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Iconyx Brings a New Chapter to Historic Manhattan Church

New York, NY – January, 2014… The brick and brownstone building that is home to New York’s Seventh Day Adventist Church has stood on this tree-lined street in Greenwich Village since 1882. Today, this 1,000-seat historic landmark retains much of its original architecture and interior design, including grand Tiffany style stained-glass windows, smoothly aged, dark wooden pews, and high, vaulted ceilings. A magnificent organ rises high above the stage, and a balcony partially extends over the large, open auditorium.

Like many of the era’s grand old churches, the acoustics can be magnificent for organ and choir, but the sermons were battling the architecture’s myriad reflective surfaces. Areas under and in the balcony suffered from particularly poor intelligibility, and coverage was inconsistent throughout the room. The

steep rake of the pew seating, covering almost one vertical story from the entry doors to the stage, only exacerbated the problem. The Church’s previous portable system did little to improve intelligibility, and even less for aesthetics.

“The Renkus-Heinz Iconyx was really the best choice for this room,” explains Geraldo Watson, President and CEO of BUSA AV Technology & Construction in Brooklyn, NY, the system contractor. A pair of Renkus-Heinz IC24-R-II digitally steerable column arrays are mounted left and right of the stage. “It’s a bit of a challenging room because of the shape, and all the reflective surfaces.”

“Two IC-24 columns cover the whole room. We didn’t need any fills or additional speakers,” says Richard Trombitas of Northport, NY-based Cardone, Solomon & Associates. “In addition to providing consistent coverage in the primary seating areas, Iconyx enabled us to selectively steer the sound into the areas where it was needed, while minimizing reflections from the walls and windows. With the IC-24s we were able to create a nice, narrow beam to cover the balcony and another to cover the area below it. This approach provided a comprehensive solution for this customer, utilizing only two boxes.”

Not surprisingly, aesthetics were an important consideration in this landmark building. The low profile design of the Iconyx meant they could be mounted flat against two large wooden columns, painted to match the décor, and blend almost invisibly with the architecture.

The stage area is equipped with four Renkus-Heinz TRX82/12  dual eight inch 120 X 60 degree loudspeakers for monitoring,  powered by a single Powersoft M50 amplifier. “The TRX82 is a great option for stage monitors,” says Trombitas. “Its low profile, controlled mid-bass directivity and 120 X 60 degree pattern are optimal for this, as well as many other HOW and performing arts applications”

Watson reports the Church staff and congregation have been exceptionally pleased. “When they heard the sound coming from the new system, they were amazed at the clarity. They just love it.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Funky Junk Takes On UK Distribution For Sandhill Audio

Funky Junk, Europe’s leading supplier of new and refurbished professional recording equipment and services, has been appointed exclusive UK distributor by Finnish microphone manufacturer Sandhill Audio.

Established in 2008 by sound engineers Riku Pasanen, Petteri Taponen and Sammy Roiha, Sandhill Audio launched its first product in 2011 – the 6011A ribbon microphone.

“We’re continuously working on new designs and prototypes and eventually the range will grow,” says co-founder Petteri Taponen. “However, any product we release has to justify its existence. We will not put out anything just to have more items in the catalogue.”

Taponen adds that Funky Junk was chosen to handle Sandhill’s UK distribution because it has a strong reputation for handling innovative pro audio products.

“Funky Junk’s catalogue is exceptional and, being a high-end studio microphone, the Sandhill 6011A fitted nicely into their product range,” Taponen says. “I was also really impressed with Mark Thomson (Funky Junk’s Managing Director), who sent me a long email in response to my initial enquiry even though he was on holiday in Italy at the time. His straightforward way of communicating suited our approach to doing business and it also helped that the company came highly recommended by a number of our contacts.”

Sandhill Audio’s 6011A Ribbon Microphone is designed to sound exceptional while being free of the usual limitations of ribbon microphone technology. Although primarily designed for high end studio applications, the microphone is sufficiently versatile that it can also be used in live environments.

Mark Thompson, Managing Director of Funky Junk, adds: “The guys at Sandhill have achieved the seemingly impossible; they’ve designed a microphone that retains the airy warmth of the best ribbon mics with a rugged construction capable of coping with a kick drum, a jumbo jet or a producer screaming at a tape op. The Sandhill 6011A isn’t cheap, but great performances demand great microphones. We carry demo stock for discerning tests.”

