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DETROIT AUTO SHOWS BENEFIT FROM DANLEY SOUND LABS SPEAKERS AT THE NEW GRAND RIVERVIEW BALLROOM AT COBO CENTER

DETROIT, MICHIGAN – FEBRUARY 2014: The roots of the North American International Auto Show, which is held annually in Detroit, Michigan, go back to 1907 when it was strictly a regional venue for America’s nascent auto manufacturers to parade their latest inventions. Flash forward over a century and the event has become one of the largest auto shows in the world, attracting press and enthusiasts from around the globe to the North American auto-making capital, and bringing an approximate $500 million annual boost to the local economy. As attendance numbers continue to grow, Cobo Center, which hosts the event, recently renovated the underused 12,000-seat Cobo Arena to convert it into a ballroom better suited to the show. Danley Sound Labs SM-60F full-range loudspeakers, supported by Danley TH-115 subwoofers, fire down from the new ballroom’s fifty-foot ceilings to support high-energy auto show productions, along with other events that the new space, renamed Grand Riverview Ballroom at Cobo Center, will host throughout the year.

“The old Cobo Arena was not used very often,” explained Tim Hamilton, A/V designer with Acoustics By Design (Grand Rapids, Michigan) and the lead A/V consultant on the Cobo project. “They gutted it completely, down to the structure, and put in a new floor. The upper half is the new Grand Riverview Ballroom, and it is aesthetically gorgeous, a far cry from the rough arena that went so underused. The Grand Riverview Ballroom is a premium spot, and I suspect that all of the manufacturers will be clambering to rent it, rather than being stuck on the concrete floors of the main exhibit hall. I gave the system enough oomph so that they could easily cover any event short of a full-blown concert.”

The inputs to the system include a collection of AKG wireless microphones together with numerous floor boxes and wall panels. All of the inputs feed a Biamp AudiaFlex signal processing system. Touch panels positioned at strategic locations throughout the hall run Biamp’s daVinci control system software, which allows input selection and volume control. Outputs from the processing system feed Biamp amplifiers that power twenty full-range Danley SM-60F loudspeakers and Crown iTech series amplifiers that power the four Danley TH-115 subwoofers. Each loudspeaker and subwoofer has its own amplifier channel. Preset selection allows users to engage all the loudspeakers and subwoofers as one unit for full-floor events, to split the room in half for situations in which a retractable wall is in place, or to mute the loudspeakers at one end of the hall for events where a stage is in place.

“There weren’t a lot of loudspeaker and subwoofer solutions that would meet all of the particular needs of the Grand Riverview Ballroom,” said Hamilton. “First, they would be fifty feet in the air, and most traditional ceiling speakers would be significantly under-gunned. Second, the beautiful, decorative ceiling had only a limited number of rigging points, and yet we still had to satisfy the need to divide or mute speakers according to the presets. Third, we needed great fidelity and power on a budget. The Danley SM-60F had the right 60×60 beam width to hit the floor correctly, and it has the Danley sound and efficiency at a great price point. Moreover, it is a relatively small box, which satisfied the requirements for the rigging points. All in all, we used the Danley loudspeakers and subwoofers to cover a large space with a distributed system that focuses sound on the floor and minimizes reflections off the ceiling and walls.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

EMERSON COLLEGE ADDS 32-CHANNEL API 1608 ANALOG CONSOLE WITH AUTOMATION

BOSTON, MASSACHUSETTS – FEBRUARY 2014: Specializing in preparing students for careers in communications and the arts, Emerson College, through a collaborative initiative between VMA Prof. Pierre Archambault and the TRF Audio Group, recently added a 32-channel API 1608 analog console with full automation to its studio facilities to provide high-end sonics and a transitional work-flow between its other studio facilities. The school is located in Boston, Massachusetts and currently enrolls over 4,000 undergraduate and postgraduate students. Among schools of its type, Emerson College is unique for its long history – Charles Wesley Emerson founded it as a school of oratory in 1880 – and its recent growth. The new API 1608 will be used to teach courses in Advanced Recording and Introduction to Sound Design.

“We are a school of communications, focusing on Sound for Visual Media Arts,” said Bruno Caruso, Audio Technical Supervisor with Emerson College. “We use our studio facilities to teach Sound Design, Mix to Picture, ADR, Foley, sound for gaming, and voice-over.” Emerson’s studio facility already contains an entry-level room, with an analog console workflow, and a high-end post-production suite with an Avid ICON Digital workflow. The post-production suite already uses a collection of API 512c mic preamps and an API Channel Strip to handle any source recording. “We were certainly very happy with that sound,” said Caruso. “That was a factor that moved us in the direction of API for our console purchase.”

