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High-Tech Meets Elegance at Iceland’s Hippest Bowling Lanes

Reykjavik, Iceland | January, 2014 – When a bowling alley houses 22 lanes plus a VIP/private party area, a sports bar, cafe, and restaurant, live DJs, and more than 50 screens to showcase all the best in live sports and entertainment, it’s clear that this is not just another blue collar beer-and-peanuts joint. Keiluhöllin Egilshöll, is a noteworthy blend of both high-tech and elegant design, boasting one of Iceland’s largest AV installations to date and being named Bowlers Journal’s “Best New Lounge/Restaurant.”

Inside this 30,000 sq. foot venue, club-like LED lighting pours over the lanes and neon bowling balls, with sleek, softly lit lounges with plush couches tucked away behind. LCD screens hover over the lanes and line the dimly lit brick walls of the bar and cafe. The restaurant, meanwhile, is free of screens, filling the space with decorative lighting and rustic stone walls.

Despite the venue’s singular elegance, it still presents all the acoustical challenges associated with any bowling alley — hard, reverberant surfaces, ever-changing audio material, and of course, the inevitable din of the game itself. Reykjavik-based AV designers ETOS designed and installed the high-end sound and video systems for this uniquely diverse venue. As ETOS General Manager Jakob Kristinsson explains, the audio system had to not only transmit intelligible announcements over the din of a cacophonous bowling alley, but also deliver full spectrum sound and hefty bass for music and live DJs – hence the decision to go with the power, pattern control, and full-range performance of the Renkus-Heinz CF/CFX series.

Across the six zones covering the 22 lanes and VIP area, ETOS installed 12 CFX151 cabinets, with six CFX18S subwoofers for low end reinforcement. Featuring a two-inch extended range titanium HF driver, and a 15-inch heavy duty woofer that can handle up to 700W, the CFX151s powerfully deliver the full spectrum performance required in the main bowling area. The built-in crossover also includes EQ and high-frequency protection, ideal for the dynamic changes in audio and occupancy levels.

Augmenting the primary setup, six CFX121 cabinets in three zones cover the restaurant area, with four more CF121 units across the four zones covering the sports bar and cafe. Audio networking is courtesy of two Peavey MediaMatrix Nion n6 systems.

The video component of this AV installation is extensive as well, including more than 45 LCD displays and 15 projectors from Philips, LG, and Panasonic. Rounding out the impressive look and sound of Keiluhöllin Egilshöll is a full Crestron controlled LED and lighting system, including five wireless control pads.

The installation’s intense schedule compressed about 800 hours into an eight week span to complete the entire project, from design to doors opening. Since then, ETOS reports the system has been performing flawlessly, blending the best in design with the best in technology.

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems

NEW AT NAMM! SONODYNE LAUNCHES NEW SRP SERIES OF HIGHLY-ARTICULATE COMPETITIVELY-PRICED STUDIO MONITORS

LAS VEGAS, NEVADA – JANUARY 2014: Based in India, Sonodyne is well known for designing and manufacturing studio monitors that deliver big-ticket performance without the big ticket. Company founder Ashoke Mukherjee and his research team have yet again smashed the performance/price barrier with the SRP series of bi-amplified, die-cast aluminum studio reference monitors, and TransAudio Group, Sonodyne’s U.S. distributor, will be showcasing them at Booth #6945 at NAMM 2014. Five models span the series to meet different needs and budgets, from the small SRP 350, through the SRP 400, 500, and 600, to the large SRP 800. A sensible collection of back panel controls adapt the SRP series loudspeakers to a wide range of room conditions, and tapped inserts at the bottom and rear allow for a variety of mounting options. Clean self-power ranging from 20+20W in the SRP 350 to 175+100W in the SRP 800 is perfectly matched to the acoustics of the drivers and enclosures.

