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Prism Sound Unveils Atlas – Another New Audio Interface

Internationally renowned manufacturer Prism Sound will score a hat trick at NAMM 2014 when it unveils Atlas – its third new interface product to be launched in just eight months (Booth 7123).

Complementing the company’s existing Orpheus, Lyra and Titan interfaces, Atlas offers the same no-compromise design and acclaimed converter performance that users have long come to expect from Prism Sound’s high quality audio products.

Designed with Prism Sound’s latest and award-winning CleverClox clocking technology and incorporating eight of the company’s popular mic pre’s as standard, this latest addition to the USB interface family is aimed squarely at multitrack recording applications. Atlas offers recording professionals ultimate quality analogue and digital I/O for Mac or Windows PC at sample rates up to 192kHz via a simple USB interface. In addition to the USB host interface, Atlas also features Prism Sound’s new MDIO interface expansion slot, which was first incorporated into Titan and announced at AES New York in October 2013. Using this miniature expansion slot users can, for example, directly connect to Pro Tools|HDX systems. A range of other MDIO interfaces is planned for later introduction. Atlas will also run with Apple and Windows native applications over USB.

Graham Boswell, Sales Director of Prism Sound, says: “The biggest news for Prism Sound customers is that now Atlas, Titan and Lyra all will be capable of aggregated operation in both MAC and Windows PC environments. This makes it possible to link up a number of different units for multichannel applications – for example 24 track, 32 track – or even bigger set-ups – while retaining a USB connection for each unit. In the Windows environment, Prism Sound provide a new driver that aggregates the units and presents a single multitrack interface to your DAW application for I/O routing. This gives our customers enormous choice and flexibility and we are confident that countless more hit records and blockbuster film scores will benefit from Prism Sound’s acclaimed converter performance thanks to the ongoing development of our interface range.”

As with all Prism Sound audio interface products, Atlas has been specifically designed to meet customer demand. The unit draws on Prism Sound’s conversion and clocking expertise developed over many years in products ranging from the AD-2 and DA-2 and the popular ADA-8XR modular converter to Orpheus and the latest releases, Lyra and Titan. It offers eight analogue inputs, eight analogue outputs plus S/PDIF and TOSLINK optical digital I/O ports. The optical ports can also be used for ADAT, giving a single Atlas unit a maximum capability of 18 concurrent input and output channels plus dual stereo headphones.

Atlas also features high quality digitally-controlled preamplifiers – eight for microphones and two for instruments, which are automatically selected when the respective sources are plugged in. An assignable rotary control is provided for monitoring or output level control, which can be applied to any desired set of output channels. In addition, dual stereo headphone outputs are provided, each with its own volume control.

Building on the versatile DSP features of the Prism Sound Orpheus and Titan interfaces, Atlas has a powerful built-in DSP engine which provides high precision input and output conditioning functions, as well as a fully-featured mixer for every Atlas output channel, including ADAT channels. Each output can be driven with its own zero-latency mix of input channels and DAW feeds, allowing flexible performers’ foldback feeds to be created, as well as stereo or 5.1/7.1 surround monitoring feeds, controlled by the front-panel rotary control if desired. Titan’s high quality analogue outputs are ideally suited for use with analogue summing boxes.

All of Atlas’ functions, aside from the front panel monitor and headphone level controls, are controlled from a dedicated Control Panel app, which opens on-screen as a separate panel alongside the user’s existing editing software.

“Launching three new products in less than a year is a record for Prism Sound and indicates our determination to offer recording professionals a wide choice of the high quality, richly featured and competitive tools that they want and need,” Graham Boswell adds. “We are on a roll now, so watch this space because we have even more exciting new products scheduled for 2014.”
Atlas will be officially unveiled at NAMM 2014, which runs from January 23rd – 26th in Los Angeles, USA. For more information please visit www.prismsound.com or visit Prism Sound’s NAMM Booth 7123 for a demo.

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

DPA Microphones Introduces the d:fine™ 66 and 88 Miniature Headset Mics at the 2014 NAMM Show

New mics join the original 4066/4088 and d:fine Headsets in the d:fine family to meet a variety of needs

ANAHEIM, JANUARY 23, 2014 – DPA Microphones is pleased to introduce its d:fine™ 66 and d:fine 88 Miniature Headset Microphones at the 2014 NAMM Show (Booth 7119). These new products join the original d:fine as well as the traditional 4066 and 4088 Miniature Headset Microphones under the company’s d:fine Headset Microphone family. With a contemporary look and feel, the new mics will carry on the sound capabilities of the microphone capsules from the classic 4066 and 4088, and the features of the modern d:fine mechanics, such as an advanced headset mount and flexible ear hooks.

