ANAHEIM, CA, JANUARY 20, 2012 — DPA Microphones, the manufacturer of high level reference and headset microphones, is pleased to introduce an enhanced, dual-ear headset for its popular DPA d:fine directional and omnidirectional headset microphones at The 2012 NAMM Show (Booth 6996). Designed to meet the needs of active live theatre, music video production, concert sound, etc., the d:fine series dual-ear headset mic is now ready to take on the most rigorous and energetic performance applications, while delivering the world-class sound quality expected of a DPA microphone. The new dual-ear headset is available in three sizes.

“When we first introduced the d:fine headset microphones series to the live sound market, it was embraced by the industry as a condenser headset that could provide exceptional sound quality in the most challenging acoustic environments with a wonderfully simple and secure single-ear mount,� says Jarrod Renaud, Sales & Marketing for DPA Microphones, Inc. “With our new dual-ear headset, which is available in three sizes to fit everyone from a 10-year old performer to an adult musician, users can rely on d:fine to stay in place, bringing uninterrupted performance excitement to the audience for live sound and video projects that might include extreme dance and hip hop segments, for example.�

In a world that is increasingly video-oriented, from live action reality TV and theatre presentations to sporting events and bands producing videos for YouTube (and everything in between) the dual-ear headset for the d:fine headset microphone provides worry-free performance in the most exacting situations. While the d:fine capsule delivers the sound, through a frequency range of 20 Hz to 20kHz ± 2dB and a maximum peak handling capacity of 144 dB before clipping, the dual-ear headset delivers confidence that the mics will stay in place. Additionally, as the microphone isn’t hard-wired into the headset, the cable can be replaced easily and inexpensively. All d:fine models come in beige, brown, black and a fancy lime color and are slim line for a low visibility profile.

“With the advent of the d:fine headset microphone, the serious band or performing group can now have an ultra-professional headworn microphone within reach to bring their performance to the next level,� continues Renaud. “With the new dual-ear headset option, the same performers can reliably add increased athletics and dance moves, assured the show or presentation will run smoothly.�

About DPA:
DPA Microphones A/S is a leading manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

ANAHEIM, CA, JANUARY 20, 2012 — Building on the success of its flagship 4000 Series Reference Standard Microphones, DPA Microphones, the manufacturer of high level reference and headset microphones, is showcasing the new 2000 Series MMC2006 Omni and MMC2011 Cardioid microphone capsules at The 2012 NAMM Show (Booth 6996). Designed to bring the exceptional performance of the 4000 Series to a wider audience, the new 2000 Series incorporates the same capsule technology found in the company’s entire line of miniature microphones, but pairs it with the 4000 Series microphone bodies. The new modular series is offered at an attractive price point, allowing studios, sound companies and live performing groups the opportunity to own a high-level DPA product.

“We have taken our pioneer miniature condenser capsules and engineered them into two new capsules for our modular microphone system,� says Jarrod Renaud, Sales & Marketing for DPA Microphones, Inc. “These capsules offer outstanding performance and bring DPA’s sonic integrity within reach of every serious engineer, artist or studio owner. The MMC2006 and MMC2011 Twin Diaphragm capsules are interchangeable with our standard 4000 series capsules and microphone preamps, so a 2000 Series user can upgrade to the higher level 4000 Series capsules at a later date, if desired.�

Both the MMC2006 and MMC2011 encapsulate two opposite-facing 4060 omnidirectional miniature diaphragms to form a single-capsule, twin-diaphragm design, which reduces noise while enhancing sensitivity. The MMC2011 benefits from DPA’s interference tube design experience gained through its pioneering DPA 5100 Mobile 5.1 Surround Microphone. The interference tube technology ensures the integrity of the MMC2011 cardioid pattern.

