A virtual press conference from Sound & Video Contractor

Archive of the NSCA Newslink Category

FORT WORTH BUILDS ITS STUDIO PROFILE WITH AN API 1608 CONSOLE

FORT WORTH, TEXAS: Over a span of 25 years and growing out of two previous studios, producer/engineer/studio owner Bart Rose has made his presence known in the Texas music scene through what is now called Fort Worth Sound. The studio works with both bands and singer/songwriters ranging from rock, country, blues and jazz. A new 1608 console by API completes the transformation of Fort Worth Sound’s Studio A, which has been a project in the making since 2008.

It took years to complete the construction of Fort Worth’s Studio A. “I wanted a console with amazing analog character, a small-ish footprint, and great reputation in the production world,” shares Bart. “There had been times when a prospective client looked at my control surface and asked ‘where’s the console?’ We think you will agree that Fort Worth Sound is one of the finest recording studios in the North Texas area.”

Studio A, which houses the 1608 console, accommodates the majority of the album recording and mixing projects. Since purchasing the console, Bart has used the console for several recording sessions. “I love the sound of the preamps. Just having amazing preamps with a high-pass filter yields great results on tracks that don’t need EQ.” Bart takes the sound coming from the studio into great consideration. The main recording room for Studio A has twelve-foot ceilings, independent climate control for each room, and floating floors to avoid low-frequency rumble from city traffic.

Since 2008, Fort Worth Sound has worked with major artists including The Toadies, Los Lobos, and Pat Green. Soon after the 1608 commissioning, the studio hosted a very successful two-night open house, where past and perspective clients were shown the new capabilities of Studio A. Bart has confidence that the purchase of the 1608 will diversify his studio profile. “I have a feeling this console will attract clients who wouldn’t have recorded with me before I had an analog console on the front end.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

(PHOTO CAPTIONS) (TOP) Bart Rose with the API 1608 console in Fort Worth Sound’s Studio A. (BOTTOM) FortWorthSound_StudioA.JPG: Studio A at Fort Worth Sound.

HPUMC Installs Yamaha NUAGE DAW, CL Digital Console

BUENA PARK, Calif.—Highland Park (Texas) United Methodist Church (HPUMC) recently installed a Yamaha NUAGE Digital Audio Workstation for recording and post work along with a Yamaha CL5 Digital Audio Console for front of house mixing in the sanctuary. Audio DAWg of Irving, Texas installed the NUAGE system, while Mike Mason of Clair Systems – Dallas, installed the CL5. The 900-seat contemporary worship space where the NUAGE and CL5 systems are housed has three services on the weekend with an average of 2,200 attending. The congregation consists of 5,000 who regularly attend five different contemporary and traditional service locations.

AUDIO DAWg began offering DAW systems solutions about seven years ago focusing on turn-key audio recording packages for studios, post, broadcast, houses of worship, and educational facilities. “The NUAGE installation began as a request from Bruce O’Leary, Director of Production at HPUMC,” states owner, Spunky Brunone. “The church installed Dante networking throughout the sanctuary and recording studio, so NUAGE was a perfect solution for them.”

O’Leary first heard about NUAGE via social media and contacted Audio DAWg for a demo at the company’s office. “I wanted a solution that allowed me to mix live and track at the same time while writing automation, and would have enough ‘virtual horsepower’ for generous use of third party plug-ins,” states O’Leary.

“I was super impressed with the workflow the console portion of NUAGE facilitates and the integration of Nuendo’s channel strip (with the basics that I need already inserted on each channel…4-band fully parametric EQ, gate, comp, saturation, etc. And, the fact that it ‘looked’ similar to a live console and had Dante integration, made our decision very easy. No other manufacturer has an option that fit our needs more perfectly!” O’Leary made the jump to the Yamaha NUAGE from ProTools having heard its praises sung by people in Nashville.

