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DEFIANTLY INNOVATIVE, DANLEY ENTERS THE COLUMN SPEAKER MARKET WITH THE SBH-10 “SKINNY BIG HORN”

GAINESVILLE, GEORGIA – FEBRUARY 2014: Danley Sound Labs broke into the house of worship market by skirting convention with its patented Synergy Horn and Tapped Horn technologies and is currently taking the sporting arena market by storm by one-upping line arrays with its unique Genesis and Jericho Horns. The recipe is easy to explain but almost impossible for anyone without Tom Danley’s unique acoustics background to pull off: Danley starts back at the fundamental physics of loudspeaker design to overcome trade-offs that are inherent to conventional designs. So it is again with column speakers. The new Danley SBH-10 “Skinny Big Horn,” uses Danley’s patented Paraline technologies to deliver the aesthetic benefits of a column speaker but with much greater fidelity, superior pattern control, no spurious lobes, and no requirement for complicated signal processing.

At a weight of one-hundred pounds and with dimensions of 60” x 9” x 9”, the SBH-10 is composed of eight 5-inch coaxial drivers and acts as a single large Synergy Horn with the directivity of a horn over twenty-five feet! Its coverage pattern measures 140 x 10 degrees, and its frequency response extends from 77Hz to 15kHz, +/-3dB.

“Danley’s new Skinny Big Horn series meets the aesthetic desire for a low profile column shape,” said Mike Hedden, president of Danley Sound Labs. “But shape is where the similarities between conventional column speakers and the Danley Skinny Big Horn end. Using our patented Paraline technology, the SBH-10 has the directivity of a twenty-five foot long horn, yet it is only nine inches deep! Moreover, due to horn loading, the SBH-10 has a sensitivity of 99dB, which is 10dB greater than similar sized cone-loaded products, and because it has such a high power handling rating, is capable of close to 20dB greater output when compared to similarly sized, front-loaded designs. The Danley Skinny Big Horn is a technological leap: no spurious lobes, forward directivity that other manufacturers can only dream of which allows it to even be flown away from a boundary, extremely tight vertical coverage, wide horizontal coverage, and – most importantly – audiophile fidelity. If all that weren’t enough, the SBH-10 requires only one amplifier channel and no special signal processing.” There’s a new leader in the column loudspeaker market. The SBH-10 and its not even a column, it’s a Skinny Big Horn!

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

Be sure to watch this YouTube video where Doug Jones explains yet another breakthrough technology from Danley Sound Labs: http://youtu.be/b8cX5Xs_vZg

Symetrix Automates Audio for Services at Marytown’s 24/7 Sanctuary

LIBERTYVILLE, ILLINOIS – FEBRUARY 2014: Marytown in Libertyville, Illinois is the National Shrine of Saint Maximilian Kolbe and is a ministry of the Conventual Franciscans Friars of Saint Bonaventure Province. Its stunningly beautiful sanctuary is a notable pilgrimage site and operates twenty-four hours a day, seven days a week for Eucharistic Adoration and prayer. In addition, Marytown holds mass twice daily and Liturgy of the Hours four times daily. In short, Marytown is a very serene, yet busy place. When its sound reinforcement system failed, Marytown called on CAVCOMM Audio Visual (Niles, Illinois) to make a speedy repair. Once the system was evaluated, replacing the aging analog system made more financial sense. A Symetrix SymNet Solus 16 open architecture, standalone audio DSP forms the heart of a robust, flexible system that the Franciscan Friars liked so much it inspired the installation of a Symetrix Jupiter 4 fixed architecture, standalone DSP in their residence.

“The layout of Marytown’s beautiful sanctuary is unique,” said Mike Canfield, president of CAVCOMM Audio Visual. “In front of the chancel alter area, the pews are perpendicular, and the pulpit and Father’s chair are situated towards the middle of the nave. Just before a major holy day, their mixer failed. I brought in a SymNet Solus 16 so they could get through the busy season. Having the flexibility of the open-architecture SymNet Solus 16 was great because we could use it in place of the old gear and we could still use the existing speakers and amplification. New Tannoy VLS15 passive line array speakers were added a few months later. I favor Symetrix processing based partly on its broadcast industry heritage, which requires products to have a quiet, neutral performance and the Symetrix processors are intuitive to program.”