The omnidirectional MMC2006 offers a frequency range of 20 Hz to 20 kHz with a soft roll-off below 50 Hz and typical 3 dB soft boost at 14 kHz, ± 2 dB. The cardioid MMC2011 capsule is a pressure gradient type with interference tube, offering an exceptionally flat frequency range of 20 Hz to 20 kHz with a 3 dB soft boost at 12 kHz, ± 2 dB, at 30 cm. Both capsules can be used with DPA’s MMP-A Preamplifier, MMP-B Preamp with low cut and high boost functions and the MMP-C Compact Preamp.

About DPA:
DPA Microphones A/S is a leading manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

ANAHEIM, CA, JANUARY 20, 2012—Aviom Personal Mixers (NAMM Booth 6720, Hall A) were used recently by audio techs to monitor vocal and guitar feeds on the Linkin Park “A Thousand Suns� World Tour, which ran from June 2010 to September 2011 to promote the band’s album by the same name. more

Anaheim, Calif. – January 19, 2012 – Audio specialist Sennheiser is launching its brand new XS Wireless Series at the 2012 NAMM Show. Designed for users who want to easily go wireless, this entry-level series offers complete sets with sturdy units, simple operation and high quality sound. The transmitters have a battery life of up to 10 hours, while a switching bandwidth of up to 24 MHz allows for flexibility in the choice of frequencies. The series is comprised of two vocal sets, an instrument system and presentation sets with clip-on microphone or a headmic.

“With the XS Wireless Series, Sennheiser offers reliability and quality sound at an entry-level price,� explained Martin Fischer, Product Manager for Sennheiser’s wireless systems. “It offers good value for money and will benefit small event and conference venues, houses of worship as well as bands, vocalists and musicians.�

Wireless without fuss
The designers have focused on ease of use: the systems are operated via intuitive menus, they automatically search for free frequencies, and transmitters are synchronized with their receivers via a wireless link. “We wanted to make sure that users can fully concentrate on their performance, their speech, etc. without having to worry too much about the set-up and technology,� Fischer said.

Extras for bands…
XS Wireless includes two systems for vocalists and one instrument set for guitarists. Vocalists can choose between a handheld with a super-cardioid condenser capsule and one that includes a genuine dynamic e 835 capsule. “The XSW 35 system takes the assertive sound of the cardioid e 835 to new user groups,� Fischer added.

… and speakers
For installed sound applications and presentations, users can choose between systems with a handheld transmitter or a bodypack transmitter with either a head-worn mic or an unobtrusive clip-on microphone. Mute buttons on the handheld and the bodypack ensure that speakers are in control of the transmission.

Ruggedness and flexibility
To withstand the rigors of daily use, the true-diversity receiver is housed in a sturdy metal case. In the transmitters, one set of batteries will last for up to 10 hours—not only good for energetic stage shows, but also for long events and conferences. The systems feature freely tunable frequencies within a switching bandwidth of 24 MHz (13 MHz for the E frequency range). This allows up to 12 wireless links to be operated simultaneously, ensuring trouble-free operation even at somewhat larger events.

Visit Sennheiser at NAMM, Hall A, Booth # 6579.

RED DEER, ALBERTA, CANADA – JANUARY 2012: Living Stones Church in Red Deer, Alberta has a rather unique expansion plan. When funds are available, the church has plans to knock out one of the sanctuary sidewalls in order to build out the room’s mirror image. The result will be a wide, fan-shaped room that effectively doubles seating capacity from 700 to approximately 1,400. In anticipation of that expansion and because problems with the existing sound system had become unbearable, Living Stones Church contracted Merge Systems Inc. of Edmonton to design and install a new loudspeaker system for the existing sanctuary. With their excellent pattern control and robust manufacturing process, Lance Spratt of Merge Systems specified Danley Sound Labs loudspeakers and subwoofers to replace the system in the existing sanctuary.

“The old system was remarkably inconsistent,” explained Spratt. “In some seats you could hardly make out what was being said; in other locations the system punished your ears. Far from meeting their needs for contemporary worship services the system was hurting and distracting the congregation.” There was nothing wrong with the old products; they were simply deployed in the wrong application. “There were two loudspeaker cabinets that were being asked to cover more (bandwidth and physical area) than they were designed to,” he continued. “Never mind all the nuanced ways that good systems can go bad. This one simply didn’t cover the congregation. It was doomed from the start.”

