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KanexPro Releases HDBaseT Scaler for Presentation Systems

Introducing the next-generation in ultimate presentation scaling and switching, KanexPro announced today the HDSC12D scaler to its pro-line of high-resolution scalers.
This 12-input high resolution scaler boasts a twisted pair output based on HDBaseT® technology that will compensate for long runs up to 230 feet (70m) while switching and scaling up to 12-inputs. It includes an independent receiver, which extends the HDMI output. Fully HDCP and EDID compliant, this professional scaler can be used anywhere from lecture halls, conference rooms to health care facilities and control centers.

Features:
• Switch & Scale 12-inputs to 2-high-resolution displays
• 4 HDMI + 4 VGA Inputs with 3.5mm Audio
• 1 YPbPr + 1 Composite / S-Video Input with L/R Stereo Audio
• 1 Microphone Input
• 1 HDMI +1 VGA Output with L/R Stereo Audio (For non-HDCP encrypted content)
• 1 HDMI HDBaseT CAT6 STP receiver included
• Extender supports distance up to 230ft [70m]
• Supports scaling input up to 1080p
• 2 x 10 Watt Amplifier
• IR remote control included
• RS-232 & TCP/IP control with third party control systems
• Backed by KanexPro 3 -Year Parts & Labor Warranty

For more information, please visit: http://www.kanexpro.com/item/?id=HDSC12D

Ultimate in Presentation Switching Environments

Milne Stadium Keeps it Contained with Community R-Series

Albuquerque, NM – December 2012….. For nearly 60 years Milne Stadium has been home to generations of Albuquerque’s local sporting events. Recently the 6500-seat arena received a wide-ranging makeover, including a new playing surface, new paint and stucco, and a new audio system featuring Community R-Series loudspeakers.

As Sound and Signal Systems’ William Hartley explains, the stadium’s previous sound system had been problematic for some time. “A few years ago they installed a new scoreboard behind the end zone, complete with a long-throw, single-point line array system. A lot of sound was reflecting off the concrete and glass press box. The problem is, the stadium is surrounded on three sides by the city and the freeway, but the side opposite the press box faces a residential area.”

One of two municipal stadiums serving the Albuquerque School District and surrounding community, the park is busy throughout most of the year. “Sometimes they’ve got two or even three events in a single day,” says Hartley. “So they were getting a lot of noise complaints. It got to the point where they had to turn the system down so low it could barely be heard in the park. It was a compromise that served no one.”

It eventually became a safety issue as well when stadium officials tried to evacuate fans during a lightning storm. “A lot of people couldn’t hear the announcement,” says Hartley. “That’s when the city approached us to find a solution.”

Hartley continues, “We decided to put the speakers on the press box, closer to the audience, and direct the sound down toward the seats and the field.” A pair of R.5-94Z loudspeakers and an R.5SUB subwoofer are mounted on either side of the press box, covering the main seating area and the field. A single R2 long-throw loudspeaker covers the smaller visitor side bleachers. “We took an R2 with a 50 by 20 coverage pattern and flipped it on its side to give us 20 degrees of horizontal coverage and 50 degrees of vertical. We angled it down the field so it’s hitting just the top of the bleachers and none of the houses behind it.” Another R.5SUB augments the R2′s coverage area.

“They’ve got a separate volume control for the R2,” adds Harley. “So they can turn it down if they’ve got a small crowd and don’t need coverage to those seats.” The system is powered by a Bose Power Match amplifier, with a Bose Control Space DSP unit handling system processing.

Hartley says the new sound system has virtually eliminated the neighbors’ noise complaints, while offering a dramatic improvement inside the stadium. “They just love it. They can play music and they can hear the announcements without bothering the neighbors. They’re able to run the system at 100 or 110 dB and you can’t hear it outside the stadium. It’s a really, really full sounding system.”

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Community Professional Loudspeakers is a manufacturer and supplier of professional audio equipment.  Since 1968, Community has led the pro-audio industry with technological innovations which have become industry standards. Today, Community offers over 150 professional loudspeaker products, including installed loudspeaker systems, weather-resistant outdoor loudspeaker systems, ceiling loudspeakers, high level voice paging systems, and portable entertainment systems.  Visit www.communitypro.com for more information. 