The goal was to add a studio space that bridged the technological gap between the entry-level room and the post-production suite. “Of course the API sound was an important part of our decision to add a 1608, but there was more to it than that,” said Caruso. “It’s an analog board with a great sound that’s very easy to teach. The students can stand around the board while the Faculty demonstrates techniques. Moreover, including automation gave us a pedagogical bridge between the entry-level room and the post-production suite.”

Emerson College purchased its 32-channel API 1608 through nearby Parsons Audio (Wellesley, Massachusetts). “Everyone at Parsons was great,” said Caruso. “They gave us demos of everything we were considering and lots of other support. They were instrumental in pointing us in the right direction for our needs. Through them, Todd Beeten of Sound Construction built us custom furniture and racks for our facilities” Caruso was also impressed by the help he received from API: “As far as I’m concerned, the entire industry should look to API as an ideal model for customer service. Right off the bat, our phone calls were always answered by an actual person and that’s very reassuring. Their lead technical support guy, Radovan Maricic, had the complete answer to any question we had right on the tip of his tongue. He knows API inside and out, outside and in. There’s no ‘I’ll check into that and get back to you.’ He knows exactly what’s going on, and that made it easy to install and commission the board.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

Yamaha CL Award IF Product Design Award

BUENA PARK, Calif.–The Yamaha CL Series Digital Mixing Consoles has been awarded an IF Product Design Award at the iF Design Awards 2014 held in Germany it was announced today by Yamaha Corporation Japan. Since 1953, the prestigious, international IF Design Awards have been hosted by the IF Industries Forum Design e.V. in Hannover, Germany and celebrate outstanding industrial product design.

The awards are comprised of four categories: product design, communications design, material design, and packaging design. The IF Product Design Award received by the Yamaha CL Series is awarded not only for creativity and innovation in design but from an overall viewpoint including functional aspects such as ease of use, quality, and environmental friendliness. Over 4,615 products from 55 countries around the world were entered for this year’s IF Design Awards.

“The CL Series has made great strides in sound quality, ease of use, functionality, and reliability meeting the needs of both artists and sound engineers,” states Laurence Italia, Vice President/General Manager, Yamaha Commercial Audio Systems, Inc. “We congratulate our design colleagues in Japan and celebrate this award with all of our dedicated CL Series customers.”

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Landmark Oakland Church Gets VARIA

Oakland, CA – February 2014… Bishop Carl Smith is on a mission, and he’s unapologetic. The members of New Birth Church are encouraged not only to attend church, but to become the church by actively working to improve the quality of the lives of those they touch.

Housed in a mid-19th century Catholic Cathedral, New Birth’s 500-seat sanctuary was an acoustically challenged environment when Concord, CA-based Premier Media Integration, Inc., was brought in to design and install new audio, video, and lighting systems and acoustical treatment. Graham Cooper, President of PMI, contacted Rocky Giannetta, Principal of Layer 8 Inc., to assess the room’s acoustics and assist with systems design.

With Giannetta’s acoustical measurements documenting a reverb time of 3.8 seconds, Layer 8 created an EASE model and designed acoustical treatment and loudspeaker system that PMI would install. While the acoustical treatment reduced reverb to around 1.6 seconds, the environment was still challenging enough to demand an audio system that could keep reflections to a minimum.

“The church has beautiful stained glass throughout the structure,” adds Graham Cooper “Our job was to find places to put the panels that would be aesthetically and architecturally acceptable. Padded chairs, carpet, and, of course, people, also help.”

With reverb down to an almost reasonable level, Giannetta specified the new VARIA line array system from Renkus-Heinz. “We knew that despite our best efforts, the room was not going to be acoustically ideal, and we needed to maximize control of the energy,” he explains. “Typical line arrays would only provide the right directivity in one plane. The client wanted a line array system that would provide the output and headroom for the sound they create, and VARIA fit the bill perfectly.”

The system is comprised of six VARIA VAX101 cabinets per side, with three 7-degree boxes on top and three 15-degree boxes underneath. “With the VARIA’s variable pattern control, we were able to configure coverage from 60 degrees on top to 120 degrees on the bottom,” says Giannetta. Two VAX115S subwoofers per side, along with four DRS18-2 subs on the floor, provide low end reinforcement. The system is powered by Lab.gruppen amplification.