“We’re pleased to demo Ashoke’s latest creation at NAMM,” said Brad Lunde, president of TransAudio Group. “The Sonodyne SRP series studio reference monitors deliver the sort of clear, honest reproduction that is normally available only from manufacturers that charge many times the price. The range of sizes available in the SRP series will suit a variety of needs, from small-driver references, to surround channels, to primary near-fields.” The aesthetically-pleasing Sonodyne SRP series studio monitors are available in rich black, charcoal grey, and snow white.

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm. www.transaudiogroup.com

STOP BY AND SEE US AT NAMM 2014, BOOTH #6945

Symetrix SymNet Edge Processor Defines Video Conferencing at the Fred W. Smith National Library for the Study of George Washington

MOUNT VERNON, VIRGINIA – JANUARY 2014: The Fred W. Smith National Library for the Study of George Washington opened recently just outside the gates of Washington’s Mount Vernon estate, roughly fifteen miles south of Washington DC. Not only is the $45 million building the leading scholarly research facility for America’s first President, it is also filled with state-of-the-art technology that allows scholars-in-residence to videoconference with colleagues around the world. A SymNet Edge Dante networked audio DSP system with comprehensive conferencing features, including Acoustic Echo Canceling (AEC), delivers robust, high-quality audio for the library’s six video conferencing systems, as well as background audio and paging services. A dedicated SymNet Radius 12×8 DSP together with a custom Crestron computer control interface serve as the heart and brains of the library’s recording studio.

Richard Derbyshire of Shen, Milsom & Wilke’s Washington, D.C. office designed the sound reinforcement system, and IES Communications of Roanoke, Virginia installed it. Jim Hogan, A/V project manager with IES Communications, explained, “This is a high-profile, high-visibility installation, and the expectation is perfection. We’ve done a number of Symetrix installations, and they always go smoothly. The technical support from Symetrix is excellent, and the sound quality and stability of the units are great. The modular SymNet Edge system gives us tremendous flexibility with regard to inputs and outputs as well as customized processing.”

The sound reinforcement system and conferencing systems are located primarily in the conference wing of the library, where two larger conference rooms and two smaller conference rooms join the library’s signature lecture and conferencing space, The David M. Rubenstein Leadership Hall. A massive eighteen-foot by eight-foot micro-tile screen forms the focal point of Rubenstein Hall and allows the library’s scholars-in-residence to connect with individuals and groups across the country and around the world. Four SymNet Edge frames are outfitted with eleven AEC cards, two 2-Line analog telephone interface cards, three analog input cards, and two analog output cards, all working in conjunction with two SymNet xIn12 and two SymNet xOut12 I/O expanders. The units are integrated using the DanteTM network audio protocol. All of the conferencing systems benefit from Symetrix’ advanced AEC hardware and DSP algorithms.

In addition, the library staff has use of a small audio and video recording studio with which to create educational and other materials in-house. Hogan centered the studio workflow on a SymNet Radius 12×8 processor. He used its open architecture to design custom recording and playback functionality that users control via an intuitively laid out Crestron interface, thereby enhancing their productivity by providing them with efficient, easy to use tools.

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

API ANNOUNCES THE WEST COAST DEBUT OF “THE BOX” AT NAMM – PLUS THREE NEW 500 SERIES MODULES

JESSUP, MARYLAND – JANUARY 2014: API’s professional project studio console, THE BOX, was the hit of AES in New York City, and now API showcases it at NAMM 2014 in Anaheim, California to the west coast recordists. THE BOX is the ideal analog console for small studios that are centered on DAWs, providing four input channels with preamps and processing; sixteen channels of classic analog summing (twenty at mixdown); cue sends with talkback; and monitor control. Most importantly, THE BOX uses the classic discrete analog circuitry that is found in all of its products, including the 1608 small format console and the Legacy Plus and Vision large-format consoles.