 

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New Renkus-Heinz Distributor for France Announced

Bernay-Vilbert, France – December 2012… Renkus-Heinz is delighted to announce the appointment of a new distributor for France, signing an agreement with leading French distribution company SoundCo to handle the distribution of Renkus-Heinz products for the French market. They will also cover the North Africa countries Algeria, Morocco and Tunisia, on a non-exclusive basis.

With offices in the Paris suburb and a sales agent team, SoundCo offers its customers support throughout the country.

The company works in all of the entertainment technology sectors including the live sound / PA rental market, the MI market (including both online and retail outlets), installation and system integration companies and the broadcast industry, and more besides.

Another string to the company’s bow is the direct import and distribution of pro audio products. SoundCo is the exclusive distributor for France for Lewitt Microphones GmbH, ESI Audio GmbH, M Pro Audio, Violet Audio and DVK Technologies.

Its customers include rental and service providers in the performing arts, corporate and events sectors; integrators and installers; recording studios; broadcast; distributors (direct sales stores and online) and specifiers and end users including engineers and sound technicians, set designers and stage managers.

SoundCo’s key people are Martin Broucqsault, who holds a postgraduate degree in Marketing Management from top business school ESDES Lyon, and a former sales agent for SCV Audio (Harman Pro French distributor) and EVI Audio, dealing with Electro-Voice, Dynacord, Midas and Klark-Teknik. He has strong experience with PA and rental companies and his combined skills provide marketing and sales strategies for the different markets of the pro audio business.

Jérôme Hardy holds a graduate degree in Electronics Applications. A former sales agent for CINECO, the French distributor for Shure, APEX, Symetrix, Celestion and QSC, and SCV Audio, French distributor for the Harman Pro Group with brands JBL, Crown, Soundcraft, AKG, BSS, DBX and Native Instruments, Merging, NTI and more, and was product manager for Audio-Technica.

Håkan Sjöö, Renkus-Heinz European Sales Manager, commented: “We are really delighted to have secured the services of SoundCo. We believe their deep knowledge of the French market, their enthusiasm and their broad customer base will strengthen the Renkus-Heinz brand in the country and enable us to grow into new markets.”

(Photo: Jérôme Hardy and Martin Broucqsault of SoundCo (left) with Ralph Heinz and Håkan Sjoo of Renkus-Heinz) – click for hi-res image

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

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Iconyx Delivers for the Daily Planet

Overcoming a Towering Acoustical Challenge at  North Carolina’s Museum of Natural Science

Raleigh, NC, December 2012.… Already one of the largest facilities of its kind, Raleigh’s Museum of Natural Sciences recently completed work on an impressive new addition: the 80,000 square foot Nature Research Center (NRC). Featuring state-of-the-art labs, research opportunities, and numerous interactive exhibits, the crown jewel of the new NRC wing is surely the SECU Daily Planet, an intensely immersive, three-story multimedia space that engages visitors with a flurry of sight and sound, while offering a powerful message about the wonders of science in our daily lives.

Designed to facilitate both pre-recorded and live content, the Daily Planet’s massive, three-story visual display runs continually-projecting a variety of poetic and informational content to excite the senses. A small stage at ground level also allows for occasional live presentations. The entire Daily Planet exhibit resides in a massive, dome-shaped room with two balcony levels extending seven feet into its center. The three-level design allows visitors to choose from three unique vantage points as they take in any of up to 50 powerful presentations that run throughout the day.

With its unique ellipsoidal shape and vantage points from a main level and two balconies, delivering impactful and immersive audio consistently to all three levels presented numerous obstacles. Rising to the challenge were AV integrators Electrosonic, in partnership with Milford, CT-based SH Acoustics, who created a system centered around Renkus-Heinz’s Iconyx series steerable column arrays.

“Unlike similar spaces – for example, an Omnimax Theater – the Daily Planet needed to accommodate a variety of different formats, including lectures and live performances,” explained Steve Haas, Founder and President of SH Acoustics. “The room’s unique design and its numerous reflective elements created some unique challenges right from the beginning. We knew we couldn’t simply apply tons of sound-absorptive materials because deadening the room too much wouldn’t work well for lectures.”

