A virtual press conference from Sound & Video Contractor

Archive of the NAMM Newslink Category

RF Venue Releases RF Explorer® RackPRO™

ASHLAND, MASSACHUSETTS: Boston-based wireless audio manufacturer RF Venue has released the RF Explorer® RackPRO™ a unique hardware/software spectrum analysis platform designed to manage and monitor any size wireless audio system from a USB-connected laptop or directly onboard a wireless equipment rack. The RackPRO is the first easy-to-use, affordable RF spectrum analyzer in a standard 1-RU housing with included RF coordination, monitoring, and management software all available from RF Venue.

“The ability to visualize, monitor and manage RF has never been more critical as the wireless spectrum becomes a more hostile and unpredictable place for wireless mics and IEMs,” says RF Venue CEO Chris Regan. “To date this capability has been limited to expensive test equipment and the expertise of trained RF system coordinators. We are thrilled to finally bring this capability to the broader wireless audio market in a system tailored for live production and installed sound.”

The RackPRO can provide a quick assessment of RF activity in standalone mode via an onboard LCD screen and front panel hardware controls, or connected via USB to a Windows or Mac computer for expanded functionality. With the included Clear Waves software, users can see spectrum activity in their venue, calculate sets of intermodulation distortion-free frequencies, and export it all to PDF report files or to compatible Shure® Wireless Workbench® and Professional Wireless Systems® IAS file formats. Individual transmitter frequencies can also be labeled and monitored to catch dropouts or interference before they ruin a performance.

“Clear Waves strikes the right balance between ease-of-use and powerful functionality for Windows users. We will also soon be releasing a RackPRO compatible native application for Mac OSX,” continues Regan. “For our dealers and customers routinely frustrated by the unpredictable nature of wireless audio systems, the RackPRO will provide greater reliability and long overdue peace of mind.”

The RF Explorer RackPRO is now shipping and is priced at $849 MAP. For ordering information or to join the fast growing community of RF Venue dealers, visit www.RFVenue.com or call 1-800-795-0817.

ABOUT RF VENUE RF Venue is a new wireless audio company specializing in remote antennas, RF distribution equipment and RF signal management and monitoring systems for audio/video installations and live sound events.
www.rfvenue.com
Contact RF Venue at 800-795-0817 or email orders@RFvenue.com for further details.

FORT WORTH BUILDS ITS STUDIO PROFILE WITH AN API 1608 CONSOLE

FORT WORTH, TEXAS: Over a span of 25 years and growing out of two previous studios, producer/engineer/studio owner Bart Rose has made his presence known in the Texas music scene through what is now called Fort Worth Sound. The studio works with both bands and singer/songwriters ranging from rock, country, blues and jazz. A new 1608 console by API completes the transformation of Fort Worth Sound’s Studio A, which has been a project in the making since 2008.

It took years to complete the construction of Fort Worth’s Studio A. “I wanted a console with amazing analog character, a small-ish footprint, and great reputation in the production world,” shares Bart. “There had been times when a prospective client looked at my control surface and asked ‘where’s the console?’ We think you will agree that Fort Worth Sound is one of the finest recording studios in the North Texas area.”

Studio A, which houses the 1608 console, accommodates the majority of the album recording and mixing projects. Since purchasing the console, Bart has used the console for several recording sessions. “I love the sound of the preamps. Just having amazing preamps with a high-pass filter yields great results on tracks that don’t need EQ.” Bart takes the sound coming from the studio into great consideration. The main recording room for Studio A has twelve-foot ceilings, independent climate control for each room, and floating floors to avoid low-frequency rumble from city traffic.

Since 2008, Fort Worth Sound has worked with major artists including The Toadies, Los Lobos, and Pat Green. Soon after the 1608 commissioning, the studio hosted a very successful two-night open house, where past and perspective clients were shown the new capabilities of Studio A. Bart has confidence that the purchase of the 1608 will diversify his studio profile. “I have a feeling this console will attract clients who wouldn’t have recorded with me before I had an analog console on the front end.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

(PHOTO CAPTIONS) (TOP) Bart Rose with the API 1608 console in Fort Worth Sound’s Studio A. (BOTTOM) FortWorthSound_StudioA.JPG: Studio A at Fort Worth Sound.