When DPA Microphones launched its d:fine Headset Microphones a few years ago, the company met a market demand, which created a new niche of DPA headset users that did not affect the popularity of the original 4066 and 4088s. Thanks to the strong popularity of both microphone lines, DPA Microphones is now adding the d:fine 66/88 into the d:fine Headset Microphone family.

“We launched the d:fine Headset Microphones a few years ago and selected the name based on a belief that the microphone would define a new generation of headsets,” says Christian Poulsen, CEO of DPA Microphones. “The d:fine certainly did meet our expectations, so we have now decided to expand the d:fine Headset series to include this third solution to give users a broad assortment of headsets and features. Combining the flexibility of our modern d:fine ear mount solution with the sound qualities of the classic 4066/4088 Headsets, fans can choose between a variety of sound handling, size and cleaning options, depending on the intended application.”

Now featuring a total of four capsules, two omnis and two cardioids, and three headset mounts, single-ear, dual-ear and personalized mount, the d:fine Headset Microphones Series offers something for every user and environment.

The new DPA d:fine 88 Directional Headset Microphone and d:fine 66 Omnidirectional Headset Microphone, which is recognized by the rounded capsule/housing of the 4066/4088 predecessors, is intended for use by actors, musicians and singers who require optimal sound and grid cleaning/changing options. The d:fine Headsets that are recognized by their low-profile flat microphone head are perfect for presenters, speakers or hosts who require minimal visual impact. The classic 4066 and 4088 are for users who prefer a more personal fit to the headset mount.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

Gepco® Brand Solutions for Live Music Venues Displayed at the 2014 NAMM Show

ANAHEIM, CALIFORNIA, JANUARY 23, 2014 — General Cable is pleased to showcase its Gepco® Brand solutions for live music venues including RunONE™ Powered Cables and the DLC Series DMX Lighting Control Cables among others at the 2014 NAMM Show (Booth #6983) January 23-26, 2014.

Gepco Brand RunONE™ Powered Cables combine audio and power, along with optional data, under a single durable, yet flexible jacket. Shielding around the power channels eliminates power noise from interrupting the audio/data signal, ensuring high-quality performance. With multiple uses for corporations, DJs, lighting rigs and tours, RunONE allows the user to pull a single cable in place of multiple cables, providing a portable and neat solution that saves time and hassle.

Especially relevant to live music venues, the RunONE Touring Line was designed with larger-gauge power conductors and an overall shield specifically for touring and production use. The 12 AWG power conductors of the Touring Line provide a lower voltage drop for long distance runs, while the overall shield reduces outside noise often encountered during those longer runs. At the NAMM Show, the Gepco booth will highlight the varied applications for RunONE, including self-powered speakers, stage boxes that combine audio and power, and lights using DMX signals.

Gepco® Brand DLC Series DMX Lighting Control Cables will also be displayed at NAMM, including the newest additions to the series, the DLC122 and DLC222. Ideal for heavy production use, rigging and touring conditions, the DLC122 and DLC222 feature larger 22 AWG conductors for use in extended distance runs without signal loss, as well as an extremely durable and abrasion-resistant, yet flexible, polyurethane jacket. The DLC series lighting control cable is a true DMX cable with 120 Ohm impedance, low capacitance, double (foil and braid) shield and color-coded conductors for easy identification. Unlike conventional cables that are not intended for data transmission, the DLC series offers reliable data transfer through its data-specific design. The single- and dual-pair designs of the DLC series accommodate multiple lighting manufacturers’ products, and the DLC222 and DLC224 meet the United States Institute for Theater Technology (USITT) standards for DMX512 cable specifications.

“General Cable is happy to provide Gepco products tailored to touring and live music venues,” said Joe Zajac, Sales and Applications Engineer for Gepco® Brand Products. “The newest additions to the Gepco Brand RunONE and DLC series will provide the best performance in tough, heavy-production and touring conditions.”

In addition to RunONE and the DLC Series, the Gepco booth will display microphone and instrument cables as well as heavy-duty tactical cat 5e and fiber cables with Neutrik® etherCON® or opticalCON® connectors for protocols such as CobraNet®, MADI, EtherSound™, A-Net®, LightViper & OPTOCORE®.

General Cable (NYSE:BGC), a Fortune 500 Company, is a global leader in the development, design, manufacture, marketing and distribution of copper, aluminum and fiber optic wire and cable products for the energy, industrial, and communications markets. In August 2009, Gepco International was acquired by General Cable. For more information about General Cable products, please contact your local sales representative or visit our Web site at www.gepco.com or www.generalcable.com.