As Haas observes, the Iconyx steerable beam technology would allow them to more effectively direct the output and avoid unwanted reflections, while at the same time addressing the unique acoustic requirements at all three levels.

The complete Renkus-Heinz loudspeaker complement includes eight Iconyx IC8-R-II steerable arrays for mains, augmented by ten SG61-2R powered two-way systems for surround, with three PN112SUB 12-inch powered subwoofers providing powerful low-end reinforcement.”We decided very early that we wanted to create three different audio experiences on each of the three levels,” explained Haas. “In addition, each level needed to be surround sound, and most importantly, needed to ensure minimal interaction between adjacent levels and the rest of the room. This is where the Iconyx system was a no-brainer.”

Haas elaborates, “The first and second levels each include left, center, and right, as well as four surrounds. On the third level the dome is much tighter, so we opted for just left and right with two surrounds. For low frequencies, we placed all three subwoofers on the second level. There simply wasn’t enough room for discreet subs on each level, so we configured each one as the point sources for the adjacent levels, and delayed the LF signal appropriately from the first level, second level and third level. It actually worked quite well.”

Once installed, Haas and his team were able to take full advantage of the Iconyx system’s beam steering capabilities to dial in the perfect output at the ground floor and both balconies.

“We needed to make sure that we had a very tight pattern-at least vertically-so that the experiences at each level did not interact with each other in any appreciable way.” Haas explains. “We were able to get the second and third levels sounding fantastic with little difficulty. The first level was a bit more challenging, but the Iconyx beam steering, combined, with the careful addition of diffusion materials, made all the difference.”

After the system was configured, Haas worked with the museum production staff to save a number of unique output presets that could be easily retrieved to accommodate different program types.

“There are several different modes including a presentation mode and a media mode,” says Haas. “We even gave the producers the opportunity to have a secondary beam from some of the upper arrays-like from the second level down to the first level-in case they wanted a spot effect or some other secondary sound source.”

In the end the results speak for themselves. The new NRC wing and Daily Planet exhibits are big hits with museum attendees and management alike. And for Haas, this is yet another seemingly impossible acoustic challenge conquered through a synergy of great technology, real-world know how and savvy partnerships.

Haas sums it up: “We like challenges, and we have a very long history of working successfully with Electrosonic on unique projects like this. We absolutely love coming up with unique solutions, and as a technology partner, Renkus-Heinz has always been there with fantastic tools. They’re just great to work with.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

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ENTASYS Delivers Low Profile, Big Sound for Legendary San Francisco Theater

communityproSan Francisco, CA – December 2012….. The Lincoln Highway was the first automobile road across the United States, stretching from New York’s Times Square to San Francisco. Marking the road’s western end, high on a hill overlooking the Pacific and the Golden Gate Bridge, is the California Palace of the Legion of Honor. The building, a magnificent three-quarter-scale reproduction of Paris’ Palais de la Légion d’Honneur, is home to a wide and varied collection of ancient and European art spanning more than 6,000 years.

The Palace is also home to the Florence Gould Theater, an ornate 333-seat jewel box auditorium designed by museum architect George Applegarth. Opened in 1924 as the Little Theater, the venue hosts a regular calendar of concerts, lectures and theater performances.

The theater’s massive columns, rounded walls, and domed ceilings create a breathtaking environment, as well as some legendary challenging acoustics. “The room has no acoustic treatment whatsoever, and an abundance of hard surfaces,” offers Joe Orlando of Atwater, CA-based Commercial Media Systems. “It’s highly reverberant, and spoken word intelligibility is pretty much non-existent.” Commercial Media created the system design and assisted the Museum’s production department with the installation.

“The room works great if you’re onstage and you have a good, theatrical speaking voice,” observes John Anaya, Production Manager for the Fine Arts Museums of San Francisco. “But for amplified sound, the room has some very problematic reflections. In fact, we found that the best seats in the house for sound were in the very back of the theater, while the front rows had terrible sound.”

Over the years, a succession of audio systems has failed to make a significant impact on the problem, until CMS recommended an upgrade to four Community ENTASYS high-performance column line arrays. A pair of ENTASYS full-range columns are mounted on either side of the proscenium, powered by the museum’s existing Hafler amps.