Two Symetrix ARC-2e wall panel remote controls provide easy selection and volume control for a collection of seven Shure wired and wireless microphones and a CD/iPod deck. An eight-channel Lab.gruppen C10.8x amplifier powers the system. Because it was so easy to program the SymNet Solus 16, Canfield ran a few experimental setups with the Marytown friars. “I put in a gated mixing design for a few weeks and then tried a gain sharing design,” he said. “Then I asked which they liked better. Because so many different people with different speaking voices and volumes use the system, they felt the gain-sharing design worked better. It was nice to have that kind of flexibility.”

The friars were so pleased with the performance of the new system in the sanctuary that they requested a smaller DSP system for their dining/meeting room. “It’s very simple, and a Jupiter 4 together with a Symetrix ARC-2e wall panel remote control allows them to play music and have a microphone input for meetings,” Canfield said. “Right now it’s just two inputs and two outputs, but they might expand the system to include some outdoor landscaping speakers or another input. Everything that the Jupiter 4 contains couldn’t be touched by an analog system for anywhere near its price. It’s a tremendous value.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

BERKLEE COLLEGE OF MUSIC TO ADD FOURTH API LEGACY CONSOLE

BOSTON, MASSACHUSETTS – FEBRUARY 2014: The Music Production and Engineering Department (MPED) at Boston’s prestigious Berklee College of Music will add a fourth 32-channel analog API Legacy Plus console to its Studio A in early summer of 2014. At that time, a John Storyk-led renovation will overhaul the space to create a fourth facility with nearly identical equipment to three existing facilities for the instruction of foundational tracking and mixing courses. Because the MPED recognizes the importance of giving students abundant hands-on experience with definitive industry tools, it self-limits the number of Berklee students who can earn their degree in the department. Thus, only half of the Berklee students who apply to the MPED are accepted, which allows the department to maintain a student body of approximately three hundred students. The new API Legacy Plus will help alleviate competition for space and bottlenecks in studio scheduling.

“The API Legacy Plus offers us several advantages,” said Rob Jaczko, chair of the MPED and recording engineer for Bruce Springsteen, Sheryl Crow, James Taylor, and countless others. “First and foremost, its sonics and musicality are an industry benchmark. Just running tracks through it flat is an experience that our students should appreciate. Second, the Legacy Plus has a classic in-line analog signal path, which is very useful for teaching signal flow and problem solving. Finally, we’ve enjoyed a great relationship with API. We’ve always been happy with API’s outboard gear, which is included in seventeen of our studios, and the support we received from the API staff during the purchase and installation of the first three Legacies was great.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

ASHLY AUDIO APPOINTS BARDY HAYES AND ALEX SCHLOESSER OF GLOBAL MARKETING MANAGEMENT AS ASIA PACIFIC SALES MANAGER AND ENGINEER

ROCHESTER, NEW YORK – FEBRUARY 2014: Ashly Audio, veteran manufacturer of professional audio signal processing and amplification equipment, has appointed Bardy Hayes and Alex Schloesser of Global Marketing Management (GMM) as its sales manager and sales engineer, respectively, in the Asia-Pacific region. Hayes will oversee the qualification and appointment of local distributors, as well as monitor sales and marketing goals. Schloesser will train and support the distribution channel. In a word, the duo will act as an extension of Ashly’s sales, marketing, and technical departments from Mongolia to Tasmania and from India to Tahiti.

“Global has a mature and well-managed territory, with deep networks that we will tap directly into,” said Mark Wentling, CEO at Ashly. “Alex’s technical training and support capabilities are world class, and Bardy’s able handling of regional planning and management will allow us to focus our energies on the more strategic side of building Ashly’s channels worldwide.” GMM has been in operation for over a decade and maintains offices in San Diego and Singapore.

“Ashly has a strong and stable brand reputation in the Asia-Pacific region,” said Hayes. “Ashly products sound great, fill real world needs, and are some of the most reliable in the world. The company has a high level of integrity and has respect from all parties fortunate enough to do business with them. We will work hard to strengthen all of the relationships between the factory and the channel in the Asia-Pacific region. We want to see Ashly in projects of all sizes and across a wide swath of applications.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

(PHOTO CAPTION) From left to right, John Sexton (Ashly), Bardy Hayes (APAC Sales Manager), Mark Wentling (Ashly), Alex Schloesser (APAC Sales Engineer), Kelly Trader (APAC Order/Sales Admin).