Beyond providing Living Stones with minimally adequate coverage, as taught in Sound Reinforcement 101, Spratt was committed to making their new system sound eminently intelligible and musical for every seat in the sanctuary. “Tom Danley’s innovations result in transparent, articulate loudspeaker cabinets that array beautifully, with minimal required processing and amp channels,” he said. “In addition, Danley’s impressive pattern control down into the lower frequency range help to keep sound energy off the walls, an important consideration in this active acoustical environment.” Spratt worked with Chad Edwardson at Danley Sound Labs to ensure that a design that worked for the existing sanctuary would still perform as desired when mirrored. “I also spoke with [Danley president] Mike [Hedden], who assured me that the Danley cabinets we installed today would still be available when the facility expansion commences,” said Spratt. “He explained that the way they design the growing family of SH-series loudspeakers and TH-series subwoofers meant they would not be discontinued.”

Despite limited availability of loudspeaker rigging locations, Spratt designed a system that would deliver even coverage to the congregation without acoustically exciting the sanctuary walls. On each of the two laminated beams hang two tight-packed Danley SH-50s – four SH-50s in all. Below each cluster hangs a Danley SH-95, which provides down fill for the first few rows. A pair of Danley TH-115 subwoofers fill in the already generous low end from strategic locations on the floor. “I would have preferred to fly the subwoofers,” Spratt said. “But our limited rigging options made it extremely difficult to fly and unsightly.” Crest amplifiers deliver power to the system, and a Xilica processor provides modest processing.

Perhaps the greatest compliment comes from the church itself. Music and Fine Arts Pastor at Living Stones, Darren Aucoin comments: “We are very pleased with the results of our new speaker system. We had some very unique sound needs in our sanctuary that would not be met with any conventional way of thinking. Merge/Danley designed a solution for us that has met our needs, and in some ways have exceeded them. I have had many people come to me to compliment the improved sound projection as well as sound quality. The added bonus was the overall and low-end volume capabilities of our new speakers. We have TONS of headroom, and are able to provide quality sound at low or high volumes without blowing anybody away.”

“It doesn’t matter where you sit,” Spratt states,” every seat gets the same full-range signal. From our standpoint, we received timely assistance and answers from Danley when we needed them, and the products performed exactly as advertised. It will be fun to double the system when the church builds out a mirror image. All the hard work is already done and all that’s left is the installation!”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

BUENA PARK, Calif.—In a one, two, three punch, Yamaha unveils to the world today three exciting new product series additions to their loudspeaker and mixer product line. At the NAMM Show, executives from Yamaha Corporation Japan and the Pro Audio & Combo Division of Yamaha Corporation of America shared in the initial announcement of the new products, a joint sales effort with Yamaha Commercial Audio Systems, Inc.,

Yamaha DXR Series active loudspeakers: Comprised of four full-range models—the DXR8, DXR10, DXR12 and DXR15, deliver exceptional sound pressure levels and high-definition sound in a more compact, versatile design. High-efficiency 1100W Class-D amplifiers and Yamaha-mastered DSP, combined with an intelligent onboard mixer with flexible IN/OUT connectivity, a very functional enclosure design, makes the DXR Series ideal for front-of-house, floor-monitoring, rigged applications, and a multitude of commercial applications. The DXR is quite advanced in that it features a three-channel signal input on the speaker’s back panel enabling end users to mix their own settings as well as a unique Mixing/Link function for daisy-chaining additional powered speakers. Inputs include XLR, ¼� TRS, and RCA jacks, with signals from the inputs mixed inside the DXR unit. Each channel has its own level control and the XLR input can accept MIC/LINE sources. Each DXR cabinet features a built-in, selectable-frequency High Pass Filter (HPF) for use with a subwoofer.