The church NUAGE system is a 16-channel unit (8a/8d), with a Yamaha Dante soundcard. “I’m loving what I’m seeing so far, notes O’Leary. The edit functions are all within easy reach in the center of the workspace; very well thought out for real-world work. The surface just feels killer too…again…no one else has anything close to this!”

HPUMC is planning on using NUAGE for their audio for video mix as well as for post-production projects. They have four channels of Rascall Audio V2 mic pre-amps and two channels of Classic API 312DI in a Radial Workhorse rack, with an additional eight channels of Audient that will come into the DAW via the eight channels of AES on the Nio8a8d. “In addition to the great plug-ins Nuendo has out of the box, adds O’Leary, we’ll be using plug-ins from Waves and Universal Audio via an UAD2 Octo PCIe card installed by Audio DAWg.”

As for the Yamaha CL5 digital audio console, it is located at the FOH location in the sanctuary. HPUMC converted the entire room to Dante networking (also running 16 channels of Shure ULXd wireless mics also on Dante) and will soon integrate a LiveMix personal monitoring system using the Dante network for both live and studio use. The church uses four Yamaha Rio1608-D input/output racks along with two Ri8-Ds and one Ro8-D.

“The CL console has more inputs than our previous console with great onboard effects, says O’Leary. The Premium Rack is a really great feature. I have so many options right inside the console I do not have to purchase third party products. The integration with CL Editor and the CL StageMix make it the complete package. Again, I looked at a lot of manufacturers, but kept coming back to the Yamaha CL5 because of its flexibility, feature set, proven durability, and value.”

Church amplifiers are fed from BSS London Blue with Dante cards, for a L/R hang of Clair Brothers i208 line array boxes and five of their dual 18 boxes (two on the floor and three hung center in cardiod pattern), as well as front fills/under balcony areas.

For more information on Highland Park United Methodist Church, visit www.hpumc.org.

For more information on Audio DAWg, visit www.audiodawg.com.

For more information on Clair Bros., visit www.clairsystems.com.

For more information on the Yamaha CL Digital Audio Console Series, visit www.yamahaca.com.

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PHOTO ID: L to R Spunky Brunone from Audio DAWG and HPUMC’s Bruce O’Leary

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

SoundLab Held At USITT With Yamaha Support

BUENA PARK, Calif.—Held at USITT every other year, SoundLab concentrates on free product demonstrations for students, and this year, the conference was devoted to live sound reinforcement. Yamaha Commercial Audio Systems, Inc. made a key contribution by supplying its latest products set up for the event in the Arena at the Fort Worth Convention Center.

“The idea that Mike Hooker (Head of Sound Design at UC Irvine’s Department of Dramatic Arts) and myself who co-chaired the project together was to provide students with the opportunity to mix live music while being mentored by some of the top people in the field as well as mixing on premium systems, states Erik Alberg, Technical Director for Events and Conferences, Hope College, Holland, Michigan. The ideal system was to be much larger and possibly bigger than students would ever have a chance to mix on with in their own university settings. We came up with a model of having two consoles at FOH and switching the live console from one to the other while bands were performing on stage.”

Alberg said they contacted a lot of manufacturers to see if they were interested in participating. “We needed a console to drive the line array rigs and were thrilled when Yamaha stepped up and offered us not only equipment but the expertise of their staff. Kevin Kimmel, a systems application engineer at Yamaha Commercial Audio was a great help in developing the system layout for FOH and monitor system. We created a network of inputs and consoles that not only worked for the SoundLab mixing events, but also for the special events held at USITT such as the keynote speech and award presentations, along with system demonstrations.”

The console system included three Yamaha CL5 consoles, two at front of house that handled the mixing for the live bands, and one as a monitor console. There was also a CL1 at front of house that switched between the two CL5s and was used for running the special events requirements such as wireless microphones, video feeds, and playback. The whole system was connected via Dante and included Yamaha Rio boxes onstage for inputs and outputs to the mains.