DANLEY LOUDSPEAKERS COMPLETE THE FINAL PHASE OF GREEEN BAY PACKERS’ LAMBEAU FIELD EXPANSION

GREEN BAY, WISCONSIN: The Green Bay Packers have yet again expanded the seating capacity of legendary Lambeau Field, which raises it to the third-largest NFL stadium in the league with a total of 80,750 seats. The additional seats number 7,000 and fill in the south end zone, which had been the last remaining gap in Lambeau Field’s bowl architecture. With the bowl complete, designer Anthony James Partners and installer Pro Media Ultrasound were able to remove the longer-throw loudspeakers that had previously covered the south end zone seating and replace them with distributed Danley Sound Labs Synergy Horn loudspeakers that are mounted unobtrusively to the new structure. This final phase completes Lambeau Field’s all-Danley sound reinforcement system, which has been widely praised for its impact and fidelity.

“We knew going into the original system overhaul that the structural completion of the south end zone would give us the fully-symmetrical system we wanted,” explained Larry Lucas, director of audio engineering for Anthony James Partners (Richmond, Virginia). Lucas designed both phases of the Danley system overhaul at Lambeau Field. He continued, “Not only did it allow us to cover the original south end zone seating, it also allowed us to cover the 7,000 new seats as well.”

Over one hundred new Danley Synergy Horn loudspeakers comprise the addition. They include 26 Danley SM-100s, 31 Danley SM-96s, 42 Danley SH-MINIs, six Danley SH-46s, 21 Danley SH-21s, and, for good measure, two of Danley’s flagship SH-50s. Crown amplifiers power the system, with processing and control from BSS London. The existing Danley system is made up of twelve loudspeaker towers, each of which contains a Danley Genesis Horn GH-60 for primary coverage, a Danley SH-100 for fill, and a Danley TH-118 subwoofer for impactful bass.

Danley’s Mike Hedden commented, “Part of the commissioning process included STIPA measurements performed by the local authorities in charge of emergency and mass communication. They measured every seat not once but twice as they had never seen such high STIPA readings. Intelligibility is a huge hurdle in large venues and to have the third largest NFL stadium with stunning fidelity as well as intelligibility speaks to our superior technologies.”

“Danley’s small-format loudspeakers gave us the opportunity to tuck them under the soffits and under the new deck,” said Lucas. “Importantly, we did not have to place any loudspeakers on the front of the new deck, which is prime advertising real estate. The team has received a lot of comments from season ticket holders in the south end zone. They’re very pleased with the sound of the new system. As a system designer, it was especially gratifying to see the whole stadium come together. It was exciting to commission and verify that, as planned, all of Lambeau Field is now seamless.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Wirebox Media Adds Yamaha CL5 to Production and Rental Inventory

BUENA PARK, Calif.—Wirebox Media (Smyrna, Georgia) has added a Yamaha CL5 Digital Audio Console to augment its existing Yamaha digital console line along with the NEXO systems already in inventory. “We selected the CL5 primarily because our operators are already familiar with the Yamaha interface, design, and software but we also take into account the renowned reliability and stability of the Yamaha digital platforms,” states Tim Harrigan, Owner, Wirebox Media.

In addition to the CL5, Wirebox added Rio3224-D and 1608-D input/output boxes. “Integrated with the recommended Cisco switches, we have a redundant network with 500’ of fiber, says Harrigan. The Dante redundant fiber network was a key factor in the purchase. The system was flawless on its first outing for Ted Turner’s 75th birthday party hosted by Jay Leno. As a requirement, all equipment selected for the show was backed up with redundancy, from microphones to generators, which made the CL5 system the obvious choice.”

“The console surface is stellar, Harrigan notes, who was sound designer and mix engineer for the Turner event. The custom layers enabled me to work fast and layout the console exactly as I needed, which is key to event like this with so many elements involved.” Harrigan used the iPad interface to tweak the video mix; on the show network they had the video department 350’ feet down the hall in another ballroom. The second Rio (1608-D) was placed in the video room which supplied them multiple record feeds and playback inputs. The audio team had their own in-ear mixes on the CL5 Aux busses for communications with Harrigan that enabled them to also relocate with the video department to make necessary changes.

For more information on Wirebox Media, visit www.wireboxmedia.com.

For more information on the Yamaha CL Series, visit www.yamahaca.com.

-END-

PHOTO ID: Wirebox CL5 In Action At Ted Turner Bash

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Yamaha R Remote App For Rio Line

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. has announced today the launch of R Remote software. R Remote joins the Yamaha R Series input/output rack units, which since their inception, have made significant advancements in audio, creating natural sound quality, Dante audio networking, and system flexibility. The new Windows™- based PC standalone application, R Remote enables remote control of R Series Rio3224-D, Rio1608-D, and Ri8-D rack unit head amplifiers directly from a computer.