“We’ve been using Renkus-Heinz products on a number of projects, and the clients have always been happy with the results,” says Cooper. “The VARIA system does a great job of focusing the sound on the congregation and keeping it off the walls and reflective surfaces, and the speakers integrate nicely with the room’s architecture. Bishop Smith was emphatic about maintaining the building’s aesthetics, and the VARIA system looks great.”

Giannetta agrees, “the VARIA system was an ideal choice for this project.”

 ###

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

DEFIANTLY INNOVATIVE, DANLEY ENTERS THE COLUMN SPEAKER MARKET WITH THE SBH-10 “SKINNY BIG HORN”

GAINESVILLE, GEORGIA – FEBRUARY 2014: Danley Sound Labs broke into the house of worship market by skirting convention with its patented Synergy Horn and Tapped Horn technologies and is currently taking the sporting arena market by storm by one-upping line arrays with its unique Genesis and Jericho Horns. The recipe is easy to explain but almost impossible for anyone without Tom Danley’s unique acoustics background to pull off: Danley starts back at the fundamental physics of loudspeaker design to overcome trade-offs that are inherent to conventional designs. So it is again with column speakers. The new Danley SBH-10 “Skinny Big Horn,” uses Danley’s patented Paraline technologies to deliver the aesthetic benefits of a column speaker but with much greater fidelity, superior pattern control, no spurious lobes, and no requirement for complicated signal processing.

At a weight of one-hundred pounds and with dimensions of 60” x 9” x 9”, the SBH-10 is composed of eight 5-inch coaxial drivers and acts as a single large Synergy Horn with the directivity of a horn over twenty-five feet! Its coverage pattern measures 140 x 10 degrees, and its frequency response extends from 77Hz to 15kHz, +/-3dB.

“Danley’s new Skinny Big Horn series meets the aesthetic desire for a low profile column shape,” said Mike Hedden, president of Danley Sound Labs. “But shape is where the similarities between conventional column speakers and the Danley Skinny Big Horn end. Using our patented Paraline technology, the SBH-10 has the directivity of a twenty-five foot long horn, yet it is only nine inches deep! Moreover, due to horn loading, the SBH-10 has a sensitivity of 99dB, which is 10dB greater than similar sized cone-loaded products, and because it has such a high power handling rating, is capable of close to 20dB greater output when compared to similarly sized, front-loaded designs. The Danley Skinny Big Horn is a technological leap: no spurious lobes, forward directivity that other manufacturers can only dream of which allows it to even be flown away from a boundary, extremely tight vertical coverage, wide horizontal coverage, and – most importantly – audiophile fidelity. If all that weren’t enough, the SBH-10 requires only one amplifier channel and no special signal processing.” There’s a new leader in the column loudspeaker market. The SBH-10 and its not even a column, it’s a Skinny Big Horn!

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

Be sure to watch this YouTube video where Doug Jones explains yet another breakthrough technology from Danley Sound Labs: http://youtu.be/b8cX5Xs_vZg

Symetrix Automates Audio for Services at Marytown’s 24/7 Sanctuary

LIBERTYVILLE, ILLINOIS – FEBRUARY 2014: Marytown in Libertyville, Illinois is the National Shrine of Saint Maximilian Kolbe and is a ministry of the Conventual Franciscans Friars of Saint Bonaventure Province. Its stunningly beautiful sanctuary is a notable pilgrimage site and operates twenty-four hours a day, seven days a week for Eucharistic Adoration and prayer. In addition, Marytown holds mass twice daily and Liturgy of the Hours four times daily. In short, Marytown is a very serene, yet busy place. When its sound reinforcement system failed, Marytown called on CAVCOMM Audio Visual (Niles, Illinois) to make a speedy repair. Once the system was evaluated, replacing the aging analog system made more financial sense. A Symetrix SymNet Solus 16 open architecture, standalone audio DSP forms the heart of a robust, flexible system that the Franciscan Friars liked so much it inspired the installation of a Symetrix Jupiter 4 fixed architecture, standalone DSP in their residence.

“The layout of Marytown’s beautiful sanctuary is unique,” said Mike Canfield, president of CAVCOMM Audio Visual. “In front of the chancel alter area, the pews are perpendicular, and the pulpit and Father’s chair are situated towards the middle of the nave. Just before a major holy day, their mixer failed. I brought in a SymNet Solus 16 so they could get through the busy season. Having the flexibility of the open-architecture SymNet Solus 16 was great because we could use it in place of the old gear and we could still use the existing speakers and amplification. New Tannoy VLS15 passive line array speakers were added a few months later. I favor Symetrix processing based partly on its broadcast industry heritage, which requires products to have a quiet, neutral performance and the Symetrix processors are intuitive to program.”