API also debuts three new 500 Series products at NAMM: the new eight-slot 500-8 lunchbox®; the 505 DI direct input, which like the module-based API 205, accepts a guitar, bass or keyboard direct input while minimizing any loading effect on Hi-Z instrument pickups; and the 565 Filter Bank module with circuits that are true to the musical filters of the famed 215 module found in large format API consoles.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment. www.apiaudio.com

STOP BY AND SEE US AT NAMM 2014 BOOTH #6204

Muzeek World Upgrades Tavern with Yamaha CL5 Digital Console

BUENA PARK, Calif.—The Belly Up Tavern is a live music venue, located in Solana Beach, California. We have all types of music almost every night bringing the best in new, up-and-coming artists as well as established legends in genres ranging from alternative rock, rock, reggae, and hip-hop to blues, folk, jazz, Latin & more!

Seating approximately 600, The Belly Up Tavern recently upgraded from analog to digital at the monitor position with a Yamaha CL5 and Rio 3224-D and Rio 1608-D purchased from Muzeek World in San Juan Capistrano, CA. The company also provided a new Antari F-3 lighting system and fog machines.

“Yamaha products are built like tanks, and the sound quality of the new CL is amazing,” states John Sardari of Muzeek World. “The features on the CL are more than what anyone needs, and the learning curve is quick, but most of all, the Yamaha service to get something exchanged or repaired is the quickest out of all manufacturers.”

The CL5 has been getting a lot of use at the tavern. “We just shot our second season of Live At The Belly Up for KPBS in San Diego and used the CL5 and the Nuendo Live function to multi-track the show, states Damian DeRobbio, Belly Up Tavern Production Manager. Nuendo Live has been flawless, easy to use, and really sounds great. We are now using it to record bands live and release them on our web site (www.bellyupmusic.com). The CL5 that we purchased is actually used for monitor applications, yet because it is so compact, we have also used it for FOH when bands are carrying their own monitor console and are considering a second one for FOH. We love the ease of use and the fact that any engineer can jump on and operate it.”

DeRobbio said he really likes being able to use the iPad to dial in mixes. “The power in this little console is amazing! Not to mention how great it looks in the dark! I would highly recommend this console to anyone, touring or not. You can’t go wrong with the CL series.”

For more information on the Belly Up Tavern, visit www.bellyup.com.

For more information on Museek World, visit www.muzeekworld.com.

For more information on Yamaha CL Digital Audio Consoles, visit www.yamahaca.com.

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PHOTO ID: Yamaha CL5 – Donavon Frankenreiter Show

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

RF VENUE AND PROFESSIONAL WIRELESS PARTNER ON INNOVATIVE PRODUCTS AND SERVICES

ASHLAND, MASSACHUSETTS – JANUARY 2014: In a unique supply agreement, RF Venue remote antennas, RF distribution equipment, and other accessory products for wireless microphones, IEMs, and intercoms are now available through Professional Wireless Systems, a Masque Sound company.

“Professional Wireless’ team is among the elite groups in wireless audio system configuration, coordination, and management worldwide,” commented RF Venue CEO Chris Regan. “We are thrilled to add our products to their RF toolkit and now be able to offer our customers the best in class frequency coordination and onsite RF services.”

RF Venue’s innovative Diversity Fin, RF Spotlight, and CP Beam antennas represent all-new approaches to solving signal dropout and interference problems for wireless audio systems of all sizes. Professional Wireless offers a complementary range of RF hardware and software systems in addition to a wide range of consulting, design, and show management capabilities.

“Quite simply we found kindred spirits with Chris and his team at RF Venue,” stated Geoff Shearing, president of Masque Sound and Professional Wireless. “We share a passion for solving RF problems for users of wireless audio products and I am greatly looking forward to the exciting things that will come from this collaboration.”