-ends-

About Funky Junk:
Funky Junk is Europe’s leading supplier of new and refurbished professional recording equipment and services. It has offices in London, Paris, Milan and Spain and has been in business for over 20 years. The company is renowned for its high level technical knowledge, backed by extensive workshop facilities. As well as handling sales and repairs, Funky Junk also acts as a distributor to a number of equipment brands and deals with their service and warranty.

For more information please visit www.proaudioeurope.com

PRODUCER/ENGINEER NOAH SHAIN RECORDS BREAKOUT ARTIST DEAD SARA ON AN API 1608

MALIBU, CALIFORNIA: Producer Noah Shain recently purchased an analog API 1608 small-format console to record breakout artist Dead Sara in a Malibu mansion for a forthcoming release on Epic Records. The tracks will form the follow-up to the band’s 2012 eponymous self-release. Shain, who is best known for his work with Sonny Moore (Skrillex) and Atreyu, purchased the API 1608 because it was, in his words, “the only console available with a small enough footprint and a big enough sound.”

After recording their previous album with Shain at Sonic Ranch in Texas, the band members had their heart set on taking the laid back experience they had there to the next level. “They didn’t want to work in a studio at all,” Shain said. “They just wanted to work in a house. I said, ‘OK, but if we’re going to work in a house, we’re going to do it right. I’m not bringing my laptop over to your buddy’s apartment.’ In the end, we rented an 8,000 square-foot Malibu mansion for two months. All told, we paid about as much going that route as we would have paid going to any of the world-class L.A. studios that I tried to talk them into originally.”

As a self-described API-fan who had been considering a 1608 to complement his hybrid, bus-intensive mix style, Shain recognized the sonic and logistic advantages of having a 1608 for the two-month remote date with Dead Sara. “I like discrete transistor electronics,” he said. “That’s saying something, because Shain’s workflow is unique. Like Michael Brauer, Shain separately processes stems according to their role in the music. He uses eight passive busses and saturates signal on the other end with boutique gain make-up amps. “The 1608 is the perfect heart for that kind of system,” he said. “It’s small enough to make it easy, and I can still focus a lot on the computer for a truly hybrid workflow.”

With the remote recording date with Dead Sara finished, Shain has moved the new 1608 into his three-room studio located inside Bedrock, a 120-room rehearsal space in the hip Echo Park neighborhood of L.A. “Bedrock is a great place with a great community of musicians,” he said. “A lot of notable bands rehearse there. My door is open and a lot of people are going to see the new API 1608.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

SEVEN-TIME GRAMMY-NOMINATED MACKLEMORE AND RYAN LEWIS TAKE METRIC HALO GEAR ON THE ROAD

SAFETY HARBOR, FLORIDA – DECEMBER 2013: Rapper Macklemore and producer Ryan Lewis’ most recent release, The Heist, grabbed the number one spots on the Billboard U.S. R&B/Hip-Hop and Rap charts and quickly sold its way to Platinum status. It was a fast start that shows no sign of letting up, as the duo recently garnered seven Grammy nominations, including Album of the Year, Song of the Year (for “Same Love”), Best New Artist, Best Rap Performance, and Best Rap Album. That’s an incredibly rare feat for any artist, let alone a duo whose inspired musicianship and honest lyrics leave their street credibility untouched by such towering industry benchmarks. Perhaps just as telling, Macklemore and Ryan Lewis were “the most streamed” artists on Spotify in 2013. Although they spent the fall of 2013 packing arenas all over the U.S. in support of The Heist, in the downtime between gigs they turned their attention to the music that will form its follow-up, and Metric Halo is with them along the way.

Capturing and working out ideas on the road is often seen as a balancing act between quick-and-dirty methods that are fast, on the one hand, and higher-quality techniques that take more time and thought to set up, on the other. Lewis largely avoids that compromise with a Metric Halo ULN-2 interface. “The ULN-2 is a pretty unique interface,” he said. “It has two good-quality pre-amps and yet it’s small enough to fit into a carry-on. It also acts as a great interface for Pro Tools, or any other audio program that I use. Macklemore and I have used it countless times on the road.”