Gepco® has been an industry-leading brand of studio, stage and broadcast AV cables and cable assemblies for 30 years. As a complete solutions-based supplier, Gepco also offers value-added service and distribution of connectors, cable management products, patch panels, and wire and cable accessories.

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DRAWMER’S TEC AWARD-NOMINATED MC2.1 MONITOR CONTROLLER SHOWCASED AT WINTER NAMM

LAS VEGAS, NEVADA – JANUARY 2014: Whether it’s at the recording stage, the mixing stage, or the mastering stage, Drawmer MC2.1 Monitor Controller gives engineers all of the tools they need to deliver great recordings that will translate anywhere. It has two essential assets that are rarely found together. First, the MC2.1 Monitor Controller is designed and quality-controlled to provide a pristine, ultra-low distortion signal path and amplification stage that transparently conveys the signal at its selected input from 20Hz to 40kHz, +/- 0.2dB. Second, it provides comprehensive I/O selection to permit quick, benchmarked comparisons across four inputs, three loudspeaker outputs (with an additional mono output), and two headphone outputs. All outputs have individual left/right trims to permit perfect volume matching. A talkback microphone and comprehensive mix-checking controls (left/right cut, phase reverse, mono, dim, and mute) complete the MC2.1 Monitor Controller’s feature set.

“Everyone knows that if you can’t properly hear what you’re recording, mixing, or mastering, you can’t be sure that the end result will hold up,” said Brad Lunde, president of TransAudio Group, the U.S. distributor of Drawmer’s legendary and growing line of signal processors. “The new Drawmer MC2.1 Monitor Controller was painstakingly designed by Ivor Drawmer and his team of engineers to possess brutally honest circuitry that will reveal every nuance at its input, both the good and the bad. Moreover, its comprehensive collection of inputs, outputs, and mix-checking features will speed an engineer’s workflow and make referencing different loudspeakers and headphones easy. This is a significant advancement over the status quo of comparable products.”
US-MSRP $650.00

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.www.transaudiogroup.com

STOP BY AND SEE US AT NAMM 2014, BOOTH #6945

API ANNOUNCES THE WEST COAST DEBUT OF “THE BOX” AT NAMM – PLUS THREE NEW 500 SERIES MODULES

JESSUP, MARYLAND – JANUARY 2014: API’s professional project studio console, THE BOX, was the hit of AES in New York City, and now API showcases it at NAMM 2014 in Anaheim, California to the west coast recordists. THE BOX is the ideal analog console for small studios that are centered on DAWs, providing four input channels with preamps and processing; sixteen channels of classic analog summing (twenty at mixdown); cue sends with talkback; and monitor control. Most importantly, THE BOX uses the classic discrete analog circuitry that is found in all of its products, including the 1608 small format console and the Legacy Plus and Vision large-format consoles.

API also debuts three new 500 Series products at NAMM: the new eight-slot 500-8 lunchbox®; the 505 DI direct input, which like the module-based API 205, accepts a guitar, bass or keyboard direct input while minimizing any loading effect on Hi-Z instrument pickups; and the 565 Filter Bank module with circuits that are true to the musical filters of the famed 215 module found in large format API consoles.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment. www.apiaudio.com

STOP BY AND SEE US AT NAMM 2014 BOOTH #6204

DPA Microphones Debuts Shiny Facelift for d:facto™ Vocal Mic at the 2014 NAMM Show

ANAHEIM, JANUARY 22, 2014 – DPA Microphones is unveiling new grids with gold and nickel finish for the d:facto™ Vocal Microphone at the 2014 NAMM Show (Booth 7119). The new grids are available as accessories to existing systems and can be purchased as metal grids only or as total solutions with foam and pop screen. Additionally, the nickel option matches the finish available on the Sennheiser 2000, 5200 and 9000 wireless mic systems and comes complete with corresponding adapters.

“We are very excited to present the new gold and nickel d:facto grids for the first time ever here at the NAMM Show,” says Christian Poulsen, CEO of DPA Microphones. “We saw a demand in the market to attain the d:facto sound with more than just the traditional black adapter systems, and now we have just the solution with the d:facto, which follows DPA’s continued commitment to providing the best vocal microphone on the market.”

With a true studio sound for the live stage, the d:facto line offers an extraordinarily natural sound with high separation and extreme SPL handling, giving users unlimited possibilities for their performances. In addition to use with the wired DPA handle, the d:facto II provides singers and engineers with the added benefit of a state-of-the-art adapter system, which allow for seamless integration with many professional wireless systems. With these latest color options are sure to make the d:facto even more popular among live sound engineers.