With R Remote, a live recording system can be created with just R Series I/O racks and a computer running Nuendo Live or similar DAW software. Combined with the I/O racks, R Remote can be used with consoles that up until now have not been able to support remote head amp control, such as the 02R96 or 01V96i. For this application, however, a Dante-MY16-AUD expansion card must be installed in the console. The end user will also be able to operate a stand-alone R Series Dante infrastructure independently from a console.

“There is great potential for advanced systems that provide enhanced portability and expandability,” states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. “The development of R Remote is another example of listening to recommendations from our customers in order to provide them with even more advanced system possibilities.”

Yamaha R Remote will be available today, free of charge, via download at www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

BUENA PARK, Calif.—Housed in the renovated, historic Fenway Theater in Boston, the Berklee Performance Center is the Berklee College of Music’s flagship performance space seating more then 1,200 and counted among Boston’s most prestigious concert halls. Parsons Audio (Wellesley, MA) recently added two new Yamaha CL5 Digital Audio Consoles in the performance center for use by student and faculty productions as well as national entertainment.

Berklee has had a long relationship with Yamaha Commercial Audio Systems consoles dating back to 1976 beginning with the Yamaha PM1000, 3K, PM4K, PM1D, PM5D, DM2K, and now the CL Series. A CL5 is positioned at front of house with a second based in Studio BPC located in an area above the theater.

“The BPC looked upon the new CL as the PM1D successor, states Rick Scott, Sales Director, Parsons Audio LLC. Among features that were appealing to the technical team were the networking capabilities of this generation of Yamaha consoles along with its Rupert Neve plug-ins within the Premium Rack and integration with Nuendo Live.” Parsons Audio has provided customer support of the school’s Yamaha consoles since the very beginning.

“We had the Yamaha PM1D for eight years, and wanted to make sure we could stay up-to-date with current, commercially available (and currently supported) technology, states Ed Libeartore, A1 at BPC. We also really wanted to have something with remote iPad control, so we could mix monitors on stage from the FOH console.”

Liberatore said he immediately loved the sound of the preamps and the processing, and quickly became accustomed to having the controls accessible from the touch screen. “Handing an iPad off to a student assistant has been working amazingly well. It lets me concentrate on the house mix and seems to make the performers more comfortable knowing that there is somebody who can listen to the same monitor speaker with them and build a custom mix right on the spot with exactly what they need without ever having to shout to me, standing 50 feet away.”

Studio BPC, which regularly multitrack records many of the performance center concerts, is a teaching lab for live performance location recording classes. The studio is fed from a separate split off the on-stage mic snake box, but also receives a feed from the house Dante network for additional options. “I am really happy with our decision on going with the CL5 console for our live recording studio, states Alejandro Rodriguez, Associate Professor, Music Production and Engineering, Berklee College of Music. The Dante Network is key in the success of our new BPC Studio, and we use Nuendo Live linked to the CL5 as one of our two multi-track systems capable of recording up to 64 channels, receiving independently the outputs of our 64 Grace mic preamps.”

For more information on the Berklee Performance Center, visit www.berklee.edu.

For more information on Parsons Audio, visit www.paudio.com.

For more information on the Yamaha CL Digital Console, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

MUSEO DEL DUOMO IN MILAN’S CATHEDRAL OPENS WITH ASHLY PROCESSING

MILAN, ITALY – JANUARY 2014: Although ground broke for the construction of Milan Cathedral in Milan, Italy in 1386, it was only in the last decade that its construction was declared complete. The massive architectural project took over six-hundred years – twenty-four generations – and links Europe’s Middle Ages, through the Renaissance, to Post-modernity. Milan attracts two million visitors a year, and almost all of them visit the famous cathedral. To convey the epic story of its construction and to raise additional funds for Milan Cathedral’s costly upkeep, the Cathedral Museum opened in 1953. In keeping with the long timescale of the cathedral’s construction, the museum closed for five years and only recently re-opened, completely refurbished and ready to accommodate contemporary revenue streams. Among its new offerings, the museum added a conference room that can be rented for meetings and dinners. To keep costs low, but functionality and fidelity high, the conference A/V system uses an Ashly Pema 4125.10 100V output, combination four-channel 125W amplifier with a built-in 8×8 Protea™ DSP Matrix Processor.