“Due to the room’s architecture we had to mount the speakers much higher than what would have been the optimal height,” Orlando explains. “But the ENTASYS columns enabled us to angle the arrays and focus the sound downward to the seating area, and off the walls and domed ceiling. ENTASYS is really the only system that would have worked in that space.”

“Of course, we were not going to put anything in here that affected the aesthetics of the room,” adds Anaya. “The ENTASYS speakers blend into the space perfectly; they match the walls so well, we find we have to point out to people where the speakers are.”

Anaya sums it up: “It has been like night and day. The clarity in the room is phenomenal.”

Click here to view the video.

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Community Professional Loudspeakers is a manufacturer and supplier of professional audio equipment. Since 1968, Community has led the pro-audio industry with technological innovations which have become industry standards. Today, Community offers over 150 professional loudspeaker products, including installed loudspeaker systems, weather-resistant outdoor loudspeaker systems, ceiling loudspeakers, high level voice paging systems, and portable entertainment systems. Visit www.communitypro.com for more information.

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Community ENTASYS Provides the Audio Solution for the Heilig Hart Church

Boom, Belgium – December 2012….. The Heilig Hart (Sacred Heart) church in Boom, just South of Antwerp in Belgium, has recently had a new Community audio system installed by communication and integration specialist, Zelzate-based Tevean nv.

With capacity for up to 700 people and contemporary architecture, the large open space required good pattern control loudspeakers to avoid the reflective surfaces in the highly reverberant environment. Community ENTASYS three-way, full-range, column-line-array systems were chosen for their ideal wide horizontal and extremely narrow vertical dispersion. As the system is used for music and small concerts, in addition to its prime function of speech reinforcement, compact dual 12-inch Community VLF212 subwoofers were incorporated to extend the low frequency and add powerful bass performance.

Providing flexibility with simple control, Tevean installed a Symetrix Solus 8 open architecture 8×8 DSP with control via a Symetrix ARC-2e menu-driven wall panel remote. A variety of Clockaudio and MIPRO ACT-5 wireless microphones meet the fixed and portable requirements of the church.

Mario Clabots, managing director of the equipment supplier, M-Pro, commented, “The client and visitors are very pleased with the excellent audio quality, wide coverage and sound levels the system provides. It achieves very high intelligibility right to the back of the church and delivers the ideal solution for both speech and music.”

 

 

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Community Professional Loudspeakers is a manufacturer and supplier of professional audio equipment.  Since 1968, Community has led the pro-audio industry with technological innovations which have become industry standards. Today, Community offers over 150 professional loudspeaker products, including installed loudspeaker systems, weather-resistant outdoor loudspeaker systems, ceiling loudspeakers, high level voice paging systems, and portable entertainment systems.  Visit www.communitypro.com for more information. 


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CAD MH510 Headphones Offer Studio Performance And Consumer Style

Solon, OH––The new Sessions™ MH510 professional headphones from CAD Audio have been designed for performers in recording and live audio environments as well as audio enthusiasts who want to experience their favorite recordings exactly as the artist intended.

Growing from a decade long collaboration of CAD’s experience and expertise in the design of professional audio equipment, the MH510 headphones produce a wide frequency response (10Hz – 24kHz) with extended lows, smooth mids and articulate, life-like highs for accurate and natural reproduction.

The MH510’s high SPL capability delivers ample volume while the design provides exceptional isolation ensuring a private listening experience that virtually eliminates bleed through into the playback environment.

In addition to professional specifications and performance, the Session MH510 phones are available in a distinct and modern cosmetic design with four colors––Black, White/Red, Back Chrome and Black/Orange to choose from.

The MH510s feature exceptional power handling capability along with high quality construction to stand up to the most demanding use without sacrificing extended listening comfort. Each headphone is supplied with two cables (coiled and straight) and two sets of earpads to satisfy changing user demands.

Commenting on the new line, CAD Executive Director of Business Development Glenn Roop said, “Given CAD Audio’s acclaimed studio heritage, developing the MH510 headphones was a match made in heaven. The Sessions project was a natural for our design team. We engineered for the highest level of performance with no compromises, and then added some flair and style into the mix.”