With its superb linearity in frequency and phase, both on- and off-axis, the d:facto offers impressive definition and accuracy in reproducing a singer’s voice effortlessly, improving audio performance. Its simple plug-and-play features allow it to reproduce an extraordinarily natural sound, capable of achieving the extreme sound level handling of 160 dB. As with all DPA mics, the d:facto provides superior gain before feedback and a robust three-stage pop protection grid built into the microphone to remove unwanted noise. It also boasts exceptional isolation from handling noise as well as the ability to accommodate extreme sound levels.

The new gold and nickel grids will be available starting February 2014.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

DPA Microphones d:vote™ Instrument Mic Giveaway Announced for the 2014 NAMM Show

All attendees are invited to visit company booth and enter for their chance to win

ANAHEIM, JANUARY 20, 2014 – DPA Microphones, the manufacturer of high-level reference and headset microphones, is giving away three d:vote™ 4099 Instrument Microphones at the 2014 NAMM Show (Booth 7119). Show attendees are invited to stop by the DPA Booth Thursday, January 22, Friday, January 23 and Saturday, January 24 to enter the contest. Applicants will receive a signature DPA Microphones pin to indicate their submission. DPA will select and announce the winner at 4 p.m. on each of those three days. Attendees must be present and wearing the pin to win the microphone.

Despite its tiny, discreet size and lightweight design, the DPA d:vote is rugged and stable, featuring a versatile and extendable gooseneck, sturdy shock mount and a detachable cable, making it perfectly suited to the rigors of touring and live performance. Intended for fast-paced performance settings, users can easily unclip, reposition or move it to another instrument with just one hand. The d:vote’s microphone mounting system itself is designed to be extremely gentle, never marring the finish of an instrument.

The d:vote’s condenser mic features a supercardioid polar pattern for highly uniform off-axis frequency response and superior gain before feedback. Capable of handling high sound pressure levels, these microphones live up to DPA’s pedigree of breathtaking clarity and richness. Additionally, the d:vote’s MicroDot-XLR connector and variety of adapters ensure compatibility with virtually any wireless system. The product can also be used as a standard 48V phantom-powered microphone via its supplied XLR connector.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

RF VENUE AND PROFESSIONAL WIRELESS PARTNER ON INNOVATIVE PRODUCTS AND SERVICES

ASHLAND, MASSACHUSETTS – JANUARY 2014: In a unique supply agreement, RF Venue remote antennas, RF distribution equipment, and other accessory products for wireless microphones, IEMs, and intercoms are now available through Professional Wireless Systems, a Masque Sound company.

“Professional Wireless’ team is among the elite groups in wireless audio system configuration, coordination, and management worldwide,” commented RF Venue CEO Chris Regan. “We are thrilled to add our products to their RF toolkit and now be able to offer our customers the best in class frequency coordination and onsite RF services.”

RF Venue’s innovative Diversity Fin, RF Spotlight, and CP Beam antennas represent all-new approaches to solving signal dropout and interference problems for wireless audio systems of all sizes. Professional Wireless offers a complementary range of RF hardware and software systems in addition to a wide range of consulting, design, and show management capabilities.

“Quite simply we found kindred spirits with Chris and his team at RF Venue,” stated Geoff Shearing, president of Masque Sound and Professional Wireless. “We share a passion for solving RF problems for users of wireless audio products and I am greatly looking forward to the exciting things that will come from this collaboration.”

ABOUT PROFESSIONAL WIRELESS SYSTEMS As a wholly owned subsidiary of Masque Sound, Professional Wireless Systems specializes in developing brand new gear for the increasing demands of RF equipment. PWS supplies and supports wireless systems for any kind of live and broadcast event. www.professionalwireless.com

ABOUT RF VENUE RF Venue is a new wireless audio company specializing in remote antennas, RF distribution equipment and RF signal management and monitoring systems for audio/video installations and live sound events. www.rfvenue.com

Earthworks PianoMic™ and Mason & Hamlin Model A Make Beautiful Music Together at NAMM 2014

Milford, NH – Earthworks, manufacturer of the revolutionary PM40 PianoMic™ System, and Mason & Hamlin, one of America’s oldest and most respected piano manufacturers, are teaming up at NAMM (Booth 6882).

The Pianodisc® equipped Mason & Hamlin Model A will be on display at the Earthworks booth for attendees to not only admire the handcrafted piano, but also to listen to the through the Earthworks PM40 PianoMic™ System.