The bands were mixed by students at USITT under the mentoring of Buford Jones and Jim Van Bergen, as well as Kimmel who stepped in for one session and provided invaluable services as monitor engineer for all but one of the bands. Over 70 students had the chance to mix during the event.

“The Yamaha consoles were intrinsic to the success of this year’s SoundLab, says Alberg. They worked well and we had no problems with connectivity or routing thanks to Dante and Yamaha. I was also very impressed with the consoles, their flexibility, and ease of use. Sonically they were great and provided our students with an amazing opportunity. The Yamaha staff was critical to the success of the project. Their patience, understanding, and support were great and a real gift.”

For more information on Yamaha products, visit www.yamahaca.com.

-END-

PHOTO: Engineer Buford Jones and SoundLab Students

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

METRIC HALO ULN-8’s FRONT IMMERSIVE IDEAL – A RECORDING SESSION ON DISPLAY AT D.C. AREA MUSEUM

ARLINGTON, VIRGINIA – APRIL 2014: Beauty Pill is the musical brainchild of veteran producer and engineer Chad Clark, who founded the band in 2001 shortly after the dissolution of Smart Went Crazy. Both bands have received heaps of critical praise from outlets local to Washington D.C. and from the national press. Solid songwriting has turned Beauty Pill’s on-again/off-again status into something that promotes, rather than detracts, from its cult following. Beauty Pill recently teamed up with the Arlington, Virginia-based Artisphere museum to take on a unique artistic, musical, and sociological experiment. The band set up in a large room inside the museum with a windowed overlook and spent two weeks on display recording an album. Although they went in with racks of borrowed A-list studio gear, their initial recordings fell flat. It was only after Clark stripped everything down to just his Metric Halo ULN-8 interfaces that the recordings came alive, a testament to the ULN-8’s fantastic sound.

“Artisphere initially approached me to ask if I could do something ‘musical’ in the museum’s beautiful space,” explained Clark. “I was touring around, trying to come up with some ideas, when they showed me a large room with a window that overlooked it. It reminded me of Abbey Road Studio 2, where the Beatles made a lot of famous recordings. That put the idea in my head to do a recording there. It would be live in the sense that people would be watching us, but my plan was to record exactly as we would in a normal studio… including all of the discussions, overdubs, and the like. I thought it would interesting for the public to see that process – I have some non-musician friends who seem to think an album is made in almost the time it takes to listen to it!”

A musician first, Clark happily fell into engineering and production when other bands in the D.C.-area approached him because they liked the sound of Smart Went Crazy. He quit his day job in 1998 and spent nearly a decade between now and then as a mastering engineer at Silver Sonya. These days, he works mainly as a mix engineer, where he finds his passion for music is best nurtured. “It was working with Beauty Pill that first got me interested in the Metric Halo ULN-8,” Clark said. “It seemed to fit what I needed and what the band needed. Although I have nothing against low-fi recordings, I have no romance for them. I like sound that is vivid and the descriptions of the ULN-8 conveyed that idea. It’s turned out to be completely true – the ULN-8 is a miracle device! It’s incredibly flexible, and everything I record with it sounds amazing.”

Nevertheless, when someone goes to do a big studio recording – especially one that will be on display – there are certain preamps with legacies deep in the recordings of the late 1960s that engineers naturally assume will be the best choice for a rock record. With the help of friends at local studios, Clark amassed a rack of the choicest analog preamps and processors available. “We mic’d everything up with the best mics for each application and ran them to the textbook pro preamps that engineers have been using for decades,” he said. “The initial recordings were okay, but they weren’t fantastic. We all agreed that they fell kind of flat. So we simplified the mic’ing and pulled out all those great preamps, relying entirely on the Metric Halo ULN-8s for preamps and conversion to 24-bit/88.2kHz.”

