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Archive of the NAMM Newslink Category

NEW AVIOM AN-16/i v.2 ANALOG INPUT MODULE TO BE INTRODUCED AT NAMM 2013 TO SUPPORT NEW A360 PERSONAL MIXER

ANAHEIM, CA, JANUARY 25, 2013—Aviom, manufacturer of the iconic A-16II Personal Mixer and industry leader in personal mixing, is pleased to announce that it will be introducing the new AN-16/i v.2 Input Module to support its next generation personal mixer, the A360 Personal Mixer, which has also been introduced at NAMM (Hall A, Booth 6720). The AN-16/i v.2 converts 16 line-level analog audio channels to a Pro16e A-Net® digital stream. more

Gepco® Brand Expanded DMX Lighting Solutions Featured at the 2013 NAMM Show

ANAHEIM, CALIFORNIA, JANUARY 24, 2013 — General Cable is pleased to offer its expanded line of Gepco® Brand DMX lighting solutions at the 2013 NAMM Show (Booth #6983) January 24-27, 2013.

Addressing industry demands and customer needs, Gepco has added DLC122 and DLC222 to its Gepco® Brand DLC Series DMX Lighting Control Cables. The new cables are designed with larger 22 AWG power conductors for use in extended distance runs without signal loss and feature an extremely durable and abrasion-resistant, yet flexible, polyurethane jacket. Ideal for heavy production use, rigging and touring conditions, DLC122 and DLC222 join DLC124 and DLC224 in the DLC Series.

The DLC series lighting control cable is a true DMX cable with an exceptionally durable and flexible construction. The series features 120 Ohm impedance, low capacitance, double (foil and braid) shield and color-coded conductors for easy identification. Unlike conventional cables that are not intended for data transmission, the DLC series offers reliable data transfer through its data-specific design. The single- and dual-pair designs of the DLC series accommodate multiple lighting manufacturers’ products, and the DLC222 and DLC224 meet the United States Institute for Theater Technology (USITT) standards for DMX512 cable specifications.

“Gepco and General Cable are happy to respond to customer needs,” said Joe Zajac, Sales and Applications Engineer for Gepco® Brand Products. “The new additions to the Gepco Brand DLC series will provide better performance for DMX lighting control in tough, heavy-production and touring conditions.”

Terminated with industry-standard connectors, the DLC series of cables are available in pre-defined and custom configurations with the option of 3-pin or 5-pin XLR connectors.

General Cable (NYSE:BGC), a Fortune 500 Company, is a global leader in the development, design, manufacture, marketing and distribution of copper, aluminum and fiber optic wire and cable products for the energy, industrial, and communications markets. In August 2009, Gepco International was acquired by General Cable. For more information about General Cable products, please contact your local sales representative or visit our Web site at www.gepco.com or www.generalcable.com.

Gepco International has been an industry-leading brand of studio, stage and broadcast AV cables and cable assemblies for 30 years. As a complete solutions-based supplier, Gepco also offers value-added service and distribution of connectors, cable management products, patch panels, and wire and cable accessories.

Gepco® Brand’s Touring Line of RunONE™ Powered Cables Debuted at the 2013 NAMM Show

ANAHEIM, CALIFORNIA, JANUARY 24, 2013 — General Cable is pleased to announce the expansion of the Gepco® Brand line of RunONE™ Powered Cables to include a version specifically for touring and production use at the 2013 NAMM Show (Booth #6983) January 24-27, 2013.

RunONE™ Powered Cables combine audio and power, along with optional data, under a single durable, yet flexible jacket. With multiple uses for corporations, DJs, lighting rigs and tours, RunONE allows the user to pull a single cable in place of multiple cables, providing a portable and neat solution that saves time and hassle.

Each RunONE cable combines one channel of power with two, eight or 12 channels of 110 Ohm balanced audio for line level, mic level or digital AES audio signals and can be used with self-powered speakers or in DMX lighting control. Additional configurations of RunONE include two channels of Category 5e cable that can be used for data drops in remote power and audio applications. Snakes with optional data can also be used for digital audio transmission while sending power to Front of House (FOH) for remote locations. Shielding around the power channels eliminates power noise from interrupting the audio/data signal, ensuring high-quality performance.

Joining the existing Professional Line of RunONE cables, the new Touring Line was designed with larger-gauge power conductors and an overall shield. The 12 AWG power conductors of the Touring Line provide a lower voltage drop for long distance runs, while the overall shield reduces outside noise often encountered during those longer runs.