The DXR speakers provide DSP-assisted EQ (Dynamic COUNTOUR) tailoring the frequency response when used as floor monitors or mains. Proprietary FIR-X filtering ensures that the DXR cabinets perform under all circumstances, even at very high levels. FIR-X tuning technology achieves a more accurate and smooth response, better clarity, and imaging than what is possible with crossovers that are currently available.

All models incorporate integrated rigging points for installation using standard rigging eyebolts, and optional U-brackets are also available for additional installation versatility. All models also feature built-in, dual-angle pole mount sockets for vertical or angled applications.

Yamaha DXS Subwoofers: Joining the new DXR series are the high-powered DXS12 and DXS15 active subwoofers that will further enhance the DXR speaker’s performance. Newly developed D-XSUB technology dynamically controls the low frequency range, and by adding BOOST mode, you’ll experience more punch in the overall sound. The new sub’s XTENDED LF mode will enhance the bottom end of the low frequency range. Ideal for commercial installation in churches, schools, regional performing arts venues, and a multitude of applications requiring high SPL, the DXR and DXS provide stunning clarity and an unsurpassed level of reliability.

“The DSR Series launched last year has been very well received by the commercial marketplace, and we have utilized every internal resource of our development team, including collaboration with NEXO, to ensure that the DXR and DSX are as well received as the popular DSR,� states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc.

The new Yamaha DXR Series is now available at a suggested MSRP ranging from $829 to $1,199. The DSX will be available in February with an MSRP for the DSX12 sub of $1,049 and $1,199 for the DSX15.

Yamaha MGP Mixers: Celebrating the 40th anniversary of the PM200 analog mixer and the 25th anniversary of the launch of the DMP7 digital mixer, Yamaha officially launches a premium mixer series with the debut of the new MGP12X and 16X analog mixers. These mixers are in a class by themselves. With proprietary DSP providing Ducker, Leveler, and Stereo Image functions—three very essential features in commercial installations, the MGP mixers will be a welcome addition to any school auditorium, small church, or corporate installation. The MGP Editor app for iPhone/iPod Touch will allow access to further detailed parameter editing of DSP functions of the Ducker, Leveler, REV-X and SPX effects. The app will be available free of charge on Apple iTunes.

The MGP analog sound starts with a discrete Class-A mic pre-amp with an inverted Darlington circuit design. Utilizing Yamaha’s proprietary X-pressive EQ, the MGP mixer captures the ultimate analog sound by reproducing unique frequency characteristics of sought-after classic EQ circuits. High resolution Yamaha REV X and SPX EQ effects modules are also integrated for additional processing. And, at the heart of the MGP’s compact configuration, a new and innovative approach has been taken to utilize digital technology within the MGP analog mixer by adding iPod/iPhone integration via onboard USB for direct digital playback and charging. The superb functionality of the Stereo Hybrid Channel adds warmth and musicality to the mixer’s premium analog sound.

“Our customers who prefer the ultimate in analog sound at the level of the MGP have played an important role in this mixer coming to market,� says Lopez. “The MG line and our new MGP premium mixer will continue to capitalize on our 40+ years of experience in development of renowned analog mixers combined with the impact we have made over the past 25 years in digital products.�

Each MGP has two FX sends, two AUX sends, four Group Buses and a Stereo output. The 12-channel MGP12X features six mic inputs and12 Line inputs (four Mono + four Stereo). The 16-channel MGP16X features 10 Mic inputs and 16 Line inputs (eight Mono + four Stereo). All mic inputs have individual phantom power and HPF options and each input channel features the renowned 1-knob compressor and 3–band X-pressive EQ with sweepable mid band.

The MGP mixers are housed in a rugged metal chassis with optimized internal construction for minimal noise, integrated rack ears for rack-mounting for fixed installations, and a multi-voltage, internal power supply that allows for worldwide use in any region using 100V-240V.

The new Yamaha MGP mixers will be available this spring at an MSRP of $829 for the MGP12X and $999 for the MGP16X.