He continued, “It was a revelation. The sound came alive. It was vivid and tactile. The ULN-8 preamps are just stellar. That was a convincing test, and now I never wonder about using anything but the ULN-8s now. I think it’s worth pointing out that although Metric Halo’s use of the term ‘archival quality’ is totally appropriate, it shouldn’t give anyone the idea that the ULN-8 is only for purists or documentary recording styles. Beauty Pill’s Artisphere recording is far from documentary. We use all kinds of overdubs and textures and found sounds. The quality of the ULN-8 simply makes that mode of recording more vivid and involving.”

Some of the band’s friends advised them against the experiment, citing YouTube’s “comment culture” as an example of how mean people can be when a band is vulnerable. “I suspect that if we had streamed the installation or posted video, things might have gotten ugly,” said Clark. “But the people who came to the exhibit were completely supportive. Sure, there were some uncomfortable moments when we were arguing amongst ourselves, but I mainly felt empathy from the window. They were wishing us well. It was an encouraging experiment!”

Ultimately, Immersive Ideal ran as an interactive multimedia photography and music exhibit with pictures from the recording sessions paired with a surround-sound mix of the final versions. Beauty Pill anticipates releasing it as a conventional stereo recording in the fall.

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

Yamaha Commercial Audio Systems to Sponsor POD 2014 In Quebec

BUENA PARK, Calif.—Le Diplomate Audiovisual is hosting its first two-day Open Door (French Porte Ouverte le Diplomate or POD) event bringing together over 25 audio-visual exhibitors, guest presenters, product demonstrations, conferences, animation, and networking opportunities for industry professionals. The 2014 POD event is designed to create a meaningful and valuable experience and includes clinics with AV specialists, hands-on demonstrations, and an exhibition of new products.

Yamaha Commercial Audio Systems, Inc. (YCAS) is the main sponsor of this new event to be held at Le Diplomate Audio Visual, 5588 Blvd Rossignols, in Laval, Quebec. YCAS products to be exhibited during the two-day event include the new Yamaha QL digital console line, CL console, NEXO PS speakers and Commercial Installation Solutions (CIS) products. On a mobile stage, a NEXO STM line array will be used for live events, and on ‘the Patio’ CIS products will be used in real world setting. Classes on QL and Dante network will also be offered.

Exhibition dates and times are Tuesday, May 13, 2014 – 10:00 am – 5:00 pm and Wednesday, May 14, 2014 – 10:00 am to 3:00 pm.

For more information on POD 2014 visit, http:www.//diplomate.com/pod2014/en.html.

The event is free but registration is necessary. To register,
visit https://www.qvc.qc.ca/Inscript/Publique/QVC2101A.aspx?m=2&a=.

-END-

Trivium, The ME, And New Yamaha QL: A “Three-Way Logical” Combination

BUENA PARK, Calif.—“Trivium” is an American heavy metal band from Orlando, Florida that formed in 2000, and since signing with Roadrunner Records in 2004, has released six studio albums and eighteen singles. Selling over one million albums worldwide and following the release of their sixth album, the band is out on tour in support of Vengeance Falls.

After speaking with Clair Bros. (Littiz, PA) who is responsible for audio production for the tour about different console options, Trivium’s monitor engineer, Mike Babcock, chose the new Yamaha QL5 Digital Audio Console for monitor mixing. Clair is also providing a FOH control package, a full stage patch package, and snake system for Trivium. The band owns JH-Audio IEMs and Sennheiser transmitters. Clair is also providing a full monitor system and control package for “Volbeat” who headlines the tour.

“The Yamaha QL Console Series could not have been released at a more opportune time, states Clair Account Manager, Justin Weaver. We were in the middle of talking to tour manager Joey Brueckmann and Mike Babcock about their upcoming tour package, and the QL5 was the perfect fit for the tour. Trivium is jumping around between headline, support, and festival shows, so having a reliable, compact console in monitor world was a must since real estate on stage is at a premium.”