METRIC HALO ULN-8’s FRONT IMMERSIVE IDEAL – A RECORDING SESSION ON DISPLAY AT D.C. AREA MUSEUM

ARLINGTON, VIRGINIA – APRIL 2014: Beauty Pill is the musical brainchild of veteran producer and engineer Chad Clark, who founded the band in 2001 shortly after the dissolution of Smart Went Crazy. Both bands have received heaps of critical praise from outlets local to Washington D.C. and from the national press. Solid songwriting has turned Beauty Pill’s on-again/off-again status into something that promotes, rather than detracts, from its cult following. Beauty Pill recently teamed up with the Arlington, Virginia-based Artisphere museum to take on a unique artistic, musical, and sociological experiment. The band set up in a large room inside the museum with a windowed overlook and spent two weeks on display recording an album. Although they went in with racks of borrowed A-list studio gear, their initial recordings fell flat. It was only after Clark stripped everything down to just his Metric Halo ULN-8 interfaces that the recordings came alive, a testament to the ULN-8’s fantastic sound.

“Artisphere initially approached me to ask if I could do something ‘musical’ in the museum’s beautiful space,” explained Clark. “I was touring around, trying to come up with some ideas, when they showed me a large room with a window that overlooked it. It reminded me of Abbey Road Studio 2, where the Beatles made a lot of famous recordings. That put the idea in my head to do a recording there. It would be live in the sense that people would be watching us, but my plan was to record exactly as we would in a normal studio… including all of the discussions, overdubs, and the like. I thought it would interesting for the public to see that process – I have some non-musician friends who seem to think an album is made in almost the time it takes to listen to it!”

A musician first, Clark happily fell into engineering and production when other bands in the D.C.-area approached him because they liked the sound of Smart Went Crazy. He quit his day job in 1998 and spent nearly a decade between now and then as a mastering engineer at Silver Sonya. These days, he works mainly as a mix engineer, where he finds his passion for music is best nurtured. “It was working with Beauty Pill that first got me interested in the Metric Halo ULN-8,” Clark said. “It seemed to fit what I needed and what the band needed. Although I have nothing against low-fi recordings, I have no romance for them. I like sound that is vivid and the descriptions of the ULN-8 conveyed that idea. It’s turned out to be completely true – the ULN-8 is a miracle device! It’s incredibly flexible, and everything I record with it sounds amazing.”

Nevertheless, when someone goes to do a big studio recording – especially one that will be on display – there are certain preamps with legacies deep in the recordings of the late 1960s that engineers naturally assume will be the best choice for a rock record. With the help of friends at local studios, Clark amassed a rack of the choicest analog preamps and processors available. “We mic’d everything up with the best mics for each application and ran them to the textbook pro preamps that engineers have been using for decades,” he said. “The initial recordings were okay, but they weren’t fantastic. We all agreed that they fell kind of flat. So we simplified the mic’ing and pulled out all those great preamps, relying entirely on the Metric Halo ULN-8s for preamps and conversion to 24-bit/88.2kHz.”

He continued, “It was a revelation. The sound came alive. It was vivid and tactile. The ULN-8 preamps are just stellar. That was a convincing test, and now I never wonder about using anything but the ULN-8s now. I think it’s worth pointing out that although Metric Halo’s use of the term ‘archival quality’ is totally appropriate, it shouldn’t give anyone the idea that the ULN-8 is only for purists or documentary recording styles. Beauty Pill’s Artisphere recording is far from documentary. We use all kinds of overdubs and textures and found sounds. The quality of the ULN-8 simply makes that mode of recording more vivid and involving.”

Some of the band’s friends advised them against the experiment, citing YouTube’s “comment culture” as an example of how mean people can be when a band is vulnerable. “I suspect that if we had streamed the installation or posted video, things might have gotten ugly,” said Clark. “But the people who came to the exhibit were completely supportive. Sure, there were some uncomfortable moments when we were arguing amongst ourselves, but I mainly felt empathy from the window. They were wishing us well. It was an encouraging experiment!”