ABOUT PROFESSIONAL WIRELESS SYSTEMS As a wholly owned subsidiary of Masque Sound, Professional Wireless Systems specializes in developing brand new gear for the increasing demands of RF equipment. PWS supplies and supports wireless systems for any kind of live and broadcast event. www.professionalwireless.com

ABOUT RF VENUE RF Venue is a new wireless audio company specializing in remote antennas, RF distribution equipment and RF signal management and monitoring systems for audio/video installations and live sound events. www.rfvenue.com

ASHLY PROCESSING, AMPLIFICATION, AND CONTROL AT ROCHESTER, NEW YORK’S HISTORIC SIBLEY BUILDING

ROCHESTER, NEW YORK – JANUARY 2014: The “new” Sibley Building in downtown Rochester, New York rose out of the ashes of the original Sibley Building, which served as the city’s first department store and burned down in 1906. It has remained an architectural fixture ever since and was admitted to National Register of Historic Places in 1984. The lower levels serve as retail space and help to anchor Rochester’s current downtown revitalization. Its public areas recently benefited from a sound system overhaul that centered on processing, amplification, and control provided by commercial audio manufacturer Ashly Audio of nearby Webster, New York.

“Although it had been fine when it went in, the old sound system was twenty years old,” said Alan Clayton, sales representative with the local integration firm, The Presentation Source, that designed and installed the new system. “The owners wanted to add some outdoor loudspeakers to the entrances, and they wanted to be able to play different music sources at different entrances. The old system had zero multi-zone support.” The different music sources will be used to affect some innocuous crowd control: some exciting music at the sidewalk entrances to draw in passers by and some not-so-exciting music near a different entrance to discourage loitering.

A new Ashly ne24.24M modular matrix processor outfitted with four inputs and twelve outputs forms the heart of the new system, and an Ashly neWR-5 networked remote control provides relevant user controls. “The neWR-5 is a great way to give the client just the right amount of control,” said Clayton. “It’s a fine line. I want to allow them to do everything they want to do, but not allow them to get into trouble. The neWR-5 lets me hone in on just the right amount.” To power the existing indoor loudspeakers as well as the new One Systems outdoor loudspeakers, Clayton installed an eight-channel, two-rack space Ashly ne8250.70 amplifier.

“A lot of things go into choosing this kind of equipment, not the least of which is the inclusion of local manufacturers when possible,” said Clayton. “That’s especially significant given the historic nature of the Sibley Building. Just as important is our previous experience with Ashly equipment and Ashly support. Both are excellent. The equipment sounds great, holds up reliably, and the people at Ashly are very easy to work with.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

Symetrix SymNet Edge Deployed at Atlanta’s Stone Mountain Park

ATLANTA, GEORGIA – JANUARY 2014: On a clear day, you can see downtown Atlanta from Georgia’s Stone Mountain Park, and crowds flock there from the city and the surrounding states to enjoy the park’s awe-inspiring geology and nature. In addition to a massive laser, fireworks, pyrotechnics, and projection show that has operated on summer evenings since 1983 and is almost synonymous with Stone Mountain Park, the park’s attractions include the mountain itself, camping, a cable car to the summit, a collection of historic plantation buildings, Geyser Towers playground, the Sky Hike family ropes adventure course, a children’s activity area, and Crossroads Base Camp, a town with restaurants, retail stores, a movie theater, mini-golf, and craft stores. With so much going on, the owners hired Atlanta-based Full Spectrum to begin deploying a Symetrix SymNet Edge Dante networked audio DSP system that will grow and eventually expand to cover all of the park’s attractions via an inexpensive CAT5 network.

“The owners built Crossroads about a decade ago, and the original sound system did a passable job of supplying background music,” explained Paul Creasy, partner at Full Spectrum. “But as the development grew and several of the establishments set their sights on more and different events, the constraints of the original system became apparent. The upshot was that they needed something that was completely flexible. Moreover, the owners wanted to expand system coverage to several of the other attractions, but they didn’t want to have to start from scratch every time they expanded. The Symetrix SymNet Edge DSP system offered the perfect solution. Each Edge frame has modular I/O, and its open architecture programming allows us to customize system features and performance. The fact that the Edge DSP system networks via Dante will allow us to easily expand across the park.” Currently, eight SymNet Edge frames populate Crossroads, each in a different building.

