of fiber optic products is its WDM-16 active wave division multiplexer used to convert audio, video and data signals to optical waveforms for transporting information and content over large, secure networks.

Increasingly, organizations with big data needs are networking systems through optical cable and products like WDM-16 because of fiber optics’ enormous bandwidth capacity, range, Fort Knox-like security and economies of scale. Neutrik USA makes optical connectors; FiberPlex and Neutrik USA offer optical solutions for a broad range of uses, from industrial to broadcast applications. 

“FiberPlex is an important piece of the puzzle for fiber optics delivery because of its bandwidth-enhancing products, specifically the WDM-16,” says Neutrik USA Product Manager Fred Morgenstern, stating that only the most innovative companies are eligible for the premierePARTNER Award. “We consider this a very prestigious award. It is presented to less than 1% of the company’s USA customer base,” he added. 

In addition to FiberPlex, Neutrik presented a 2013 premierePARTNER award (www.experience-neutrik.com) to Shure, EAW, Leprecon, Slate Media, Ashly Audio, BAE Audio, A-Designs Audio, Benchmark Media and TMB. 

Unique among the winners is FiberPlex’s WDM-16, which is capable of multiplexing up to 16 3GB/s channels onto existing fiber build-outs in order to increase capacity on an OC-48 platform over just two strands of optical fiber.By multiplexing new bandwidth capability onto existing fiber infrastructure, WDM-16 effectively reduces acquisition costs to pennies on the dollar compared to the cost of installing new fiber optic runs with associated labor and conduit expenses to yield the same capacity gain.

“We feel very honored to get this award. It says to us – and to our customers – that quality and innovation matter,” says FiberPlex Technologies CEO Buddy Oliver. 

FiberPlex makes a full line of fiber optic products for government agencies as well as for houses of worship, corporate facilities, broadcast applications, and K-12 and higher education. In addition to its popular WDM-16, FiberPlex offers its new FOI-6010 introduced earlier in 2013 as a universal SFP/SFP+ (small form-factor pluggable) frame that can interchange SFP modules for a variety of formats and uses, including interfacing singlemode fiber cable into existing multimode fiber build-outs.

 

SYMETRIX SYMNET RADIUS REVITALIZES THE AUDIO AT THE HISTORIC SUFFOLK THEATER

RIVERHEAD, NEW YORK – NOVEMBER 2013: The Suffolk Theater in historic downtown Riverhead, New York opened its doors for the first time in 1933, and the public faithfully filled its resplendent art-deco interior night after night. Movies put the theater in the black for decades, but proliferating strip malls, the rise of the multiplex, and America’s seedy love affair with the living room couch decimated the Suffolk’s crowds and led to its final performance in 1987. The story is hardly unique to The Suffolk, and twenty years passed before area residents realized what they lost in the bargain. In the past decade, the tides turned, and, under new ownership, The Suffolk Theater responded with the sound of renovation. It recently reopened to tremendous fanfare, and beneath its carefully-restored Depression-era art-deco façade breathes a 21st Century audio/video/lighting system that includes a 36-input/20-output Symetrix SymNet Radius 12×8 Dante networked DSP system.

Award-winning theatre and A/V designer Stuart Allyn of A.D.R. Studios (Irvington, New York) designed and commissioned the new theatrical/audio/video systems at The Suffolk Theater, and Theatrical Services and Supplies (Hauppauge, New York) installed it. “Of course, a lot of thought goes into every aspect of a system like this,” said Allyn. “I went with the SymNet Radius 12×8 because it’s a cost-effective processor that is totally flexible, both in terms of its processing power and its input/output count.” The Suffolk Theater needed a large number of inputs and outputs because the entire system throughout the building is fed from the central FOH position. A wide number of areas (bars, offices, restrooms, backstage, etc.) are all capable of receiving the main show audio (and video in some cases) plus each area, at the touch of a button, can optionally receive a local source such as cable TV or a Blu-ray player. Each area when viewing the stage feed must be time aligned to the stage, and when viewing local sources that timing needs to be synced to the video. Each “zone” required speaker processing for each mode of operation. By having all the system processing centralized and separate, sound mixers using the digital mixing system are free to use whatever systems, EQs etc. they desire to use in the console, while the main speaker and system processing remains in place. The Symetrix system handled all that very easily. To the twelve inputs and eight outputs of the system’s single Radius 12×8, Allyn added two Symetrix SymNet xIn 12 expansion boxes and one Symetrix SymNet xOut 12. Like all products in the Symetrix SymNet Radius and Edge family, the expansion boxes connect to the processor via the robust, low-latency Dante network protocol.