After speaking with Doug Staab at Yamaha Commercial Audio Systems, he assured Clair Bros. that Yamaha could have the QL5 QC’d and shipped to them before their shop load-out date. “Not only did they deliver on time, but our console department also had time to play with the console and was quite impressed with the design and feel of the QL, says Weaver. We look forward to deploying this desk on many more tours in the future that require a dependable, small-footprint mixing console.”

Initially, Trivium chose a Yamaha CL1 for the tour mainly because Brueckmann was finding that all of their fly dates had Yamaha PM5Ds for monitors, and we wanted to stay within the Yamaha family for consistency yet keep a small footprint for ease of everything,” states Babcock. The fact that the new QL5 was available was a huge bonus, mainly for the onboard preamps and not needing an additional Rio rack. I’ve never been one to shy away from new gear, especially from Yamaha.”

Babcock said since the main goal for a monitor console was a small footprint and Trivium is the main support act on the Volbeat tour, a quick load out was important. “Having a file system that is compatible with all Yamaha consoles is a big plus. The file conversion utility worked great with our first fly date festival using a Yamaha PM5D.” Babcock said that on that fly date with a converted QL5 show file for PM5D externally clocked at 96 there was no noticeable audio quality difference after gain structure was reset. “I would consider the QL5 to be PM5D quality (or better) in an Yamaha LS9 size. Great for club tours, support tours, and anywhere a small footprint is needed. Keeping client demands for high quality audio is the main goal, and the addition of the Premium Rack plug-ins is greatly appreciated and adds that little special sauce we all love. There are times where I really need dynamic EQ, and that option is great as well.”

“It all adds up to be the best monitor mixes anyone in the band has ever had mainly due to having the QL5 tools required to offset various venue conditions at the tip of my fingers.”

For more information on Trivium, visit www.trivium.org.

For more information Clair Bros., visit www.clairglobal.com.

For more information on the Yamaha QL Digital Console, visit www.yamahaca.com.

-END-

PHOTO ID: L to R: ME Mike Babcock with TM Joey Brueckmann

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Renkus-Heinz Adds Color to New York’s Grey Bar

New York, NY – April 2014… The area around midtown Manhattan is about as busy and bustling as one might expect in the heart of the City that Never Sleeps. Packed into these few square miles is a staggering array of museums, shops, casual and upscale eateries and watering holes.

Since opening its doors last year, Grey Bar has quickly become a popular neighborhood spot for the midtown crowd. The restaurant’s kitchen has been receiving stellar reviews, and the dining room has been perpetually full.

The Grey Bar’s sound system, installed by Rego Park, NY-based Starview Satellite and designed by Rich Trombitas of Cardone, Solomon, and Associates, is designed to keep pace with the club’s ambience, whether it’s the midday lunch crowd or the more upbeat dinner hours. The system comprises a dozen Renkus-Heinz TRX81 two-way complex conic loudspeakers, with four cabinets across the bar and and eight more covering the dining areas.

As Starview’s John Paturno explains, the TRX Series was ideally suited for this application, with a tight pattern control that enabled the sound to be focused away from many of the room’s abundance of mirrors, glass, and other reflective surfaces.

“We were impressed with the flexibility of the TRX81 as well,” says Paturno. “Initially, we had planned on mounting all the cabinets horizontally, but due to some last-minute architectural changes, it became necessary to reorient a few of them vertically. We were impressed with how easily we were able to rotate the horn to achieve the coverage we needed.” Powersoft amplification drives the system, with Symetrix DSP also providing Web-based access to the system. “The owners can adjust the source and volume, even from off-site,” adds Paturno.

The Grey Bar has become an instant hit with the busy urban set, praised both for its menu and its ambience. As Paturno points out, the TRX Series has been a big part of that ambience. “The uniformity and flexibility of the TRX81s provide the perfect non-intrusive backdrop for the lunch and dinner crowds, with the capacity for a more high energy sound for the later night Manhattan crowd.”