Ultimately, Immersive Ideal ran as an interactive multimedia photography and music exhibit with pictures from the recording sessions paired with a surround-sound mix of the final versions. Beauty Pill anticipates releasing it as a conventional stereo recording in the fall.

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

Third Person, First Rate Projection: TDC delivers tech and crew to ground-breaking Australian movie production for TEDx Sydney

@ John Was A Good Man’, Mark & Kara Photography.

@ John Was A Good Man’, Mark & Kara Photography.

Delegates at the forthcoming TEDx Sydney conference on Saturday 26 April are set to be wowed by a breakthrough film by Kate Kazokas and Lucy Adelaide – thanks in no small part to projection technology and technical support services supplied by the TDC – Technical Direction Company.

Titled ‘John Was A Good Man’, the short film features prominent talent from across Australia including Jane Caro, Dr Karl, Paul McDermott, Matt Moran, Andrew O’Keefe, Turia Pitt, Jessica Tovey, Urthboy and Fred Nile. Each of the participants tells a short eulogy of their lives to date, using the third person and with video images of themselves being projected onto their own faces to heighten the sense of self-analysis.

“For ‘John Was A Good Man’ we’ve opened a conversation with renowned creative and industry professionals, challenging them to be honest, lie brutally and get creative,” explained Kazokas, who is the film’s co-creator, director and producer.

In order to create what Kazokas and Adelaide called “a combination of ‘light, shadow and abstraction that defined the German Expressionist movement,” each individual story came to life by blasting full-frame colour images onto subjects faces to create the abstraction that they wanted. The film was recorded over three days at Luxe Studios, Darlinghurst, Sydney.

“Using high-brightness video projection also allowed our participants to be confronted with ‘the self’ as they stepped into the light and were confronted with their own mortality,” added Kazokas. “Their responses were varied – many were humorous, some were absurd. All provided a strong insight into self-reflection.”

Michael Hassett, founder and Managing Director of TDC, commented: “From a technical point of view this was a project that sounded simple but was really quite challenging. There aren’t many video shoots where you are required to mount a projector behind the camera and fire the image directly onto the subject that’s being recorded – yet that is exactly what Kate and Lucy wanted us to do.

“The result is a truly stunning piece of film-making which we were delighted to facilitate with our technical expertise, high-quality AV technology and attention to detail.”

Between presentations at TEDx Sydney, Kazokas and Adelaide will speak live about the project as part of the TEDx The Studio series. The film’s debut will be especially poignant to TDC, given that the conference is being held at the Sydney Opera House – a venue the company is very familiar with, having supplied architectural projection to fire images onto both sides of the iconic structure as part of last autumn’s Royal Australian Fleet Review Spectacular celebrating 100 years since Australia welcomed their Naval Fleet into Sydney Harbour.

For those not attending TEDx on Saturday, 26 April, the event will be live streamed at TEDxSydney.com/LIVE. Viewers will be able to tune in to watch ‘John Was A Good Man’ at around 11:15 with a Q&A at around 13:00 (Sydney, Australia local time).

TDC staff working on this project
Isaac MacKenzie – Projectionist
Kain Jones – Special Project Manager

TDC equipment supplied
Barco projectors
Dataton WATCHOUT™ multi-image display and presentation software from Interactive Controls.

About Technical Direction Company – TDC
Established in 1981, TDC’s expertise is in providing video technology solutions for major TV shows, theatre, corporate events, concert touring, exhibitions and outdoor events. Holding one of the largest stocks of high-end video equipment including LED, projection, displays and HD camera systems, TDC is the preferred provider of technical solutions for the top designers, producers, and production companies across the Asia Pacific region.
www.tdc.com.au

TRUE COLOURS MIXES BIGGER PROJECTS WITH THE BOX® FROM API

PADUA, ITALY – APRIL 2014: Located in one of the oldest towns in northern Italy, True Colours Studio is dubbed a ‘well-heeled project’ by owner Mauro Santinello. What began in 2005 as a single recording and control room has now grown into a facility with three recording rooms for commercial audio projects, jingles, and most recently some major Italian recording artists. To accommodate the needs of its growing presence in the music scene, True Colours has added THE BOX® to its studio, citing its “high quality manufacturing, and the unique API sound”.