At 5’8″, the Mason & Hamlin Model A grand is widely regarded as the biggest sounding piano under 6′ in the industry and a perfect piano to demonstrate the wide frequency response of Earthworks High Definition Microphones™. It is equipped with a PianoDisc iQ player system with new ProRecord optical key sensors. This player system features high-definition playback with 1024 levels of expression on each note. It interfaces with Apple iOS and Android devices and is operated wirelessly.

The Earthworks PianoMic™ System was engineered to revolutionize piano miking and achieve an incredible improvement in piano sound for live and recording applications with no mic stands or booms. This innovative design allows near-perfect closed lid piano miking. The PM40 combines breathtaking realism through two 40kHz random incidence omni microphones. It also provides more gain-before-feedback, significantly less leakage from surrounding instruments and the same pristine sound quality with the piano lid either up or down.

The Pianodisc® equipped Mason & Hamlin Model A miked with the Earthworks PM40 PianoMic™ System, along with the rest of the Earthworks product lineup, will be at The NAMM Show in Anaheim, January 23-26, Booth #6882. Visit Mason & Hamlin / PianoDisc at NAMM, Convention Center 3rd Floor, Booth #521.

earthworksaudio.com
masonhamlin.com

NOMINATED FOR TWO 2014 GRAMMYS, MIX ENGINEER GARY NOBLE GOES WITH METRIC HALO’S 2882 INTERFACE, PLUG-INS AND SPECTRAFOO

SAFETY HARBOR, FLORIDA – JANUARY 2014: It’s been a busy year for Grammy Award-winning mix engineer and avid blogger Gary Noble. His two highest-profile projects each earned a Grammy nomination for Best Urban Contemporary Album. The first nominated work is Mack Wilds’ New York: A Love Story, which was released earlier this year on Louder Than Life/Sony Music. Producer and frequent collaborator Salaam Remi brought that project to Noble for mixing, and he also asked Noble to mix three of the tracks on his own work, ONE: In the Chamber, which was released on Flying Buddha/Masterworks and also earned a Grammy nomination. For the latter work, Noble mixed Remi’s collaborations with Ne-Yo, Corinne Bailey Rae, and Stephen Marley. As always, Noble relied on his Metric Halo 2882 interface for monitoring and 80-bit summing; the Metric Halo Production Bundle plug-ins for flexible, great-sounding processing; and Metric Halo SpectraFoo sound analysis software to ensure the technical perfection of his work.

For both projects, Noble mixed at either 88.2kHz or 96kHz, depending on the recording rate. In a few cases, the original material was recorded at 44.1kHz or 48kHz, and Noble up-sampled the files to the higher rates for consistency. “I’ve been using my Metric Halo 2882 on a daily basis for a decade, and it has worked flawlessly,” Noble said. “Metric Halo has been great about keeping it up to date; working at higher sampling rates is never a problem. The only problem I ever experienced wasn’t the unit’s fault… a bus-powered FireWire drive had a bad port and damaged the 2882. I shipped it to Metric Halo and had it back in fine order a few days later with a 2D upgrade.” Although he admits it is a bit of a cliché, Noble states that his 2882 is like a Swiss Army Knife. He can use it for all things audio wherever he goes, including hotel rooms. Several of the tracks on New York: A Love Story and ONE: In the Chamber progressed in hotel rooms with the help of the 2882 and a pair of good headphones.

The Metric Halo Production Bundle of plug-ins played a prominent role in Noble’s Grammy-nominated mixes. The most creative use was perhaps to help Mack Wilds’ vocals pop against the backdrop of a luscious recording of a full orchestra. “The Multiband Dynamics plug-in is great for sounds that take up a lot of space,” Noble said. “The orchestra tracks were huge and beautiful, and I didn’t want to sacrifice that. But at the same time, Mack’s vocals had to figure prominently in the mix. I used Multiband Dynamics to carve out a space from the orchestra to make room for Mack.” Noble also used HaloVerb to liven up tracks that needed it and Character to impart an organic, analog feel to tracks that sounded too digital by themselves. Of course, Noble’s longtime favorite plug-in, Metric Halo’s ChannelStrip, played a prominent role as well, providing analog-sounding equalization and flexible dynamics processing on almost every channel.

Metric Halo SpectraFoo is an indispensible part of Noble’s workflow, and these two Grammy-nominated albums are no exception. “I always run SpectraFoo in the background when I mix,” he said. “And I always check it to see that what I’m hearing is accurate, and it’s especially useful in unfamiliar rooms. It’s not uncommon to have the low end sound okay in the room, but SpectraFoo shows me that it’s too much or too little. It’s a good reference that’s free from the variables that can affect sound in a particular room.”

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

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