###

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

FELLOWSHIP BIBLE CHURCH UPGRADES TO DANLEY SOUND LABS

TACOMA, WASHINGTON – APRIL 2014: Fellowship Bible Church in Tacoma, Washington started as a gathering of friends in a living room on July 7, 1977 (7-7-77) and grew over the decades that followed to become a beacon in the community. The church moved into its current 750-seat sanctuary in 1996 and developed an engaging contemporary worship style complete with a small band. However, the church members were long dissatisfied by the sound quality in the sanctuary. So when they recently raised the funds, they sought high and low for the very best sound reinforcement system to replace it. That search took them to Audio Video Electronics, a Twin Cities-based A/V integration firm with extensive experience designing and installing systems based on Danley Sound Labs components. Now, Danley synergy horn loudspeakers and DBH subwoofers provide beautifully articulate, musical reinforcement with even coverage.

“Their old system was in a pretty sorry state when we first arrived to meet and understand their needs,” said Stefan Svard, president of Audio Video Electronics. “They were most interested in getting a new system that would be consistent; Consistent not only in its day-to-day performance, but consistent in its coverage of the seating area. One of the things I really like about Danley is the phase coherency of its designs. It makes for consistent patterns and, perhaps more importantly, remarkably consistent sound quality within that beam. I’ve been a Danley supporter for a long time now, and I’ve really come to believe in [President] Mike [Hedden] and the rest of the company.”

The new system is much simpler than the old system. Three Danley SH-50s comprise a center cluster with a pair of Danley SM-60s providing side fill. A pair of Danley DBH-218 subwoofers generates ample deep bass. Svard used Danley’s modeling software to optimize the positioning and component selection. Three Powersoft Duecanali 3904 amplifiers with integrated DSP power all of the full-range boxes, with a channel to spare for an additional down fill that the church will have funds for in the future. A single Powersoft K20 with integrated DSP powers both subwoofers. A Midas PRO2 console serves as a flexible, easy-to-use front end. “The whole system is much simpler now,” said Svard. “They have a nice console with a digital snake and a clean rack. Although it’s not complicated, it gives Fellowship Bible Church a lot of punch and room for growth.” In addition to the sound reinforcement system, Audio Video Electronics also gave the church a new Vivitek d6010 6000 lumen projector and a 16×10’ pearlescent Da-Lite snap-screen.

“I love that when I cluster the Danley boxes, they act like one large speaker,” said Svard. “Other manufacturers generate comb filtering and lobing, which can cause some nasty feedback when the cluster is above the pulpit. Danley doesn’t do that. Danley gives me excellent pattern control with uniform sound. The clarity of a Danley box is unmatched, in my opinion. The low-end at Fellowship Bible Church is tremendous. We had a few of their new DBH-218s at a much larger, 5,000-seat church in Tulsa, Oklahoma, and they were great. We arranged Fellowship’s two DBH-218s to give some directivity to the low end, which gives them nice on-stage volume and ample bass in the seats. In all, we gave them a premium system all the way across, from the console… to the amps… to the loudspeakers and subs. They’re very happy with it.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

TRUE COLOURS MIXES BIGGER PROJECTS WITH THE BOX® FROM API

PADUA, ITALY – APRIL 2014: Located in one of the oldest towns in northern Italy, True Colours Studio is dubbed a ‘well-heeled project’ by owner Mauro Santinello. What began in 2005 as a single recording and control room has now grown into a facility with three recording rooms for commercial audio projects, jingles, and most recently some major Italian recording artists. To accommodate the needs of its growing presence in the music scene, True Colours has added THE BOX® to its studio, citing its “high quality manufacturing, and the unique API sound”.

Mauro wanted a project console that would provide a cost-effective, versatile solution to handle the needs of his growing studio in the decades to come. Along with his booming presence in the recording artist scene, True Colours has a growing demand for complete post-production, musical arrangements, and the creation of music for movie productions and short films. “I chose THE BOX because it represents the right console for a modern studio.”