“We do niche A/V,” said Creasy. “You can’t call up a preset for a place like Stone Mountain Park. I appreciate the flexibility and intuitive layout of SymNet Composer open architecture software. It’s easy to work with, even with a complex system like this one. Moreover, any time I have a question, Symetrix’ tech support is available and ready with an answer.” Within the next year, Full Spectrum plans to expand the sound reinforcement system via Dante and additional remote Edge DSP units to incorporate the Plantation, the Sky Ride cable car complex, and, perhaps most exciting, Stone Mountain’s famous laser show!

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

ISE Line-up To Feature Presentation by FSR’s Jon Melchin

Melchin to Share Expert Insight on Benefits of Building Information Modeling

Woodland Park, NJ – Integrated Systems Europe (ISE), the world’s best attended tradeshow for the professional AV and electronic systems industry, will feature a comprehensive educational agenda including a presentation by Jon Melchin, FSR Inc.’s Director of Architectural Development. Melchin will offer an expert look into the benefits of Building Information Modeling (BIM) – a 3D design, modeling and simulation technology that has changed the way that architecture is practiced. The presentation is scheduled for 11:30 – 12:30 on Wednesday, 5 February – day 2 of ISE, in Room D204 of the RAI. ISE, a joint venture between InfoComm International and CEDIA, will take place from 4 – 6 February at the RAI in Amsterdam.

Based on extensive experience in the architectural industry, Melchin will impart knowledge and share his views that BIM eclipses the 3D representation of the physical products and functional characteristics of a structure to provide a shared knowledge resource for everyone involved in the design process. The session’s appeal extends to architects as well as interior designers, engineers, contractors, facility owners, AV consultants and system integrators. Discussions will illustrate the opportunity for AV professionals to become involved on the ground level of a project, and explore an actual project highlighting benefits of BIM.

“The ‘I’ in BIM should stand for ‘Involvement’,” said Melchin. “This presentation will invite the members of the audience to participate in a discussion regarding all the advantages of BIM and all the people that can benefit from its implementation. I am delighted to bring my experience to a diverse group of international professionals at ISE!”

Melchin, an accomplished speaker and a Passport Provider with the American Institute of Architects Continuing Education System (AIA-CES), works nationally with the architectural and design community to facilitate the specification of FSR products. Melchin has authored numerous articles that have been published in international trade publications targeting the construction and audiovisual industries, and has over 12 years of experience in the AV business.

FSR will exhibit at ISE in Hall 1, Stand N3. Further information regarding all FSR products can be found at: www.fsrinc.com.

About FSR
FSR, established in 1981, manufactures a wide variety of products for the audio / video, education, hospitality, government, and religious markets, including AV floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and CAT-5 solutions.

The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: www.fsrinc.com.

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Communications
Harriet Diener • 845-512-8283 • harriet@desertmoon.tv

Arsenio Audio Staff (Fist) Pumped About Yamaha CL Digital Consoles

BUENA PARK, Calif.—The Arsenio Hall Show premiered in September 2013 and features a mix of comedy, music and celebrity guests, adding a new perspective to the late-night scene. Hosted by comedian and actor Arsenio Hall, the daily, one-hour nationally syndicated late-night talk show is anchored by the Tribune Broadcasting Station Group and produced by CBS Television Distribution.

Peter Baird is the sound system designer as well as the music mixer for The Arsenio Hall Show and together with the production mixer, house and monitor engineers, chose five Yamaha CL Digital Audio Consoles and six Rio3224-D input/output boxes to kick off the season. Two CL5s and one CL3 are used at front of house with two CL5s at the monitor mix position.

“When production mixer Ish Garcia asked me to come in as the show’s music mixer, we spent some time together strategizing about what an ideal system would look like, states Baird. We knew the show would be very music-heavy and wanted the system requirements to check four main boxes: 1) 160 inputs available to split between the house band, guest artists, and production, 2) tight integration and future-proofing, 3) stability and reasonable immunity from buzzes, hums, and grounding issues, and 4) incontestably great sound.”