MSRP for the MH510 headphone is $159.00

For more information about CAD Audio, please stop by and see us at Winter NAMM 2013 Booth #6632 in Hall A at the Anaheim Convention Center, call 800.762.9266 or visit www.cadaudio.com

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METRIC HALO’S HOLIDAY SALE DECEMBER 10th-25th – UP TO 25% OFF ALL HARDWARE, SOFTWARE & UPGRADES

SAFETY HARBOR, FLORIDA – DECEMBER 2012: Once again, it’s that special time of the year, and once again, Metric Halo is celebrating with deep discounts on all of its hardware, software and upgrades. As of December 10th, Metric Halo’s flagship ULN-8 converter, normally $5,995, will sell for $4,496. Similar discounts apply across the product range: the TEC Award-winning LIO-8 (was $3,995, now $2,996), the 2882 converter (was $1,895, now $1,610), the ULN-2 (was $1,695, now $1,440), a +DSP license (was $699, now $524), SpectraFoo (was $400, now $300), SpectraFoo Complete (was $800, now $600), and a host of hardware upgrades… all up to 25% off. Even Metric Halo’s Production Bundle of plug-ins, now shipping on AU [Mac] and AAX [Mac/Win], is cut from $699 to $524. Individual plug-ins, normally $199, are going for just $149. And just to throw another gift into the mix, Metric Halo is offering its extended bass Thump plug-in for AAX FREE! You can find out more at: http://mhsecure.com/metric_halo/products/software/thump.html

But you must hustle! These amazing discounted prices will only stick around till December 25th. “You know you deserve this,” asserted Allen Rowand of Metric Halo. “Nothing compares to the soul-satisfying gift of beautiful audio, and that’s precisely what you’ll get with Metric Halo’s award-winning converters and software. So get while the getting is good!” Orders received after December 20th will ship on or after January 2nd, and these discounts cannot be combined with any other Metric Halo offers, including educational accounts.

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

Prairie Sun Diversifies From Studio To Stage With DiGiCo SD10

Prairie Sun Live (PSL) sprung from Prairie Sun Recording—a high-end recording facility in Sonoma Country that’s produced music with legendary artists from The Doobie Brothers to Van Morrison and Tom Waits in its 35-plus-year history. Owner/engineer Mark “Mooka” Rennick wanted to diversify his business to provide a superior sonic experience at live events. In searching for a console to more

METRIC HALO’S PRODUCTION BUNDLE GOES COUNTRY

NASHVILLE, TENNESSEE: Gifted producer and engineer Julian King brings an exceedingly rare blend of talent, temperament, and training to all of his projects. He entered the Nashville scene with a music degree, but quickly gravitated to the technical side of music production under the tutelage of engineering greats Chuck Ainlay, Steve Marcantonio, John Guess, and Lynn Peterzell. World-class chops paired with an easy-going personality have earned King jobs with a who’s who-list of country legends and rising stars, including George Jones, George Strait, Waylon Jennings, Willie Nelson, Merle Haggard, Tim McGraw, Vince Gill, Charlie Daniels, Hank Williams Jr., Kenny Rogers, Clint Black, Martina McBride, Randy Travis, Brooks & Dunn, Toby Keith, Trace Adkins, Alabama, The Judds, Chris Young, Lauren Alaina, Casey James, Sugarland, Kellie Pickler, and Tyler Farr, among many others. His engineering on Faith Hill’s crossover sensation Breathe earned King a Grammy, and in total, his work has sold over one hundred million units.

Shortly after moving to exclusively in-the-box mixing, King found Metric Halo’s ChannelStrip plug-in, and he has since used it on almost every single channel of each and every mix he’s done. Recently, he picked up Metric Halo’s Production Bundle of plug-ins and is discovering that a full-course of Metric Halo’s “musical” algorithms and intuitive, results-oriented interfaces will be a benefit to his mixes and workflow going forward.