After using the Metric Halo ULN-2 for a short while, Lewis was alerted to Metric Halo’s collection of seven plug-ins, sold together as the Metric Halo Production Bundle. He has already used a number of the plug-ins to mix new music in the studio and on the road. Among them are Character – a plug-in that models the sonic signature of a wide range of classic and contemporary audio gear; HaloVerb – an authentic-sounding reverb, Precision DeEsser; and TransientControl – a unique dynamics processor.

“Character is great when I’m not exactly sure what I want to do with something that doesn’t have the right texture,” Lewis said. “It can pull out different pieces that weren’t there before. I love HaloVerb and use it all the time. It has a good variety of feelings and a full range of spring and hall sounds that work well on vocals and instruments.” Some of Lewis’ uses are particular to rap and hip-hop: “Rap vocals have a lot of punch and can get very sibilant. The Precision DeEsser does a great job of cleaning that up. Finally, I didn’t expect the fairly simple TransientControl plug-in to be as useful as it turned out to be. Now it’s one of my favorite plug-ins because it can capture the accents in a recording. For instance, when I have a break beat and I really want the snare and kick to pop, but I’d like to lose everything else in the recording, I use TransientControl.”

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

PreSonus Ships Innovative StudioLive AI-series Active Integration PA Loudspeakers

Baton Rouge, Louisiana – January 2014…  PreSonus is shipping its new StudioLive™ AI-series Active Integration Loudspeakers, the first active loudspeakers that deliver studio-monitor accuracy onstage. The new line includes the full-range StudioLive 312AI, 315AI, and 328AI and the StudioLive 18sAIsubwoofer. All models are available immediately.

A key component of the StudioLive AI’s design is its use of Active Integration technology. Active Integration combines wireless and wired networking and communications with powerful DSP to create a unified working environment.

StudioLive AI-series speakers incorporate Fulcrum Acoustics’ TQ™ Temporal Equalization algorithms. Taking advantage of Active Integration’s ample DSP, TQ employs multiple, fully addressable Finite Impulse Response (FIR) filters to eliminate horn reflections and to correct linear time and amplitude anomalies in coaxial systems. Collaborating with Fulcrum Acoustics’ co-founder, Dave Gunness, PreSonus software designers incorporated custom TQ algorithms with dynamics processing, FFT tools, and performance monitoring into the onboard DSP. The result is a PA system with remarkably clear, coherent, studio-quality sound.

Each full-range, powered, 3-way loudspeaker relies on a custom-designed, CoActual™ 8-inch coaxial speaker with a 1.75-inch titanium compression driver to reproduce the mid and high frequencies. Triamplified, Class D power amplifiers in each model deliver a combined 2,000 watts of power.

The StudioLive 312AI comes equipped with a 12-inch ferrite speaker to handle low-frequency reproduction, while the 315AI employs a 15-inch woofer, and the StudioLive 328AI features dual 8-inch ferrite speakers, enabling it to deliver high-powered performance in a noticeably streamlined and compact enclosure.

Each full-range system has a combo XLR/TRS line input and an XLR microphone input with an XMAX™ Class A mic preamplifier and 12V phantom power, as well as an XLR audio throughput. The full-range speaker systems are pole-mountable and have ergonomic side handles, interlocking stacking, and M10 fly points. All enclosures are of lightweight plywood construction.

Three operation modes allow the user to choose DSP presets for their application, such as MP3 playback, live performance, or stage monitoring. Users can also create a custom preset using SL Room Control and store it onboard for use later.

In addition to the full-range, 3-way systems, PreSonus is offering the StudioLive 18sAI, a powered, 18-inch, ferrite subwoofer designed to complement the full-range StudioLive AI speakers while still being flexible enough to work with other powered loudspeakers. A 1,000W amplifier powers the subwoofer. The StudioLive 18sAI offers stereo line inputs (XLR/¼-inch combo) and full-range stereo line outputs (XLR) with a switchable, low-cut crossover.

All StudioLive AI-series loudspeakers include an Ethernet port and a USB port with a Wi-Fi module to connect to SL Room Control software over a wireless network. Expected to be available in Spring 2014, SL Room Control is a speaker-management application for Mac OS X®, Windows®, and iPad that provides both individual and grouped speaker control and includes a 31-band graphic EQ and an 8-band parametric EQ, muting, soloing, and level control, in addition to performance monitoring (over temperature, click detection, and excursions). A network-setup wizard will be included.