Daniele Santini of Etabeta Electronics designed the museum’s new conference system, and Marco Oberto of Oberto & Allerino oversaw its installation. “We were called in after a different system failed to meet the needs of the client,” explained Santini. “That system seemed overly complicated and difficult to control remotely. The client wanted a system that would be virtually invisible and that would still yield highly intelligible audio. Moreover, they wanted a system that could be remotely controlled, even by lay users with no technical background. We went with the Ashly Pema 4125.10 for three reasons. First, it gives a very favourable performance-for-price ratio. Second, it only occupies two rack spaces and yet provides eight inputs, auto-mixer functionality, full DSP capabilities, and four powerful 250Watt amplifier channels. Third, it connects easily to Ashly’s line of intuitive user control units.”

Inputs to the system include two wired gooseneck microphones on the conference table, two Mipro ACT wireless microphones, and four line inputs located at strategic points around the room. The Ashly 4125.10 powers one On Point Audio OPA-Line loudspeaker system, plus six individual column loudspeakers. The whole room acts as one zone with several of the loudspeakers delayed slightly to optimize intelligibility at the table.

Users of the system are primarily the people who rent the room for various functions and Santini programmed and deployed the system so that they would be able to use it intuitively. An Ashly WR-5 programmable push-button remote allows users to select from various preset configurations, such as “dinner party,” “speech,” or “background music.” In addition, an Ashly FR-8 eight-channel Network Remote Fader console provides individual volume control for all eight input sources. “The Ashly remotes are very easy to configure, and we can insert them anywhere in an establishment’s local area network (LAN) for immediate and direct control of the inputs and outputs,” said Santini. “The museum is very pleased with the new system. They like the intelligibility and are amazed at how easy it is to control using the Ashly WR-5 and FR-8.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

WASHINGTON STATE UNIVERSITY THUNDERS WITH DANLEY JERICHO HORNS

PULLMAN, WASHINGTON – JANUARY 2014: The Cougars football team of Washington State University plays all of their home games in 33,500-seat Martin Stadium. Although on the smaller side among its Pac-12 peers, the stadium has more than enough seats for every resident of Pullman, Washington (the university’s home), and loyal alumni and visiting fans easily make up the difference, filling the stands to near capacity on game day. Recent additions to the stadium necessitated relocating the scoreboard to the opposite end zone, and that in turn inspired a full upgrade to Martin Stadium’s sound reinforcement system. Three Danley Sound Labs J3-64 Jericho Horns, two J4-31 Jericho Horns, and four TH-812 “Rock Monster” subwoofers now fill Martin Stadium with glorious, high-fidelity sound.

Washington State University called in Anthony James Partners of Richmond, Virginia to design the sound system. “It was a pretty straightforward situation,” said Lee Vaught, senior audio engineer at AJP. “Martin Stadium is a bowl with almost no overhang. A distributed system wasn’t an option. We had to go with an end-fired system, and the new scoreboard was the obvious place to put it. The only question was exactly what boxes to use. This is my first full Danley installation, and the their design provided the necessary coverage with vastly fewer boxes than I would have used with conventional technology.”

Three Danley J3-64 Jericho Horns provide the majority of the full-range coverage at Martin Stadium. They split the stadium down the middle, with the odd J3-64 covering the additional asymmetrical seating below the press and suite box. Two Danley J4-31 Jericho Horns deliver high-frequency content to the far seats, where otherwise the high end would be diminished having traveled through so much air. A single Danley OS-80 weatherproof Synergy Horn loudspeaker fills in for the seats right below the scoreboard. Four Danley TH-812 “Rock Monster” subwoofers – two to a side – complement the fidelity of the full-frequency components with robust low end. A handful of JBL Control 28 loudspeakers provide coverage of the small shaded area underneath the press and suite box. A rack of Crown i-Tech HD-Series amplifiers powers the system, with processing from a BSS London backbone.

Danley Sound Labs, President Mike Hedden commented, “This was a short turnaround project and was one of the first using our SketchUp plugin module in DDT3D. This is a very powerful 3D coverage program we developed that enables accurate predictions of all frequencies from 20Hz and up. We’ve worked with virtually all the major modeling programs and DDT is simply the easiest yet powerful program out there. This enabled us to turn the entire design around in basically one day.”

“The coverage is great,” said Vaught. “The long throw across the field is impressive, and the high end from the J4s together with the low end from the 812s provides a full-frequency experience that stadiums with conventional systems would have a hard time replicating. Surprisingly, we actually received a request to turn the system down after the first few home games. That never happens! If anything, systems aren’t loud enough. But at Martin Stadium, we pulled it back a bit. There’s plenty of headroom, and it sounds clean and undistorted. Cougars fans will enjoy this sound system for a long time to come!”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.
www.danleysoundlabs.com

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