Terminated with industry-standard connectors, RunONE cables offer the option of Edison, IEC and Neutrik® powerCON® connectors for the power channel; 3-pin XLR, 5-pin XLR (for DMX lighting), TRS and Neutrik® convertCON® connectors for audio channels; and RJ45 and Neutrik® etherCON® connectors for optional data channels. RunONE cables are available in pre-defined and custom configurations.

“The RunONE cables are a great solution for anyone looking to save time,” said Joe Zajac, Sales and Applications Engineer for Gepco® Brand Products. “Now the RunONE Touring Line also provides a neat solution where extended runs of cable are needed.”

General Cable (NYSE:BGC), a Fortune 500 Company, is a global leader in the development, design, manufacture, marketing and distribution of copper, aluminum and fiber optic wire and cable products for the energy, industrial, and communications markets. In August 2009, Gepco International was acquired by General Cable. For more information about General Cable products, please contact your local sales representative or visit our Web site at www.gepco.com or www.generalcable.com.

Gepco International has been an industry-leading brand of studio, stage and broadcast AV cables and cable assemblies for 30 years. As a complete solutions-based supplier, Gepco also offers value-added service and distribution of connectors, cable management products, patch panels, and wire and cable accessories.

Earthworks Launching 500 Series Preamp at NAMM

Milford, NH, January 21, 2013 –Earthworks will introduce its first 500 Series module, the 521 ZDT at the 2013 NAMM show this week in Anaheim, CA (Booth 6882).

Based on the ZDT Preamp technology designed by David Blackmer, the 521 ZDT brings the exacting standards of the Zero Distortion Technology preamplifiers to the convenient 500 series format, providing a “wire with gain” option to the 500 series rack.

The solid state ZDT 521 features switchable phantom power, polarity invert, and peak amplitude clip detection, just as in the original 1021 single channel ZDT Preamp. The transformerless output stage of 521 ZDT will easily drive long cable runs without loss of quality, making it ideal for remote recordings. Transparent gain is switchable from 5dB to 60dB in 5dB steps.

The Earthworks mic amp topology provides outstanding common mode rejection, excellent overload margin and an incredibly low noise floor, combined with the ultra wide bandwidth of the ZDT Preamps (1Hz to 200kHz +0.5dB) and distortion of less than 1 part per million (0.0001%). This exceptional level of performance is maintained over an extensive range of impedances applied to the input, making the 521 ZDT suitable for practically any microphone – ribbon, dynamic or condenser.
The 521 ZDT is expected to ship Spring 2013.

earthworksaudio.com

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Renkus-Heinz Appoints Scott Leslie to President’s Post

Foothill Ranch, CA, January 2013… Renkus-Heinz is pleased to announce the appointment of Scott Leslie to the position of President.

Leslie comes to Renkus-Heinz from JBL Professional, where he served as Vice President of Engineering. His deep industry background includes stints at a wide range of technology leaders including Sun Microsystems, Tektronix, and Altec Lansing. Leslie is also founder of Evidant Corporation, providers of Business Intelligence for IT solutions, where he has held executive level positions since 2002.

Leslie joins Renkus-Heinz as the company is experiencing unprecedented growth. Despite the economic downturn, Renkus-Heinz has seen a substantial surge in sales and has significantly grown its engineering staff. Leslie’s new position will see him spearheading the company’s continued expansion, working closely with company founder and Chairman Harro Heinz.

“Scott brings with him a wealth of experience in business and marketing, combined with a deep understanding of today’s complex technologies,” said Harro Heinz. “He is the ideal person to assume this position at a very exciting time for us.”

“Renkus-Heinz is one of our industry’s legendary success stories, built on innovation and great leadership,” added Leslie. “My new position represents the opportunity to bring together everything I’ve learned throughout my career, to bring Renkus-Heinz to an even greater level of success.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

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The Super Powers of DiGiCo’s SD7T Propel Batman Live Production

A superhero and cultural icon operating out of the fictional American Gotham City, Batman is assisted by various characters including his crime-fighting partner, Robin in his continuous war on crime. Armed with a keen intellect, detective skills, technology and physical prowess coupled with an indomitable will to fight an assortment of villains from Catwoman to the Riddler, Batman is proof you don’t need superpowers to be a superhero. Adopted for the stage, Batman LIVE is a spectacular live action adventure filled with stunts, acrobatic acts and illusions. The show’s North American circuit started in the fall of 2012, following a popular and acclaimed arena tour throughout the United Kingdom, Europe, and Latin America.