Custom accessories for the AI-series speakers include a mountable Sub Dolly to make hauling the 18sAI subwoofer easy and a pull-tested Sub Pole to mount a full-range system atop the 18sAI. An M10 Kit, which contains four M10 eyebolts, lets you fly any full-range model in a permanent installation. Protective covers for the 312AI, 328AI, 315AI, and 18sAI are also available.

U.S. MAP/street prices are expected to be $1,399.95 for the StudioLive 312AI, $1,499.95 for the StudioLive 328AI, $1,599.95 for the StudioLive 315AI, and $1,299.95 for the StudioLive 18sAI subwoofer. All models are available immediately. For more information visit www.presonus.com/products/live-sound-reinforcement

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About PreSonus

Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

 

ImmersAV™ Technology Brings a “You are There” 3-D Audio/HD Video Experience to Consumers

CHICAGO, ILLINOIS – DECEMBER 2013: The evolution of iOS, Android, Windows Mobile and other operating systems for smartphones and tablet computers is changing the way consumers receive and experience audio and visual entertainment. ImmersAV Technology builds on the power of these revolutionary devices and takes it steps forward. The “You Are There” immersive entertainment experience from ImmersAV is based on the synergy of binaural audio and high-definition video. ImmersAV also brings the spatial capabilities of binaural headphones to two-speaker stereo listening using proprietary Crosstalk Cancellation (CTC) filter techniques. Best of all, the “You Are There” experience requires no additional audio/video product purchases for consumers.

Audio pioneer and Engineering Producer, Robert Schulein (right) along with Signal-Processing Researcher/Designer, Dan Mapes-Riordan, founded ImmersAV Technology in 2010. Their mission was to create a practical 3-D spatial-audio experience for consumers using existing acoustic playback technology. To make this happen new production tools and recording techniques were developed. Productions using “You Are There” technology from ImmersAV can be found on our YouTube channel: http://www.youtube.com/user/ImmersAV/videos. Not only do these recordings enhance the entertainment experience, they give musicians a new and original vehicle to present their music to their fan base.

“As a pioneer in the development of professional and consumer multi-channel surround sound technology in the 1990s, I was frustrated that no technology was addressing users that could not afford, or did not have room for, 5.1 and larger playback systems,” explains Schulein. “ImmersAV Technology has focused on the interest in spatial sound within this market segment. Regardless of the quality level of the headphones or loudspeakers being used, the “You Are There” experience creates a new world of listening enjoyment. I believe that ImmersAV now provides a solution to consumers who could never afford surround sound before. Now they can get more than surround sound on stereo equipment they already own.”

Mapes-Riordan adds, “Refinement of our filters can be attributed to our ability to compare the spatial accuracy of our results over loudspeakers with original binaural headphone files. Since we produce recordings for both headphones and loudspeakers, the listener has the unique ability to immerse themselves using both techniques.”

ABOUT IMMERSAV TECHNOLOGY Founded in 2010 ImmersAV™ Technology began with the goal of providing consumers with a “You Are There” immersive entertainment experience using innovative microphone production and signal processing techniques. These techniques use patented microphone technology and proprietary ImmersAV Crosstalk Cancellation (CTC) filters.

To experience ImmersAV Technology productions, visit: www.immersav.com
Find us on YouTube at: http://www.youtube.com/user/ImmersAV/videos and be sure to “Like” us on Facebook: www.facebook.com/ImmersAV

BLACKBIRD STUDIO CHOOSES API 1608 FOR ITS NEWLY CREATED BLACKBIRD ACADEMY

NASHVILLE, TENNESSEE – DECEMBER 2013: An API 1608 analog console will serve aspiring sound engineers at the newly created Blackbird Academy recording school in Nashville, Tennessee. The school is based at the prestigious Blackbird Studio and will draw on their history, expertise, and industry connections to offer three educational curricula, totaling over 720 hours of horizon-expanding coursework. Class sizes will be small and will feature extensive hands-on lab time, including time in two of Blackbird’s eight recording studios, now reserved exclusively for educational use. The classroom space was created by interior designers Robert and Cortney Novogratz of the HGTV television show, Home by Novogratz.