Two Symetrix ARC-2e wall panel remote controls provide easy selection and volume control for a collection of seven Shure wired and wireless microphones and a CD/iPod deck. An eight-channel Lab.gruppen C10.8x amplifier powers the system. Because it was so easy to program the SymNet Solus 16, Canfield ran a few experimental setups with the Marytown friars. “I put in a gated mixing design for a few weeks and then tried a gain sharing design,” he said. “Then I asked which they liked better. Because so many different people with different speaking voices and volumes use the system, they felt the gain-sharing design worked better. It was nice to have that kind of flexibility.”

The friars were so pleased with the performance of the new system in the sanctuary that they requested a smaller DSP system for their dining/meeting room. “It’s very simple, and a Jupiter 4 together with a Symetrix ARC-2e wall panel remote control allows them to play music and have a microphone input for meetings,” Canfield said. “Right now it’s just two inputs and two outputs, but they might expand the system to include some outdoor landscaping speakers or another input. Everything that the Jupiter 4 contains couldn’t be touched by an analog system for anywhere near its price. It’s a tremendous value.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

BERKLEE COLLEGE OF MUSIC TO ADD FOURTH API LEGACY CONSOLE

BOSTON, MASSACHUSETTS – FEBRUARY 2014: The Music Production and Engineering Department (MPED) at Boston’s prestigious Berklee College of Music will add a fourth 32-channel analog API Legacy Plus console to its Studio A in early summer of 2014. At that time, a John Storyk-led renovation will overhaul the space to create a fourth facility with nearly identical equipment to three existing facilities for the instruction of foundational tracking and mixing courses. Because the MPED recognizes the importance of giving students abundant hands-on experience with definitive industry tools, it self-limits the number of Berklee students who can earn their degree in the department. Thus, only half of the Berklee students who apply to the MPED are accepted, which allows the department to maintain a student body of approximately three hundred students. The new API Legacy Plus will help alleviate competition for space and bottlenecks in studio scheduling.

“The API Legacy Plus offers us several advantages,” said Rob Jaczko, chair of the MPED and recording engineer for Bruce Springsteen, Sheryl Crow, James Taylor, and countless others. “First and foremost, its sonics and musicality are an industry benchmark. Just running tracks through it flat is an experience that our students should appreciate. Second, the Legacy Plus has a classic in-line analog signal path, which is very useful for teaching signal flow and problem solving. Finally, we’ve enjoyed a great relationship with API. We’ve always been happy with API’s outboard gear, which is included in seventeen of our studios, and the support we received from the API staff during the purchase and installation of the first three Legacies was great.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

ASHLY AUDIO APPOINTS BARDY HAYES AND ALEX SCHLOESSER OF GLOBAL MARKETING MANAGEMENT AS ASIA PACIFIC SALES MANAGER AND ENGINEER

ROCHESTER, NEW YORK – FEBRUARY 2014: Ashly Audio, veteran manufacturer of professional audio signal processing and amplification equipment, has appointed Bardy Hayes and Alex Schloesser of Global Marketing Management (GMM) as its sales manager and sales engineer, respectively, in the Asia-Pacific region. Hayes will oversee the qualification and appointment of local distributors, as well as monitor sales and marketing goals. Schloesser will train and support the distribution channel. In a word, the duo will act as an extension of Ashly’s sales, marketing, and technical departments from Mongolia to Tasmania and from India to Tahiti.

“Global has a mature and well-managed territory, with deep networks that we will tap directly into,” said Mark Wentling, CEO at Ashly. “Alex’s technical training and support capabilities are world class, and Bardy’s able handling of regional planning and management will allow us to focus our energies on the more strategic side of building Ashly’s channels worldwide.” GMM has been in operation for over a decade and maintains offices in San Diego and Singapore.

“Ashly has a strong and stable brand reputation in the Asia-Pacific region,” said Hayes. “Ashly products sound great, fill real world needs, and are some of the most reliable in the world. The company has a high level of integrity and has respect from all parties fortunate enough to do business with them. We will work hard to strengthen all of the relationships between the factory and the channel in the Asia-Pacific region. We want to see Ashly in projects of all sizes and across a wide swath of applications.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

(PHOTO CAPTION) From left to right, John Sexton (Ashly), Bardy Hayes (APAC Sales Manager), Mark Wentling (Ashly), Alex Schloesser (APAC Sales Engineer), Kelly Trader (APAC Order/Sales Admin).