Baird said he did a lot of research and was surprised to find that most major professional audio manufacturers still think in terms of single consoles with local input/output resources rather than integrated, networked systems. “It’s true that some manufacturers have implemented various modes of moving audio around including MADI and EtherSound, but only Yamaha had really perfected the relationship between separate console operators using shared resources. And, the more I read about Dante, the more I thought a large Dante network might be the best answer for us.”

Garcia and Baird have been through the audio selection process before, having been the mixing team on Lopez Tonight and, explains Baird, “in a project like The Arsenio Hall Show, the audio team needs to be able to move inputs and outputs around quickly and flexibly to deal with whatever the production team might throw at us. For example, we need to be able to quickly integrate any number of players suddenly showing up to sit in with the house band, while at the same time keeping the whole system as simple and understandable as possible for the operators. Yamaha’s incremental approach to console operations and CentraLogic™ meant that our FOH and Monitor Mixers, James Young and Greg Keslake, were already largely familiar with the console surface conventions from the very first day.”

Baird added that the economics of networked audio are not insignificant. “Traditionally a show like The Arsenio Hall Show would have at least three 56 pair of three-way transformer splitters with all of the associated interconnect copper between them, and in some cases, hundreds and hundreds of feet. Those 504 outputs (3 x 56 x 3) would feed separate consoles, with each output requiring a separate head amp. As mixers, we know that the best-sounding consoles are the ones with the best head amps, and a console with 64 top-drawer head amps costs more money than one with 64 mediocre head amps. But a networked system only needs one really great head amp per channel no matter how many consoles it’s connected to! With the CL series having only 8 head amps on board, Yamaha was able to spend time and money making the console as ergonomically correct as possible rather than trying to re-engineer head amp design to fit a small footprint. Also, in the case of Dante, local interconnects are on Cat 6 cable, with point-to-point connections on fiber, a monumental savings over the same capabilities in copper. And to clarify, the head amps in the Rio3224-D input/output box are spectacular! They are clear and detailed, yet with great body, warmth, and musicality; a great foundation for a system in a critical installation like The Arsenio Hall Show.”

Monitor Engineer, Greg Keslake says he’s a big fan of Yamaha digital consoles having been introduced to digital over 15 years ago with the Yamaha 01V, and since that time, has extensively used all of the larger format consoles. “We are using Dante exclusively for FOH, Monitors and Music Production, and I am even using a Dante MY16 Card in my house monitor console for high level returns from production.”

Keslake said for monitors he’s using one CL5 dedicated to the house band and one dedicated to the guest bands. “The house band is using the new Aviom 360′s, and I am sending the band each a mixture of direct outs, mixes and matrices. This has given them the comfort of being able to adjust the instruments of their choice very quickly but hasn’t limited my ability to supplement their mixes as needed. The Yamaha CL has also made it extremely easy to swap around what channels I send the house band based on weekly sit-in artists via Dante patching.”

On the guest band console, Keslake has dedicated mixes 1-16 as stereo in-ears, 17-24 as wedges, matrix’s 1-7 are effects sends, and matrix 8 is a drum sub mix. “The dedicated mixes have allowed me to have a very good starting point for almost any guest band with very little information. I have found the ability to map my own channels to custom fader banks immensely valuable specifically on the CL5 guest band console. I am using the C5 and C6 banks to map my daily used mixes enabling me to bounce around very quickly between them. I was also extremely impressed with the addition of the Premium Rack in the CL Series.”

With an audience of 201, James Young, front of house engineer is using a CL3 for the house band with six stems to the CL5 production console: left, right, sub, two vocal stems, lead and BGV, and a ‘guest’ stem for when someone sits in with the house band. Guest bands land in a separate CL5 with a similar 6 stem set up. “The Dante network has been very stable, and the Yamaha CL consoles are very easy to set up and use with classic Yamaha reliability. I also appreciate the extra DCA’s, effects rack, and custom fader banks.”

For more information on The Arsenio Hall Show, visit www.arseniohall.com.

For more information on Yamaha CL Digital Audio Consoles, visit www.yamahaca.com.

-END-

PHOTO ID: Left to right: Greg Keslake, Peter Baird, James Young

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

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