“We’ve used a lot of Symetrix products in the past, and we’ve never had issues,” said Allyn. “Symetrix equipment sounds good and works well at commissioning and over the long haul. In addition, I like using SymNet Composer to build customized processing. I can see the entire system on one screen, and that overview is important to me. Then I can drill down as needed.” The system includes comprehensive Crestron control, but that didn’t stop Allyn from making cost-effective use of Symetrix’ inexpensive ARC-2e wall panel remotes. Eight ARC-2e’s placed at strategic locations in ancillary rooms and spaces allow users to select from presets and to change input sources and volumes. Indeed, several of the Symetrix ARC-2e’s send command strings to the SymNet Radius 12×8 system and to the system’s Crestron video switcher!

Although the super low latency Dante network plays no larger role in the system, the scalability of the Symetrix SymNet system via Dante was a critical factor in its selection. “We designed the system with foresight of possible future expansion in mind,” said Allyn. “There’s a lot of extra wiring in place that will allow them to expand the stage and the dressing room areas. If needed, we can simply add another Symetrix SymNet Radius 12×8 to the system via Dante to accommodate even more inputs, outputs, and processing. It is a beautiful venue that should provide great entertainment to Long Island for many years to come.”

ABOUT SYMETRIX
Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

METRIC HALO GEAR SCORES HIGH IN PROFESSOR WHALEY’S RAP-MATICS STEM-EDUCATION PROGRAM

WASHINGTON D.C./ATLANTA, GEORGIA – NOVEMBER 2013: As a founding member of the pioneering San Francisco hip-hop group Bored Stiff, Pablo Sierra Whaley (aka “Professor Whaley”) has been writing raps and producing music since 1988. He holds a bachelor’s degree in mathematics from U.C. Berkeley and a master’s degree in biomedical engineering from the Mayo Clinic College of Medicine. Between the two degrees, Whaley spent several years as a middle school math teacher and department chair in the Bay Area, where he first developed his innovative “Rap-Matics” program for boosting STEM (Science, Technology, Engineering, & Math) competency using elements of hip-hop, poetry, and technology. Today, Whaley continues to curate the Rap-Matics curriculum and operate his production studio, Sonic Legacy Music with the help of Metric Halo’s ChannelStrip 3.

“Music is in my DNA,” asserted Whaley. “I was born into a musical family. My mom, grandma, and great-grandma all played piano. I played the trumpet in middle school, and then started a hip-hop group with my friend ‘Equipto,’ a now-legendary Frisco MC. As a teacher, one of the problems I noticed early on was that students were not connecting with the subject matter in the math books we were using. So I decided to take a new approach. I knew that my students loved the hip-hop culture. As an MC, I knew that rapping was a tool that could be used to connect people with concepts and information. I had ‘math-raps’ and ‘chemistry-raps’ to prove it. So I decided to create a literacy program that fused rap with mathematics. This was in the spring of 2000. To my knowledge, I am the first educator in the United States to have created a hip-hop-based math literacy program.”

Whaley founded Sonic Legacy Music in 2005. “I’ve used hundreds of different plug-ins from the freeware to the top-of-the-line stuff,” he said. “But nowadays, whenever I make music, I use Metric Halo ChannelStrip 3. It’s an extremely versatile plug-in. I’m using it for mixing and mastering several of my own projects right now, including unreleased Rap-Matics tracks and client projects. I have also used its de-noising, equalization, and compression to clean up audio from Rap-Matics video footage. The EQ is amazing, especially on drums and vocals. The scalable GUI is awesome. The presets are truly useful and the EQ curves are easy to grab and manipulate. The compressor is clean, but I can tweak it to get a more grimy sound when I need it. Overall, the ChannelStrip 3 is my go-to plug-in for all things requiring gating, compression, or equalization… which is pretty much everything!”