“We chose the API 1608 for a number of reasons,” said John McBride, who is co-owner and co-operator of Blackbird Studio with his wife, country superstar Martina McBride. “The 1608 is easy to use, it has a great sound, and it’s an excellent tool to teach students signal flow. We already have a couple of 1608s at Blackbird, and we’re very happy with them. Moving forward with the Academy, we wouldn’t have it any other way!”

Mark Rubel and Kevin Becka are co-directing Blackbird Academy, which began with a three-day summer camp designed for high school students. The Academy’s debut Studio Engineering Program kicked off on September 30, 2013 and will run for about 24 weeks.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

Premiere Southern California Live Music Venue Steps it Up with VARIA

Long Beach, CA – December 2013…The Gaslamp is one of Southern California’s best-known night spots, with a rich history of great entertainment and an impressively eclectic roster. On any given night, the club’s stage plays host to artists ranging from hard rock and metal to punk, acoustic, and even contemporary classical performances, as well as comedy, DJs, tribute acts, karaoke, and even televised sporting events.

The Gaslamp offers up a full kitchen, with private booths and tables as well as a bar and dance floor, making it a great place for dinner, drinks, and a night out. But as owner Mike Newfeld explains, the club’s acoustics have long been a struggle.

“It’s a very boomy room,” says Newfeld. “It’s got high ceilings, concrete floors, and just not very good sound dispersion — a lot of pockets that are dead space or too loud. The challenge has been to find a system that would deliver consistent coverage and sound good, no matter where you are in the room.”

Engineer Tony Purvis agrees. “It was really, really hard to get a good mix throughout the whole club — to achieve that ‘comfortable loud,’ where everyone can enjoy themselves, enjoy the music and the performance but still be able to hold a conversation.”

The Gaslamp recently upgraded their sound system, installing the new VARIA modular point source line array system from Renkus-Heinz. As Purvis observes, the VARIA system has completely changed the equation for the club.

“The experience that I’ve had with the new VARIA system has been just amazing,” Purvis remarks. “The design of the system has enabled complete coverage. This system makes my life easier.”

“We couldn’t be happier with the new VARIA system,” adds Newfeld. “Our customer base noticed immediately. It’s loud, clear, and clean, without blowing people away. Thanks to the new VARIA system, we are now known as the premiere live music venue in Southern California.”

 

 

 

Click Here to View the Video

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

SWEDISH COMPOSER AND PRODUCER ANDY PRICE DISCOVERS METRIC HALO PLUG-INS

LOS ANGELES, CALIFORNIA/GOTHENBURG, SWEDEN – NOVEMBER 2013: “Ever since I can remember I’ve been making music,” said Swedish composer and producer Andy Price. “I started recording when I was twelve years old using a couple of cassette tape decks and a cheap toy keyboard. I used one tape deck to record drums, and then played the drum track back while I recorded keys on the second tape deck. A few years later, I traded my scooter in for an old Korg that I still use to this day!” Clearly, the music bug bit Price early and deep. Today, he splits his time between Los Angeles and his native Gothenburg, producing and writing with artists such as Cheryl Cole, Girls Aloud, Dot Jr, Ministry Of Sound, and Sasha Keable (just to name a few) and is in the studio right now working hard to finish songs with Tokio Hotel, Aura Dione, Jana and more. The breakout hit that put him on the path he now enjoys was “Lyracis” and the video for the single, “Speakerphone” got over a million YouTube views in just a few weeks.

Several years ago, Price read an online review of Metric Halo’s ChannelStrip plug-in, and, curiosity piqued, gave it a spin. “ChannelStrip has been a huge part of every song I’ve created since then,” he said. While Price is most celebrated as a producer and songwriter, the nature of the market leads him to mix most of the material he works on. It’s a task he enjoys, and it affords him the creative freedom to fully realize his artistic vision. He has since expanded his Metric Halo palette to include HaloVerb and Precision De-Esser. “I have an obsession for vintage gear and the classic sound of older records,” he continued. “Metric Halo’s plug-ins are unique because they deliver that classic analog sound with all of the convenience and flexibility of a plug-in. I would say that Metric Halo is my foundation when mixing. A Metric Halo plug-in is on at least 80% of my channels!”