A DiGiCo SD7T at FOH was chosen by the show’s sound designer Simon Baker in conjunction with Clair Global, with a D5 local rack and DiGiCo stage racks connected via 500-feet of fiber optic cable. Two Apple Mac Pro’s with internal RME MADI cards run as hot, swappable redundant show playback machines, running QLab theatre control software enabling 48 channels of playback and flexible MIDI and Timecode programming.

The FOH system handles around 140 inputs overall: 24 channels of Sennheiser RF receivers, 2 x 48 channels of MADI playback, and 16 channels of external effects, as well as 22 zoned outputs to the FOH PA comprised of eight hangs of Clair Global i3 loudspeakers (56 boxes), 12 zones of Clair FF-2 boxes for front-fills built into the stage (26 boxes), two end-fire sub-arrays of Clair BT 218′s (12 boxes) and another 30 outputs for onstage and backstage monitoring in-ear monitors and press feeds. All effects are obtained within the console with the exception of an external Mac Mini running Apple’s MainStage 2 with a RME fireface interface for all vocal effects, and a TLA Audio valve compressor sitting across the vocal subgroups. [Pictured at right: Clair systems engineer Tim Peeling, FOH engineer James Meadwell, PA's Dane Barber and Kevin Leas.]

“The QLab machines send and receive MIDI signals back to the SD7 with pre-recorded Timecode to trigger all video cues, and some of the automation sequences,” says Clair systems engineer Tim Peeling. “We also pass MIDI triggers through the console exiting the stage rack to fire a hundred or so lighting cues. The comprehensive programming options available on the SD7T for this very snapshot-hungry theatre show are extensive. The powerful matrix, including the ability to delay matrix inputs, allows me to time-align the live mics separately to the track and sound FXs within the console. Sonically, the console is great as well, but where the SD7 really wins in this situation is the flexibility of the snapshot programming.”

“The SD7 is being used in a ‘control via MIDI’ mode with each of the snapshots assigned a MIDI value,” adds FOH engineer James Meadwell, who brings extensive experience mixing shows on London’s West End theatre district. “We then configured the desk’s NEXT and PREV buttons via the SD7 Macro page to send out MIDI commands to control the QLab’s Next and Previous functions. This created a loop with the desk triggering QLab, which in turn sent a trigger back to the SD7 recalling the snapshot needed. The music for the show has all been pre-recorded and we were able to get the SD7 snapshots to be recalled at exact musical points within the show. We programmed the QLab so the SD7 ‘reacted’ to the show’s sound cues, which makes mixing the show a very intuitive and enjoyable experience!

“We also used the SD7′s macro buttons extensively,” Meadwell continues. “We created a full set of transport controls for QLab, which meant that we could control both our main and backup machines simultaneously from the surface of the SD7. This was invaluable as it effectively did away with two computer keyboards and helped when cueing up to start from different points within the show. We assigned a whole page of macro buttons to trigger spot sound effects within the show. These were for moments that varied and therefore couldn’t be programmed into a set cue list structure. We assigned a MIDI note value to each macro button, which in turn, triggered a separate cue list of sound effects within QLab. An example of this in the show is where the Scarecrow walks around the stage on giant stilts. We follow his walk playing a sound effect with every step. Every performance is different, which gives the actor the freedom to do whatever he likes. Having the macro button as a sound effect button gives me total flexibility without having to jump around the show’s main cue list. We use the Alias feature heavily as a lot of the characters double up on inputs, so the ability to switch EQ settings between snapshots was great! Overall, I’d say the SD7T is by far the best digital desk for theatre I have ever used.”