ABOUT METRIC HALO
Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

METRIC HALO JUMPS ON ECLECTIC FUMUJ RELEASE

PARIS, FRANCE: The French band Fumuj blends elements of hip-hop, dub, electronica, and – in the words of co-founder, sound designer, engineer, and drummer Romain Pasquier – “loud music” on their fourth studio effort FUMUJ – Eponym Album. The five-song EP surveys the eclectic content of Fumuj’s prior work and reframes it with an urgency and intensity that suggests a band that has matured into form. Beyond its genre-bending take on composition and style, Fumuj is also known for its unique and vibrant sound, which is carefully curated by Pasquier. Metric Halo hardware and software figures prominently in that sound: Fumuj and its members own one or more Metric Halo ULN-8s, ULN-2s, and 2882s, and most of Pasquier’s processing and mixing relies on Metric Halo MIO Console (the free routing and recording software that runs the interfaces) and Metric Halo’s ChannelStrip plug-in.

“The new EP is somewhere between Mogwai, Helmet, and Bill Laswell, I guess,” said Pasquier. “We had a lot of fun creating these songs because we felt free to do anything. There were no limits. We all love to deconstruct and reconstruct elements, playing on contrasts, and building something new and inspiring through that process.” Having equipment with the flexibility and reliability to let that process unfurl naturally and without interruption is essential, and after first discovering Metric Halo a few years back, Fumuj has enjoyed the inspiration that comes with a transparent workflow.

“In anticipation of our recording sessions, a friend lent us some high-end, customized preamps and some crazy mics,” said Pasquier. “They were fun to use, but at some point in the first day I decided to use the ULN-8 preamps because I wasn’t feeling very happy or confident about the sound we were getting. It was like I turned to the ULN-8 because I wanted to know what was actually going on in the new room we were using. I realized I just wanted that Metric Halo transparency! I can trust what I hear from the ULN-8, ULN-2, or 2882. There’s no compromise. The preamps are great, the converters are great, the DSP – including the 80-bit summing mixer – is great, and it all fits in one rack unit! We can recall the MIO Console for each song, which makes the workflow easy.”

Pasquier used the Metric Halo ChannelStrip 3 plug-in extensively on FUMUJ IV. “I love ChannelStrip because the equalization and compression can be so subtle,” he said. “It’s very painless to use, and the newly-integrated spectrum analyzer makes it easy to see where adjustments will be most effective. I know it’s a small thing, but I’m also grateful for the ability to resize ChannelStrip 3.” In addition to his work with Fumuj, Pasquier also uses ChannelStrip and his Metric Halo hardware to do freelance work in Paris, which gives him an authentic sound that sets his work apart from engineers that use run of the mill equipment.

Fumuj’s FOH engineer, Alain Lesparat, recently purchased two Metric Halo 2882 interfaces and is now using them with Apple MainStage as a virtual effects rack and as an archive recorder for all shows. Although Pasquier has used his ULN-8 together with Ableton Live and the band’s hardware synthesizers, he looks forward to acquiring another 2882 or LIO-8 to dedicate to the live rig. “I can’t live with the ULN-8 in the rack on the days off,” he laughed. When asked what makes Metric Halo interfaces so useful for Fumuj’s live applications, Pasquier cited “a fat, open sound” and the tremendous flexibility of MIO Console. In addition, he said, “They’re also completely reliable. They just work, period. All the other members of Fumuj now have a ULN-2, and they aren’t engineers! They would have no patience for bugs or latency. With Metric Halo, they can simply make music.”

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

GRUNDORF CORPORATION ANNOUNCES NEW WEBSITES

Council Bluffs, IA – November 2013… Grundorf Corporation, a leading manufacturer of equipment for musicians and audio professionals, is pleased to announce the debut of two new websites—one for the division that sells cases and accessories (Grundorf) and the other for the division that sells loudspeakers, audio processors, and related equipment (Grund Audio Design). The two website URL’s are www.grundorf.com (cases / accessories) and www.GrundAudio.com (loudspeakers / processors). more

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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