“I’m very fortunate to be a busy guy, but I don’t work 24/7 – I’ve managed to still maintain a life outside of the studio!” King asserted. Although he admits to working the occasional eighty-hour week, he also frequently enjoys taking time off to play golf or to go on outings with his wife and children. “I have duplicate rigs at home and at Loud Recording,” King said. “I’m able to work flexibly, but perhaps more importantly, I’m able to work quickly. I only use tools that are musical and intuitive.”

When King first entered the business in 1987, he was, of course, mixing on large-format analog consoles. “It wasn’t that long ago that I would work on a mix for a day or two, and then the producers and artists would come to the studio to close that one song with me,” he said. “You could get everybody in one place back then. But these days, everybody’s traveling and it’s nearly impossible to get everybody in one place.” Responding to that trend, King made the move to exclusive in-the-box mixing about six years ago. That way, if he can get everyone involved in one place, they can complete an entire album in a day or two by tweaking his nearly-completed mixes. If he can’t get everyone together, he can post files and dial in the perfect mix via iterations of comments and corrections.

“I discovered Metric Halo ChannelStrip shortly after I started mixing in the box,” said King. “Now I use it on almost every channel of every song I mix. I have a default preset that I created with the most common compression ratios and EQ center points dialed in, but with the threshold all the way up and the EQ flat. It’s very quick and intuitive, and it’s easy to get musical results very quickly. That said, it’s also easy to dig in and make more fine-scale changes. It offers flexible processing and a flexible interface. I can see as much or as little detail as I like.”

He continued, “Of course the sound quality of ChannelStrip is awesome. I wouldn’t use it if it didn’t sound great. It doesn’t impart any unfortunate side effects to the signal. It’s transparent unless I want it to add some color. It’s a bit like a great offensive line – it’s in there day-after-day doing a critical job but it doesn’t get a lot of glory. Among my friends in Nashville, I’m in good company as a ChannelStrip user. Just as I see a lot of the same hardware when I visit different studios, I see a lot of Metric Halo ChannelStrips. I think we all realize we’ve got something solid here.”

King was poking around on the Internet one day recently, exploring options for multiband compression. He wasn’t entirely satisfied with the plug-in he had been using. He happened upon the Metric Halo website and saw that the Production Bundle included Multiband Dynamics, in addition to ChannelStrip 3, HaloVerb, Character (an analog circuit modeler), Precision DeEsser, TransientControl, and Multiband Expander. Given his daily reliance on ChannelStrip, he thought it would be worth a try. “It was an immediate success,” he said. “I modified one of the presets and managed to get some pretty heavy compression that was still quite transparent. It worked well in stereo and surround.”

Although nothing that King has used the Production Bundle on is yet released, there promises to be a torrent in a month or two. He used it to mix the CMA awards tribute to Willie Nelson that featured Lady Antebellum, Blake Shelton, Keith Urban, Tim McGraw, and Faith Hill. He’s using it with in-progress projects for Chris Young, Kix Brooks, Casey James, Maggie Rose, Tyler Farr, and the CMA Christmas special, which features stereo and surround instrumental mixes for Jennifer Nettles (Sugarland), Lady Antebellum, Little Big Town, Dierks Bentley, Colbie Caillat, John Legend, Martina McBride, Scotty McCreery, The Band Perry, Keith Urban, and Katherine Jenkins.

“Unfortunately dynamic range in commercial recordings is almost non-existent and there seems to be an expectation for songs to be nearly full scale from start to finish,” continued King. “My job is to create the impression of dynamics in the mix even if they aren’t really there, as there has to be some lift as you transition from, say, a verse to a chorus. My mentor Lynn Peterzell called this “illusionary dynamics.” The Metric Halo Multiband Dynamics does a great job of keeping things nice and full and musical while still delivering a modern, full-scale output. It does its job, but you don’t sense that it is beating up the music.”

In the short time that he has had the Production Bundle, King has also enjoyed the quick musical results of HaloVerb. “I’ve recently use it to create a space around some studio recorded music that was going to air on TV as though it were live,” he said. “With only a few small, intuitive adjustments, I had HaloVerb sounding really nice. I placed it in the rear channels on the surround mix almost exclusively. Like the other Metric Halo plug-ins I’m familiar with, HaloVerb gives me quick, effective results.

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

For More Information on Julian King, visit: www.julianking.net

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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