ChannelStrip is Price’s “tool of all tools.” Almost every track needs some kind of help in the frequency or dynamics domain, and ChannelStrip addresses both aspects within one scalable plug-in. With the newest version, ChannelStrip 3, Metric Halo has added SpectraFoo spectrum analysis to provide visual feedback for changes made to the main signal or to the side-chain signal. “It seems that ChannelStrip is always my starting point for a mix – getting things into decent shape; and my finishing point – making the fine corrections once everything is dialed in,” Price said. “Importantly, it’s very fast and intuitive. It’s easy to find the right settings. Also critical is its warm, analog sound and punchiness that I can’t get with any other plug-in.” Almost all of Price’s template channels include an instantiation of ChannelStrip.

Price’s introduction to Metric Halo HaloVerb and Precision De-Esser is more recent. “HaloVerb is my new favorite reverb,” he said. “It has something magic in it that works especially well with vocals or any signal that needs to ‘pop.’ I feel like it has the character of a great room – a real room – that’s unique among reverb plug-ins. Similarly, Precision DeEsser is the only de-esser that I’ll use now. It gives all of my vocals a noticeably warmer output, which is something that I’ve never considered or experienced with any other de-esser. I sometimes even throw it on the master bus together with ChannelStrip 3 to clear out anything edgy or grating. ChannelStrip 3 comes first with an overall high-end boost, followed by Precision DeEsser to give a crisp, but warm, sound to the overall mix.”

Price confesses that his role is an imprecise mixture of musician, composer, engineer, and producer. “Most people say that I produce records and write songs,” he said. “But from my perspective, I just have fun and play with sound all day. I go into the studio and it’s just a big blur. Then some hours later, hopefully we have a song!”

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

API 1608 TRAVERSES THE EARTH

JESSUP, MARYLAND: With hundreds of satisfied customers, API’s 1608 console continues to make a mark on the music industry with the company’s signature API sound. Available with or without P-Mix automation and up to 48 channels, 1608’s can be found in studios both large and small, in the U.S. and around the world. Here is a small sampling of some 1608s that have recently left the factory.

STUDIO K – Paris, France Situated on the fourth floor of a 17th century building in Paris, David Chalmin’s 32-channel automated API 1608 console is the perfect fit for his semi-private space. Chalmin began as a musician, but his interest in pro audio gear has turned him into an engineer who has worked on everything from alternative rock to classical music.

Chalmin did his fair share of research before deciding on the 1608 and chose the console based on the API sound, character, and API 500 Series format. “The preamps are amazing, so already while tracking you get your sound. Then, during the mix, you have huge headroom to play with. Automation is simple and straightforward. It brings the console to another level. This console is a dream!” says Chalmin.

VIRGINIA ARTS – Charlottesville, Virginia Next, Virginia Art’s (Virginia’s oldest operating commercial studio) opted for a 16 channel API 1608, again with P-Mix automation. The console will serve as the flagship in Virginia Arts Recording, owned by Chris Doermann and engineered by Sean Dart.

The 1608 has already served many local and national acts, such as John Grisham, Thomas Dolby, Those Darlins, Ra Ra Riot, The Walkmen, Cowboy Junkies, and William and Mary Accidentals.
“The API brand has long been known for its excellent products. Sound and flexibility were among the top factors [in purchasing the 1608]. The console’s small footprint and low power draw was the perfect addition to our relatively small control room. Also, API’s staff welcomed us into the factory on day one and answered every question we’ve had since. And the biggest thing – great sound,” said Sean Dart.

EMERY RECORDING STUDIOS – Novelty, Ohio Final example, studio owner, producer, engineer and mixer, Eric Emery, chose a 16 channel automated API 1608 to represent his workspace, Emery Recording Studios, and his band, Concordia. Working under Johnny K. at Groovemaster Studios, as well as Grammy Award-winning mixer Craig Bauer, Emery’s 1608 choice of console has added a level of API professionalism to his studio, which has been in operation since 2005 when he was just 15 years old.

“The first time I heard that magical API Sound I was hooked. It just has that special punch you can’t get from anything else,” said Emery. “This console gives my mixes something I couldn’t get from any other piece of gear. This is a definite no-brainer if you want to achieve that truly commercial sound.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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