Mauro wanted a project console that would provide a cost-effective, versatile solution to handle the needs of his growing studio in the decades to come. Along with his booming presence in the recording artist scene, True Colours has a growing demand for complete post-production, musical arrangements, and the creation of music for movie productions and short films. “I chose THE BOX because it represents the right console for a modern studio.”

The small-format recording and mixing console offers features that are not provided by most DAWs, including mic preamps, input signal processing, a high-quality mix bus, cue sends with talkback, and monitor control – all in a compact and versatile package. True Colours has a growing number of external preamps, EQs, and compressors, which includes some existing gear from API. The ability to personalize setups was a major factor that drew Mauro to THE BOX. “I didn’t want a big console with 32 preamps and 32 EQs that are all similar.”

True Colours mixes and records music of all genres, with only metal and electronic music yet to make the list. The crew has recorded a wide-range of Italian artists including famed singer Zucchero, piano master Stefano Bollani, and jazz trumpet player Enrico Rava. Most recently, Mauro used THE BOX for a session with singer Alberto Micaglio, whose acoustic presence is expanding from Italy, to London and New York. He has an album due out later this year.

“I have always wanted to buy an API console,” admits Mauro. “THE BOX offers a high-quality analog sound, and no compromises.”

ABOUT API (AUTOMATED PROCESSES, INC.)
Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

FUX PRODUCTIONS TAKES METRIC HALO PLUG-INS AND INTERFACE THROUGHOUT THE FRENCH COUNTRYSIDE

LYON, FRANCE – APRIL 2014: Still remarkably early in his career, Julien Collier wears many hats as a musician and sound engineer. He is a multi-instrumentalist, a composer, and an arranger; he is a sound designer, a producer, and a director; he is a recording engineer, a mix engineer, and a mastering engineer; and he is a live tech, a FOH engineer, and a monitor engineer. On the side, he works as a music coach and artist developer! Collier borrowed his alias, Fux, for the production house he established in Lyon, France. Fux Productions contains a recording studio, a composing studio, and a rehearsal room, along with Collier’s extensive industry connections. Clients have access to professional musicians of all stripes, composers, sound engineers, producers, videographers, and more. Across all those wide and varied activities, Collier relies on his Metric Halo 2882 interface and Metric Halo plug-ins for almost everything. They are his pro audio equivalent of a Swiss Army knife!

Collier’s list of clients includes many French independent labels, as well as majors such as Sony, Universal, and Warner. A few of his most recent studio projects include work with Romain Ughetto, Chasing After Time, 99 Ways to Die, and Green Money. For all of those projects, he served as producer, tracking engineer, mix engineer, and mastering engineer, and on many of them he also helped with composition and performance. “A lot of important decisions are made during the tracking,” he said. “It is critical to get the recording into the computer in the best way possible because once it becomes digital, it stays digital. I use my Metric Halo 2882 for everything. It has excellent preamps and flexible input and output routing. It’s just as useful in the studio as it is on stage, where I often use the 2882 to mix in-ear monitors. The software and hardware is very stable, and I am comfortable using it live without a problem.”

Collier’s appreciation for the 2882 made him curious about Metric Halo’s other products and inspired him to get the company’s Production Bundle, which is a complete collection of Metric Halo plug-ins. “Like the 2882, the Production Bundle is now completely integrated into my workflow,” he said. “I use Metric Halo plug-ins on everything and in every situation. They are very flexible and allow me to handle everything from subtle track correction to creative coloration and effects. I use ChannelStrip 3 to clean up my tracks with equalization, compression, and filtering. I love that the plug-in has a great deal of precision – when I adjust a parameter, I really feel it directly. The Character plug-in models different signal paths and gives me a great sound that I use all the time. I use two variants of HaloVerb on most of my productions, which combine together nicely without using a lot of DSP resources. I use the Precision DeEsser on all my vocals and on other shrill instruments, like keyboards or hi-hat. Finally, I use the Transient Control on all of my percussion and drum tracks which gives me fine-grain control of dynamics, attack, and power. It’s also often useful on acoustic and electric guitars and is a lot more reactive than other plug-ins of its type.”