For more information on the new Yamaha DXR Speakers, DXS Subs and MGP mixers, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Pro16 Personal Mixing Systems Include All Necessary Components, Offer the Expandability of Any Aviom System for Users

ANAHEIM, CA, JANUARY 19, 2012—Aviom has been the industry leader in providing personal monitor mixing systems since 2001 when it created the category and introduced its A-Net® protocol for digital audio distribution. Today, the company is pleased to announce a series of Pro16® Personal Mixing Systems, debuting at the 2012 NAMM Show, Booth 6720, Hall A. more

Featured Software Tool Facilitates the Creation of Professional Drawings of Custom Panels and More for System Integrators and A/V installers

ANAHEIM, CA, JANUARY 20, 2012 ― The RapcoHorizon Company, a leading manufacturer of audio/video interfacing and cable equipment, is featuring DesignVision, a panel design program created specifically for the company’s network of professional systems integrators, dealers and contractors, at the 2012 NAMM Show (Booth 4558, Hall C). The software allows The RapcoHorizon Company’s professional network to create expert quality custom installation diagrams for A/V installation projects.

Perfect for companies that specify audio and video in permanent installation projects, DesignVision features a simple interface that enables someone with no computer aided design (CAD) experience to create CAD-like setups of custom rack panels, wall plates and floor pocket inserts. The intuitive system speeds up the quoting process and can be downloaded to run locally on any Windows computer, which enables laptop users to access the software from anywhere – including on-site client meetings.

“With the fast-paced world we now live in, our systems integrators, dealers and contractors are always looking for the quickest and easiest way to make their clients happy,� says Darius Seabaugh, vice president of marketing for The RapcoHorizon Company. “The DesignVision software not only provides these professionals with the power of speed but it also ensures expert quality designs. All this, wrapped neatly in one easy-to-use, downloadable interface.�

To create a system design, a user simply selects the preferred panel and utilizes the drag and drop feature to place the desired connectors directly on the panel. By using a basic set of design tools, the user can even create a template for engraving.

When the drawing is complete, the dealer can email a PDF and a completely accurate price quote to the tour manager for approval. Once approved, the integrator can email the same design with its full bill of materials to their RapcoHorizon sales representative. This ensures an expedited distribution of the custom panel to the client.

“With just the click of a button, users will receive fast, accurate quotes,� continues Seabaugh. “This reduces uncertainty and increases the turnaround time that is involved with processing an order.�

The RapcoHorizon Company’s DesignVision software will be available for free download at www.rapcohorizon.com. Users will be required to have a unique login and password, which can be obtained from their RapcoHorizon representative.

The RapcoHorizon Company, located in Jackson, Missouri, is one of the world’s largest manufacturers and suppliers of audio, video, home theater, data and telecommunications cable in both bulk wire and assemblies. Used worldwide by concert touring sound companies, video and sound contractors, recording studios, system integrators, audiophiles and musicians, The RapcoHorizon Company’s products provide optimal flexibility and premium performance. The company’s state-of-the-art Custom Shop can modify existing products or build new devices to meet any need. For more information, please visit The RapcoHorizon Company’s Web site at www.rapcohorizon.com.

ANAHEIM, CA, JANUARY 19, 2012 ― The RapcoHorizon Company, a leading manufacturer of audio/video interfacing and cable equipment, is exhibiting the i-JAM 3-n-1 Smart Phone Interface at the 2012 NAMM Show (Booth 4558, Hall C). The i-JAM 3-n-1 is a three-in-one smart phone solution, ideal for every electric instrument player. In addition to its ability to interface with iPhone apps, such as recording and instructional play software, the i-JAM 3-n-1 also features a built-in amplifier and MP3 play along practice device. more

ANAHEIM, CA, JANUARY 18, 2012—Aviom, the exclusive developer of the world’s most powerful audio transport protocol, A-Net®, will be introducing the SK6 Stage Kit for the AllFrame Multi-Modular I/O System at the 2012 NAMM Show, Booth 6720, Hall A. In addition, the company has released an updated POA80 Power Over A-Net Power Supply Assembly for F6 Modular I/O Frames. more