DANLEY LOUDSPEAKERS COMPLETE THE FINAL PHASE OF GREEEN BAY PACKERS’ LAMBEAU FIELD EXPANSION

GREEN BAY, WISCONSIN: The Green Bay Packers have yet again expanded the seating capacity of legendary Lambeau Field, which raises it to the third-largest NFL stadium in the league with a total of 80,750 seats. The additional seats number 7,000 and fill in the south end zone, which had been the last remaining gap in Lambeau Field’s bowl architecture. With the bowl complete, designer Anthony James Partners and installer Pro Media Ultrasound were able to remove the longer-throw loudspeakers that had previously covered the south end zone seating and replace them with distributed Danley Sound Labs Synergy Horn loudspeakers that are mounted unobtrusively to the new structure. This final phase completes Lambeau Field’s all-Danley sound reinforcement system, which has been widely praised for its impact and fidelity.

“We knew going into the original system overhaul that the structural completion of the south end zone would give us the fully-symmetrical system we wanted,” explained Larry Lucas, director of audio engineering for Anthony James Partners (Richmond, Virginia). Lucas designed both phases of the Danley system overhaul at Lambeau Field. He continued, “Not only did it allow us to cover the original south end zone seating, it also allowed us to cover the 7,000 new seats as well.”

Over one hundred new Danley Synergy Horn loudspeakers comprise the addition. They include 26 Danley SM-100s, 31 Danley SM-96s, 42 Danley SH-MINIs, six Danley SH-46s, 21 Danley SH-21s, and, for good measure, two of Danley’s flagship SH-50s. Crown amplifiers power the system, with processing and control from BSS London. The existing Danley system is made up of twelve loudspeaker towers, each of which contains a Danley Genesis Horn GH-60 for primary coverage, a Danley SH-100 for fill, and a Danley TH-118 subwoofer for impactful bass.

Danley’s Mike Hedden commented, “Part of the commissioning process included STIPA measurements performed by the local authorities in charge of emergency and mass communication. They measured every seat not once but twice as they had never seen such high STIPA readings. Intelligibility is a huge hurdle in large venues and to have the third largest NFL stadium with stunning fidelity as well as intelligibility speaks to our superior technologies.”

“Danley’s small-format loudspeakers gave us the opportunity to tuck them under the soffits and under the new deck,” said Lucas. “Importantly, we did not have to place any loudspeakers on the front of the new deck, which is prime advertising real estate. The team has received a lot of comments from season ticket holders in the south end zone. They’re very pleased with the sound of the new system. As a system designer, it was especially gratifying to see the whole stadium come together. It was exciting to commission and verify that, as planned, all of Lambeau Field is now seamless.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Wirebox Media Adds Yamaha CL5 to Production and Rental Inventory

BUENA PARK, Calif.—Wirebox Media (Smyrna, Georgia) has added a Yamaha CL5 Digital Audio Console to augment its existing Yamaha digital console line along with the NEXO systems already in inventory. “We selected the CL5 primarily because our operators are already familiar with the Yamaha interface, design, and software but we also take into account the renowned reliability and stability of the Yamaha digital platforms,” states Tim Harrigan, Owner, Wirebox Media.

In addition to the CL5, Wirebox added Rio3224-D and 1608-D input/output boxes. “Integrated with the recommended Cisco switches, we have a redundant network with 500’ of fiber, says Harrigan. The Dante redundant fiber network was a key factor in the purchase. The system was flawless on its first outing for Ted Turner’s 75th birthday party hosted by Jay Leno. As a requirement, all equipment selected for the show was backed up with redundancy, from microphones to generators, which made the CL5 system the obvious choice.”

“The console surface is stellar, Harrigan notes, who was sound designer and mix engineer for the Turner event. The custom layers enabled me to work fast and layout the console exactly as I needed, which is key to event like this with so many elements involved.” Harrigan used the iPad interface to tweak the video mix; on the show network they had the video department 350’ feet down the hall in another ballroom. The second Rio (1608-D) was placed in the video room which supplied them multiple record feeds and playback inputs. The audio team had their own in-ear mixes on the CL5 Aux busses for communications with Harrigan that enabled them to also relocate with the video department to make necessary changes.

For more information on Wirebox Media, visit www.wireboxmedia.com.

For more information on the Yamaha CL Series, visit www.yamahaca.com.

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PHOTO ID: Wirebox CL5 In Action At Ted Turner Bash

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

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