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

DANLEY SOUND LABS HOSTS TRAINING SESSIONS FOR INTERNATIONAL DISTRIBUTORS

GAINESVILLE, GEORGIA – APRIL 2014: Danley Sound Labs, manufacturer of innovative loudspeaker and subwoofer solutions for high SPL applications, hosted an ongoing series of training sessions for its growing team of international distributors. Key members of Finnish distributor LF Imports came to Danley’s Gainesville, Georgia headquarters in February, followed in March by members of Singapore distributor The Soundsmith and German distributor Carsten Eichstaedt-BLL-Veranstaltungstechnik. Participants engaged in critical listening exercises across a wide range of Danley products, from the flagship SH-50 loudspeaker and BC-415 subwoofer, to the company’s latest offerings, the lobe-free columnar SBH-10 Skinny Big Horn loudspeaker and the fully-weatherized OS-80 loudspeaker. Participants also learned the finer points of Danley’s free, easy-to-use DDT 2D & 3D system modeling software.

“We are developing the international side of Danley and are actively seeking new distributors in key geographies around the world,” said Jonathan “J.P.” Parker, Danley’s director of sales. “We realize that education is critical because, although Danley gets a lot of favorable press, decisions are made on a project-by-project basis, and making decisions about audio is often subjective. After going over the technology behind Danley’s product line, these training sessions give our distributors a frame of reference for the aspects of sound that they – and their customers – should be listening for. Once they have that frame of reference, it’s much easier to explain and show through a demo why Danley offers the better solution. We hope our international distributors can take that knowledge home and effectively convey it in their own culture and language.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.
www.danleysoundlabs.com

(PHOTO CAPTION) (Attendees around the table, clockwise from left) Chad Edwardson – Danley; Carsten Eichstaedt – BLL-Veranstaltungstechnik; Ivan Beaver – Danley; Edwin Ng – The Soundsmith; Nicholas Loe – The Soundsmith; Choon San Ng – The Soundsmith; J.P. Parker – Danley (not pictured).

HEAVY MELODY MUSIC PRAISES THE BOX® BY API AN “ALL-IN-ONE SOLUTION FOR COMPOSERS”

NEW YORK, NEW YORK – APRIL 2014: Located in the heart of Manhattan, Heavy Melody Music composes original tracks for film and video game trailers, designs sound and music for video games and television, and functions as a post-production facility. Four friends run the studio, as well as software development company Heavyocity Media – a resource for composers and sound designers looking for production-ready musical and sound design elements. Producing for both companies requires a wide range of technical audio needs, which is why each of Heavy Melody’s composing rooms uses THE BOX®, the latest recording and mixing innovation from API.

Heavy Melody was founded in 2003 by Dave Fraser and Neil Goldberg as a new music and sound design company focusing on video game audio and music for advertising. Today, the team focuses on original music for motion picture advertising and video game trailers. “As soon as the release of THE BOX was announced, I was running around the studio showing the guys what it was. We HAD to get them,” recalls Neil. “We saw THE BOX as a solution to getting a really big sound in a small footprint, with a lot of the great features found in large format consoles.”

The studio has three albums out, and also creates custom trailer and spot work, as well as dialog casting and recording for games and TV spots. Much of the sound capturing and mixing for Heavyocity’s “DM-307” virtual instrument was done through THE BOX, as well as some custom revisions for tracks on the trailer album God Machine. “We noticed a significant difference in punch and depth, said Neil. “Running the analog synth percussion sound through THE BOX produced some amazingly heavy tones with a great, transparent top.”

The group isn’t a stranger to API, and has used the brand’s microphone pre’s for previous projects. Among the studio’s favorite feature on THE BOX is the Talkback system. “THE BOX has all of my favorite features rolled into one with the API sound,” said Neil. “I was excited that it had four mic/line input channels with the 500 Series EQ, a stereo bus compressor, and a sixteen-input summing mixer with sends/inserts and the headroom and character of API.”

“It has a great bottom end,” shares partner, composer, and sound designer Ari Winters. “The sound that comes out is punchy, yet transparent. With sixteen channels, you get a ton of headroom, that comes together nicely with the on-board compressor.”