DPA Microphones Appoints SeeSound As Its Distributor In Portugal

<img src="http://blog.svconline.com/briefingroom/wp-content/uploads/2013/01%2

Juanes Gets Loud & Unplugged With DiGiCo & 3G Productions

juanes.jpgFollowing the success of his MTV Unplugged special—nominated for five 2012 Latin Grammy Awards—Colombian singer-songwriter Juanes embarked on the Loud and Unplugged Tour for the greater part of 2012 with dates across the United States and Europe. The concerts echoed the intimate yet celebratory tone of the record, on which Juanes was joined by his Latin roots rock band, and guests including more

KanexPro Releases HDBaseT Scaler for Presentation Systems

Introducing the next-generation in ultimate presentation scaling and switching, KanexPro announced today the HDSC12D scaler to its pro-line of high-resolution scalers.
This 12-input high resolution scaler boasts a twisted pair output based on HDBaseT® technology that will compensate for long runs up to 230 feet (70m) while switching and scaling up to 12-inputs. It includes an independent receiver, which extends the HDMI output. Fully HDCP and EDID compliant, this professional scaler can be used anywhere from lecture halls, conference rooms to health care facilities and control centers.

Features:
• Switch & Scale 12-inputs to 2-high-resolution displays
• 4 HDMI + 4 VGA Inputs with 3.5mm Audio
• 1 YPbPr + 1 Composite / S-Video Input with L/R Stereo Audio
• 1 Microphone Input
• 1 HDMI +1 VGA Output with L/R Stereo Audio (For non-HDCP encrypted content)
• 1 HDMI HDBaseT CAT6 STP receiver included
• Extender supports distance up to 230ft [70m]
• Supports scaling input up to 1080p
• 2 x 10 Watt Amplifier
• IR remote control included
• RS-232 & TCP/IP control with third party control systems
• Backed by KanexPro 3 -Year Parts & Labor Warranty

For more information, please visit: http://www.kanexpro.com/item/?id=HDSC12D

Ultimate in Presentation Switching Environments

Milne Stadium Keeps it Contained with Community R-Series

Albuquerque, NM – December 2012….. For nearly 60 years Milne Stadium has been home to generations of Albuquerque’s local sporting events. Recently the 6500-seat arena received a wide-ranging makeover, including a new playing surface, new paint and stucco, and a new audio system featuring Community R-Series loudspeakers.

As Sound and Signal Systems’ William Hartley explains, the stadium’s previous sound system had been problematic for some time. “A few years ago they installed a new scoreboard behind the end zone, complete with a long-throw, single-point line array system. A lot of sound was reflecting off the concrete and glass press box. The problem is, the stadium is surrounded on three sides by the city and the freeway, but the side opposite the press box faces a residential area.”

One of two municipal stadiums serving the Albuquerque School District and surrounding community, the park is busy throughout most of the year. “Sometimes they’ve got two or even three events in a single day,” says Hartley. “So they were getting a lot of noise complaints. It got to the point where they had to turn the system down so low it could barely be heard in the park. It was a compromise that served no one.”

It eventually became a safety issue as well when stadium officials tried to evacuate fans during a lightning storm. “A lot of people couldn’t hear the announcement,” says Hartley. “That’s when the city approached us to find a solution.”

Hartley continues, “We decided to put the speakers on the press box, closer to the audience, and direct the sound down toward the seats and the field.” A pair of R.5-94Z loudspeakers and an R.5SUB subwoofer are mounted on either side of the press box, covering the main seating area and the field. A single R2 long-throw loudspeaker covers the smaller visitor side bleachers. “We took an R2 with a 50 by 20 coverage pattern and flipped it on its side to give us 20 degrees of horizontal coverage and 50 degrees of vertical. We angled it down the field so it’s hitting just the top of the bleachers and none of the houses behind it.” Another R.5SUB augments the R2′s coverage area.

“They’ve got a separate volume control for the R2,” adds Harley. “So they can turn it down if they’ve got a small crowd and don’t need coverage to those seats.” The system is powered by a Bose Power Match amplifier, with a Bose Control Space DSP unit handling system processing.

Hartley says the new sound system has virtually eliminated the neighbors’ noise complaints, while offering a dramatic improvement inside the stadium. “They just love it. They can play music and they can hear the announcements without bothering the neighbors. They’re able to run the system at 100 or 110 dB and you can’t hear it outside the stadium. It’s a really, really full sounding system.”

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Community Professional Loudspeakers is a manufacturer and supplier of professional audio equipment.  Since 1968, Community has led the pro-audio industry with technological innovations which have become industry standards. Today, Community offers over 150 professional loudspeaker products, including installed loudspeaker systems, weather-resistant outdoor loudspeaker systems, ceiling loudspeakers, high level voice paging systems, and portable entertainment systems.  Visit www.communitypro.com for more information. 

 

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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