The small-format recording and mixing console offers features that are not provided by most DAWs, including mic preamps, input signal processing, a high-quality mix bus, cue sends with talkback, and monitor control – all in a compact and versatile package. True Colours has a growing number of external preamps, EQs, and compressors, which includes some existing gear from API. The ability to personalize setups was a major factor that drew Mauro to THE BOX. “I didn’t want a big console with 32 preamps and 32 EQs that are all similar.”

True Colours mixes and records music of all genres, with only metal and electronic music yet to make the list. The crew has recorded a wide-range of Italian artists including famed singer Zucchero, piano master Stefano Bollani, and jazz trumpet player Enrico Rava. Most recently, Mauro used THE BOX for a session with singer Alberto Micaglio, whose acoustic presence is expanding from Italy, to London and New York. He has an album due out later this year.

“I have always wanted to buy an API console,” admits Mauro. “THE BOX offers a high-quality analog sound, and no compromises.”

ABOUT API (AUTOMATED PROCESSES, INC.)
Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

Historic Racing Track Turned Casino Wins with Twenty-Two Symetrix SymNet Edge DSPs

MIAMI, FLORIDA – APRIL 2014: Constructed in 1932, Hialeah Park is an architectural wonder in southern Florida that hosted some of the world’s finest horseracing until it shuttered its doors in the late 1990s under pressure from the shifting tides of modern gambling. Its resplendent Spanish décor impressed the many celebrities who graced its grandstands, including Winston Churchill, Frank Sinatra, Harry Truman, Will Rogers, John Kennedy, and Joey DiMaggio. Its iconic palm trees and archways served as the setting in numerous Hollywood films, including The Champ and The Godfather: Part II. Hialeah Park recently leveraged the weight of that history to launch Hialeah Park Racing & Casino, which pairs quarter horseracing with a casino built into the interior of the historic grandstand. A new, state-of-the-art sound system infuses the casino with full-fidelity music 24 hours a day, seven days a week using twenty-two SymNet Edge Dante networked audio DSPs modularly outfitted with twelve inputs and a whopping three-hundred outputs!

“The casino has nearly nine-hundred slots, twenty-three poker tables, and several restaurants and bars located across 150,000 square feet,” said Byard Hey, sales manager with NDR Systems, the Ft. Lauderdale integration firm that installed the new sound system. “They were very careful to restore all of the architectural motifs that make Hialeah Park such a regal place.” Kinsella-Marsh Group, Inc. (Miami Beach, Florida) designed the system around a different processing arrangement, but Hey pushed for Symetrix. “I’ve been using Symetrix for years, and the installations always go smoothly and the equipment always holds up,” he said. “Moreover, the new SymNet Edge met all of the design requirement and then some. It has a modular I/O that could easily accommodate the lopsided I/O count of this job. Importantly, the SymNet Edge is based on the future-oriented Dante network, whereas the specified processor was based on the now-fading CobraNet technology.”

Each SymNet Edge frame can be filled by up to four I/O cards. The available I/O cards cover the full range of possible I/O needs, but for Hialeah Park Casino, Hey simply installed three 4-Channel Analog Input Cards and seventy-five 4-Channel Analog Output Cards into twenty-two SymNet Edge frames. While each Edge frame has its own processing resources, the whole system acts as one integrated whole via the Dante network. Each speaker location includes a five-inch loudspeaker, an eight-inch loudspeaker, and a subwoofer. All the components are Tannoy with the SymNet Edge processing turning each location into a three-way system. Lab.gruppen amplifiers are used for power.

“Dante is great, especially for this type of installation,” said Hey. “It’s a communications protocol of the future, which will make any future requests easy to accommodate. It has a dual network topology, which makes it more robust, and it is so easy simply to wire it all with Cat5 jumpers! The SymNet Composer software is intuitive and allows me to see the entire system or dig down as necessary. The casino has been up 24/7 for several months now without a hiccup.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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