While compact in size compared to a larger format studio console, THE BOX is capable of seeing projects through from start to finish, which is something Ari appreciates. “It’s an all-in-one solution for us as composers. It allows us to have multiple computers linked together, spitting out a ton of stems at very high output levels. Also, we now have the ability to monitor and record live microphones without ‘in the box’ latency.”

Co-Founder Dave Fraser sums it up easily, “What can we say, THE BOX is a beast.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

(PHOTO CAPTIONS) IMAGE 1: The crew at Heavy Melody from left to right: Ari Winters, George Valavanis, Neil Goldberg, and Dave Fraser. IMAGE 2: Co-Founder/Composer/Sound Designer Dave Fraser’s room.

Prism Sound Discusses Audio Production at Brighton Music Conference

Internationally acclaimed manufacturer Prism Sound is hosting a production panel at this year’s Brighton Music Conference where it will also be taking an exhibition stand for two days.

Prism Sound’s panel will discuss all things audio – from creative audio production through to studio techniques and tips. Confirmed panelists include producer Steve Mac, DJ Dave Clarke, Producer and re-mixer James Wiltshire (Freemasons) and Anthony Middleton of Audiofly.

Brighton Music Conference (BMC) runs from April 11th – 12th and Prism Sound’s panel will be held on Friday April 11th at 16.35 in the Exhibition Room.

“Our panel is designed to be educational as well as entertaining,” says Prism Sound Product Specialist Chris Allen, who is hosting the event. “There will be plenty of opportunity for the audience to fire questions at our panelists and we are anticipating lively debate.”

Prism Sound will also be using the BMC platform to show its internationally acclaimed family of audio interfaces, which include Orpheus, Titan, Atlas, and Lyra. Also on show will be the company’s range of Maselec audio production tools such as the MEA-2 EQ and the MLA-2 compressor.

“We have launched three new products in less than a year, which is a record for Prism Sound,” Chris Allen adds. “This indicates our determination to offer recording professionals the widest possible choice when it comes to the high quality, richly featured and competitive tools they want and need.”

As part of its commitment to the audio production community, Prism Sound will also be promoting the Music Producers Guild on its BMC stand. Representatives from MPG will be on hand to talk about the issues the organization is involved in and highlight the benefits of joining.

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

LEGENDARY L.A. STUDIO THE VILLAGE ADDS ATC SCM25A ACTIVE 3-WAY MONITORS TO ITS ARSENAL

LOS ANGELES, CALIFORNIA: As The Village approaches its fiftieth year of making compelling soundtracks and hit records, its technology and the artists who make it their creative home continue to evolve. Early sessions with the Rolling Stones, Steely Dan, Pink Floyd and Bob Dylan still echo as contemporary hit-makers, such as Lady Gaga, Coldplay, Taylor Swift, and John Mayer, track, mix, and master tomorrow’s classics and inspired The Village to add a pair of ATC SCM25A Compact
3-Way Monitors to its arsenal.

“ATC monitors were a common request from our clients,” said Tina Morris, studio manager at The Village. “ATC has a ruthlessly transparent sound that doesn’t color the work at all. Other loudspeaker manufacturers tend to emphasize different components of the frequency range, whereas ATC is flat and clean. ATCs reveal the good as well as the bad so that our clients can be confident moving forward that the work they’ve done will translate in the later stages of production.”

The ATC SCM25A embodies ATC’s legendary low-distortion performance in a remarkably small footprint: 10” x 17” x 16”. Its precision crossovers and tri-amplified topology (150W, 60W, & 25W) are designed to work in perfect concert with the acoustics of the drivers and housing. The ATC SCM25As are small enough that engineers at The Village are able to transport them from studio to studio to meet the needs of various projects, though Morris reports that they’ve been spending most of their time in studios A and D.

“People are happy to hear that we have the ATCs available,” said Morris. “Next up will be producer Ed Cherney!” Cherney is best known for his Grammy Award-winning work with Bonnie Raitt, The Rolling Stones, and Eric Clapton, among many, many others.

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm. www.transaudiogroup.com

(PHOTO CREDIT: © 2014 Zane Roessell)

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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